Knitting for Dummies, 3Rd Edition
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Crochet Extra
Crochet Extra 141st Edition– March—2018 It’s all quite exciting around here as I get ready to go on Theme – A Crocheters’ toolkit Australia’s first crochet cruise with Cruise Express. If you saw th I was forced to clean out my project bag recently and I gave Better Homes & Gardens on 9 February, you would have seen myself the challenge to question whether I really needed the ship we are going on – Celebrity Solstice. I have never everything I had included. But like cruised before, but can imagine the combination of cruising the any craft, a good toolkit is essential seas, visiting islands, relaxing and crocheting is going to be a to not only get the job done, but get fantastic combination – so I it done well and enjoyably. So what can’t wait. Of course I will be are the items that crocheters should working as I lead some of the have in their toolkit? workshops along with Jenny King but I do also plan to enjoy The obvious is a good selection of myself. Look forward to seeing crochet hooks. You can never have some of the photos in April. just one. And they must be comfortable to use – there are the ergonometric hooks such as clover soft touch, clover While I will be on the cruise (21st to 30th March), the shop will amour and addi – or add handles to steel and aluminium be in the capable hands of Sarah, however it will be closing at hooks – or the light up hooks for night or with dark yarn. -
VOGUEKNITTINGLIVE.COM SC HEDULE Thursday, October 23 Registration: 3 P.M
VOGU Eknitting CHICAGO THE ULTIMATE KNITTING EVENT OCTOBER 24 –26 ,2014 • PALMER HOUSE HILTON HOTEL PRINTABLE BROCHURE NEW& INSPIRATIONAL KNITWORTHY HAND KNITTING PRODUCTS CLASSES & LECTURES! VOGUEKNITTINGLIVE.COM SC HEDULE Thursday, October 23 Registration: 3 p.m. –7 p.m. OF EVENTS Classroom Hours: 6 p.m. –9 p.m. Friday, October 24 VOGUEknitting Registration: 8 a.m. –7:30 p.m. 3-hour Classroom Hours: 9 a.m.–12 p.m., 2 p.m.–5 p.m., 6 p.m. –9 p.m. 2-hour Classroom Hours: 9 a.m.–11 a.m., 2 p.m.–4 p.m. Marketplace: 5:00 p.m. –8:30 p.m. Please refer to VogueknittingLIVE.com for complete details. Saturday, October 25 HOTEL INFORMATION Registration: 8 a.m. –6:30 p.m. Vogue Knitting LIVE will be held in 3-hour Classroom Hours: 9 a.m.–12 p.m., 2 p.m.–5 p.m., 6 p.m. –9 p.m. downtown Chicago at the luxurious 2-hour Classroom Hours: Palmer House Hilton Hotel, located 9 a.m.–11 a.m., 2 p.m.–4 p.m. near Millennium Park in the heart of Marketplace: 10 a.m. –6:30 p.m. the theater, financial, and shopping districts of downtown Chicago. The Palmer House Hilton Hotel is within walking distance of the Windy City’s Sunday, October 26 most famous museums, shopping,a government, and corporate buildings. Registration: 8 a.m. –3 p.m. 3-hour Classroom Hours: The Palmer House Hilton Hotel 9 a.m.–12 p.m., 2 p.m.–5 p.m. -
Code of Federal Regulations GPO Access
12±3±96 Tuesday Vol. 61 No. 233 December 3, 1996 Pages 64007±64244 Briefings on How To Use the Federal Register For information on briefings in Washington, DC, and Austin, TX, see announcement on the inside cover of this issue. Now Available Online Code of Federal Regulations via GPO Access (Selected Volumes) Free, easy, online access to selected Code of Federal Regulations (CFR) volumes is now available via GPO Access, a service of the United States Government Printing Office (GPO). CFR titles will be added to GPO Access incrementally throughout calendar years 1996 and 1997 until a complete set is available. GPO is taking steps so that the online and printed versions of the CFR will be released concurrently. The CFR and Federal Register on GPO Access, are the official online editions authorized by the Administrative Committee of the Federal Register. To access CFR volumes via the World Wide Web, and to find out which volumes are available online at a given time users may go to: ★ http:www.access.gpo.gov/nara/cfr New titles and/or volumes will be added to this online service as they become available. The initial titles introduced include: ★ Title 20 (Parts 400±499)ÐEmployees' Benefits (Social Security Administration) ★ Title 21 (Complete)ÐFood and Drugs (Food and Drug Administration, Drug Enforcement Administration, Office of National Drug Control Policy) ★ Title 40 (Almost complete)ÐProtection of Environment (Environmental Protection Agency) For additional information on GPO Access products, services and access methods, see page II or contact the GPO Access User Support Team via: ★ Phone: toll-free: 1-888-293-6498 ★ Email: [email protected] federal register 1 II Federal Register / Vol. -
Craft Workshop News and Calendar Summer to Winter 2013 on the Move We Have Decided to Sell the Farm and Move on to the Next Exciting Adventure (Watch This Space)
The Threshing Barn Craft Workshop News and Calendar Summer to Winter 2013 On the Move We have decided to sell the farm and move on to the next exciting adventure (watch this space). The Threshing Barn will be coming with me, so don’t panic you’ll still be able to get your supplies. So would you be interested to follow your dream of running a small holding of 36 acres with the workshop? You could live in a beautiful upgraded Grade 2 listed farmhouse full of old features. In the courtyard are the buildings we have used for the craft workshop with business use planning on. Then there’s the original Threshing Barn ready for conversion subject to planning permission. There are 2 new agricultural barns and secure workshop. We have lived here for nearly 16 years running our vision for a sustainable farm and associated craft business. My children live in Australia, Hong Kong and London and now being a grannie I want to spend more time with them and this is not possible with livestock. Contact us for details of our agents. New Website With the growth of our mail order business the website has been rebuilt on a more user friendly, more informative basis. You still need to phone or email with your questions and orders. The glitches are being ironed out and I thank Pete our website guru for his patience. He now knows the difference between a stick shuttle, a boat shuttle and an end delivery shuttle!!! It has been a marathon on his part, literally as he crippled himself last week whilst running a half marathon, so he’s had time to recover working on our website. -
Textile Design: a Suggested Program Guide
DOCUMENT RESUME CI 003 141 ED 102 409 95 Program Guide.Fashion TITLE Textile Design: A Suggested Industry Series No. 3. Fashion Inst. of Tech.,New York, N.T. INSTITUTION Education SPONS AGENCY Bureau of Adult,Vocational, and Technictl (DREW /OE), Washington,D.C. PUB DATE 73 in Fashion Industry NOTE 121p.; For other documents Series, see CB 003139-142 and CB 003 621 Printing AVAILABLE FROM Superintendent of Documents,U.S. Government Office, Washington, D.C.20402 EDRS PRICE NP -$0.76 HC-$5.70 PLUS POSTAGE Behavioral Objectives; DESCRIPTORS Adult, Vocational Education; Career Ladders; *CurriculumGuides; *Design; Design Crafts; EducationalEquipment; Employment Opportunities; InstructionalMaterials; *Job Training; Needle Trades;*Occupational Rome Economics; OccupationalInformation; Program Development; ResourceGuides; Resource Units; Secondary Education;Skill Development;*Textiles Instruction IDENTIFIERS *Fashion Industry ABSTRACT The textile designguide is the third of aseries of resource guidesencompassing the various five interrelated program guide is disensions of the fashionindustry. The job-preparatory conceived to provide youthand adults withintensive preparation for and also with careeradvancement initial entry esploysent jobs within the textile opportunities withinspecific categories of provides an overviewof the textiledesign field, industry. The guide required of workers. It occupational opportunities,and cospetencies contains outlines of areasof instruction whichinclude objectives to suggestions for learning be achieved,teaching -
4.3 Characterization Methods for Slub Yarns
ABSTRACT Jaganathan, Sudhakar. Characterization Methods and Physical Properties of Novelty yarn. (Under the guidance of Dr. William Oxenham) The purpose of this work is to find the characterization methods which quantitatively define the inherent properties of novelty yarn. The research was divided in to two parts. In the first part various instrumental methods and techniques were investigated to characterize the physical properties of the novelty yarns. Various structural properties of gimp and slub yarns were defined and characterized. Instrumental method included CTT Tester, Hairiness tester and a Traveling Microscope. An image analysis algorithm was proposed to measure the size distribution of novelty yarn structural effects. In the second part visual perception of novelty yarn texture was characterized. A texture nomenclature based on the theory of “Textons” was developed. A human psychological survey was conducted to get observers response on texture terms. We proposed various image analysis methods to quantitatively characterize the novelty yarn texture. The image analysis method had good correlation with human psychological response on the novelty yarn texture. CHARACTERIZATION METHODS AND PHYSICAL PROPERTIES OF NOVELTY YARN by SUDHAKAR JAGANATHAN A thesis submitted to the Graduate Faculty of North Carolina State University In partial fulfillment of the Requirement for the degree of Master of Science Textile Management and Technology COLLEGE OF TEXTILES Raleigh, NC 2005 Approved by: Dr.William Oxenham Chair of the Advisory Committee Dr.Nancy Powell Dr.Pamela Banks-Lee Committee Member Committee Member Dedicated to Amma, Appa, Anni and Anna for all the support and encouragement they have given ii Biography Sudhakar Jaganathan was born on June 29, 1979 in Coimbatore, India. -
United States Patent (19) 11) Patent Number: 4,809,412 Nelson 45) Date of Patent: Mar
United States Patent (19) 11) Patent Number: 4,809,412 Nelson 45) Date of Patent: Mar. 7, 1989 54 APPARATUS FOR PRODUCING A 3,433,007 3/1969 Myers . NOVELTY NUB YARN 3,653,196 4/1972 Pike ................................... 57/350X 3,795,367 3/1974 Mocarski. (75) Inventor: Thomas L. Nelson, Georgetown, Del. 3,852,857 12/1974 Etbridge et al. ...................... 28/255 73 4,119,253 10/1978 Benson .............. ... 28/252 X Assignee: E. I. Du Pont de Nemours and 4,212,152 7/1980 Roman ...... ... 28/271 X Company, Wilmington, Del. 4,453,297 6/1984 London, Jr. et al. ............ 28/258 X 21) Appl. No.: 46,090 FOREIGN PATENT DOCUMENTS Filed: May 5, 1987 22) 45-14580 5/1970 Japan ..................................... 28/271 48-25387 7/1973 Japan ..................................... 28/258 Related U.S. Application Data 51-60749 5/1976 Japan .................................. 28/271 (62) Division of Ser. No. 804,408, Dec. 4, 1985, Pat. No. 51-75156 6/1976 Japan. ... 28/271 4,697,317. 60-17135 1/1985 Japan. ... 28/271 60-17134 1/1985 Japan ..................................... 28/271 51 Int. Cl." ........................... D02G 1/16; D02J 1/06 (52) U.S. C. ........................................ 28/271; 28/258; Primary Examiner-Robert R. Mackey 57/209; 57/350 57 ABSTRACT (58) Field of Search ......................... 28/252,258, 271; A substantially twist-free, crimped, continuous, multifil 57/209,350 ament yarn containing randomly-spaced, tightly entan (56) References Cited gled nubs and the process and apparatus used for mak ing such yarns is disclosed. The nub yarn is made by U.S. PATENT DOCUMENTS feeding a substantially entanglement-free, multifila 1,997,771 4/1935 McGowan . -
Author Index: First Twenty-Five Years 1979–2004
AUTHOR INDEX: FIRST TWENTY-FIVE YEARS 1979–2004 ABBOT, AMY. “Stars & Stripes: Inkle errata Mr82: p. 87. __. “More Dots.” MJ95: pp. 80–82. __. “Swatch Collection #12: Classic Band Pins.” MA02: pp. 74–75. __. “Designing Men: Jim Ahrens: __. “My New Multishaft Loom Is Fabrics for City Fashions.” ADAMS, BRUCIE. “Boiled Wool.” 1906–2000.” MA01: pp. 12–13. Here, Now What?” MJ98: ND85: pp. 48–49, IS: 9–11. Su84: p. 85. __. “Designing Upholstery Fabric.” pp. 80–81, 87–88. __. “Swatch Collection #13.” MJ86: __. “Devices to Aid In Wool ND94: pp. 48–49, 91–92. __. “Offset Twill Tie.” SO86: pp. 65, pp. 28–29, IS: 4–5. Processing.” Se82: pp. 69–70. __. “Designing Stripes.” MJ96: IS: 16. __. “Swatch Collection #14.” SO86: __. “A Handspun, Handwoven Cocoon pp. 36–39. __. “One Good Turn Deserves pp. 24–26, IS: 4–5; errata JF90: Jacket.” MA84: pp. 88–89. __. “Door Curtain.” ND90: Another.” SO98: pp. 48–49, p. 87. __. “Handspun Yarn for a Pulled pp. 52–53, 74–75. 81–82. __. “Swatch Collection #15.” MA87: Warp Vest.” JF86: pp. 78–79. __. “Dornick Twill Blue Plaid Lap __. “Out of a Flower Garden.” pp. 38–41, IS: 4–6; errata SO87: __. “Linsey-Woolsey Using Handspun Robe.” JF99: pp. 58, 76–77. ND88: pp. 54–55, 83. IS: 3. Yarns.” ND82: pp. 59–60. __. “Double the Pleasure, Double __. “Plaid Silk Noils Shirt.” JF86: __. “Swatch Collection #16: Fabrics __. “Pencil Roving and the Navajo the Fun.” MJ92: pp. 48–49. -
Memory in the Fingers: an Exploration of Knitting Through the Lens of Modern Knitters' Lives Sinclair Rishel University of Mississippi
University of Mississippi eGrove Honors College (Sally McDonnell Barksdale Honors Theses Honors College) 2016 Memory in the Fingers: An exploration of knitting through the lens of modern knitters' lives Sinclair Rishel University of Mississippi. Sally McDonnell Barksdale Honors College Follow this and additional works at: https://egrove.olemiss.edu/hon_thesis Part of the Journalism Studies Commons Recommended Citation Rishel, Sinclair, "Memory in the Fingers: An exploration of knitting through the lens of modern knitters' lives" (2016). Honors Theses. 866. https://egrove.olemiss.edu/hon_thesis/866 This Undergraduate Thesis is brought to you for free and open access by the Honors College (Sally McDonnell Barksdale Honors College) at eGrove. It has been accepted for inclusion in Honors Theses by an authorized administrator of eGrove. For more information, please contact [email protected]. Memory in the Fingers An exploration of knitting through the lens of modern knitters’ lives By Sinclair Rishel A thesis submitted to the faculty of the University of Mississippi in partial fulfillment of the requirements of the Sally McDonnell Barksdale Honors College. Oxford, Mississippi April 2016 Approved by __________________________________ Advisor: Dr. Kathleen Wickham __________________________________ Reader: Ms. Ellen Meacham __________________________________ Reader: Mr. Charlie Mitchell © 2016 Sinclair Rishel ALL RIGHTS RESERVED ii Acknowledgements I would like to take this opportunity to thank those who have been instrumental in the creation of this thesis. To all of my interviewees, your stories have inspired and excited me. It was my great pleasure to tell each one and I thank you for sharing them with me. I hope I’ve done them justice. To my thesis advisor, Dr. -
Short Staple Yarn Manufacturing 5-5 I
.. Characteristics Of Spun Yarns Composed of short staple fibers Made from cotton, flax or wool staple fibers Made from natural or man-made filaments which are cut into filament staple Individual fiber lengths vary Fuzzy appearance and feel 0' Uneven number of fibers throughout Range from soft, loose construction to hard fine twist yarn Thick and thin areas '* Highly twisted ~ Fall apart when untwisted I Dull or flat in appearance Rough to the touch Natural textural appearance and feel Bulkier to the feel -- 0 Provide good covering power Snagging depends on fabric structure *L Pilling depends on fiber content 5-2 Short Staple Yam Manufactulng I Material Processing On The Short Staple System 1. Carded Ring Spun Yarns 2. Open End Rotor Yarns short Staple Yam Manufacturing 5-3 I 3. Air Jet Spun Yams 4. Combed Cotton Ring Spun Yarns LrlOpening I Drawing I Sliver Lapping I Combing I Drawing (2) I Roving I Spinning 1 Winding _- 5-4 Short Staple Yam ManufacMng Functions Of The Opening Process Clean (natural fibers) 0 Blend short Staple Yarn Manufacturing 5-5 I Creating The Proper Bale Laydown Coordination with Fiber Pronerties More variables in raw stock means more bales needed to laydown Must decide which variables have the greatest influence in yarn manufacturing. Laydown should be a "mini" representation of the warehouse inventory. Laydown should be as consistent as possible from day-to-day, week-to-week, and month-to-month. -- 5-6 Short Staple Yam Manufactulng Blending BZending is a Drocess involving Measurement of the important fiber properties of length, fineness, strength, grade, color, etc. -
Faroe Isla Nd K Nits
DUPLICATION PROHIBITED Faroe Island Knits Island Faroe by copyright holder The Faroe Islands, a far-flung archipelago lying halfway between Norway and Iceland, have a rich and longstanding knitting tradition—knitting was once one of their largest export industries, as well as a dearly-loved pastime. Inspired by this bountiful heritage, knit designer Svanhild Faroe Strøm and her mother Marjun Biskopstø have brought contemporary style and classic Faroese motifs together in this striking collection of patterns. 52 traditional Faroese designs come to life in a unique and eye-catching trove for any knitter with an interest in the twists, turns, and hidden treasures of Island Nordic knitting history. Learn about the traditions and culture of these fascinating islands, and follow the footsteps of each motif through folk history, painstaking documentation, and living memory. Knits Discover the beauty and flexibility of traditional Over 50 patterning. Knit hats, sweaters, tunics, jackets, Traditional Motifs socks, slippers, and more, including designs for men and 25 Projects and women, children and adults. from the North Atlantic Strøm & Biskopstø Strøm $27.95 USD ISBN-13: 978-1-57076-863-7 5 2 7 9 5 9 7 8 1 5 7 0 7 6 8 6 3 7 Svanhild Strøm & Marjun Biskopstø © Svanhild Strøm and Marjun Biskopstø, and Trafalgar Square Books Printed in China Printed www.trafalgarbooks.com www.trafalgarbooks.com FaroeIslandKnits Full Cover.indd 1 11/29/17 5:39 AM DUPLICATION PROHIBITED by copyright holder First published in the United States of America in 2018 by Trafalgar Square Books North Pomfret, Vermont 05053 Originally published in Norwegian as Færøysk strikkebok. -
Creative Fibre Video Library
Creative Fibre CREATIVE FIBRE VIDEO LIBRARY For video and DVD hire contact: Lai Lam 1/42A Clonbern Road Remuera Auckland 1050 Phone: (09) 520 0536 Email: [email protected] No. Title Run Category Year Description Time (mins) V01 Spinning Exotic Fibres & 96 Spinning 2002 Judith Mackenzie spins camel,alpaca, cashmere, Novelty Yarns angora, dog and rabbit and also novelty yarns. Also DVD 21 V02 Tapestry Crochet 71 Crochet 2002 This technique enables you to crochet a 2 or more colour motif with relative ease, Carol Norton. V03 Knitted Trims 84 Knitting 2002 For woven, pieced, felted, crocheted and knitted projects by Ginger Luters. V04 Otago Festival 1981 8 Historical 1981 /knitting V05 Worsted Threads 26 Spinning 1984 Barbara Gibson, Margaret Stove and Marie Abbott prepare fibre and spit it into worsted yarn. VO6 Woollen Spinning Spinning 1961 A look at some of the early members of Creative Fibre preparing and spinning fleece. VO7 Eight Invited Weavers 30 Design 1984 Zena Abbott, Yvonne Sloan, Ian Spalding, Margaret Morris, Marie Abbott, Julie Healy, Jeff Healy & Adele Brandt talk about designing their pieces for the 1984 Auckland Museum Exhibition VO9 Queenstown Festival 90 Historical 1984 Highlights V10 The Lost Art of Aboriginal 25 Spinning 1977 Spindle Spinning V11a Elizabeth Zimmermann’s 120 Knitting 1986 A workshop covering basic knitting Techniques. All Knitting Workshop Pt 1 3 parts are also on DVD 14 V11b Elizabeth Zimmermann’s 120 Knitting 1986 Part 2 of a workshop covering basic sweaters Knitting Workshop Pt 2 exploring