Sleuth by Anthony Shaffer Directed by Michael Evan Haney
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The Wooster Voice (Wooster, OH), 1974-04-26
The College of Wooster Open Works The oV ice: 1971-1980 "The oV ice" Student Newspaper Collection 4-26-1974 The oW oster Voice (Wooster, OH), 1974-04-26 Wooster Voice Editors Follow this and additional works at: https://openworks.wooster.edu/voice1971-1980 Recommended Citation Editors, Wooster Voice, "The oosW ter Voice (Wooster, OH), 1974-04-26" (1974). The Voice: 1971-1980. 90. https://openworks.wooster.edu/voice1971-1980/90 This Book is brought to you for free and open access by the "The oV ice" Student Newspaper Collection at Open Works, a service of The oC llege of Wooster Libraries. It has been accepted for inclusion in The oV ice: 1971-1980 by an authorized administrator of Open Works. For more information, please contact [email protected]. I csi-..- r 7V7 . tm ill Wayne County3 Virtu can ba fun. I J: Richard T. Gore I PUBLISHED BY THE STUDENTS OF THE COLLEGE OF WOOSTER .VOLUME LXXXIX Wooster, Ohio, Friday, April 26, 1974 Number 21 ' 1 Douglass to go co-ed c ; with humanities program '. By BUI Henley performers In the arts and for Current Events Committee and "persons who have, a strong In- others. ' Douglass Hall, used primarily terest In a philosophical, theo The proposal notes that "we ' n as a freshman men's dorm since logical, historical or aesthetic feel it would be wrong to limit Its construction In 1929, will be-- approach to humane and artis- participation in our program, - come a co--ed humanities tic problems". to people of only one sex." Dr. , 9 program house next year. -
FALLEN MASTERS by MAURIE ALIOFF by Exorcist—Mania, the Wicker Man Tanked at the Box Office
The Cinar story began with a horror movie. Soon after meeting for the first time in New Orleans in the early 1970s, company founders Micheline Charest and Ron Weinberg happened to see the now legendary British picture, The Wicker Man. Impressed by the film's strange power, the two movie lovers also saw an opportunity in it. Written by Anthony Shaffer (Sleuth, Frenzy), and directed by one—shot wonder Robin Hardy, The Wicker Man cooks up a delirious alternate reality that feels like it was made under the influence of a witch's spell. The story focuses on a police investigator (Edward Woodward), who travels to a remote Scottish island where he discovers that the local people, among them an aris- tocrat played by Christopher Lee, are devo- tees of a neo—pagan cult. The oddly named Sergeant Howie, a strictly orthodox Christian who intends to remain a virgin until his wedding night, is horrified by the island's un—Christian hedonism. Released in England on a double bill with Nicolas Roeg's Don't Look Now, and swamped FALLEN MASTERS BY MAURIE ALIOFF by Exorcist—mania, The Wicker Man tanked at the box office. Charest and Weinberg picked up the rights from Warner Bros., stashed a print in their car trunk and travelled the midnight—movie circuit. The Quebecoise (Charest) and the New Yorker (Weinberg) helped turn a unique film into a cult item and for their efforts netted about $250,000. Ironically, the couple's even- tual rise and fall, from hugely successful producers and distributors of wholesome children's shows to industry outcasts accused of fraud, originated with a story about moral righteousness destroyed by amoral devotion to the material world. -
1 the Comets of Caroline Herschel (1750-1848)
Inspiration of Astronomical Phenomena, INSAP7, Bath, 2010 (www.insap.org) 1 publication: Culture and Cosmos, Vol. 16, nos. 1 and 2, 2012 The Comets of Caroline Herschel (1750-1848), Sleuth of the Skies at Slough Roberta J. M. Olson1 and Jay M. Pasachoff2 1The New-York Historical Society, New York, NY, USA 2Hopkins Observatory, Williams College, Williamstown, MA, USA Abstract. In this paper, we discuss the work on comets of Caroline Herschel, the first female comet-hunter. After leaving Bath for the environs of Windsor Castle and eventually Slough, she discovered at least eight comets, five of which were reported in the Philosophical Transactions of the Royal Society. We consider her public image, astronomers' perceptions of her contributions, and the style of her astronomical drawings that changed with the technological developments in astronomical illustration. 1. General Introduction and the Herschels at Bath Building on the research of Michael Hoskini and our book on comets and meteors in British art,ii we examine the comets of Caroline Herschel (1750-1848), the first female comet-hunter and the first salaried female astronomer (Figure 1), who was more famous for her work on nebulae. She and her brother William revolutionized the conception of the universe from a Newtonian one—i.e., mechanical with God as the great clockmaker watching over its movements—to a more modern view—i.e., evolutionary. Figure 1. Silhouette of Caroline Herschel, c. 1768, MS. Gunther 36, fol. 146r © By permission of the Oxford University Museum of the History of Science Inspiration of Astronomical Phenomena, INSAP7, Bath, 2010 (www.insap.org) 2 publication: Culture and Cosmos, Vol. -
Past Productions
Past Productions 2017-18 2012-2013 2008-2009 A Doll’s House Born Yesterday The History Boys Robert Frost: This Verse Sleuth Deathtrap Business Peter Pan Les Misérables Disney’s The Little The Importance of Being The Year of Magical Mermaid Earnest Thinking Only Yesterday Race Laughter on the 23rd Disgraced No Sex Please, We're Floor Noises Off British The Glass Menagerie Nunsense Take Two 2016-17 Macbeth 2011-2012 2007-2008 A Christmas Carol Romeo and Juliet How the Other Half Trick or Treat Boeing-Boeing Loves Red Hot Lovers Annie Doubt Grounded Les Liaisons Beauty & the Beast Mamma Mia! Dangereuses The Price M. Butterfly Driving Miss Daisy 2015-16 Red The Elephant Man Our Town Chicago The Full Monty Mary Poppins Mad Love 2010-2011 2006-2007 Hound of the Amadeus Moon Over Buffalo Baskervilles The 39 Steps I Am My Own Wife The Mountaintop The Wizard of Oz Cats Living Together The Search for Signs of Dancing At Lughnasa Intelligent Life in the The Crucible 2014-15 Universe A Chorus Line A Christmas Carol The Real Thing Mid-Life! The Crisis Blithe Spirit The Rainmaker Musical Clybourne Park Evita Into the Woods 2005-2006 Orwell In America 2009-2010 Lend Me A Tenor Songs for a New World Hamlet A Number Parallel Lives Guys And Dolls 2013-14 The 25th Annual I Love You, You're Twelve Angry Men Putnam County Perfect, Now Change God of Carnage Spelling Bee The Lion in Winter White Christmas I Hate Hamlet Of Mice and Men Fox on the Fairway Damascus Cabaret Good People A Walk in the Woods Spitfire Grill Greater Tuna Past Productions 2004-2005 2000-2001 -
THE BECKETT CIRCLE LE CERCLE DE BECKETT O N E W S L E T T E R O F T H E S a M U E L B E C K E T T S O C I E T Y Los Dias Felices in Buenos Aires
THE BECKETT CIRCLE LE CERCLE DE BECKETT O N e w s l e t t e r o f t h e S a m u e l B e c k e t t S o c i e t y Los dias felices in Buenos Aires Arthur Nauzyciel’s production of Los dias fe- lices with Marilú Marini in the role of Winnie Winnie (Marilú was not a typical production of Beckett’s play. Marini) hoists It did not feature, in the manner of Madeleine her parasol in Renaud, an ethereal old lady juggling with her Arthur Nauzyciel’s parasol and other possessions. Nor did it at- production of Los tempt to copy, as I have seen more than once, dias felices. the inimitable Billie Whitelaw performing an excitable, accelerated, earthy, slightly vulgar Winnie and going through a broad gamut of voices that made a music of their own. Marini’s Winnie was, rather, a poised and well-spoken suburbanite who went about her everyday business in a most casual way. So much so that after the first few minutes I feared that a rather boring evening was ahead. She looked like an average well-to-do Argentinian housewife, with a conventional coiffure and make-up, who was musing ineffectually about life in her beautiful garden. The stage-light- In This Issue: ing, however was almost unbearable, and her mound suggested a desert. As Marilú plodded John Paul Riquelme on on through the text, her facial expressions and Beckett and her voice grew in intensity. Words started to Kenner take on meanings of which she herself seemed Photo Credit: Elán Bachini Credit: Photo Performances in: at first unaware, but which would gradually Brooklyn force her to confront the pointlessness of (her) Buenos Aires life. -
Announcement of Awards 5Th Annual Washington Area Theatre Community Honors
Announcement of Awards 5th Annual Washington Area Theatre Community Honors THE WATCH AWARDS Nominations Announced January 16, 2005 – 6:30 pm at The Birchmere, Alexandria, VA Award Ceremony held Sunday, March 6, 2005 – 7:00 pm at The Birchmere, Alexandria, VA Final Attendance: 495 Award Ceremony Tickets $12.50 at the Birchmere Box Office or through Ticketmaster (plus service charge) 90 productions (25 musicals, 65 plays) were adjudicated in 2004. Twenty-four community theater companies participated in WATCH adjudication. – Aldersgate Church Community – Port City Playhouse Theatre – Port Tobacco Players – American Music Stage – Prince William Little Theatre – The Arlington Players – Providence Players – Castaways Repertory Theatre – Reston Community Players – Chevy Chase Players – Rockville Little Theatre – Dominion Stage – Rockville Musical Theatre – Elden Street Players – St. Mark’s Players – Fauquier Community Theatre – Silver Spring Stage – Hard Bargain Players – Tantallon Community Players – Kensington Arts Theatre – Tapestry Theatre Company – Little Theatre of Alexandria – Vienna Theatre Company – Montgomery Playhouse (Inactive: Springfield Community Theatre) And now for the Nominations and Awards… In each of the twenty-eight categories, five nominees were selected based on the average scores of at least eight judges. In some categories, due to score ties, more than five nominees are announced. Award recipients are listed first in bold with other nominations provided in alphabetical order by nominee. The nominations are provided by category and by theater at the end of the document. Nominations for outstanding technical achievements. Outstanding Set Design (5) • Tina Thronson & John Coscia, The Man Who Came To Dinner, Providence Players • David Bayles & Joe Stine, A Christmas Story, Port Tobacco Players • John Downing, Sleuth, Little Theatre of Alexandria • Andrew S. -
Fall 2012 Sept 12.Indd
FALLFALL 2010 2010 FLORIDA FLORIDA THEATRE THEATRE CONFERENCE CONFERENCE NEWS NEWS Volume 55 Issue 2 Volume 57 Issue III Fall 2010 Fall 2012 Inside this issue: FLYING FX AT 2012 Individual Festival Registration Form ............................................. 3 Festival Workshop Application ....4 AWARDS CEREMONY FTC Scholarships .........................4 Santa Fe College, Gainesville, FL Hotels in Gainesville ....................5 Festival Dining Options ...............6 October 24–27, 2012 Santa Fe Campus Attractions .......6 FTC Membership Form .............. 7 DraMature Division Registration Form ............................................. 8 DraMature Division ..................... 9 FTC Board of Directors ............ 10 Schedule of Florida Theatres .... 11 FLORIDATheatre is the offi cial newsletter of the Florida Theatre Confer- ence for theatres through- out the state of Florida. FLORIDATheatre is published three times a year and is free of charge. To be added to the mail- ing list, contact Robert Fairy Queen thanks the lost boys, Peter Pan. Flying FX performing in Taipei, Taiwan Ankrom at rankrom76@ BY RICK KERBY——Florida Theatre Festival 2012 will culmi- aol.com. nate with an exciting newly-formatted awards show. This fi nale on Saturday, October 27, will honor theatre advocates and leaders from www.fl atheatre.org all divisions from throughout our state. We have implemented your President suggestions and will kick off the excitement at a new earlier time of Rick Kerby 6:00 pm. The secondary and community theatre awards will imitate Executive Director the exhilaration of the Tony Awards with our presenters reading a list Robert E. Ankrom of nominees before presenting the major awards. Other surprises are Editor in the works, so you won’t want to miss this great event. -
Feature Films
Libraries FEATURE FILMS The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 10 Things I Hate About You DVD-0812 27 Dresses DVD-8204 1000 Eyes of Dr. Mabuse DVD-0048 28 Days Later DVD-4333 10th Victim DVD-5591 DVD-6187 12 DVD-1200 28 Weeks Later c.2 DVD-4805 c.2 12 and Holding DVD-5110 3 Women DVD-4850 12 Angry Men DVD-0850 3 Worlds of Gulliver DVD-4239 12 Monkeys DVD-3375 3:10 to Yuma DVD-4340 12 Years a Slave DVD-7691 30 Days of Night DVD-4812 1776 DVD-0397 300 DVD-6064 1900 DVD-4443 35 Shots of Rum DVD-4729 1984 (Hurt) DVD-4640 39 Steps DVD-0337 DVD-6795 4 Little Girls DVD-0051 1984 (Obrien) DVD-6971 400 Blows DVD-0336 2 Autumns, 3 Summers DVD-7930 42 DVD-5254 2 or 3 Things I Know About Her DVD-6091 50 First Dates DVD-4486 20 Million Miles to Earth DVD-3608 500 Years Later DVD-5438 2001: A Space Odyssey DVD-0260 61 DVD-4523 2010: The Year We Make Contact DVD-3418 70's DVD-0418 2012 DVD-4759 7th Voyage of Sinbad DVD-4166 2012 (Blu-Ray) DVD-7622 8 1/2 DVD-3832 21 Up South Africa DVD-3691 8 Mile DVD-1639 24 Season 1 (Discs 1-3) DVD-2780 Discs 9 to 5 DVD-2063 25th Hour DVD-2291 9.99 DVD-5662 9/1/2015 9th Company DVD-1383 Adventures of Ozzie and Harriet DVD-0831 A.I. -
Historical Theater Programs Collection MS-87 Wright State
Historical Theater Programs Collection (MS-87) Guide This finding aid was produced using ArchivesSpace on September 21, 2021. Description is written in: English. Describing Archives: A Content Standard Wright State University Libraries, Special Collections and Archives Special Collections and Archives 3640 Colonel Glenn Hwy Dayton, OH 45435-0001 [email protected] URL: http://www.libraries.wright.edu/special Historical Theater Programs Collection (MS-87) Guide Table of Contents Summary Information .................................................................................................................. 3 Scope and Contents ...................................................................................................................... 3 Arrangement ............................................................... .................................................................. 3 Administrative Information .......................................................................................................... 4 Collection Inventory ............................................................... ...................................................... 4 Series 1: Plays and Musicals ............................................................... ....................................... 4 Series 2: Animal Shows & Races ............................................................................................. 29 Series 3: Concerts ............................................................... ..................................................... -
Newsletter Fall 2007
Friends of Niagara University Theater For those who love and support theater at Niagara University Fall/Winter 2007 NU Honors Four Entertainment Legends Actor David Actors’ Guild Award, all for his Drama Desk Award. Monk has also Hyde Pierce, best performances on “Frasier.” appeared on regional stages across known for his role Nominated for America and has a wide number of as Niles Crane on four Tony Awards, films to her credit. the television Scott Ellis has Winner of the series “Frasier,” received the Tony Award and was among four Outer Critics the Drama Desk theater Circle Award and Award, Karen personalities who the Drama Desk Ziemba began David Hyde Pierce were honored by Award several her career as a Niagara University at a special times, as well as dancer, when as a convocation on Monday, Nov. 19. The Scott Ellis the prestigious young girl she convocation, a celebration of excellence Olivier Award in London. Besides joined the Ohio in theater, also honored actors Debra numerous New York city credits, he Ballet. Her Karen Ziemba Monk and Karen Ziemba and director has also directed in regional theater extraordinary voice, perhaps a legacy Scott Ellis. and for television. Ellis began his from her grandmother who sang for Citing their outstanding careers career as a performer, appearing in the New York City Opera, brought and the excellence each has achieved, several Broadway musical comedies. her to the musical theater. Her role the Rev. Joseph L. Levesque, C.M., He served for several years as the in the musical “Contact,” which was president of the university, said, “The associate director of the Roundabout created for her, won her the triple university itself is honored to have such Theatre Company in New York City. -
A Score Complete Without Themes: Henry Mancini and the Frenzy Experience
A SCORE COMPLETE WITHOUT THEMES: HENRY MANCINI AND THE FRENZY EXPERIENCE. PATRICIA CLARE WHEELER-CONDON A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN MUSIC YORK UNIVERSITY, TORONTO, ONTARIO APRIL, 2013 © Patricia Wheeler-Condon, 2013 ABSTRACT This dissertation examines the musical features of, and circumstances surrounding, the film score composed in 1971 by Henry Mancini for director Alfred Hitchcock's ( penultimate work, Frenzy. Mancini's music was rejected by Hitchcock, and replaced with a markedly different work written by British composer Ron Goodwin. A summation of characteristic traits emerging from Mancini's compositional style is herewith considered, as recurring features found in his thematic writing - aspects of melody, harmony, rhythm, timbre, and form-were most apparent to the non-musician film directors who engaged his services. This summation also includes an examination oft4e composer's dramatic underscore writing; an aspect of film music often overlooked in its minutiae by viewers and filmmakers alike, and, in the case of Mancini's Frenzy music, characteristic of his scores for Laslo Bene_dek's 1971 production, The Night Visitor, and Terrence Young's Wait Until Dark, from 1967. Mancini's Frenzy cue sheets, holograph, and recording were supplied by the composer's estate, allowing for an analysis which considers cue placement and length, systems of pitch and rhythmic organisation, aspects of arrangement and orchestration, and conducting and recording methods as practised by this composer. A comparison to the Goodwin score, reproduced by way of transcription from the film, is undertaken in order to explore aspects of filmic point-of-view as they play on the composer of its accompanying music, and to attempt a rationalisation of .Hitchcock's displeasure with Mancini's music. -
Copyright by Julie Elizabeth Peterson 2012
Copyright by Julie Elizabeth Peterson 2012 The Thesis Committee for Julie Elizabeth Peterson Certifies that this is the approved version of the following thesis: Hitchcock and Humor: a Study in Collaborative Authorship APPROVED BY SUPERVISING COMMITTEE: Supervisor: Janet Staiger Thomas G. Schatz Hitchcock and Humor: a Study in Collaborative Authorship by Julie Elizabeth Peterson, B.A., B.S. Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2012 Dedication I dedicate this thesis to all those who attempt to negotiate their sense of humor with others: a most tedious, time consuming, noble, and rewarding task. Alfred Hitchcock continued his negotiations for over five decades, and for his efforts, film studies found a touch of much needed tongue-in-cheek. Acknowledgements I first discovered my love of classical Hollywood cinema when I moved to Austin, Texas in 2003 to pursue my bachelor’s in Radio-Television-Film at the University of Texas. Here, I discovered that not only were black and white films far from naïve and unsophisticated, but that it was still possible to view these films on a big screen, in 30mm, with a full audience in attendance: the Paramount, the Alamo Drafthouse, and the Dobie provided excellent programming for an aspiring cinephile year round. Next, I became aware that not only were older films amazing and physically accessible, but that legitimate careers in programming, preserving, studying and teaching classical films existed.