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Salas 1, 3, 4, 5, 6 Y 7 17.04 - 13.09.2015 Salas 1, 3, 4, 5, 6 y 7 17.04 - 13.09.2015 PRIMERA PLANTA SALA 1 SEGUNDA PLANTA SALAS 3, 4, 5 TERCERA PLANTA SALAS 6, 7 ACTIVIDADES EN TORNO Visitas guiadas público general: DOMINGOS 1+1 (1€ entrada+1€ visita) A LA EXPOSICIÓN Visitas grupos concertados (necesaria cita previa): [email protected] / Tel. 983 362 908 La exposición Días de vinilo traza una genealogía de ITINERARIO 1 (Salas 1, 3, 4 y 5) Freeman con los primeros discos de The Beatles, las relaciones entre arte contemporáneo y música pop, Rick Griffin con la Sicodelia, Mick Rock con el Glam a través del diseño gráfico de más de 1500 portadas de 1- ¡Pop! , ¡Glam!, ¡Punk! - Historia del diseño Rock, Roger Dean e Hipgnosis con el Rock Progre- discos desde los años 40/50 del pasado siglo hasta la gráfico musical por décadas y estilos, (1940 – 2015) sivo, Jamie Reid con el punk, Peter Saville con el actualidad, poniendo énfasis en aquellos momentos en Tecno y el Post-punk o Raymond Pettibon con el que artistas de vanguardia de reconocido prestigio han Grunge y el Hardcore… colaborado activamente con músicos coetáneos. 2- “Peel Slowly and See” - Portadas de discos En esta sección se reúnen más de 700 portadas Es preciso recordar que aunque las historias del arte diseñadas por artistas (1949 – 2015) académicas suelen pasar de puntillas sobre este tema, las inolvidables de los géneros y subgéneros musicales relaciones entre las artes visuales y la música popular a lo ¿Qué fue antes: la música pop o el Pop Art?; ¿El arte más reconocidos en la música pop del siglo XX: Jazz, largo del siglo XX han sido muy fecundas y son ya varias las conceptual o los discos conceptuales?; ¿La nueva Rock and Roll, Beat, Garaje, Psicodelia, Progresivo, generaciones de artistas que han integrado en los procesos ola madrileña o la nueva figuración madrileña?; ¿Los Hard Rock, Glam Rock, Punk, Techno, Hip –Hop, In- de producción de sus obras elementos que se relacionan Young British Artists o el Brit Pop?. Esta sección reú- die, Grunge, Britpop… Con trabajos de diseñadores, de modo directo o indirecto con las actitudes e imaginarios ne más de 700 portadas de discos que demuestran ilustradores y fotógrafos como: Alex Steinweiss, desarrollados por géneros como el rock and roll, el pop, que en muchas ocasiones las tendencias artísticas Jim Flora, Reid Miles, David Stone Martin, Ri- la psicodelia, el glam, el punk, el soul, la música disco, el más significativas de la segunda mitad del siglo chard Avedon, Annie Leibovitz, Robert Freeman, hip-hop, el indie pop, la electrónica o cualquiera de los XX avanzaron de la mano de tendencias musicales Rick Griffin, Robert Crumb, Stanley Mouse Mick subgéneros y tendencias musicales más fugaces desarrollados estéticamente equiparables. Del Pop Art al Arte Rock, Robert, Hipgnosis, Roger Dean, Richard en los últimos cincuenta años. Conceptual, del Minimalismo a la Performance, de Corben, Neon Park, Robert Mapplethorpe, Jean los “Nuevos Salvajes” alemanes a los Young British Paul Goude, Jamie Reid, Antón Corbijn, Peter Andy Warhol: portada del disco “Emotional Tattoo” El Rock no sólo es música, es también imagen y antes de la Saville, Nick Night, Shepar Fairey, Banksy… (Bootleg) de The Rolling Stones (1975 - 1983). aparición del videoclip musical en la década de los 80 o de Artists… plataformas como Youtube en el siglo XXI, tal imagen tuvo su más perfecta encarnación (aparte de la propia apariencia de Creadores tan relevantes como Andy Warhol, Roy los artistas) en las fundas de cartón de 7” y 12” que envolvían Lichtenstein, Joseph Beuys, Peter Blake, Richard los discos de vinilo. Hamilton, John Baldessari, Robert Rauschen- ITINERARIO 2 (Salas 6 y 7+obras repartidas berg, Picasso, Dalí, Antoni Tàpies, Antonio Saura, por las salas 1, 3, 4 y 5) Sabemos por otra parte, que son muchas las estrellas del rock Equipo Crónica, Juan Genovés, Miquel Barceló, Una mirada musical a la Colección del Museo Patio que se han formado en escuelas de arte antes de dedicarse Albert Oehlen, Keith Haring, Rodney Graham, profesionalmente a la música tal es el caso de: John Lennon (The Gerhard Richter, Cindy Shermann, Jeff Wall, Herreriano Beatles), Mick Jagger (The Rolling Stones), Brian Ferry (Roxy Music), David Christian Marclay, Matthew Barney, Jeff Koons, o Este itinerario intenta poner una banda sonora ima- Byrne (Talking Heads) Kim Gordon (Sonic Youth), Damon Albarn (Blur)… Damien Hirst; entre una larga lista que llega hasta que se han servido del diseño gráfico de las portadas de sus ginaria a algunas obras de la Colección Permanente hoy, se han aproximado a la música en algunos de discos y de colaboraciones con artistas plásticos de primera del Museo Patio Herreriano que de modo directo o sus trabajos más destacados, llegando en ocasiones magnitud como Richard Hamilton, Andy Warhol, Robert Rauschenberg, colateral se relacionan con la música; estableciendo Dan Graham, Mike Kelley, Julian Opie o Damien Hirst, entre un a colaborar con diferentes bandas de rock o incluso analogías musicales y visuales entre movimientos largo etc que llega hasta hoy, para consolidar su imagen y a grabar sus propios discos. como la pintura informalista y la canción de autor, establecer diálogos estéticos con las tendencias artísticas más la abstracción geométrica y el jazz, la nueva figura- avanzadas de su época. Al mismo tiempo, se aborda un recorrido lineal por ción madrileña y la música de La Movida, los nuevos las señas de identidad de los diferentes géneros comportamientos artísticos y el rock experimental o Esta exposición explora dichos diálogos a través de más musicales, desde los orígenes del diseño gráfico mu- el arte de los ochenta y el Punk y la Nueva Ola. de 1500 portadas de discos nacionales e internacionales sical allá por los años 40 hasta la actualidad. Cada a las que se suman decenas de revistas, pósters, fanzines, género se suele regir por códigos y estereotipos fotografías, serigrafías y objetos que trazan el más visuales que condicionan el trabajo de los diseñado- Publicación completo panorama de la historia del diseño gráfico res a la hora de crear el artwork de cada disco, hasta Antoni Tàpies: portada del disco “Per destruir aquell qui musical, en paralelo a los movimientos artísticos de la Con motivo de la exposición se co-edita el primer l’ha desert” de Raimon (1970). el punto de que hay fotógrafos, ilustradores y dise- segunda mitad del siglo XX, que se ha realizado hasta el volumen del libro: ñadores gráficos que terminan asociándose a sellos momento en el estado español. Bailar de Arquitectura. Interferencias entre discográficos, estilos musicales e incluso a cantantes Arte y Rock and Roll. Vol I (1956 -1976) La exposición propone dos itinerarios concebidos y bandas de rock concretos. Autor: F. Javier Panera Cuevas específicamente para las salas del Museo Patio Herreriano, Hay casos muy conocidos como el de Alex Stein- que generan encuentros inesperados entre las obras de la weiss, inventor de la portada de discos y responsa- colección permanente y las portadas de discos; invitando a ble del diseño los diseños de las cubiertas del sello los visitantes a transitar la práctica totalidad del museo para Columbia en los años 40, de Reid Miles para sellos 2 ver todas las piezas de la exposición. de jazz como Blue Note en los años 50, de Robert 3 DÍAS DE VINILO UNA HISTORIA DEL DISEÑO GRÁFICO MUSICAL 17 de abril - 13 de septiembre de 2015 Salas 1, 3, 4, 5, 6 y 7 EXPOSICIÓN CATÁLOGO Organización y Producción Textos Patio Herreriano, Museo de Arte F. Javier Panera Cuevas Contemporáneo Español. Fotografías Comisario © Archivo Fotográfico Museo Patio F. Javier Panera Cuevas Herreriano (Juan Carlos Quindós) Coordinación Diseño y maquetación Patricia Sánchez Cid María Ángeles Díez Mendoza Comunicación ISBN 978-84-96286-31-3 Susana Gil Trigueros Todos los derechos reservados Montaje © De las imágenes y los textos Feltrero División Arte sus autores © De la edición Museo Patio Seguro Herreriano Aon - AXA Art Selección de obras de la Colección Arte Contemporáneo-Museo Patio Herreriano integradas en DÍAS DE VINILO. Una historia del diseño Serenade (1989) gráfico musical Elena Asins Colección Arte Contemporáneo Bodegón cubista con guitarra (1925) José Moreno Villa Tríptico transformable (1966) CAC Aon Gil y Carvajal, S.A. Manuel Barbadillo CAC Gas Natural Fenosa Bodegón cubista con guitarra (1925) José Moreno Villa Pieza escuchando la pared (1992) CAC ACS, Actividades de Construcción y Juan Muñoz Servicios, S.A. CAC Accenture España, S.L. Couple de danseurs (1926-28) Espacio rítmico en Fa menor (2007) Joaquín Peinado José Antonio Orts CAC Aon Gil y Carvajal, S.A. CAC Banco Popular Español, S.A. Bodegón con violín y partitura (1930 c.) Dancing with the minimalism 3 (1996) Ismael G. de la Serna Elena del Rivero CAC Unión Fenosa Distribución, S.A. CAC Aon Gil y Carvajal, S.A. Càntic del sol (1975) Dancing with the minimalism 2 (1996) Joan Miró Elena del Rivero Colección Arte Contemporáneo CAC Aon Gil y Carvajal, S.A. Guitarras (1934) Dancing with the minimalism 1 (1996) Eudald Serra Elena del Rivero Navarro Generación, S.A. CAC Aon Gil y Carvajal, S.A. Homenatge a Schoenberg (1962) Retrato de los Kandinsky (1988) Albert Ràfols-Casamada Herminio Molero Colección Arte Contemporáneo CAC Técnicas Reunidas, S.A. Homenaje a Vivaldi (1958) Sin título (1988) Manuel Rivera Martin Kippenberger Colección Arte Contemporáneo Colección Arte Contemporáneo La Televisión I (1967) The Spanish Family (1986) Juan Antonio Aguirre Patricia Gadea CAC Técnicas Reunidas, S.A. Técnicas Reunidas, S.A. INTRODUCCIÓN
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