DOCSLIB.ORG

Regional Arts Council Grants FY 2014

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Regional Arts Council Grants FY 2014 Regional Arts Council grants page 1 FY 2014 - 2015 Individual | Organization FY Funding Grant program ACHF grant City Plan summary source dollars Ada Chamber of Commerce 2014 RAC 01 Arts Legacy Grant $1,000 Ada Fun in the Flatlands artists for 2014 Ada Chamber of Commerce 2015 RAC 01 Arts Legacy Grant $1,300 Ada Fun in the Flatlands Entertainment Argyle American Legion Post 353 2014 RAC 01 Arts Legacy Grant $9,900 Argyle Design and commission two outdoor bronze veterans memorial sculptures Badger Public Schools 2015 RAC 01 Arts Legacy Grant $1,700 Badger Badger Art Club Encampment at North House Folk School City of Kennedy 2014 RAC 01 Arts Legacy Grant $4,200 Kennedy Public art mural painting by Beau Bakken City of Kennedy 2014 RAC 01 Arts Legacy Grant $930 Kennedy Frame and display artistically captured photography throughout time taken in Kennedy, Minnesota City of Kennedy 2015 RAC 01 Arts Legacy Grant $4,100 Kennedy Kennedy Trompe L'Oeil City of Newfolden 2014 RAC 01 Arts Legacy Grant $10,000 Newfolden Commission a bronze sculpture City of Red Lake Falls 2015 RAC 01 Arts Legacy Grant $10,000 Red Lake Falls Red Lake Falls Public Art Awareness Project 2015 City of Roseau 2014 RAC 01 Arts Legacy Grant $2,250 Roseau Artists for Scandinavian Festival East Grand Forks Campbell Library 2014 RAC 01 Arts Legacy Grant $10,000 East Grand Forks Arts presenters in 2014 East Grand Forks Campbell Library 2015 RAC 01 Arts Legacy Grant $10,000 East Grand Forks Engage East Grand Forks 2015 Fosston Community Library and Arts 2014 RAC 01 Arts Legacy Grant $3,000 Fosston Production of The Money in Uncle George's Suitcase Association Fosston Community Library and Arts 2015 RAC 01 Arts Legacy Grant $3,000 Fosston Summer Musical-Swingtime Canteen Association Fosston High School 2015 RAC 01 Arts Legacy Grant $10,000 Fosston Residency with The Copper Street Brass Quintet Friends of Godel Memorial Library 2015 RAC 01 Arts Legacy Grant $9,450 Warren Donor Tree. A mosaic donor tree will be created by Lisa Arnold, an accomplished mosaic artist, with a community participation and learning opportunity. General Federated Women's Club 2014 RAC 01 Arts Legacy Grant $4,150 Thief River Falls Sponsor storyteller Kevin Kling General Federated Women's Club 2014 RAC 01 Arts Legacy Grant $1,255 Thief River Falls Painting workshop with Christine Foster Goodridge Veterans Memorial Park 2015 RAC 01 Arts Legacy Grant $10,000 Goodridge Goodridge Veteran's Memorial Park Dedication Julie Elick 2015 RAC 01 Arts Legacy Grant $5,400 Roseau Artists On Main Supporting the Artist Kittson Central Public Schools 2014 RAC 01 Arts Legacy Grant $8,000 Hallock Three residency artists for Camp Art 2014 Kittson Central Public Schools 2015 RAC 01 Arts Legacy Grant $8,930 Hallock Camp Art Regional Arts Council grants page 2 FY 2014 - 2015 Individual | Organization FY Funding Grant program ACHF grant City Plan summary source dollars Lancaster Public Schools 2014 RAC 01 Arts Legacy Grant $3,000 Lancaster Sponsor Missoula Children's Theater in Nov of 2014 L'Association des Francais du Nord 2014 RAC 01 Arts Legacy Grant $9,000 Red Lake Falls Sponsor artists for Chautauqua 2014 L'Association des Francais du Nord 2015 RAC 01 Arts Legacy Grant $9,000 Red Lake Falls French-Canadian and Michif Music and Dance Festival Malung Community Center 2014 RAC 01 Arts Legacy Grant $10,000 Roseau Create a ceramics area for community classes Marshall County Historical Society 2015 RAC 01 Arts Legacy Grant $720 Warren Grinding Day at Old Mill Middle River Community Club 2015 RAC 01 Arts Legacy Grant $900 Middle River Goose Festival Sculpture Party. Sculpture Party with performing Artist for our 2014 Goose Festival. Palmville Press and Publishing, Inc. 2014 RAC 01 Arts Legacy Grant $6,000 Wannaska Printing costs for The Raven Publication Polish National Alliance Lodge 3060 2014 RAC 01 Arts Legacy Grant $3,500 Strandquist Artists to perform at Polish Day in Florian Polish National Alliance Lodge 3060 2015 RAC 01 Arts Legacy Grant $3,500 Strandquist Polish Day Polk County Historical Society 2015 RAC 01 Arts Legacy Grant $2,350 Crookston Pioneer Day Red River Children's Chorus 2015 RAC 01 Arts Legacy Grant $10,000 Thief River Falls Red River Children's Chorus Roseau County Historical Society 2015 RAC 01 Arts Legacy Grant $1,300 Roseau Minnesota Homefront Dave Kenney Program Roseau Public Schools 2014 RAC 01 Arts Legacy Grant $9,360 Roseau Bring four writers to Roseau school district to conduct residencies with children. Roseau Public Schools 2015 RAC 01 Arts Legacy Grant $9,000 Roseau Spoken Word and Writing in Roseau. Four writers will inspire and teach writing to elementary and high school students. Sons of Norway Snorre Lodge 70 2014 RAC 01 Arts Legacy Grant $10,000 Thief River Falls Sponsor artists to present for Norwegian Heritage Week Sons of Norway Snorre Lodge 70 2015 RAC 01 Arts Legacy Grant $3,580 Thief River Falls Norwegian Heritage Week 2015 Stephen-Argyle Central Public 2015 RAC 01 Arts Legacy Grant $2,500 Stephen Summer Theatre Camp Schools Summer Arts Stages 2014 RAC 01 Arts Legacy Grant $10,000 East Grand Forks 2014 Safari and Stages Theater Camp Summer Arts Stages 2015 RAC 01 Arts Legacy Grant $10,000 East Grand Forks Summer Arts Stages Thief River Falls Area Community 2014 RAC 01 Arts Legacy Grant $6,885 Thief River Falls Production of the play Forever Plaid Theater Regional Arts Council grants page 3 FY 2014 - 2015 Individual | Organization FY Funding Grant program ACHF grant City Plan summary source dollars Thief River Falls Area Community 2014 RAC 01 Arts Legacy Grant $6,635 Thief River Falls Production of The Fantasticks Theater Thief River Falls Area Community 2014 RAC 01 Arts Legacy Grant $10,000 Thief River Falls Increase programming and services with 560 hours of paid staff Theater Thief River Falls Area Community 2015 RAC 01 Arts Legacy Grant $10,000 Thief River Falls Hello Dolly! Theater Thief River Falls Area Community 2015 RAC 01 Arts Legacy Grant $10,000 Thief River Falls Executive Director 2015-2016 Theater Thief River Falls Area Community 2015 RAC 01 Arts Legacy Grant $3,290 Thief River Falls Seussical Jr. Theater Thief River Falls Chamber of 2014 RAC 01 Arts Legacy Grant $1,080 Thief River Falls Sponsorship of the children's musical theater group Zinghoppers at the Commerce RiverFest event on August 2, 2014 Thief River Falls Chamber of 2015 RAC 01 Arts Legacy Grant $10,000 Thief River Falls Trussing and Tarp Cover for Portable Stage. Purchase portable trussing Commerce (cover) with tiedowns, tarp cover and crank lifts for portable stage. Tri River Pioneer Museum 2015 RAC 01 Arts Legacy Grant $4,800 Plummer Independence Day Celebration 2015 Tri-County Public Schools 2014 RAC 01 Arts Legacy Grant $6,885 Karlstad Sponsor writer residencies with Stephen Peters and Jon Lurie and a music residency with Soli Hughes. Tri-County Public Schools 2015 RAC 01 Arts Legacy Grant $4,830 Karlstad Artists at Tri-County. Elementary students at Tri-County Schools will create with a theatre artist and a cartoonist. Twin Forks Chorus of Sweet Adelines 2014 RAC 01 Arts Legacy Grant $368 Fisher Tour their fall concert to Warren University of Minnesota-Crookston 2014 RAC 01 Arts Legacy Grant $10,000 Crookston Sponsor author Taylor Branch Warren-Alvarado-Oslo School District 2015 RAC 01 Arts Legacy Grant $9,150 Warren Summer Art Camp Warroad High School 2015 RAC 01 Arts Legacy Grant $10,000 Warroad Residency with The Copper Street Brass Quintet Warroad Summer Theatre 2014 RAC 01 Arts Legacy Grant $10,000 Warroad Production of the theater season for 2014 Warroad Summer Theatre 2015 RAC 01 Arts Legacy Grant $10,000 Warroad Warroad Summer Theatre Operating grant Fertile-Beltrami Public Schools 2014 RAC 01 Arts Legacy Grant - $2,100 Fertile Sponsor Prairie Fire Children's Theater workshop and performance Residency Fosston Public Schools 2014 RAC 01 Arts Legacy Grant - $2,500 Fosston Sponsor a bookmaking residency with Heidi Jeub Residency Regional Arts Council grants page 4 FY 2014 - 2015 Individual | Organization FY Funding Grant program ACHF grant City Plan summary source dollars Greenbush-Middle River School 2014 RAC 01 Arts Legacy Grant - $2,100 Greenbush Residency with visual artist Al Belleveau District Residency Greenbush-Middle River School 2014 RAC 01 Arts Legacy Grant - $500 Greenbush Sponsor visual art installation with Al Belleveau District Residency Kittson Central Public Schools 2014 RAC 01 Arts Legacy Grant - $2,100 Hallock Flamenco Dance residency Residency Kittson Central Public Schools 2014 RAC 01 Arts Legacy Grant - $2,100 Hallock Sponsor a bookmaking residency with Heidi Jeub Residency Roseau Public Schools 2014 RAC 01 Arts Legacy Grant - $2,600 Roseau Sponsor a residency by Ross Sutter in folk music Residency Roseau Public Schools 2014 RAC 01 Arts Legacy Grant - $2,600 Roseau Sponsor a residency by Jim Mondloch in painting Residency Stephen-Argyle Central Public 2014 RAC 01 Arts Legacy Grant - $2,100 Stephen Sponsor Safari children's theater in summer of 2014 Schools Residency Tri-County Public Schools 2014 RAC 01 Arts Legacy Grant - $2,600 Karlstad Sponsor a residency by Ross Sutter in folk music Residency Tri-County Public Schools 2014 RAC 01 Arts Legacy Grant - $2,600 Karlstad Sponsor a residency by Jim Mondloch in painting Residency Warren-Alvarado-Oslo School District 2014 RAC 01 Arts Legacy Grant - $1,800 Warren Production of Safari for 2014 Residency Win-E-Mac Public Schools 2014 RAC 01 Arts Legacy Grant - $2,100 Erskine Storytelling residency with Joy Bashara-Ingram Residency Climax-Shelly Public Schools 2015 RAC 01 Arts Legacy Residency $2,100 Climax Sponsor Prairie Fire Children's Theater workshop and play.
Load more

Recommended publications
  • Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College
    Claremont Colleges Scholarship @ Claremont Pitzer Senior Theses Pitzer Student Scholarship 2014 Funny Pages: Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College Recommended Citation Hernandez, Dahnya Nicole, "Funny Pages: Comic Strips and the American Family, 1930-1960" (2014). Pitzer Senior Theses. Paper 60. http://scholarship.claremont.edu/pitzer_theses/60 This Open Access Senior Thesis is brought to you for free and open access by the Pitzer Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pitzer Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. FUNNY PAGES COMIC STRIPS AND THE AMERICAN FAMILY, 1930-1960 BY DAHNYA HERNANDEZ-ROACH SUBMITTED TO PITZER COLLEGE IN PARTIAL FULFILLMENT OF THE BACHELOR OF ARTS DEGREE FIRST READER: PROFESSOR BILL ANTHES SECOND READER: PROFESSOR MATTHEW DELMONT APRIL 25, 2014 0 Table of Contents Acknowledgements...........................................................................................................................................2 Introduction.........................................................................................................................................................3 Chapter One: Blondie.....................................................................................................................................18 Chapter Two: Little Orphan Annie............................................................................................................35
    [Show full text]
  • Social Responsability and Sustainability Report 2020 SA Social Responsability and Sustainability Report 2020
    Social Responsability and Sustainability Report 2020 SA Social Responsability and Sustainability Report 2020 Our current circumstances, the extraordinarily complex and uncertain turn of events, leave little room for retrospective analy- sis. Our priority now must be to address both the serious health crisis caused by the Covid-19 pandemic and, at the same time, the resulting profound social and economic crisis that has struck us all so suddenly. All without losing sight of the future. These are times for decisive, rigorous action, for acting with a sense of responsibility and with a long-term view. From the very outset, PRISA, aside from immediately implementing the required sanitary measures, saw its priority as maintain- ing its operations in the areas of quality education, news, culture and entertainment. We are convinced that this was a priority shared by all our target audiences. We have given equal priority to our financial liquidity and the adaptation of our structures, resources and processes to the rapidly changing new environment. Over the past year, the Board of Directors has devoted particular attention to reviewing strategy and to defining the optimum roadmap to ensure that our range of different operations can successfully develop future projects. These must necessarily be transformative – and, by extension, ambitious and exciting – and they must be in a position to generate value on a sustainable basis for all our publics and stakeholders. We also envisage profitability levels that will allow us to offer adequate returns to those who provide us with the necessary re- sources to develop our projects. This unprecedented crisis will have a negative effect on our already high level of indebtedness, which we must reduce and bring within parameters that are appropriate to our businesses.
    [Show full text]
  • The Curse of Eve - Or, What I Learned in School Margaret Atwood
    The Curse of Eve - Or, What I Learned in School Margaret Atwood Margaret Atwood and less Graeme Gibson La Malediction d'Eve ou - Ce que j'ai appris aI'ecole. knowledge, like all other knowledge, by virtue of gender. The tables have turned and now it's women who are supposed to Dans cet aper~u des stereotypes de femmes ecrivai ns et possess this knowledge, simply by birthright. I can only assume de leur impact sur notre tradition litteraire, Atwood nous that's the reason I've been invited to speak to you, since I'm demande de permettre aux femmes - personnages et not an authority on women, or indeed on anything else. personnes - d'avoir leurs imperfections sans etre I escaped from academia and bypassed journalism - which was categorisees comme types. the other career I considered, until I was told that women journalists usually ended up writing obituaries or wedding announcements for the women's page, in accordance with their Once upon a time, I wou Id have not been invited to speak to ancient roles as goddesses of life and death, deckers of nuptial you today. That time isn't really very long ago. In 1960, when beds and washers of corpses. Finally, I became a professional I was attending university, it was widely known that the writer. I've just finished a novel, so it's as a working novelist University College English department did not hire women, no that I'd li ke to approach this general area. matter what their qualifications. My own college did hire .
    [Show full text]
  • 2017 | 2018 Season
    2017 | 2018 SEASON Unforgettable characters. Extraordinary stories. Since 1947. A CHRISTMAS STORY, 2014 THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE, 2014 Honoring our 70 year history as San Luis Obispo Little Theatre while building our future as San Luis Obispo Repertory Theatre, a professional, nonprofit, regional theatre. Repertory (re-pə(r)-ˌtȯr-ē) 1. a company that performs different plays in the course of a season 2. a theatre in which such a company performs 3. the production and presentation of plays by a repertory company BYE BYE BIRDIE, 2016 THE DROWSY CHAPERONE, 2016 A New Name for Live Theatre This organization was created in the summer of 1947 by a small group of people who wanted to “put on a show.” These 10-15 theatre-lovers, swept up in the last wave of the larger Little Theatre movement across the country, recognized the need for an organized drama troupe in San Luis Obispo. Late in 1947, they decided on the name San Luis Obispo Little Theatre and began rehearsal for their first production – Noel Coward’s Blithe Spirit – which opened at the San Luis Obispo High School Auditorium in early 1948. Since that first show, the San Luis Obispo Little Theatre has produced a full season of plays each year, every year, in 27 different locations around the county. We have had an incredible history as a nonprofit community theatre: 70 years, over 900 plays, hundreds of board members, thousands of volunteers. Now it is time for us to officially become the premier live theatre in San Luis Obispo, and continue the growth we have experienced for the last 5, the last 30, the last 70 years.
    [Show full text]
  • Transplantation and Hepatic Pathology University of Pittsburgh Medical Center November, 2007
    Resident Handbook Division of Transplantation and Hepatic Pathology University of Pittsburgh Medical Center November, 2007 For private use of residents only- not for public distribution Table of Contents Anatomic Transplantation Pathology Rotation Clinical Responsibilities of the Division ........................................................3 Categorizations of Specimens and Structure of Signout.................................3 Resident Responsibilities................................................................................4 Learning Resources.........................................................................................4 Transplantation Pathology on the World-Wide Web......................................4 Weekly Schedule ............................................................................................6 Staff Locations and Telephone Numbers........................................................7 Background Articles Landmarks in Transplantation ........................................................................8 Trends in Organ Donation and Transplantation US 1996-2005.....................18 Perspectives in Organ Preservation………....................................................26 Transplant Tolerance- Editorial……………………………………….…….36 Kidney Grading Systems Banff 2005 Update……………………….....................................................42 Banff 97 Components (I t v g etc.) ................................................................44 Readings Banff 05 Meeting Report………………………………………...................47
    [Show full text]
  • Rift Needs You! We're Seeking Motivated, Out-Going and Hard-Working Interns to Sell Ads and Help out at Events
    Issue7.QXD 9/27/05 7:51 AM Page 1 Issue7.QXD 9/27/05 7:51 AM Page 2 Erik Siljander Chad Weis 612.685.6296 612.501.8595 Issue7.QXD 9/27/057:51AMPage3 CONTENTS OCTOBER 2005 ISSUE 7 INTRO 002 MUSIC FEATURES CHARIOTS by Rich Horton 004 ROBERT SKORO by Jen Parshley 006 DESDEMONA by Christine Mlodzik 008 COLUMNS NOWHERE BAND: Back From the Dead by Keith Pille 010 AND JUSTICE FOR ALL by Galen Eagle Bull 012 MUSIC SCENE COOL LOCAL MUSIC WEBSITES 011 LOCAL MUSIC AT SOUND UNSEEN 2005 013 CD REVIEWS 018 MUSIC BUSINESS/ADVICE AUDIO INSERT: Will You Still Hear Me Tomorrow by Chad Weis 014 RECORD LABEL: Afternoon Records by Rich Horton 016 Issue7.QXD 9/27/05 7:51 AM Page 4 INTRO What Comes Around, Goes Around. ISSUE 7 As Rift Magazine enters its seventh issue, it transitions into a new era. We've been around for more then a year now and I haven't given up yet, RIFT MAGAZINE which is a good sign. Instead of messing around and releasing issues at October 2005 erratic times, I've opted to take the magazine into overdrive status and get it on the stands each month. Loyal readers, you'll no longer have to wait EDITOR IN CHIEF around for two, sometimes three, months to get a healthy dose of Rift. RICH HORTON Of course this means I'm likely going to end up crazy in a mental insti- FEATURES COPY EDITOR tution, but a mind is a terrible thing to waste, so I am going to do my best to AMBER CORTEAU exercise it.
    [Show full text]
  • Patrick M. Vincent
    1 Vincent Patrick M. Vincent www.twinbeepress.com 1228 Shelton Ave, Nashville, TN 37207||(612) 418-2113||[email protected] Education 2012 Masters of Fine Arts: Printmaking; Herberger Institute for Design and the Arts, Arizona State University; Tempe, AZ 2007 Bachelor of Fine Arts with University Honors and Honors in Printmaking; Bachelor of Arts in Cultural Studies and Comparative Literature. University of Minnesota; Minneapolis, MN, summa cum laude Exhibition Honors & Awards 2013 Second Place. “MAPC Member’s Juried Exhibition” South Bend Museum of Art; South Bend, IN (Juried by Joe Segura) 2011 Honorable Mention. “National Print Exhibition: The Human Experience” Ingraham Hall University Gallery, Pacific Lutheran University; Tacoma, WA (Juried by Janet Marcavage) Second Place. “Going Solar” St. Louis Artist’s Guild Gallery; St. Louis, MO (Juried by Dan Welden) 2010 Kappa Pi Students' Choice Award. “Imprint” Exhibition. Anne Wright Wilson Fine Arts Gallery, Georgetown University. Georgetown, KT Juror’s Award. “Smudgematch 2010” Exhibition. Harry Wood Gallery, Herberger Institute for Design and the Arts, Arizona State University; Tempe, AZ (Juried by Andrea Hanley) First Prize. “The Art of Folly,” Hope Cook Gallery; Mankato, MN (Selected by Studio Art & Art History students) Screen-printing Award. “Printmaking Student Association Annual Juried Exhibition”; Tempe, AZ Juried by Kathryn Polk) Grand Valley State University Purchase Award. “(S)Edition” Exhibition; Grand Rapids, MI 2009 First Prize. “Little Black Book,” Exhibition; Smithtown
    [Show full text]
  • S W E N S O N (Selected Resume) [email protected] Website: Professional Position Present – 17 Professor Emeritus, Art Dept
    B e r n i c e F i c e k - S w e n s o n (selected resume) [email protected] website: www.berniceficekswenson.com Professional Position Present – 17 Professor Emeritus, Art Dept. University of Wisconsin - River Falls, USA 2017 - 92 Professor, Art Dept. University of Wisconsin - River Falls, USA 2015, 2013 & 2010 UWRF International Traveling Classroom, Paris & Lyon, France ( 3 week international intensive) 2004 Wisconsin in Scotland, University of Wisconsin, Edinburgh, Scotland 1990 – 1980 Co-Director, Land Mark Editions, Fine-art Printmaking Atelier, Minneapolis, MN International Exhibitions 2018 9th International Printmaking Biennial of Douro, Portugal (Invitation of Curator, Nuno Canelas) 2017 3rd Global Print 2017, Douro, Portugal (Invitation of Curator, Nuno Canelas) 2015 Here Now There Then, Institute of Fine Arts, University of Veracruz, Xalapa, Mexico 2014 El Fuego, Institute of Fine Arts, USBI, University of Veracruz, Mexico, (solo) 2012 Ontologies: 4 Visions, Athens Printmaking Festival, Eleftherias Park Art Center, Athens, Greece (4-person) 2011 Constructed Realities, 5 person invitational photogravure, Grafikens Hus, Mariefred, Sweden (5-person) 2008 Camera Lucida, Galerie Domus, Universite’ Claude-Bernard, sponsored by Galerie Par-ci Par-la, Lyon, France (solo) 2006 Of Fire and Stone, Gallery of Technohoros, Athens, Greece (solo) Solo & Two Person Exhibitions 2018 Stone Voices, No. 3 Reading Room & Photo Book Works, Beacon, NY 2018 Hudson Hospital Healing Arts Program, Hudson, WI 2017 Stone Voices, Traffic Zone Gallery, Minneapolis,
    [Show full text]
  • Via Issuelab
    ROCKEFELLER ARCHIVE CENTER RESEARCH REPORTS The Music and Performing Arts Programs of the Rockefeller Foundation by Michael Uy Harvard University © 2021 by Michael Uy Abstract The Rockefeller Foundation had originally left out much grantmaking to the arts during the first decades of its operations, instead devoting greater resources to efforts such as the alleviation of global hunger, the expansion of access to public libraries, or the eradication of hookworm. Its support of music prior to the 1950s had totaled less than $200,000 over four decades. After the Second World War, however, it began giving substantial funds to the arts and humanities. The Rockefeller Foundation funded projects in new music, like commissions made by the Louisville Orchestra, operas and ballets at New York’s City Center, and the work of the “creative associates” at the State University of New York at Buffalo. In total, between 1953 and 1976, the Rockefeller Foundation granted more than $40 million ($300 million in 2017) to the field of music alone. 2 RAC RESEARCH REPORTS The Music and Performing Arts Programs of the Rockefeller Foundation In 1976, the Rockefeller Foundation (RF) celebrated the United States Bicentennial with a 100-record collection known as the Recorded Anthology of American Music. The editorial committee of the anthology noted that any attempt to memorialize the music of the United States, including its many different racial and ethnic communities, as well as its vast geographical diversity, would be an impossible task. Thus, the aim for the anthology was to be “comprehensive,” but not “exhaustive.” I take a similar approach with this report.
    [Show full text]
  • Gerry Mulligan Discography
    GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”.
    [Show full text]
  • Unearth Exhibition Catalog
    UNEARTH | JUDY ONOFRIO The Rochester Art Center “This work is celebrating the ongoing cycle of ever-changing life, filled with expectation, anticipation, and the unknown. Through my intuitive studio practice, I seek to move beyond a specific narrative, and reach toward a universal experience of beauty that speaks to the transitory nature of life.” -JUDY ONOFRIO 4 TABLE OF CONTENTS Materiality, Texture and Form: A Lived Practice in Unearth Foreword the Work of Judy Onofrio Works in the Exhibition O6 10 21 “...I was so much Unearthing Materiality and older then Meaning in the Work of I’m younger than Judy Onofrio that now.” Artist's Resume 86 98 104 Acknowledgments Colophon 111 112 5 FOREWORD Megan Johnston Rochester Art Center Executive Director With this exhibition, Unearth by Rochester- an intentional turn towards being more open based, nationally recognized artist Judy and engaging. While we celebrate 70 years of Onofrio, Rochester Art Center is proud fostering creativity in our community, with to announce the celebration of our 70th more than 1 million people served, we are also anniversary. registering eleven years sited on the banks of the Zumbro River and at the heart of a city. The exhibition highlights RAC’s commitment to presenting signature solo shows by artists In this context, the exhibition Unearth by Judy regionally, nationally and internationally. Onofrio not only highlights this change but For more than 25 years I have worked closely also a re-connection to our specific context. with artists on significant new bodies of For many of us in Rochester and Minnesota, work, creating space for risk and support.
    [Show full text]
  • TRABAJO FIN DE GRADO Universidad De Sevilla
    TRABAJO FIN DE GRADO Universidad de Sevilla LA SUPERVIVENCIA DEL REALITY GAME COMO FORMATO DE ÉXITO EN ESPAÑA. ESTUDIO DE CASO: OPERACIÓN TRIUNFO Alumno: Ángeles Ceballos Benavides Tutor: Sergio Cobo Durán Curso Académico 2017-2018 Convocatoria de Junio Facultad de Comunicación Grado en Comunicación Audiovisual Indice 1. Justificación…………………………………………………………………………………….3 2. Metodología…………………………………………………………………………………….4 3. Marco teórico y Antecedentes. 3.1. De la televisión tradicional a la televisión social……………………………………………5 3.2. Clasificación de los formatos televisivos…………………………………………………..12 3.3. El origen de los reality game y su desarrollo en América: American Idol como punto de partida……………………………………………………………………………………………20 3.4. La llegada del reality game a España……………………………………………………….23 3.5. Popstar como antecedente del formato de Operación Triunfo……………………………..27 4. Análisis y resultados. 4.1 Recorrido histórico de Operación Triunfo: cambio de cadena y análisis de audiencia……..28 4.2 Comparativa OT1 y OT 2017: concursantes, jurado, academia, galas y chat………………34 4.3 Estrategia transmedia………………………………………………………………………..50 4.4 OT 2017 como revolución televisiva………………………………………………………..54 5. El declive de los programas musicales frente a los reality game………………………………57 6. Conclusiones……………………………………………………………………………………61 7. Bibliografía……………………………………………………………………………………..63 !2 2. Justificación La razón por la que se ha llevado a cabo este trabajo de investigación parte de la premisa de que la televisión es un medio que cada vez se consume menos, sobre todo entre el público joven. Internet está ganando claramente la batalla por el entretenimiento y es por ello que los medios tradicionales buscan desesperadamente la manera de volver a conectar con la audiencia a través de las redes sociales. Sin embargo a veces no es suficiente porque no solo ha cambiado la manera de consumir, sino que los jóvenes pierden cada vez más el interés por los contenidos que se emiten en televisión, especialmente por los que no son de carácter ficcional.
    [Show full text]