"Enhanced Filmography." Hitchcock's Appetites

Total Page:16

File Type:pdf, Size:1020Kb

McKittrick, Casey. "Enhanced Filmography." Hitchcock’s Appetites: The corpulent plots of desire and dread. New York: Bloomsbury Academic, 2016. 176–192. Bloomsbury Collections. Web. 25 Sep. 2021. <http://dx.doi.org/10.5040/9781501311642.0013>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 17:41 UTC. Copyright © Casey McKittrick 2016. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. Enhanced Filmography 1) The Pleasure Garden (1925) Screenplay : Eliot Stannard, based on the novel The Pleasure Garden by Oliver Sandys Producer : Michael Balcon, Erich Pommer, Bavaria Film, Gainsborough Pictures, M ü nchner Lichtspielkunst AG (Emelka) Runtime : 75 minutes Cast : Virginia Valli, Carmelita Geraghty, Miles Mander, John Stuart, Ferdinand Martini, Florence Helminger During two intercut dinner table sequences, two couples sit with tea sets and small plates in front of them; the couple that is eating and drinking end up falling in love. 2) The Lodger (also titled The Lodger: A Story of the London Fog ) (1927) Screenplay : Eliot Stannard, Alfred Hitchcock (uncredited), based on the novel The Lodger and the play Who Is He? , both by Marie Belloc Lowndes Producer : Gainsborough Pictures, Carlyle Blackwell Productions, Michael Balcon, Carlyle Blackwell Runtime : 68 minutes Cast : Marie Ault, Arthur Chesney, June, Malcolm Keen, Ivor Novello When the Lodger (Ivor Novello) arrives at the Buntings ’ boardinghouse, he immediately requests some bread, butter, and a glass of milk. Hitchcock wanted to suggest that he was preserving his waifi sh fi gure. 3) Downhill ( When Boys Leave Home ) (1927) Screenplay : Constance Collier (play), Ivor Novello (play), Eliot Stannard (adaptation) Producer : Gainsborough Pictures, Michael Balcon, C. M. Woolf HHitchcock.indbitchcock.indb 117676 228-04-20168-04-2016 112:41:172:41:17 ENHANCED FILMOGRAPHY 177 Runtime : 74 minutes Roddy and his best friend Tim meet Mabel at the sweets shop where she works. After rejecting Mabel ’ s advances, Roddy attempts to help a customer while she kisses Tim in a back room. He sells an expensive box of chocolates to a little boy who does not have enough money. This backfi res when the boy returns with all his friends, looking to buy more boxes with their own meager coin. 4) The Ring (1927) Screenplay : Alfred Hitchcock, Alma Reville (uncredited), Eliot Stannard (uncredited) Producer : British International Pictures, John Maxwell Runtime : 72 minutes Cast : Carl Brisson, Lillian Hall-Davis, Ian Hunter, Forrester Harvey, Harry Terry, Gordon Harker Jack (Carl Brisson) wins the most important match of his career, and he and his entourage return to his fl at to celebrate with Jack ’ s wife. “ We ’ ll toast . but not drink until my wife gets here. ” A glass of champagne is shown going completely fl at to indicate the passing of time, and hint at his wife ’ s affair. 5) The Farmer ’ s Wife (1928) Screenplay : Eliot Stannard, Leslie Arliss (uncredited), Alfred Hitchcock (uncredited), J. E. Hunter (uncredited), Norman Lee (uncredited), based on the play The Farmer ’ s Wife by Eden Phillpotts Producer : British International Pictures Runtime : 129 minutes Cast : Jameson Thomas, Lillian Hall-Davis, Gordon Harker, Gibb McLaughlin, Maud Gill, Louie Pounds Before Mr. Sweetland ’ s disastrous attempt at courting three eligible bachelorettes around town, his servant (Gordon Harker) remarks cryptically (though drunkenly), “ Beer drinking don’ t do half the harm of love-making. ” 6) Easy Virtue (1928) Screenplay : Eliot Stannard, based on the play Easy Virtue by No ë l Coward Producer : Gainsborough Pictures, Michael Balcon Runtime : 70 minutes HHitchcock.indbitchcock.indb 117777 228-04-20168-04-2016 112:41:172:41:17 178 ENHANCED FILMOGRAPHY Cast : Isabel Jeans, Franklin Dyall, Eric Bransby Williams, Ian Hunter, Robin Irvine, Violet Farebrother A decanter of brandy is used as the main piece of evidence in the divorce case against the perfectly innocent Larita; the following scene shows that it belongs to her drunkard husband. 7) Champagne (1928) Screenplay : Alfred Hitchcock, Eliot Stannard, based on the novel Champagne by Walter C. Mycroft Producer : John Maxwell, British International Pictures Runtime : 86 minutes Cast : Betty Balfour, Jean Bradin, Ferdinand von Alten, Gordon Harker A spoiled heiress goes from making cocktails at swanky parties to trying to bake for herself and her father after he tells her that their champagne empire fortune has been lost. The hard biscuits and poor cooking serve as reminders of how na ï ve and unskilled the heiress truly is. 8) The Manxman (1929) Screenplay : Eliot Stannard, based on the novel The Manxman by Sir Hall Caine Producer : British International Pictures, John Maxwell Runtime : 110 minutes Cast : Carl Brisson, Malcolm Keen, Anny Ondra, Randle Ayrton, Clare Greet Pete arrives home and sees only one place setting on the table where two usually set; next to the plate, Kate has left her wedding ring and a goodbye note, telling him that she loves another man. 9) Blackmail (1929) Screenplay : Alfred Hitchcock, Benn W. Levy, Michael Powell (uncredited), based on the play Blackmail by Charles Bennett Producer : British International Pictures, John Maxwell Runtime : 85 minutes Cast : Anny Ondra, Sara Allgood, Charles Paton, John Longden, Donald Calthrop, Cyril Ritchard, Joan Barry (voice, uncredited) As our heroine Alice, who has just stabbed a man to death in self- defense, is about to slice open a fresh loaf of bread at the lunch table, the HHitchcock.indbitchcock.indb 117878 228-04-20168-04-2016 112:41:172:41:17 ENHANCED FILMOGRAPHY 179 incriminating word “ knife, ” repeated by a lunch companion, resounds in her head, climaxing as she hurls the bread knife across the room. 10) Murder! (1930) Screenplay : Alfred Hitchcock, Walter C. Mycroft, Alma Reville, based on the novel and play Enter Sir John by Clemence Dane and Helen Simpson Producer : British International Pictures, John Maxwell Runtime : 92 minutes Cast : Herbert Marshall, Norah Baring, Phyllis Konstam, Edward Chapman, Miles Mander, Esme Percy Sir John Menier (Herbert Marshall) surmises that circus performer Handel Fane (Esme Percy) was present at the scene of Edna Druce ’ s murder when he spies a bottle of Martell brandy in his dressing room; a brandy decanter had been mysteriously emptied at the scene of the crime. 11) The Skin Game (1931) Screenplay : Alfred Hitchcock, Alma Reville, based on the play The Skin Game by John Galsworthy Producer : British International Pictures, John Maxwell Runtime : 77 minutes Cast : C. V. France, Helen Haye, Jill Esmond, Edmund Gwenn, John Longden, Phyllis Konstam In the fi rst scene of the fi lm, the children of the two feuding families meet on a road, the upper class girl on horseback and the nouveau riche boy in a convertible car. While implying that her family would like to maintain a certain sense of class, Jill eats an apple and speaks with a full mouth. 12) Rich and Strange ( also titled East of Shanghai) (1931) Screenplay : Alfred Hitchcock, Alma Reville, Val Valentine, based on the novel East of Shanghai by Dale Collins Producer : John Maxwell, British International Pictures, Runtime : 83 minutes Cast : Henry Kendall, Joan Barry, Percy Marmont, Betty Amann, Elsie Randolph Married world travelers Fred and Emily Hill (Henry Kendall and Joan Barry) promptly vomit over the side of a Chinese junk when they realize that they have just been served cat meat. HHitchcock.indbitchcock.indb 117979 228-04-20168-04-2016 112:41:172:41:17 180 ENHANCED FILMOGRAPHY 13) Number 17 (1932) Screenplay : Rodney Ackland, Alfred Hitchcock, Alma Reville, based on the play Number Seventeen by Joseph Jefferson Farjeon Producer : Leon M. Lion, British International Pictures, John Maxwell Runtime : 63 minutes Cast : Leon M. Lion, Anne Grey, John Stuart, Donald Calthrop, Barry Jones, Ann Casson Chasing the diamond necklace thieves onto a moving train, the drunken tramp Ben (Leon M. Lion) stumbles into a car fi lled with cases of EMU brand “ tonic wine. ” A few minutes later, we see Ben imbibing merrily and holding the missing necklace that the rest of the characters are scrambling for. 14) Waltzes from Vienna ( also titled Strauss ’ Great Waltz ) (1934) Screenplay : Heinz Reichert and Ernst Marischka Producer : Thomas Charles Arnold, Gaumont British Picture Corporation, Tom Arnold Films Runtime : 80 minutes Cast : Jessie Matthews, Edmund Gwenn, Fay Compton, Esmond Knight, Frank Vosper, Robert Hale While trying to convince her love, Johan Strauss, Jr. to work in her father ’ s bakery so she can marry him, Resi regales him with tales of the famous historical patrons of the shop. She proudly points to a coffee stain on the wall that resulted from a cup being hurled at General Radetzky by a famous painter. 15) The Man Who Knew Too Much (1934) Screenplay : Charles Bennett, Edwin Greenwood, A. R. Rawlinson, Emlyn Williams, D. B. Wyndham-Lewis Producer : Ivor Montagu, Gaumont British Picture Corporation, Michael Balcon Runtime : 75 minutes Cast : Leslie Banks, Edna Best, Peter Lorre, Frank Vosper, Hugh Wakefi eld, Nova Pilbeam The leader of the assassins forces Mrs. Brockett to stay and serve them food and drinks, and to humiliate her, makes her work in only undergarments. One member of the group appears to pinch her bottom, but was only reaching for an hors d ’ oeuvre behind her. HHitchcock.indbitchcock.indb 118080 228-04-20168-04-2016 112:41:172:41:17 ENHANCED FILMOGRAPHY 181 16) The 39 Steps (1935) Screenplay : Charles Bennett, Ian Hay, based on the novel The 39 Steps by John Buchan Producer : Gaumont British Picture Corporation, Michael Balcon, Ivor Montagu Runtime : 86 minutes Cast : Robert Donat, Madeleine Carroll, Lucie Mannheim, Godfrey Tearle, Dame Peggy Ashcroft, John Laurie When spy Annabella Smith (Lucie Mannheim) seeks sanctuary in Richard Hannay ’ s (Robert Donat) apartment, he serves her cold fi sh and crusty bread. 17) Secret Agent (1936) Screenplay : Charles Bennett, Ian Hay, Jesse Lasky Jr., Alma Reville, based on the play Secret Agent by Campbell Dixon and the novel Ashenden by W.
Recommended publications
  • The Films of Raoul Walsh, Part 1
    Contents Screen Valentines: Great Movie Romances Screen Valentines: Great Movie Romances .......... 2 February 7–March 20 Vivien Leigh 100th ......................................... 4 30th Anniversary! 60th Anniversary! Burt Lancaster, Part 1 ...................................... 5 In time for Valentine's Day, and continuing into March, 70mm Print! JOURNEY TO ITALY [Viaggio In Italia] Play Ball! Hollywood and the AFI Silver offers a selection of great movie romances from STARMAN Fri, Feb 21, 7:15; Sat, Feb 22, 1:00; Wed, Feb 26, 9:15 across the decades, from 1930s screwball comedy to Fri, Mar 7, 9:45; Wed, Mar 12, 9:15 British couple Ingrid Bergman and George Sanders see their American Pastime ........................................... 8 the quirky rom-coms of today. This year’s lineup is bigger Jeff Bridges earned a Best Actor Oscar nomination for his portrayal of an Courtesy of RKO Pictures strained marriage come undone on a trip to Naples to dispose Action! The Films of Raoul Walsh, Part 1 .......... 10 than ever, including a trio of screwball comedies from alien from outer space who adopts the human form of Karen Allen’s recently of Sanders’ deceased uncle’s estate. But after threatening each Courtesy of Hollywood Pictures the magical movie year of 1939, celebrating their 75th Raoul Peck Retrospective ............................... 12 deceased husband in this beguiling, romantic sci-fi from genre innovator John other with divorce and separating for most of the trip, the two anniversaries this year. Carpenter. His starship shot down by U.S. air defenses over Wisconsin, are surprised to find their union rekindled and their spirits moved Festival of New Spanish Cinema ....................
    [Show full text]
  • 31 Days of Oscar® 2010 Schedule
    31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy
    [Show full text]
  • "Sounds Like a Spy Story": the Espionage Thrillers of Alfred
    University of Mary Washington Eagle Scholar Student Research Submissions 4-29-2016 "Sounds Like a Spy Story": The Espionage Thrillers of Alfred Hitchcock in Twentieth-Century English and American Society, from The Man Who Knew Too Much (1934) to Topaz (1969) Kimberly M. Humphries Follow this and additional works at: https://scholar.umw.edu/student_research Part of the History Commons Recommended Citation Humphries, Kimberly M., ""Sounds Like a Spy Story": The Espionage Thrillers of Alfred Hitchcock in Twentieth-Century English and American Society, from The Man Who Knew Too Much (1934) to Topaz (1969)" (2016). Student Research Submissions. 47. https://scholar.umw.edu/student_research/47 This Honors Project is brought to you for free and open access by Eagle Scholar. It has been accepted for inclusion in Student Research Submissions by an authorized administrator of Eagle Scholar. For more information, please contact [email protected]. "SOUNDS LIKE A SPY STORY": THE ESPIONAGE THRILLERS OF ALFRED HITCHCOCK IN TWENTIETH-CENTURY ENGLISH AND AMERICAN SOCIETY, FROM THE MAN WHO KNEW TOO MUCH (1934) TO TOPAZ (1969) An honors paper submitted to the Department of History and American Studies of the University of Mary Washington in partial fulfillment of the requirements for Departmental Honors Kimberly M Humphries April 2016 By signing your name below, you affirm that this work is the complete and final version of your paper submitted in partial fulfillment of a degree from the University of Mary Washington. You affirm the University of Mary Washington honor pledge: "I hereby declare upon my word of honor that I have neither given nor received unauthorized help on this work." Kimberly M.
    [Show full text]
  • University of Huddersfield Repository
    University of Huddersfield Repository Billam, Alistair It Always Rains on Sunday: Early Social Realism in Post-War British Cinema Original Citation Billam, Alistair (2018) It Always Rains on Sunday: Early Social Realism in Post-War British Cinema. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34583/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Submission in fulfilment of Masters by Research University of Huddersfield 2016 It Always Rains on Sunday: Early Social Realism in Post-War British Cinema Alistair Billam Contents Introduction ............................................................................................................................................ 3 Chapter 1: Ealing and post-war British cinema. ................................................................................... 12 Chapter 2: The community and social realism in It Always Rains on Sunday ...................................... 25 Chapter 3: Robert Hamer and It Always Rains on Sunday – the wider context.
    [Show full text]
  • “Revenge in Shakespeare's Plays”
    “REVENGE IN SHAKESPEARE’S PLAYS” “MUCH ADO ABOUT NOTHING” – LECTURE/CLASS WRITTEN: In the second half of 1598 or 99 -- no later because the role of Dogberry was sometimes replaced by the name of “Will Kemp”, the actor who always played the role; Kemp left the Lord Chamberlain’s Men in 1599. AGE: 34-35 Years Old (B.1564-D.1616) CHRONO: Seventh in the line of Comedies after “The Two Gentlemen of Verona”, “The Comedy of Errors”, “Taming of the Shrew”, “Love’s Labours Lost”, “A Midsummer’s Night’s Dream”, “The Merchant of Venice”. QUARTO: A Quarto edition of the play appeared in 1600. GENRE: “Tragicomic” SOURCE: “Completely and entirely unhistorical” VERSION: The play is “Shakespeare’s earliest version of the more serious story of the man who mistakenly believes his partner has been unfaithful to him”. (“Othello” for one.) SUCCESS: There are no records of early performances but there are “allusions to its success.” HIGHLIGHT: The comedy was revived in 1613 for a Court performance at Whitehall before King James, his daughter Princess Elizabeth and her new husband in May 1613. AFTER: Oddly, the play was “performed only sporadically until David Garrick’s acclaimed revival in 1748”. CRITICS: 1891 – A.B. Walkley: “a composite picture of the multifarious, seething, fermenting life, the polychromatic phantasmagoria of the Renaissance.” 1905 – George Bernard Shaw: “a hopeless story, pleasing only to lovers of the illustrated police papers BENEDICTS: Anthony Quayle, John Gielgud, Michael Redgrave, Donald Sinden BEATRICES: Peggy Ashcroft, Margaret Leighton, Judi Dench, Maggie Smith RECENT: There was “a boost in recent fortunes with the well-received 1993 film version directed by Kenneth Branagh and starring Branagh and Emma Thompson.” SETTING: Messina in northeastern Sicily at the narrow strait separating Sicily from Italy.
    [Show full text]
  • Shakespeare, William Shakespeare
    Shakespeare, William Shakespeare. Julius Caesar The Shakespeare Ralph Richardson, Anthony SRS Caedmon 3 VG/ Text Recording Society; Quayle, John Mills, Alan Bates, 230 Discs VG+ Howard Sackler, dir. Michael Gwynn Anthony And The Shakespeare Anthony Quayle, Pamela Brown, SRS Caedmon 3 VG+ Text Cleopatra Recording Society; Paul Daneman, Jack Gwillim 235 Discs Howard Sackler, dir. Great Scenes The Shakespeare Anthony Quayle, Pamela Brown, TC- Caedmon 1 VG/ Text from Recording Society; Paul Daneman, Jack Gwillim 1183 Disc VG+ Anthony And Howard Sackler, dir. Cleopatra Titus The Shakespeare Anthony Quayle, Maxine SRS Caedmon 3 VG+ Text Andronicus Recording Society; Audley, Michael Horden, Colin 227 Discs Howard Sackler, dir. Blakely, Charles Gray Pericles The Shakespeare Paul Scofield, Felix Aylmer, Judi SRS Caedmon 3 VG+ Text Recording Society; Dench, Miriam Karlin, Charles 237 Discs Howard Sackler, dir. Gray Cymbeline The Shakespeare Claire Bloom, Boris Karloff, SRS- Caedmon 3 VG+ Text Recording Society; Pamela Brown, John Fraser, M- Discs Howard Sackler, dir. Alan Dobie 236 The Comedy The Shakespeare Alec McCowen, Anna Massey, SRS Caedmon 2 VG+ Text Of Errors Recording Society; Harry H. Corbett, Finlay Currie 205- Discs Howard Sackler, dir. S Venus And The Shakespeare Claire Bloom, Max Adrian SRS Caedmon 2 VG+ Text Adonis and A Recording Society; 240 Discs Lover's Howard Sackler, dir. Complaint Troylus And The Shakespeare Diane Cilento, Jeremy Brett, SRS Caedmon 3 VG+ Text Cressida Recording Society; Cyril Cusack, Max Adrian 234 Discs Howard Sackler, dir. King Richard The Shakespeare John Gielgud, Keith Michell and SRS Caedmon 3 VG+ Text II Recording Society; Leo McKern 216 Discs Peter Wood, dir.
    [Show full text]
  • Talking Theatre Extract
    Richard Eyre TALKING THEATRE Interviews with Theatre People Contents Introduction xiii Interviews John Gielgud 1 Peter Brook 16 Margaret ‘Percy’ Harris 29 Peter Hall 35 Ian McKellen 52 Judi Dench 57 Trevor Nunn 62 Vanessa Redgrave 67 NICK HERN BOOKS Fiona Shaw 71 London Liam Neeson 80 www.nickhernbooks.co.uk Stephen Rea 87 ix RICHARD EYRE CONTENTS Stephen Sondheim 94 Steven Berkoff 286 Arthur Laurents 102 Willem Dafoe 291 Arthur Miller 114 Deborah Warner 297 August Wilson 128 Simon McBurney 302 Jason Robards 134 Robert Lepage 306 Kim Hunter 139 Appendix Tony Kushner 144 John Johnston 313 Luise Rainer 154 Alan Bennett 161 Index 321 Harold Pinter 168 Tom Stoppard 178 David Hare 183 Jocelyn Herbert 192 William Gaskill 200 Arnold Wesker 211 Peter Gill 218 Christopher Hampton 225 Peter Shaffer 232 Frith Banbury 239 Alan Ayckbourn 248 John Bury 253 Victor Spinetti 259 John McGrath 266 Cameron Mackintosh 276 Patrick Marber 280 x xi JOHN GIELGUD Would you say the real father—or mother—of the National Theatre and the Royal Shakespeare Company is Lilian Baylis? Well, I think she didn’t know her arse from her elbow. She was an extraordinary old woman, really. And I never knew anybody who knew her really well. The books are quite good about her, but except for her eccentricities there’s nothing about her professional appreciation of Shakespeare. She had this faith which led her to the people she needed. Did she choose the actors? I don’t think so. She chose the directors. John Gielgud Yes, she had a very difficult time with them.
    [Show full text]
  • Newsletter 19/06 DIGITAL EDITION Nr
    ISSN 1610-2606 ISSN 1610-2606 newsletter 19/06 DIGITAL EDITION Nr. 190 - September 2006 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 19/06 (Nr. 190) September 2006 editorial Hallo Laserdisc- und DVD-Fans, sein, mit der man alle Fans, die bereits ein lich zum 22. Bond-Film wird es bestimmt liebe Filmfreunde! Vorgängermodell teuer erworben haben, wieder ein nettes Köfferchen geben. Dann Was gibt es Neues aus Deutschland, den ärgern wird. Schick verpackt in einem ed- möglicherweise ja schon in komplett hoch- USA und Japan in Sachen DVD? Der vor- len Aktenkoffer präsentiert man alle 20 auflösender Form. Zur Stunde steht für den liegende Newsletter verrät es Ihnen. Wie offiziellen Bond-Abenteuer als jeweils 2- am 13. November 2006 in den Handel ge- versprochen haben wir in der neuen Ausga- DVD-Set mit bild- und tonmäßig komplett langenden Aktenkoffer noch kein Preis be wieder alle drei Länder untergebracht. restaurierten Fassungen. In der entspre- fest. Wer sich einen solchen sichern möch- Mit dem Nachteil, dass wieder einmal für chenden Presseerklärung heisst es dazu: te, der sollte aber nicht zögern und sein Grafiken kaum Platz ist. Dieses Mal ”Zweieinhalb Jahre arbeitete das MGM- Exemplar am besten noch heute vorbestel- mussten wir sogar auf Cover-Abbildungen Team unter Leitung von Filmrestaurateur len. Und wer nur an einzelnen Titeln inter- in der BRD-Sparte verzichten. Der John Lowry und anderen Visionären von essiert ist, den wird es freuen, dass es die Newsletter mag dadurch vielleicht etwas DTS Digital Images, dem Marktführer der Bond-Filme nicht nur als Komplettpaket ”trocken” wirken, bietet aber trotzdem den digitalen Filmrestauration, an der komplet- geben wird, sondern auch gleichzeitig als von unseren Lesern geschätzten ten Bildrestauration und peppte zudem alle einzeln erhältliche 2-DVD-Sets.
    [Show full text]
  • Inteimed0j Er SERVICIO
    / 1. letro golduyn. inteimed0J er SERVICIO . DEPRENSA N.° 51 — BARCELONA, 15 DE JULIO DE 19 lARXIU GENERALITAT DE CAÏALUY,; E3IBLIOTECA COMO SE HACEN LAS PELICULAS (Continua f — PREPARATIVOS EN EL ESCENARIO DieZ grandes naves posee Metro Goldwvn Mayer en sus Estudios de Culver City, destinadas al roda¡e de películas. En ellas se pueden construir toda clase de escenarios, desde suntuosos pala ante la intervención clos hasta selvas tropicales. Para la construcciór de los mismos, precisa, todo, del director de la cinta, el director artístico, o arquitecto escenarista, el operador, el director de per el de construcciones el del sonal —que se encarga del repartc de papeles—, superintendente y lefe departamento eléctrico, amén del director del departamento de registro sonaro. estas discuten seña En una reunión previa, y ba¡o la supervisión del productor, personas y lan las características generales de los escenarios que cada película necesita. El departamento de detalles sean la exacta Investigaciones se encarga de proporcionar cuantos precisos para asegurar reproducción de la atmósfera que cada escenario debe evocar. Este departamento cuenta con una consultas. biblioteca nutridisima, y atiende anualmente a un promedio de 50.000 Existe otro departamento, el de Accesorios, que provee a los estudios con toda clase de ob¡e a ve tos, utensilios, herramientos, armas y libros. Este departamento tiene obligación de suministrar, si la acción de la cinta transcu ces, las cosas más inesperadas como, por e¡emplo, cigarrillos rusos, el descritos en la cinta. Este rre en Rusia, o flores de !os más variados climas, según la estación y país de consti- departamento de accesorios, que tan importante, papel desempeña en el rodaje películas, valor asciende a mil!ones de dólares.
    [Show full text]
  • Ronald Davis Oral History Collection on the Performing Arts
    Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.
    [Show full text]
  • UNSOLD ITEMS for - Hollywood Auction Auction 89, Auction Date
    26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 UNSOLD ITEMS FOR - Hollywood Auction Auction 89, Auction Date: LOT ITEM LOW HIGH RESERVE 382 MARION DAVIES (20) VINTAGE PHOTOGRAPHS BY BULL, LOUISE, $600 $800 $600 AND OTHERS. 390 CAROLE LOMBARD & CLARK GABLE (12) VINTAGE $300 $500 $300 PHOTOGRAPHS BY HURRELL AND OTHERS. 396 SIMONE SIMON (19) VINTAGE PHOTOGRAPHS BY HURRELL. $400 $600 $400 424 NO LOT. TBD TBD TBD 432 GEORGE HURRELL (23) 20 X 24 IN. EDITIONS OF THE PORTFOLIO $15,000 $20,000 $15,000 HURRELL III. 433 COPYRIGHTS TO (30) IMAGES FROM HURRELL’S PORTFOLIOS $30,000 $50,000 $30,000 HURRELL I, HURRELL II, HURRELL III & PORTFOLIO. Page 1 of 27 26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 UNSOLD ITEMS FOR - Hollywood Auction Auction 89, Auction Date: LOT ITEM LOW HIGH RESERVE 444 MOVIE STAR NEWS ARCHIVE (1 MILLION++) HOLLYWOOD AND $180,000 $350,000 $180,000 ENTERTAINMENT PHOTOGRAPHS. 445 IRVING KLAW’S MOVIE STAR NEWS PIN-UP ARCHIVE (10,000+) $80,000 $150,000 $80,000 NEGATIVES OFFERED WITH COPYRIGHT. 447 MARY PICKFORD (18) HAND ANNOTATED MY BEST GIRL SCENE $800 $1,200 $800 STILL PHOTOGRAPHS FROM HER ESTATE. 448 MARY PICKFORD (16) PHOTOGRAPHS FROM HER ESTATE. $800 $1,200 $800 449 MARY PICKFORD (42) PHOTOGRAPHS INCLUDING CANDIDS $800 $1,200 $800 FROM HER ESTATE. 451 WILLIAM HAINES OVERSIZE CAMERA STUDY PHOTOGRAPH BY $200 $300 $200 BULL. 454 NO LOT. TBD TBD TBD 468 JOAN CRAWFORD AND CLARK GABLE OVERSIZE PHOTOGRAPH $200 $300 $200 FROM POSSESSED.
    [Show full text]
  • Winter Series Art Films and Events January February Filmmarch Film
    Film Program Winter 2008 National Gallery of Art, Washington Winter Series film From the Archives: 16 at 12 England’s New Wave, 1958 – 1964 István Szabó’s 20th Century Alexander Sokurov In Glorious Technicolor Art Films and Events This Sporting Life (Photofest) 19 Sat II March Edward 2:00 England’s New Wave, 1958 – 1964: A Kind of Loving 1 Sat J. M.W. Turner and Film 4:30 England’s New Wave, 1958 – 1964: 2:00 István Szabó’s 20th Century: Mephisto (two-part program) This Sporting Life 4:30 István Szabó’s 20th Century: Colonel Redl 2 Sun The Gates 20 Sun 4:30 England’s New Wave, 1958 – 1964: 4:30 István Szabó’s 20th Century: Hanussen International Festival of Films Saturday Night and Sunday Morning; 4 Tues The Angry Silence on Art 12:00 From the Archives: 16 at 12: The City 22 Tues of Washington Henri Storck’s Legacy: 12:00 From the Archives: 16 at 12: Dorothea 8 Sat Lange: Under the Trees; Eugène Atget (1856 – 1927) Belgian Films on Art 3:00 Event: Max Linder Ciné-Concert 26 Sat 9 Sun 2:00 Event: International Festival of Films on Art England’s Finest Hour: 4:30 Alexander Sokurov: The Sun (Solntse) Films by Humphrey Jennings 27 Sun 11 Tues 4:00 Event: International Festival of Films on Art Balázs Béla Stúdió: 1961 – 1970 12:00 From the Archives: 16 at 12: Washington, 29 Tues City with a Plan Max Linder Ciné-Concert 12:00 From the Archives: 16 at 12: Dorothea 15 Sat Lange: Under the Trees; Eugène Atget (1856 – 1927) 2:30 Alexander Sokurov: Elegy of Life: Silvestre Revueltas: Music for Film Rostropovich Vishnevskaya February 4:30 Alexander
    [Show full text]