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CREATING A PUBLIC SQUARE IN A CHALLENGING MEDIA AGE A White Paper on the Knight Commission Report on Informing Communities: Sustaining Democracy in the Digital Age Norman J. Ornstein with John C. Fortier and Jennifer Marsico Executive Summary Much has changed in media and communications costs. Newspapers would benefit from looser technologies over the past fifty years. Today we face the rules and more flexibility. News organizations dual problems of an increasing gap in access to these should be able to work together to collect technologies between the “haves” and “have nots” and payment for content access. fragmentation of the once-common set of facts that 2. Implement government subsidies. With high Americans shared through similar experiences with the costs of operation, the newspaper industry media. This white paper lays out four major challenges should be eligible for lower postal rates and that the current era poses and proposes ways to meet exemptions from sales taxes. these challenges and boost civic participation. 3. Change the tax status of papers, making them tax-exempt in some fashion. This could Challenge One: Keeping Newspapers Alive involve categorizing newspapers as “bene- fit” or “flexible purpose” corporations, or Until They Are Well treating them as for-profit businesses that have a charitable or educational purpose. A large part of the average newspaper budget com- prises costs related to printing, bundling, and deliv- ery. The development of new delivery models could greatly reduce (or perhaps eliminate) these Challenge Two: Universal Access and expenses. Potential new models use screen- Adequate Spectrum technology advancement (using new tools like the iPad) and raise subscription revenue online. -
And the Masonic Family of Idaho
The Freemasons and the Masonic Family of Idaho Grand Lodge of Ancient Free and Accepted Masons of Idaho 219 N. 17th St., Boise, ID 83702 US Tel: +1-208-343-4562 Fax: +1 208-343-5056 Email: [email protected] Web: www.idahomasons.org First Printing: June 2015 online 1 | Page Table of Contents Introduction .................................................................................................................................................. 3 Attraction of Freemasonry ............................................................................................................................ 5 What they say about Freemasonry.... ........................................................................................................... 6 Grand Lodge of Idaho Territory ‐ The Beginning .......................................................................................... 7 Freemasons and Charity ............................................................................................................................... 9 Our Mission: .............................................................................................................................................. 9 Child Identification Program: .................................................................................................................... 9 Bikes for Books .......................................................................................................................................... 9 Organization Information ........................................................................................................................ -
Teaching and Learning in a Microelectronic Age. INSTITUTION Phi Delta Kappa Educational Foundation, Bloomington, Ind
DOCUMENT RESUME ED 281 487 fk 012 601 AUTHOR Shane, Harold G. TITLE Teaching and Learning in a Microelectronic Age. INSTITUTION Phi Delta Kappa Educational Foundation, Bloomington, Ind. REPORT NO ISBN-0-87367-434-0 PUB DATE 87 NOTE 96p. AVAILABLE FROMPhi Delta Kappa, PO Box 789, Bloomington, IN 47402 ($4,00). puB TYPE Books (010) -- Information Analyses (070) -- Viewpoints (120) EDRS_PRICE_ MF01/PC04 Plus Postage. DESCRIPTORS Change Strategies; Computers; *Computer Uses in Education; Curriculum Development; *Educational Change; Global Approach; Mass Media Effects; Robotics; *Science and Society; *Technological Advancement; Television Research IDENTIFIERS Learning Environment; *Microelectronics ABSTRACT General background information on microtechnologies with_ implications for educators provides an introduction to this review of past and current developments in microelectronics and specific ways in which the microchip is permeating society, creating problems and opportunities both in the workplace and the home. Topics discussed in the first of two major sections of this report include educational and industrial impacts of the computer and peripheral equipment, with particular attention to the use of computers in educational institutions and in an information society; theuse of robotics, a technology now being used in more than 2,000 schools and 1,200 colleges; the growing power of the media, particularly television; and the importance of educating young learners tocope with sex, violence, and bias in the media. The second section addresses issues created by microtechnologies since the first computer made its debut in 1946; redesigning the American educational system for a high-tech society; and developing curriculum appropriate for the microelectronic age, including computer applications and changes at all levels from early childhood education to programs for mature learners. -
![1940-08-29, [P ]](https://docslib.b-cdn.net/cover/5100/1940-08-29-p-805100.webp)
1940-08-29, [P ]
SPECIAL LABOR EDITION THE NEWARK LEADER, THURSDAY, AUGUST 29, 1940 SPECIAL LABOR EDITION family visited Mr. and Mrs. Cary Newark Men Will McKinney Sunday. MIDLAND - AUDITORIUM SHOWS Miss Mary Klingenberg of Unemployment Bureau of Athens visited Mr. and Mrs. Enjoy Sailing Cary McKinney on Sunday after “SOUTH OF PAGO PAGO” noon. Now playing, Thursday to Mrs. Blanche Evans, son Rus Saturday, August 29-31, at the Schooner Trip sell, her daughter Mrs. Violet Great Importance to Workers Midland theatre — a thrilling Brunner, her grandson Llewellyn tropic love drama of the south Jerome Norpell, Wm. M. Ser Courson and Mrs. Nan Minego Of great importance to the days or more. Members of the seas with a stellar cast of play geant, George Pfeffer, John went on a picnic to Baughman’s Welfare of Licking county’s staff also made 1950 calls on ers, enacting a story of thrilling Spencer and Dr. Paul McClure, park Sunday. workers is District Office No. 38, prospective employers, explain adventure. “South of Pago will leave this Friday for Maine, Mrs. Blanche Evans visited Bureau of Unemployment Com ing the service and soliciting op Pago” starring Jon Hall, Fran on a short vacation trip. It is friends in Delaware and Marion pensation, located at 28-30 North enings. ces Farmer, Victor McLagen and their plan to sail on a Small last week. Fourth street. The nine mem One of the most successful em others concerns the strange ad schooner off the coast of Maine, Mr. and Mrs. Earl Gleckler bers of the staff consist of John ployment campaigns conducted ventures of Bucko Larson and and enjoy the fabulous fishing and daughter and Leroy Rowe of Gilbert, manager, and two sen in Newark during the period Ruby Taylor, who undertake an grounds and beautiful scenery Martinsburg road were Sunday ior and two junior interviewers; was the “Clean Up—Give a Job” adventure to the famous pearl along the coast. -
Boredom Takestoll at Welles Village I Prixeweek Puzzle Today: Win $100
PAGE TWENTY <- EVENING HERALD, Fri., Sept. 7, 1979 Boredom TakesToll at Welles Village I Prixeweek Puzzle Today: Win $100 Hy DAVK I, VVAM,KK village. There are over 300 of them, starting point and perhaps funds for afraid the young'persons will find out vices Bureaus' programs because has found a way to do that yet,” Hoff Unique Music Book Board Approves Hiring Teachers Subpoenaed Chris Evert Stops King this project are next to impossible, Mfriilil Ki'iiorlcr but out of that group eight are giving and will come back to avenge the they do not think they would fit in man explained. Made for Silent Films Of New Science Head For Court Defiance To Reach Open Finals us problems. Two or three of them but there could be other areas such report,” Willett said. with programs. Hoffman said that one of the GLASTONBURY - On any hot, are supplying beer to kids who are as athletic equipment stocked at the Willett said that the major way to "We like rugged things,'- one solutions would be to separate the P age 2 P age 6 P age 6 Page 1 0 humid night in Welles Village, the underaged and I am going to do rental office for sign out use or a curb these problems would be to juvenile said. “We do different kinds scene js the same. Young persons elderly people in the village from the h---------- ---------- ' ■ everything in my power to throw the CETA worker to run various sports provide more recreationai oppor of things than the kinds of things they juveniles. -
Oral History Interview with Sharon Huntley Kahn, July 10, 2018
Archives and Special Collections Mansfield Library, University of Montana Missoula MT 59812-9936 Email: [email protected] Telephone: (406) 243-2053 This transcript represents the nearly verbatim record of an unrehearsed interview. Please bear in mind that you are reading the spoken word rather than the written word. Oral History Number: 463-001 Interviewee: Sharon Huntley Kahn Interviewer: Donna McCrea Date of Interview: July 10, 2018 Donna McCrea: This is Donna McCrea, Head of Archives and Special Collections at the University of Montana. Today is July 10th of 2018. Today I'm interviewing Sharon Huntley Kahn about her father Chet Huntley. I'll note that the focus of the interview will really be on things that you know about Chet Huntley that other people would maybe not have known: things that have not been made public already or don't appear in many of the biographical materials and articles about him. Also, I'm hoping that you'll share some stories that you have about him and his life. So I'm going to begin by saying I know that you grew up in Los Angeles. Can you maybe start there and talk about your memories about your father and your time in L.A.? Sharon Kahn: Yes, Donna. Before we begin, I just want to say how nice it is to work with you. From the beginning our first phone conversations, I think at least a year and a half ago, you've always been so welcoming and interested, and it's wonderful to be here and I'm really happy to share inside stories with you. -
Cataleg Definitiu.Pdf
Quan el 1934 Madeleine Carroll va trepitjar per primera vegada la Costa Brava, aquesta actriu anglesa era encara poc coneguda fora de les pantalles britàniques. L’imminent pas cap a Hollywood li va fer encetar una carrera fulgurant impulsada pel treball amb alguns dels més prestigiosos directors del moment: John Ford, Alfred Hitchcock, William Dieterle, Cecil B. de Mille… Va ser en aquesta època quan les nostres comarques es van convertir en refugi de l’estrella entre rodatge i rodat- ge, però la tranquil·litat que més anhelava es va veure interrompuda per l’esclat de la Guerra Civil, que la va mantenir allunyada de la seva propietat catalana. En poc temps la mateixa ombra de la guerra s’estendria per tot Europa. Madeleine Carroll no va voler ser una simple espectadora del conflicte i va decidir-se a parti- cipar activament per recuperar la pau i els valors democràtics i es va implicar d’una manera molt personal com a membre de la Creu Roja, per donar suport a les vícti- mes més directes de la guerra, sobretot als nens orfes francesos i als soldats ame- ricans ferits. Ara, aprofitant el centenari del seu naixement i valent-nos d’alguns objectes i docu- ments del llegat de l’actriu, que ella mateixa conservava com els seus records més preuats, us proposem fer un recorregut per descobrir els diferents aspectes de la vida de Madeleine Carroll, des del més glamourós al més compromès. UNA ACTRIU ANGLESA A HOLLYWOOD Poc temps després de descobrir la passió pel teatre a la universitat, Madeleine Carroll (West Bromwich, Birmingham, 1906) que exercia de professora de francès, va viatjar a Londres a estudiar interpretació, obviant l’oposició familiar. -
John Buchan Wrote the Thirty-Nine Steps While He Was Ill in Bed with a Duodenal Ulcer, an Illness Which Remained with Him All His Life
John Buchan wrote The Thirty-Nine Steps while he was ill in bed with a duodenal ulcer, an illness which remained with him all his life. The novel was his first ‘shocker’, as he called it — a story combining personal and political dramas. The novel marked a turning point in Buchan's literary career and introduced his famous adventuring hero, Richard Hannay. He described a ‘shocker’ as an adventure where the events in the story are unlikely and the reader is only just able to believe that they really happened. The Thirty-Nine Steps is one of the earliest examples of the 'man-on-the-run' thriller archetype subsequently adopted by Hollywood as an often-used plot device. In The Thirty-Nine Steps, Buchan holds up Richard Hannay as an example to his readers of an ordinary man who puts his country’s interests before his own safety. The story was a great success with the men in the First World War trenches. One soldier wrote to Buchan, "The story is greatly appreciated in the midst of mud and rain and shells, and all that could make trench life depressing." Richard Hannay continued his adventures in four subsequent books. Two were set during the war when Hannay continued his undercover work against the Germans and their allies The Turks in Greenmantle and Mr Standfast. The other two stories, The Three Hostages and The Island of Sheep were set in the post war period when Hannay's opponents were criminal gangs. There have been several film versions of the book; all depart substantially from the text, for example, by introducing a love interest absent from the original novel. -
Journalism 375/Communication 372 the Image of the Journalist in Popular Culture
JOURNALISM 375/COMMUNICATION 372 THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Journalism 375/Communication 372 Four Units – Tuesday-Thursday – 3:30 to 6 p.m. THH 301 – 47080R – Fall, 2000 JOUR 375/COMM 372 SYLLABUS – 2-2-2 © Joe Saltzman, 2000 JOURNALISM 375/COMMUNICATION 372 SYLLABUS THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Fall, 2000 – Tuesday-Thursday – 3:30 to 6 p.m. – THH 301 When did the men and women working for this nation’s media turn from good guys to bad guys in the eyes of the American public? When did the rascals of “The Front Page” turn into the scoundrels of “Absence of Malice”? Why did reporters stop being heroes played by Clark Gable, Bette Davis and Cary Grant and become bit actors playing rogues dogging at the heels of Bruce Willis and Goldie Hawn? It all happened in the dark as people watched movies and sat at home listening to radio and watching television. “The Image of the Journalist in Popular Culture” explores the continuing, evolving relationship between the American people and their media. It investigates the conflicting images of reporters in movies and television and demonstrates, decade by decade, their impact on the American public’s perception of newsgatherers in the 20th century. The class shows how it happened first on the big screen, then on the small screens in homes across the country. The class investigates the image of the cinematic newsgatherer from silent films to the 1990s, from Hildy Johnson of “The Front Page” and Charles Foster Kane of “Citizen Kane” to Jane Craig in “Broadcast News.” The reporter as the perfect movie hero. -
" WE CAN NOW PROJECT..." ELECTION NIGHT in AMERICA By. Sean P Mccracken "CBS NEWS Now Projects...NBC NEWS Is Read
" WE CAN NOW PROJECT..." ELECTION NIGHT IN AMERICA By. Sean P McCracken "CBS NEWS now projects...NBC NEWS is ready to declare ...ABC NEWS is now making a call in....CNN now estimates...declares...projects....calls...predicts...retracts..." We hear these few opening words and wait on the edges of our seats as the names and places which follow these familiar predicates make very well be those which tell us in the United States who will occupy the White House for the next four years. We hear the words, follow the talking-heads and read the ever changing scripts which scroll, flash or blink across our television screens. It is a ritual that has been repeated an-masse every four years since 1952...and for a select few, 1948. Since its earliest days, television has had a love affair with politics, albeit sometimes a strained one. From the first primitive experiments at the Republican National Convention in 1940, to the multi angled, figure laden, information over-loaded spectacles of today, the "happening" that unfolds every four years on the second Tuesday in November, known as "Election Night" still holds a special place in either our heart...or guts. Somehow, it still manages to keep us glued to our television for hours on end. This one night that rolls around every four years has "grown up" with many of us over the last 64 years. Staring off as little more than chalk boards, name plates and radio announcers plopped in front of large, monochromatic cameras that barely sent signals beyond the limits of New York City and gradually morphing into color-laden, graphic-filled, information packed, multi channel marathons that can be seen by virtually...and virtually seen by...almost any human on the planet. -
SEE IT THEN: Notes on Television Journalism \
J NimMAN RmPORTS SEE IT THEN: Notes on Television Journalism by Robert Drew Television this year will break the one billion dollar own? Will the total effect of TV be to divert our minds mark in advertising sales. In .1956, the National Broad with soporific fantasies, or to make us more aware of our casting Company predicts, television will do almost. own real problems? - two billion dollars worth of business. Jolin Crosby, There were these questions and others, and there were TV columnist for the New York Herald Tribune, was a the discussions from which the following notes are ex little sceptical of the NBC estimate. "Golly!" he said. cerpted, but there were no answers. Glir;npsers of answers "Th:J.t sounds big to me. NBC's predictiom in the past will proceed at their own peril. have all turned out to be wrong, but they've been wrong on the low side." The definition of TV journalism properly ought to in· Vincent S. Jones, director of the news ~ and editorial office dude everything from a news bulletin to a national con of the Gannett Newspapers, who is studying the impact vention. I have made certain assumptions in order to of TV on journalism, thinks that the impact is considerable narrow the definition down to those areas where significant and growing. "We have been hopelessly outdistanced in character changes might be brewing. I have . ·assumed speed by radio and in depth and quality by the maga- . rv. that panel discussions and live reporting of conventions, zines, and we have lost both prestige and glamour," he said. -
Films from the THIRTIES: PART II 1935-39
t% The Museum of Modern Art 1] West 53 Street, New York, N.Y. 10019 Tel. 245-3200 Cable: Modernart No. 83 FOR RELEASE: Friday, August 25, I968 Films from THE THIRTIES: PART II 1935-39 The Museum of Modern Art, will present a retrospective of films from the thirties beginning August 23, and running through October 6. The Thirties, according to Willard Van Dyke, Director of the Department of Film, will consist of 39 pictures, representing some of the richest creative talent in American cinema at a time that has been called "the dear, dead days not beyond recall." Two years ago the Museum presented The Thirties, U.S.A., Part I, covering the first half of the decade. The films being shown now as Part II were made from 1935 ^^ 193 '• Among the pictures to be shown are: Frank Capra's "Lost Horizon"; Paul Muni in "The Life of Emile Zola," the Story of a Northern Jew's lynching in the South; the great thriller "Night Must Fall," an adaptation of the Emlyn Williams play starring Robert Montgomery; and "The Good Earth," a spectacle film in black and white, from Pearl Buck's popular novel, for which Luise Rainer won her second Academy Award, with Paul Muni in the starring role. The latter part of the thirties was characterized by further achievements in the musical film, largely due to the talents of Fred Astaire, who with Ginger Rogers starred in "Top Hat," and "Shall We Dance," both of which are in the retrospective. The most important contributions to the annals of films made in the thirties was the series of "snowball" comedies Hollywood turned out at a time of grim, economic hardships.