RECENT PUBLICATIONS in MUSIC 2014 Page 1 of 190

Total Page:16

File Type:pdf, Size:1020Kb

RECENT PUBLICATIONS in MUSIC 2014 Page 1 of 190 RECENT PUBLICATIONS IN MUSIC 2014 Page 1 of 190 RECENT PUBLICATIONS IN MUSIC 2014 Compiled and edited by Maureen Buja and David Sommerfield This list contains citations to literature about music in print and other media, emphasizing reference materials and works of research interest that appeared primarily in 2013. Reporters who contribute regularly provide citations mainly or only from the year preceding the year this list is published in conjuction with Fontes artis musicae. However, reporters may also submit retrospective lists cumulating publications from up to the previous five years. In the hope that geographic coverage of this list can be expanded, the editor of Fontes welcomes inquiries from bibliographers in countries not presently represented. CONTRIBUTORS. Argentina: Estela Escalada Kenya: Santie De Jongh Belgium: Johan Eeckeloo Macau: Yin Yee KWAN Canada: Sean Luyk The Netherlands: Joost van Gemert China: WU Xu New Zealand: Marilyn Portman Croatia: Željka Radovinović Nigeria: Santie De Jongh Cuba: Estela Escalada* Russia: Lyudmila Dedyukina Serbia: Radmila Milinković Denmark: Anne Ørbæk Jensen South Africa: Santie De Jongh Estonia: Katre Rissalu Spain: José Ignacio Cano, Maria José Finland: Tuomas Tyyri González Ribot France: Élisabeth Missaoui Sweden: Kerstin Carpvik, Lena Nettelbladt Germany: Susanne Hein Taiwan: Yin Yee KWAN Hong Kong SAR: Yin Yee KWAN Turkey: Senem Acar, Paul Alister Whitehead Hungary: SZEPESI Zsuzsanna Uganda: Santie De Jongh Iceland: Bryndís Vilbergsdóttir United Kingdom: Rupert Ridgewell Ireland: Roy Stanley United States: Matt Ertz, Lindsay Hansen Japan: SEKINE Toshiko Kenya: Santie De Jongh * = first time listing With thanks for assistance with translations and transcriptions to Heikki Paroila, Kersti Blumenthal and Taru Spiegel KEY TO CITATIONS 1. Citations follow the original as closely as possible. 2. For titles in citations, “=“ is used in two ways: to indicate the title appears in more than one language on the resource, or to show the original language or script when a Romanized form of it must be given first in order for it to be alphabetized in this list and searched online in the alphabet Fontes Artis Musicae readers primarily use. 3. The official languages of IAML are English, French and German. If a title in one of those languages does not appear on the publication, a translation of the title into one of those languages has been added in square brackets. Names of authors Romanized from Chinese and Japanese are also given in the vernacular. 4. Though many publications contain several places of publication and ISBNs, only one place of publication and one ISBN for a set of volumes, or for an individual volume, is given in this list. 5. If the work cited is part of a series, the series and number, if there is one, are given in parentheses near the end of the citation. 6. Prices are included when supplied by the reporter. © 2014 – International Association of Music Libraries; Fontes Artis Musicae RECENT PUBLICATIONS IN MUSIC 2014 Page 2 of 190 ARGENTINA Analizar, interpretar, hacer música: de las Cantigas de Santa María a la Organología. Escritos in memorian Gerardo V. Huseby [Analyzation, Interpretation and Making of Music: From Cantigas de Santa María to Organology. Writings in Memoriam Gerardo V. Huseby] Melanie Plesch (ed.). Buenos Aires: Gourmet Musical, 2014. 608 p. ISBN 978- 9-8729830-2-4. Dar la nota. El rol de la prensa en la historia musical argentina (1848-1943) [Giving Note The role of the Press in Argentinian Music History (1848-1943)]. Silvina Luz Mansilla (dir.) Buenos Aires: Gourmet Musical, 2012. 256 p. ISBN 978‐987‐25614‐3‐7. Espel, Guillo. Escribir y escuchar música popular: escritos sobre forma, diseño y estética en composición [Writing and Listening to Popular Music: Writings About Shape, Design and Aesthetics in Composition]. Buenos Aires: Melos, 2009. 104 p. ISBN 978-9-87-611- 237-6. Everett, Walter. Los Beatles como músicos: De Revólver a la Antología [The Beatles as Musicians: From Revolver to the Anthology]. Traducción de Mónica Herrero. Buenos Aires: Eterna Cadencia, 2013. 576 p. ISBN 978-9-87-1673-22-3. Translation of New York: Oxford University Press, 1999 Favoretto, Mara. Charly en el país de las alegorías [Charly in the Country of the Allegories]. Buenos Aires: Gourmet Musical, 2013. 192 p. ISBN 978-9-87-29830-1-7. About the rock composer Charly García. Frega, Ana Lucía y Sáenz Quesada, María. Mujeres de la música [Women in Music]. Buenos Aires: SB, 2011. 144 p. ISBN 978-9-87-1256-88-4. García, Miguel A. Etnografías del encuentro: saberes y relatos sobre otras músicas [Encounter Ethnographies: Knowledge and Stories About Other Music]. Buenos Aires: Ediciones del Sol, 2012. 147 p. ISBN 978-9-87-63240-3-8. González, Juan Pablo. Pensar la música desde América Latina [Thinking Music from Latin America]. Buenos Aires: Gourmet Musical, 2013. 256 p. ISBN 978-9-87-25614-9-9. Música populares: aproximaciones teóricas, metodológicas y analíticas en la musicología argentina. II [Popular Music: Theoretical, Methodological and Analytical Approaches to Argentinian Musicology. II]. Federico Sammartino, Héctor Rubio (eds.). Córdoba: Buena Vista, 2013. 196 p. ISBN 978-9-50-330676-5. Nattiez, Jean-Jacques. Mito, ópera y vanguardias: La música en la obra de Lévi-Strauss [Myth, Opera and Avant-garde: Music in Lévi-Strauss’ Work]. Buenos Aires: Gourmet Musical, 2013. 224 p. ISBN 978-9-87-29830-0-0. © 2014 – International Association of Music Libraries; Fontes Artis Musicae RECENT PUBLICATIONS IN MUSIC 2014 Page 3 of 190 Sirimarco, Luis. Frases y secretos de los grandes pianistas del jazz [Statements and Secrets from the Great Jazz Pianists]. Buenos Aires: Melos, 2010. 36 p. ISBN 978-9-87-611-289- 5. Trias, Eugenio. El canto de las sirenas: argumentos musicales [Siren Song: Musical Arguments]. Buenos Aires: Galaxia Gutenberg, 2007. 1000 p. ISBN 978-8-48-109701-6. BELGIUM Aka, Konin. L’art musical chez les Niaboua: un peuple krou du centre-ouest de la Côte d’Ivoire. Tervuren: Royal Museum for Central-Africa, 2012. 70 p. (Collection digitale). ISBN 978- 90-81794-05-3. http://www.africamuseum.be/museum/research/publications/rmca/online/niaboua.pdf. Aka, Konin. L’art musical d’un peuple mandé-sud de la Côte d’Ivoire: cas des N’Gain de la sous-préfecture de Bonguéra. Tervuren: Royal Museum for Central-Africa, 2013. 33 p. (Collection digitale). ISBN 978-94-91615-05-4. http://www.africamuseum.be/museum/research/publications/rmca/online/online- ngain.pdf. Assis, Paulo de, William Brooks & Kathleen Coessens. Sound & Score: Essays on Sound, Score and Notation. Leuven: Leuven University Press, 2013. 228 p. (Orpheus Institute Series). ISBN 978-90-5867-976-5. € 39.50. Berghein, Stefanie, Bruno Blondé & Eugeen Schreurs. Music and the city: musical cultures and urban societies in the Southern Netherlands and beyond, c. 1650-1800. Leuven: Leuven University Press, 2013. 185 p. ISBN 978-90-5867-955-0. Bloch, Pierette. Ostinato: dessin, musique, interactions [Exhibition catalogue]. Namur: Province de Namur, 2013. 99 p. + CD. Bossuyt, Ignace. Jean-Philippe Rameau (1683-1764): een kennismaking. [Jean-Philippe Rameau: an Introduction]. Leuven: Lipsius Leuven, 2013. 252 p. ISBN 978-90-5867- 952-9. € 29.95. Brokken, Jan. Waarom elf Antilianen knielden voor het hart van Chopin: een reis door de Caribische muziek. [A Journey through the Caribbean Music]. 6e herziene druk. Antwerpen: Atlas Contact, 2013. 303 p. + CD. ISBN 978-90-450-2463-9. € 24.95. Canguilhem, Philippe. Chanter sur le livre à la Renaissance: les traités de contrepoint de Vicente Lusitano. Turnhout: Brepols, 2013. 410 p. (Epitome musical). ISBN 978-2-503- 55040-4. € 80.00. Chaillou, Christelle. Faire los mots e.l so: Les mots et la musique dans les chansons de troubadours. Turnhout: Brepols, 2013. 274 p. (Musicalia Medii Aevi ; 2). ISBN 978-2- 503-54446-5. € 70.00. © 2014 – International Association of Music Libraries; Fontes Artis Musicae RECENT PUBLICATIONS IN MUSIC 2014 Page 4 of 190 Chamber Music: Catalogue of Publications. Brussels: CeBeDeM, 2013. 84 p. Publication in Dutch, English, French and German. Cordy, Paul. Wij zingen Vlaanderen vrij: het verhaal achter 75 jaar Vlaams Nationaal Zangfeest. [We Sing Flanders Free: the story behind 75 years of the Flemish National Singing Feast]. Leuven: Davidsfonds, 2012. 256 p. ISBN 978-90-5826-919-5. € 29.95. De Baets, Thomas & Luc Nijs. Muziekpedagogiek in beweging: onderzoek als motor voor onderwijsvernieuwing. [Music Pedagogy in Development: Research as an Engine for Educational Innovation]. Heverlee: Euprint, 2013. 96 p. ISBN 978-90-742-5323-9. € 20.00. De Smet, Johan & Moniek Nagels. Mikalojus Konstantinas Ciurlionis: dromen van Litouwen. [Mikalojus Konstantinas Ciurlionis: Dreaming of Lithuania]. Gent: Snoeck, 2013. 192 p. ISBN 9789461611260. Demeyere, Ewald. Johann Sebastian Bach’s Art of Fugue: Performance Practice Based on German Eighteenth-Century Theory. Leuven: Leuven University Press, 2013. 253 p. ISBN 978-90-5867-940-6. € 39.50. Depasse, Brice. Destins brisés: 50 stars de la musique entrées dans la légende. Waterloo: Renaissance du Livre, 2012. 265 p. ISBN 978-2-507-05069-6. € 18.00. Ducheyne, Jan. Beat is Beat, Jazz is Jazz. Zingem: Vita, 2013. 127 p. ISBN 978-90-73323-34-6. € 20.00. Elders, Willem. Josquin des Prez and his Musical Legacy: An Introductory Guide. Translation by Paul Shannon. Leuven: Leuven University Press, 2013. 247 p. ISBN 978-90-5867- 941-3. € 35.00. Original title: Josquin des Prez en zijn muzikale nalatenschap. Ferrard, Jean. Mélanges d’organologie offerts à Jean-Pierre Felix. Bruxelles: Sic, 2013. 480 p. ISBN 978-2-96003-662-6. Frassà, Lorenzo & Michela Niccolai. Verdi Reception. Turnhout: Brepols, 2013. IX, 330 p. (Studies on Italian Music History ; 7). ISBN 978-2-503-54615-5. € 100.00. Grétry, un musicien dans l’Europe des Lumières. Liège: Université de Liège, 2013. (Art&Fact ; 32). ISSN 0774-1863. € 25.00. Publication in Dutch, English, French and German.
Recommended publications
  • Celtic-Colours-Guide-2019-1
    11-19 October 2019 • Cape Breton Island Festival Guide e l ù t h a s a n ò l l g r a t e i i d i r h . a g L s i i s k l e i t a h h e t ò o e c b e , a n n i a t h h a m t o s d u o r e r s o u ’ a n d n s n a o u r r a t I l . s u y l c a g n r a d e h , n t c e , u l n l u t i f u e r h l e t i u h E o e y r r e h a t i i s w d h e e e d v i p l , a a v d i b n r a a t n h c a e t r i a u c ’ a a h t a n a u h c ’ a s i r h c a t l o C WELCOME Message from the Atlantic Canada Message de l’Agence de promotion A Message from the Honourable Opportunities Agency économique du Canada atlantique Stephen McNeil, M.L.A. Premier Welcome to the 2019 Celtic Colours Bienvenue au Celtic Colours On behalf of the Province of Nova International Festival International Festival 2019 Scotia, I am delighted to welcome you to the 2019 Celtic Colours International Tourism is a vital part of the Atlantic Le tourisme est une composante Festival.
    [Show full text]
  • 1-888-355-7744 Toll Free 902-567-3000 Local
    celtic-colours•com REMOVE MAP TO USE Official Festival Map MAP LEGEND Community Event Icons Meat Cove BAY ST. LAWRENCE | Capstick Official Learning Outdoor Participatory Concert Opportunities Event Event ST. MARGARET'S VILLAGE | ASPY BAY | North Harbour Farmers’ Visual Art / Community Local Food White Point Market Heritage Craft Meal Product CAPE NORTH | Smelt Brook Map Symbols Red River SOUTH HARBOUR | Pleasant Bay Participating Road BIG INTERVALE | Community Lone Shieling NEIL’S HARBOUR | Dirt Road Highway Cabot Trail CAPE BRETON HIGHLANDS NATIONAL PARK Cap Rouge TICKETS & INFORMATION 1-888-355-7744 TOLL FREE Keltic Lodge 902-567-3000 LOCAL CHÉTICAMP | Ingonish Beach INGONISH | Ingonish Ferry La Pointe GRAND ÉTANG HARBOUR | Wreck Cove Terre Noire Skir Dhu BELLE CÔTE | ATLANTIC.CAA.CA French River Margaree Harbour North Shore INDIAN BROOK | Chimney Corner East Margaree MARGAREE CENTER | Tarbotvale NORTH EAST MARGAREE | ENGLISHTOWN | Dunvegan MARGAREE FORKS | Big Bras d’Dor NORTH RIVER | SYDNEY MINES | Lake O’Law 16 BROAD COVE | SOUTH WEST MARGAREE | 17 18 15 Bras d’Dor 19 Victoria NEW WATERFORD | 12 14 20 21 Mines Scotchtown SOUTH HAVEN | 13 Dominion INVERNESS | 2 South Bar GLACE BAY | SCOTSVILLE | MIDDLE RIVER | 11 NORTH SYDNEY | ST. ANN'S | Donkin STRATHLORNE | Big Hill BOULARDERIE | 3 PORT MORIEN | 125 SYDNEY | L 10 Westmount A BADDECK | 4 K Ross Ferry E Barachois A COXHEATH | I MEMBERTOU | N 5 S East Lake Ainslie 8 L I 9 7 E 6 SYDNEY RIVER | WAGMATCOOK7 | HOWIE CENTRE | WEST MABOU | 8 Homeville West Lake Ainslie PRIME BROOK | BOISDALE
    [Show full text]
  • April's Fools
    APRIL'S FOOLS ' A LOOK AT WHAT IS REAL f ( i ON IN. TOWN NEWS VIEWS . REVIEWS PREVIEWS CALENDARS MORMON UPDATE SONIC YOUTH -"'DEOS CARTOONS A LOOK AT MARCH frlday, april5 $7 NOMEANSNO, vlcnms FAMILYI POWERSLAVI saturday, april 6 $5 an 1 1 piece ska bcnd from cdlfomb SPECKS witb SWlM HERSCHEL SWIM & sunday,aprll7 $5 from washln on d.c. m JAWBO%, THE STENCH wednesday, aprl10 KRWTOR, BLITZPEER, MMGOTH tMets $10raunch, hemmetal shoD I SUNDAY. APRIL 7 I INgTtD, REALITY, S- saturday. aprll $5 -1 - from bs aqdes, califomla HARUM SCAIUM, MAG&EADS,;~ monday. aprlll5 free 4-8. MAtERldl ISSUE, IDAHO SYNDROME wedn apri 17 $5 DO^ MEAN MAYBE, SPOT fiday. am 19 $4 STILL UFEI ALCOHOL DEATH saturday, april20 $4 SHADOWPLAY gooah TBA mday, 26 Ih. rlrdwuhr tour from a land N~AWDEATH, ~O~LESH;NOCTURNUS tickets $10 heavy metal shop, raunch MATERIAL ISSUE I -PRIL 15 I comina in mayP8 TFL, TREE PEOPLE, SLaM SUZANNE, ALL, UFT INSANE WARLOCK PINCHERS, MORE MONDAY, APRIL 29 I DEAR DICKHEADS k My fellow Americans, though:~eopledo jump around and just as innowtiwe, do your thing let and CLIJG ~~t of a to NW slam like they're at a punk show. otherf do theirs, you sounded almost as ENTEIWAINMENT man for hispoeitivereviewof SWIM Unfortunately in Utah, people seem kd as L.L. "Cwl Guy" Smith. If you. GUIIBE ANIB HERSCHELSWIMsdebutecassette. to think that if the music is fast, you are that serious, I imagine we will see I'mnotamemberofthebancljustan have to slam, but we're doing our you and your clan at The Specks on IMVIEW avid ska fan, and it's nice to know best to teach the kids to skank cor- Sahcr+nightgiwingskrmkin'Jessom.
    [Show full text]
  • Indo 91 0 1302899078 203
    Andrew N. Weintraub. Dangdut Stories: A Social and Musical History of Indonesia's Most Popular Music. New York, NY: Oxford University Press, 2010. Photographs, musical notation, glossary, bibliography, index. 258+ pp. R. Anderson Sutton At last, a book on dangdut, and an excellent one. It is hard to imagine that anyone with experience in Indonesia over the past thirty-five years could be unaware of dangdut and its pervasive presence in the Indonesian soundscape. The importance of this music was first recognized in the international scholarly world by William Frederick in his landmark article on Rhoma Irama in the pages of this journal almost thirty years ago.1 Other scholars have devoted chapters to dangdut,2 but it is only with this meticulously researched and engagingly written book-length study by Andrew Weintraub that we have the important combination of perspectives—historical, musicological, sociological, gender, and media/cultural studies—that this rich and multifaceted form of expression deserves. Weintraub offers this highly informative study under the rubric of "dangdut stories," modestly pointing to the "incomplete and selective" nature of the stories he tells. But what he has accomplished is nothing short of a tour de force, giving us a very readable history of this genre, and untangling much about its diverse origins and the multiplicity of paths it has taken into the first decade of the twenty-first century. Near the outset, following three telling vignettes of dangdut events he observed, Weintraub explains that the book is a "musical and social history of dangdut within a range of broader narratives about class, gender, ethnicity, and nation in post­ independence Indonesia" (p.
    [Show full text]
  • Listen Carefully
    1 Listen Carefully Ellen Foyn Bruun1 Norwegian University of Science and Technology NTNU, Drama and Theatre Studies Abstract Voice and sounding is an integrated element in dramatherapy, as in acting and life in general. In this article I reflect on voicework that focuses on the intimate relationship between breathing, sounding and an embodied sense of self. The notion of listen carefully emphasises the receptive aspect of arts practice and introversion as a foundation for authentic and healthy expression. I address ‘the presence of absence’ and our ability to listen with awareness to what is implicit and not yet made conscious. I have been inspired by feminist philosopher Adriana Cavarero who proposes a philosophy of voice that challenges logo-centric Western philosophical thinking. Her work underpins the relationship between voice and identity. I shall draw from my experience of three different approaches that integrate vocal somatic exploration and a holistic approach to life and health. These are the legacy of Roy Hart and Alfred Wolfsohn, Movement with touch and sound (Sesame), and Fitzmaurice Voicework®. This article caters for a broad professional community that is interested in the field of voice in drama and theatre practice for educational and therapeutic purposes. Key words: dramatherapy, voicework, healthy self-regulation, philosophy of voice, Roy Hart and Alfred Wolfsohn, Sesame approach, Fitzmaurice voicework® Introduction Each individual has their unique way of breathing which for most people enables sounding. As dramatherapists we relate to body, breathing and voice in many ways. This article will present how voicework has become a core field of interest for me as a drama practitioner, teacher, therapist and researcher.
    [Show full text]
  • Wagner Intoxication
    WAGNER INTOXICATION: LISTENING TO GOTTFRIED H. WAGNER — 1/27/21, Holocaust Remembrance Day “The Truth Nobody Wants to Hear” From Left: Michael Shapiro, Gottfried Wagner, John Corigliano, William M. Hoffman, Lawrence D. Mass, 1995, at the home of Michael Shapiro, Chappaqua, New York _________ Lawrence D. Mass, M.D., a specialist in addiction medicine, is a co- founder of Gay Men’s Health Crisis and was the first to write about 1 AIDS for the press. He is the author of We Must Love One Another or Die: The Life and Legacies of Larry Kramer. He is completing On The Future of Wagnerism, a sequel to his memoir, Confessions of a Jewish Wagnerite. For additional biographical information on Lawrence D. Mass, please see: https://en.wikipedia.org/wiki/Lawrence_D._Mass Larry Mass: For Gottfried Wagner, my work on Wagner, art and addiction struck an immediate chord of recognition. I was trying to describe what Gottfried has long referred to as “Wagner intoxication.” In fact, he thought this would make a good title for my book. The subtitle he suggested was taken from the title of his Foreword to my Confessions of a Jewish Wagnerite: “Redemption from Wagner the redeemer: some introductory thoughts on Wagner’s anti- semitism.” The meaning of this phrase, “redemption from the redeemer,” taken from Nietzsche, is discussed in the interview with Gottfried that follows these reflections. Like me, Gottfried sees the world of Wagner appreciation as deeply affected by a cultish devotion that from its inception was cradling history’s most irrational and extremist mass-psychological movement.
    [Show full text]
  • THENEWYORKER.Pdf
    A 1940 self-portrait of Salomon (1917-1943), whose autobiographical work “Life? or Theatre?” is an early example of the graphic novel. Courtesy the Jewish Historical Museum © Charlotte Salomon Foundation n February, 1943, eight months before she was murdered in Auschwitz, the I German painter Charlotte Salomon killed her grandfather. Salomon’s grandparents, like many Jews, had !ed Germany in the mid-nineteen-thirties, with a stash of “morphine, opium, and Veronal” to use “when their money ran out.” But Salomon’s crime that morning was not a mercy killing to save the old man from the Nazis; this was entirely personal. It was Herr Doktor Lüdwig Grünwald, not “Herr Hitler,” who, Salomon wrote, “symbolized for me the people I had to resist.” And resist she did. She documented the event in real time, in a thirty-"ve-page letter, most of which has only recently come to light. “I knew where the poison was,” Salomon wrote. “It is acting as I write. Perhaps he is already dead now. Forgive me.” Salomon also describes how she drew a portrait of her grandfather as he expired in front of her, from the “Veronal omelette” she had cooked for him. The ink drawing of a distinguished, wizened man—his head slumped inside the collar of his bathrobe, his eyes closed, his mouth a thin slit nesting inside his voluminous beard—survives. Salomon’s letter is addressed, repeatedly, to her “beloved” Alfred Wolfsohn, for whom she created her work. He never received the missive. Nineteen pages of Salomon’s “confession,” as she called it, were concealed by her family for more than sixty years, the murder excised.
    [Show full text]
  • SAVED by the BELL ! the RESURRECTION of the WHITECHAPEL BELL FOUNDRY a Proposal by Factum Foundation & the United Kingdom Historic Building Preservation Trust
    SAVED BY THE BELL ! THE RESURRECTION OF THE WHITECHAPEL BELL FOUNDRY a proposal by Factum Foundation & The United Kingdom Historic Building Preservation Trust Prepared by Skene Catling de la Peña June 2018 Robeson House, 10a Newton Road, London W2 5LS Plaques on the wall above the old blacksmith’s shop, honouring the lives of foundry workers over the centuries. Their bells still ring out through London. A final board now reads, “Whitechapel Bell Foundry, 1570-2017”. Memorial plaques in the Bell Foundry workshop honouring former workers. Cover: Whitechapel Bell Foundry Courtyard, 2016. Photograph by John Claridge. Back Cover: Chains in the Whitechapel Bell Foundry, 2016. Photograph by John Claridge. CONTENTS Overview – Executive Summary 5 Introduction 7 1 A Brief History of the Bell Foundry in Whitechapel 9 2 The Whitechapel Bell Foundry – Summary of the Situation 11 3 The Partners: UKHBPT and Factum Foundation 12 3 . 1 The United Kingdom Historic Building Preservation Trust (UKHBPT) 12 3 . 2 Factum Foundation 13 4 A 21st Century Bell Foundry 15 4 .1 Scanning and Input Methods 19 4 . 2 Output Methods 19 4 . 3 Statements by Participating Foundrymen 21 4 . 3 . 1 Nigel Taylor of WBF – The Future of the Whitechapel Bell Foundry 21 4 . 3 . 2 . Andrew Lacey – Centre for the Study of Historical Casting Techniques 23 4 . 4 Digital Restoration 25 4 . 5 Archive for Campanology 25 4 . 6 Projects for the Whitechapel Bell Foundry 27 5 Architectural Approach 28 5 .1 Architectural Approach to the Resurrection of the Bell Foundry in Whitechapel – Introduction 28 5 . 2 Architects – Practice Profiles: 29 Skene Catling de la Peña 29 Purcell Architects 30 5 .
    [Show full text]
  • About CHANGE RINGING
    All about CHANGE RINGING Provide a pop-up display explaining change-ringing to those attending and visiting the church. Page 6 METHODS RINGING METHODSThe mechanics of a bell It is traditional to start and Theswinging mechanics full-circle of a bell swinging means finish ringing with rounds full-circlethat we meansneed tothat restrict we need its to restrictmove its moveto one to oneposition. position. Not possible: Possible: Possible: Possible: The traditional notation shows each bell as a number starting at ‘1’ for the treble 1 2 3 4 5 6 7 8 1 2 3 4 5 6 7 8 1 2 3 4 5 6 7 8 1 2 3 4 5 6 7 8 (lightest bell) and running down the numbers to the tenor (heaviest bell). | X | | | | | | X X X | X X X X Bells are usually tuned to the major scale. If there are more than 9 bells, letters 4 8 2Provide 6 7 a1 pop-up 3 5 display 1 3explaining 2 4 5 change-ringi 6 7 8 ng to1 those3 2 attending 5 4 7 and6 8visiting 2the 1 church. 4 3 Page6 5 78 7 The basic method incorporating this rule is called … are substituted, so 0 = 10, E =11, T = 12, A = 13, B = 14, C = 15, D = 16. The1 2 basic3 4 5 6 method 7 8 incorporating this rule is called … X X X X Strokes 2 1Provide 4 3 a6 pop-up 5 8 display7 Now,explaining if change-ringiwe drawng ato linethose attendingjoining and up visiting the the church.
    [Show full text]
  • Polish Journal for American Studies Yearbook of the Polish Association for American Studies
    Polish Journal for American Studies Yearbook of the Polish Association for American Studies Vol. 14 (Spring 2020) INSTITUTE OF ENGLISH STUDIES UNIVERSITY OF WARSAW Polish Journal for American Studies Yearbook of the Polish Association for American Studies Vol. 14 (Spring 2020) Warsaw 2020 MANAGING EDITOR Marek Paryż EDITORIAL BOARD Justyna Fruzińska, Izabella Kimak, Mirosław Miernik, Łukasz Muniowski, Jacek Partyka, Paweł Stachura ADVISORY BOARD Andrzej Dakowski, Jerzy Durczak, Joanna Durczak, Andrew S. Gross, Andrea O’Reilly Herrera, Jerzy Kutnik, John R. Leo, Zbigniew Lewicki, Eliud Martínez, Elżbieta Oleksy, Agata Preis-Smith, Tadeusz Rachwał, Agnieszka Salska, Tadeusz Sławek, Marek Wilczyński REVIEWERS Ewa Antoszek, Edyta Frelik, Elżbieta Klimek-Dominiak, Zofia Kolbuszewska, Tadeusz Pióro, Elżbieta Rokosz-Piejko, Małgorzata Rutkowska, Stefan Schubert, Joanna Ziarkowska TYPESETTING AND COVER DESIGN Miłosz Mierzyński COVER IMAGE Jerzy Durczak, “Vegas Options” from the series “Las Vegas.” By permission. www.flickr/photos/jurek_durczak/ ISSN 1733-9154 eISSN 2544-8781 Publisher Polish Association for American Studies Al. Niepodległości 22 02-653 Warsaw paas.org.pl Nakład 110 egz. Wersją pierwotną Czasopisma jest wersja drukowana. Printed by Sowa – Druk na życzenie phone: +48 22 431 81 40; www.sowadruk.pl Table of Contents ARTICLES Justyna Włodarczyk Beyond Bizarre: Nature, Culture and the Spectacular Failure of B.F. Skinner’s Pigeon-Guided Missiles .......................................................................... 5 Małgorzata Olsza Feminist (and/as) Alternative Media Practices in Women’s Underground Comix in the 1970s ................................................................ 19 Arkadiusz Misztal Dream Time, Modality, and Counterfactual Imagination in Thomas Pynchon’s Mason & Dixon ............................................................................... 37 Ewelina Bańka Walking with the Invisible: The Politics of Border Crossing in Luis Alberto Urrea’s The Devil’s Highway: A True Story .............................................
    [Show full text]
  • Documented , Two Files in 32 Parts Introduction to Securing My Traces
    My archive ( 225 boxes / moving boxes ) , documented , two files in 32 parts Introduction to securing my traces : 35 pages with photos – as of 4th December, 2020 Securing my traces – first file – 1st to 16th part Motto: “Tell me what you are looking for and I will tell you who you are “ cf. www.gottfriedhwagner.eu – with 26 films – GWA ZBZ 1st part: my school education, secondary education, my time at university. My work in direction, dramaturgies— Kurt Weill – 22 pages 2nd part: My way to Kurt Weill - Lotte Lenya – my Weill and Brecht book - 3 pages 3rd part: my short biography - Ralph Giordano on me - 3 pages 4th part : my themes and stages from 1953 up to 2021 - 56 pages 5th part: survey of the contents of my 225 moving boxes/ boxes - 13 pages – as of 04.12.2020 6th part: My Post Shoah Dialog with Abraham J. Peck [GHW-AJP] - 2 pages 7th part: Our Zero Hour– the joint book [GHW AJP] - 19 pages 8th part : Content of Our Zero Hour [GHW-AJP] - 10 pages 9th part : My post Shoah Dialog with the composer Janice Hamer - 17 pages 10th part: My notes on the Tel Aviv performance of Lost Childhood - 4 pages 11th part: My Shoah and Post Shoah work in box 13 to box 40 - 98 pages 12th part: Richard Wagner and consequences – My dark “Wagner legacy” - 80 pages 13th part: My experiences with the 2nd and 3rd Wagner clan generations - 64 pages * 14th part: From Wagner to Hitler and New Bayreuth: The conflict with my father Wolfgang and grandmother Winifred Wagner and their connections – Wolfgang Wagner - 86 pages * 15th part: My indemnity and my father’s revenge, his lawyers: - 36 pages * 16th part: My discussions with my aunts: Gertrud Wagner and Verena Lafferentz-Wagner-13 pages* ”Second File – Securing my traces: 17.
    [Show full text]
  • Training a New Generation of Leaders
    TRAINING A NEW GENERATION OF LEADERS Woodrow Wilson Center Reports on the Americas • #3 Edited by Joan Dassin, Joseph S. Tulchin, and Amelia Brown W TRAINING A NEW oodr GENERATION OF LEADERS ow W Public Administration and Public Policy Graduate ilson Center Repor Programs in Latin America Elizabeth Balbachevsky Joan Dassin Danae de los Ríos ts on the Americas • #3 Ana M. García de Fanelli Efraín Gonzales de Olarte José Augusto Guilhon de Albuquerque Janet Kelly Rollin Kent Alejandra Mizala Rosalba Ramírez Edited by Joan Dassin, Joseph S. Tulchin, and Amelia Brown Latin American Program WOODROW WILSON INTERNATIONAL CENTER FOR SCHOLARS LEE H. HAMILTON, DIRECTOR BOARD OF TRUSTEES Joseph A. Cari, Jr., Chair; Steven Alan Bennett, Vice Chair. Public Members: James H. Billington, Librarian of Congress; John W. Carlin, Archivist of the United States; William R. Ferris, Chair, National Endowment for the Humanities; Roderick R. Paige, Secretary, U.S. Department of Education; Colin L. Powell, Secretary, U.S. Department of State; Lawrence M. Small, Secretary, Smithsonian Institution; Tommy G. Thompson, Secretary, U.S. Department of Health and Human Services. Private Citizen Members: Carol Cartwright, John H. Foster, Jean L. Hennessey, Daniel L. Lamaute, Doris O. Matsui, Thomas R. Reedy, Nancy M. Zirkin. WILSON COUNCIL Charles S. Ackerman, B.B. Andersen, Cyrus A. Ansary, Charles F. Barber, Lawrence E. Bathgate II, Joseph C. Bell, Richard E. Berkowitz, A. Oakley Brooks, Thomas J. Buckholtz, Conrad Cafritz, Nicola L. Caiola, Raoul L. Carroll, Scott Carter, Albert V. Casey, Peter B. Clark, William T. Coleman, Jr., Michael D. DiGiacomo, Donald G. Drapkin, F. Samuel Eberts III, J.
    [Show full text]