The Rage Pdf, Epub, Ebook

Total Page:16

File Type:pdf, Size:1020Kb

The Rage Pdf, Epub, Ebook THE RAGE PDF, EPUB, EBOOK Gene Kerrigan | 304 pages | 24 Sep 2012 | Vintage Publishing | 9780099532033 | English | London, United Kingdom The Rage PDF Book Dread Central. For even more, visit our Family Entertainment Guide. The New York Times. Polaroid Land Camera s. Porter: A Saleswoman Sissy Spacek as Carrie White via archival flashbacks: Rachel's deceased half-sister, and the protagonist of the original film. Firestarter Rekindled Crazy Credits All freaks and mutant vultures were harmed in the making of this film. Frequently Asked Questions Q: What was the soundtrack? Kat Ryan Hooks They also project the footage of her and Jesse having sex for all of the partygoers to see. Sue, a peer of Carrie's, survived the incident. Carrie Running time. Also, of course, because De Palma and his star, Sissy Spacek , made the story convincing. Forest movies. Share this Rating Title: The Rage 4. Crazy Credits. Cheating Girl Matt Jerrams N64 - Console. You must be a registered user to use the IMDb rating plugin. Wrong Floor Rager Anthony Savell We all had one of these that was our favourite. Check out our picks for family friendly movies movies that transcend all ages. Wrong Floor Rager Sarah Davies Color: Color. It Woh Share this Rating Title: The Rage 7. The Rage is a pretty cool zombie film that's shot all from one person's POV during a zombie outbreak. One year later in , Jesse, now studying at King's University, shares a dormitory with Rachel's dog Walter. Crazy Credits. Close search. Rachel kills Monica by causing her glasses to implode into her eyes, causing Monica to inadvertently castrate Eric with a harpoon. Drop in and say hi! Country: UK. Polaroid Talking Camera. The film has developed a cult following; with many fans feeling it was unfavourably compared to original, rather than being taken at its own merit; and some fans even preferring it to the original. The actors are attractive and do credible jobs, and in the tradition of the original film, there's one really good scare at the end. Categories : films English-language films horror films Films directed by Robert Kurtzman American independent films American splatter films American films Mad scientist films Horror films about birds Films adapted into comics. We have Polaroids! As Rachel pursues Monica, Eric, and Mark through the house, they arm themselves with weapons. Office Scientist Derek Carey Vernon Sound Mix: Dolby Digital. Roger Ebert gave the film 2 out of 4 stars stating "The original Carrie worked because it was a skillful teenage drama grafted onto a horror ending. Gor Jillian McLaughlin He has a vision of Rachel appearing in his room, and they kiss before she shatters into pieces. Technical Specs. Running time. Looking for some great streaming picks? Los Angeles Times. Keep track of everything you watch; tell your friends. The Rage Writer Retrieved November 27, Monica, the girlfriend of Mark's friend Brad, then befriends Rachel under false pretenses, inviting her to a party after a football game. Add the first question. The film has developed a cult following; with many fans feeling it was unfavourably compared to original, rather than being taken at its own merit; and some fans even preferring it to the original. Share this Rating Title: The Rage 4. Release Dates. Download as PDF Printable version. Book Category. Close search. He awakens in a panic, realizing the vision was only a nightmare. For even more, visit our Family Entertainment Guide. Meanwhile, Sue gradually begins to suspect Rachel may possess telekinetic powers through their counseling sessions. Moments later, an awning collapses on Rachel. There, the infection spreads as vultures eat the remains of the test subjects and become out of control with the compulsion to eat human flesh. It Woh Additionally, all of the long POV takes make for an impressive bit of coordination and choreography on the part of all of the support cast and crew in order to make everything perfect in a take, so well done to the team. Salem's Lot However, the only creatures outside the RV are the vultures and the decapitated zombie, which is trapped under the vehicle. Trivia The Rage was filmed in three different locations. Back to School Picks. Retrieved November 8, Plot Summary. Was this review helpful to you? Also, of course, because De Palma and his star, Sissy Spacek , made the story convincing. Alternate Versions. Jesse, who is not as callous as his peers, takes a genuine interest in Rachel, at the behest of cheerleader Tracy, who is pursuing him. Mega Drive - Console. Jesse and Tracy arrive moments later, and Rachel kills Tracy by causing a piece of ceiling to collapse on her. Maximum Overdrive Trucks I was lured in by all of the film's festival laurels and it is clearly deserving of the recognition it has received. Trailers and Videos. Uncle Ben Angela Gasparec Drop in and say hi! Sue, a peer of Carrie's, survived the incident. Namespaces Article Talk. She tracks down Rachel's institutionalized mother, Barbara, whose schizophrenia has stabilized, and Barbara confesses that Rachel's father was Ralph White, the father of Carrie White. When Sue discloses that Carrie is Rachel's half-sister, Rachel dismisses her as a liar. Janitor Daniel Henderson Pris Rachel Scheer Polaroid Land Camera s. Edit Storyline A bio scientist Joe who becomes trapped in a testing lab when a deadly Rage virus is accidentally released. Gor Jillian McLaughlin Language: English. Full Cast and Crew. Shelly Charles Price External Sites. Edward Douglas Midnight Syndicate. Thirteen years later in September , Rachel, an outcast, is living with unsympathetic foster parents and attending high school. From Wikipedia, the free encyclopedia. The Rage Reviews Get in touch! Salem's Lot Rate This. Joe Noel Ross The film is a sequel to the horror film Carrie , based on the novel of the same name by Stephen King and the second film in the Carrie franchise. Rachel triggers the sensor to the automatic pool cover, and manages to free herself while Mark drowns. In , as a child, Rachel Lang is placed in foster care when her mother, Barbara, is diagnosed with schizophrenia after she interprets signs of Rachel's telekinesis as possession by Satan. Company Credits. Book Category. Added to Watchlist. Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. When Sue discloses that Carrie is Rachel's half-sister, Rachel dismisses her as a liar. Metacritic Reviews. Plot Summary. Wrong Floor Rager Jayne Brayley The Shining Doctor Sleep Amy Irving reprised the role of Sue Snell, which she originated in the first Carrie , though she was initially wary of taking the role and asked Brian De Palma , director of the original film, for his blessing. Hidden categories: Template film date with 2 release dates. Back to School Picks. Budget: GBP estimated. She tracks down Rachel's institutionalized mother, Barbara, whose schizophrenia has stabilized, and Barbara confesses that Rachel's father was Ralph White, the father of Carrie White. For even more, visit our Family Entertainment Guide. United Artists Red Bank Films. Tracy stops at her house first and unsuccessfully attempts to seduce him. Clear your history. This triggers Rachel's telekinesis, and she seals the house closed. Looking for some great streaming picks? Polaroid Talking Camera. The lead character ends up having to do things like slam zombie coworkers' heads and other body parts in doors to survive. The Rage Read Online Sound Mix: Stereo. When Mark goes over to inspect whether she is dead, Rachel appears out of the water and pulls Mark into the pool. Wrong Floor Rager Sarah Davies He awakens in a panic, realizing the vision was only a nightmare. Stairwell Rager Joshua Cleave Back to School Picks. He has a vision of Rachel appearing in his room, and they kiss before she shatters into pieces. This triggers Rachel's telekinesis, and she seals the house closed. Language: English. Visit our What to Watch page. Andrew Divoff Erin Brown. Scream Factory. Metacritic Reviews. Firestarter Rekindled Get in touch! Categories : films English-language films horror films s high school films s supernatural films s teen horror films American films American high school films American sequel films American supernatural horror films American teen horror films Carrie franchise Films about bullying American films about revenge Films about virginity Films set in Films set in Films set in Films set in Maine Films shot in North Carolina Films shot in South Carolina Films about rape Films about telekinesis United Artists films Metro-Goldwyn-Mayer films Films directed by Katt Shea s supernatural horror films Films about mass murder. You must be a registered user to use the IMDb rating plugin. Budget: GBP estimated. The Musical Audio Technica Turntable Offer! The rage is fun and definitely worth your 9 minutes. From Wikipedia, the free encyclopedia. Help Learn to edit Community portal Recent changes Upload file. Polaroid Talking Camera. Categories : films English-language films horror films Films directed by Robert Kurtzman American independent films American splatter films American films Mad scientist films Horror films about birds Films adapted into comics. External Sites. https://cdn.starwebserver.se/shops/sonjamagnussonym/files/simple-faith-moving-beyond-religion-to-grow-in-your-relationship-with-god-212.pdf https://files8.webydo.com/9582849/UploadedFiles/33CA7742-1AFA-A80A-7CAD-8B8EA852E7A1.pdf https://files8.webydo.com/9583014/UploadedFiles/55459E77-1B21-FDAB-BB07-C185C85D467B.pdf https://files8.webydo.com/9583253/UploadedFiles/8F6F2191-89B1-170C-952E-70FAC3D9B97E.pdf https://cdn.starwebserver.se/shops/razmusblomqvistao/files/research-methods-a-modular-approach-2nd-edition-739.pdf https://files8.webydo.com/9583104/UploadedFiles/F609EA0E-BC8E-DE66-CAB4-0B1FD833C4AF.pdf https://files8.webydo.com/9583977/UploadedFiles/B81AA679-91AF-B0A3-7283-2E8561A42E23.pdf.
Recommended publications
  • Download Article (PDF)
    Advances in Social Science, Education and Humanities Research, volume 554 Proceedings of the 7th International Conference on Humanities and Social Science Research (ICHSSR 2021) The Hysteric Yell from Women: A Comparative Study of The Yellow Wall Paper and Carrie Lihua Lv1, Min Zhou1* 1 English Department, Zhejiang Ocean University, Zhoushan, Zhejiang 316000 P. R. China *Corresponding author. Email: [email protected] ABSTRACT Today, there are many researches focus on feminism, this paper from a new perspective, hysteria, to connect perspective of female literature in the past and the contemporary feminist literature, to look through the feminism history by comparation and give new inspiration to the development of women in the current society. Keywords: Feminism, Hysteria, The Yellow Wallpaper, Carrie 1. A BRIEF INTRODUCTION ON THE men’s private property, as they accept any treatment their TWO WORKS AND THEIR CREATING husbands, fathers or any male family members saw appropriate. Even they have doubts or disapproval in BACKGROUNDS their hearts. As the narrator in The Yellow Wallpaper did. Meanwhile, the treatments of so-called rest therapy, while 1.1. A Brief Introduction on The Yellow limiting and depriving any freewill of women in fact, Wallpaper and Its Creating Background were extremely popular at that time. Women of that time seemed to have all the needs and lived under proper care, The Yellow Wallpaper is a story narrated in the first- but their mind was supervised and restricted under person, the story is a collection of journal entries written patriarchy authority. From the end of the 18th century to by a woman who has a physician husband.
    [Show full text]
  • Reading Stephen King: Issues of Censorship, Student Choice, and Popular Literature
    DOCUMENT RESUME ED 414 606 CS 216 137 AUTHOR Power, Brenda Miller, Ed.; Wilhelm, Jeffrey D., Ed.; Chandler, Kelly, Ed. TITLE Reading Stephen King: Issues of Censorship, Student Choice, and Popular Literature. INSTITUTION National Council of Teachers of English, Urbana, IL. ISBN ISBN-0-8141-3905-1 PUB DATE 1997-00-00 NOTE 246p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 39051-0015: $14.95 members, $19.95 nonmembers). PUB TYPE Collected Works - General (020) Opinion Papers (120) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS *Censorship; Critical Thinking; *Fiction; Literature Appreciation; *Popular Culture; Public Schools; Reader Response; *Reading Material Selection; Reading Programs; Recreational Reading; Secondary Education; *Student Participation IDENTIFIERS *Contemporary Literature; Horror Fiction; *King (Stephen); Literary Canon; Response to Literature; Trade Books ABSTRACT This collection of essays grew out of the "Reading Stephen King Conference" held at the University of Mainin 1996. Stephen King's books have become a lightning rod for the tensions around issues of including "mass market" popular literature in middle and 1.i.gh school English classes and of who chooses what students read. King's fi'tion is among the most popular of "pop" literature, and among the most controversial. These essays spotlight the ways in which King's work intersects with the themes of the literary canon and its construction and maintenance, censorship in public schools, and the need for adolescent readers to be able to choose books in school reading programs. The essays and their authors are: (1) "Reading Stephen King: An Ethnography of an Event" (Brenda Miller Power); (2) "I Want to Be Typhoid Stevie" (Stephen King); (3) "King and Controversy in Classrooms: A Conversation between Teachers and Students" (Kelly Chandler and others); (4) "Of Cornflakes, Hot Dogs, Cabbages, and King" (Jeffrey D.
    [Show full text]
  • 66C 2 *3 69C 12.88
    (*>■. , . \ - Avenge Dally Net Press Run The W ealhe; ■ ' For The Week Ended May 20, 1067 CHatide of idiowers' this eve­ WEDNESDAY, JUNE 28, 1967 ning, mlUer wUh low In 60s; PA G E FO R T Y iMaurljiestw lEwftiing 1imlJ» £w paiftly okn*ty aitd warm twfnor- 15,210 itOyr,. high in 80*. ManeheHer^A City o f Vittiigo P VOL. LXXXVI, NO. 229 (TWENTY-FOUR PAGES—-TWO SECTIONS) •MfAlipeiiESTER, CONN., TH U RSDxl, JDNR 19^ O i l (IMfMirAaver&faw «» PRICE SEVEN CENTS J .i .u ij.:.. %?:•$:?’■"* ’ *"’ ’ ............ " ^ w S$?:S •X::*y: Thurso Fri.. Sat. and Mon.. July 3rd w -'V I'V .. H ^ E l ' ' n « HAIE t. ' wm iiieiBtftii More Ohjectip^ City Gates VALUES FOR YOUR LONG WEEKEND! SHOP FOR DOZENS MORE! T& Israeli M& Open After UNITED mVIONS, N.T. 40 Pale^tttio .1 9 Years (AlP) — The Qeneral As- seized the Old seitifHy todajt iM rd a mounting drove the Joi JERUSALEM (AP) — men’s short sleeve chorus ot attegks on Israel for the Old Otbr - OvBMriding bisr-jxiwer pro- 2 men’s Ivy League tie slmexatlon j^:ttie Old City of the bulk al^&e t«miS, Israel turned both boys’ perma-press excellent assortment sport or dress shirts JertMletn. and Mbslem s^iltors of Jerusalem inix> nreign Minister the start of " •'lift (me city under Israel’s flag plaid Bermudas summer dusters Omar Sakkaf pi Baudi Arabia m a dress, sport shirts today, and thousands a t told the enterMMey session of Wednesdliy tilghV I’S' Jewit and Arabs mingled 3 fo r the assemUy m t if the “ Zion- Hussein said Bis 1.77 Ists" fail to srnhdraw from cap- viewed “With utMc^ (ft and„ fraternized in the tuMd Arab tSHtories, “ there r.-'K:' »5 (Beg Page,; gates between the Jewish 1.68 1.77 reg.
    [Show full text]
  • Scary Movies at the Cudahy Family Library
    SCARY MOVIES AT THE CUDAHY FAMILY LIBRARY prepared by the staff of the adult services department August, 2004 updated August, 2010 AVP: Alien Vs. Predator - DVD Abandoned - DVD The Abominable Dr. Phibes - VHS, DVD The Addams Family - VHS, DVD Addams Family Values - VHS, DVD Alien Resurrection - VHS Alien 3 - VHS Alien vs. Predator. Requiem - DVD Altered States - VHS American Vampire - DVD An American werewolf in London - VHS, DVD An American Werewolf in Paris - VHS The Amityville Horror - DVD anacondas - DVD Angel Heart - DVD Anna’s Eve - DVD The Ape - DVD The Astronauts Wife - VHS, DVD Attack of the Giant Leeches - VHS, DVD Audrey Rose - VHS Beast from 20,000 Fathoms - DVD Beyond Evil - DVD The Birds - VHS, DVD The Black Cat - VHS Black River - VHS Black X-Mas - DVD Blade - VHS, DVD Blade 2 - VHS Blair Witch Project - VHS, DVD Bless the Child - DVD Blood Bath - DVD Blood Tide - DVD Boogeyman - DVD The Box - DVD Brainwaves - VHS Bram Stoker’s Dracula - VHS, DVD The Brotherhood - VHS Bug - DVD Cabin Fever - DVD Candyman: Farewell to the Flesh - VHS Cape Fear - VHS Carrie - VHS Cat People - VHS The Cell - VHS Children of the Corn - VHS Child’s Play 2 - DVD Child’s Play 3 - DVD Chillers - DVD Chilling Classics, 12 Disc set - DVD Christine - VHS Cloverfield - DVD Collector - DVD Coma - VHS, DVD The Craft - VHS, DVD The Crazies - DVD Crazy as Hell - DVD Creature from the Black Lagoon - VHS Creepshow - DVD Creepshow 3 - DVD The Crimson Rivers - VHS The Crow - DVD The Crow: City of Angels - DVD The Crow: Salvation - VHS Damien, Omen 2 - VHS
    [Show full text]
  • Creative Arts Emmy® Awards for Programs and Individual Achievements at the Nokia Theatre L.A
    FOR IMMEDIATE RELEASE August 16, 2014 7:00 PM PT The Television Academy tonight (Saturday, August 16, 2014) presented the 2014 Creative Arts Emmy® Awards for programs and individual achievements at the Nokia Theatre L.A. LIVE in Los Angeles. This first ceremony of the 66th Emmy Awards honored guest performers on television dramas and comedy series, as well as the many talented artists and craftspeople behind the scenes to create television excellence. Produced for the 20th year by Spike Jones, Jr., this year’s Creative Arts Awards featured an array of notable presenters, among them Jane Lynch, Tony Hale, Amy Schumer, Allison Janney, Tim Gunn and Heidi Klum, Comedy Central’s Key & Peele, Fred Armisen and Carrie Brownstein, Morgan Freeman, Tony Goldwyn, Aisha Tyler, Joe Manganiello and Carrie Preston. Highlights included Jon Voight’s moving posthumous presentation of the Academy’s prestigious Governors Award to casting icon, Marion Dougherty. Voight was one of Dougherty’s discoveries. The awards, as tabulated by the independent accounting firm of Ernst & Young LLP, were distributed as follows: Program Individual Total HBO 4 11 15 NBC 1 9 10 PBS 2 6 8 Fox 1 6 7 Netflix - 7 7 CBS 1 5 6 ABC 1 4 5 Discovery Channel 2 2 4 Disney Channel 1 3 4 FOX/NatGeo - 4 4 Showtime 1 3 4 Cartoon Network - 3 3 FX Networks - 3 3 Comedy Central - 2 2 Starz - 2 2 Adult Swim - 1 1 AMC - 1 1 CartoonNetwork.com - 1 1 CNN 1 - 1 comcast.com 1 - 1 ESPN 1 - 1 FunnyOrDie.com 1 - 1 justareflektor.com 1 - 1 Nat Geo WILD - 1 1 National Geographic Channel 1 - 1 pivot.tv 1 - 1 TNT 1 - 1 TELEVISION ACADEMY 2014 CREATIVE ARTS EMMY AWARDS This year’s Creative Arts telecast partner is FXM; a two-hour edited version of the ceremony will air Sunday, August 24 at 8:00 PM ET/PT with an encore at 10:00 PM ET/PT on FXM.
    [Show full text]
  • Audition Sheet Bring This Sheet with You to the Audition
    THE STORY Based on the Stephen King’s first novel, Carrie is the story of a high school girl with telekinetic powers. Bullied by classmates and abused by her overbearing mother, Carrie finds herself on a path toward independence and acceptance by her peers- until everything comes to a brutal end on prom night. THE CAST • Carrie White • Margaret White- Carrie’s mother • Sue Snell- the first to befriend Carrie; the story is told from her memories • Tommy Ross- Sue’s boyfriend who takes Carrie to the prom • Chris Hargenson- Carrie’s biggest foe, determined to bring her down from her ascent • Billy Nolan- Chris’ boyfriend and cruel partner in crime • Reverend Bliss- church leader • Mr. Stephens- English teacher/guidance counselor • Ms. Gardner- PE teacher • Named Students- George, Freddy, Frieda, Stokes, Helen, Norma • Chorus- students and other smaller roles The cast will feature ~25 performers (principals and chorus). THE PRODUCTION Attendance at all rehearsals is mandatory for principals and for support cast as needed. A calendar will be distributed on a bi-weekly basis- I assume you can be at all rehearsals, Monday through Thursday (3:05-5:30) and Friday (2:30- 5:30) unless otherwise noted on this form. A missed rehearsal may require dismissal from the show. Masconomet's Drug and Alcohol Policy applies to all cast and crew members of school productions. There will be 3 performances of Carrie: October 27, 28, and 29 at 7:00pm. AUDITIONS Auditions for all male roles will take place on Monday, August 29, from 3:00-4:30pm. Auditions for all female roles will take place on Monday, August 29, from 6:00-8:30pm.
    [Show full text]
  • Oh No, Ross and Carrie! Theme Song” by Brian Keith Dalton
    00:00:00 Music Transition “Oh No, Ross and Carrie! Theme Song” by Brian Keith Dalton. A jaunty, upbeat instrumental. 00:00:08 Carrie Host Hello! Welcome to Oh No, Ross and Carrie! The show where we Poppy don’t just report on fringe science, spirituality, and claims of the paranormal. No, no, no, no, no. We take part, ourselves. 00:00:17 Ross Host Yup! When they make the claims, we show up, so you don’t have Blocher to! I’m Ross Blocher. 00:00:20 Carrie Host And I’m Ross Blocher. [Ross makes a “hm” sound.] We are coming at you, live, from my living room. 00:00:26 Ross Host Well, okay, so we’re not live. 00:00:28 Carrie Host Okay. Touché. 00:00:29 Ross Host Well, we—you and I are live. 00:00:30 Carrie Host We are alive! And we are— 00:00:33 Crosstalk Crosstalk Ross and Carrie: Conscious! Carrie: Coming at you consciously. Ross: Apropos of our recent visit to the Conscious Life— Ross and Carrie: [Cheering.] Expo! 00:00:42 Ross Host This is one I’ve wanted to do for a long time. 00:00:44 Carrie Host Yeah, and people send it to us every once in a while. [Carrie agrees several times as Ross talks.] 00:00:47 Ross Host This is something we’ve been aware of for a long time. And it was in its 18th year, this year! So, it’s been going on since year of our Lord 2003.
    [Show full text]
  • Shining” with the Marginalized: Self-Reflection and Empathy in Stanley Kubrick’S the Hinins G Bethany Miller Cedarville University, [email protected]
    Cedarville University DigitalCommons@Cedarville Department of English, Literature, and Modern English Seminar Capstone Research Papers Languages 4-22-2015 “Shining” with the Marginalized: Self-Reflection and Empathy in Stanley Kubrick’s The hininS g Bethany Miller Cedarville University, [email protected] Follow this and additional works at: http://digitalcommons.cedarville.edu/ english_seminar_capstone Part of the Film Production Commons, Literature in English, North America Commons, Literature in English, North America, Ethnic and Cultural Minority Commons, Other Film and Media Studies Commons, and the Screenwriting Commons Recommended Citation Miller, Bethany, "“Shining” with the Marginalized: Self-Reflection and Empathy in Stanley Kubrick’s The hininS g" (2015). English Seminar Capstone Research Papers. 30. http://digitalcommons.cedarville.edu/english_seminar_capstone/30 This Capstone Project is brought to you for free and open access by DigitalCommons@Cedarville, a service of the Centennial Library. It has been accepted for inclusion in English Seminar Capstone Research Papers by an authorized administrator of DigitalCommons@Cedarville. For more information, please contact [email protected]. Miller 1 Bethany Miller Dr. Deardorff Senior Seminar 8 April 2015 “Shining” with the Marginalized: Self-Reflection and Empathy in Stanley Kubrick’s The Shining Stanley Kubrick’s horror masterpiece The Shining has confounded and fascinated viewers for decades. Perhaps its most mystifying element is its final zoom, which gradually falls on a picture of Jack Torrance beaming in front of a crowd with the caption “July 4 th Ball, Overlook Hotel, 1921.” While Bill Blakemore and others examine the film as a critique of violence in American history, no scholar has thoroughly established the connection between July 4 th, 1921, Jack Torrance, and the rest of the film.
    [Show full text]
  • WOH 3241 the Vietnam War Syllabus
    WOH 3241 THE VIETNAM WAR FALL 2020 Professor: Matthew Jacobs Email: Beginning this semester, faculty are required to communicate with students via the course CANVAS email tool, but I may also be reached at [email protected] Office Hours (virtual): Mondays 10:30-11:30, Thursdays 2:30-3:30, and by appointment Teaching Assistant: Timothy Blanton Email: Please connect via the CANVAS email tool, or at [email protected] Office Hours (virtual): ???? and by appointment Teaching Assistant: Robert Lierse Email: Please connect via the CANVAS email tool, or at [email protected] Office Hours (virtual): ???? and by appointment Welcome to the fall 2020 semester, and to WOH 3241: The Vietnam War. As we all know, this semester will be unlike any that any of us have ever experienced. The success of the course will be equally dependent on all of us being committed, flexible, patient, persistent, and understanding. This course will be offered synchronously, meaning at the scheduled time listed in the Schedule of Courses, but fully remotely. Lectures will be Tuesdays, 5th and 6th period (11:45-1:40). Typically, instead of taking a break during lecture we will end by 1:15. Thursday discussion sessions will take place at either 11:45 or 12:50, depending on the section in which you are registered. These, too, will take place remotely. On occasion, I may post short videos that cover basic chronologies or other information for you to watch prior to class so that we can spend more of our time together engaging with each other. Lecture power points will be linked to the title for each class in the schedule below.
    [Show full text]
  • An Analysis of Sound and Music in the Shining and Bridget Jones' Diary
    Pace University DigitalCommons@Pace Honors College Theses Pforzheimer Honors College 2019 The oundS s Behind the Scenes: An Analysis of Sound and Music in The hininS g and Bridget Jones’ Diary Abby Fox Follow this and additional works at: https://digitalcommons.pace.edu/honorscollege_theses Part of the Communication Commons, and the Film and Media Studies Commons Running head: THE SOUNDS BEHIND THE SCENES The Sounds Behind the Scenes: An Analysis of Sound and Music in The Shining and Bridget Jones’ Diary Abby Fox Communication Studies Advisor: Satish Kolluri December 2018 THE SOUNDS BEHIND THE SCENES 2 Abstract Although often subtle, music and sounds have been an integral part of the motion picture experience since the days of silent films. When used effectively, sounds in film can create emotion, give meaning to a character’s actions or feelings, act as a cue to direct viewers’ attention to certain characters or settings, and help to enhance the overall storytelling. Sound essentially acts as a guide for the audience as it evokes certain emotions and reactions to accompany the narrative unfolding on-screen. The aim of this thesis is to focus on two specific films of contrasting genres and explore how the music and sounds help to establish the genres of the given films, as well as note any commonalities in which the films follow similar aural patterns. By conducting a content analysis and theoretical review, this study situates the sound use among affect theory, aesthetics and psychoanalysis, which are all highly relevant to the reception of music and sound in film. Findings consist of analyses of notable instances of sound use in both films that concentrate on the tropes of juxtaposition, contradiction, repetition and leitmotifs, and results indicate that there are actually similar approaches to using sound and music in both films, despite them falling under two vastly different genres.
    [Show full text]
  • Download PDF1 MB
    WOHActLikeGodTitlePages.indd 1 2/22/11 10:12:30 AM WOHActLikeGodTitlePages.indd 1 2/22/11 10:12:30 AM DAVID BAST WOHActLikeGodTitlePages.indd 2 2/22/11 10:12:31 AM Why Doesn’t God Act More Like God? Habakkuk and the Problem of Evil Copyright © 2003, 2011 by David Bast Published by Words of Hope 700 Ball Ave., N.E. Grand Rapids, MI 49503-1308 USA Email: [email protected] World Wide Web: www.woh.org All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means—electronic, me- chanical, photocopy, recording, or any other—without the prior written per- mission of the publisher. The only exception is brief quotations in printed reviews. All Scripture quotations, unless otherwise indicated, are taken from the HOLY BIBLE, NEW INTERNATIONAL VERSION ®. Copyright © 1973, 1978, 1984 by International Bible Society. Used by permission of Zondervan. All rights reserved. Scripture quotations marked (cev) are from the Contemporary English Ver- sion Copyright © 1991, 1992, 1995 by American Bible Society. Used by per- mission. Scripture quotations marked (kjv) are taken from the King James Version. Public domain. Scripture quotations marked (nrsv) are taken from the New Revised Standard Version Bible, copyright 1989, Division of Christian Education of the Nation- al Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved. Scripture quotations marked (rsv) are taken from the Revised Standard Ver- sion of the Bible, copyright 1952 [2nd edition, 1971] by the Division of Christian Education of the National Council of the Churches of Christ in the United States of America.
    [Show full text]
  • Vengeance Is Ours: Safe Spaces and Critical Empathy in Horror Films David S
    Bridgewater State University Virtual Commons - Bridgewater State University Honors Program Theses and Projects Undergraduate Honors Program 5-8-2018 Vengeance is Ours: Safe Spaces and Critical Empathy in Horror Films David S. Hooker Follow this and additional works at: http://vc.bridgew.edu/honors_proj Part of the Film and Media Studies Commons Recommended Citation Hooker, David S.. (2018). Vengeance is Ours: Safe Spaces and Critical Empathy in Horror Films. In BSU Honors Program Theses and Projects. Item 282. Available at: http://vc.bridgew.edu/honors_proj/282 Copyright © 2018 David S. Hooker This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. Vengeance is Ours Safe Spaces and Critical Empathy in Horror Films David S. Hooker Submitted in Partial Completion of the Requirements for Departmental Honors in English Bridgewater State University May 8, 2018 Dr. John Mulrooney, Thesis Advisor Prof. Evan Dardano, Committee Member Prof. Nicole Williams, Committee Member Hooker 1 Abstract Many genres of film seek to bring viewers to heightened emotional states, perhaps this is most true of horror films. Although often displaying extreme violence, such films paradoxically provide openings for critically empathetic viewings which allow viewers with diverse backgrounds and experiences to identify with victims and survivors and transcend elements of subjective identity. This project analyzes the capacity of horror films, including those of William Friedkin, David Cronenberg, Brian DePalma and others, to offer viewers space in which to be critically empathetic. Regarding gender issues in the genre as outlined by such scholars as Carol J. Clover, and the emerging scholarship on critical empathy, such as that of Todd DeStigter, this project offers new ways of thinking about horror both on screen and off.
    [Show full text]