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BOOKINGS September 2020 New! Expanded Curbside and Building Hours: Mondays* – Curbside 10 A.M
YOUR MONTHLY GUIDE TO PORT’S LIBRARY BOOKINGS September 2020 New! Expanded Curbside and Building Hours: Mondays* – Curbside 10 a.m. to 6 p.m. • Building Hours 10 a.m. to 4 p.m. Tuesdays – Curbside 10 a.m. to 6 p.m. • Building Hours 10 a.m. to 4 p.m. Wednesdays – Curbside 10 a.m. to 6 p.m. • Building closed for deep cleaning. Thursdays – Curbside 10 a.m. to 6 p.m. • Building Hours 12 p.m. to 6 p.m. Fridays – Curbside 10 a.m. to 6 p.m. • Building Hours 12 p.m. to 6 p.m. Saturdays starting Sept 26 – Curbside and Building Hours 10 a.m. to 4 p.m. National Voter Registration Day *Please note: The library will be closed for both curbside pick-up and building hours on September 7 in honor of Labor Day. Tuesday, September 22 10 a.m. to 4 p.m. Stop by PWPL on Tuesday, September 22 to register to vote. Volunteers from CURBSIDE GRAB-AND-GO! the League of Woman Voters, FOL and PWPL staff will be on hand to assist you PWPL is happy to continue our extremely popular Curbside Grab-and-Go service! Reserve any in filling out your New York State voter of your favorite library items (not just books!) online and, when they are ready, we will notify registration form or getting an absentee you to come by the library building for a contactless pickup out front. As per ALA and OCLC ballot application. More details to follow. guidance, all returned library materials are quarantined for 96 hours to ensure safety. -
Boredom Takestoll at Welles Village I Prixeweek Puzzle Today: Win $100
PAGE TWENTY <- EVENING HERALD, Fri., Sept. 7, 1979 Boredom TakesToll at Welles Village I Prixeweek Puzzle Today: Win $100 Hy DAVK I, VVAM,KK village. There are over 300 of them, starting point and perhaps funds for afraid the young'persons will find out vices Bureaus' programs because has found a way to do that yet,” Hoff Unique Music Book Board Approves Hiring Teachers Subpoenaed Chris Evert Stops King this project are next to impossible, Mfriilil Ki'iiorlcr but out of that group eight are giving and will come back to avenge the they do not think they would fit in man explained. Made for Silent Films Of New Science Head For Court Defiance To Reach Open Finals us problems. Two or three of them but there could be other areas such report,” Willett said. with programs. Hoffman said that one of the GLASTONBURY - On any hot, are supplying beer to kids who are as athletic equipment stocked at the Willett said that the major way to "We like rugged things,'- one solutions would be to separate the P age 2 P age 6 P age 6 Page 1 0 humid night in Welles Village, the underaged and I am going to do rental office for sign out use or a curb these problems would be to juvenile said. “We do different kinds scene js the same. Young persons elderly people in the village from the h---------- ---------- ' ■ everything in my power to throw the CETA worker to run various sports provide more recreationai oppor of things than the kinds of things they juveniles. -
Cataleg Definitiu.Pdf
Quan el 1934 Madeleine Carroll va trepitjar per primera vegada la Costa Brava, aquesta actriu anglesa era encara poc coneguda fora de les pantalles britàniques. L’imminent pas cap a Hollywood li va fer encetar una carrera fulgurant impulsada pel treball amb alguns dels més prestigiosos directors del moment: John Ford, Alfred Hitchcock, William Dieterle, Cecil B. de Mille… Va ser en aquesta època quan les nostres comarques es van convertir en refugi de l’estrella entre rodatge i rodat- ge, però la tranquil·litat que més anhelava es va veure interrompuda per l’esclat de la Guerra Civil, que la va mantenir allunyada de la seva propietat catalana. En poc temps la mateixa ombra de la guerra s’estendria per tot Europa. Madeleine Carroll no va voler ser una simple espectadora del conflicte i va decidir-se a parti- cipar activament per recuperar la pau i els valors democràtics i es va implicar d’una manera molt personal com a membre de la Creu Roja, per donar suport a les vícti- mes més directes de la guerra, sobretot als nens orfes francesos i als soldats ame- ricans ferits. Ara, aprofitant el centenari del seu naixement i valent-nos d’alguns objectes i docu- ments del llegat de l’actriu, que ella mateixa conservava com els seus records més preuats, us proposem fer un recorregut per descobrir els diferents aspectes de la vida de Madeleine Carroll, des del més glamourós al més compromès. UNA ACTRIU ANGLESA A HOLLYWOOD Poc temps després de descobrir la passió pel teatre a la universitat, Madeleine Carroll (West Bromwich, Birmingham, 1906) que exercia de professora de francès, va viatjar a Londres a estudiar interpretació, obviant l’oposició familiar. -
John Buchan Wrote the Thirty-Nine Steps While He Was Ill in Bed with a Duodenal Ulcer, an Illness Which Remained with Him All His Life
John Buchan wrote The Thirty-Nine Steps while he was ill in bed with a duodenal ulcer, an illness which remained with him all his life. The novel was his first ‘shocker’, as he called it — a story combining personal and political dramas. The novel marked a turning point in Buchan's literary career and introduced his famous adventuring hero, Richard Hannay. He described a ‘shocker’ as an adventure where the events in the story are unlikely and the reader is only just able to believe that they really happened. The Thirty-Nine Steps is one of the earliest examples of the 'man-on-the-run' thriller archetype subsequently adopted by Hollywood as an often-used plot device. In The Thirty-Nine Steps, Buchan holds up Richard Hannay as an example to his readers of an ordinary man who puts his country’s interests before his own safety. The story was a great success with the men in the First World War trenches. One soldier wrote to Buchan, "The story is greatly appreciated in the midst of mud and rain and shells, and all that could make trench life depressing." Richard Hannay continued his adventures in four subsequent books. Two were set during the war when Hannay continued his undercover work against the Germans and their allies The Turks in Greenmantle and Mr Standfast. The other two stories, The Three Hostages and The Island of Sheep were set in the post war period when Hannay's opponents were criminal gangs. There have been several film versions of the book; all depart substantially from the text, for example, by introducing a love interest absent from the original novel. -
Films from the THIRTIES: PART II 1935-39
t% The Museum of Modern Art 1] West 53 Street, New York, N.Y. 10019 Tel. 245-3200 Cable: Modernart No. 83 FOR RELEASE: Friday, August 25, I968 Films from THE THIRTIES: PART II 1935-39 The Museum of Modern Art, will present a retrospective of films from the thirties beginning August 23, and running through October 6. The Thirties, according to Willard Van Dyke, Director of the Department of Film, will consist of 39 pictures, representing some of the richest creative talent in American cinema at a time that has been called "the dear, dead days not beyond recall." Two years ago the Museum presented The Thirties, U.S.A., Part I, covering the first half of the decade. The films being shown now as Part II were made from 1935 ^^ 193 '• Among the pictures to be shown are: Frank Capra's "Lost Horizon"; Paul Muni in "The Life of Emile Zola," the Story of a Northern Jew's lynching in the South; the great thriller "Night Must Fall," an adaptation of the Emlyn Williams play starring Robert Montgomery; and "The Good Earth," a spectacle film in black and white, from Pearl Buck's popular novel, for which Luise Rainer won her second Academy Award, with Paul Muni in the starring role. The latter part of the thirties was characterized by further achievements in the musical film, largely due to the talents of Fred Astaire, who with Ginger Rogers starred in "Top Hat," and "Shall We Dance," both of which are in the retrospective. The most important contributions to the annals of films made in the thirties was the series of "snowball" comedies Hollywood turned out at a time of grim, economic hardships. -
Tyrone Power
Tyrone Power 66638_Kelly.indd638_Kelly.indd i 227/11/207/11/20 11:15:15 PPMM International Film Stars Series Editor: Homer B. Pett ey and R. Barton Palmer Th is series is devoted to the artistic and commercial infl uence of performers who shaped major genres and movements in international fi lm history. Books in the series will: • Reveal performative features that defi ned signature cinematic styles • Demonstrate how the global market relied upon performers’ generic contributions • Analyse specifi c fi lm productions as casetudies s that transformed cinema acting • Construct models for redefi ning international star studies that emphasise materialist approaches • Provide accounts of stars’ infl uences in the international cinema marketplace Titles available: Close-Up: Great Cinematic Performances Volume 1: America edited by Murray Pomerance and Kyle Stevens Close-Up: Great Cinematic Performances Volume 2: International edited by Murray Pomerance and Kyle Stevens Chinese Stardom in Participatory Cyberculture by Dorothy Wai Sim Lau Geraldine Chaplin: Th e Gift of Film Performance by Steven Rybin Tyrone Power: Gender, Genre and Image in Classical Hollywood Cinema by Gillian Kelly www.euppublishing.com/series/ifs 66638_Kelly.indd638_Kelly.indd iiii 227/11/207/11/20 11:15:15 PPMM Tyrone Power Gender, Genre and Image in Classical Hollywood Cinema Gillian Kelly 66638_Kelly.indd638_Kelly.indd iiiiii 227/11/207/11/20 11:15:15 PPMM Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutt ing-edge scholarship with high editorial and production values to produce academic works of lasting importance. -
"Enhanced Filmography." Hitchcock's Appetites
McKittrick, Casey. "Enhanced Filmography." Hitchcock’s Appetites: The corpulent plots of desire and dread. New York: Bloomsbury Academic, 2016. 176–192. Bloomsbury Collections. Web. 25 Sep. 2021. <http://dx.doi.org/10.5040/9781501311642.0013>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 17:41 UTC. Copyright © Casey McKittrick 2016. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. Enhanced Filmography 1) The Pleasure Garden (1925) Screenplay : Eliot Stannard, based on the novel The Pleasure Garden by Oliver Sandys Producer : Michael Balcon, Erich Pommer, Bavaria Film, Gainsborough Pictures, M ü nchner Lichtspielkunst AG (Emelka) Runtime : 75 minutes Cast : Virginia Valli, Carmelita Geraghty, Miles Mander, John Stuart, Ferdinand Martini, Florence Helminger During two intercut dinner table sequences, two couples sit with tea sets and small plates in front of them; the couple that is eating and drinking end up falling in love. 2) The Lodger (also titled The Lodger: A Story of the London Fog ) (1927) Screenplay : Eliot Stannard, Alfred Hitchcock (uncredited), based on the novel The Lodger and the play Who Is He? , both by Marie Belloc Lowndes Producer : Gainsborough Pictures, Carlyle Blackwell Productions, Michael Balcon, Carlyle Blackwell Runtime : 68 minutes Cast : Marie Ault, Arthur Chesney, June, Malcolm Keen, Ivor Novello When the Lodger (Ivor Novello) arrives at the Buntings ’ boardinghouse, he immediately requests some bread, butter, and a glass of milk. Hitchcock wanted to suggest that he was preserving his waifi sh fi gure. 3) Downhill ( When Boys Leave Home ) (1927) Screenplay : Constance Collier (play), Ivor Novello (play), Eliot Stannard (adaptation) Producer : Gainsborough Pictures, Michael Balcon, C. -
First to Fight: American Volunteers Against Fascism in the Spanish Civil War 1936-1939
First to Fight: American Volunteers against Fascism in the Spanish Civil War 1936-1939 Bergen, New Jersey, November 5, 2014 TABLE OF CONTENTS GENERAL Introduction Preface ……………………..…………. 1 Introduction to the Spanish Civil War ……………………..…………. 2 The Veterans and Friends of the Abraham Lincoln Brigade ……....…………. 3 Timeline of the Spanish Civil War ……………………..…………. 4 Introduction to the Archives ……………………..…………. 9 Resources Selected Bibliography ……………………..…………. 10 Webliography to ALBA online resources ……………………..…………. 10 Webliography to online sources (non-ALBA ……………………..…………. 11 Filmography of SCW ……………………..…………. 13 Handouts for Students How to read a Primary Source ……………………..…………. 21 Reading Textual Primary Documents ……………………..…………. 22 Reading Visual Primary Sources ……………………..…………. 23 Artifact Analysis Worksheet ……………………..…………. 29 Analyzing Photographs & Prints (LoC) ……………………..…………. 30 Analyzing Political Cartoons (LoC) ……………………..…………. 31 Timeline for Students ……………………..…………. 32 DBQs for letters ……………………..…………. 35 PRIMARY SOURCES: WRITTEN Selected Letters and Correspondence Hyman (Chaim) Katz - letter to his mother ……………………..…………. 37 James Lardner – letter to his mother ……………………..…………. 38 Carl Geiser – letter to his brother ……………………..…………. 42 Boleslaw “Slippery” Sliwon – letter to a friend ……………………..…………. 46 Canute Frankson – letter to friend ……………………..…………. 50 Samuel Levinger – letter to his parents ……………………..…………. 52 Bunny Rucker – letter from World War II (D-Day) ……………………..…………. 56 John Lucid – Letter from World -
Eight Films Recently Acquired for the Film Collection To
he Museum of Modern Art *»• «8 Wednesday, December 29, 1965 West 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modernart FOR IMMEDIATE RELEASE From January 2 through January 23, The Museum of Modern Art Film Library will screen eight films recently acquired for its collection. Included will be a special program Thursday evening, January 6, of FILMS BY JIM DAVIS, Mr. Davis, a painter, sculptor, and photographer, as well as film maimer, has created abstract films to record his "moving designs" — demonstrations in color and movement of his experiments with mobile designs of transparent plastics and controlled illumination. Program; (subject to change without notice) Jan. 2-5 THE SIGN OF THE CROSS (1932), directed by Cecil B. De Mille, with Frederic March, Claudette Colbert, Charles Laughton. Jan. 6-8 KISS OF DEATH (19^7), directed by Henry Hathaway, with Victor Mature, Brian Donlevy, Coleen Gray. (Showings at 2 and 5:30 p.m. only on Jan. 6) Jan. 6 Films by Jim Davis, including LIGHT REFLECTIONS, WRIT IN WATER, ANALOGIES, DEATH AND TRANSFIGURATION, at 8:00 p.m. Jan. 9-12 THE GUNFIGHTER (1950), directed by Henry King, with Gregory Peck, Karl Maiden, Jean Parker. Jan. 13-15 Anna Pavlova Dance Program: ANNA PAVLOVA (1965), produced by Arthur Kleiner; THE BflORTAL SWAN (1935); directed by Edward Nakhimov. Jan. 16-18 JESSE JAMES (1939), directed by Henry King, with Tyrone Power, Henry Fonda. Jan. 19-21 SECRET AGENT (I936), directed by Alfred Hitchcock, with Madeleine Carroll, John Gielgud, Peter Lorre. Jan. 22-23 AN OCCURENCE AT OWL CREEK BRIDGE (I962), directed and adapted by Robert Enrico from story by Ambrose Bierce. -
17001 Girona - Tel: 972 412 777 - Fax: 972 413 047 - E-Mail: Museu [email protected]
Museu del Cinema - c/ Sèquia, 1 - 17001 Girona - Tel: 972 412 777 - Fax: 972 413 047 - E-mail: [email protected] MADELEINE CARROLL Actriu compromesa Quan el 1934 Madeleine Carroll va trepitjar per primera vegada la Costa Brava, aquesta actriu anglesa era encara poc coneguda fora de les pantalles britàniques. L’imminent pas cap a Hollywood li va fer encetar una carrera fulgurant impulsada pel treball amb alguns dels més prestigiosos directors del moment: John Ford, Alfred Hitchcock, William Dieterle, Cecil B. de Mille… Va ser en aquesta època quan les nostres comarques es van convertir en refugi de l’estrella entre rodatge i rodatge, però la tranquil·litat que més anhelava es va veure interrompuda per l’esclat de la Guerra Civil, que la va mantenir allunyada de la seva propietat catalana. En poc temps la mateixa ombra de la guerra s’estendria per tot Europa. Madeleine Carroll no va voler ser una simple espectadora del conflicte i va decidir-se a participar activament per recuperar la pau i els valors democràtics i es va implicar d’una manera molt personal com a membre de la Creu Roja, per donar suport a les víctimes més directes de la guerra, sobretot als nens orfes francesos i als soldats americans ferits. Ara, aprofitant el centenari del seu naixement i valent-nos d’alguns objectes i documents del llegat de l’actriu, que ella mateixa conservava com els seus records més preuats, us proposem fer un recorregut per descobrir els diferents aspectes de la vida de Madeleine Carroll, des del més glamourós al més compromès. -
Striped Ensembl
FRIDAY, MARCH 4, 1938 conducted by tho Auxiliary for Buy Only From Responsible Mer adults nnd school children. The chants. Consult Times Advertising T**c Business of the Times Job Print essays are to be prepared from tho Columns For Stores of Proved ing Department is to Please series of broadcasts over station Integrity. Each Customer. Test Us. < WOR dramatizing James Truslow AJfD THE 8HOIE TIMBS Adams' book, ‘.'The Epic of Ameri ca.” Not more than 1,000 words VOL. LXIIl. No. JO. OCEAN GROVE, NEW JERSEY. FRIDAY, MARCH 11, 1938 FOUR CENTS arc to be written on tho subject, “What the epic 'of America has taught me about the future of LOIS KEMPE TENNIS CIIAMP ARMY CONDUCES SERVICES America.” Prizes will be awarded NORTH END HOTEL BURNS CHURCH WORKERS WASHINGTON FIRE COMPANY: to the various winners. Local Club Girl Won Doubles I n Great Salvation itlvctint; Sunday Tho next county meeting will be National Tourney HOLD CONFERENCE Night held on Friday, March 11 in the DAMAGE ABOUT $250,000 © Before you start your next dinner, Long Branch Legion home. Tho Miss Lois Kempe* along with ' The Snlvntion Army is conduet- TO HONOR CHIEF TANTUM stop in and look at the brand-new next regular meeting of the As Mrs. John Brinckcrhoff, defeated GROUP DONATES S10.00 FOR inp; spccial services at their cita- Magic Chef gas ranges we have on dis bury auxiliary will bo conducted on MAY NOT BE REBUILT Mrs. Marie Lafforgue and Mrs. 1 del, 011 Mnttison uvchuc, Asbury March 14. Rose Taubele, in the tennis doubles j Park, over the week-end. -
Evening Star. (Washington, D.C.). 1941-10-23 [P B-17]
SEA his casting with James Cagney In produced, however, until Morgan formerly a eoncert and operatic FOOD PLATTER She’s Too Ahead first has finished the Busy Shipwreck "Captains of the Clouds,” now near- singing lead singer, and many fans, aware of that FRIDAY & lot it tits Dennis Morgan will be starred by in "The Desert Song,” the Sigmund fact, have writt4fn to Warners re- ^ ing completion, and it was his work To See Warners will soon that he be as the SPECFAI, Ptr Platter Filming Warner Bros, in "Robinson Crusoe” Romberg operetta questing cast Red "t^/^ in that which decided Warner ex* the screen. was Include* or bring tp Mojgan Shadow. soup tomato juice, two vege- Of Own Novel as the second step in a definite plan tables- salad, dessert, rolls, bererace. ecutives to star him in th# film OTHER DINNERS FROM 35c. to establish him with the movie- By the Associated Press. going public as an adventurous, version of the De Foe classic. / A. 1365 Kennedv N.W. HOLLYWOOD. LXLf G at Colorado dashing personality. The first was "Robinson Crusoe” "will not be ___C_GK.9571_ Mrs. Rebecca Yancey Williams wrote a book about her girlhood home at Lynchburg Va. or at home... KEEP FIT Now It's being made into a mo- In camp tion picture. "The Vanishing Vir- ginian,” with Frank Morgan in the E 3 WAYS role of her father, Spring Byington Whether it'* reveille as her mother, Kathryn Grayson or an alarm clock that calls yoi to duty, 35- I as Rebecca and other actors as three here'] the first step for health defense.