Review 2010/11/12 Review 2010/11/12

Contents

3 Introduction from the Director

4 Extending and Broadening Audiences

10 Developing the Collection

14 Increasing Understanding of Portraiture and the Collection

18 Maximising Financial Resources

23 Developing Staff

24 Improving Services

26 Acquisitions

42 Exhibitions and Displays

46 Financial Review

48 Supporters

Inside front cover BP Portrait Award: Next Generation participant

Inside back cover Visitors in The Regency in the Weldon Galleries Photo: Claire Clutterbuck ‘I am delighted that the Gallery has achieved so much in these 3 Introduction past two years, in every aspect of Board of Trustees its work – and I greatly welcome 1 April 2010 to 31 March 2012 from the Director HRH The Duchess of Cambridge Professor Sir David Cannadine, joining us as the Gallery’s Patron.’ FBA, FRSL Chairman Zeinab Badawi Professor Sir David Cannadine, The special summer of 2012 – the year of the Diamond Jubilee Chairman, Trustees of the Ms C. Allegra Berman Chair of the Investment Committee and Olympic and Paralympic Games – is an appropriate time National Portrait Gallery (from August 2010) to review the past two years. While mindful of the country’s Professor Dame Carol Black DBE unsettled economic circumstances, the Gallery has focused Sir Nicholas Blake on its central ambition to celebrate achievement and promote Dr Rosalind Blakesley a wider interest in portraiture – both at the Gallery and beyond. Dr Augustus Casely-Hayford The Rt Hon. Nick Clegg MP Two million annual visits is a significant marker for so much that (ex-officio) has been accomplished. The outstanding Lucian Freud Portraits, Lord President of the Council (from 11 May 2010) the ever-growing numbers attending the BP Portrait Award and The Marchioness of Douro OBE DL the success of the Road to 2012 project with BT, through to Kim Evans OBE historical exhibitions, smaller displays and interventions around (from October 2010) the Gallery, demonstrate the inventiveness of the public Dame Amelia Chilcott Fawcett DBE programme, as also evident in our research, learning, outreach, Deputy Chairman and Chair of the national, digital and communication work. At the heart of all Development Board (until June 2011) activity is the Collection, and this period has seen many wonderful Sir Nicholas Grimshaw CBE (ex-officio) acquisitions ranging from portraits of Anne of Denmark and President of the Royal Academy of Anna Wintour to loans of Catherine of Aragon and Ayuba Arts (until 8 December 2011) Suleiman Diallo. New commissioned portraits are also to be Christopher Le Brun (ex-officio) celebrated, including those of The Queen and Duke of Edinburgh President of the Royal Academy of Arts (from 8 December 2011) by Thomas Struth and Sir James Dyson by Julian Opie. The Rt Hon. The Lord Janvrin GCB GCVO QSO During the period we welcomed Allegra Berman, Kim Evans David Mach RA and Mary McCartney as new Trustees, while being immensely (until August 2010) grateful to our ex-officio Trustees and also to retiring Trustees The Rt Hon. The Lord Mandelson Amelia Fawcett, Deputy Chair and first Chair of the Investment (ex-officio) Committee, Sara Selwood and David Mach for their excellent Lord President of the Council (until 10 May 2010) contributions. Mary McCartney (from February 2011) My thanks go to all those – Trustees, Development Council Sir William Proby Bt CBE DL individual donors, benefactors, sponsors, corporate partners, Deputy Chairman from June 2011 trusts and foundations and volunteers – who contribute David Ross so much to the Gallery’s work. I am also very grateful to all of Chair of the Audit and Compliance Committee my colleagues, whose knowledge and enthusiasm are central Professor Sara Selwood to the Gallery’s success and especially to Jacob Simon who (until May 2010) completed his period as Chief Curator in September 2011. Marina Warner CBE FBA

Opposite: HRH The Duchess of Cambridge with Sandy Nairne, Director Photo: Natalia Calvocoressi 5 Extending and Broadening Audiences

Over the past two years the Gallery has continued to attract new audiences, through communications, exhibitions and displays, learning programmes, targeted outreach activities and increased access to the Collection through our partnerships across the UK.

The Gallery attracted 1.76 million visits in 2010/11 and 2.05 million in 2011/12, this was the best annual visitor figure in our history and the first time we have received over two million visits. The BP Portrait Award in both 2010 and 2011 attracted, on average, over 3,000 visitors a day – in 2011 341,000 visitors saw the exhibition, making it the most popular we have ever displayed. The Indian Portrait was a great success, receiving over 139,000 visitors, 82% over the expected visitor figure and Glamour of the Gods attracted over 87,000 visitors, 60% above target.

Research results indicate that the Gallery continues to attract new and diverse audiences; since March 2010, 51% of visitors were first time attenders and 12% were from Black, Asian and minority ethnic (BAME) groups. Enjoyment and satisfaction levels remain high, with 97% rating their visit ‘good’ or ‘excellent’. 92% of visitors said that they would be likely to return in the future and 97% said that they would recommend a visit to the Gallery.

Marketing The ‘Take another look’ marketing campaign won a series of accolades including a silver award at the DBA Design Awards 2011. Effective audience development was undertaken for The Indian Portrait and 24% of visitors to the exhibition were from BAME groups. Thursday and Friday nights were re-launched, with FTI Consulting’s support, as Late Shift in May 2010 and the accompanying marketing campaign has Opposite: encouraged a new, young audience. 74% of visitors were aware The Dance Union project, July 2011 of the Late Shift brand in 2011, a 20% year on year increase. Photograph: Othello de Souza-Hartley

Director Sandy Nairne greets the Gallery’s two-millionth visitor in March 2011 6 7

Press Young People Campaigns for a range of Gallery activities resulted in The Gallery’s Youth Forum continues to play an active role in widespread media coverage. Making Art in Tudor Britain and shaping the programme and events have included visitor talks the Scharf archive project received extensive features in led by young people around the Taylor Wessing Photographic the popular press and the Gallery was featured in several Portrait Prize. Year one of the three-year Domino Effect NEET documentaries including The Genius of British Art. The BP (Not in Education, Employment or Training) project funded by Portrait Award 2011 winners’ ceremony was broadcast live from the Dorset Foundation worked with participants from Fairbridge the Gallery for the first time on Channel 4 News. Lucian Freud and Kids Company. After a photographic course each participant Portraits, The Queen: Art & Image tour and the announcement created a workbook and portrait and seventeen of the young that the Duchess of Cambridge had become Gallery Patron all people completed an Arts Council Arts Award qualification. received extensive national and international coverage. Schools and Colleges Interpretation 78,398 taught and self-directed learners used the Gallery The Gallery’s smartphone apps have been available since during the period, with a further 6,230 taught off-site. The January 2011. Often repurposing material made for the Gallery Learning team have continued to deliver high-quality taught audio guide, these offer videos, trails, audio commentaries and sessions including ‘Freud in Focus’ talks and a Continuing information about the Collection with specialised versions in Professional Development programme for teachers. The BP British Sign Language and Japanese. The Lucian Freud Portraits Portrait Award: Next Generation project, part of the Gallery’s audio guide was also made available globally in this way. Cultural Olympiad programme, featured summer schools for young people run by BP Portrait Award artists. Engagement Families through the Next Generation website continues, 250 portraits Illustrators Tim Hopgood and Jason Chapman created have been shared by young people through the Flickr ‘Your characters for the BP Portrait Award family labels and trail Portraits’ gallery and the artists’ films have received 12,685 in 2010 and 2011. This annual feature is now a high-profile views on YouTube. commission for children’s illustrators and forms an important part of our family-friendly provision each summer. A new visual Outreach identity for the family programme was created and has been Targeted community and outreach work continues to be introduced successfully across signage and materials. During over-subscribed and has included working with diverse the coming year, there will be additional self-directed resources, audiences such as basic skills groups, looked-after young interpretation and a staffed pick-up point for families. people, hospital schools and deaf and visually impaired students. Undergraduates from the University of East London have developed a series of documentary portraits on life in the Olympic host boroughs in the lead up to summer 2012. Each week they have worked with a different professional photographer to develop their ideas and practice. This material Portrait by participant in the Kids Company NEET Project will be published on the National Portrait Gallery/BT Road to Family art workshop photographic course, July 2011 2012 project website. Photo: Claire Clutterbuck Secondary school students visiting The Gallery’s smartphone App the BP Portrait Award 2011 8 9

Participation Projects National Programme Year two and three of Chasing Mirrors, a three-year community The partnership exhibition, Writers of Influence, curated by project funded by John Lyon’s Charity, attracted over 77,000 young people, included the first British tour of the Chandos visitors. The displays explored the representation of self and portrait of William Shakespeare and attracted over 85,000 were produced by young Arabic speaking people from West visitors in venues in Sheffield, Sunderland, Plymouth and London in collaboration with lead artists Alinah Azadeh, a Southampton. A new web resource aimed at young people British-Iranian textile artist and British-Iraqi abstract painter (www.npg.org.uk/creativecareers) drew on content from the Athier Mousawi. Linked programmes for schools in West partnership project. Explorers was a region-wide exhibition in London proved a very effective way of reaching new students the North East created in partnership with Tyne & Wear and building a strong sense of community ownership. Museums’ Renaissance Programme. Over 100,000 visitors saw portraits at nine different museums and galleries across the Adult Programme region. For many of these museums it was the first time they A programme of events including an academic conference had borrowed from a national collection. Small displays on linked to the First Actresses exhibition and regular daytime Charles I and Mary Queen of Scots were shown at Lyme Park talks and lectures, were extremely well attended during the over the two-year period and were seen by over 190,000 visitors. period. Audience development continues to inform aspects of the programme and practice. The Learning team worked in An active programme of events for the Understanding British partnership with external organisations and guest curators to Portraits network saw participants from museums, galleries and produce programmes associated with Chasing Mirrors and LGBT country houses attending a range of seminars and workshops (Lesbian, Gay, Bisexual and Transgender) histories, which including private visits to musical and theatrical collections in have been successful in sustaining visitor diversity. London and a seminar on Modern British Portraits in Leeds.

Late Shift Shared learning programmes, exhibitions and ‘in focus’ loans Thursday and Friday evening opening has been greatly took place at all three of the Gallery’s country house partners. enhanced by sponsorship from FTI Consulting and the new At Beningbrough Hall Natural Arts: Great Landscape Late Shift programme has placed the Gallery firmly on the map Designers of the 18th Century paired contemporary landscape of evening cultural activities in London with a programme of photography with portraits of eighteenth-century garden talks, workshops, DJs sets and the Friday Evening Music Series. designers to celebrate their work and explore their living legacies. Long term partnerships with Bodelwyddan Castle and Highlights included Late Shift Extra: Snapped, a collaboration the National Trust at Montacute House and Beningbrough Hall with All Walks Beyond the Catwalk founders Caryn Franklin, jointly saw 628,317 visits over the period. The Gallery made 924 Debra Bourne and Erin O’Connor, to tie in with London Fashion short-term loans to 143 venues and 683 long-term loans to 63 Week in February 2011, Re-Animate, curated by Martyn Ware venues. For a list of touring exhibitions see page 43-44. in response to the Road to 2012: Changing Pace exhibition and Chasing Mirrors display, Glamour Factory, created in partnership with Contemporary William Shakespeare Studio Gallery, October 2010 – Vintage and inspired by Glamour of the Gods, which attracted attributed to John Taylor, c.1610 January 2011 over 4,500 people. Poster for the Explorers Make-up session at the Late Shift exhibition created in partnership Extra: Glamour Factory event, with Tyne & Wear Museums’ October 2011 Renaissance Programme 11 Developing the Collection

Acquisitions One of the most significant acquisitions of the past two years was a full-length portrait of Anne of Denmark, consort of James I, by John De Critz. Anne was an important patron of the theatre, literature and visual arts with her own court. We were also able to add an unusual and important acquisition to the Collection thanks to the government’s acceptance-in-lieu procedures. Daniel Gardner’s large pastel and gouache of 1775, The Three Witches from Macbeth depicts three of the most notorious women of the late eighteenth century, Georgiana Cavendish, Duchess of Devonshire, Elizabeth Lamb, Viscountess Melbourne and Anne Seymour Damer.

Important twentieth-century acquisitions during the period incuded Jacob Epstein’s bronze bust of Nehru, first Prime Minister of India; Derek Hill’s portrait of former Prime Minister Sir Edward Heath; and a remarkable portrait of the celebrated wartime spy, Odette Hallowes by Pietro Annigoni. A key contemporary portrait purchased in 2011, is a powerful painting of the playwright and theatre and television director Mike Leigh by Stuart Pearson Wright.

The Gallery has made a number of notable photographic acquisitions, many arising from the Beatles to Bowie exhibition, including the work of Don McCullin and Norman Parkinson. Mario Testino’s Prince Charles with Princes William and Harry was given by the photographer and has been much admired. Opposite: Vintage photographs by E.O. Hoppé from the 1910s and Journalist and Trustee Zeinab Badawi with the portrait of 1920s have been acquired from his grandson. Three classic Ayuba Suleiman Diallo photographs by Herbert Ponting of members of the British Photo: Jorge Herrera Antarctic Expedition, 1910–13, were purchased from New Ayuba Suleiman Diallo York dealers. Other notable photographs purchased include (Job ben Solomon) Aldous Huxley and T.S. Eliot, both by George Platt Lynes and by William Hoare, 1733 Property of Qatar Museums Samuel Beckett by the French-Hungarian photographer Brassaï Authority/Orientalist Museum, (Gyula Halász). We also secured several important long-term Doha, OM.762 loans including portraits of Ayuba Suleiman Diallo, Catherine of Aragon, Nell Gwyn and the entrepreneur and chemist Jesse Sir Edward Heath by (Arthur) Derek Hill, 1972 Boot, founder of Boots the chemist. © Derek Hill Foundation 12 13

Commissions The Heinz Archive and Library An exciting series of commissions has been completed The Reference Collection benefited from a number of gifts. including Diarmuid Kelley’s study of the former Chief An album of Wageman prints was donated by Mr and Mrs Inspector of Prisons, Dame Anne Owers and David Cobley’s Meech and a set of lantern slides of caricatures by Francis portrait of Nobel prize-winning scientist Sir Martin Evans. Carruthers Gould was given by Keith Wilson. Kenneth Bowling Jonathan Yeo painted the broadcaster, Sir Michael Parkinson donated a satire ‘The Coalition of the Bilboes’ and Andrew and Julian Opie constructed a heroic portrait of the industrial Edmunds gave an engraving of the Peterloo Massacre. A self- designer Sir James Dyson. Gillian Wearing photographed the portrait etching by James McBey was presented by Rupert Youle lawyer and human rights campaigner Shami Chakrabarti and Christine Hayes donated material relating to artist Enid holding a wax mask: a reference to the sitter’s self-proclaimed Stoddard. An ‘Emmwood’ cartoon of Sir Charles Evans and Lord ‘worthy’ public persona. Thomas Struth’s magisterial Hunt was purchased with help from the Elizabeth Weisz Fund. photographic portrait of the Queen and the Duke of Edinburgh, taken in April 2011, was commissioned to mark the Queen’s Collections Care and Collections Management Diamond Jubilee and the Duke’s ninetieth birthday. As part The focus has been on the improvement of storage conditions of the Road to 2012 project, created in partnership with BT, both on and off site with a major project to plan and prepare the Gallery has commissioned over 100 photographic the Collection for a move from existing off-site storage to the portraits of men and women who are both training for and shared Tate Store at Southwark. Conservation condition surveys working on the preparations for the London 2012 Olympic were undertaken to ensure safe transportation before the move. and Paralympic Games. This project has made the Collection more accessible, allowed for expansion of the Primary Collection over the next ten years The Photographs Collection and located works on one site rather than two. Lord Jonathan Hope donated an image of his grandfather Somerset Maugham by Carl Van Vechten. Mike Berkofsky Major conservation projects have included portraits of John donated a rare colour photograph of Jimi Hendrix and an Donne, Sir Joshua Reynolds, Colley Cibber and The Three important image of Sandy Denny by David Bailey was given Witches from Macbeth, which was fitted with a bespoke by the sitter’s estate. Other important gifts include three climate buffering system. photographs by 1960s photographer Eric Swayne given by his son Tom Swayne. A portfolio of prints by master photographers of Jimmy Page was given by the subject, with further gifts by

Shami Chakrabarti John Swannell included in a display: Then and Now. Purchases by Gillian Wearing, 2011 include a group of sixteen subjects from the 1960s by Peter Commission supported by Rand, and other significant groups were acquired from Jason J.P. Morgan through the Bell, Sandra Lousada, Neil Libbert, Brian Shuel and Denis Waugh. Fund for New Commissions

Dame Anne Elizabeth Owers (née Spark) Fifteen silhouette figures by Diarmuid Kelley, 2010 after Sir Francis Carruthers Gould, Commissioned by the National c.1892–1895 Portrait Gallery with the support of J.P. Morgan through the Fund The Gallery’s new storage racks for New Commissions in The Tate Store at Southwark 15 Increasing Understanding of Portraiture and the Collection

The diversity of the Gallery’s innovative programme continued to reflect our remit to reach the widest possible audience and generate interest in portraiture both nationally and internationally. The range of displays, depth of research, increased digital activity, ongoing cataloguing and breadth of the publishing programme have all promoted portraiture and the Collection. Exhibitions have highlighted the work of lesser known photographers, key figures in British art and thematic and ground-breaking subjects.

Our mission to increase the understanding of portraiture has created new partnerships and strengthened existing ones, including working with the Jeu de Paume, Paris, the Yale Center for British Art, New Haven, Curatorial Assistance, Pasadena, and the Modern Art Museum, Fort Worth, all in relation to the exhibition programme. Partnerships online have included projects with the BBC and the Public Catalogue Foundation.

Exhibition Highlights Camille Silvy, Photographer of Modern Life, 1834–1910, Hoppé Portraits: Society, Studio and Street and Ida Kar: Bohemian Photographer all aimed to increase interest in important but neglected photographers. Thomas Lawrence: Regency Power and Brilliance and The First Actresses: Nell Gwyn to Sarah Siddons both focused on eighteenth-century painting and were well received critically. Both the BP Portrait Award and the Taylor Wessing Photographic Portrait Prize have continued to achieve high visitor figures and an increased number of submissions from international entrants. Lucian Freud Portraits opened in February 2012 and has attracted large audiences and been widely and critically acclaimed.

Opposite: The Lucian Freud Portraits exhibition, February – May 2012

The entrance to Ida Kar: Bohemian Photographer , March – June 2011 16 17

Gallery Displays Research Programmes Gallery displays are designed to show the strengths of our The period saw the publication on the website of the art and collections and over the past two years several anniversaries architecture tranche of the Later Victorian Portraits Catalogue have been celebrated including those related to the Royal consisting of 145 individual sitter entries including major figures Society, Florence Nightingale, Gilbert & Sullivan, Charles Dickens such as William Morris and John Ruskin. The Making Art in Tudor and Scott’s Polar expedition. Imagined Lives transferred from Britain project was successful in gaining funding from the Esmée one of our regional partnerships, Montacute House in Somerset, Fairbairn Trust, the British Academy and the Leverhulme Trust. and featured portraits of unknown sitters. Twentieth-century This funding supported technical analysis on fifty paintings, two and contemporary displays included Bridget Riley Portraits, new posts, collaboration with the University of Sussex and the Tony Bevan Self-Portraits, Alex Katz Portraits, Michael Landy: Courtauld Institute of Art and two PhD studentships. For the Art World Portraits and Richard Hamilton: Portraits of the Artist. results of these projects and full details of research by members Photography displays included the work of Jason Bell, Venetia of staff see www.npg.org.uk/research. Dearden, Dmitri Kasterine, Mary McCartney, Lewis Morley and Sandra Lousada. A full listing of Exhibitions and Displays is Cataloguing the Collection available on page 43–45. 4,331 prints, mainly from the Large Portfolio collection, were catalogued in the Archive and Library during the period. This Digital Programmes work was carried out alongside the scanning of the extra- New online search and filter developments have enhanced illustrated set of the Rev. James Granger’s A Biographical visitor access to 175,000 Collection records including nearly History of England. 11,871 photographs and negatives were 100,000 illustrated portraits. Larger imagery is being introduced catalogued, with a special focus on Camille Silvy and nineteenth- for academic licences and the Gallery’s presence on the BBC century carte photographers. From the twentieth century, work Your Paintings website. A social media-enabled microsite has begun on completing the cataloguing of the Bassano studio template was developed and has been used for the BP Portrait half-plate negative collection covering 1925–1940. Over a Award: Next Generation, Late Shift and temporary exhibitions, thousand acquisitions have been catalogued including work by and a new Gallery blog will be launched in 2012. Improvements John Swannell, Denis Waugh, Rollie McKenna, Antony Barrington to the shop and Membership facilities on the website have Brown and the Patrick O’Connor Music Hall collection bequest. helped to attain record online sales figures. Publishing Services for visitors and staff have been enhanced with a The success of the Lucian Freud Portraits catalogue and Lucian series of system improvements including major upgrades Freud: Painting People helped to bring Freud’s portraiture to a to the Camille Silvy interactive at Bodelwyddan Castle and wide public. International editions of these titles, plus Camille the FileMaker database software, a new web server and an Silvy and Hoppé Portraits, have expanded our partnerships world- augmented research, sort and display tool for Mimsy, the wide. The BP Portrait Award 500 Portraits compendium was a collections database. The BP Portrait Award 2011 Visitor best-seller, and Imagined Lives, written by eight high-profile Choice interactive saw a record 28,000 visitors cast a vote authors, brought the Collection to new audiences. Twiggy: A Life for their favourite painting. An in-house photographic studio in Photographs won a British Design and Production Award, and is under construction and new camera equipment has Paul Cox, Associate Curator, in Ida Kar: Bohemian Photographer was nominated. A Guide to Alex Katz display, enabled the Digital Programmes team to undertake Collection The Heinz Archive and Library Victorian and Edwardian Portraits, published with the National May – September 2010 photography and develop time-lapse stills sequences and The BP Portrait Award 500 Trust, added to our Collection-based titles. The non-book range The Portrait Explorer in the IT Gallery panoramic virtual tours. Portraits cover was extended to include new greetings cards and postcard books. 19 Maximising Financial Resources

The last two years have been challenging but during that time the Gallery has achieved internal financial targets and audience development objectives, as well as attaining good results across the range of performance indicators agreed with the Department for Culture, Media and Sport. The Gallery had to adjust to the more difficult funding climate following the 2010 Comprehensive Spending Review, which resulted in a 15% real cut in resource grant-in-aid over the four financial years up to 2014/15. However, notwithstanding these constraints and the economic climate, the Gallery achieved better results than expected in both years. Indeed, 2011/12 was its most successful year in terms of visitor numbers, and with the success of Lucian Freud Portraits, the Gallery gained a surplus at the year end when it had originally budgeted for a deficit on its operations of over £300,000.

In the current climate it has been a demanding, but nonetheless successful period for the Development team. Corporate Partnership was a vulnerable area in 2010 but 2011 saw an uplift in renewals and new members. A number of new sponsors and trusts have joined our long-term supporters and our individual donors continue to enjoy their association with the Gallery, with the retention rates at all levels remaining high.

Corporate Supporters The Gallery enjoyed the continued support of BP for the Portrait Award and Next Generation as part of the Cultural Olympiad, and Taylor Wessing for the Photographic Portrait Prize. BT’s support for the Road to 2012 project continued, with two displays of Olympic and Paralympic portraits in 2010 and 2011. The Gallery launched Late Shift with investment from FTI Consulting for Thursday and Friday evening events and activities. Previous partners Bank of America Merrill Lynch returned to sponsor Lucian Freud Portraits and the Gallery welcomed Opposite: continued support from Herbert Smith for the Spring Season and The Main Shop refurbishment in 2011entered into a new project, with long-term supporters, J.P. Morgan with the Signature Series partnership. The Corporate Danny Boyle at the launch of National Portrait Gallery/BT Road Membership offer was restructured, resulting in several new to 2012: Changing Pace in July 2011 members including PwC and UBS as Premier Partners. 20 21

Individual Support revenue streams with income from other sources, and the The support of Life Patrons and Patrons continues to be Board of Directors will continue to develop these alternative invaluable and the group enjoyed a wide programme of events, lines in 2012/13/14. including a successful visit to Stockholm in May 2011. The level of support from Associates was steady throughout both years Venue Hire and a number of initiatives were undertaken to grow this level of Venue hire improved significantly in 2011/12 following a Membership. Thanks to the popularity of Lucian Freud Portraits challenging year in 2010/11. A number of new clients hired the number of Members increased from 6,300 to a record Gallery spaces, including Swiss RE, Estée Lauder and Clifford 10,000 and the retention rate remains at 70%. Chance. New and existing Corporate Partners and sponsors also held events at the Gallery, including two successful events for Development Board and Board of American Friends UBS. Repeat private hire bookings were made by Unigestion, The Development Board drew to a close in March 2011, and the IBM, Mott MacDonald, Duncan Lawrie and Curzon Partnership. Director and Pim Baxter and her team were extremely grateful for the support of members of the Board over a ten-year period. Retail The new Development Council was in place by May 2011 and A partial refurbishment of the Main Shop and Bookshop and is already providing invaluable help towards strengthening the re-launch of both the print-on-demand service and online income generation. The Board of American Friends continues shop were the main business drivers in 2010/11. Difficult trading to be very supportive and a number of grants have been made conditions on the high street were reflected in the Gallery’s to the Gallery over the period of this Review. The President of shops, except during exhibitions such as the annual BP Portrait the Board, David Alexander, who sadly died in July 2010, led the Award, Thomas Lawrence, Glamour of the Gods and Lucian Board with great wisdom and enthusiasm for the Gallery. Freud Portraits. The latter has been our most commercially successful exhibition, with the publications accompanying each Charitable Trusts and Foundations of these shows contributing significant profits. In 2011/12 the Charitable Trusts and Foundations continue to make a significant online shop exceeded sales of £100,000 for the first time and contribution to many aspects of the Gallery’s work. Thanks to the ongoing reviews of buying processes and stock management Garfield Weston Foundation, the storage of works on paper and should continue to help increase customer spend both onsite photographs will be transformed over the coming months. Both and online. the John Ellerman Foundation and the Foyle Foundation have provided welcome support for the National Programmes team. Rights and Images Following a review in 2009/10, the Rights & Images team Trading Company streamlined operations, reduced costs, improved access for The Gallery’s subsidiary trading company, the National Portrait academic and non-commercial use of images and focused on Gallery Company Ltd, earned profits of £756,167 in 2011/12 revenue generation, delivering a real increase in sales despite (£405,860 in 2010/11), which it will Gift Aid to the Gallery. The a difficult and evolving market, and improving margins from Company’s business includes retail, venue hire and the catering 13% to 29% in 2010/11 and 33% in 2011/12. The team Associate Curator of Photographs franchise. The profit earned in 2011/12 increased by 89% year The Lerner Galleries lit for an has also led collaboration towards operational standards Clare Freestone gives a tour of the on year, and was the highest the Company has achieved since it evening event across the sector. Ida Kar exhibition to Gallery Patrons began trading in 2007. This was a result of good performances © MPP Image Creation Glamour of the Gods exhibition in all business lines assisted by the success of Lucian Freud The print-on-demand service in product range Portraits. The Company was able to augment its three primary the Main Shop 22 23 Developing Staff

Recruitment Catering Despite the continuing slow down of the economy employee Catering income grew by 7% during the period. Increased turnover during the last two years has increased to 13.5% in visitor numbers helped improve the Café’s performance, comparison to 9% in 2009/10. There are several reasons for this especially during the summer months, despite difficult trading including funded posts coming to an end and a recurring cycle conditions experienced in the run up to Christmas 2011. The of senior positions turning over after a ten-year tenure. Staffing Portrait Restaurant’s income figures have been consistent over the Lucian Freud Portraits exhibition required the biggest the period and it continues to be an attractive destination with recruitment campaign for many years to fill fifty temporary Saturday evening opening, introduced in September 2010, posts. proving to be popular. Training Investment and Other Income The Gallery continues to improve management capability Investment income derived from interest and dividend with the introduction of a Project Management Framework payments halved in 2011/12 compared to that earned in and related training for managers. A trial mentoring scheme 2010/11. However, the majority of the Gallery’s reserves was run in collaboration with the Museum of London. Thirty-six (approx £9.2 million) is invested in portfolios under mentors and mentees took part and whilst a formal evaluation management with the Gallery’s advisers, Partners Capital is currently under way, initial feedback from the participants LLP. These portfolios had appreciated in value by £433,000 has been very positive. compared to their values as at 31 March 2011. The appreciation is in the form of an unrealised gain, and during the year a further Diversity £1 million was transferred from interest earning bank accounts During the last two years the Equality Action Plan has been to the investment portfolios managed by Partners Capital. Other revised and Bullying and Harassment Procedures have been income decreased by 22% compared to 2010/11, albeit that introduced and briefing given to all staff through a series of the income in 2010/11 had been exceptional owing to a further workshops. The funding for the Culture Quarter Programme large recovery of overpaid VAT. that provided six months work-based training to young unemployed people has ended but it is hoped that further Effectiveness and efficiency funding for a similar scheme will be secured soon. The success The Gallery’s more strategic approach to procurement followed of the Programme’s participants in securing employment led government policy promoting ‘shared contracts’ across the to an invitation to explain more about the scheme to a group public sector. Collaboration with other museums on two of Members of Parliament that included both the Ministers for common services, media buying and market research, yielded the Arts and for Employment. competitive rates and improved service delivery. The Gallery embarked on an innovative trial, the first of its kind within The composition of the Gallery’s workforce is 89% white, the sector, to share a Contracts and Procurement team with 11% black and minority ethnic, 32% male, 68% female, The National Gallery and began reviewing opportunities for 2.5% disabled and 35% part-time employees. sharing the procurement of common commodities across both organisations. Reviews completed to date have resulted in cash and efficiency savings and improved contract terms. The Art Handling Team working The Portrait Restaurant in the Victorian Galleries 25 Improving Services

The Gallery’s commitment to improving services has been demonstrated in a number of practical ways, which have benefited staff, visitors and the Collection. These have included energy-saving initiatives, such as the installation of LED lighting across the second floor galleries and the use of waste heat to produce hot water in the toilets. Building projects have included toilet refurbishments, relocating the cloakroom and replacing the flagpole on the Gallery roof. The service to Members was enhanced by the introduction of Membership card scanning at exhibition entrances, and IT facilities were made more resilient through a partnership with the Imperial War Museum.

Visitor Services An Operational Review of Visitor Services looked at improving staff management, visitor experience and security. The success of this has been demonstrated by the ability of the team to deal pro-actively with the large number of visitors to Lucian Freud Portraits. Systems changes such as enhanced CCTV and the appointment of a new ticketing partner for The Queen: Art and Image have all been supported by the Visitor Services Team.

Services to Research and Readers The Heinz Archive and Library received 2,922 visitors and 4,582 enquiries during the period and continued to host visits from academic, professional and special interest groups. Use of the web-based archive and library catalogues has steadily increased from 1,000 to 1,200 hits a month. Under the Freedom of Information Act thirty-six requests were handled and thirty-five Parliamentary Questions were answered.

Governance Upholding high standards of governance through accountability and transparency continues to be a key aim. Actions taken to strengthen governance included the development of the Investment Committee and strategy and new policies covering Information Security, Loans, Data Protection and Recruitment. The Board of Trustees undertook a review of their effectiveness Opposite: and the Gallery recruited two additional independent members Heinz Archive and Library to sit on the Audit & Compliance Committee and a new non- Visitor Services Assistant executive director for the Trading Company. Charlotte Richards 27 Acquisitions

Single and double portraits Sir James Matthew (‘J.M.’) Barrie, Bt (1860–1937) Diane Julie Abbott (1953–) Writer and author of ‘Peter Pan’ Politician By Elliott & Fry (active 1863–1962) By Stuart Pearson Wright (1975–) P1660: albumen print, 5 3/4 in. x 1 6927: pencil, 16 1/2 in. x 11 3/4 in. 4 /8 in. (145 mm x 104 mm), (420 mm x 297 mm), 2006 photographer’s credit printed on Purchased 2011 original mount below image and on reverse of mount 1894 Craigie Aitchison (1926–2009) Purchased 2011 Artist By Craigie Aitchison (1926–2009) Herbert Ernest (‘H.E.’) Bates 6933: oil on canvas, 24 in. x 20 in. (1905–1974) (610 mm x 508 mm), circa 1980 Writer and novelist Purchased 2012 with support from By William Roberts (1895–1980) Terence and Angela Danziger Miles 6909: pencil, 14 3/8 in. x 11 1/8 in. and Sir Paul Smith (365 mm x 283 mm) uneven, signed, circa 1925–1927 Anne of Denmark (1574–1619) Purchased 2011 Queen of James I By John De Critz the Elder Sir Arnold Bax (1883–1953) (circa 1552–1642) Composer 6918: oil on canvas, 79 3/8 in. x By Emil Otto (‘E.O.’) Hoppé 49 3/4 in. (2016 mm x 1265 mm), (1878–1972) circa 1605–1610 P1693: cream toned Purchased 2011 chlorobromide print, 9 1/4 in. x 7 in. (236 mm x 179 mm), signed and Edward Leicester Atkinson on reverse, photographer’s stamp, (1882–1929) 6 October 1921 Surgeon; member of British Antarctic Purchased 2012 Expedition, 1910–1913 By Herbert George Ponting Samuel Barclay Beckett (1870–1935) (1906–1989) P1364: gelatin silver print, 12 1/8 in. x Playwright 15 in. (308 mm x 381 mm), By Brassaï (Gyula Halász) photographer’s blind stamp and, on (1899–1984) reverse, photographer’s stamp and P1689: gelatin silver print, 11 1/2 inscribed, 15 September 1911 in. x 8 1/4 in. (293 mm x 211 mm), Purchased 2010 photographer’s studio stamp, inscribed and dated on reverse, Opposite: Mabel Lucie Attwell (1879–1964) 1957, 1957 Equanimity (detail) Illustrator Purchased 2012 by Chris Levine (artist) and By Elliott & Fry (active 1863–1962) Rob Munday (holographer), 2004 P1363: toned chlorobromide print, Commissioned by the People of 7 3/4 in. x 5 3/4 in. (197 mm x 145 mm), Jersey 2004, donated 2012 inscribed on reverse and, on mount below image, photographer’s stamp Samuel Beckett and credit, circa 1924 by Brassaï (Gyula Halász), 1957 Purchased 2010 © reserved 28 29

Isabella Blow (Isabella Delves Catherine of Aragon (1485–1536) Sir (Edward) Guy Dawber Edward John Moreton Drax Broughton) (1958–2007) and First Queen of Henry VIII (1861–1938) Plunkett, 18th Baron Dunsany Alexander McQueen (1969–2010) By Unknown artist Architect (1878–1957) Fashion journalist; Fashion designer L246: oil on oak panel, 20 1/2 in. x By Sir Gerald Kelly (1879–1972) Writer By David LaChapelle (1963–) 16 1/2 in. (520 mm x 420 mm), 6900: oil on canvas, 36 3/4 in. x 29 5/8 By Emil Otto (‘E.O.’) Hoppé P1403: C-type colour print, 28 7/8 in. x circa 1520s in. (932 mm x 753 mm), signed and (1878–1972) 39 7/8 in. (734 mm x 1012 mm), 1996 Lent by the Church Commissioners dated, and on reverse, inscribed and P1694: gelatin silver print, 7 5/8 in. x Purchased with generous assistance for England 2011 dated, 1927 5 5/8 in. (195 mm x 142 mm), signed from Daphne Guinness and The Purchased 2010 below image on photographer’s Marrakech Gallery Foundation 2010 George Cattermole (1800–1868) mount, circa 1910 Watercolour painter and illustrator Walter de la Mare (1873–1956) Purchased 2012 Sir Adrian Boult (1889–1983) By William Frederick Lake Price Poet and writer Conductor (1810–1896) By Emil Otto (‘E.O.’) Hoppé Sir James Dyson (1947–) By Emil Otto (‘E.O.’) Hoppé P1663: albumen print, 11 3/8 in. x (1878–1972) Designer and inventor (1878–1972) 9 1/2 in. (290 mm x 242 mm), P1389: gelatin silver print, 7 5/8 in. x ‘James, Inventor’ P1388: gelatin silver print, 6 7/8 in. x arched top, facsimile autograph and 5 3/8 in. (195 mm x 137 mm), By Julian Opie (1958–) 5 1/2 in. (175 mm x 141 mm), inscribed below image on mount, 12 October 1920 6917: inkjet on canvas, 56 5/8 in. x 42 6 December 1920 published 1858 Purchased 2011 5/8 in. (1438 mm x 1082 mm), 2011 Purchased 2011 Given by John Morton Morris 2011 Commission made possible by Baron Adolph de Meyer J.P. Morgan through the Fund for Alfred Brendel (1931–) Shami Chakrabarti (1969–) (1868–1946) New Commissions 2011 Concert pianist Lawyer and human rights Photographer By Tony Bevan (1951–) campaigner; director of Liberty By Baron Adolph de Meyer Thomas Stearns (‘T.S.’) Eliot 6906: pencil, 11 1/2 in. x 8 in. (292 mm By Gillian Wearing (1963–) (1868–1946) (1888–1965) x 203 mm), signed and dated, 2004 6923: gelatin silver print, 36 5/8 in. x P1367: gelatin silver print, 8 7/8 in. Poet Given by Tony Bevan 2011 31 1/2 in. (929 mm x 800 mm), 2011 x 6 1/2 in. (227 mm x 165 mm), By George Platt Lynes (1907–1955) Commission made possible by photographer’s archive stamp on P1687: gelatin silver print, 7 3/4 in. Alfred Brendel (1931–) J.P. Morgan through the Fund for reverse of mount, 1920s x 7 1/8 in. (196 mm x 182 mm), Concert pianist New Commissions 2011 Purchased 2011 photographer’s studio stamp on By Tony Bevan (1951–) reverse, circa 1950 6907: acrylic, 10 1/8 in. x 7 7/8 in. Sir Winston Leonard Spencer Ayuba Suleiman Diallo (Job ben Purchased 2012 (256 mm x 201 mm), signed and Churchill (1874–1965) Solomon) (1701–1773) dated, 2004 Prime Minister Arabic Scholar Queen Elizabeth II (1926–) Given by Tony Bevan 2011 By Yousuf Karsh (1908–2002) By William Hoare (1707–1792) Queen Regnant P1368: bromide print, 23 3/4 in. x L245: oil on canvas, 30 in. x 25 in. ‘Equanimity’ Robert Byron (1905–1941) 19 3/4 in. (604 mm x 503 mm), signed (762 mm x 635 mm), 1733 By Chris Levine (1972–) Traveller and writer on art on mount below image and inscribed Lent by Qatar Museums Authority 6936: lenticular print on lightbox, By Adrian Maurice Daintrey ‘AP’, and on reverse of mount, 2010 31 1/4 in. x 23 3/8 in. (795 mm x (1902–1988) inscribed and dated, 1941 595 mm), 2012 6929: oil on canvas, 28 7/8 in. x Given by Estate of Yousuf Karsh 2010 Sir Arthur Ignatius Conan Doyle Given by The People of Jersey 2012 14 in. (735 mm x 355 mm), signed (1859–1930) and dated, 1939 Sir Henry Cooper (1934–2011) Novelist Queen Elizabeth, the Queen Accepted by HM Government in lieu Boxer By Emil Otto (‘E.O.’) Hoppé Mother (1900–2002) Catherine of Aragon of Inheritance Tax and allocated to By William Redgrave (1903–1986) (1878–1972) Queen of George VI by Unknown artist, c.1520s the National Portrait Gallery 2011 6925: bronze bust, 16 3/8 in. (415 mm) P1390: gelatin silver print, 8 in. x 6 in. By Emil Otto (‘E.O.’) Hoppé high, signed and numbered 4/5, 1969 (204 mm x 151 mm), 1912 (1878–1972) Alexander McQueen; Isabella Blow Purchased 2011 Purchased 2011 P1391: gelatin silver print, 7 7/8 in. x by David LaChapelle, 1996 T.S. Eliot 5 3/4 in. (199 mm x 147 mm), 1923 © David LaChapelle by George Platt Lynes, c.1950 Purchased 2011 Courtesy Fred Torres Collaborations © estate of George Platt Lynes 31

Edgar Evans (1876–1912) Philip Gould, Baron Gould of Polar explorer; member of British Brookwood (1950–2011) Antarctic Expedition, 1910–1913 Advertising executive and political By Herbert George Ponting consultant (1870–1935) By Adrian Steirn (1979–) P1365: gelatin silver print, 15 1/4 P1697: bromide print, 34 5/8 in. x 23 3/8 in. x 12 in. (386 mm x 304 mm), in. (880 mm x 594 mm), autographed photographer’s blind stamp and on by sitter, signed and numbered 6/10 reverse, photographer’s stamp and below image, 2011 inscribed, 1911 Given by Matthew Freud 2012 Purchased 2011 Derrick Greaves (1927–) Dame Edith Evans (Dame Edith Painter Mary Booth) (1888–1976) By Derrick Greaves (1927–) Actress 6901: pencil, 13 1/2 in. x 8 1/2 in. By Alfred Aaron Wolmark (343 mm x 216 mm), 1956 (1877–1961) Purchased 2010 6930: pen and ink, 14 in. x 10 in. (356 mm x 254 mm), autographed Eleanor (‘Nell’) Gwyn by sitter, signed, inscribed and (1651?–1687) dated, 1926 Actress; mistress of Charles II Given by James McMullen 2012 By Simon Verelst (circa 1644–circa 1710) Sir Martin John Evans (1941–) L248: oil on canvas, 36 3/4 in. x 29 1/2 Director, Cardiff School of Biosciences, in. (935 mm x 748 mm), circa 1670 and Professor of Mammalian Lent by Private Collection 2011 Genetics, University of Cardiff By David Cobley (1954–) Odette Marie Céline Hallowes 6897: oil on canvas, 23 in. x 28 in. (née Brailly) (1912–1995) (583 mm x 712 mm), signed in Special Operations Officer monogram and dated, 2011 By Pietro Annigoni (1910–1988) Commissioned 2011 6932: ink and tempera on thick paper prepared with gesso, 29 in. x 23 in. Georgie Fame (Clive Powell) (736 mm x 584 mm), signed and (1943–) dated, 1961 Jazz and rhythm & blues musician Given by Lili Saunders 2012 Opposite: By David Jowett Greaves Oxtoby James Dyson (‘James, Inventor’) (1938–) Sir Edward Heath (1916–2005) by Julian Opie, 2011 6895: ballpoint pen, 20 in. x 14 in. Prime Minister © Julian Opie/National Portrait (507 mm x 357 mm), 1966 By (Arthur) Derek Hill (1916–2000) Gallery, London; commissioned by Given by David Jowett Greaves Oxtoby 6914: oil on canvas, 19 7/8 in. x 27 7/8 the National Portrait Gallery with 2010 in. (505 mm x 708 mm), 1972 the support of J.P. Morgan through Given by Sir Edward Heath Charitable the Fund for New Commissions Foundation 2011

Odette Marie Céline Hallowes (née Brailly) by Pietro Annigoni, 1961 © estate of Pietro Annigoni/ National Portrait Gallery, London 32 33

Roger Hilton (1911–1975) Hazel (née Martyn), Lady Lavery Mary Lowndes (1856–1929) Hilda Matheson (1888–1940) Painter (1880–1935) Stained glass artist Intelligence officer and director By Roger Hilton (1911–1975) Socialite and painter; widow of By Arthur James Langton (1855– of radio talks 6902: ink and wash, 13 3/4 in. x 9 7/8 in. Edward Trudeau; later wife of active 1919) By Douglas (active 1920s) (350 mm x 250 mm), late Sir John Lavery P1688: platinotype, 5 1/4 in. x 3 7/8 in. P1386: bromide print, 5 5/8 in. x 6 3/8 1960s–early 1970s By Emil Otto (‘E.O.’) Hoppé (132 mm x 100 mm), photographer’s in. (144 mm x 163 mm), studio stamp Purchased 2010 (1878–1972) advertisement printed on reverse of on reverse, 1920s P1393: gelatin silver print, 7 1/8 in. x card mount, circa 1890s Given by Adam Nicolson 2011 Edgar Holloway (1914–2008) 5 3/8 in. (182 mm x 137 mm), 1916 Given by Ann O’Donoghue 2011 Painter and print-maker Purchased 2011 Alice Meynell (née Thompson) By Edgar Holloway (1914–2008) Sir (Edward Montague Anthony) (1847–1922) 6893: etching, 8 3/4 in. x 6 1/4 in. Hazel (née Martyn), Lady Lavery Compton Mackenzie (1883–1972) Poet, essayist and journalist (223 mm x 159 mm), signed and (1880–1935) Writer By Emil Otto (‘E.O.’) Hoppé numbered 31/50 below plate, 1932 Socialite and painter; widow of By Andrew Paterson (active (1878–1972) Given by Jennifer Holloway 2010 Edward Trudeau; later wife of 1895–1948) P1395: gelatin silver print, 5 3/4 in. x Sir John Lavery P1661: gelatin silver print, 9 3/8 in. x 3 3/4 in. (145 mm x 96 mm), 1914 Shirley Hughes (1927–) By Emil Otto (‘E.O.’) Hoppé 7 in. (237 mm x 178 mm), Purchased 2011 Illustrator and author of (1878–1972) autographed by sitter, 1931, children’s books P1394: gelatin silver print, 7 7/8 in. x photographer’s credit, 1929 Alan Alexander (‘A.A.’) Milne By Clara Vulliamy (1962–) 5 3/8 in. (201 mm x 136 mm), 1916 Purchased 2011 (1882–1956) 6896: pastel, 31 in. x 22 3/8 in. Purchased 2011 Writer, playwright and journalist (787 mm x 567 mm), 1981 Cyril Mann (1911–1980) By Emil Otto (‘E.O.’) Hoppé Given by Shirley Hughes 2010 Mike Leigh (1943–) Painter, sculptor and teacher (1878–1972) Dramatist; theatre, television and By Cyril Mann (1911–1980) P1396: gelatin silver print, 6 3/8 in. x Aldous Huxley (1894–1963) film director 6931: charcoal, chalk and watercolour, 4 1/4 in. (163 mm x 107 mm), 1916 Novelist By Stuart Pearson Wright (1975–) 22 1/8 in. x 15 in. (561 mm x 380 mm), Purchased 2011 By George Platt Lynes (1907–1955) 6926: oil on canvas, 28 in. x 19 7/8 in. artist’s studio stamp on reverse, 1956 P1686: gelatin silver print, 9 1/2 in. x (710 mm x 506 mm), 2003 Given by Piano Nobile 2012 Malcolm Morley (1931–) 7 1/2 in. (240 mm x 192 mm), 1946 Purchased 2011 Artist Purchased 2011 Hilda Matheson (1888–1940) By Derek Boshier (1937–) David Lloyd George, 1st Earl Intelligence officer and director 6935: oil on canvas, 30 in. x 24 in. Edward James (1907–1984) Lloyd-George (1863–1945) of radio talks (762 mm x 610 mm), inscribed on Poet, designer and patron of the arts Prime Minister By Howard Coster (1885–1959) reverse, 1980 By Norman Parkinson (1913–1990) By Emil Otto (‘E.O.’) Hoppé P1384: bromide print, 8 1/4 in. x 6 1/8 Purchased 2012 P1664: chlorobromide print, 7 3/4 in. x (1878–1972) in. (209 mm x 157 mm), inscribed on 11 1/2 in. (196 mm x 292 mm), signed, P1392: gelatin silver print, 7 1/2 in. x reverse, 1920s Herbert Stanley Morrison, Baron and inscribed in sitter’s hand, on 4 3/4 in. (191 mm x 122 mm), 1911 Given by Adam Nicolson 2011 Morrison of Lambeth (1888–1965) mount below image, late 1930s Purchased 2011 and Sir Waldron Smithers Purchased 2011 Hilda Matheson (1888–1940) (1880–1954) James Ephraim Lovelock (1919–) Intelligence officer and director of Politicians Stanley Kubrick (1928–1999) Chemist and ecologist radio talks By Ronald William Fordham Searle American film director, writer, By Michael Gaskell (1963–) By Howard Coster (1885–1959) (1920–2011) producer and photographer 6928: egg tempera on board, 12 5/8 in. P1385: bromide print, 8 1/4 in. x 6 1/8 6894: pen and ink and blue crayon, By Dmitri Kasterine (1932–) x 8 1/4 in. (320 mm x 210 mm), in. (209 mm x 157 mm), inscribed on 9 3/4 in. x 10 3/8 in. (247 mm x Stanley Kubrick P1383: digital print, 16 1/2 in. x 12 in. signed and inscribed on reverse of reverse, 1920s 262 mm), signed, inscribed and by Dmitri Kasterine, 2010 (1970) (420 mm x 305 mm), 2010 (1970) mount board, 2011 Given by Adam Nicolson 2011 dated, 1951 © Dmitri Kasterine Purchased 2010 Commissioned 2011 Purchased with funding from the Elizabeth Weisz Fund 2010 Mike Leigh James Ephraim Lovelock by Stuart Pearson Wright, 2003 by Michael Gaskell, 2011 35

Dame (Jean) Iris Murdoch Dame Christabel Pankhurst (1919–1999) (1880–1958) Novelist and philosopher Militant suffragette; daughter of By Nicolas Clerihew Bentley Emmeline Pankhurst (1907–1978) By Richard George Mathews 6912: pen and ink, 7 1/8 in. x 7 1/2 in. (1870–1955) (182 mm x 189 mm) uneven, 6904: Charcoal and chalk, 16 3/8 in. x signed and below image, inscribed, 11 3/4 in. (417 mm x 298 mm), with circa 1961 sitter’s autograph, signed with Purchased with funding from the initials and dated, 1908 Elizabeth Weisz Fund 2011 Purchased 2011

Jawaharlal Nehru (1889–1964) Dame Christabel Pankhurst First Prime Minister of India; son of (1880–1958) Pandit Motilal Nehru Militant suffragette; daughter of By Sir Jacob Epstein (1880–1959) Emmeline Pankhurst 6905: bronze bust, 15 in. (380 mm) By Ethel Wright (1866–1939) high, 1948 6921: oil on canvas, 63 in. x 37 Purchased 2011 in. (1600 mm x 940 mm), signed, exhibited 1909 Sir William Newzam Prior Bequeathed by Elizabeth Ruth Nicholson (1872–1949) Dugdale Weir 2011 Artist By Emil Otto (‘E.O.’) Hoppé Sir Eduardo Luigi Paolozzi (1878–1972) (1924–2005) P1695: sepia toned silver print, 6 3/4 in. Sculptor and graphic artist x 4 7/8 in. (172 mm x 124 mm), 1912 By William Packer (1940–) Purchased 2012 6915: charcoal, 16 5/8 in. x 23 3/8 in. (421 mm x 594 mm), signed with Dame Anne Elizabeth Owers initials, inscribed and dated, 1988, (née Spark) (1947–) and on reverse, signed and inscribed, Campaigner, administrator and policy 20 May 1988 adviser; HM Chief Inspector of Prisons Given by William Packer 2011 By Diarmuid Kelley (1972–) 6898: oil on canvas, 13 7/8 in. x 10 5/8 Sir Michael Parkinson (1935–) in. (352 mm x 270 mm), 2010 Journalist and broadcaster Commission made possible by By Jonathan Yeo (1970–) J.P. Morgan through the Fund for 6899: oil on canvas, 36 in. x 27 1/4 Opposite: New Commissions 2010 in. (914 mm x 692 mm), signed on The Three Witches from reverse, 2010 Macbeth (Elizabeth Lamb, Maureen Paley (1953–) Commissioned 2010 Viscountess Melbourne; Gallery owner and artist Georgiana, Duchess of Devonshire; By Michael Landy (1963–) Anne Seymour Damer) (detail) 6916: pencil, 27 1/2 in. x 19 5/8 in. by Daniel Gardner, 1775 (700 mm x 500 mm), 2008 Given by Maureen Paley 2011 Jawaharlal Nehru by Sir Jacob Epstein, 1948 Photograph © National Portrait Gallery, London 36 37

Thomas Patch (1725–1782) Oliver St John, 1st Baron St John John William Waterhouse Group portraits Painter and engraver of Bletso (circa 1520–1582) (1849–1917) By Thomas Patch (1725–1782) Courtier; Lord Lieutenant of Figure painter The Three Witches from 6913: Etching, 11 3/8 in. x 13 5/8 in. Bedfordshire By William Logsdail (1859–1944) Macbeth (Anne Seymour Damer (290 mm x 345 mm), late 1760s By Arnold Bronckorst (active 6920: oil on board, 11 in. x 6 3/4 in. (1749–1828) Sculptor, Georgiana Purchased with funding from the 1565–1580) (280 mm x 170 mm), circa 1887 Cavendish, Duchess of Devonshire Elizabeth Weisz Fund 2011 6919: oil on panel, 18 7/8 in. x 15 1/2 Purchased 2011 (1757–1806) Beauty and leader of in. (478 mm x 395 mm), signed and fashionable Whig society, Elizabeth Prince Philip, Duke of Edinburgh dated, 1578 Theodore Watts-Dunton Lamb, Viscountess Melbourne (1921–) and Queen Elizabeth II Purchased 2011 (1832–1914) (baptised 1751–1818) Political (1926–) Critic, novelist and poet hostess and agricultural improver) Queen Regnant and Prince Consort Sir (Francis) Osbert Sacheverell By Sir Henry Maximilian (‘Max’) By Daniel Gardner (1750?–1805) By Thomas Struth (1954–) Sitwell, 5th Bt (1892–1969) Beerbohm (1872–1956) 6903: gouache and chalk, 37 in. x 1 1 1 P1665: C-type colour print, 64 /4 in. Writer 6911: ink and wash, 7 /4 in. x 6 /2 in. 31 1/8 in. (940 mm x 790 mm), 1775 x 81 1/8 in. (1633 mm x 2062 mm), By Horst P. Horst (1906–1999) (185 mm x 165 mm), c.1890s Accepted in lieu of tax by H.M. 7 April 2011 P1662: bromide print, 10 in. x 7 7/8 Purchased with funding from the Government and allocated to the Commissioned 2011 in. (253 mm x 201 mm), signed on Elizabeth Weisz Fund 2011 Gallery 2011 mount below image, 1948 Theodore Francis Powys Purchased 2011 Dame Rebecca West (Cicily The Rolling Stones (Sir Michael (1875–1953) Isabel Andrews, née Fairfield) Philip (‘Mick’) Jagger (1943–), Novelist Humphrey Spender (1910–2005) (1892–1983) Brian Jones (1942–1969), Keith By William Roberts (1895–1980) Photographer, artist and designer Writer and journalist Richards (1943–), Charles Robert 6910: pencil, 15 1/4 in. x 11 1/8 in. John Banting (1902–1972) By Emil Otto (‘E.O.’) Hoppé (‘Charlie’) Watts (1941–), Bill (387 mm x 281 mm), signed, 6922: oil on canvas, 15 in. x 12 in. (1878–1972) Wyman (1936–)) circa 1926 (381 mm x 304 mm), circa 1934 P1696: chlorobromide print, 6 1/4 in. x Musicians; members of Purchased 2011 Purchased 2011 4 1/2 in. (160 mm x 114 mm), The Rolling Stones 30 January 1923 By Gered Mankowitz (1946–) Paula Rego (1935–) Michael R. Taylor (1952–) Purchased 2012 P1371: enlarged contact sheet, 17 1/8 Painter Painter in. x 23 in. (436 mm x 583 mm), 1965 By Peter Snow (1927–2008) By Michael R. Taylor (1952–) Edward Adrian Wilson (1872–1912) Purchased 2010 6924: charcoal, 22 in. x 37 3/4 in. 6934: pencil, 16 1/2 in. x 11 5/8 in. Naturalist and Antarctic explorer (560 mm x 960 mm), signed, (419 mm x 296 mm), 2011 By Herbert George Ponting The Rolling Stones (Sir Michael inscribed and dated, 1960 Purchased 2012 (1870–1935) Philip (‘Mick’) Jagger (1943–), Purchased 2011 P1366: gelatin silver print, 12 1/4 in. Brian Jones (1942–1969), Keith Jesse Boot, 1st Baron Trent x 15 1/4 in. (311 mm x 388 mm), Richards (1943–), Charles Robert Sir Cliff Richard (Harry Webb) (1850–1931) photographer’s blind stamp and on (‘Charlie’) Watts (1941–), Bill (1940–) Retail and manufacturing chemist reverse, photographer’s stamp and Wyman (1936–)) Singer and actor By Noel Denholm Davis (1876–1950) inscribed, 19 May 1911 Musicians; members of By Norman Parkinson (1913–1990) L247: oil on canvas, 50 in. x 40 in. Purchased 2011 The Rolling Stones P1369: bromide print, 14 1/2 in. x 9 7/8 (1270 mm x 1015 mm), 1909 By Gered Mankowitz (1946–) in. (367 mm x 250 mm), early 1960s Lent by Alliance Boots 2011 Anna Wintour (1949–) P1372: modern colour print from Purchased 2010 Editor of American Vogue original negative, 12 7/8 in. x 18 in. By Alex Katz (1927–) (328 mm x 458 mm), 1966 6908: oil on linen, 60 in. x 84 in. Purchased 2010 (1524 mm x 2134 mm), 2009 Purchased with help from the Prince Philip, Duke of Edinburgh; Art Fund 2010 Queen Elizabeth II by Thomas Struth, 2011 Edward Adrian Wilson © Thomas Struth, 2011 by Herbert George Ponting, 1911 39

The Yardbirds (Jeff Beck (1944–), Them (Peter Bardens (1944–2002), Chris Dreja (1945–), Jim McCarty Billy Harrison (1942–), Alan (1943–), James Patrick (‘Jimmy’) Henderson (1944–), Pat McAuley Page (1944–), Keith Relf (1943– (1944–1984), Van Morrison 1976)) (1945–)) Musicians; members of The Yardbirds Musicians; members of Them By Gered Mankowitz (1946–) By Tony Frank (1945–) P1373: modern print from original P1381: modern colour print from negative, 13 7/8 in. x 14 in. (352 mm x original transparency, 19 1/2 in. x 355 mm), 1966 29 3/4 in. (495 mm x 756 mm), Purchased 2010 signed on reverse, 1965 Purchased 2010 The Spencer Davis Group (Spencer Davis (1939–), Muff Winwood The Beatles (George Harrison (1943–), Steve Winwood (1948–), (1943–2001), John Lennon Pete York (1942–)) (1940–1980), Sir (James) Paul Musicians; members of McCartney (1942–), Ringo Starr The Spencer Davis Group (Richard Starkey) (1940–)) By Gered Mankowitz (1946–) Musicians; members of The Beatles P1374: modern print from original By Don McCullin (1935–) negative, 13 7/8 in. x 13 7/8 in. P1382: bromide print, 12 5/8 in. x (351 mm x 352 mm), 1966 18 7/8 in. (320 mm x 480 mm), signed, Purchased 2010 inscribed and dated on reverse, 1968 Purchased 2010 Manfred Mann (Mike Hugg (1942–), Paul Adrian Jones (1942–), Prince Charles (1948–), Tom McGuinness (1941–), Prince Henry of Wales (1984–), Manfred Mann (1940–), Mike Prince William, Duke of Vickers (1940–)) Cambridge (1982–) Musicians; members of Manfred Mann The Prince of Wales and his sons By Tony Frank (1945–) By Mario Testino (1954–) P1379: modern colour print from P1387: gelatin silver print, 20 in. original transparency, 20 in. x 29 5/8 x 24 in. (508 mm x 610 mm), in. (508 mm x 754 mm), signed on photographer’s stamp and studio reverse, 1965 stamp on reverse, 2004 Purchased 2010 Given by Mario Testino 2011

The Who (Roger Harry Daltrey The Beatles (Peter Randolph Opposite: (1944–), John Entwistle (1944– (‘Pete’) Best (1941–), George Prince Harry; Prince Charles; 2002), Keith Moon (1946–1978), Harrison (1943–2001), John Prince William, Duke of Cambridge Peter Dennis Blandford (‘Pete’) Lennon (1940–1980), Sir (James) (detail) Townshend (1945–)) Paul McCartney (1942–), Stuart by Mario Testino, 2004 Musicians; members of The Who Sutcliffe (1940–1962)) © Mario Testino By Tony Frank (1945–) Musicians; members of The Beatles P1380: modern colour print from By Astrid Kirchherr (1938–) The Beatles (Pete Best; original transparency, 21 5/8 in. x P1690: gelatin silver print, 7 1/8 in. x George Harrison; John Lennon; 29 3/4 in. (550 mm x 756 mm), 9 3/8 in. (180 mm x 238 mm), signed Paul McCartney; Stuart Sutcliffe) signed on reverse, 1965 on reverse, 1960 by Astrid Kirchherr, 1960 Purchased 2010 Purchased 2012 © Astrid Kirchherr/Getty Images 40 41

The Beatles (George Harrison P1397–P1402: Photographs by P1667: George Granville Barker P1684: Dylan Thomas (1914–1953) (1943–2001), John Lennon Irving Penn, 1950–1958 (1913–1991) Poet, 1952–3 (1940–1980), Stuart Sutcliffe By Irving Penn (1917–2009) Poet, 1951 P1685: Dylan Thomas (1914–1953) (1940–1962)) Gelatin silver prints, P1668: Bill Brandt (1904–1983) Poet, 1952–3 Musicians; members of The Beatles varying dimensions Photographer, 1953 By Astrid Kirchherr (1938–) Given by Irving Penn Foundation 2011 P1669: David Emery Gascoyne P1690–P1692: The Beatles: P1691: gelatin silver print, 12 1/4 in. x (1916–2001) Photographs by Astrid Kirchherr, 9 3/8 in. (310 mm x 238 mm), signed P1397: Dame Ivy Compton-Burnett Poet, 1951 1960–1962 on reverse, 1960 (1884–1969) P1670: Robert Ranke Graves By Astrid Kirchherr (1938–) Purchased 2012 Novelist, 1958 (1895–1985) Gelatin silver prints, varying P1398: Sir Jacob Epstein Poet and writer, 1969 dimensions Portrait Collections (1880–1959) P1671: Thomson William Purchased 2012 Sculptor, 1950 (‘Thom’) Gunn (1929–2004) See also under Group Portraits P1370–P1374: Photographs by P1399: Arnold Joseph Toynbee Poet and university teacher, 1957 Gered Mankovitz, 1960–1966 (1889–1975) and Philip Toynbee P1672: Seamus Justin Heaney P1692: George Harrison By Gered Mankovitz (1946–) (1916–1981) (1939–) (1943–2001) and John Lennon Modern gelatin silver and colour Novelist and journalist; Historian and Poet and Nobel Prize winner, 1969 (1940–1980) prints from original negatives, nephew of Arnold Toynbee, 1958 P1673: Edward James (‘Ted’) Musicians; members of varying dimensions P1400: Henry Moore (1898–1896) Hughes (1930–1998) The Beatles, 1962 Purchased 2010 Sculptor, 1950 Poet Laureate, 1959 See also under Group Portraits P1401: John Boynton (‘J.B.’) P1674: Elizabeth Jennings Priestley (1894–1984) (1926–2001) P1370: Millie (Millicent) Novelist, 1950 Poet, 1957 Small (1942–) P1402: Graham Vivian Sutherland P1675: Philip Arthur Larkin Singer, 1964 (1903–1980) (1922–1985) Artist, 1950 Poet and novelist, 1960 P1375–P1381: Photographs by P1676: (Frederick) Louis MacNeice Tony Frank, 1965–1966 P1404–P1659: Queen Elizabeth II (1907–1963) By Tony Frank (1945–) and her family: photographs from Poet, 1954 Modern colour prints from original the Ford Hill Collection, 1947–1996 P1677: John Minton (1917–1957) negatives, varying dimensions Some 30 photographers Painter and illustrator, 1951 Purchased 2010 Bromide and C-type colour prints, P1678: John (James) Osborne See also under Group Portraits varying dimensions (1929–1994) Gift of Ms Ford Hill, American Friends Playwright, autobiographer and P1375: Sandie Shaw (née of the National Portrait Gallery actor, 1957 Sandra Goodrich) (1947–) (London) Foundation, Inc., 2011 P1679: Sylvia Plath (1932–1963) Singer, 1965 Poet and writer, 1959 P1376: Marianne Faithfull (1946–) P1666–P1685: Rollie McKenna, P1680: Kathleen Jesse Raine Singer, 1965 1951–1969 (Mrs K.J. Madge) (1908–2003) P1377: Georgie Fame By Rollie McKenna, (1918–2003) Poet and literary scholar, 1951 (Clive Powell) (1943–) Gelatin silver prints, varying P1681: Sir Herbert Read Singer, 1965 dimensions (1893–1968) P1378: Sir Tom Jones (Thomas Given by Rosalie Thorne McKenna Critic and writer on art, 1954 Jones Woodward) (1940–) Foundation 2011 P1682: Dame Edith Sitwell Singer, 1966 Dame Edith Sitwell (1887–1964) Sir Tom Jones P1666: Sir Kingsley William Amis by Rollie McKenna, 1953 Poet, 1953 (Thomas Jones Woodward) (1922–1995) © Rosalie Thorne McKenna P1683: Dylan Thomas (1914–1953) by Tony Frank, 1966 Novelist, 1957 Foundation; Courtesy Center Poet, 1952–3 © tonyfrank/National Portrait for Creative Photography, Gallery, London University of Arizona Foundation 43 Exhibitions and Displays April 2010 – March 2012

Wolfson Gallery Chasing Mirrors: My Portrait, Shape by Shape BP Portrait Award 2010 14 October 2011 – 8 January 2012 24 June – 19 September 2010 Thomas Lawrence: Touring Exhibitions Regency Power and Brilliance 21 October 2010 – 23 January 2011 Beatles to Bowie: the 60s exposed Hoppé Portraits: Norwich Castle Museum Society, Studio and Street 8 May – 5 September 2010 17 February – 30 May 2011 Taylor Wessing Photographic BP Portrait Award 2011 Photographic Portrait Prize 2009 16 June 2011 – 18 September 2011 New Art Gallery, Walsall First Actresses: 16 July – 12 September 2010 Nell Gwyn to Sarah Siddons BP Portrait Award 2010 20 October 2011 – 8 January 2012 Usher Gallery, Lincoln Lucian Freud Portraits 1 October – 14 November 2010 9 February – 27 May 2012 Aberdeen Art Gallery 27 November 2010 – 22 January 2011 Porter Gallery Aberystwyth Arts Centre 2 February – 26 March 2011 Camille Silvy, Photographer of Thomas Lawrence: Modern Life, 1834 – 1910 Regency Power and Brilliance 15 July – 24 October 2010 Yale Center for British Art, New Haven Taylor Wessing Photographic 24 February – 5 June 2011 Portrait Prize 2010 Taylor Wessing Photographic 11 November 2010 – 20 February 2011 Portrait Prize 2010 Ida Kar: Bohemian Sunderland Museum & Winter Gardens Photographer 1908–1974 16 April – 26 June 2011 10 March – 19 June 2011 BP Portrait Award 2011 Glamour of the Gods: Wolverhampton Art Gallery Hollywood Portraits 24 September – 1 November 2011 Photographs from the Aberdeen Art Gallery John Kobal Foundation 12 November – 21 January 2012 7 July – 23 October 2011 The Queen: Art and Image Taylor Wessing Photographic Scottish National Gallery, Edinburgh Portrait Prize 2011 25 June – 18 September 2011 10 November 2011 – 12 February 2012 Ulster Museum, Belfast Contemporary Portraits 14 October – 15 January 2012 1 March – 22 April 2012 National Museum of Wales, Cardiff 4 February – 29 April 2012 Studio Gallery Road to 2012 Cardiff Bay Road to 2012: Setting Out 30 March – 27 May 2012 20 July – 26 September 2010 Opposite: Chasing Mirrors: The Only Connect display, Portraits of The Unseen April – November 2011 11 October 2010 – 9 January 2011 Road to 2012: Changing Pace The Hoppé Portraits exhibition, 25 July – 25 September 2011 February – May 2011 44 45

National Programme Objects in Mind Gallery Displays The Anglo-Zulu War, 1879 Scott of the Antarctic Freud Museum, London 13 December 2010 – 14 August 2011 16 August 2011 – 22 April 2012 Samuel Johnson & Biography 24 November 2010 – Glastonbury: Photographs by Ballet In Focus William Dobson, 1611–1646 Beningbrough Hall, York 27 February 2011 Venetia Dearden 14 December 2010 –24 July 2011 17 August 2011 – 18 March 2012 1 February 2010 – 1 February 2011 Mary Queen of Scots 19 April – 26 September 2010 Ayuba Suleiman Diallo Terence Rattigan Charles I: King and Martyr Lyme Park, Stockport Great British Composers: 20 January – 30 July 2011 1 September 2011 – 15 April 2012 Lyme Park, Stockport 26 February – 30 November 2011 From Elgar to Adès Michael Landy: Art World Portraits Comedians: From the 1940s to Now 27 February – 31 October 2010 Charles I 27 April – 12 December 2010 5 February – 17 July 2011 17 September 2011 – 8 January 2012 Imagined Lives: Segedunum, Roman Fort, Bridget Riley: From Life Eighteen by Twelve: Recent The Actress Now Mystery Portraits from the Baths & Museum, Wallsend 15 May – 5 December 2010 Photographic Acquisitions 20 October 2011 – 8 January 2012 National Portrait Gallery 15 April – 11 September 2011 Alex Katz Portraits 7 February – 1 September 2011 Charles Dickens: Life and Legacy 1520–1640 Explorers 15 May – 21 September 2010 Peace ridiculed: caricatures by 25 October 2011 – 22 April 2012 Montacute House, Somerset King’s Own Borderers Museum, Florence Nightingale 1820 – 1910 Honoré Daumier Private Eye: Photographs by 17 March 2010 – 31 October 2011 Berwick 17 May – 21 November 2010 15 February – 23 October 2011 Lewis Morley Inspired by Music Bailiffgate Museum, Alnwick William Holman Hunt 1827 – 1910 Gilbert & Sullivan 31 October 2011 – 15 April 2012 Bodelwyddan Castle, Denbighshire Bagpipe Museum, Morpeth 15 June 2010 – 16 March 2011 8 March – 4 December 2011 Queens in Waiting: 24 April – 20 July 2010 Segedunum, Roman Fort, An Englishman in New York: Sarah Lucas Self-Portraits Charlotte & Victoria Writers of Influence: Baths & Museum, Wallsend Photographs by Jason Bell 19 March – 11 September 2011 26 November 2011 – 14 October 2012 Shakespeare to J.K. Rowling Oriental Museum, Durham 14 August 2010 – 17 April 2011 Tony Bevan Self-Portraits Sandra Lousada: from the National Portrait Hartlepool Museum British Artists in Rome: the John 24 March – 11 December 2011 Work and Performance Gallery Collection Locomotion, Shildon Partridge Sketchbook, 1823–27 From Pencil to Chisel: Sir Francis 28 November 2011 – 9 July 2012 Graves Art Gallery, Sheffield Captain Cook’s Birthplace Museum, 21 August 2010 – 27 March 2011 Chantrey’s Portrait Drawings Imagined Lives: 17 April – 3 July 2010 Middlesbrough Circles of Influence: G.F. Watts, 2 April – 20 November 2011 Portraits of Unknown People Southampton City Art Gallery Ironstone Mining Museum, Cleveland Alphonse Legros and the Slade Only Connect 3 December 2011 – 8 July 2012 23 July – 26 September 2010 31 March – 29 May 2011 7 September – 8 May 2011 16 April – 27 November 2011 Beautiful Souls Plymouth City Museum & Art Gallery Athletes and Olympians Twentieth Century Portraits: Now and Then: 5 December 2011 – 12 August 2012 16 October 2010 – 8 January 2011 Shipley Art Gallery, Gateshead Photographs by Dmitri Kasterine Photographs by John Swannell Victorian Connections Sunderland Museum & Winter Gardens 20 January – 8 April 2012 11 September 2010 – 3 April 2011 19 April 2011 – 2 January 2012 8 December 2011 – 17 June 2012 29 January – 27 March 2011 Natural Arts: Great Landscape Science, Religion and Politics: Mick Jagger: Young in the 60s Cavendish Morton: Faces of Poetry Designers of the 18th Century The Royal Society 3 May – 27 November 2011 A Man of Many Parts Bodelwyddan Castle, Denbighshire Beningbrough Hall, York 11 September – 5 December 2010 Christabel Pankhurst 12 December 2011 – 15 July 2012 31 July – 26 September 2010 10 February 2012 – 30 January 2013 Isabella Blow by Noble and Webster 10 May – 11 December 2011 Richard Hamilton: Manor House, Ilkley, Bradford Early Kings and Queens 18 September 2010 – 13 March 2011 Picturing History: A Portrait Portraits of the Artist 2 October – 14 November 2010 Montacute House, Somerset From Where I Stand: Set of Early Kings and Queens 19 December 2011 – 13 May 2012 17 March 2012 – 4 November 2013 Photographs by Mary McCartney 19 July – 4 December 2011 Cambridge Connections: 4 October 2010 – 13 February 2011 Augustus John: A Life in Portraits Photographs by Antony H. Walter Barnett: Women of Note 26 July 2011 – 18 March 2012 Barrington Brown 15 November 2010 – 8 May 2011 Herbert Morrison: 19 March – 16 September 2012 Camden Town and Beyond the Cockney Socialist Famous in the Fifties: 27 November 2010 – 31 August 2011 26 July 2011 – 18 March 2012 Photographs by Daniel Farson Edgar Holloway: Portrait Etchings Sir James Dyson by Julian Opie 19 March – 16 September 2012 6 December 2010 – 31 August 2011 6 August 2011 – 2 January 2012

Picturing History: A Portrait Set of Early Kings and Queens display, July – December 2011 46 Financial Review 47

Total incoming resources increased over the two years rising Income 819 258 425 365 1,041 from £14.3 million in 2010/11 to £16.8 million in 2011/12, For operations, acquisitions and capital 1,996 a 17.5% increase. Much of the increase was due to the very Grant-in-aid strong performance of Lucian Freud Portraits which opened 2,148 Activities for generating funds in February 2012. Self-generated income increased as a 2011/12 £000s 7,398 2010/11 £000s 7,577 2,631 percentage of income over the period from 47% in 2010/11 Voluntary income to 56% in 2011/12. Income associated with the exhibition Income from exhibitions, learning and access programme did particularly well in 2011/12, including exhibition 2,736 Sponsorship admissions, retail, publications and Gallery Membership. 3,695 The Gallery attracted record numbers of visitors in 2011/12 Other which also assisted the improvement in self-generated income despite the difficult economic climate. Over the two years the Gallery’s grant-in-aid funding from DCMS fell from £7,577,000 in 2010/11 to £7,398,000 in 2011/12, a 2.4% 2,763 2,441 Expenditure 3,267 3,362 decrease. Furthermore, the Gallery received additional funding Excluding capital and acquisitions 132 of £147,000 from the Strategic Commissioning Fund (jointly but including depreciation 140 607 sponsored by the DCMS and the Department for Education) in 587 Extending and broadening 2010/11, but the funding from this source ceased after that year audiences 2011/12 £000s 2010/11 £000s as a consequence of the continuing public sector funding cuts. Costs of generating voluntary income 6,006 Grant-in-aid per visitor to St Martin’s Place fell over the 6,268 4,261 4,328 Developing the Collection period from £4.31 in 2010/11 to £3.61 in 2011/12, a 16% fall, and lower than the figures achieved in any of the Investment management costs 30 4 previous three years, maintaining the Gallery as very effective Increasing understanding and engagement with the Collection within the museums and galleries sector in terms of this key performance indicator. Governance Fundraising trading: cost of Overall, between the two years, resources expended rose by goods sold and other costs 2.8%, but still under the 2011/12 inflation rate. Costs relating to trading were 12% higher in 2011/12 than 2010/11, as a result of the increased trading activity arising from the exhibition programme. Resources expended on charitable activities were lower across most areas in 2011/12, except again in the case of those activities associated with the exhibition programme. For a full understanding of the Gallery’s financial position, reference should be made to the Annual Report and Accounts for 2010/11 and 2011/12, available on the Gallery’s website www.npg.org.uk. 48 Supporters 49

The Gallery would like to thank Contemporary Portraiture Buildings and facilities The Gallery is grateful to the Life Patrons Frederick and Kathryn Uhde the following for their sponsorship, Celebration Dinner Edwin Fox Foundation following Major Donors, Patrons Anonymous Johnny and Sarah Van Haeften support and Corporate Partnership Champagne provided by Garfield Weston Foundation of the Portrait Fund, Life Patrons, Mark Armitage Charitable Trust Bonnie J. Ward in 2010/11 and 2011/12 Laurent-Perrier Champagne Annual Patrons, Associates, Edgar Astaire Tony and Maureen Wheeler Conservation Individual Donors, Gallery The Stephen Barry Charity Trust Patti and George White Spring Season 2010, 2011and 2012 Wine provided by The John S. Cohen Foundation Members and the American Friends Ms C. Allegra Berman Sponsored by Herbert Smith LLP Alsace Wines Idlewild Trust of the National Portrait Gallery Deborah Loeb Brice Foundation Annual Patrons The Leche Trust (London), for their support in L. L. Brownrigg Anonymous Irving Penn Portraits and Lucian Freud Portraits Lenders Dinner The Pilgrim Trust 2010/11 and 2011/12 Dr and Mrs Mark Cecil Sir Rudolph and Lady Agnew Lucian Freud Portraits Supported by Hazlitt Holland-Hibbert Bridget and Mark Colman Mrs David Alexander Supported by Bank of America Displays and Exhibitions Major Donors Dr Peter Corry Mr and Mrs Johny Armstrong Merrill Lynch Lucian Freud Portraits Preview Dinner Manoukian Foundation Anonymous Peggy Czyzak-Dannenbaum Nicholas Ayre and Nicholas Creswell Champagne provided by Saint Sarkis Charity Trust The Lerner Foundation Sir Harry Djanogly CBE The Estate of Francis Bacon BP Portrait Award 2010 & 2011 and Laurent-Perrier Champagne James Stunt Margaret Exley CBE Mrs Hélène Baines and Mr Max Baines BP Travel Award 2009 & 2010 Friday Evening Music Programme Mr and Mrs Michael Farmer John H. and Penelope P. Biggs BP Portrait Award: Next Generation Auction lots provided by Delius Trust Individual Donors Dame Amelia Chilcott Fawcett DBE Jenny Borgerhoff-Mulder Supported by BP Hazlitt Holland-Hibbert Musicians’ Benevolent Society Mark Armitage Charitable Trust John and Inge Fleming Basia Briggs and Richard Briggs OBE PRS for Music Foundation The Stephen Barry Charitable Trust Mr and Mrs Robin Fleming Lord Carrington Taylor Wessing Photographic In-kind advertising support Professor Dame Carol Black DBE Ms Flora Fraser Lord and Lady Chadlington Portrait Prize 2010 & 2011 Intelligent Life Learning John Bradfield Lydia and Manfred Gorvy Ricki and Robert Conway Sponsored by Taylor Wessing CHK Charities Limited Laurence Chase Gavin Graham Jane and John Cullinane Premier Partners Dorset Foundation Judith Fairhurst Sir Charles and Lady Gray The de Laszlo Foundation Ida Kar: Bohemian Photographer, Anonymous NADFAS The Ruth & Stuart Lipton Toby and Jennifer Greenbury Simon C. Dickinson 1908–1974 Belinda Harley Associates Thomson Reuters Charitable Trust Catherine D. and Guy L. Gronquist Cory and Bob Donnalley Supported by Raffy Manoukian Bloomberg L.P. Michael Moritz and Harriet Heyman Anthony Haden-West Charitable Foundation PwC Making Art in Tudor Britain Alexandra Nicol Allan and Louise Hirst The Marchioness of Douro Glamour of the Gods: Towers Watson (five-year research project) Pam and Scott Schafler Terry and Maria Hughes Lord and Lady Egremont Hollywood Portraits UBS The British Academy The Philip and Irene Toll Gage Charles and Frances Jackson Lieutenant Commander Paul Fletcher Photographs from the Esmée Fairbairn Foundation Foundation, Atlanta, Georgia, USA Dr Elisabeth Kehoe Edwin Fox Foundation John Kobal Foundation Corporate Members The Leverhulme Trust Kathleen Lavidge and Edward Eric and Louise Franck Supported by The Blavatnik Apax Partners The Paul Mellon Centre for Studies Portrait Fund McKinley Michael and Clara Freeman Family Foundation Deutsche Bank in British Art Matthew Freud Mark and Liza Loveday The Robert Gavron Charitable Trust Hazlitt, Gooden & Fox Mercers’ Company Crispin Odey Mr and Mrs John Morton Morris The Hon William Gibson Late Shift Linklaters LLP Barry Hart Parsons Philip Mould OBE and Mrs Pauline Gore In partnership with FTI Consulting Mercer National Programmes David Ross Foundation Catherine Mould Bendor Grosvenor P&G Arts Council England The Lerner Foundation Alexandra Nicol Louise Hallett Signature Series and Fund for Société Générale John Ellerman Foundation Sir Christopher Ondaatje OC CBE Mrs Sue Hammerson CBE New Commissions Sotheby’s Foyle Foundation Honorary Patrons Midge and Simon Palley Richard Hayden In partnership with J.P. Morgan Tulchan Communications LLP Lord Browne of Madingley Leslie and Sanjay Patel Lord and Lady Hazlerigg WPP Group Research and Cataloguing The Lord Carrington, KG The Pinchbeck Family Lady Heseltine National Portrait Gallery/ The Getty Foundation Mrs Drue Heinz Hon DBE Sir Simon and Lady Robertson Robert Holden Ltd BT Road to 2012 Project The Leverhulme Trust Lord Weidenfeld GBE Mrs Tanya Roussel The Gallery would like to thank Mrs Penny Horne In partnership with BT The Paul Mellon Centre for Studies in The Coral Samuel Charitable Trust the following charitable trusts and Mr and Mrs J. Horsfall Turner British Art David and Alexandra Scholey foundations for their support in Jennifer Johnson Bernard Lee Schwartz Foundation Mr Peter Soros 2010/11 and 2011/12 Peter A. B. Johnson Jay and Deanie Stein Lady Barbara Judge CBE Staff development Sir Sigmund Sternberg KCSG Acquisitions Mr Michael Kahan The Attingham Trust Robert and Patricia Swannell The Art Fund Kemp-Welch Charitable Trust Mr and Mrs Louis A. Tanner Heritage Lottery Fund David Ker 50 51

Peter Kilgour and Sandy Trevena Lizzie Broadbent Colin McKenzie Development Board Board of American Friends of the Sybil and Herbert Kretzmer Consuelo and Anthony Brooke Mrs Sophie Miller (until March 2011) National Portrait Gallery (London) George and Anne Law Anthony James Brown Mrs Roula Milner Margaret Exley CBE* Foundation Inc Miss Laura Lindsay Jennifer Bryant-Pearson and Mrs Irene Monios Dame Amelia Chilcott Fawcett DBE Mrs Drue Heinz Hon. DBE Professor David Lowe Leslie Perrin Paul Montgomery (Chair)* (Founder Benefactor) James and Béatrice Lupton Amanda Burden Ms Jane Moore Jennifer Greenbury** Nicholas MacLean Lilia Bylos Lady Morton Frances Jackson** (until July 2010) David Alexander Marsh Christian Trust Kathryn Campbell Ms Lucy Moss The Rt Hon. The Lord Janvrin GCB, (President until June 2010) Jamie McAlpine Corin Campbell Hill Jonathan Mussellwhite GCVO, QSO* Robert Donnalley Milica Mitrovich and John Missing Francis Carnwath CBE Catherine Newman Jennifer Johnson** (Acting President, June 2010 – Mrs Robin Navrozov Noel Casey Chris and Judy Plant Simon Lewis* September 2011) Juliet Nicholson Lloyd Chamberlain Dame Simone Prendergast Colin McKenzie** Dame Amelia Chilcott Fawcett DBE Sir Charles and Lady Nunneley Denise Cohen Jane Reed CBE Rufus Olins* (President) Sophie Oppenheimer Advocate Tim C. Corfield Mrs Stella Reeves Midge Palley** John Biggs Helen and Michael Palin Loraine Cushway Clare Rich Leslie Patel** Bridget Colman Lord Palumbo Mr Cuong Dang Michael Rich Robert Swannell* Dr Frank L. Ellsworth (until August Nathalie Philippe and Alexis Gordon and Marilyn Darling Ms Penny Sanders Jonathan Yeo** 2011) Maubourguet Mrs Rusty Dawson Dudley Savill MBE Jeffrey Marks (from September 2011) *Member of Corporate Advisory Group Sir William and Lady Proby Miel de Botton Professor Sara Selwood Linn Cary Mehta Charles Rifkind Lucy Dickens Peter and Di Shaw ** Member of Individual Giving Richard M. Ticktin (until April 2010) Lady Ripley Philip Dodd Mr and Mrs Limin Shi Advisory Group Maggie Whitlum Cooper (from Charles and Jans Rolls Lady Duff Gordon Lois Sieff OBE September 2011) Sally and Anthony Salz Robyn Durie Mr Paul Simons Development Council Pam and Scott Schafler Ingela Evans Tania Sless (from April 2011) From the Gallery Sylvia Scheuer Deborah Finkler Miss Angela Smith Adrian Bott Sandy Nairne Thomas and Elaine Schoch Mr and Mrs Rupert Gavin Andrew Spells Dr Mark Cecil Pim Baxter (Secretary) Mrs Victoria Sharp Christopher Goodhart Richard Stuart Smith Margaret Exley CBE John and Susan Singer Fiona Greenwood Lady Sandra Sullivan Andrew Grant Mr and Mrs Nicholas Stanley Eleanor M. Hamilton Alison Swan Parente The Rt Hon. The Lord Janvrin GCB, Stelio Stefanou OBE DL Mr Ian Hay Davison CBE Ian Taylor GCVO, QSO Heneage Stevenson Mrs Patsy Hickman Chloé Teacher Jennifer Johnson Hugh and Catherine Stevenson Johanna Holmes and Victoria Stark Jennifer Thorneycroft Simon Lewis Mrs Freda Taylor Lord and Lady Hollick Faye Tsiotou Colin McKenzie Lord and Lady Tugendhat Gillian Humphreys Philip Turner Dominic Murphy The Ulrich Family R.G. James Carole Turner-Record Sara Murray OBE David and Emma Verey Sarah Jennings and Ron Else Anthony Vernon Midge Palley Mr Rumi Verjee CBE Simon and Angela Jones Charles Villiers Leslie Patel Mrs Lisa von Clemm Professor Ludmilla Jordanova Donna S. Vinter Heneage Stevenson David and Karen White Barbara Jotham Adam J. Wales Robert Swannell Mr Russell Julius and Ms Annabel Betz Ms Jane Walker Associates Jackie Keane Ms Lynne Walker Maria Allen Rebecca Kwee Mrs Elizabeth Ware Paul Anant Alastair Laing Ms Joan Wellington Anja and Antonio Batista Patrick J. Lee Zanna Wilford Christopher Benson Lady Lever Imelda Woodthorpe Browne Dr Catherine Best Fiona MacCarthy Dr and Mrs Michael Yates Sarah Bourne Ms Anne B. Macfarlane Jonathan Yeo Ariane M. Braillard Barbara and Brian Maxwell David Zahn 52

The Review covers the Gallery’s Senior Management Team activities from April 2010 to Sandy Nairne March 2012. Director Published by Pim Baxter National Portrait Gallery Deputy Director and Director of St Martin’s Place Communications and Development London WC2H 0HE Jacob Simon T 020 7306 0055 Chief Curator and Deputy Director F 020 7306 0056 (until September 2011) Project managed by Denise Vogelsang Tarnya Cooper Designed by Anne Sørensen Chief Curator (from October 2011) Printed by Tradewinds London and 16th Century Curator The National Portrait Gallery website Catharine MacLeod can be visited at www.npg.org.uk 17th Century Curator Lucy Peltz The National Portrait Gallery is 18th Century Curator recognised as an exempt charity under the provisions of the Peter Funnell Charities Act 1993. 19th Century Curator and Head of Research Programmes Paul Moorhouse 20th Century Curator Sarah Howgate Contemporary Curator The National Portrait Gallery is a Robert Carr-Archer Non-Departmental Public Body (NDPB) Director of Trading whose prime funder is the Department Robin Francis for Culture, Media and Sport Head of Archive and Library Copyright Nick Hanks © National Portrait Gallery 2012 Director of Finance and Planning ISBN 9781855144712 Liz Smith All rights reserved. No part of this Director of Participation and Learning publication may be reproduced, Sarah Tinsley stored in a retrieval system or Director of Exhibitions and Collections transmitted in any form or by any Judith West Front cover and above (top) means, electronic or mechanical, Director of Operations and Resources Anna Wintour including photocopying, recording by Alex Katz, 2009 or otherwise, without prior permission For a full list of staff please visit © Alex Katz, DACS, London/VAGA, in writing from the publisher. www.npg.org.uk New York 2012; purchased with help from the Art Fund All images are copyright of the National Portrait Gallery unless Back cover and above (bottom) otherwise stated. The Gallery would Anne of Denmark like to thank the copyright holders by John De Critz the Elder, for granting permission to reproduce c.1605–1610 works in this publication.