March 2008 Cms Public File Report
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Room to Rise: the Lasting Impact of Intensive Teen Programs in Art Museums
ROOM the lasting impact of intensive teen programs in art museums to rise Room to Rise: The Lasting Impact of Intensive Teen Programs in Art Museums Danielle Linzer and Mary Ellen Munley Editor: Ellen Hirzy Whitney Museum of American Art, New York Copyright © 2015 by the Whitney Museum of American Art, New York. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Whitney Museum of American Art 99 Gansevoort Street New York, NY 10014 whitney.org Generous funding for this publication has been provided by the Institute of Museum and Library Services. Project Director Danielle Linzer Lead Researcher Mary Ellen Munley Editor Ellen Hirzy Copyeditor Thea Hetzner Designers Hilary Greenbaum and Virginia Chow, Graphic Design Department, Whitney Museum of American Art ISBN: 978–0–87427–159–1 Cataloging-in-Publication Data is on file with the Library of Congress. Printed and bound by Lulu.com Front cover: Youth Insights, Whitney Museum of American Art, New York (top); Teen Council, Museum of Contemporary Arts Houston (bottom) Back cover: Walker Art Center Teen Arts Council, Walker Art Center, Minneapolis (top); MOCA and Louis Vuitton Young Arts Program, The Museum of Contemporary Art, Los Angeles (bottom) PREFACE 6 INTRODUCTION 8 1: DESIGNING 16 THE STUDY 2: CHANGING LIVES 22 3: CHANGING 58 MUSEUMS 4: SHAPING OUR 64 PRACTICE PROGRAM PROFILES 76 NOTES 86 ACKNOWLEDGMENTS 90 Room to Rise: The Lasting Impact of Intensive 4 Teen Programs in Art Museums PREFACE ADAM D. -
ARTIST - DENNIS OPPENHEIM Born in Electric City, WA, USA, in 1938 Died in New York, NY, USA, in 2011
ARTIST - DENNIS OPPENHEIM Born in Electric City, WA, USA, in 1938 Died in New York, NY, USA, in 2011 EDUCATION - 1964 : Beaux Arts of California College of Arts and Crafts, Oakland, CA, USA 1967 : Beaux Arts of Stantford University, Palo Alto, CA, US SOLO SHOWS (SELECTION) - 2020 Dennis Oppenheim, Galerie Mitterrand, Paris, France 2019 Dennis Oppenheim, Le dessin hors papier, Musée des Beaux-Arts, Caen, FR 2018 Broken Record Blues, Peder Lund, Oslo NO Violations, Marlborough Contemporary, New York US Straight Red Trees. Alternative Landscape Components, Guild Hall, East Hampton, NY, US 2016 Terrestrial Studio, Storm King Art Center, New Windsor US Three Projections, Art Institute of Chicago, Chicago, US 2015 Collection, MAMCO, Geneva, CH Launching Structure #3. An Armature for Projections, Halle-Nord, Geneva CH Dennis Oppenheim, Wooson Gallery, Daegu, KR 2014 Dennis Oppenheim, MOT International, London, UK 2013 Thought Collision Factories, Henry Moore Institute, Leeds, UK Sculpture 1979/2006, Galleria Fumagalli & Spazio Borgogno, Milano, IT Alternative Landscape Components, Yorkshire Sculpture Park, West Bretton, UK 2012 Electric City, Kunst Merano Arte, Merano, IT 1968: Earthworks and Ground Systems, Haines Gallery, San Francisco US HaBeer, Beersheba, ISR Selected Works, Palacio Almudi, Murcia, ES 2011 Dennis Oppenheim, Musee d'Art Moderne et Contemporain, Saint-Etienne, FR Eaton Fine Arts, West Palm Beach, Florida, US Galerie Samuel Lallouz, Montreal, CA Salutations to the Sky, Museo Fundacion Gabarron, New York, US 79 RUE DU TEMPLE -
Unearth Exhibition Catalog
UNEARTH | JUDY ONOFRIO The Rochester Art Center “This work is celebrating the ongoing cycle of ever-changing life, filled with expectation, anticipation, and the unknown. Through my intuitive studio practice, I seek to move beyond a specific narrative, and reach toward a universal experience of beauty that speaks to the transitory nature of life.” -JUDY ONOFRIO 4 TABLE OF CONTENTS Materiality, Texture and Form: A Lived Practice in Unearth Foreword the Work of Judy Onofrio Works in the Exhibition O6 10 21 “...I was so much Unearthing Materiality and older then Meaning in the Work of I’m younger than Judy Onofrio that now.” Artist's Resume 86 98 104 Acknowledgments Colophon 111 112 5 FOREWORD Megan Johnston Rochester Art Center Executive Director With this exhibition, Unearth by Rochester- an intentional turn towards being more open based, nationally recognized artist Judy and engaging. While we celebrate 70 years of Onofrio, Rochester Art Center is proud fostering creativity in our community, with to announce the celebration of our 70th more than 1 million people served, we are also anniversary. registering eleven years sited on the banks of the Zumbro River and at the heart of a city. The exhibition highlights RAC’s commitment to presenting signature solo shows by artists In this context, the exhibition Unearth by Judy regionally, nationally and internationally. Onofrio not only highlights this change but For more than 25 years I have worked closely also a re-connection to our specific context. with artists on significant new bodies of For many of us in Rochester and Minnesota, work, creating space for risk and support. -
Zaynab Abdi, Student
MINNESOTA WOMEN’S PRESS POWERFUL. EVERYDAY. WOMEN. Places & SPaces Nekessa Julia Opoti: The Story of Immigration Green Card Voices: Where Do I Belong? Minnesota Authors Explore Place The Women of Outward Bound: 1965 SPaces Issue womenspress.com July 2018 Issue 34-7 MINNESOTA “In the exhilaration of natural wonders, absorbed in our own WOMEN’S PRESS survival goals, we come through the POWERFUL. EVERYDAY. WOMEN. fog. We find vistas of peace and one- ness with each other, comfort, and acceptance.” — Devvie Cersine What’s inside? Editor Letter 4 Finding Place in the Space We Share COURTESY CRAIG WIKLUND CRAIG COURTESY Reader Response 5 Where Have You Felt at Home? Grounded 6 Smooth Sailing at Age 105 GoSeeDo Calendar 8 Places & Spaces 12-19 • Minnesota: A Place of Refuge? Pat Marble takes Up Kayaking, page 6 • Nekessa Julia Opoti: Arbitrary Borders • Act Now: Immigration Welcome Steps Contact Us MWP team • Green Card Voices: Where Do I Belong? 651-646-3968 Owner/Editor: Mikki Morrissette • Think: Immigration Facts & Data Send a letter to the editor/suggest story idea: Business Development Director: Shelly Damm [email protected] Managing Editor: Sarah Whiting Ism Schism 20 Subscribe: [email protected] Jessica Ostrov: Why Green Spaces Are White Contributors: Zaynab Abdi, Nancy Breymeier, Advertise: [email protected] Devvie Cersine, Maxine Davis, Shannon Drury, Linda BookShelf 25 LeGarde Glover, Kelly Gryting, Nekessa Julia Opoti, Minnesota Authors Explore Place: Wildflowers, Events listings: [email protected] Jessica Ostrov, Kelly Povo, Veronica Quillien, Maya Onigamiising, and Bakken Oil Fields Rao, Erica Rivera, Phyllis Root, Regina Santiago Our vision: There is much to be done, now Learning Life 30 more than ever. -
Frank Big Bear: Nativia
2123 w 21st Street | Minneapolis mn 55405 | 612 377 4669 | bockleygallery.com Frank Big Bear: Nativia Opening Reception: Friday, November 11, 6 to 8 pm Exhibition: November 10 through December 17, 2016 Gallery Hours: Wednesday through Saturday, Noon to 5 pm Bockley Gallery is pleased to announce its upcoming exhibition Nativia by Duluth-based artist Frank Big Bear. In his 12th solo show at the gallery, Big Bear continues to explore the complex issues in force at the intersection of Native American and American popular cultures. Running throughout this offering of new paintings, drawings and a single collage is the broader leitmotif of the human figure and, more specifically, the portrait. Of note is Big Bear’s Multiverse #1, a large-scale collage where the artist utilized 120 gallery exhibition invitations as a support to express his ideas and actions, which he then organized into a grid pattern. Big Bear approached each card individually as if chapters in a book, collageing onto each surface a range of images culled from magazines, books, graphic novels and catalogues. This cacophony of visual information integrates images, signs and symbols drawn from Native culture with those of popular culture figures, objects and events such as famous artists and artworks, celebrities, models, and even animals. The individual cards are then modified as needed and organized into the larger compositional grid. Of note is another collage in the Multiverse series, Big Bear’s monumental The Walker Collage, Multiverse #10 commissioned by Walker Art Center. It will be unveiled at the November 19 celebratory opening of the museum’s redesigned main entrance on Vineland Place. -
Robert Morris, Minimalism, and the 1960S
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 1988 The Politics of Experience: Robert Morris, Minimalism, and the 1960s Maurice Berger Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1646 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] INFORMATION TO USERS The most advanced technology has been used to photograph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. -
Statement 24 - Page 1 2
The McKnight Foundation Identification No. 41-0754835 Supplementary Information Form 990PF - Part XV - Question 2(a)(b)(c)(d) 2016 2. (a) Name, address, and telephone number of person to whom application should be addressed: To better serve our grantees and add efficiency to internal operations, The McKnight Foundation uses an online submission process for letters of inquiry, grant proposals, and reports. The online application system is designed to use everyone’s time and resources as efficiently as possible, cutting down on paper and mailing expenses on both ends. The two-step application process is described in 2(b) below. If an applicant has questions at any time during the online application process described below, the applicant can send an email to [email protected] or contact the Foundation at: The McKnight Foundation 710 South Second Street, Suite 400 Minneapolis, MN 55401 Telephone: 612-333-4220 2. (b) Form in which applications should be submitted and information and materials they should include: Sample questions to consider before applying: What are your organization's primary goals, projects, or services? Which populations, communities, or stakeholders are priorities in your work? What specifically do you hope to accomplish if funded, and how will you go about it? How does your request align with McKnight’s program strategies? Statement 24 - Page 1 2. (b) Form in which applications should be submitted and information and materials they should include (continued): Follow the links below to determine if your organization and project fit our grantmaking guidelines, and to submit a request for funding. ARTS REGION & COMMUNITIES http://www.mcknight.org/grant-programs/arts http://www.mcknight.org/grant-programs/region-and- communities EDUCATION & LEARNING MINNESOTA INITIATIVE FOUNDATIONS http://www.mcknight.org/grant-programs/education- http://www.mcknight.org/grant-programs/mn and-learning Contact your region's MIF for program guidelines. -
Regional Arts Council Grants FY 2014
Regional Arts Council grants page 1 FY 2014 - 2015 Individual | Organization FY Funding Grant program ACHF grant City Plan summary source dollars Ada Chamber of Commerce 2014 RAC 01 Arts Legacy Grant $1,000 Ada Fun in the Flatlands artists for 2014 Ada Chamber of Commerce 2015 RAC 01 Arts Legacy Grant $1,300 Ada Fun in the Flatlands Entertainment Argyle American Legion Post 353 2014 RAC 01 Arts Legacy Grant $9,900 Argyle Design and commission two outdoor bronze veterans memorial sculptures Badger Public Schools 2015 RAC 01 Arts Legacy Grant $1,700 Badger Badger Art Club Encampment at North House Folk School City of Kennedy 2014 RAC 01 Arts Legacy Grant $4,200 Kennedy Public art mural painting by Beau Bakken City of Kennedy 2014 RAC 01 Arts Legacy Grant $930 Kennedy Frame and display artistically captured photography throughout time taken in Kennedy, Minnesota City of Kennedy 2015 RAC 01 Arts Legacy Grant $4,100 Kennedy Kennedy Trompe L'Oeil City of Newfolden 2014 RAC 01 Arts Legacy Grant $10,000 Newfolden Commission a bronze sculpture City of Red Lake Falls 2015 RAC 01 Arts Legacy Grant $10,000 Red Lake Falls Red Lake Falls Public Art Awareness Project 2015 City of Roseau 2014 RAC 01 Arts Legacy Grant $2,250 Roseau Artists for Scandinavian Festival East Grand Forks Campbell Library 2014 RAC 01 Arts Legacy Grant $10,000 East Grand Forks Arts presenters in 2014 East Grand Forks Campbell Library 2015 RAC 01 Arts Legacy Grant $10,000 East Grand Forks Engage East Grand Forks 2015 Fosston Community Library and Arts 2014 RAC 01 Arts Legacy Grant $3,000 Fosston Production of The Money in Uncle George's Suitcase Association Fosston Community Library and Arts 2015 RAC 01 Arts Legacy Grant $3,000 Fosston Summer Musical-Swingtime Canteen Association Fosston High School 2015 RAC 01 Arts Legacy Grant $10,000 Fosston Residency with The Copper Street Brass Quintet Friends of Godel Memorial Library 2015 RAC 01 Arts Legacy Grant $9,450 Warren Donor Tree. -
STATE of MINNESOTA Office of Governor Tim Pawlenty 130 State Capitol ♦ 75 Rev
STATE OF MINNESOTA Office of Governor Tim Pawlenty 130 State Capitol ♦ 75 Rev. Dr. Martin Luther King Jr. Blvd. ♦ Saint Paul, MN 55155 FOR IMMEDIATE RELEASE: Contact: Leslie Kupchella January 6, 2004 651-296-0001 GOVERNOR PAWLENTY APPOINTS FIVE TO THE COUNCIL ON DISABILITY Saint Paul – Governor Tim Pawlenty today announced the appointment of Sylvia Carty, Sister Baptiste Fish, Joanne Olson, Barbara Stensland, and Sheila Wieser to the Council on Disability. Sylvia Carty, of St. Paul, retired in 1989 after serving 24 years as the Director of the Child Development Center at the Hallie Q. Brown Community Center in St. Paul. Since retirement, she has been an active volunteer, including work at the Resource Center at State Services for the Blind, the Living at Home Senior Program at Family Service, Inc., and the Quality Design Committee at the Minnesota Department of Human Services. Carty is appointed as the Council member representing Region 11. She will serve a term ending January 1, 2007. Carty will fill the Council seat formerly held by Joan Willshire. Sister M. Baptiste Fish, OSF, of Rochester, is a retired member of the Sisters of St Francis. Her lengthy career included work as a parish and school accountant, business office manager at a nursing home, director of finance at a visiting nursing service, accounting manager at a medical center, and vice president of financial affairs at a college. Fish currently volunteers as accountant for Integrative Therapies Foundation at Assisi Heights in Rochester. She is appointed as an at-large Council member for a term ending January 1, 2007. -
Raymond Saunders 40 Years: Paris/Oakland
Andrew Kreps Gallery Raymond Saunders 40 Years: Paris/Oakland May 1 - June 12, 2021 657 Howard Street, San Francisco, CA 94105 1275 Minnesota Street, San Francisco, CA Casemore Kirkeby and Andrew Kreps Gallery are pleased to announce 40 Years: Paris/ Oakland, an exhibition of works by Raymond Saunders, presented across two locations in San Francisco. Since the 1960s, Raymond Saunders has developed a singular practice defined by an improvisational approach, as he culls eclectic ephemera, signage, detritus, and other materials from his daily life which reflect his living environment. A cult-like figure in the Bay Area art scene, Saunders’ paintings and installation-based works are loaded with rich swaths of paint, interwoven with found materials and his own notational marks, and white- pencil drawings. Blackboard surfaces, left visible through a heavy accumulation of marks and material, tie Saunders’ works inextricably to his role as an educator, as he handwrites simple equations, lettering, and childlike notes onto the work’s surface. Like jazz, dissonant at first, yet upon closer view, Saunders uses these diverse elements which seem to address the dualities present within life - plight and renewal, lack and abundance, innocence, and despair, as well as the individual and the community. Interweaving his own personal experience and anecdotes, Saunders aims to teach this full reality of the modern environment, the losses and victories, as well as the splendor that exists within the everyday. Spanning four decades of Saunders’ remarkable career, 40 Years: Paris/Oakland spans two locations (657 Howard Street, and 1275 Minnesota Street) and features rarely-exhibited works on canvas from the 1980s and installation-based works from the 1990s. -
Walker Guided Tour Topics and Themes
Walker Guided Tour Topics and Themes GUIDED TOUR TOPICS For guided tours, please select your topic preference. (Note maximum number of participants.) Gallery Tour (max. 60) Familiarize yourself with contemporary art by exploring works of art in the Walker’s collection. Sculpture Garden Tour (max. 60) Explore concepts such as shape, scale, space, and texture in one of the country’s largest urban sculpture parks. The Minneapolis Sculpture Garden features more than 40 artworks, including the whimsical Pop Art icon Spoonbridge and Cherry by Claes Oldenburg and Coosje van Bruggen. Architecture of Expansion (max. 60) These tours introduce visitors to the expanded Walker Art Center through an in-depth exploration of its state-of-the-art spaces and the processes used by the architects Herzog & de Meuron for designing the 2005 building. Special Exhibition (max. may vary) Our special exhibition tours focus on a variety of topics and artists. For more information about exhibitions currently on view, click here: http://schools.walkerart.org/exhibitions.wac. Custom Tour (max. may vary) The tour program will work with you to develop a custom tour based on a theme or topic of particular interest to your group. We will contact you to make arrangements after we receive your request. In addition to a specially tailored topic, your tour can be enriched by an Art Lab or food and drink from D’Amico Modern Events (see additional tour components below). Pre-K Gallery Tour (max. 60) Children explore works of art in the galleries by focusing on basic elements such as color, line, shape, and pattern. -
2013 MNHS Legacy Report (PDF)
Minnesota History: Building A Legacy JAnuAry 2013 | Report to the Governor and the Legislature on Funding for History Programs and Projects supported by the Legacy Amendment’s Arts and Cultural Heritage Fund Table of Contents Letter from the Minnesota Historical Society Director and CEO . 1 Introduction . 2 Feature Stories on FY12–13 History Programs, Partnerships, Grants and Initiatives Then Now Wow Exhibit . 7 Civil War Commemoration . 9 U .S .-Dakota War of 1862 Commemoration . 10 Statewide History Programs . 12 Minnesota Historical and Cultural Heritage Grants Highlights . 14 Archaeological Surveys . 16 Minnesota Digital Library . 17 FY12–13 ACHF History Appropriations Language . Grants tab FY12–13 Report of Minnesota Historical and Cultural Heritage Grants (Organized by Legislative District) . 19 FY12–13 Report of Statewide History Programs . 57 FY12–13 Report of Statewide History Partnerships . 73 FY12–13 Report of Other Statewide Initiatives Surveys of Historical and Archaeological Sites . 85 Minnesota Digital Library . 86 Civil War Commemoration . 87 Estimated cost of preparing and printing this report (as required by Minn. Stat. § 3.197): $6,413 Upon request this report will be made available in alternate format such as Braille, large print or audio tape. For TTY contact Minnesota Relay Service at 800-627-3529 and ask for the Minnesota Historical Society. For more information or for paper copies of this report contact the Society at: 345 Kellogg Blvd. W., St Paul, MN 55102, 651-259-3000. The 2012 report is available at the Society’s website: legacy.mnhs.org. COVER IMAGE: Kids try plowing at the Oliver H. Kelley Farm in Elk River, June 2012 Letter from the Director and CEO January 15, 2013 As we near the close of the second biennium since the passage of the Legacy Amendment in November 2008, Minnesotans are preserving our past, sharing our state’s stories and connecting to history like never before.