DOCSLIB.ORG

Evening Star. (Washington, D.C.). 1941-10-23 [P B-17]

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Evening Star. (Washington, D.C.). 1941-10-23 [P B-17] SEA his casting with James Cagney In produced, however, until Morgan formerly a eoncert and operatic FOOD PLATTER She’s Too Ahead first has finished the Busy Shipwreck "Captains of the Clouds,” now near- singing lead singer, and many fans, aware of that FRIDAY & lot it tits Dennis Morgan will be starred by in "The Desert Song,” the Sigmund fact, have writt4fn to Warners re- ^ ing completion, and it was his work To See Warners will soon that he be as the SPECFAI, Ptr Platter Filming Warner Bros, in "Robinson Crusoe” Romberg operetta questing cast Red "t^/^ in that which decided Warner ex* the screen. was Include* or bring tp Mojgan Shadow. soup tomato juice, two vege- Of Own Novel as the second step in a definite plan tables- salad, dessert, rolls, bererace. ecutives to star him in th# film OTHER DINNERS FROM 35c. to establish him with the movie- By the Associated Press. going public as an adventurous, version of the De Foe classic. / A. 1365 Kennedv N.W. HOLLYWOOD. LXLf G at Colorado dashing personality. The first was "Robinson Crusoe” "will not be ___C_GK.9571_ Mrs. Rebecca Yancey Williams wrote a book about her girlhood home at Lynchburg Va. or at home... KEEP FIT Now It's being made into a mo- In camp tion picture. "The Vanishing Vir- ginian,” with Frank Morgan in the E 3 WAYS role of her father, Spring Byington Whether it'* reveille as her mother, Kathryn Grayson or an alarm clock that calls yoi to duty, 35- I as Rebecca and other actors as three here'] the first step for health defense. A cool, fancy class of Sunsweet Prune I 6 P.M. younger children in the family. I TO 1 A.M. Juice. This pure fruit drink is packed The that Mrs. studio, thinking with three essentials for keeping St. Williams would like to see iCAPITAL GARAGEi naturally yiumfhi (B and G) for growth, energy 8 F 320 N. r. Are., Bet. 13th fr 14th! how she and her family were being — mntrsh to rebuild — Uxslh* tgtet to treated on the screen, invited her sweep sway poisons. to come to Hollywood and work on the script. Mrs. Williams declined. She’s too busy—writing a new novel. la Utility Jar, i*t a \\\\ What’s Accuracy Vacuum Isulud flN€ HOTfL ]))] In the Face of Youth’s Jeers? z PRIZES! AWARDS! CONTESTS! £ 0 Jill By the Associated Press. 2 GRAND AWARD SATURDAY NIGHT £ 0 Utk WK IILL HOLLYWOOD. If they wanted to be historically Si NEW 1942 PONTIAC CAR S ~ \ accurate in their next movie, Tyrone 2nd ANNUAL WASHINGTON ^ Power and Gene Tierney would ro- | Thursday Dinner mance by rubbing noses. That’s how Polynesians 3isplayed $1 affection in 1800, the era of “Son s FOOD ffIf Puree of of Fury,” in which Power is an SHOW! 'M Split Peo Soup English gentleman turned pearl 2 RIVERSIDE STADIUM o t Grilled Calf Liver diver and Miss Tierney is a South 26th and D | French Fried Omoni Sea Island maiden. Z Sts. N.W. g 7 | Goldenrod Potatoes, Broccoli But Director John Cromwell, after g Daily, 2 to 5 P.M.—7 to 10:30 P M. 5 7 an ardent bit of nose- Health Salad watching ... AUSPICES INDEPENDENT FOOD DISTRIBUTORS OF D C. '*7 1% Lemon Chiffon Pie rubbing. decided modern youth 2 FREE AND CUT-RATE TICKETS AT YOUR Coffee movie clientele would think it pretty Z 0 dull. So rbwer and will OTHER DINNERS Tierney NATION-WIDE GROCER r Tehle d'Hnte—A la Carte kiss when the time comes to put | \ FINEST PRINKS V across a love scene, just like the % FUN! SAMPLES! BEAUTY QUEENS 5 7 L\\>X na. Mill SA modern youth clientele. __AMUSEMENTS._ AMUSEMENTS. THESE PRICES EFFECTIVE UNTIL CLOSING SATURDAY, OCT. 25th " ..- NO PUBLICITY GAG—Stirling Hayden has left Hollywood be- ■ I ^ hind for reasons that are sincere, whatever they may be, Sheilah McCormick'* Banquet 0 Graham tells us today after talking with him in New York. MACARONI OR SPAGHETTI_3 pm*. 25c ORANGE PEKOE TEA_4 it>. tin 23c 4 it>. tm 45c 0 Flekorn Lipton'i Finest Orange Pekoe CORN MUFFIN MIX_pm. 12c TEA-4 it) 25e 4 ib. 49c a False Life of Hollywood Crosse fr Blackwell Salada Brown Label DATE & NUT BREAD___2 on. 25c TEA-4 ib. pi.*. 19c TEA BAGS is in pk* 17c Was Too Much for Him 0 All Time Schedules Given in Warner (Mueller's ACADEMYor Pcrf8th S»T cf sp^otopl*T- Bros. Ads Indicate Time Feature At- K. Lawrence Phillips' TheatrV Beantiful. tract ion Is Continuous from 5 P.M. Presented.__ Theaters Having Matinees._ So Who The MARX BROTHERS in Stirling Hayden, Prefers “THE BIG STORE,” AMBASSADOR 'RT Matinee 1 P.M. A Boat Is Off to With TONY MARTIN and VIRGINIA Any Day, War GREY Also FRED ASTAIRE RITA HAYWORTH _ EAST SIDE KIDS in ■ ■aMaaa in YOU LL NEVER GET RICH. At “PRIDE OF THE BOWERY.” 1 30. 3 30. 5:30. T:30. 0:36. To Drive an Ambulance tAth * e nx. ULTIilltilurvrRT v 48th A Mas*. Ave. N.W. LI. 3100 Mat I PM. By SHEILAH GRAHAM. WO. 4600. Parkin* Snare Available to Patron*. NEW YORK. Show Place of the Nation’s Capital. MELVYN DOUGLAS, RUTH HUSSEY Free Parkin* for Over 500 Cars in Rrar. in OUR WIFE A; 1:20. 3:25, 5:30, Stirling Hayden is thinking of the future and how best to get the T 30. Mn Special Matinee Every Wed.-Sat.-Sun. Comedv_ from life he wants. That is the blond sensation of things why “Virginia’’ ’11 Visit Out Kmbassy Room. r&I VFRT *3*4 Wis. Are. N.IV. HiU\V”JL TjT-1t 11 UHL. VE.ni and "Bahama has shaken the dust of Hollywood from his ^gLJL nffay J •MY LIFE >v Mat. 1 P.M. Passage" WITH CAROLINE,’ Parkin* Spare Available to Patron*. feet and is about to embark—around November 1. with the ■with RONALD COLMAN and ANNA LEE JOAN CRAWFORD. ROBERT TAY- restless Es’ra Pete Smith s FOOTBALL THRILLS LOR in "WHEN LADIES MEET." At American Field Service for the Middle East, where he will work as an Thursday—-Doors Open at 5:30 P.M. Fea- e 1. 3:111. A: 15. 7:25. !i 35. o _ ambulance driver. ture at 6:45. 7:43. 9.41. * CENTRAL \,T,h .?7,vw- I ran Mr. Hayden to earth at a rehearsal for his appearance on the an ac 1331 h st. ne. at. 8.300. 11 Opens 9:15 A M. VV Uic lauiu HllaHa jjiugiaiu. Mat. 1 P.M. 3 Q ERROL FLYNN FRED MacMURR AY " He has been in hiding for the past c in DIVE BOMBER (In Techni- and tell one the truth. Then •«. W every “MAN POWER,” color ) At 10:5(*. •2:15. 5 45 9 15. week in New York and I was sur- With EDWARD G ROBINSON. \#4RLENE March of Time. •‘Crime Doesn t Pay perhaps," he added with an eye on piised that the man who had re- Brewer Snyder Old Virginia \ DIETRICH and GEORGE RAFT. e n> the will leave me in ~ vririrrnv 4th n.w. door, "people HP ALnnLui nounced film fame and fortune Also on Sam* Proawim sg R r>r>00 Mat , PM POTATOCHIPS_%ib.pkg l8c PURE PRESERVES_iib.jarl9c? Parking peace." Space Available to Patrons. because of—among other reasons— Brer Green Label “WILD GEESE CALLING.” SPENCER TRACY LANA TURNER "Weren't tn Notion-Wide Rabbit 0 ■e = you happy Holly- With HENRY FONDA JOAN BENNETT BERGMAN in DR Hollywood's disruption of his pri- TNGRJD JEKYLL wood?" this reporter ^ and WARREN WILLIAM. ^2 AND MR HYDE At 1:35. 4:15, vate life, should brave the publicity persisted. MAYONNAISE-_% Pt 17c Pt 29c MOLASSES_n«. m 14c v a. 6:50. 9:25. “As happy as I'd be anywhere glare of a speech on the radio. French's Warchestershira Krumms A rURflV TN& nth A N. C. Ave. S.E. h, Dr PaTAve7at 7th S.E. I disliked,” he trtnULlHrt LADY FROM CHEY- rLnnIff Iff been nonsense doing things replied. FR ,v*00. Mat I P.M. "There's so much SAUCE_« oe hot 14c MACARONI OR SPAGHETTI_2 Pk*< 11c \ ENNE. with LORETTA YOUNG. ROB- "They treated me well according Parking Snace Available to Patrons. these few weeks about I 1 ERT PRESTON. Also ARKANSAS past why ANN SOTHEPN ROBERT YOUNG. their own but accord- i JUDGE to standards, ELEANOR POWELL. RED SKEI TON left Hollywood,” explained Stirling, A ing to the life out there Is SMALL, LEAN CRISP, CLEAN b in LADY BE GOOD. At 1. 3 10, "that I decided to do this broadcast mine, nur? r ***nna. Ave. at 21st St. 5:10. 7:‘2 5 P 35_ false. With the world in a state VinVLL Air-Conditioned. * CRrRTn&KI Ga. Ave. A Sheridan! of turmoil how can I stay in Holly- \ RUBY KEELER OZZIE NELSON In dllLIllUHIf P 2'b» v Mat P M. Fresh SHOULDERS 25* FRESH SPINACH 15‘ ■SWEETHEART OF THE CAMPUS wood all that stuff? MELVYN DOUGLAS RUTH HUSSEY The Irish are with you, doing phony New' Comedy. 1 w in OUR WIFE At ! 25. 3 30, 5:30, Mr. President: a BRIGGS SLICED BACON_n». 39c TENDER CELERY_,talk 10c 7:30. P 35._ 0 8 E" “They gave me a boat,” he con- i CM UrD Ga. Ave. Sc Colesville Pike. BRIGGS CARROTS_2 bunches 1 5c CONGRESS □ AMERICAN IRISH tinued. knew I liked boats SCRAPPLE_L_2u>s29c CALIFORNIA (i 29ni^c^T': llafCin SH 5500 Mat.
Load more

Recommended publications
  • BOOKINGS September 2020 New! Expanded Curbside and Building Hours: Mondays* – Curbside 10 A.M
    YOUR MONTHLY GUIDE TO PORT’S LIBRARY BOOKINGS September 2020 New! Expanded Curbside and Building Hours: Mondays* – Curbside 10 a.m. to 6 p.m. • Building Hours 10 a.m. to 4 p.m. Tuesdays – Curbside 10 a.m. to 6 p.m. • Building Hours 10 a.m. to 4 p.m. Wednesdays – Curbside 10 a.m. to 6 p.m. • Building closed for deep cleaning. Thursdays – Curbside 10 a.m. to 6 p.m. • Building Hours 12 p.m. to 6 p.m. Fridays – Curbside 10 a.m. to 6 p.m. • Building Hours 12 p.m. to 6 p.m. Saturdays starting Sept 26 – Curbside and Building Hours 10 a.m. to 4 p.m. National Voter Registration Day *Please note: The library will be closed for both curbside pick-up and building hours on September 7 in honor of Labor Day. Tuesday, September 22 10 a.m. to 4 p.m. Stop by PWPL on Tuesday, September 22 to register to vote. Volunteers from CURBSIDE GRAB-AND-GO! the League of Woman Voters, FOL and PWPL staff will be on hand to assist you PWPL is happy to continue our extremely popular Curbside Grab-and-Go service! Reserve any in filling out your New York State voter of your favorite library items (not just books!) online and, when they are ready, we will notify registration form or getting an absentee you to come by the library building for a contactless pickup out front. As per ALA and OCLC ballot application. More details to follow. guidance, all returned library materials are quarantined for 96 hours to ensure safety.
    [Show full text]
  • 1§1 Directed by Lyle W
    - 1§1 Directed by Lyle W. Nash THE PLAYERS ... Greta Nissen has been located and lost TO readers are asking about William Janney ... They want again. Film buffs L. Allan Smith and George Smith traced and to know of newsreel collectors or buffs ( especially the silent contacted the elusive petite orwegian star living in Southern era) . .. One reader keeps hoping someone will find a collector California. Recently she was reported living in the Santa Ynez, who knows about lost First National films (silent) . .. Another Calif., area but her whereabouts at the moment are un­ seeks the whereabouts of Davey Lee who was Sonny Boy in the known ... Kid movie actor Dick Winslow still performs his Singing Fool of 1928. Information would be shared for one and one-man-band act in Hollywood night spots ... lsh Kabibble, all. sad-eyed-comic musician with Kay Kyser's band, is now a Honolulu realtor ... Iris Adrian , as full of zest and the love of living as he wa in the early days of sound films, loves to meet IN 1923 John Hampton knew that his career would center her loyal fan . around silent films. He started to show them in Oklahoma. He has been doing that for the last 51 years. For the last 31 years he has been operating his Silent Theatre in Los Angeles. John Historian-writer William E. Julison, Grand Forks, North and his wife, Dorothy, enjoy the rare modern film that is clean, Dakota , completed his 1973 poll on all-time Western film but both have a special fondness for the silent movie.
    [Show full text]
  • TORRANCE HERALD As Accompanied by Lira
    THUMPAV. APRIL tt, TOUKANCf HtftALP. Terra MUTE YOUTH of Cagney Stars in NABBED, FOR - Manufacture Canada Air Yarn BURGLARY "Captains of the Clouds brilliant technicolor epic of th Scribbling "I won't steal no RADIOS more If you let me go to Ore-' ALL air, with James Cagney In th starring role, has been booke gon to work In lumber camp," Into the Plaza theatre In Haw Philip Breeze, 18-year-old mute from Paifc Rapids, Mlnn., pro­ has STOPPED thorne where It starts tonlgh tested he only took James Brenda Marshall and Denn watch chain Morgan head the featured ca Clawson'i) hat and Bo«rd, Hal When he was arrajgned before Order of the War Production which Includes Alan Judge John A. Shldlcr on a Effective April 22) George Tobias, Reginald Oart Denny, a burglary charge laat Saturday Iner and Reginald morning. well as many officers of th of taking Royal Canadian Air Force, wit He was accused cooperation the pictu | food and Clawsorfs overcoat in whose I addition to the hat and Jewelry But was filmed. the deaf-and- In Canada i and police said Made on location dumb youth was nabbed as he under the direction of Mloha was climbing out a window of Curtlz, master of the outdoo near Car­ You action picture, "Captains of thp the Clawson home seen son st. and Madrid ave. All Clouds" has the superb instructions, questions and com­ background of one of the mo he picturesque locales In the West ment about his cape had to n hemisphere. written out for Breeze.
    [Show full text]
  • 1940-08-29, [P ]
    SPECIAL LABOR EDITION THE NEWARK LEADER, THURSDAY, AUGUST 29, 1940 SPECIAL LABOR EDITION family visited Mr. and Mrs. Cary Newark Men Will McKinney Sunday. MIDLAND - AUDITORIUM SHOWS Miss Mary Klingenberg of Unemployment Bureau of Athens visited Mr. and Mrs. Enjoy Sailing Cary McKinney on Sunday after­ “SOUTH OF PAGO PAGO” noon. Now playing, Thursday to Mrs. Blanche Evans, son Rus­ Saturday, August 29-31, at the Schooner Trip sell, her daughter Mrs. Violet Great Importance to Workers Midland theatre — a thrilling Brunner, her grandson Llewellyn tropic love drama of the south Jerome Norpell, Wm. M. Ser­ Courson and Mrs. Nan Minego Of great importance to the days or more. Members of the seas with a stellar cast of play­ geant, George Pfeffer, John went on a picnic to Baughman’s Welfare of Licking county’s staff also made 1950 calls on ers, enacting a story of thrilling Spencer and Dr. Paul McClure, park Sunday. workers is District Office No. 38, prospective employers, explain­ adventure. “South of Pago will leave this Friday for Maine, Mrs. Blanche Evans visited Bureau of Unemployment Com­ ing the service and soliciting op­ Pago” starring Jon Hall, Fran­ on a short vacation trip. It is friends in Delaware and Marion pensation, located at 28-30 North enings. ces Farmer, Victor McLagen and their plan to sail on a Small last week. Fourth street. The nine mem­ One of the most successful em­ others concerns the strange ad­ schooner off the coast of Maine, Mr. and Mrs. Earl Gleckler bers of the staff consist of John ployment campaigns conducted ventures of Bucko Larson and and enjoy the fabulous fishing and daughter and Leroy Rowe of Gilbert, manager, and two sen­ in Newark during the period Ruby Taylor, who undertake an grounds and beautiful scenery Martinsburg road were Sunday ior and two junior interviewers; was the “Clean Up—Give a Job” adventure to the famous pearl along the coast.
    [Show full text]
  • “Something Else Besides a Mother”: Stella Dallas and the Maternal Melodrama
    “Something Else Besides a Mother”: Stella Dallas and the Maternal Melodrama Linda Williams JCMS: Journal of Cinema and Media Studies, Cinema Journal Retrospective, pp. 2-27 (Article) Published by Michigan Publishing DOI: https://doi.org/10.1353/cj.2018.0091 For additional information about this article https://muse.jhu.edu/article/707330 [ Access provided at 29 Sep 2021 07:56 GMT with no institutional affiliation ] "Something Else Besides a Mother": Stella Dallas and the Maternal Melodrama by Linda Williams Oh, God! I'll never forget that last scene, when her daughter is being married inside the big house with the high iron fence around it and she's standing out there-I can't even remember who it was, I saw it when I was still a girl, and I may not even be remembering it right. But I am remembering it-it made a tremendous impression on me-anyway, maybe it was Barbara Stanwyck. She's standing there and it's cold and raining and she's wearing a thin little coat and shivering, and the rain is coming down on her poor head and streaming down her face with the tears, and she stands there watching the lights and hearing the music and then she just drifts away. How they got us to consent to our own eradication! I didn't just feel pity for her; I felt that shock of recognition-you know, when you see what you sense is your own destiny up there on the screen or on the stage. You might say I've spent my whole life trying to arrange a different destiny!' These words of warning, horror, and fascination are spoken by Val, a character who is a mother herself, in Marilyn French's 1977 novel The Women's Room.
    [Show full text]
  • Inteimed0j Er SERVICIO
    / 1. letro golduyn. inteimed0J er SERVICIO . DEPRENSA N.° 51 — BARCELONA, 15 DE JULIO DE 19 lARXIU GENERALITAT DE CAÏALUY,; E3IBLIOTECA COMO SE HACEN LAS PELICULAS (Continua f — PREPARATIVOS EN EL ESCENARIO DieZ grandes naves posee Metro Goldwvn Mayer en sus Estudios de Culver City, destinadas al roda¡e de películas. En ellas se pueden construir toda clase de escenarios, desde suntuosos pala ante la intervención clos hasta selvas tropicales. Para la construcciór de los mismos, precisa, todo, del director de la cinta, el director artístico, o arquitecto escenarista, el operador, el director de per el de construcciones el del sonal —que se encarga del repartc de papeles—, superintendente y lefe departamento eléctrico, amén del director del departamento de registro sonaro. estas discuten seña En una reunión previa, y ba¡o la supervisión del productor, personas y lan las características generales de los escenarios que cada película necesita. El departamento de detalles sean la exacta Investigaciones se encarga de proporcionar cuantos precisos para asegurar reproducción de la atmósfera que cada escenario debe evocar. Este departamento cuenta con una consultas. biblioteca nutridisima, y atiende anualmente a un promedio de 50.000 Existe otro departamento, el de Accesorios, que provee a los estudios con toda clase de ob¡e a ve tos, utensilios, herramientos, armas y libros. Este departamento tiene obligación de suministrar, si la acción de la cinta transcu ces, las cosas más inesperadas como, por e¡emplo, cigarrillos rusos, el descritos en la cinta. Este rre en Rusia, o flores de !os más variados climas, según la estación y país de consti- departamento de accesorios, que tan importante, papel desempeña en el rodaje películas, valor asciende a mil!ones de dólares.
    [Show full text]
  • Boredom Takestoll at Welles Village I Prixeweek Puzzle Today: Win $100
    PAGE TWENTY <- EVENING HERALD, Fri., Sept. 7, 1979 Boredom TakesToll at Welles Village I Prixeweek Puzzle Today: Win $100 Hy DAVK I, VVAM,KK village. There are over 300 of them, starting point and perhaps funds for afraid the young'persons will find out vices Bureaus' programs because has found a way to do that yet,” Hoff­ Unique Music Book Board Approves Hiring Teachers Subpoenaed Chris Evert Stops King this project are next to impossible, Mfriilil Ki'iiorlcr but out of that group eight are giving and will come back to avenge the they do not think they would fit in man explained. Made for Silent Films Of New Science Head For Court Defiance To Reach Open Finals us problems. Two or three of them but there could be other areas such report,” Willett said. with programs. Hoffman said that one of the GLASTONBURY - On any hot, are supplying beer to kids who are as athletic equipment stocked at the Willett said that the major way to "We like rugged things,'- one solutions would be to separate the P age 2 P age 6 P age 6 Page 1 0 humid night in Welles Village, the underaged and I am going to do rental office for sign out use or a curb these problems would be to juvenile said. “We do different kinds scene js the same. Young persons elderly people in the village from the h---------- ---------- ' ■ everything in my power to throw the CETA worker to run various sports provide more recreationai oppor­ of things than the kinds of things they juveniles.
    [Show full text]
  • Ronald Davis Oral History Collection on the Performing Arts
    Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.
    [Show full text]
  • Cataleg Definitiu.Pdf
    Quan el 1934 Madeleine Carroll va trepitjar per primera vegada la Costa Brava, aquesta actriu anglesa era encara poc coneguda fora de les pantalles britàniques. L’imminent pas cap a Hollywood li va fer encetar una carrera fulgurant impulsada pel treball amb alguns dels més prestigiosos directors del moment: John Ford, Alfred Hitchcock, William Dieterle, Cecil B. de Mille… Va ser en aquesta època quan les nostres comarques es van convertir en refugi de l’estrella entre rodatge i rodat- ge, però la tranquil·litat que més anhelava es va veure interrompuda per l’esclat de la Guerra Civil, que la va mantenir allunyada de la seva propietat catalana. En poc temps la mateixa ombra de la guerra s’estendria per tot Europa. Madeleine Carroll no va voler ser una simple espectadora del conflicte i va decidir-se a parti- cipar activament per recuperar la pau i els valors democràtics i es va implicar d’una manera molt personal com a membre de la Creu Roja, per donar suport a les vícti- mes més directes de la guerra, sobretot als nens orfes francesos i als soldats ame- ricans ferits. Ara, aprofitant el centenari del seu naixement i valent-nos d’alguns objectes i docu- ments del llegat de l’actriu, que ella mateixa conservava com els seus records més preuats, us proposem fer un recorregut per descobrir els diferents aspectes de la vida de Madeleine Carroll, des del més glamourós al més compromès. UNA ACTRIU ANGLESA A HOLLYWOOD Poc temps després de descobrir la passió pel teatre a la universitat, Madeleine Carroll (West Bromwich, Birmingham, 1906) que exercia de professora de francès, va viatjar a Londres a estudiar interpretació, obviant l’oposició familiar.
    [Show full text]
  • Destroyer Jacob Jones Sunk by Sub; Japs' Invasion of Java at Standstill
    MONDAT, MARCH 2,1942* B ® TWELVE iSIamttrstrr lEvrtting lUniUi Average Daily Circulation The WMither John De Salvo of 24 Emerapn Fereeoet of V. 8. Weather Borsau The Cecillan club will hold Ita Susan Ann, five-year-old daugh­ A meeting of the Amerlcan- For the Month of Fehmory, 1*42 Mr. and M ra Harold t,. Mott Lltnuanian Civic Club, held to­ street is absent on a business trip and son Thomas have moved from regular < rehearsal Tuesday eve­ ter of Mr. and Mra. , Clayton E. ning in the South Methodist Pineo of • 58 W alker atrect, who night at 8 o'clock in thelr'hall on to NewlYork City. He la register­ A bou t Tow n Phelps Road to their newly built ed at thb Hotel Eklison. Ooeoaloasl Hght rain, slightly house at 22 Bowers street. church at seven o'clock <>ecause of was admitted last Wednesday at Oolwny street. 7,120 the blackout. the Hartford hospital, suffering Featured for Tuesday colder tonight; diminishing winds. Troop 16,‘B03r Scout* wffl hold with pneumonia, la much improv­ General Welfare Center No. 41 The Mary Cheney Library will Member of the Audit iU rosular meeting thle evening St. John's Sew-ing Club will omit dose tomorrow evening at 8:30 Bnreoa of CtrenUtions its meeting tomorrow evening on During th^month of February, ed and her parents hope to be able will omit Its meeting tomorrow taigteod o f tomorrow evening, and evening on account of the trial so that patrona of the library Manchester— A City of Village Charm account of the blackout.
    [Show full text]
  • A Tribute to Michael Curtiz 1973
    Delta Kappa Alpha and the Division of Cinema of the University of Southern California present: tiz November-4 * Passage to Marseilles The Unsuspected Doctor X Mystery of the Wax Museum November 11 * Tenderloin 20,000 Years in Sing Sing Jimmy the Gent Angels with Dirty Faces November 18 * Virginia City Santa Fe Trail The Adventures of Robin Hood The Sea Hawk December 1 Casablanca t December 2 This is the Army Mission to Moscow Black Fury Yankee Doodle Dandy December 9 Mildred Pierce Life with Father Charge of the Light Brigade Dodge City December 16 Captain Blood The Private Lives of Elizabeth and Essex Night and Day I'll See You in My Dreams All performances will be held in room 108 of the Cinema Department. Matinees will start promptly at 1:00 p.m., evening shows at 7:30 p.m. A series of personal appearances by special guests is scheduled for 4:00 p.m. each Sunday. Because of limited seating capacity, admission will be on a first-come, first-served basis, with priority given to DKA members and USC cinema students. There is no admission charge. * If there are no conflicts in scheduling, these programs will be repeated in January. Dates will be announced. tThe gala performance of Casablanca will be held in room 133 of Founders Hall at 8:00 p.m., with special guests in attendance. Tickets for this event are free, but due to limited seating capacity, must be secured from the Cinema Department office (746-2235). A Mmt h"dific Uredrr by Arthur Knight This extended examination of the films of Michael Only in very recent years, with the abrupt demise of Curtiz is not only long overdue, but also altogether Hollywood's studio system, has it become possible to appropriate for a film school such as USC Cinema.
    [Show full text]
  • The Effect of Censorship on American Film Adaptations Of
    THE EFFECT OF CENSORSHIP ON AMERICAN FILM ADAPTATIONS OF SHAKESPEAREAN PLAYS A Thesis by RUTH ANN ALFRED Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2008 Major Subject: English THE EFFECT OF CENSORSHIP ON AMERICAN FILM ADAPTATIONS OF SHAKESPEAREAN PLAYS A Thesis by RUTH ANN ALFRED Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Approved by: Chair of Committee, Douglas Brooks Committee Members, Anne Morey Arnold Krammer Head of Department, M. Jimmie Killingsworth May 2008 Major Subject: English iii ABSTRACT The Effect of Censorship on American Film Adaptations of Shakespearean Plays. (May 2008) Ruth Ann Alfred, B.A., Texas A&M University Chair of Advisory Committee: Dr. Douglas Brooks From July 1, 1934, to November 1, 1968, the Production Code Administration (PCA) oversaw the creation of American motion pictures, in order to improve Hollywood’s moral standing. To assist in this endeavor, the studios produced film adaptations of classic literature, such as the plays of William Shakespeare. In the first two years of the Code’s inception, two Shakespearean films were produced by major studios: A Midsummer Night’s Dream (1935) and Romeo and Juliet (1936). But were these classic adaptations able to avoid the censorship that other films endured? With the use of archived collections, film viewings, and an in-depth analysis of the plays, multiple versions of the scripts, and other available surviving documents, I was able to see how these productions were affected by the enforcement of film censorship and what it said about the position of Shakespeare’s work in society.
    [Show full text]