Bonhams Montpelier Street Knightsbridge London SW7 1HH +44 (0) 20 7393 3900

+44 (0) 20 7393 3905 fax 20771 Entertainment Memorabilia, 3 July 2013, Knightsbridge, London

Entertainment Memorabilia Wednesday 3 July 2013 at 1pm Knightsbridge, London

International Auctioneers and Valuers – bonhams.com © 1967 Danjaq, LLC. and United Artists Corporation. All Rights reserved courtesy of Rex Features. Entertainment Memorabilia Wednesday 3 July 2013 at 1pm Knightsbridge, London

Bonhams Enquiries Customer Services The following symbol is used Montpelier Street Director Monday to Friday 8.30am to 6pm to denote that VAT is due on the hammer price and buyer’s Knightsbridge Stephanie Connell +44 (0) 20 7447 7447 premium London SW7 1HH +44 (0) 20 7393 3844 www.bonhams.com [email protected] Please see back of catalogue † VAT 20% on hammer price for important notice to bidders and buyer’s premium Viewing Senior Specialist Sunday 30 June Katherine Williams Illustrations * VAT on imported items at 11am to 3pm +44 (0) 20 7393 3871 Front cover: Lot 236 a preferential rate of 5% on Monday 1 July [email protected] Back cover: Lot 109 hammer price and the prevailing 9am to 4.30pm Inside front cover: Lot 97 rate on buyer’s premium Consultant Specialist Inside back cover: Lot 179 Tuesday 2 July W These lots will be removed to Stephen Maycock 9am to 4.30pm Bonhams Park Royal Warehouse Wednesday 3 July +44 (0) 20 7393 3844 after the sale. Please read the 9am to 11am [email protected] sale information page for more details. Bids Sale Number: 20771 +44 (0) 20 7447 7448 Y These lots are subject to CITES +44 (0) 20 7447 7401 fax Catalogue: £15 regulations, please read the To bid via the internet please visit information in the back of the catalogue. www.bonhams.com Live online bidding is Please note that bids should be available for this sale submitted no later than 24 hours Please email [email protected] before the sale. with “Live bidding” in the subject New bidders must also provide line 48 hours before the auction proof of identity when submitting to register for this service. bids. Failure to do this may result in your bids not being processed.

Bidding by telephone will only be accepted on a lot with a lower estimate in excess of £400.

Bonhams 1793 Limited Bonhams 1793 Ltd Directors Bonhams UK Ltd Directors Registered No. 4326560 Robert Brooks Chairman, Colin Sheaf Deputy Chairman, Colin Sheaf Chairman, Jonathan Baddeley, Antony Bennett, Iain Rushbrook, John Sandon, Tim Schofield, Registered Office: Montpelier Galleries Malcolm Barber Group Managing Director, Matthew Bradbury, Harvey Cammell, Simon Cottle, Veronique Scorer, James Stratton, Roger Tappin, Matthew Girling CEO UK and Europe, Andrew Currie, David Dallas, Paul Davidson, Jean Ghika, Shahin Virani, David Williams, Michael Wynell-Mayow. Montpelier Street, Geoffrey Davies, Jonathan Horwich, James Knight, Charles Graham-Campbell, Miranda Grant, Robin Hereford, London SW7 1HH Patrick Meade, Caroline Oliphant, Hugh Watchorn. Asaph Hyman, Charles Lanning, Camilla Lombardi, +44 (0) 20 7393 3900 Fergus Lyons, Paul Maudsley, Gordon McFarlan, +44 (0) 20 7393 3905 fax Andrew McKenzie, Simon Mitchell, Jeff Muse, Mike Neill, Charlie O’Brien, Giles Peppiatt, Peter Rees, Julian Roup, Central Sale Information Middlesex Hospital Park Royal

Coronation Road W Bonhams,

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Bids Collection and Storage Handling and storage Payment in advance +44 (0) 20 7447 7448 after sale West Acton charges Tel: Horn+44 Lane (0) 20 7393 3912/3913 +44 (0) 20 7447 7401 fax Sold lots marked with a specialStation Transfer and storage charges to ascertain amount due by: cash, [email protected] symbol W will be only retained for W items will commence on cheque with banker’s card, credit www.bonhams.com at Bonhams Knightsbridge until Thursday 11 July 2013 and will be card, bank draft or traveller’s 5pm on Thursday 4 July 2013. applicable for each working day. cheque. Payments Lots not collected by then will be Buyers removed to Bonhams Park Royal The charges levied by Bonhams Payment at time of +44 (0) 20 7447 7447 Warehouse at are as follows: collection +44 (0) 20 7447 7401 fax By credit card / debit card Address: All lots marked with W Sellers Unit 1, Sovereign Park Important Notice Payment of sale proceeds Coronation Road Transfer per lot £35.00 A surcharge of 2% is applicable +44 (0) 20 7447 7447 Park Royal Daily storage per lot £3.60 when using Mastercard, Visa and +44 (0) 20 7447 7401 fax London NW10 7QP overseas debit cards. Tel: +44 (0) 87 0811 3867 All other objects Valuations, taxation & Hours of opening 9.30am to The following symbol is used 4.30pm Monday to Friday heritage Transfer per lot £20.00 to denote that VAT is due on +44 (0) 20 7468 8340 Daily storage per lot £1.90 the hammer price and buyer’s All W lots removed to Bonhams +44 (0) 20 7468 5860 fax premium warehouse will be available [email protected] All the above charges are exclusive for collection as from 9.30am of VAT. † VAT 20% on hammer price on Monday 8 July 2013. These and buyer’s premium Catalogue subscriptions lots will be subject to transfer To obtain any Bonhams catalogue and storage charges if they are or to take out an annual not collected within the period subscription: outlined below. Subscriptions Department +44 (0) 1666 502200 All other sold lots will remain in +44 (0) 1666 505107 fax Bonhams Knightsbridge [email protected] Collections department until Wednesday 24 July 2013. Lots not Shipping collected by then will be removed For information and estimates to Bonhams warehouse. These lots on domestic and international will also be subject to transfer and shipping as well as export licenses storage charges. Please refer to please contact Bonhams Shipping the department. Department on: +44 (0) 20 8963 2849 Lots may be released from +44 (0) 20 8963 2850 Bonhams warehouse on +44 (0) 20 7629 9673 fax production of the Collection Order [email protected] obtained from cashiers office at Bonhams, Knightsbridge or New Bond Street and a form of photographic ID. If a third party is collecting on behalf of the client, the client must provide Bonhams with written authority prior to collection. The third party must present a photographic form of ID when collecting. 1

Entertainment Memorabilia | 3 2

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Vintage Film Posters & Film Memorabilia

1 3 Felix The Cat: A rare ‘Felix Kept on Golden Age of Hollywood: A collection Walking’ advertising display, of autographed pieces of sheet music, circa 1923, including: the painted composition figure of Felix on Art Blue Skies signed in blue ink by Bing Crosby Deco style base, with raised lettering ‘FELIX and Fred Astaire; Shall We Dance signed by KEPT ON WALKING words by Ed E Bryant, Fred Astaire; Gold Diggers of 1933 signed Music by Hubert W David, The Lawrence and inscribed in green ink by Ginger Rogers; Wright Music Co, Denmark Street, London As Time Goes By signed by Ingrid Bergman WC’, height 16 inches (41cm) in black ink and Horse Feathers signed by £800 - 1,200 Groucho Marx in black ink, four framed, 9 x 12 €930 - 1,400 inches (23x30cm) (5) £500 - 600 After first appearing in ‘The Feline Follies’ in €580 - 700 1919, Felix became the biggest animated star of the 1920s, and one of the first instantly Provenance: Ex lot 71, Rock & Roll and recognisable animated film characters. Entertainment Memorabilia, Christies - New York, Friday 17 December 2004. By the early 1920s Felix was appearing in his own comic strip and on merchandise. ‘Felix 4 Kept on Walking’ released in 1923, was hugely On The Avenue, popular and the biggest selling record in the Twentieth Century Fox, 1937, UK during that year. U.S. one-sheet poster, together with three jumbo lobby cards, the poster 27 x 41 inches Provenance: Formerly from the collection of (69x104cm) (4) 4 British composer Lawrence Wright (1888-1964). £500 - 600 €580 - 700 2 Laurel and Hardy: A large autographed photograph, the black and white publicity photography signed and inscribed in blue ink ‘HELLO MARGARET! Stan Laurel. Oliver Hardy’, 10 x 8 inches (25.5x20cm.) £400 - 600 €470 - 700

4 | Bonhams 6 7 (part) 7 Various Film Stars: An autographed ‘Paramount Continental Cafe’ menu and photographs, 1940s, the front cover of the menu signed by, amongst others, Bing Crosby, Dorothy Lamour, Veronica Lake, Alan Ladd, Fred Macmurray, Jerry Colonna; together with nine autographed 8 x 10 black and white publicity stills, most with credits to reverse including Michele Morgan by George Hurrell, other sitters include Rita Hayworth, Joan Bennett, Simone Simon and Olivia de Havilland, menu 7½ x 11 inches (19x28cm) closed £400 - 600 €470 - 700

8 Charlie Chaplin: A dialogue continuity script for ‘A Countess From Hong Kong’ 1967, from the collection of his assistant Jerome ‘Jerry’ Epstein, 8 87 pages of mimeographed typed script, in teal coloured card cover, dated 12th August, 1966, together with fourteen stills relating to the production and Chaplin (15) £250 - 350 €290 - 410

5 Jerome ‘Jerry’ Epstein was Chaplin’s assistant and collaborator, working with him on his last 5 three productions. Epstein was credited as a In Old Chicago, producer on ‘A Countess From Hong Kong’, Twentieth Century Fox, 1937, a role which Chaplin did not credit any of his U.S. one-sheet poster, style B version, other assistants with, Epstein also appears in 27 x 41 inches (69x104cm) the film in the role of ‘Ship’s Bartender’. £500 - 600 9 (page) €580 - 700 Literature: chaplin.bfi.org.uk/programme/ essays/collaborators 6 Gone With The Wind, 9 M.G.M., 1939 Film Star signatures: A collection of British quad poster (1950s re-release), autographs in two books, 30 x 40 inches (76x102cm) circa 1950s, £300 - 500 subject include; Jane Russell, Errol Flynn, Frank €350 - 580 Sinatra, Margot Fonteyn, Laurence Olivier, Dinah Sheridan, Richard Attenborough, Dirk Bogarde, Charlie Chaplin, Bob Hope, Gracie Fields, Bob Hope, Gene Kelly, James Stewart, Red Skeleton, Humphrey Bogart and Ava Gardner (2) £800 - 1,200 9 (page) €930 - 1,400

Entertainment Memorabilia | 5 10 11 12

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12 14 Hollywood Cinema: Two Danish cinema Leo Fuchs (American/ Austrian, b.1929): posters, Cary Grant, including: two black and white prints of Cary Grant by Leo 15 Yankee Doodle Dandy and Born Yesterday, Fuchs, one signed by the photographer, both both, 24 x 33 inches (61x84cm) (2) mounted and framed, 16 x 12 inches (41x31cm) 10 £500 - 700 £500 - 700 Moon Over Miami / 3 Piger Paa Viften, €580 - 820 €580 - 820 Twentieth Century Fox, 1941, Danish cinema poster, 1948 release, 25 x 33 13 15 inches (63.5x84cm) The Goose Steps Out, Humphrey Bogart & others: An autograph £500 - 700 Ealing Studios, 1942, book, €580 - 820 British quad poster, 30 x 40 inches (76x102cm) circa 1950s, £300 - 500 signed by Katherine Hepburn, Humphrey 11 €350 - 580 Bogart, Gracie Fields, Gene Kelly, amongst Film Star signatures: A collection of signed others, together with a flyer dated 1956, signed vintage photographs in an album, Literature: WILSON, David, ‘Projecting Britain by ‘Bob Monkhouse’, 6½ x 4 inches (16x10cm) subjects include; Frank Sinatra, Gene Kelly, - Ealing Studios Film Posters’, London: BFI £250 - 350 Alan Ladd, Dave Clark, Bing Crosby and Rita Publishing, 1982, p.60 (illus.) €290 - 410 Hayworth, the largest 10 x 8 inches (26x20cm.) £800 - 1,200 According to the vendor these signatures were €930 - 1,400 obtained at London Airport during the 1950s.

6 | Bonhams 16 18

16 18 Orson Welles: A large bespoke dinner Black Magic: A large hand painted canvas jacket made for Orson Welles, hanging made for the set of Black Magic, the single-breasted black jacket lined with United Artists, 1949, black art silk, labelled on the inside pocket designed by Academy Award® winning ‘Acuna, Hollywood’, an item from Welles’ designer Vittorio Nino Novarese, depicting the personal wardrobe and given to his good friend life of Joseph Balsamo also known as ‘Count and associate Prince Alessandro Tasca di Cutò Cagliostro’, the film starred and was co- with whom he collaborated on Chimes At directed by Orson Welles, 78¾ x 86½ inches Midnight / Falstaff and Welles unfinished Don (200x220cm) Ouixote, accompanied by images of Welles £1,500 - 2,000 with Alessandro Tasca €1,800 - 2,300 £2,000 - 3,000 €2,300 - 3,500 The film is based on the true life of Giuseppe [Joseph] Balsamo, his alias ‘Count Alessandro Provenance: From the collection of Principessa di Cagliostro’, played by Orson Welles. The Ama Tasca di Cutò, daughter of Prince Tasca set design portrays scenes from Cagliostro’s di Cutò. illustrious and mysterious life in eighteen century France. 17 Gloria Swanson: A contract for ‘Sunset Provenance: From the collection of Principessa Boulevard’, Ama Tasca di Cutò, daughter of Prince Tasca February 1949, di Cutò. a carbon copy, three typewritten pages, headed Swanson, Gloria-Actress Period: 10wks., Literature: PES, Aurelio and Angeria Rigamonti commencing between 3-28-49 and 4-4-49, di Cuto, Exhibition Catalogue - Fondazione inclusive, to perform role of ‘’Norma Desmond’’ Famiglia Piccolo di Calanovella (The Piccolo in photoplay tentatively entitled ‘’Sunset Family of Calanovella Museum Foundation), Boulevard’’, with remuneration and other Cagliostro Rebis - arazzo per il film Black 17 production details, various dated February and Magic e i disegni inediti di Orson Welles, a April 1949, each page with various initials, cura di Aurelio Pes e Angeria Rigamonti di annotated in red pencil 50,000 5,000 Pro rata Cuto (Tapestry from the film Black Magic Verified with Meikl.office on fone 2/23 and unpublished drawings by Orson Welles), £200 - 300 Palermo: Regione siciliana, Assessorato ai beni €230 - 350 culturali, 2004. (Palermo, Sicily, Department of Cultural Heritage).

Entertainment Memorabilia | 7 19 Phil Stern (American b. 1919): James Dean, a silver gelatin print of James Dean by Phil Stern, mounted and framed, 11 x 8 inches (28x20 cm) £300 - 500 €350 - 580

20 Sherriffs (Robert Stewart Sherriffs) (British 1906 - 1960): A caricature of Robert Mitchum, for film ‘Enemy Below’, 1957, 19 22 pen and ink sketch, signed, with pencil annotations to bottom, bearing film title, character names and associated cast members, in mount and framed, 20 x 21 inches (51x54cm) £500 - 700 €580 - 820

21 Sherriffs (Robert Stewart Sherriffs) (British 1906 - 1960): A caricature “Richard Dadier” Glenn Ford, for film ‘Blackboard Jungle’, 1955, pen and ink sketch, signed, with pencil annotations to bottom, bearing film title, character names and associated cast members, each in mount and framed, 15 x 16 inches (38x41cm) £500 - 700 €580 - 820 20 21 22 David Seymour (American, 1911-1956): Ingrid Bergman, Cannes Film Festival, 1956, a black and white photographic print, printed later, framed and mounted, image within frame 22 x 14 inches (36x56cm) £300 - 500 €350 - 580

23 Gaslight, 1944: A good album of photographs and production documents, in a scrap album compiled by Assistant Director, Jack Greenwood, comprising a collection of on-set and other production stills, most with photo-mounts; and related paperwork, including Work Order for start of production, 16th August 1943; an annotated ‘Bits And Extras’ list, four pages, dated 7/17/43; a Cast List; two pages of typewritten and heavily-annotated aides-memoire; a Prologue layout in pencil; and Production Schedule, dated 9/24/43, with shooting schedule, September-November, eight pages £1,000 - 1,500 €1,200 - 1,800

24 Ingrid Bergman/ Telly Savalas: An autographed presentation copy of ‘Ingrid Bergman My Story’, First Edition, Michael Joseph, 1980, the inside page signed and inscribed in blue ballpoint To Telly Savalas-with very good wishes! Ingrid Bergman Nov-80, 6½ x 9½ inches (16x24cm) £300 - 400 23 (part) €350 - 470

8 | Bonhams 25 Blue Murder At St. Trinians, British Lion, 1957, British quad poster, art by Ronald Searle, 30 x 40 inches (76x102cm) £300 - 500 €350 - 580

26 Halas & Batchelor - Animal Farm: A collection of original production drawings, 1950s, approximately 190, graphite on paper, some with coloured crayon, characters include Mr. Jones, Napoleon, Squealer, Snowball, Boxer, 26 (part) 26 (part) Benjamin and Ginger, some sheets dated 1.9.52, sheets 9 x 11½ inches (23 x 29cm) £700 - 1,000 €820 - 1,200

Based on George Orwell’s novel, ‘Animal Farm’ (1954) was the first feature-length British animated film to be released.

27 No lot

28 Maria Callas: Autographed Royal Opera House programmes, comprising: ‘Medea’, 27th June 1959, signed on the front in blue ballpoint Maria Meneghini Callas 1959, and ‘Tosca’, 1st February 1964, signed on the front Maria 26 (part) 26 (part) Callas; and a programme for ‘Tosca’, a performance at the Royal Opera House in the presence of Her Majesty Queen Elizabeth The Queen Mother, 5th July 1965, with Callas as Floria Tosca £250 - 300 €290 - 350

29 Sir John Gielgud: An original costume design/ portrait painting by June Hudson, 1995, depicting Gielgud in the role of Tiresias in ‘Oedipus the King’, oil on canvas, signed, titled and dated, with artist details to the verso, framed, 15½ x 22 inches (39x56cm) £300 - 500 €350 - 580

June Hudson, is a British costume designer, famed for her work on both Doctor Who and Blake’s 7.

28 (part) 29

Entertainment Memorabilia | 9 31

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30 31 33 Margot Fonteyn: autographed Margot Fonteyn: A pair of ballet shoes La Femme Et La Patin / A Woman Like programmes and letters, worn and autographed by Margot Satin, comprising: three Royal Opera House, Covent Fonteyn, Pathe, 1959, Garden programmes each signed on the front 1960, French poster, artwork by Yves Thos, 47 x 63 Margot Fonteyn Arias, for ‘Sylvia’, 29th August pink satin, size 4, by Frdk. Freed, soles inscribed inches (120x160cm) 1959, ‘Le Lac Des Cygnes’, 12th September Fonteyn, the point of each signed in blue £200 - 300 1959 and ‘The Sleeping Beauty’, 9th May ballpoint Margot Fonteyn Arias 1960, complete €230 - 350 1961; a Royal Opera House silk programme for with ribbons (2) a Royal gala performance marking the visit of £1,500 - 2,000 34 President de Gaulle, 7th April 1960; and three €1,800 - 2,300 Vivien Leigh and Laurence Olivier: A pair of letters, on Margot Fonteyn De Arias stationery, autographed postcards, two written and signed in blue ballpoint by 32 both being black and white publicity postcards, Fonteyn, the other typewritten and signed by Love Is My Profession, inscribed in blue ink, the Leigh 3½ x 5½ inches her secretary Kingsley International, 1959, (9x13cm) (2) £400 - 500 U.S one-sheet poster, 27 x 41 inches £200 - 300 €470 - 580 (69x104cm) €230 - 350 £250 - 350 €290 - 410

10 | Bonhams 35 (front) 35 (back) 37 36

35 38W Laurence Olivier: A Cine-Revue award for Vivien Leigh and John Merivale: A pair of ‘Hamlet’, wooden library steps, 1948, each step with gilt tooled leather top the plaque engraved on the reverse Sir Laurence £500 - 700 Olivier Best Performance 1948 ‘Hamlet’, in €580 - 820 original fitted case with lining stamped Fisch Bruxelles, plaque 1½ x 3¼ inches (4x8.3cm) These library steps were given to Dinah Sheridan £500 - 600 by her third husband John Merivale. He inherited €580 - 700 them from his partner Vivien Leigh, with whom he was in a relationship between 1960 - 1967. ‘Cine Revue’ magazine was first published in 1944, in Belgium. It was renamed ‘Cine Tele Revue’ in 1959. Provenance: The Dinah Sheridan Family Collection

‘Hamlet’ was the second film directed by Dinah Sheridan’s third husband John Merivale Olivier; it won four Academy Awards®, was Vivien Leigh’s partner from 1959 until her including Best Actor (Olivier) and Best Picture, death in 1967 as well as Golden Globe® and BAFTA Awards®. 39 36 Vivien Leigh Olivier: A tartan canvas Vivien Leigh and others: Two theatrical duffle bag with leather detail and badge 39 caricature groups by Owen Ascroft, monogrammed VLO, 1930’s, made by T. Anthony for Vivien Leigh, with mixed media on two boards, each signed and attached designers tag, length, 26 inches (66cm) one dated 1936, featuring Ivor Novello, Vivien £300 - 600 Leigh and other cast members of ‘The Happy €350 - 700 Hypocrite’ and Esmond Knight, Diana Churchill and others in ‘Wise Tomorrow’, the latter Provenance: The Dinah Sheridan Family Collection framed, each approx. 12 x 15 inches (30 x 38cm) £200 - 300 Dinah Sheridan’s third husband John Merivale €230 - 350 was Vivien Leigh’s partner from 1959 until her death in 1967 ‘The Happy Hypocrite’, by Max Beerbohm, was first published in The Yellow Book in 1896. The first theatrical production was in 1900 and revived, at His Majesty’s Theatre, in 1936. ‘Wise Tomorrow’ was featured on the front cover of Theatre World magazine, April 1937.

37 Vivien Leigh: Two double-sided acetates for ‘Dark Journey’, 1937, all labels typed Vivian [sic] Leigh, Conrad Veidt, Directed By Victor Saville 33-1/3 Microgroove with handwritten ‘e’ over the incorrect typing of Vivien £300 - 500 €350 - 580

Provenance: The Dinah Sheridan Family Collection

Dinah Sheridan’s third husband John Merivale 38 was Vivien Leigh’s partner from 1959 until her death in 1967

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40 41 42 Vivien Leigh: A red leather bound Vivien Leigh and John Merivale: A pair of gold Various Actors: A collection of personalised games compendium with gilt St. Genesius charm pendants on gold chains, correspondence from John Gielgud, monogram to front VLO, owned by Vivien each with personalised engravings to the back, Douglas Fairbanks Jnr. and Dirk Bogarde, Leigh, from Vivien Leigh and John Merivale to one and the majority addressed to Dinah Sheridan, including games; Chess, Checkers, other, the larger presented to John from Vivien approximately 32 from Sir John Gielgud, all Backgammon, Acey-Duey, Gin Rummy, with engraving JM, my darling love, VL, July handwritten some on personalised headed Cribbage and Dominoes, with original score 12th 1960, the other a Cartier charm given to notepaper, most thanking Dinah for her cards and instruction manual, gilt stamped Vivien from John with message Vivien! With my continued letters, seven documents from Mark Cross by handle, 9 x 10½ (23x27cm) love 19.4.60, with gold coloured satin pouch, Douglas Fairbanks Jnr. some signed others £300 - 500 accompanied by a copy of ‘How Green Was telegrams, most thanking Dinah and Jack for €350 - 580 My valley’, LLEWELLYN, Richard, New York; their hospitality, two autographed typed letters Macmillan, 1940 inscribed in pencil on the from Dirk Bogarde and a black and white Provenance: The Dinah Sheridan Family frontisepiece Jack, One of my favorite books. To photograph of George Bernard Shaw signed by Collection everyone’s favorite Balthasar! With love Vivien subject, framed, 9 x 7 inches (23x17cm) £700 - 900 £500 - 700 Dinah Sheridan’s third husband John Merivale €820 - 1,100 €580 - 820 was Vivien Leigh’s partner from 1959 until her death in 1967. St. Genesius of Rome was a comedian and Provenance: The Dinah Sheridan Family actor who is the patron saint of actors, clowns, Collection comedians, dancers and musicians.

Provenance: The Dinah Sheridan Family Collection

Dinah Sheridan’s third husband John Merivale was Vivien Leigh’s partner from 1959 until her death in 1967

12 | Bonhams 43 No lot

44 Let’s All Go Down The Strand: Dinah Sheridan’s annotated script, 1967, 82 pages of mimeographed typescript, in burgundy card cover, title page printed Let’s All Go Down The Strand A New Comedy by Hugh & Margaret Williams and a small silver souvenir armada dish engraved with the production name and ‘Phoenix Theater, D.S 4 x 67’ £200 - 300 €230 - 350

Provenance: The Dinah Sheridan Family Collection

45 Noël Coward: A red leather bound book ‘Tonight At 8.30, Plays by Noel Coward’, COWARD, Noël, New York; Doubleday, Doran and Company INC, 1936 owned by Coward, 45 (part) 44 given to John Merivale, with accompanying card with heading Noël Coward stating Dearest Jacko, here is your present from the Master - first edition from his specially bound collection. And a presée [sic] for darling Dinah £200 - 300 €230 - 350

John Merivale was also known as Jack.

Provenance: The Dinah Sheridan Family Collection

46 Gladys Cooper: A collection of correspondence and personal effects to Dinah Sheridan from Gladys Cooper, 46 (part) including four hand-tinted portrait postcards of Gladys, with handwritten notes on the back to Dinah, a silver cigarette box with wooden interior and leather base, engraved on the lid To Philip Merivale, from F.T, May 17th 1911, and a National Theatre handbill for ‘Call It A Day’ starring Philip Merivale and Gladys Cooper, January 20, 1936, in common mount with a still [printed later] from the production, framed, 22 x 9 inches (56x23cm) £300 - 500 €350 - 580

Provenance: The Dinah Sheridan Family Collection 47 (page) 48 (page)

47 48 49 Entertainment and Film Star signatures: A Walt Disney: An autograph book Walt Disney: A collection of posters, collection of film star signatures, containing an inscription and signature, titles including: approximately nineteen autographs, inscribed signed and inscribed in blue ballpoint pen To Sleeping Beauty re-release version; Peter Pan in blue ink by Walt Disney and Judy Garland, Margaret - With all Best Wishes, Walt Disney 1965 re-release version; Cinderella 1970s re- in a dark brown autograph book with gilt £400 - 500 release version; Pinocchio And The Emperor lettering €470 - 580 Of The Night; all British quads, together with £500 - 700 Disney’s Robin Hood Leicester Square poster, €580 - 820 the majority 30 x 40 inches (76x102cm) (5) £50 - 70 €60 - 80

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50 54 Fantasia, Elizabeth Taylor: Three British quad Walt Disney, 1940, posters, British quad poster, 1963 re-release, 30 x 40 1959-1963, including: inches (76x102cm) Suddenly, Last Summer, Columbia Pictures, £300 - 500 1960; Butterfield 8, M.G.M, 1960; and The €350 - 580 V.I.P.s, M.G.M, 1963, all British quad posters, 30 x 40 inches (76x102cm) (3) 51 £350 - 550 Dumbo, €410 - 640 53 Walt Disney, 1941, British quad poster, 1950s re-release, 30 x 40 55 inches (76x102cm) Marlon Brando: A signed ‘Picture Show’ £300 - 500 photograph, €350 - 580 1960s, the black and white portrait signed and dated 52 ‘1969’ in black ink, framed, 5 x 7 inches Jungle Cat, (13x17.5cm) Walt Disney, 1960, £300 - 500 U.S three sheet-poster, 41 x 81 inches €350 - 580 (104x206cm.) £100 - 150 56 €120 - 180 Film Posters: A large mixed collection of approximately one-hundred posters, 53 1950s - 1990s, the majority British quads, titles The Jungle Book, including: Walt Disney/ Buena Vista, 1967, Oklahoma!, Judgment At Nuremberg, Ned U.S. one-sheet poster, linen-backed, 27 x 41 Kelly (featuring Mick Jagger), The Kentuckian, inches (69x104cm) What Ever Happened To Baby Jane, Beyond £500 - 600 The Valley Of The Dolls, Valley Of The Dolls, €580 - 700 Beneath The Planet Of The Apes, Escape From The Planet Of The Apes, Death In Venice, O Lucky Man!, Coogan’s Bluff, Mutiny On The Bounty, The Carpetbaggers, The Damned, The Boston Strangler, Mr. Freedom!, Straw Dogs and Beloved Infidel,the majority 30 x 40 inches (76x102cm) £800 - 1,200 €930 - 1,400 56 (part)

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59 60 57 59• 60 Marilyn Monroe: Bus Stop, Marilyn Monroe: ‘Marilyn Monroe’ limited Eve Arnold (American, 1912-2012): Marilyn Twentieth Century Fox, 1956, edition book 150/500 Monroe, British double crown poster, art by Tom William ARNOLD, Eve forward by HUSTON, Anjelica, limited edition silver gelatin print of Marilyn Chantrell, unfolded, 20 x 30 inches (51x76cm) Birmingham: Washington Green Fine Art Monroe by Eve Arnold, 99/99 accompanied by £700 - 900 Publishing Company, 2005 limited edition a certificate from Magnum Photos, framed, 12 €820 - 1,100 150/500, with framed black and while silver x 17½ inches (31x45cm) gelatine portrait print of Monroe by Arnold, £600 - 800 58 in hard case, and certificate from Halcyon Fine €700 - 930 Alfred Eisenstaedt (American, 1898-1995): Art, overall 17½ x 14½ inches (45x37cm) Marilyn Monroe for ‘Life’, £300 - 500 Hollywood, 1953, €350 - 580 silver gelatin print, printed later 1979, signed and numbered in black ink to margin, 15/50, framed and mounted, within frame 13¼ x 9¾ inches (34x24.5cm) £4,000 - 6,000 €4,700 - 7,000

Entertainment Memorabilia | 15 65 61

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61 64 Bruce Davidson (American b.1933): Marilyn Monroe: The Misfits, Marilyn Monroe, United Artists, 1961, a black and white print of Marilyn British quad poster, 30 x 40 inches Monroe on set of The Misfits by Bruce (76x102cm) Davidson, with photographers stamp on £300 - 500 the back Please credit Bruce Davidson, €350 - 580 Magnum Photos Inc. 15 West 47th Street, New York 36, N.Y., in mount and 65 63 (part) framed, 6 x 6 inches (15x15cm.) The Unforgiven: A script for the film £500 - 700 owned by Ernest Anderson, €580 - 820 131 pp. mimeographed typescript, in blue paper sleeves the front sleeve 62 stamped The Unforgiven (Tentative Bruce Davidson (American b.1933): Title), used by Ernest Anderson the film Marilyn Monroe, publicists for the production a black and white print of Marilyn Monroe £300 - 500 on set of The Misfits by Bruce Davidson, €350 - 580 marked in pencil on the back in an unknown hand 60-22-12 ? 5, in mount and Please see footnote to lot 63. framed, 9 x 6 inches (23x15cm) £500 - 700 66 €580 - 820 Exodus, United Artists, 1960, 63 British quad poster, art by Saul Bass, 30 x The Misfits: A collection of documents 40 inches (76x102cm) 64 relating to the production The Misfits, £300 - 500 including; a vintage black and white print €350 - 580 of John Huston taken on set [unsigned], believed to be by photographer Arthur Zinn, production call sheets and cast and crew address details, a surprise birthday invitation for John Huston and Mrs. Clark Gable’s birthday while on location August 5th 1960, with numerous clippings from the time £300 - 500 €350 - 580

The collection of items in this lot were kept by Ernest Anderson, the publicist for the film who worked on the production alongside John Huston. 66

16 | Bonhams 68 67

69 70 71 (part) 67 69 71 Michelangelo Antonioni: Two British quad Leo Fuchs (American/ Austrian, b.1929): Terry O’Neill (British, b.1938): Audrey posters, Audrey Hepburn, Hepburn, titles: a black and white portrait photograph, printed four vintage gelatin silver prints from the set La Notte (The Night), United Artists, 1961 and later, of Audrey Hepburn on the set of A Nuns of How To Steel A Million, featuring Audrey Zabriskie Point, M.G.M, 1970, both 30 x 40 Story, signed by the photographer, mounted Hepburn and Peter O’Toole, from the 1966 inches (69x102cm) (2) and framed, 15.5 x 11.5 inches (39x29cm) Twentieth Century Fox production, all £250 - 350 £500 - 700 16 x 11 (41x28cm) (4) €290 - 410 €580 - 820 £1,000 - 1,500 €1,200 - 1,800 68 70 Loomis Dean (American, 1917-2005): Robert Hanley ‘Bob’ Willoughby (American, The photographs in this lot were taken on the Sophia Loren and Anthony Perkins, 1927 - 2009): Audrey Hepburn, Paramount set and acquired by Ernest Anderson, a press eight gelatin silver prints taken on the 1962 Studios, agent, who worked on the film. United Artists production Five Miles to Midnight, 1956, and another of Loren taken in Loomis Dean’s a silver gelatin print of Audrey Hepburn looking Paris apartment 12 x 10 inches (32x27cm) (5) into a car at Paramount Studios, printed later, £400 - 600 mounted and framed, 13 x 9 inches (33x23cm) €470 - 700 £500 - 700 €580 - 820 This lot was acquired by Ernest Anderson, a press agent, who worked in the film industry.

Entertainment Memorabilia | 17 72 (part) 73 75

72 76 Claude Azoulay (French): Audrey The Great Escape, Hepburn and Peter O’Toole United Artists, 1963, seven gelatin silver prints from the set of the U.S one-sheet poster, linen-backed, 27 x 41 1966 Twentieth Century Fox production, inches (69x104cm) How to Steal A Million, 11 x 9 inches £300 - 500 (29x24cm) (7) €350 - 580 £300 - 400 €350 - 470 77 Robinson Crusoe On Mars, The photographs in this lot were taken on Paramount Pictures, 1964, set and acquired by the vendor’s father, a U.S. one-sheet, 27 x 41 inches (69x104cm) press agent, who worked on the film. £50 - 80 €60 - 90 73 Lolita, M.G.M, 1962, U.S. one-sheet poster, linen-backed, photograph by Bert Stern, 27 x 41 inches (69x104cm) £300 - 500 €350 - 580

74 The Day Of The Triffids, Allied Artists, 1962, U.S. three-sheet poster, art by Joseph Smith, 41 x 81 inches (104x206cm) £250 - 350 €290 - 410

75W Lawrence Of Arabia / Lawrence D’Arabie, Columbia Pictures, 1962, 74 French poster, style A, art by Georges Kerfyser, framed, 63 x 47 inches (160x120 cm.) £800 - 1,200 €930 - 1,400 76

18 | Bonhams 79 (part)

78 80

78 80 The Ipcress File / Ipcress Danger Immediat, Arabesque, Universal Pictures, 1965, Universal Pictures, 1966, French Grande poster, 47 x 63 inches British quad poster, 30 x 40 inches (76x102cm) (120x160cm) £200 - 300 £400 - 600 €230 - 350 €470 - 700 81 79 Cool Hand Luke, Ingmar Bergman: A collection of scripts Warner Bros., 1967, from Ingmar Bergman films, U.S. one-sheet poster, art by James Bama & Bill titles include; Scenes From A Marriage; The Gold, linen-backed, 27 x 41 inches (69x104cm) Touch with related stills from the production; £500 - 600 and Face To Face with related stills from the €580 - 700 production; accompanied by a selection of black and white stills from numerous Bergman films Literature: NOURMAND, Tony & MARSH, £600 - 800 Graham, ‘Film Posters of the 60s’, London: €700 - 930 Aurum Press Ltd., 1997, p.23 (illus.)

The items in this lot come from the family of 82 Ernest Anderson the film publicist for these Girl On A Motorcycle Naked Under Leather productions. Anderson worked on seven Ares Productions, 1968, Bergman films during his career. U.S. one-sheet poster, 27 x 41 inches (69x104cm) £300 - 500 81 €350 - 580

Entertainment Memorabilia | 19 84

83 86 The Thomas Crown Affair, Stanley Kubrick: 2001 A Space Odyssey - An 83 United Artists, 1968, original 1960s promotional poster for the U.S. one-sheet poster, together with a German release of the novel, A1 poster for the film, the one-sheet 27 x 41 circa 1968, inches (69x104cm) (2) advertising 2001: a space odyssey, based on £250 - 350 the screenplay by Stanley Kubrick & Arthur €290 - 410 C. Clarke, a novel by Arthur C. Clarke, Hutchinson, 25s’, featuring an image of Literature: NOURMAND, Tony & MARSH, Graham, stewardesses, printed in Italy, by Rotolito, ‘Film Posters of the 60s’, Op.cit, p.14 (illus.) Roma, together with A Clockwork Orange, Warner Bros., 1971, British quad poster, trimmed (27 x 40 inches), the novel poster 27½ 84 x 39½ inches (70x100cm) (2) Steve McQueen - The Thomas Crown £300 - 500 Affair: A pair of brandy glasses, €350 - 580 the glasses edged in gilt, with applied letter ‘N’ and crown motif to bowl, height 6½ inches (17cm) £600 - 800 87 Dr. No, 85 (part) €700 - 930 Eon/ United Artists, 1962, British quad poster, art by Mitchell Hooks, Provenance: Ex lot 87, Property from Neile design by David Chasman, 30 x 40 inches McQueen Toffel, California Classic - A Sale of (76x102cm) Important Motorcars, Motorcycles and Memorabilia, £3,000 - 5,000 Bonhams & Butterfields, October 25, 2008. €3,500 - 5,800

In the original cataloguing Neile McQueen Toffel comments: “This pair of brandy snifters were Literature: NOURMAND, Tony, ‘James Bond used in ‘the Thomas Crown Affair’. You can see Movie Posters - The Official 007 Collection’, them very clearly in the film in the hands of Steve London: Boxtree, 2001 pp.80-81 (illus.). and Faye Dunaway, just prior to the big kissing scene. Steve had a habit of walking off the set 88 with something he liked. He’d come home and From With Russia With Love, say “Hey honey - look what I brought you!”” Eon/ United Artists, 1963, British quad poster, rolled, art by Renato Fratini 85 and Eric Pulford, 30 x 40 inches (76x102cm) £2,000 - 3,000 86 (part) War Movies: Three British quad posters, 1969-1970, titles including: €2,300 - 3,500 Battle of Britain, United Artists, 1969; M.A.S.H., Twentieth Century Fox, 1970; Literature: NOURMAND, Tony, ‘The Official 007 Patton, Twentieth Century Fox, 1970, art Collection, James Bond Movie Posters’ Op.cit, by Tom William Chantrell; all 30 x 40 inches pp.80-81 (illus.) (76x102cm) (3) £300 - 500 €350 - 580

20 | Bonhams 87

88

Entertainment Memorabilia | 21 89 90

93 94

89 92 From Russia with Love, Thunderball, Eon/ United Artists, 1963, Eon / United Artists, 1965, British Quad poster, art by Renato Fratini and French poster, 47 x 63 inches (120x160cm) Eric Pulford, with editing for Irish audience, 30 £300 - 500 x 40 inches (76x105cm) €350 - 580 £800 - 1,200 €930 - 1,400 93 You Only Live Twice, Provenance: Private Irish Cinema Collection. Eon/ United Artists, 1967, British quad poster, unfolded, style A, art by Literature: NOURMAND, Tony, The Official 007 Frank McCarthy, 30 x 40 inches (76x102cm) Collection, James Bond Movie Posters, Op.cit, £500 - 700 91 pp.80-81 €580 - 820

90 94 From Russia With Love, You Only Live Twice, Eon/ United Artists, 1963, Eon/ United Artists, 1967, British quad poster, alternative design, 30 x 40 British quad poster, unfolded, style B, art by inches (76x102cm) Frank McCarthy, 30 x 40 inches (76x102cm) £500 - 600 £500 - 700 €580 - 700 €580 - 820

91 Goldfinger, Eon / United Artists, 1964, a French poster, art by Jean Mascii 47 x 63 inches (120x160cm.) £500 - 700 92 €580 - 820

22 | Bonhams 95 © 1967 Danjaq, LLC. and United Artists Corporation. All Rights reserved courtesy of Rex Features. 97 97 (illus) 96

95 97 You Only Live Twice, James Bond: Tetsuro Tanba as Tiger Tanaka Eon/ United Artists, 1967, in ‘You Only Live Twice’, British quad poster, style C, unfolded, art by 1967, Robert McGinnis, 30 x 40 inches (76x102cm) a traditional Japanese costume made for £600 - 800 Tetsuro Tanba for the 1967 Eon / United Artists €700 - 930 production You Only Live Twice, his surname handwritten in the shirt collar, accompanied by 96 a letter concerning the provenance James Bond: You Only Live Twice, £500 - 700 1967, €580 - 820 An annotated revised script You Only Live Twice, 144pp. of mimeographed typescript, in This costume was gifted to Mark Pollard, the green card cover, title page printed You Only assistant voice coach on the production, please Live Twice, Screenplay by Roald Dahl, 17 June see footnote to lot 96 for further information. 1966, and numerous shooting schedules, Unit lists and location schedules for the production 98 and a letter concerning the provenance On Her Majesty’s Secret Service / Au Service £800 - 1,200 Secret De Sa Majeste €930 - 1,400 Eon / United Artists, 1969, French poster, art by Yves Thos, 47 x 123 98 The script has a number of pages annotated with inches (120x312cm) the name Mark Pollard written in pencil, Pollard £300 - 500 was the assistant voice coach on the production €350 - 580 and worked exclusively with Tetsuro Tanba who played Tiger Tanaka. Tanaka insisted that he was trained by a male voice coach throughout filming resulting in Pollard having no time to work with any of the other cast members.

Entertainment Memorabilia | 23 99 100 101 (part)

102 103 (part) 104

99 103 Casino Royale, James Bond/ Roger Moore: Three British Columbia Pictures, 1967, quad posters, U.S. one-sheet poster, art by Robert McGinnis, Eon/ United Artists, 1977-1983, titles including: 27 x 41 inches (69x104cm) The Spy Who Loved Me, Moonraker and £300 - 500 Octopussy, 30 x 40 inches (76x102cm) (3) €350 - 580 £200 - 300 €230 - 350 100 Viva James Bond, 104 Eon / United Artists, 1970, James Bond: Six sheets of Eon Productions French re-release poster, art by Yves Thos, 23 x headed notepaper, 31 inches (59x79cm.) the official in-house notepaper illustrated £250 - 350 with various James Bond motifs for films; Live €290 - 410 and Let Die (2), The Man With The Golden Gun, The Spy Who Loved Me, Moonraker and 101 For Your Eyes Only, largest 13 x 8½ inches Diamonds Are Forever, (33x22cm.) Eon/ United Artists, 1971, £200 - 300 three British double-crown posters, 20 x 30 €230 - 350 inches (51x76cm) (3) £400 - 500 105 €470 - 580 James Bond: The Man With The Golden Gun, Eon/ United Artists, 1974, 102 Advanced U.S. one-sheet poster, 27 x 41 inches 105 Diamonds Are Forever, (69x104cm) Eon / United Artists, 1971, £250 - 350 British quad poster, 30 x 40 inches (76x102cm) €290 - 410 £300 - 400 €350 - 470 Literature: NOURMAND, Tony & MARSH, Graham, ‘Film Posters of the 70s’, London: Aurum Press Ltd., 1998, p.45 (illus.)

24 | Bonhams 106 (part) 107 (part) 108 (part)

106 James Bond: A collection of eleven Roger Moore related posters, Eon/ United Artists, 1971 - 1985, comprising: Live & Let Die - U.S. one-sheet poster and Film Festival style one-sheet; The Man With The Golden Gun - Japanese; The Spy Who Loved Me - U.S. Insert; For Your Eyes Only - U.S. one-sheet; Octopussy - U.S. half-sheet, insert and one-sheet; A View To A Kill - U.S. one-sheet, insert and Australian daybill, various sizes (11) £400 - 600 €470 - 700

107 James Bond: Moonraker, Eon/ United Artists, 1979, four U.S. posters, comprising - International one stop advance; International style B one-sheet teaser; insert and advanced special 27 x 20½ poster, rolled, the one stop 27 x 76½ inches (4) £300 - 500 €350 - 580

108 Casino Royale: A large collection of nineteen posters, including three signed by Judi Dench, Eon / United Artists, 2006, comprising: eight International one-sheets, nine British quad posters, a small sticker, and a small poster, the quads 30 x 40 inches (76x102cm) (19) £400 - 500 €470 - 580

109 Bullitt, Solar Productions, 1968 (re-release 1970), Italian four-foglio poster, linen-backed, art by Renato Fratini 79 x 55 inches (201x140 cm) £1,000 - 1,500 €1,200 - 1,800 109

Entertainment Memorabilia | 25 110 117 Pacific Vibrations, Taxi Driver, AIP, 1971, Columbia Pictures, 1976, U.S. one-sheet poster, rolled, 27 x 41 inches U.S. one-sheet poster, art by Guy Peellaert, (69x104cm) linen-backed, 27 x 41 inches (69x104cm) £250 - 350 £350 - 550 €290 - 410 €410 - 640

111† Literature: NOURMAND, Tony & MARSH, Christopher Lee: Dracula Pére Et Fils and Graham, ‘Film Posters of the 70s’, Op.cit, Sherlock Holmes, pp.94-95 (illus.) 1971 A checked waistcoat, of tweed, labelled inside 118 “Bermans & Nathans, 40 Camden St., London, The Outlaw Josey Wales, N.W.1” and stamped “Christopher Lee, 10484, Warner Bros., 1976, Dracula Pere Et Fils”, the other being black International U.S. one-sheet, art by Bill Gold, pinstripe, of wool, labelled inside as before and linen-backed, 27 x 41 inches (69x104cm) stamped “Christopher Lee 08221, Sherlock £400 - 600 Holmes SK.3, Sherlock Holmes” (2) €470 - 700 £100 - 150 €120 - 180 119† Dirk Bogarde: A Bridge Too Far, 119 112 1977, a Special Airborne jacket, The Boyfriend, of green khaki coloured heavy cotton, having M.G.M, 1971, knitted collar, front zip fastening, brass press-studs British quad poster, style A, art by Philip Castle, to pockets, labelled inside “Bermans & Nathans, 30 x 40 inches (69x104cm) 40 Camden St., London, NW1” stamped “DIRK £250 - 350 BOGARDE. 10473. BRIDGE TOO FAR.” €290 - 410 £150 - 200 €180 - 230 113 Cabaret, 120 Allied Artists, 1972, The Deer Hunter, British quad poster, 30 x 40 inches (76x102cm) EMI, 1978, £300 - 500 British one-sheet poster, linen-backed, 27 x 40 €350 - 580 inches (69x102cm) £350 - 550 114 €410 - 640 Kabaret / Cabaret, Allied Artists, re-release 1988, Literature: NOURMAND, Tony & MARSH, Polish poster, art by Andrzej Pagowski, 27 x 38 Graham, ‘Film Posters of the 70s’, Op.cit, inches (69x97cm) pp.96-97 (illus.) £300 - 500 €350 - 580 121 Manhattan, 115 United Artists, 1979, A Bigger Splash, U.S. one-sheet poster, style B, 27 x 41 inches Lagoon Associates, 1974, (69x104cm) British quad poster, art by David Hockney, £250 - 350 unfolded, 30 x 40 inches (76x102cm) €290 - 410 £300 - 500 €350 - 580 123 Literature: NOURMAND, Tony & MARSH, Graham, ‘Film Posters of the 70s’, Op.cit, p.88 Literature: NOURMAND, Tony & MARSH, (illus.) Graham, ‘Film Posters of the 70s’, Op.cit, pp.38-39 (illus.) 122 123 Raging Bull, Sean Connery - The Russia House, 1990 116 United Artists, 1980, A brown tweed jacket, The Rocky Horror Picture Show, Advance U.S. one-sheet, design by Merv Block with brown satin effect lining, labelled inside Twentieth Century Fox, 1975, & Larry Lurin, illustration by Kunio Hagio, linen- ‘Angels The Costumiers to the Entertainment British quad poster, 30 x 40 inches (76x102cm.) backed, 27 x 41 inches (69x104cm) Industry, 119 Shaftsbury Avenue, Cambridge £250 - 300 £250 - 300 Circus, London, WC2H 8AE’, inscribed “Sean €290 - 350 €290 - 350 Connery Sept 8*” (number indistinct, believed to be ‘89’) Literature: NOURMAND, Tony & MARSH, Literature: NOURMAND, Tony & MARSH, £300 - 400 Graham, ‘Film Posters Of The 70s’, Op.cit, Graham, ‘Film Posters of the 80s’, London: €350 - 470 p.100 (illus.) Aurum Press Ltd., 2001, pp.124-5 (illus.)

26 | Bonhams 112 113

115 116

110 114 117

118 120 122

Entertainment Memorabilia | 27 124 126

125

129 127 128 (part)

124 126 128 Star Wars, Star Wars: The Empire Strikes Back, The Star Wars Trilogy: Three film posters, Lucasfilm / Twentieth Century Fox, 1979, Lucasfilm/ Twentieth Century Fox, 1980, Lucasfilm/ Twentieth Century Fox, 1977 and U.S. one-sheet poster, style D, linen-backed, 27 Advanced U.S. one-sheet poster, linen-backed, 1983, including: x 41 inches (69x104cm) 27 x 41 inches (69x104cm) Star Wars, Japanese B2 Academy Awards® £300 - 500 £300 - 500 version; Return of the Jedi, U.S. one-sheets, €350 - 580 €350 - 580 style A and style B, one-sheets 27 x 41 inches (69x104cm) (3) 125 127 £150 - 200 Star Wars, The Empire Strike Back, €180 - 230 Lucasfilm/ Twentieth Century Fox, 1978, Lucasfilm/ Twentieth Century Fox, 1980, Happy Birthday one year anniversary style International U.S. three-sheet poster, 41 x 81 129 one-sheet poster, linen-backed, 27 x 41 inches inches (104x206cm) Star Wars: Episode 1 - The Phantom Menace, (69x104cm) £150 - 200 a blueprint of the ‘Sith Landing Platform’, £800 - 1,200 €180 - 230 issue date 16.04.97, for use in Flight Shed 14 €930 - 1,400 at Leavesden studios, mounted on board, with certificate of authenticity on reverse, 33 x 51 inches (84 x 130cm) £200 - 300 €230 - 350

28 | Bonhams 130 131 133

130 133 E.T. The Extra-Terrestrial, Indiana Jones and the Last Crusade: Two Universal Pictures, 1982, pre-production concept designs, U.S. one-sheet poster, withdrawn bicycle style, 1989, both depicting the Holy Grail, believe to photography by Stephen Spielberg, illustration be for ‘Grail Diary’ pages, by Drew Struzan, linen-backed, 27 x 41 inches both watercolour, gouache and pencil on (69x104cm) paper, one of a crucifixion scene, the other of £500 - 600 grail emitting light; accompanied by a letter €580 - 700 concerning the provenance, one 12 x 9½ inches (30x24cm), the other 12 x 8 inches Literature: NOURMAND, Tony & MARSH, (30x20cm) (2) Graham, ‘Film Posters of the 80s’, Op.cit, pp.8- £400 - 500 9 (illus.) €470 - 580

131 134 Blade Runner, Indiana Jones and the Last Crusade: Two Warner Bros., 1982, pre-production concept designs, U.S. one-sheet poster, art by John Alvin, 1989, believe to be for ‘The State of Hatay’ framed, 41 x 27 inches (104x69 cm.) flag design, £300 - 500 both watercolour, gouache and white pencil €350 - 580 on black paper applied to card, one with inscription ‘Five precepts of Islam, Fasting, Prayer, Pilgramage, Faith’ with further Literature: NOURMAND, Tony & MARSH, inscription ‘Crescent’; accompanied by a letter Graham, ‘Film Posters of the 80s’, Op.cit, concerning the provenance, the larger 12½ x pp.94-5 (illus.) 12 inches (31x30cm) (2) £400 - 500 132 €470 - 580 Superman III: A ‘Kryptonite’ prop crystal, molded from g.r.p for the 1983 Warner Bros. production ‘Superman III’, a replica based on a calcite specimen sourced by the film company at ‘Gregory, Bottley & Lloyd’ a specialist in the field of minerals and crystals, with a letter from them, width 8 inches £3,000 - 5,000 €3,500 - 5,800

132 (part)

Entertainment Memorabilia | 29 140 (part)

140 (part)

134 (part)

140 (part) 140 (part)

135 138 Indiana Jones and the Last Crusade: Two Indiana Jones and the Last Crusade: Four pre-production concept set designs, pre-production concept set designs, 1989, 1989, all ‘Venice, Italy’ scenes related, 135 (part) the printed design with watercolour and each printed paper design highlighted with pencil highlights, depicting Indy watching watercolour applied to board, one titled Nazi soldiers, titles ‘Austrian Castle, Upper ‘Entrance - To Match Location, Venice Corridor’, the other titled ‘German Airport Apartment’ numbered 22 and signed Scott - Blue Screen’ being printed, highlighted in (Elliot Scott - Production Designer); one part with gouache, both mounted to board; titled ‘Int. Venice Apartment’ and signed accompanied by a letter concerning the ‘S’; two applied to one board, both titled provenance, the larger 9 x 4 inches (23x10cm) ‘Tilbury as Venice Harbour’, and signed £400 - 500 ‘Scott’; accompanied by a letter concerning €470 - 580 the provenance, the largest 15 x 5½ inches 136 (part) (38x14cm) (3) 136 £600 - 800 Indiana Jones and the Last Crusade: Three €700 - 930 pre-production concept set designs by production designer Elliot Scott, 139 1989, all ‘Castle Brunwald’ related, Indiana Jones and the Last Crusade: A each applied to board, one titled ‘Castle collection of approximately forty two Boathouse’ numbered 11/1 and signed ‘Scott’, printed set designs and six photographic watercolour, gouache and ink; one titled ‘German concepts for aeroplanes, 137 (part) Castle Boat House, Built On Lot Tank’ numbered 1989, 11/2, printed paper with watercolour and pencil the majority of set designs are period colour signed ‘Scott’; the other titled ‘Castle - Exterior copies taken from the Elliot Scott originals, - Stolen Paintings Room’ ‘Indy Elsa Upstairs’, mounted on black card with original printed paper with watercolour: accompanied by handwritten annotation information, for scenes a letter concerning the provenance, the largest including: Inner Temple, Castle Radio Room, 19 x 7 inches (48x18cm) (3) Outer Temple Entrance, Berlin Air Terminal, £600 - 800 Venice Apartment, Catacombs (various), €700 - 930 Library, Indy’s Private Office, Indy’s Fathers Study, German Airport, Castle - Window to 138 (part) 137 Window; together with approximately six Indiana Jones and the Last Crusade: Two period copies of the designs (unmounted) pre-production concept designs, and a collection of six photographic concept 1989, all ‘Castle Brunwald - Indy Swing’ related, designs for fighter planes, boards titled: printed paper with watercolour and pencil German Fighter (x2), German Bi-Plane and each being applied to board, one titled ‘Castle Pilatus, with one untitled and a further - Window To Window - Swing’ numbered photographic image of a tank concept; 25 and initialled ‘S.’ (Elliot Scott - Production accompanied by a letter concerning the Designer), the other untitled, Indy swinging provenance (approximately 55 items) outside castle, numbered 12; accompanied by £600 - 800 a letter concerning the provenance, the larger €700 - 930 11½ x 5 inches (29x13cm) (2) £600 - 800 A complete list of scenes and boards is 139 (part) €700 - 930 available upon request.

30 | Bonhams 140 Indiana Jones and the Last Crusade: An original pre-production concept design, 1989, for the opening sequence ‘Dunn and Duffy Circus’ train, in the form of nine individual attached drawings of carriages, watercolour and pencil, carriage designs featuring snakes, tigers, lions, rhino and giraffes, with pencil annotations relating to design; accompanied by a letter concerning the provenance each drawing 21 x 9 inches (53x23cm) (9) £1,200 - 1,800 €1,400 - 2,100

The opening sequence features River Phoenix as the young Boy Scout Indiana Jones. It is a pivotal scene in which Indy escapes from Fedora’s gang by running across a moving train, carrying a circus. Throughout the scene it helps to establish some of the key themes surrounding Indiana’s character including; why Indiana always wears his fedora hat, his favoured accessory being a whip and his unparallel fear of snakes.

141 Indiana Jones - Raiders Of The Lost Ark: An original Fertility Idol, 1981, in bronze-effect composition material with ‘verdigris’ finish, together with statement of provenance from Kit West, Special Mechanical Effects Supervisor, 7½ inches (19cm) high £10,000 - 15,000 €12,000 - 18,000

The statement confirms that this is one of the original idols used for the filming of the opening sequence set in the Chachapoyan Temple of Warriors.

This fictional solid gold Chachapoyan fertility idol 141 represented Pachamama, the Chachapoyan goddess of fertility and was hidden by the tribe’s priests in a temple in the Peruvian jungle. In 1935, an archaeologist named Forrestal had disappeared whilst searching for the idol and a year later, archaeologist and treasure hunter Indiana Jones followed in his footsteps. Jones locates the Temple of Warriors and discovers Forrestal’s remains impaled on the wooden spikes of a booby trap.

The idol itself is placed on an altar, and is of a precise weight with which to hold a booby-trap mechanism in place. Jones knows this and tries to replace the idol with a bag of sand, but this fails as he miscalculates the weight of the idol. This sets off a sequence of traps, including falling walls, shooting darts and, most memorably, a huge rolling boulder designed to seal the temple entrance and trap any intruders within. Jones manages to escape from the Temple, only to be met by a rival archaeologist and is forced to hand over the prized idol. Courtesy of Rex Features. 141 (illus)

Entertainment Memorabilia | 31 142 143 144

142W 144 Braveheart/ Hamlet: Two large prop Braveheart: A burgundy-red tunic made for thrones from King Edward’s chamber, Patrick McGoohan as King Edward I, 1995 and 1990, 1995, made of wood discoloured dark brown and with embroidered diamond motif throughout dark red painted inlays, both thrones with plant and orange boarders to tunic edges, motif plaster inserts to corners of the chair with ‘golden’ three lion crest attached to backs, with arm rests and red velvet covered front panel, labelled inside Penny McVitie cushions [made post production], originally handwritten P.McGoohan, The King, made for the Warner Brothers production Braveheart, accompanied by an over-sized Hamlet, 1990 and later used in the 1995 ‘gold’ metal crown, lined with a suede support, Twentieth Century Fox production Braveheart, made for Patrick McGoohan as King Edward I height 67 inches (170cm.) in the Twentieth Century production Braveheart £600 - 800 £1,500 - 2,000 €700 - 930 €1,800 - 2,300

Identical thrones can be seen throughout the Patrick McGoohan, as King Edward, is seen film and are featured in the scenes in King wearing an identical tunic during the scene Edward’s chamber. The thrones were originally where his Son announces that William Wallace commissioned and used in the 1990 production has successfully sacked the city of York. In his of Hamlet, with Mel Gibson and Helena outrage the King throws his Sons aid out of Bonham-Carter. Amendments were made to the a castle window to his death. In a later scene chairs so that they could be used in Braveheart. the tunic and gown are worn by McGoohan at the bloody Battle of Falkirk. The crown was The following three lots are offered by the designed to be over-sized to fit McGoohan Production and Financial Controller who over his chain-mail hood. worked on the film. 145 143 Film Star & Television Personalities: A Braveheart: A metal Great Helm of conical collection of autographs, shape made for the character Robert the majority on photographs and cards, including Bruce in Braveheart, 25 Academy Award® winners, subjects include; 1995, Peggy Ashcroft, Lauren Bacall, Warren Beatty, in three pieces riveted together, the fixed Julie Christie, Michael Douglas, Robert Duvall, face-guard pierced with rectangular breaths Lilian Gish, Angelina Jolie, Glenda Jackson, and riveted to the skull leaving two vision Kevin Spacey, Charlize Theron, Jon Voigt, Kate slits separated by a vertical bar in a cross Winslet, Joanna Lumley, Barbara Windsor, motif, with foam and leather padding inside, Phyllis Calvert, Jacqueline Bisset, Charles Dance, numbered 120 in black pen, made for the Ron Moody, Susannah York, Ashley Jensen, Twentieth Century Fox production Herbert Lom, Kristin Scott-Thomas, Sylvia Sims, £1,000 - 1,500 Richard Todd, Anna Neagle, Maggie Smith, €1,200 - 1,800 Michael Winner, Timothy West, Leo McKern, Elizabeth Hurley, Yvonne Arnaud, Jean Kent and A number of Great Helm’s are featured in the film Judi Dench (as 3 files) during the battle scene at Falkirk and are worn £300 - 500 by King Edward’s Knights. Although this helmet €350 - 580 is not visible in the film, according to the vendor it was made for the character Robert the Bruce, played by Angus McFadyen, in the betrayal scene. 144

32 | Bonhams 146 148 149 146 Harry Potter & The Chamber of Secrets, 2002: An autographed movie poster, signed by Emma Watson, Rupert Grint and Daniel Radcliffe, in gold ink, further inscribed by Grint ‘Ron’ to relevant image, framed, the poster 27 x 39½ inches (69x100cm) £300 - 400 €350 - 470

147 Harry Potter And The Goblet Of Fire, 2005: A Quidditch programme and two letters a promotional piece, for the 422nd Quidditch World Cup, plastic covers, with insert pages, the first signed in silver marker by Daniel Radcliffe and Warwick Davis, with two related letters £250 - 350 €290 - 410

145 (part) 147 Donated by Warner Bros. to a charity event at Holme, Peterborough in June 2006.

148 150 Harry Potter & The Prisoner of Azkaban, Around The World In 80 Days, 2004: A 2004: An autographed movie poster, model of Arnold Schwarzenegger, based signed by Emma Watson, Rupert Grint and on Rodin’s sculpture of ‘The Thinker’, Daniel Radcliffe, in silver ink, further inscribed in bronze-effect composition material, together by Grint ‘Ron’ and Watson ‘Hermione xxx’ to with a statement of provenance from Kit West, relevant image, the poster 27 x 39½ inches Special Mechanical Effects Supervisor, 17 inches (69x100cm) (43cm) high £300 - 400 £800 - 1,200 €350 - 470 €930 - 1,400

149 The statement confirms this is an Art Harry Potter: A prop Daily Prophet Department model of a full-sized statue used newspaper, as a visual gag and featured in Prince Hapi’s with an accompanying letter, on Harry Potter (Schwarzenegger) palace in the film. And The Philosophers Stone Warner Brothers headed notepaper stating,’This is to verify that the enclosed Daily Prophet is a genuine prop, made by the Harry Potter art department...’, 12 x 17½ inches (31x45cm.) £500 - 600 150 €580 - 700

Entertainment Memorabilia | 33 152 The Goons: An autographed Cambridge University Tiddlywinks Club ‘Royal Tiddlywinks Tournament’ programme, 1st March 1958, the ‘Order Of Play’ signed in ballpoints, ink and pencil by Spike Milligan, Peter Sellers, Ray Galton, Alan Simpson, Graham Stark, Max Geldray and Umpire John Snagge £500 - 800 €580 - 930

The Cambridge University Tiddlywinks Club was founded in 1955 and has been continuously active ever since. According to a history of the club printed in the programme, it was an article in ‘The Spectator’, Does Prince Philip Cheat At Tiddlywinks? that prompted the University’s club to challenge Prince Philip to a 153 match to prove his honesty! He accepted, but appointed The Goons to represent him. 151 (part) Television & Radio Memorabilia 153 Coronation Street: A ‘Super Olds’ Cornet, as played by Ronnie Hunt for the theme 151 tune, Early British Television Comedy: A bell indistinctly engraved Super Olds made by collection of scripts, photographs and F.E. Olds & Son, Fullerton, California U.S.A., recordings, serial no. 400937, in original fitted leather 1950s, case, initialled R H, with three mouthpieces comprising scripts, with some supplements/ and paperwork including a Musicians’ Union rewrites/prop requirements, for ‘The Idiot Remittance Advice, dated 05-Feb-92, made Weekly-Price 2d’, February-April 1956, ‘A out to Mr. R. Hunt detailing two payments Show Called Fred’, May 1956, ‘Son Of Fred’, for ‘Coronation Street’, with Client given as September-November 1956, ‘Yes, It’s The ‘Granada Television Ltd, Manchester’, and Cathode Ray-Tube Show!’, February/March various manufacturers’ brochures 1957, ‘Don’t Shoot We’re English’, March £3,000 - 4,000 1958, ‘The A.B.C. Hobbies Club’, March 1959, €3,500 - 4,700 151 (part) ‘Call Me Monty’, August 1959, ‘After Hours’, 1958-1959, and ‘Room At The Bottom’, ‘Coronation Street’ became the world’s December 1959 (approximately 60); with a large longest-running TV soap opera in September number of black and white stills of the various 2010, having been first broadcast in December productions, and related subjects; and a quantity 1960, by Granada Television, and the theme of reel-to-reel tape in boxes, including sound tune, featuring the somewhat mournful effects for ‘After Hours’ and ‘Son Of Fred’ lead cornet, is unarguably one of the most £600 - 800 recognisable of all television theme tunes. €700 - 930 It was not until 1994 that trumpeter Ronnie The scripts for ‘The Idiot Weekly-Price 2d’ Hunt, who died in November 2011, was represent the first attempt to transfer the publicly acknowledged as the musician highly-successful humour of the The Goons’ responsible for the theme’s lead instrument, radio shows to television. It was made by when journalist and jazz musician Ron Associated-Rediffusion in 1956 and was Simmonds revealed his identity. Some debate broadcast only in the London area. Written ensued as to whether Ronnie, or some other mainly by Spike Milligan, it featured Peter player, was responsible for the solo, but the Sellers and the series was produced and Musicians Union in London verified that Ronnie directed by Richard Lester (director of the Hunt had been receiving the standard union Beatles’ first two feature films in the 1960s.) royalties for more than 40 years for the piece. Follow-ups to the show were ‘A Show Called Ronnie has stated that he originally received 152 (part) Fred’ and ‘Son Of Fred’. £6 for the session and that Eric Spear, the composer, insisted on numerous takes before Other prominent names of British comedy the musicians produced the sound he wanted. featured in this collection include Michael Ronnie, after taking a break in a pub, achieved Bentine, Eric Sykes, Dick Emery, Warren the desired effect by playing very close to the Mitchell, Clive Dunn, John Le Mesurier and microphone. Graham Stark. A second version was recorded in the 1970s This collection was formerly the property of Ron but only used for a short time before the 1960 Walsby, who was Stage Manager for ‘The Idiot original was reinstated, and was used until May Weekly’. Involved in the production of these 2010 when it was completely re-recorded for various shows, he also appeared in them. He the series being broadcast in HD. moved to New Zealand in the 1970s and was involved in the founding of TV2 television channel. 152 (part)

34 | Bonhams 154 155

154 157 Thunderbirds: A figure of Lady Penelope’s Blackadder: A prop portrait of ‘Queenie’ chauffeur, Parker, from Blackadder - A Christmas Carol, the well-modelled head attached to 1988, composition body, wooden arms with the photographic portrait printed on canvas, composition black-painted hands, wooden with some hand-finishing, hole to centre, 34 x legs with black boots, in sitting position with 44½ inches (86.5x113cm) original outfit, approx. 15 inches (38cm) high £500 - 600 £1,200 - 1,500 €580 - 700 €1,400 - 1,800 In this special edition of the programme, According to the vendor, this was part of a Edmund Blackadder intends to give this portrait Christmas shop display at Selfridges, Oxford to Queenie as a present but she abolishes Street, London in the late 1960s. Children Christmas. Frustrated and annoyed, Blackadder were able to ride in a model of Lady Penelope’s then punches through the canvas and hits the famous pink Rolls-Royce, FAB 1. unfortunate Baldrick who is holding the portrait.

155 The vendor was a member of a small audience at Spitting Image: A Margaret Thatcher some retakes for the show at BBC TV’s Shepherds 157 puppet, Bush studios. It was given to him by Richard Curtis. with moulded and painted foam latex head and hands, half-length foam body dressed in 158* blue pinstriped suit jacket, white shirt and blue Dallas: A suit worn by Larry Hagman in his tie, on stand, approximately 43 inches (110cm) role as J. R. Ewing, high 1980s, £2,000 - 3,000 the grey two-piece with pinstripes in blue, orange €2,300 - 3,500 and black, brown lining, single-breasted jacket labelled Louis Roth Clothes Tailored In California 156 Exclusively For Sy Devore and signed in black Billy Connolly: marker by Larry Hagman, inside pocket with label A part brown tweed suit, from an unknown inscribed Larry’s Own #2 and dated 12/11/86, production trousers also inscribed Larry’s Own, with comprising: waistcoat, and pair of trousers, certificate of authenticity from Heaven And Earth, both bearing label inside inscribed ‘Billy Palm Springs and letter from Larry Hagman Connolly, August 2000’, together with a £600 - 800 further pair of tweed trousers (3) €700 - 930 £100 - 150 €120 - 180 The letter signed by Larry Hagman states that ‘...the suit you have purchased was worn by me, in the character of J.R., on the Television series ‘’Dallas’’. I hope you will receive as much enjoyment out of owning this suit as I did in portraying ‘’J.R’’...’ 158

Entertainment Memorabilia | 35 159 159 (detail) 161

Rock & Pop Memorabilia 1950s & 1960s

159 161 Elvis Presley: An autographed photograph, Elvis Presley: An autographed portrait print, 1950s, June Kelly portrait print signed in black ink a sepia-toned 8 x 10 publicity photograph and inscribed ‘To Sterling, All the Best Allways signed and inscribed in (faded) black ink/ (sic), from Elvis Presley’, framed and mounted, ballpoint, mounted and framed with a letter of together with original certificate of authenticity authenticity from Presley’s dentist Dr. Lester Hoffman £800 - 1,200 stating the piece was a gift to his wife Sterling, €930 - 1,400 within frame 15 x 20 inches (38x51cm) £800 - 1,200 €930 - 1,400 160 Elvis Presley: A ticket for ‘Lido Cabaret- 160 Restaurant Bar’, signed on the back in red Provenance: Ex lot 167, Rock & Roll and ink by Elvis Presley, Entertainment Memorabilia, Christies - New Champs-Elysees, Paris, 1959, York, Friday 17 December 2004 accompanied by a Sylvia Peters publicity card and a letter concerning the provenance 5 x 4 162 inches (13x10cm) Various artists: A collection of rock and £500 - 700 pop-related autographs, €580 - 820 1960s, most on loose album pages, including Cliff According to the vendor, who was also a Richard, Hank Marvin, Bruce Welch, Adam dancer at the time, she was friends with Sylvia Faith, Acker Bilk and Jess Conrad (on torn Peters when she had a fleeting affair with ‘Ready! Steady! Go!’ admission ticket), Chris Presley, having met him in Paris on a rest and Andrews, Brenda Lee, Kenny Ball, Keith relaxation break from his military service in Fordyce, Brian Matthew, Patsy Ann Noble, Germany. Sylvia obtained the signature and Chris Montez, Gerry Marsden and Eric gave it to her friend whom she knew to be a Sykes and Hattie Jacques, pages 4½ x 5¾in great fan of Elvis. (11.5x14.5cm) £120 - 150 €140 - 180

163 The Monkees: An autographed music book for the album ‘Headquarters’, the front cover signed by the group in blue ballpoint and black marker pens £200 - 300 163 €230 - 350

36 | Bonhams 165

167 168 (part)

170 (part)

169 171 164 168 170 Various musicians: A collection of boxing Sonny & Cher: Autographs and related items, The Rolling Stones: An autographed style posters on yellow and white paper, circa 1966, photograph and other items, featuring; Gene Vincent, Johnny Kid, the comprising: a Schloss Hotel, Tremsbüttel card German, 1960s, Walker Brothers, Screamin’ Lord Sutch, signed in black felt-tip by the duo, a colour comprising: a black and white publicity Manfred Mann, and others, majority concerts publicity card signed on the back by Cher, photograph signed by all of the Stones in blue in Loughborough, various dates between 1963- and a piece of notepaper, in black felt-tip ballpoint, 7¼ x 9½ inches (18.5 x 24cm); two 1966, all, 34½ x 22 inches (88x56cm) in unknown hand (possibly Cher’s), headed further publicity photos, one with ‘signatures’ £300 - 500 ‘’Good Times’’ Film Starring Sonny & Cher, in unknown hand; ‘Bravo’ 1965 and ‘Beat €350 - 580 listing eight tracks with filming notes, including Sensation 67’ tour programmes; a ‘Bravo’ their big hit ‘I Got You Babe’; together with a Beatles booklet, 1966, with poster and b/w 165 Schloss Hotel card and two black and white photograph; together with tour programmes Bob Dylan: A signed copy of the single publicity cards signed by Esther and Abi Ofarim for The Beach Boys and The Troggs and a ‘Subterranean Homesick Blues’/’She £300 - 400 collection of various b/w publicity photographs, Belongs To Me’, €350 - 470 subjects including The Troggs, The Walker Demo copy, Columbia ZSP 79990, the label Brothers, The Small Faces, The Kinks, The autographed in blue ballpoint Autographs obtained by the vendor, an Creation and Peter and Gordon, some signed £600 - 800 employee of the hotel at the time. £700 - 800 €700 - 930 €820 - 930 169• 166 The Rolling Stones: ‘Masons Yard To 171 Bob Dylan: A Milton Glaser poster, Primrose Hill 1965-1967’, Trevor Clark (British, b.1933): A large 1960s, photographs by MANKOWITZ, Gered, photographic portrait of The Rolling Stones, entitled ‘Dylan’, 22 x 33 inches (56x84cm) Guidford: Genesis Publications Limited, 1995, a recent bromide print, signed and dated 1963 £150 - 200 limited edition 1201/1750, signed in silver ink by the photographer in black marker, 28½ x 30 €180 - 230 by the photographer, in original card case inches (72.5 x76cm) £300 - 500 £200 - 300 167 €350 - 580 €230 - 350 Bob Dylan: Don’t Look Back poster, 1967, British double crown, art by Alan Aldridge/ Harry Willock, 20 x 30 inches (51x76cm) £300 - 500 €350 - 580

Entertainment Memorabilia | 37 176

175

174 Trevor Clark (British, b.1933): A large colour photographic portrait of The Rolling Stones, a recent bromide print, signed and dated 1963 by the photographer in black marker, 30 x 39½ inches (76x100.5cm) £250 - 300 €290 - 350

175 The Rolling Stones: An autographed ‘Bravo’ tour programme, Germany, September 1965, the middle gatefold signed by Brian Jones, Mick Jagger, Keith Richards, Bill Wyman and Charlie Watts in blue felt pen, 11 x 17inches (28x43cm) open £1,000 - 1,500 €1,200 - 1,800 173 172 176 Mick Jagger: A musical mantle clock, Mick Jagger: A lock of Mick Jagger’s hair, German, circa 1900, 1960s, the two train movement playing a small disc in a small paper envelope inscribed Mick musical box, concealed behind glazed door Jagger’s hair after being washed + trimmed with arched pediment above, with statement by Chris at Rose Hill Farm, with a statement of of provenance, clock 19¾ inches (50cm) high provenance £300 - 500 £1,500 - 2,000 €350 - 580 €1,800 - 2,300

This was a gift from Mick Jagger to Chrissie The statement, from Chrissie Shrimpton, Shrimpton in the early 1960s. She recalls that confirms that, unbeknown to her at the time, Mick brought it back from Los Angeles and this lock was saved by her grandmother when was carrying it when he met her at the airport. Mick and Chrissie were staying at her parents’ farm. Apparently, on her grandmother’s death, 173 the hair passed to Chrissie’s aunt and when Trevor Clark (British, b.1933): A large she died, the hair was returned to Chrissie by a photographic portrait of The Rolling Stones, cousin taking care of personal effects. a recent bromide print, signed and dated 1963 by the photographer in black marker, 30 x 39½ The vendor has confirmed that all proceeds inches (76x100.5cm) from the sale of this lot will be donated to the £250 - 300 charity, Changing Faces. €290 - 350

172

38 | Bonhams 177 178 179

180 181 177 178 180 Mick Jagger: A singing birds automaton, The Rolling Stones: An autographed script John Hopkins (British, b.1937): Mick Jagger French, late 19th century, for ‘Thank Your Lucky Stars’, and The Rolling Stones, probably by Bontemps, the three feathered 6th June 1965, Alexandra Palace 1964, birds mounted under brass cage and on the front cover signed in black ballpoints by a black and white giclée print of Mick Jagger gilt-gesso and wood base containing the Mick Jagger, Keith Richards, Brian Jones and on stage at Alexandra Palace, printed later, mechanical and bird song movements, (lacking Charlie Watts, Ray and Dave Davis and Mick signed by the photographer, mounted and key), with statement of provenance, 21 inches Avory of the Kinks, various members of The framed, 11½ x 17½ inches (29x45cm) (54cm) high Fortunes and The Boys Blue, Lulu, Little Frankie, £300 - 500 £1,000 - 1,500 Ian Whitcomb and Brian Matthew, twenty- €350 - 580 €1,200 - 1,800 seven numbered pages with several other pages (some blank), 8 x 13 inches (20x33cm) 181 This was a gift from Mick Jagger to Chrissie £600 - 800 Mick Jagger: A handwritten note, Shrimpton in the 1960s, on the occasion of her €700 - 930 in blue ballpoint one smallpiece of paper 21st birthday. References to it are included in reading, Hi Matt - Got your letter - well you the biography, ‘Mick Jagger’ by Philip Norman, This was given to the vendor when she finally got the right place!! Say hello to Mum + HarperCollins, 2012. attended the show’s recording. Dad!! Mick, mounted and framed with a colour picture, 11 x 16 inches (28 x 41cm) overall 179 £300 - 400 Gered Mankowitz (British b.1946): Mick €350 - 470 Jagger / The Rolling Stones, a limited edition silver gelatine print of Mick Jagger by Gered Mankowitz 3/50, signed by the photographer, mounted and framed, 17 x 13 inches (43x33cm) £300 - 500 €350 - 580

Entertainment Memorabilia | 39 183 Robert Freeman (British, b.1936): The Beatles with Mick Jagger at EMI Studios, London, 1966, a black and white giclée print featuring Mick Jaggers visit to EMI studios while the Beatles were recording Rubber Soul, printed later, signed by the photographer and numbered 8/25, mounted and framed, 17 x 14 inches (43x36cm) £500 - 700 €580 - 820

184 The Rolling Stones: A set list, photographs and other related items, 1967, comprising: six photographs of the band at the Schloss Hotel, Tremsbüttel, near Hamburg, one colour the rest black and white, with a 186 (part) contemporary newspaper clipping; a set list, on Stora Hotellet, Orebro stationery, in black ballpoint, ten tracks, believed to be in Keith’s hand; a piece of paper with (unidentified) draft lyrics on each side, in black ballpoint by Keith; and the text for a telegram from Charlie to his wife, in blue ballpoint in unknown hand £800 - 1,200 €930 - 1,400

The photographs were taken by the vendor, an employee at the hotel. The clipping shows a photo of Mick and Keith at a piano which was sold by the vendor to a newspaper at the time. The various paper items in the lot were left behind at the hotel after the band’s departure.

The set list is on stationery from a hotel in 185 Orebro, Sweden, where the band opened their European tour on 25th March. The Stones were subjected to a lengthy search of their luggage by Swedish Customs officials on their arrival, this following the infamous drugs raid on Keith’s home the previous month.

185 The Rolling Stones: A fine set of autographs, 1967, in blue ballpoint on a card from the Schloss Hotel, Tremsbüttel, near Hamburg, signed by Brian Jones, Mick Jagger, Keith Richards, Charlie Watts and Bill Wyman, 6½ x 10 inches (16.5 x 25.5cm) overall £1,200 - 1,500 €1,400 - 1,800

These autographs were obtained by the vendor, an employee of the hotel, during the Stones’ tour of Germany in March/April that year. 184 183 186 The Rolling Stones: An autographed publicity card and Press invitation, 182 1967, The Rolling Stones: An autographed the black and white Decca card, with discography concert programme, on reverse, signed by the Brian Jones, Mick Jagger, UK tour, September-October 1965, Keith Richards, Charlie Watts and Bill Wyman, in support including the Spencer Davis Group blue ballpoint; together with a rare invitation for and Unit 4 + 2, the front cover signed in blue a press conference/gold disc presentation at the ballpoint pen by Mick Jagger, Charlie Watts, Stadthalle, Bremen, 29th March Bill Wyman and Brian Jones £800 - 1,000 £400 - 600 €930 - 1,200 €470 - 700 These autographs were obtained by the vendor, an employee at the Schloss Hotel, Tremsbüttel, 182 near Hamburg, during the Stones’ tour of Germany in March/April that year.

40 | Bonhams 187 190 192

188 191

187W 189 The Rolling Stones: An ‘Exile On Main St’ The Rolling Stones: A poster and tickets for box set, the film, ‘Ladies & Gentlemen, The Rolling 2010, Stones’, the large, fitted, wood-effect black case with 1974, silver-coloured ‘tongue’ logo to lid, containing Ziegfeld Theatre, New York, 15th-30th April, folio of three reproduction posters - American framed, together with four unused and Tour 1972, Exile On Main St and Tumbling Dice consecutively-numbered tickets, poster 10½ x - signed respectively by Keith Richards, Charlie 34¼ inches (26.5x87cm) within frame Watts and Mick Jagger and dated 10 by the first £500 - 600 two, each numbered 518/1000, with Certificate; €580 - 700 unopened pack of 2-CD/2-Vinyl/DVD set with four postcards and book; and ‘Rolling Stones This was a film of the Stones’ 1972 US tour. 189 Live In Exile’, book of photographs by Bob After the Ziegfeld Theater premiere, the film Gruen, Madison Square Garden, 24th July 1972, was shown in Houston, Texas. case 41 x 27¾ x 6 inches (104 x 70.5 x 15cm) 192 £800 - 1,200 Literature: WYMAN, Bill, ‘Rolling With The Charlie Watts: ‘Ode To A High Flying Bird’, €930 - 1,400 Stones’, Dorling Kindersley, 2002, p.421. Beat Publications Ltd., London, undated but published 1964, First Edition, hardback, original Sold on behalf of James Allen’s Girls School, 190 price label of Seven Shillings to front flyleaf London. John Somerville (British): A bust of Mick £600 - 800 Jagger, €700 - 930 188• in bronzed GRP, signed, on wood plinth, from The Rolling Stones: ‘Crossfire Hurricane’, an edition of 20, 23 inches (58.5cm) high overall 193 photographs by Bob Gruen of the Stones £800 - 1,200 The Rolling Stones: A ‘Steel Wheels/ Urban in the USA, €930 - 1,400 Jungle’ crew tour jacket, 1990, Genesis Publications Limited, 1997, numbered • 550 of the edition of 1750 and signed by the 191 baseball style jacket, in navy blue wool-mix and photographer, red cloth silkscreened covers, in The Rolling Stones: A limited edition book, white leather fabric, white press-stud fastenings slip case, featuring Gruen’s photographs of the SYKES, Christopher Simon & RUDGE, Peter, with embroidered logo badges including; ‘RS’ band on tour in the States over 25 years ‘Tour Of The Americas 75’, Guildford: Genesis to front, ‘Stones’ and ‘90’ to sleeve and ‘Rolling £400 - 600 Publications, 2005, number 25 of 2500 copies Stones’ and lips logo to reverse, together with €470 - 700 signed by Christopher Simon Sykes and Peter a ‘Planet Hollywood - Disneyland Paris, Grand Rudge, in a cardboard presentation box and Opening, November 1996’ baseball jacket, tour felt sleeve jacket labelled inside XL £300 - 500 £250 - 350 €350 - 580 €290 - 410

Entertainment Memorabilia | 41 194

195 196

194 197 Ronnie Wood (British, b.1947): A limited Popular Music of the 1970s: A quantity of edition screenprint ‘Voodoo Four (Series photographs of rock groups including The II)’, autographed by The Rolling Stones, Rolling Stones, Frank Zappa and Jethro 1997, Tull, signed by the artist in pencil, titled and believed unpublished, comprising colour slides, numbered 291/475, also signed in black felt-tip six magazines of approximately 30-36 images pen by Mick Jagger, Keith Richards and Charlie each, subjects being the Rolling Stones and the Watts, dated 98 by the latter two, mounted Moody Blues, taken 1973; Jethro Tull, 1974; and framed, together with a certificate of Genesis, 1976; Yes, 1977 and Frank Zappa, authenticity, 12 x 31¼ inches (30x79.5cm) 1982, to be sold with copyright within mount £1,500 - 2,000 £800 - 1,200 €1,800 - 2,300 197 (part) €930 - 1,400 All of photographs included in this lot were 195 taken by the vendor in Gothenburg, Sweden. Oz: A poster ‘Catherine And The Wheel Of Fire/a space poem revealed’, 198 as available with Issue No. 13, mounted and Popular Music: A collection of twenty-three backed on card, 10 x 32¼ inches (26x82cm) contracts and appearance correspondence within mount for artists including: Yes, Fleetwood Mac, £150 - 200 Jethro Tull, Howlin Wolf, Free and Van Der €180 - 230 Graaf Generator, the majority late 1960s, 196 artists comprising; Fleetwood Mac, Jeff Beck, Popular Culture of the 1960s: A poster for The Gods, Caravan, Graham Bond Initiation, the shop ‘I Was Lord Kitchener’s Valet’, Van Der Graaf Generator, Roy Harper (x2), black and white, advertising the sale of Marsh Hunt, King Crimson, Blodwyn Pig (x2), ‘Kinky, Period & Military Gear’, 17 x 24 inches Chicken Shack (x2), Howlin’ Wolf and backing (43x61cm) group (x2), East of Eden, Taste (x2), Free (x3 £300 - 500 including handwritten letter from Andy Fraser), €350 - 580 Jethro Tull (x2) and Yes (23) £400 - 600 The shop first appeared in the Portobello Road €470 - 700 in 1966 and it was the branch that opened in Carnaby Street that came to symbolise ‘Swinging London’, with its mixture of military clothing and novelty merchandise. 198 (part)

42 | Bonhams 199 200

199 Ian Anderson/ Jethro Tull: A letter from Ian Anderson, including a personal account of the formation of Jethro Tull, 1967, in blue ballpoint on both sides of lined stationery, dated Wed. 20th Dec. and sent from Luton, reading, My Dearest Yvonne, here I am in my lonely little one-room cell on a cold winter’s night writing to you. Actually it is not particularly lonely or unpleasant. It is quite a nice little room - very cosy, well stocked with food, cigarettes, personal effects - and money. It is about the first night since I got here that I have had to myself to think things over and take it easy...We arrived here on Sunday 26th Nov. that is, Tony, Glenn and me, and the 201 others drifted down by Wednesday...We did a couple of jobs doing new material with Mick 200 the new guitarist...At this point it became Ian Anderson/Jethro Tull: A letter from Ian apparent that we could not afford to work as Anderson, making reference to the Hyde 202 a 7 piece blues band so we decided to pack Park Festival in June 1968, it in. Glenn and I formed a new group with in red ballpoint on two sides of cream-coloured 201• Mick and his old drummer Clive. Since, we (torn) paper, addressed to My dearest Yvonne, The Who: ‘The Who Live’, have not looked back. They are both great stating ...I find it hard to put to writing the things HALFIN, Ross, England: Genesis Publications people and we are very happy together. They I want to say to you (Because it would sound Limited, 2000, copy number 1441, signed in are not pro yet but they will be in the near like a corny love letter - and, as you know, I am black ink by Pete Townshend and Ross Halfin, future when work builds up. The others all much too cool for that!)..., and detailing news of in original card case pushed off back home with the van and I got Jethro Tull, ...We have another recording session £500 - 700 the place where I am now...We will be quiet tomorrow. We played at an open air concert in €580 - 820 over Christmas as we are not the sort of group Hyde Park last Saturday which was fun. Things for Christmas parties...We did the Marquee look like happening in for us in a few months 202 a week ago and it went quite well - very well - really this time..., signed All my love, Ian, Colin Jones (British, born 1934): Pete in fact considering it was only the second or undated, 4½ x 8 inches (11.5 x 21cm) Townshend, The Who, 1966, third time we had played together as a four- £500 - 600 printed 2003, piece. I am really enjoying playing again for €580 - 700 the reverse of signed, titled and dated in the first time in ages and every night we work pencil, inscribed ‘To Tamara, Happy Birthday, is great. We did a storm in Birmingham last The first free festival in London’s Hyde Park Colin’, and with the photographer’s copyright Sunday. A tremendous reception and encore took place on 29th June 1968. In addition to stamp, blindstamped to margin, 15 x 20 inches at the end of the performance..., signed All Jethro Tull, the lineup comprised Roy Harper, (38x51cm) my love (I have no one else to give it to or Tyrannosaurus Rex and Pink Floyd. John Peel, £1,000 - 1,500 have had since I last saw you) Ian, and P.P.P.S. compere for the event, later wrote in his €1,200 - 1,800 I am moving into London in a few weeks so I ‘International Times’ newspaper column, The can ‘’make the scene’’ HO HO..., five sheets, Perfumed Garden, that ‘Jethro Tull had been 5¼ x 7 inches (13.5 x 18cm) preceded to the Park by rumours of their £1,000 - 1,200 goodness. They played with fire and brought €1,200 - 1,400 out the first rays of the sun.’

Entertainment Memorabilia | 43 203 205

203 205 John Entwistle /The Who: A custom-made John Entwistle: Handwritten sleeve notes for leather jacket, his solo album ‘Whistle Rymes’, and song list, early 70s, circa 1972, in brown leather and snakeskin, matching comprising: a draft of Boobity And The lining, two button-down breast pockets, seven Enchanted Forest, four lined pages in black felt- buttons to front, with statement of provenance tip pen; a 2nd draft, three pages in blue ballpoint £600 - 800 pen; three pages headed respectively Notes, €700 - 930 Ideas and Alice in Wonderland, black felt-tip pen and blue ballpoint; and two double-sided This was made for John by the Skin Room, a pages in blue ballpoint headed OX stage act, business in Ealing, West London, started in the with almost thirty song titles listed, with notes on late 1960s by Connie and Ken Wyatt. Their vocal and instrumentation, including some tracks customers came to include various rock stars of from ‘Whistle Rymes’ and by The Who, such as the day, John, Keith Moon and Roger Daltrey ‘Boris The Spider’, 8¼ x 11¾ inches (21x30cm) amongst them. The jacket was repaired on £400 - 600 207 many occasions by the shop and, eventually, it €470 - 700 was given by John to Connie’s brother. ‘Whistle Rymes’, released in 1972, was John’s 204 second solo album, the title being a humourous The Who: An Ivor Novello award presented reference to the frequent mis-spelling of his to Kenney Jones in recognition of surname. The original artworks for the album ‘Outstanding Contribution To British Music’, cover were sold at Sotheby’s London, The John 1981, Entwistle Collection, 13th May 2003. the bronze statuette engraved Ivor Novello Award BASCA, on base with plaque reading 206 Kenney Jones Outstanding Contribution To The Jimi Hendrix Experience: ‘Are You British Music 1981, 12 inches (30cm) high Experienced’ LP, £1,000 - 1,500 1967, €1,200 - 1,800 mono, Track 612001, laminated front/matt back £80 - 120 €90 - 140

207 Jimi Hendrix: An autograph on an album page, 1960s, the pale blue page signed and inscribed Love in red ballpoint, with clipping attached, mounted and framed with black and white picture of Jimi, 9 x 16 inches (23 x 41cm) overall £800 - 1,000 €930 - 1,200 204 According to the vendor, the reverse of this page is signed by Roger Waters.

44 | Bonhams 208 209 210

208 211 The Jimi Hendrix Experience: A concert The Jimi Hendrix Experience/ Cream / poster for the CNE Coliseum Arena, Yardbirds: A 1966-1967 University Of Exeter Toronto, diary, with multiple signatures of The Jimi Saturday 24th February 1968, Hendrix Experience and others, design by Gary Grimshaw, framed and mounted, the diary with green covers, signed and within frame 12½ x 22 inches (32x56cm) inscribed in blue or black ballpoint, autographs £800 - 1,000 comprising: €930 - 1,200 - single page, week of 9th March, Jimi Hendrix Love Always and signed Mitch Provenance: Ex lot 393, ‘Rock ‘n’ Roll and Film - single page, week of 16th February, signed Memorabilia’, Sotheby’s - London, Wednesday and inscribed Mitch, Drums, Noel Redding, 13th September 1997. Bass Guitar and Jimi Hendrix, Jimi Hendrix Experience - double page, week of 5th March, signed 209 and inscribed Love Jimi Hendrix with five heart Jimi Hendrix: A silk scarf worn at the motifs, signed and inscribed Take Care Mitch, Woburn Music Festival, signed Noel Redding, signed and inscribed Love 6th July 1968, forever, stay sweet Jimi Hendrix dark green ground with tie-dyed magenta - single page, week of 2nd April, Love Jimi and red centre, with Eastern-style motifs, sold Hendrix, additionally signed Noel Redding and with statement of provenance on reverse of Mitch a photograph of the scarf, approximately 33 double page, week of 23rd April, Love inches (84cm) square forever Jimi Hendrix and Be good Jimi Hendrix £800 - 1,200 additionally signed Mitch and Noel Redding €930 - 1,400 - single page, week of 4th May, signed and inscribed Best wishes, Love [indistinct] Noel The vendor of this lot was Mitch Mitchell’s Redding, Love always and forever Jimi Hendrix girlfriend at the time and attended many of the and Mitch, Drums Experience’s concerts and recording sessions. - single page, memoranda page. 133, signed She recalls that Jimi had bought this scarf on by the members of Cream, Ginger Baker, Eric a recent trip to Paris. Whilst she and the band Clapton and Jack Bruce, were backstage at Woburn, she commented on - single page, memoranda page. 135, signed how much she liked the scarf he was wearing, by The Yardbirds, Keith Relf, Paul Samwell- upon which Jimi tore it in half and gave her this Smith, Chris Dreja, Jeff Beck and Jim McCarty, portion of it, putting the other half back on. the diary with some entries by the original owner, 3 x 4½ inches (7.5x10.5cm) 210 £3,500 - 5,000 Jimi Hendrix: Explosion poster, €4,100 - 5,800 211 (pages) 1968, artwork by Martin Sharp, published by Big O Posters Ltd. 36¼ x 27½ inches (93x70cm.) £400 - 600 €470 - 700

Entertainment Memorabilia | 45 212

215 (part)

The following lots, 214 to 219, are being offered by Janet Bruce. Janet married Jack Bruce in 1964 and was with him while he was a member of the Graham Bond Organisation and when, in 1966, he collaborated with Eric Clapton and Ginger Baker to form the influential trio Cream. Janet travelled extensively with Cream as they toured between 1966-1968 and acquired a number of photographs of the band, itineraries and other ephemera. 213 214 Cream: A collection of vintage prints of Cream performing on stage in London, 1966, eighteen photographs of the band on stage, believed to be one of the groups earliest concerts, taken by Phillip Godfrey, Jack Bruce’s father-in- law, thirteen black and white prints the remainder sepia, to be offered with copyright, 10 x 8 inches (26x20cm) £500 - 700 €580 - 820

Provenance: The Janet Bruce Collection

215 Cream / Graham Bond Organisation: An extensive collection of music publications, 214 (part) 214 (part) the majority from the 1960s and 1970s, all featuring Cream, Jack Bruce or the Graham Bond Organisation, with publicity cards and posters for the Graham Bond Organisation, 212 including; a quantity of Melody Maker, NME, Disc and Music Echo, Jimi Hendrix: A brown fringed scarf, Record Mirror, Sounds, Beat International, Rolling Stone magazines with notarised statement of authenticity signed by Mike Quashie, stating and weekly papers; four illustrated piano books, The Cream Album, that this was worn by Jimi at the Salvation Club, New York, which Goodbye Cream, Songs For A Taylor, Blind Faith - Album No.1; two Quashie managed, and ‘Gotta Have Rock and Roll’ auction statement, programmes, Cream, Reunion 2005 London and a copy for New York auction date 3/26/2011 with corresponding back-stage pass issued to the family; Graham Bond £500 - 700 Organisation publicity photographs, promotion cards, official fan club €580 - 820 cards, a copy of the long play album Solid Bond Warner Bros. 1970 and two promo posters, 21 x 15 inches (53x38cm.) 213 £500 - 700 Jimi Hendrix: A commemorative poster issued by Oz magazine, €580 - 820 October 1970, design credit incorrectly shown as Mike McImmerney (should read Mike Janet Bruce was the Graham Bond Organisation Fan Club Secretary after McInnerney), the reverse an ‘International Film Festival Supplement’, she married Jack Bruce in 1964, the Graham Bond items in this lot all 16½ x 24 inches (42x61cm) date from this period. £200 - 300 €230 - 350 Provenance: The Janet Bruce Collection

46 | Bonhams 216 Cream: A collection of early black and white vintage publicity photographs of Cream, all from 1967, presented to Janet Bruce, six shots taken by David Winston, stamped on the back with photographers details 10 x 8 inches (26x20cm.); and three photographs of the band on stage at Whiskey A Go Go, taken by Out Of Sight Inc., and two further large vintage prints of Jack Bruce, 14 x 11 inches (36x28cm) £300 - 500 €350 - 580

Provenance: The Janet Bruce Collection

217 Cream: Fillmore Auditorium publicity postcards, Cream, The Electric Flag, August 29th / September 3rd, 1967 [2] and Cream, Paul Butterfield, August 22nd / August 27th, 1967 [7], all 7 x 4½ inches (18x11.5cm.) £200 - 300 €230 - 350 216 (part)

The postcards in this lot were personally given to Janet Bruce by promoter Bill Graham while at Fillmore for the Cream concerts listed on these postcards.

Provenance: The Janet Bruce Collection

218 Cream: A quantity of Cream tour itineraries, memos and timetables, 1966-1968, approximately 31 typescript tour and concert itineraries, some with doodles on the back in pencil in Jack Bruce’s hand the majority across numerous pages, with detailed month long schedules, stating arrival and set-up times, venue addresses, promoters names, many listing concert fees for the band, and some with travel instructions; including a schedule for Creams official launch at the 6th National Jazz & Blues Festival, 1966, Sunday Evening 31st July, Main Stage, 9.00-9.40 The Cream 216 (part) 217 (part) with official memo Each artist is invited to bring his wife or girl friend to the Festival as our guest. and an itinerary for the last Cream tour in the USA, the final concert in Providence Rhode Island Monday 4th November, 1968; accompanied by four royalty slips to Bruce, two on NEMS Enterprises headed paper, one payment for £400 dated 19th June 1967, £1,000 - 1,500 €1,200 - 1,800

The itinerary’s included in this lot were issued to Janet Bruce by Robert Stigwood’s office. The band members as well as their family were issued with itineraries. Janet Bruce accompanied Cream on most of their tours.

Provenance: The Janet Bruce Collection

218 (part)

Entertainment Memorabilia | 47 219 (part) 219 (part) 219 (part)

219 (part) 219 (part) 219 (part)

219 (part) 219 (part) 219 (part)

219 Cream: A large quantity of black and at a radio station, during a photo shoot and white and colour photographs of the band while in the studio and taken on stage at the members of Cream and others, Falconer concert; a quantity of colour and 1967-1968, black and white photographs from the tour to be offered with copyright the majority of California in the spring of 1968, including unpublished, all taken by Janet Bruce while candid images of the band on a day off taken married to Jack Bruce during her time travelling on a boat trip on San Francisco Bay during with the band, including; a quantity of their second visit and those taken of the band photographs from the band’s first Californian while visiting Muir Woods; majority 5½ x 3½ tour in the summer of 1967, images of Eric (14x9cm.) Clapton and Charlotte Martin while relaxing in £3,000 - 5,000 Sausalito, San Francisco; colour photographs €3,500 - 5,800 of Brian Epstein and Robert Stigwood taken at an airport; colour and black and white Janet was able to photograph and capture photos of the band off stage in Paris, 1967; intimate shots of the group while in the a quantity of black and white photographs recording studio, on stage and during their of the band during the Wheels of Fire studio rest and relaxation days during her extensive sessions with Tom Dowd at Atlantic Studios in traveling with the band. New York, some showing Clapton playing a viola; a quantity of photographs of the band Provenance: The Janet Bruce Collection in Copenhagen, 1968, images of the band

219 (part)

48 | Bonhams 220

220 Ginger Baker: A spare ‘Ludwig’ snare drum, circa 1975, the drumshell in orange and red perspex vistalite® (alternative colour-way from complete kit - orange and yellow), together with a pair of ‘Ginger Baker’ Zildjian drumsticks, diameter 15 inches (38cm) £2,000 - 3,000 €2,300 - 3,500

Provenance: The Baker Family.

Ludwig introduced its range of Plexiglas-shelled ‘Vistalite’ kits in 1973. Ginger Baker used the kit throughout this period and the original kit is visible both on stage and in promotional images of the time.

The complete original kit, for which this snare was the spare, was included as lot 346, Rock ‘n’ Roll Memorabilia 1956-1984, Sotheby’s London, 29th August 1985.

221 Blind Faith: A promo 45 for Change of Address From June 23rd 1969, signed by Eric Clapton, 222 Island, no catalogue number, 500 only, one side with details of new address, the other with Sales Office address, the sleeve signed and inscribed in black marker by Eric Clapton, ‘To Max best wishes, Eric Clapton’ and dated 88 £500 - 600 €580 - 700

222 Eric Clapton: A BAFTA award certificate presented for ‘Best Original Television Music - Edge of Darkness’, 1985, the certificate for ‘The British Academy of Film and Television Arts - The British Academy Awards, the Council hereby certifies that Eric Clapton/ Michael Kamen won the British Academy Award, during 1985’, framed £600 - 800 €700 - 930

Michael Arnold Kamen (1948-2003) was a composer and arranger famed for his work on film scores as well as his work with not only with Eric Clapton but Pink Floyd, Queen, Coldplay, Kate Bush, Bryan Adams, Metallica, Eurythmics, Bon Jovi and David Bowie. 221

Entertainment Memorabilia | 49 224 225

223 Eric Clapton and Mark Knopfler: An autographed souvenir programme, 1987, signed by Clapton, in blue ink to cover, autographed by Mark Knopfler to back cover in blue ballpoint, further signed inside by band members Greg Phillinganes, Nathan East and Steve Ferrone, together with original concert ticket ‘Apollo Theatre, Manchester, Saturday 3rd January 1987 (2) £250 - 350 €290 - 410

Knopfler appeared with Clapton during his 1987 performances in Manchester.

224 Eric Clapton: A ‘Grammy Award’ Certificate of participation for the ‘Best Historical Album’ for “Crossroads”, 1988 the certificate from The National Academy of Recording Arts And Sciences, Inc. presents this certificate to Eric Clapton, In recognition of participation as Original Recording Artist in the category of Best Historical Album On the Grammy Award-Winning “Crossroads” Eric Clapton, Awards Year, 1988, framed, 15½ x 19½ inches (39x50cm) within frame £1,000 - 1,500 €1,200 - 1,800

225 Eric Clapton: A ‘Grammy Award’ Certificate of Nomination for the single ‘After Midnight’, 1988, the certificate from The National Academy of Recording Arts And Sciences, Inc. in recognition of nomination for the Best Rock Vocal Performance, Male, framed £800 - 1,000 223 €930 - 1,200

50 | Bonhams ©Ian Avey/Tight But Loose Archives ©Ian Avey/Tight 226 (illus) 226 Jimmy Page: A Martin D-28 Marquis ‘Birthday Special 2007’ guitar owned and played by Jimmy Page, serial no. 1151442, label inside body signed by J.R. Warner and C.F. Martin IV, fingerboard inlaid with Led Zeppelin and Zodiac symbols and the guitarist’s name, in original hard case, together with a signed letter from Jimmy Page and a 226 colour photograph of him playing the guitar £10,000 - 15,000 €12,000 - 18,000

The letter accompanying this lot states that: Jimmy Page acquired the Martin guitar on 15th November 2006. It was a guitar that had been kindly donated to the ABC Trust/Jimmy Page (ABC Patron). Jimmy Page played this guitar at home and at the Roy Harper 70th Birthday Concert at London’s Royal Festival Hall on 5th November 2011, where he played the iconic ‘The Same Old Rock’ with Roy, to celebrate the 1971 recording of the album ‘Stormcock’ and Roy’s 70th birthday. Footage of Jimmy playing this guitar is seen at; http://www.youtube.com/ watch?v=M2bdLAVHbQU

Sold on behalf of the Action for Brazil’s Children Trust.

The ABC Trust is dedicated to helping the street children and most vulnerable young people of Brazil. By raising awareness and funding it supports the work of local, community-led organisations which give children the education, support and inspiration that they need to 226 transform their own lives.

Entertainment Memorabilia | 51 228 (part)

230

227 229

227 230 Led Zeppelin: A first pressing of the band’s Led Zeppelin: A poster for the ‘Bath eponymous debut album, Festival Of Blues & Progressive Music ‘70’, 1969, held at Shepton Mallett, 27th-28th June Atlantic 588171, the front cover with turquoise 1970, design credit to Oozedesign, London, lettering, orange/maroon labels with Superhype the lineup including Led Zeppelin, Pink Floyd, Music publishing credits Jefferson Airplane, Johnny Winter, Frank £700 - 900 Zappa and Santana, framed, 20 x 30 inches €820 - 1,100 (51x76cm) within frame £800 - 1,200 Sold on behalf of Oxfam. €930 - 1,400

231 228 231 Led Zeppelin: Photographs of the group Pink Floyd: A concert flyer The Love In onstage at Aberdeen, 25th January 1973, Festival, Pink Floyd, twelve colour prints, believed unpublished, to 29th July, 1967, be sold with copyright, 3½ inches (9cm) square also featuring The Animals, Crazy World Of £500 - 600 Arthur Brown and others, Alexander Palace, €580 - 700 London, 10 x 8 inches (26x20cm) £500 - 700 €580 - 820 229 Jimmy Page: A colour silk screen print of Jimmy Page by Sandra Lawrence, 232 2000, Pink Floyd: A demo pressing of the single signed and dated by the artist, numbered ‘It Would Be So Nice’, edition 298/300, additionally signed in pencil 1968, Jimmy Page, 33 x 30 inches (84x76cm.) Columbia, DB 8401, single-sided, in card sleeve £500 - 700 £500 - 600 €580 - 820 €580 - 700 232 Sold on behalf of the Action for Brazil’s Children Trust. Please see footnote to lot 226.

52 | Bonhams 233

234 (part) 234 (part)

233W 234 Pink Floyd: A Kurzweil K2000 V2 digital Pink Floyd: A collection of animation movement for animated hammers; a hammer synthesizer, drawings and related material for the film in display box, with black handle and brick-red serial number 21930701159, together with ‘The Wall’ and live concerts, shaft, 12½ inches (32cm) long; an unfinished electric lead and a brochure of Richard Wright’s comprising: photographs of the artist’s studio acetate (with drawing) for animation used in yacht ‘Evrika’, showing the K2000 onboard, showing construction of the storyboard for concert, ‘Animals’ tour 1977, being a detailed 40½ x 13½ x 4½ inches (93 x 34.5 x 11.5cm) animated hammer walk-cycle; two large sketches surface of globe plus test film strips of maze on £6,000 - 8,000 in blue pencil of barbed wire, used by artists globe’s surface; unfinished prototype acetate €7,000 - 9,300 painting animation cels for background in a for ‘Animals’ tour, the globe depicted in the sky, scene from ‘The Wall’ plus test film strip; twenty- plus prototype cels of monolith; tour programme Richard Wright began using Kurzweil five drawings of small hammer walk-cycles; four for each of ‘Animals’ and ‘The Wall’, with one instruments in the late 1980s to digitally drawings and copy of forward-walking cycles ticket for Wembley, 17th March 1977 and four reproduce his analogue keyboard pieces. of hammers; eleven drawings, initial working for Earls Court, 17th June 1981; and a collection According to information from the vendor, this sketches of animation sequence of hammer of carbon copies of invoices from the vendor for was used by Richard during the band’s series walk-cycle; a two-piece preliminary rough work done for Pink Floyd, all in folio of concerts at Earl’s Court in October 1994, sketch of hammers’ walk-cycle; seven initial £1,800 - 2,500 as part of the ‘Division Bell’ tour and it can working sketches of animated creature from €2,100 - 2,900 be seen on the 2006 ‘Pulse’ DVD of the 20th ‘The Wall’; an original cardboard bird model October performance. Richard subsequently and five sketches used to aid animation for ‘The The vendor of this lot was employed as an kept this synthesizer on board his Swan 65 Wall’, these being preliminary drawings from animator by Pink Floyd/Gerald Scarfe in the class yacht, ‘Evrika’; following his death in which the bird sequence was created; several late 70s/early 80s and worked on animations 2008, the yacht and keyboard were sold. reels of test film strips; an original storyboard for the band’s live shows and the film of ‘The rough for marching hammers animation Wall’. He purchased the hammer from his local with two original hammer drawings; a set of DIY shop and used it as the model for the eight b/w photographs used for perspective drawings/animations featuring this symbol.

Entertainment Memorabilia | 53 236 David Bowie: A group of press packs, tour information and related items, early 1970s, comprising: a Gem Group, London, press pack containing biographical/recording details and reviews, 1971, with duplicate contents; a UK Tour Itinerary, June 1972; US Tour February/ March 1973 documents - Transportation and Hotel Information, Venue And Promoter Information List (x3), Program For Radio City Music Hall Intro Tape For Performances, with timings, titles and some ballpoint annotations, David Bowie Concerts February 14th & 15th, 1973, seven pages of stage directions, including ...David Bowie secured in mobile egg- beater just out of sight of performing platform with automobile crawler attached on upstage side...; two Tower Theater Philadelphia T-shirts, 235 235 one for David Bowie and The Spiders From Mars 30th December-2nd December 1972; two ‘Ziggy Stardust Iz A Gas’ patches; an Olympic Sound Studios reel-to-reel tape, box inscribed David Bowie ‘’John, I’m Only Dancing’’ 26/6/72 15ips, and another, box inscribed David Bowie Drive In Saturday Prettiest Star 15ips N.A.B.; a David Bowie RCA discography, 1980; vinyl albums, ‘Aladdin Sane’, ‘Heroes’, ‘Low’ (and cassette), ‘Young Americans’ and ‘Play Don’t Worry’ by Mick Ronson, with his handwritten thoughts/notes on Ramada Inn, Nashville notepaper, together with his metal bottleneck £600 - 900 €700 - 1,100

Please note that no rights in the music and lyrics are included with the tapes offered 236 (part) in this lot. Any usage (playing, recording, David Bowie performance, exploitation) of these tapes will be subject to the necessary consents 235 and licences being obtained from the David Bowie: An early appearance contract relevant copyright holder(s) and payment of for ‘David Bowie & Hutch’ with related performance and mechanical royalties. letter signed by David Bowie, dated March 1969, 237 the contract for ‘David Bowie & Hutch’ to David Bowie: A British concert poster, appear at ‘Ealing Tech, St. Mary’s Rd, W.5.’, ‘David Bowie’, Plymouth Guildhall, Sunday, 30 on Tuesday, 29th April 1969, for a fee of £17, April, 1972, art by Jim Corridan, 23 x 17 inches the typed letter date April 8th 1969, signed (58x44cm.) by Bowie sent from address ‘DAVID BOWIE, 4 £500 - 700 Plaistow Grove, Bromley, Kent’, stating ‘Dear €580 - 820 Ian, re: David Bowie And Hutch, This is to confirm that we, as the Artistes, David Bowie This poster, designed for a concert from the & Hutch, have been booked by you, Gas Ziggy Stardust tour, uses an image pre-dating Entertainment, to appear at the Ealing College Bowie’s flamboyant Ziggy Stardust persona. 237 of Technology....., on April 29th, to perform Crimlis and Turner describe the image used for for a period of one hour, between the hours this poster as drawing on a ...post-hippy/Lauren of 12:30 and 13:30. The arrival time will be Bacall image of Hunky Dory period Bowie. 11:30 A.M. It is agreed that we shall be paid, by cheque, the sum of Twelve (12) pounds, WITHIN Literature: CRIMLIS, Roger & Turner, Alwyn W, seven days of said agreement. David Bowie’ Cult Rock Posters 1972-1982, London: Aurum together with two further documents relating Press, 2006, p.19 (illus.) to the appearances signed by the booker ‘Gary • Shombert’ and promoter ‘Gavin Scott’ (4) 238 £1,200 - 1,800 David Bowie: ‘Moonage Daydream, The €1,400 - 2,100 Life And Times Of Ziggy Stardust’, BOWIE, David & ROCK, Mick, England: Genesis ‘Hutch’ refers to John Hutchinson, who worked Publications Limited, 2002, deluxe edition of with Bowie as a guitarist during this late 1960s 350, signed in black ink by David Bowie and period, particularly as a member of ‘Feathers’. Mick Rock on an inside page Ziggy Stardust taken by Mick Rock, in original card case It was Hutchinson who played guitar on the initial £500 - 700 version of ‘Space Oddity’ in February 1969. €580 - 820 238

54 | Bonhams 239 (illus part) 239

239 David Bowie: A Vox Mk.XII twelve-string from a well-known music shop in Richmond, Theatre, London, 19th-20th August 1972. electric guitar, Surrey, on a brief to find a suitable replacement The lack of any maker’s name or other late 1960s, while Bowie’s 12-string acoustic was being identifying detail on the scratchplate and with Vox-style ‘teardrop’ body finished in given a new, blue finish. headstock, the absence of a serial number red, three pickups and three volume/tone and snap-on circular pad on the rear of the controls, three-way selector switch, aluminium This is the guitar that is shown in the body, and the usage of plastic-head Van Ghent scratchplate, fingerboard with dot markers, in photograph of David, taken in August 1972 by machine heads rather than metal Vox-branded case, with stand Japanese photographer Masayoshi Sukita. This Van Ghents all indicate that this guitar was £10,000 - 15,000 same photograph is featured on p.13 of the made circa 1968/69, after the demise of €12,000 - 18,000 exhibition catalogue, ‘David Bowie Is’, Victoria & Jennings Musical Instruments, maker of Vox Albert Museum, March-August 2013. It is also amplification and guitars. Much of JMI’s guitar The vendor began his career in the music reproduced in ‘Uncut’ magazine, April 2012, a stock was purchased by Arbiter, who then business as a production assistant for the Gem copy of which is included in this lot. Another produced Vox models, incorporating Vox’s Group (co-founded by Tony Defries in 1966) photograph from the 1972 session, featuring original parts, under their own name. This and later worked for Mainman Limited from this guitar, was used on a concert poster for model appears in Arbiter’s 1969 catalogue as 1970 to 1973. He purchased the guitar in 1971 David Bowie and Roxy Music at the Rainbow the ‘4520’.

Entertainment Memorabilia | 55 240 David Bowie: A rare set of handwritten lyrics for The Jean Genie, signed Bowie dated 1972, from the album ‘Aladdin Sane’, each verse and the chorus written across 18 lines in black ballpoint pen on cream lined notebook paper, framed, accompanied by documents concerning the provenance, 11 x 8½ inches (28 x 21.5cm) £12,000 - 15,000 €14,000 - 18,000

Provenance: Ex-lot 16, Popular Culture; Rock and Pop Memorabilia, Christie’s, South Kensington, 24th June 2010.

David Bowie gave these lyrics to Neal Peters, the then President of the Original David Bowie Fan Club in the USA. The authorised fan club was established in 1973 and Peters was appointed by Bowie himself.

The accompanying paperwork includes a letter from the Neal Peters Collection, on headed paper, confirming the lyrics were a gift from David Bowie and copy documents relating to Peter’s and the work he did with the fan club, during its infancy.

Images of the lyrics and the accompanying paper work have been seen and acknowledged by the David Bowie Archive.

241 Stefan Wallgren (Swedish): David Bowie as Ziggy Stardust at The Marquee Club, 19th October 1973, a black and white limited edition photographic print, signed by the photographer and numbered 3/65, with photographer’s certificate and background details, print 13 240 x 19 inches (33x48.5cm) £300 - 400 €350 - 470

This image was featured in the ‘Melody Maker’, 26th October 1973 and is believed to be the only time it has been published.

David appeared for the last time as Ziggy at London’s famous Marquee Club for several nights, filming for the American NBC TV show, ‘The Midnight Special’. The audience was by invitation only and included friends and fellow musicians. It was David’s first live appearance since announcing his stage retirement at the Hammersmith Odeon in July that year. Filming at the club actually took place on the 19th and 20th October, the first day being spent in TV studios. Supporting David and the Spiders were The Troggs and Marianne Faithfull, the latter of whom performed a duet with David of Sonny and Cher’s hit, ‘I Got You Babe’.

242 David Bowie: A BPI Silver Award for the single ‘Fashion’, 1980, presented to ‘RCA Ltd. - Record Division’, to recognise sales in the United Kingdom of more than 250,000 copies of the RCA single ‘Fashion’ £300 - 400 €350 - 470

241

56 | Bonhams 242 246 (part) 245

243 Popular Music Programmes: A collection of four programmes including The Hollies, David Bowie and The Rolling Stones, 1960s - 1980s, comprising; All Stars ‘64 Souvenir Programme, featuring The Rolling Stones; The Big Star Parade, Gaumont Weymouth - Monday, 27th July to Saturday 22nd August, signed by four members of The Hollies, Big Dee Irwin and Shane Fenton; Blackfoot, 1982 Programme, signed by the group in black marker pen to cover; and David Bowie, Rotterdam, 1983 Programme containing original flexidisk insert (4) £250 - 350 €290 - 410 244 244 Terry O’Neill (British, b.1938): Mick Jagger 247 and David Bowie, David Bowie / Tin Machine: A bronze 1980s, maquette of David Bowie by Edward Bell, cibachrome print, signed in silver ink to margin, 1998, mounted and framed, image and border 15 x the bronze modelled on photographs of Bowie 17 inches (38x43cm) within frame taken in LA in 1991, on a wooden plinth, with an 247 (part) £1,000 - 1,500 accompanying preliminary multimedia artwork €1,200 - 1,800 sketch in charcoal, pastel and black and white photocopies, titled Tin Age Man with artists 245 initials and date E.B ‘98, with letters concerning John Somerville (British): David Bowie, the provenance, bronze, 8 inches (20cm.) high a statuette, bronze with pewter-coloured finish, £700 - 900 signed on the base J Somerville 85, on marble- €820 - 1,100 effect plinth, 13¾ inches (35cm) high £500 - 600 248 €580 - 700 David Bowie / Tin Machine: A mixed media artwork for the Tin Machine single Baby 246 Universal, David Bowie: A signed David Bowie released in 1991, exhibition poster and uncut proof, colour photocopies of Polaroid photographs the first for his New Afro-Pagan And Work 1975- overlaid with black ink on acetate and masking 1995 exhibition, The Gallery In Cork Street, London, tape attached to top and bottom, with title signed in orange marker and dated ‘95; together Tin Machine in red ink across the stripe of with an uncut proof for a BGP concert poster, 21st tape along the top, signed and dated Edward October 1995, Shoreline Amphitheatre, Mountain Bell ‘91, framed, and a letter concerning the View, CA., David Bowie Nine Inch Nails, the larger provenance, 7 x 9 inches (18x23cm.) 23 x 35 inches (58.5x89cm) (2) £700 - 900 £300 - 400 €820 - 1,100 €350 - 470 248

Entertainment Memorabilia | 57 249 251

249 251 David Bowie / Tin Machine: Preliminary Michael English (British, 1941-2009): ‘O artwork for the Tin Machine single You Quel Cul Tu As’ (Oh! Calcutta!). Believe In Rock and Roll and One Shot by airbrush and watercolour, signed, framed, Edward Bell, reverse with shipper/storer’s label reading ex both released 1991, Michael White 13/12/2000, 22 x 31½ inches twelve Polaroids’, mainly images of a drawing (56 x 80cm) of a Kouros statue and one of a male torso, £2,500 - 3,500 displayed with a clipped signature Bowie ‘91, €2,900 - 4,100 titled in red ink in the artists hand Tin Machine, Original Single Sleeve Artwork and initialled Illustrated: ‘Michael English 3D Eye’, Paper in black ink E.Bell ‘91, framed, with a letter Tiger, 1979, p.42, from the collection of concerning the provenance, 17 x 19½ inches Michael White, the show’s original West End (43x50cm.) producer, 1970. £1,000 - 1,500 €1,200 - 1,800 The show caused much controversy at the time as it included scenes of total male and A cropped version from the preliminary artwork female nudity. The title is taken from a painting was used on the back of the single sleeve for by Clovis Trouille, itself a pun on the French You Belong In Rock And Roll and on the front expression, ‘O quel cul t’as!’, and English’s of the single One Shot. piece is based on Trouille’s original.

Rock & Pop Memorabilia 252 1970s & 1980s Marvin Gaye: Two autograph items, comprising: a paper place mat from a ‘Bill Knapp’s’ restaurant, the reverse signed in blue 250 ballpoints by Marvin Gaye and eight others, Marc Bolan: An Afghan coat, including American footballers Greg Landry, circa 1970s, Larry Hand and Joe Schmidt, and an amateur three-quarter length, grey patchwork with pencil/ crayon portrait of the singer signed fleece lining, front with hook and eye in black ballpoint by him, place mat 10 x 14 fastening, pale mauve-coloured lining inches (25.5x36cm) £1,000 - 1,500 £500 - 600 €1,200 - 1,800 €580 - 700

Provenance: Ex-lot 32, Popular Culture: Rock The rare group of signatures on the restaurant And Pop Memorabilia, Christie’s, South mat are from 1970 when Marvin Gaye Kensington - London, 15th November 2011. intended a complete change of career, as an 250 NFL player with the Detroit Lions, after the This was previously acquired directly from the death of Tammi Terrell. The vendor purchased Estate of Mark Feld (Bolan) by the organiser of the mat from a waiter in a restaurant Marvin the ‘Official Marc Bolan Fan Club’. The Estate and the others visited. enrolled his help in dealing with various items of Reference: http://articles.latimes.com/2010/ Marc’s personal effects, which included this coat. aug/29/sports/la-sp-crowe-20100830

58 | Bonhams 256 254

253

253 Bob Marley & The Wailers: A ‘Burnin’’ tour concert poster, University of Bradford, 17th November 1973, 255 257 date cancelled, 20 x 30 inches (51x76cm) £600 - 800 255 257 €700 - 930 Elton John: A Kansai outfit, Steve Marriott: A notebook containing 1980s, lyrics, set lists, album tracks and other notes, 254 in black wool and soft flannel, variously circa 1970, Elton John: An original book cover portrait decorated with zips, straps and rubber the Daler spiral-bound sketch book with yellow by George Underwood, and wet-look cotton panels, comprising front cover with lyrics for Humble Pie tracks 1975, jacket, jerkin, blouson and trousers, Kansai and song titles/lyrics by other artists, including watercolour and pencil on board, signed by International labels Eddie Cochran, in various pens, the titled lyrics the artist in pencil and dated 1975, the reverse £600 - 800 comprising ‘The Grollie Song’, ‘Strange Days’, inscribed in ballpoint Futura 5542 Elton John €700 - 930 ‘Big Black Dog’, ‘Redneck Jump’, Beckton 19/1/75, mounted and framed, portrait 12¼ x Dumps’, ‘79th Street Boat Basin Blues’, ‘Song 19½ inches (31 x 49.5cm) Provenance: Purchased by the vendor, lot For Jenny’, ‘Road To Ride’ and ‘Sour Grain’, £600 - 800 1429, Elton John Vol. IV Diverse Collections, also several untitled lyrics, set lists/album €700 - 930 Sotheby’s, London, 8th-9th September 1988. running orders and other notes including a list headed American Tour Sept. 70, with This work was used for the front cover of ‘Elton 256 statement of provenance John’ by Cathi Stein, publ. Futura, London, The Small Faces: An Ivor Novello award £750 - 1,000 1975, a copy of which accompanies this lot. presented to Kenney Jones in recognition of €880 - 1,200 ‘Outstanding Contribution To British Music’, George Underwood, born in 1947, attended 1996, ‘Big Black Dog’ and ‘Strange Days’ were Ravensbourne College of Art in Bromley. With the bronze statuette engraved Ivor Novello released as a single by Humble Pie in 1970. his friend, David Bowie, he released a single Award BASCA, on base with plaque reading ‘Redneck Jump’, ‘Song For Jenny’ and ‘Sour in 1964, as Davie Jones And The King Bees. Kenney Jones PRS Outstanding Contribution Grain’ appeared on the band’s 1971 album, George went on to work for the design studios To British Music Presented 30.5.96, 12 inches ‘Rock On’. ‘Beckton Dumps’ was on the band’s of Pye Records and the New English Library. (30cm) high album ‘Eat It’, in 1973. He became a well known illustrator of fantasy, £1,000 - 1,500 horror and science fiction books and covers in €1,200 - 1,800 Provenance: Chrissie Shrimpton, a friend of particular. With contacts in the music industry Steve Marriott’s in the 1960s. he was commissioned to create the first T. Rex In 1996, the Small Faces were belatedly album sleeve, and later, David Bowie’s ‘Hunky awarded the Ivor Novello ‘Lifetime The vendor has confirmed that all proceeds Dory’ and ‘Ziggy Stardust’ album covers, which Achievement’ award for Outstanding from the sale of this lot will be donated to the established his reputation as an illustrator. Contribution to British Music. charity, Changing Faces.

Entertainment Memorabilia | 59 258 Black Sabbath: A Tony Iommi tan suede jacket, late 1960s, fringed, with yellow/green check lining, front with three press studs and two pockets, together with a photograph of the guitarist wearing the jacket £800 - 1,200 €930 - 1,400

The vendor got to know Tony Iommi in 1968 when he (Iommi) was living in Carlisle and playing with Mythology. The vendor purchased the jacket from the guitarist in 1969. The photograph offered with the jacket is reproduced in ‘How Black Was Our Sabbath’, by David Tangye and Graham Wright, Pan Macmillan/Sidgwick & Jackson, 2004.

259 Phil Lynott: A black jacket, 1980s, single-breasted with one button, wet-look fabric, labelled Antony Price, lapel with The Lambrettas pin-back badge £800 - 1,000 €930 - 1,200

The vendor, a concert promoter, knew Phil and 258 259 this was a gift to him from the musician.

260 Thin Lizzie: A signed album Shades of Blue Orphanage, Decca, 1972, signed and inscribed on the inner gatefold sleeve in blue ink Brian Downey, Thanks, To John Thanks again, Phil Lynott and To John Eric Bell, Thanks, framed 17½ x 30 inches (45x76cm.) £250 - 350 €290 - 410

261 260 261 Deep Purple: An autographed copy of the album Fireball, 1971, signed by Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice, in white coloured ink to inner gatefold sleeve, framed and mounted, within frame 24 x 12 inches (61x30.5cm) £250 - 350 €290 - 410

262 Iron Maiden: A BPI Gold award for the album ‘Somewhere In Time’, 1986, presented to bassist Steve Harris for sales in the UK of more than 100,000 copies, BPI certified £500 - 700 €580 - 820

263 Whitesnake: An RIAA Platinum award for the album and cassette ‘Whitesnake’ presented to Mike Stone, to commemorate sales in the US of more than sales of 1,000,000 copies, RIAA certified (Platinum, 1st July 1987) £500 - 600 262 263 €580 - 700

60 | Bonhams 264W 10cc: Eric Stewart’s Fender Rhodes ‘Suitcase 73’ model electric piano, serial 495-861, in two sections, the keyboard and speaker unit, as used by Eric Stewart on a string of 10cc’s hit singles and albums and live performances around the world, keyboard 47 x 25½ x 10 inches (120 x 65 x 25cm), speaker 47 x 25½ x 12 inches (120 x 65 x 30cm) £5,000 - 7,000 €5,800 - 8,200

This was used on the first four original 10cc albums, ‘10cc’, ‘Sheet Music’, ‘The Original Soundtrack’ and ‘How Dare You’ and the two albums following the departure of Godley and Creme, ‘Deceptive Bends’ and ‘Bloody Tourists’. The main hit singles it was played on 264 are ‘Wall Street Shuffle’, ‘I’m Not In Love’, ‘I’m Mandy Fly Me’, ‘The Things We Do For Love’ and ‘Dreadlock Holiday’. It was used on tours undertaken by the band in the 1970s and early 1980s, including venues such as Wembley Pool, Sydney Opera House, Carnegie Hall, Madison Square Garden, Knebworth (1977, supporting the Stones, an audience of some 280,000) and the Hollywood Bowl.

It is described by the vendor as having normal wear and tear after almost 40 years of use ‘on the road’, has been restored somewhat cosmetically and has received a recent service. The tuning will need some attention by a successful purchaser but this is apparently a simple procedure.

There are videos available of Eric playing the keyboard via the following links: 265 (detail) ‘People In Love’: http://www.youtube.com/watch?v=MgNbS6_ MCMg&list=PL77299C31128F3A18 ‘Wall Street Shuffle’: http://www.youtube.com/watch?v=-967crKpg- M&list=PL77299C31128F3A18 ‘I’m Not In Love’: http://www.youtube.com/ watch?v=tdCY0CgMoq8 ‘Dreadlock Holiday’: http://www.youtube.com/watch?v=Jov- 1_9eO_o

265 265 AC/DC: An Angus Young used and autographed Gibson SG guitar, 266 serial 00550639 impressed to rear of Rory Gallagher: A Spanish guitar and headstock, the cherry red body signed and autographed guitar tutor, inscribed in black marker To Andy thanks the guitar labelled inside the body, Lambera Angus Young AC/DC, in original shaped, plush- Made in Spain Valencia, in check vinyl case; lined case with maker’s tag/leaflet with an ‘Easy Way To Guitar’ tutor, 1973, the £4,000 - 6,000 inside front page signed and inscribed by Rory, €4,700 - 7,000 To Colm good luck with the guitar! Best wishes Rory Gallagher ‘92; and a Tanglewood guitar The property of Andy Morahan, director of pitch pipe three videos shot for AC/DC’s ‘Stiff Upper Lip’ £1,000 - 1,500 album, released in February 2000. This guitar is €1,200 - 1,800 one of several supplied for the shoot and was used by Angus during filming of ‘Safe In New These were given to the vendor’s son by Rory York City’, ‘Stiff Upper Lip’ and ‘Satellite Blues’. after they got to know him when they were On the completion of filming, Angus signed neighbours, living on the Fulham Road, London the guitar and presented it to Andy Morahan. in the early 1990s. 266

Entertainment Memorabilia | 61 274 Queen: An EMI Dutch in-house award for the album ‘A Day At The Races’, May 1977, presented to Mike Stone, EMI-Bovema, in recognition of sales in Holland of more than 120,000 copies £250 - 300 €290 - 350

275 Queen: A BPI Gold award for the album ‘News Of The World’, 1977, presented to Mike Stone, in recognition of sales of more than £300,000 in the UK, BPI certified £600 - 800 €700 - 930 267 268

276 Queen Queen: A German EMI in-house award for the album ‘News Of The World’, 267 269 presented to Mike Stone, Queen: An EMI gold in-house award for Queen: An RIAA Gold award for the single EMI/Electrola, in recognition of sales of more the album ‘Sheer Heart Attack’, ‘Bohemian Rhapsody’, than 250,000 in Germany 1975, presented to Mike Stone, June 1976, presented to Mike Stone, £200 - 300 in recognition of sales of more than £250,00 to commemorate sales in USA of more than €230 - 350 in the UK 1,000,000 copies, RIAA certified (Gold, 3rd £250 - 350 June 1976) 277 €290 - 410 £800 - 1,200 Queen: Two Japanese in-house awards for €930 - 1,400 the singles ‘You’re My Best Friend’ and Lots 267 to 286, 263 and 321 are from the ‘Somebody To Love’, collection of record engineer and producer, 270 1977, presented to Mike Stone, Mike Stone (1951-2002). Queen: An EMI in-house Platinum award Warner Pioneer, Japan, each for the ‘... for the single ‘Bohemian Rhapsody’, Superlative Single...’, Platinum and Gold His career started as an assistant recording 1976, presented to Mike Stone, respectively engineer at Abbey Road Studios in the 1960s, in recognition of sales in the UK of more than £500 - 700 working on some sessions for the ‘Beatles For 1,000,000 copies €580 - 820 Sale’ album. He later moved to Trident Studios, £300 - 500 where he became a tape operator and assistant €350 - 580 278 engineer, working on albums such as Lou Reed’s Queen: A BPI Silver award for the single ‘Transformer’. In 1973, he began his relationship 271 ‘We Are The Champions’, with Queen, working with the band’s producer, Queen: a BPI Silver award for the album 1977, presented to Mike Stone, Roy Thomas Baker. Stone engineered six of the ‘A Day At The Races’, in recognition of sales in the UK of more band’s albums, was a guest vocalist on ‘Good 1976, presented to Mike Stone, than 250,000 copies, BPI certified (Silver, 1st Old-Fashioned Lover Boy’ and was credited as in recognition of sales in the UK of more than October 1977) co-producer with Queen on the album ‘News £100,000, BPI certified £500 - 700 Of The World’. He went on to produce top- £400 - 600 €580 - 820 selling albums for Whitesnake, Asia, Journey €470 - 700 and others. Brian May paid tribute to Stone 279 after his death, writing: ‘Mike’s production style 272 Queen: A BPI Gold award for the single of big chorus building and hitting hard, the Queen: A BPI Gold award for the album ‘We Are The Champions’, ability to treat vocals uniquely, and find space ‘A Day At The Races’, 1978, presented to Mike Stone, in a recording have influenced a generation of 1976, presented to Mike Stone, in recognition of sales in the UK of more than young producers.’ in recognition of sales in the UK of more than of 500,000 copies, BPI certified (Gold, 1st £250,000, BPI certified November 1977) 268 £400 - 600 £600 - 800 Queen: An EMI Gold in-house award for €470 - 700 €700 - 930 the album ‘Queen II’, 1975, presented to Mike Stone, 273 280 in recognition of sales of more than £150,000 Queen: An EMI in-house Platinum award Queen: An RIAA gold award for the single in the UK for the album ‘A Night At The Opera’, ‘We Are The Champions’, £250 - 300 1976, presented to Mike Stone, January 1978, presented to Mike Stone, €290 - 350 in recognition of sales in the UK of more than to commemorate sales of more than 1,000,000 £1,000,000 copies in the USA, RIAA certified (Gold, 25th £300 - 400 January 1978) €350 - 470 £700 - 900 €820 - 1,100

62 | Bonhams 269 270 271

272 273 274

275 276 277

278 279 280

Entertainment Memorabilia | 63 283

281

284

282 285 286

281 283 285 Queen: An RIAA Multi-Platinum award for Queen: An acetate recording of the album Queen: An acetate recording of ‘Flick Of the single ‘We Are The Champions’, ‘Sheer Heart Attack’, The Wrist’, presented to Mike Stone, 1974, 1974, to commemorate sales in the USA of more a double-sided 12 inch, 33 1/3 rpm disc, the the 12 inch, 45rpm disc inscribed in white than 2,000,000 copies, RIAA certified Trident Studios labels inscribed with recording pencil with the title, the reverse cut with four (Platinum, 25th April 1978) details in black ballpoint, the Trident sleeve tracks by an unidentified artiste, the Trident £800 - 1,200 inscribed *For Mike* Queen Studios sleeve also inscribed in white pencil €930 - 1,400 £1,000 - 1,500 ‘’Flick’’ Queen Gash Acetate €1,200 - 1,800 £400 - 500 282 €470 - 580 Queen: A Danish EMI in-house award for 284 the album ‘A Night At The Opera’, Queen: An acetate recording of the album 286 April 1978, presented to Mike Stone, ‘Sheer Heart Attack’, Queen: An acetate recording of the album in recognition of sales in Denmark of 30,000 1974, ‘A Day At The Races’, units a double-sided 12 inch, 33 1/3 rpm disc, 1976, £200 - 300 labels for The Mastering Lab, Los Angeles with comprising two single-sided, 12inch 33 1/3rpm €230 - 350 typewritten recording details, inner sleeve discs the Sterling Sound Inc., New York labels stamped 22 OCT 1974 and with matrix, The with typewritten recording details and dated Mastering Lab cover inscribed in ballpoint Queen 11/21/76, in Sterling Sound Inc. cover bearing £1,000 - 1,500 label with typewritten details and date €1,200 - 1,800 £1,000 - 1,500 €1,200 - 1,800

64 | Bonhams 291 289

287

288 (part) 290 292

287 289 292 Queen: An autographed white label Queen: An autographed programme, Sex Pistols: A demo cassette recording, pressing of the album ‘A Kind Of Magic’, ‘A Night At The Opera’ UK tour, 1976, 1986, November/December 1975, the Emitape C60 tape with seven tracks listed matrix EU 3509, the sleeve signed by Freddie the front cover signed by Freddie Mercury, on one side, the other inscribed Sex Pistols Mercury, Brian May, Roger Taylor and John Brian May, John Deacon and Roger Taylor in demos (Wessex?) (October 76), the inlay Deacon in black marker pen blue ballpoint, also signed in blue and black inscribed Dave Goodman July 1976 and Sex £500 - 700 ballpoints by Noddy Holder and Jim Lea of Pistols 1976, with statement of provenance €580 - 820 Slade £500 - 700 £500 - 800 €580 - 820 Ex-lot 368, Bonhams Knightsbridge, 25th €580 - 930 November 2008. The Pistols’ demos on this tape comprise: Punk ‘Submission’,’I Wanna Be Me’,’No Feelings’, 288 ‘Pretty Vacant’, ‘Lazy Sod’ (aka ‘17’), ‘Anarchy In The UK’ and ‘Satellite’. Produced by Dave Queen: A rare promo kite for the album ‘A 290 Goodman, they were first recorded at Denmark Day At The Races’ and other items, The Sex Pistols: A flyer for the ‘Punk Street rehearsal room, London, 13th-30th July the 1976 kite in black vinyl printed with band Special’, 100 Club, London, 1976, then mixed/overdubbed at Riverside logo, in original polythene tube with lines, tails 20th September 1976, Studios, London, July 1976. Originally recorded and instruction sheet; together with Factory black and white, 8¼ x 11½ inches (21x29.5cm) on a 4-track mixing desk, they were later Sample/Demonstration pressings of the albums £250 - 300 mixed and overdubbed at Riverside Studios in ‘Queen II’, ‘A Night At The Opera’, ‘Live Killers’, €290 - 350 ‘Jazz’ and ‘Flash Gordon’, Factory Sample Chiswick (not the same Riverside Studios the album cassettes of ‘The Game’ and ‘News Of fledgling Sex Pistols had used for rehearsals 291 The World’, with ‘Encyclopedia Of Science before Johnny Rotten joined the group). The Sex Pistols: An original ‘Anarchy In The Fiction’, Cathay Books, 1983, which includes UK’ single promo poster, the 1950s’ illustration by Kelly Freas used as ‘I Wanna Be Me’ from this session later turned 1976, the basis for the cover of ‘News Of The World’ up as the B-side for the ‘Anarchy In The UK’ featuring artwork by Jamie Reid, 28½ x 38¼ £350 - 450 single. The version of ‘No Feelings’ would inches (72x97cm) €410 - 530 have been the B-side of the withdrawn A & £600 - 800 M single, ‘God Save The Queen’. Although €700 - 930 the tracks listed have appeared on various CD releases, it is rare to find a contemporary recording in this format.

Entertainment Memorabilia | 65 293 294

295 296 297 295 298 The Sex Pistols: A promo poster for ‘God The Sex Pistols: A ticket for the Sex Pistols Save The Queen’, at ‘Mr. George Nite Spot’, Coventry, 1977, Saturday 17th December 1977, believed to be a test print, the black and white apparently signed by the club manager and image lacking the safety pin, with statement of numbered 1, 4 x 3 inches (10x7.5cm) provenance, 20 x 30 inches (51x76cm) £250 - 300 £300 - 400 €290 - 350 €350 - 470 299 296 The Sex Pistols: Four promo posters for The Sex Pistols: A promo poster for the ‘The Great Rock ‘n’ Roll Swindle’, single ‘Pretty Vacant’, 1978, 1977, comprising: ‘Cosh The Driver’, ‘Crime Pays’, 299 (part) Virgin VS184, featuring the ‘Boredom’ and ‘No One Is Innocent’, and ‘My Way’ by Sid ‘Nowhere’ buses, with letter of provenance, 293 Vicious, with letter of provenance, the largest 28½ x 39½ inches (72.5x100.5cm) The Sex Pistols: Three promotional banners, 27¼ x 37inches (69.2x94cm) £300 - 350 1977, £600 - 800 €350 - 410 including: Never Mind The Bollocks - ‘We Stock €700 - 930 Sex Pistols Whilst Stocks Exist’; Pretty Vacant 297 - two buses; and black and white ‘Sex Pistols’ 300 The Sex Pistols: A large promo poster for promo banner, 6¼ x 18¾ inches (16x47.5cm) (3) The Sex Pistols: A promotional poster for the album ‘Never Mind The Bollocks Here’s £350 - 550 the unofficial album ‘Never Trust A Hippie’, The Sex Pistols’, €410 - 640 1985 1977, £300 - 500 in red and black on fluorescent yellow, 294 €350 - 580 with letter of provenance, 36 x 59½ inches The Sex Pistols: A ‘God Save The Queen’ poster, (91.5x151cm) 1977, £500 - 600 featuring Jamie Reid artwork, 27¼ x 39 inches €580 - 700 (69x99cm) £600 - 800 €700 - 930

66 | Bonhams 301

303

305

301 305 The Sex Pistols: A ‘Young Flesh Required’ Buzzcocks: An original ‘Orgasm Addict’ poster, promo poster, 1979, 1977, the withdrawn Virgin promo for the film ‘The featuring artwork by Linder Sterling, typeset by Great Rock ‘n’ Roll Swindle’ featuring the Malcolm Garrett, on luminous yellow ground, controversial credit card design by Jamie Reid, UP36316, 39 x 28¾ inches (99x73cm) 27¼ x 39¼ inches (69.5x99.5cm) £600 - 800 £500 - 600 €700 - 930 €580 - 700 The ‘Orgasm Addict’ artwork is perhaps Linder 302 Sterling’s most famous pieces. The poster is an Sex Pistols: A ‘Young Flesh Required/The expanded version of the single sleeve with an Great Rock ‘N’ Roll Swindle’ poster, in-your-face Linder Sterling collage tastefully 1979, typeset by Malcolm Garrett creating a brash the withdrawn Virgin promo featuring the punk statement. controversial credit card artwork by Jamie Reid, 27¼ x 39¼ inches (69.5 x 99.5cm) Buzzcocks guitarist/singer Pete Shelley said: ‘It’s £300 - 400 exactly what you want for a record sleeve. As €350 - 470 soon as you see it you can’t get the image out of your head. It was all pretty topshelf back in 1977’. 304 (part) 303 Peter Anderson (British, born 1954): John Linder has explained how she made the collage Lydon, Notting Hill, 1986, “in a Salford bedroom, I had a sheet of glass, hand printed silver gelatin image, from a a scalpel and piles of women’s mags” and that later impression, numbered 3/33, signed and “the iron came from an Argos catalogue and stamped, in 12-inch record size metal frame, the female torso came from a photographic within frame 8½ x 8½ inches (22x22cm) magazine called Photo.” £300 - 500 €350 - 580 306 Rock Against Racism/Anti Nazi League: An 304 original concert poster for ‘Carnival 2’, The Sex Pistols: A group of posters/banners 24th September 1978, and a piece of original Press artwork, featuring Elvis Costello, Aswad and Sham 69, 1970s, 24¾ x 33½ inches (63x84cm) comprising: a ‘Holidays In The Sun’ poster, £300 - 500 banner, single picture sleeve, postcard and €350 - 580 piece of artwork, being paste-up on board, inscribed M/Maker, 6 x 7¼ inches (15 x The second Anti Nazi League carnival was held 306 18.5cm); poster for ‘Pretty Vacant’, Virgin in Brockwell Park, Brixton, London in September promo; and banners for ‘Sex Pistols’, ‘God Save 1978 and had over 100,000 attendants. The Queen’ (plus picture sleeve) and ‘My Way’ £500 - 700 €580 - 820

Entertainment Memorabilia | 67 307 (part)

308 The Clash: A U.S. concert poster, ‘The Clash’, Bronco Bowl Auditorium, 2600 Ft. Worth Ave. at Hampton Rd., Dallas, Sunday June 6, 1982, 33 x 21 inches (84x53.3cm.) £500 - 700 €580 - 820

309 The Clash: A U.S. concert poster, ‘The Clash’, Hofheinz Pavillion, University of Houston, Texas, Saturday, June, 1982, unfolded, 33 x 21 inches (84x53.3cm.) £500 - 700 €580 - 820 310 310 The Clash: Six pages of original Ray Lowry US tour diary artwork for the ‘New Musical Express’, September-October 1979, pen and ink with some collage, drawings and text, full of Lowry’s wry comments on events, including: Meet the Clash at the Second Annual ‘Tribal Stomp’ at Monterey Fairgrounds. Saturday September 8th 1979 on the very same stage Jimi Hendrix abused with his little tin of lighter fuel all those years ago. Ahh history, Ahh bullshit. What had happened was that at the end of the Hendrix/Otis Festival the gates were padlocked, barbed wire was strung around the arena and armed police refused to let anyone enter or leave until yesterday - the first concert of the Clash 1979 Tour Of The Americas. Well, naturally a lot of those inside had died, many had gone insane, thinking it was still 1967, and the really clever ones had gravitated to the backstage area where they humped masses of speaker cabinets around or listlessly pushed drum risers from one side of the stage to the other. The musicians had all escaped in private helicopters but the more impressionable members of the audience carried on applauding and shouting ‘’Rart On!’’ or ‘’Oh Burother!’’at any onstage activity. After 309 308 yesterday’s unlocking the first survivor to make contact with those from 307 outside was the legendary Wavy Gravy. Still at his zingy best after so many Punk, Rock and Heavy Metal: A collection of concert years, he stumbled around dressed in a Santa Claus outfit and demanded posters, the answer to the always pertinent question ‘’What does Diddy Wah Diddy circa 1970s - 1980s, mean?’’ What a cat, huh? When the Clash arrived to play to the dazed artists include - The Damned, The Bollocks Brothers, Wasted survivors the more lively ones gathered round to marvel at their bizarre Youth, The Sex Pistols, Bauhaus, Xmal Deutschland, The dress and photograph these outrageous English guys hairstyles..., one sheet Vibrators, The Poison Girls, The Sisters of Mercy, Alien Sex in two sections, the largest 10½ x 13 inches (26.5x33cm) Fiend, The Cult, The Cramps, Southern Death Cult and £4,000 - 6,000 Orange Juice, majority - 30 x 40 inches (76x102cm.) €4,700 - 7,000 £500 - 700 €580 - 820 These were won by the vendor in a competition run by the NME.

68 | Bonhams 311 (part) 313 316

312 314 315

317 Rock & Pop Memorabilia 1980s - Present

311 313 315 The Jackson 5: Four show-worn tops, Michael Jackson/ The Jacksons: An Michael Jackson: A black wrist strap, 1970s, autographed Jacksons ‘Victory’ World Tour with Velcro® fastenings each of identical design with yellow bodice, ‘84 jacket, £300 - 500 cream puffed sleeves and collar, the front with black satin-look fabric, bomber-style with €350 - 580 member’s name in white felt, comprising Tito, elasticated collar, cuffs and waistband, the back Jackie, Marlon and Jermaine, neck with hook- with embroidered design and signed in silver Provenance: Ex lot 376, Entertainment and-eye fastening, back with zip pen by Michael Jackson, with original tag Memorabilia, Bonhams - London, 3rd July 2012 £1,500 - 2,000 £500 - 700 €1,800 - 2,300 €580 - 820 316 Michael Jackson: An autographed copy of These were worn by the brothers for a sketch According to the information provided by the the vinyl album ‘Bad’, in a 1972 TV special. A photo of them can be original vendor this jacket signed at Madison the front cover signed by Michael in red felt-tip found at: http://mjphotoscollectors.com/web/ Square Garden during 2001. pen over the album title, back cover stamped uploads/1275577634/gallery_4_360_158012. as a CBS demo copy jpg and footage at: http://www.youtube.com/ 314 £800 - 1,200 watch?v=xQwJA4vKEYM&feature=relmfu Michael Jackson: An autographed copy of €930 - 1,400 the vinyl album ‘Bad’, 312 the front cover signed by Michael in red felt- Provenance: A BBC Radio 1 competition prize Michael Jackson: An autograph and tip pen, together with original mailer from the in 1988. See Footnote to lot 314. concert ticket, BBC, dated 15.7.88 and covering letter comprising: an autograph in black marker on £1,000 - 1,500 317 piece of paper with Mayflower Film Recording €1,200 - 1,800 Michael Jackson: An autographed limited Ltd., London label to reverse, typewritten edition ‘Platinum’ award for the album 12.7.1988 Michael Jackson. Signed autograph This and the lot 316 were a competition prize ‘Thriller’ and tour poster, after post sync session on film, ‘’Moonwalker’’ from BBC Radio 1. The letter to the winner the award with plate, signed in pencil by Berlin concert ticket left in studio. Eric Palmer. from the station, dated 15th July 1988, reads: Michael, reading, I, Michael Jackson, certify Chief Projectionist, in card mount with Berlin ‘...At last Michael Jackson has arrived in the that this limited edition award is official and concert ticket for 19th June 1988 UK and has signed your albums, which I have hereby cause my hand to sign this Platinum £350 - 500 pleasure in enclosing...’ Limited Editions award, 18¼ x 23 inches (46.5 €410 - 580 x 58.5cm); together with a tour poster, 1988, Rotterdam, 5th-7th June, 32¾ x 45½ inches (83 x 115.5cm) £1,800 - 2,000 €2,100 - 2,300

Entertainment Memorabilia | 69 318 321 323

320 (part)

322 321 Journey: An RIAA Gold award for the album ‘Escape’ September 1981, presented to Mike Stone, to commemorate sales of more than 500,000 copies in the US, RIAA certified 319 £500 - 600 Michael Jackson: An autographed hotel €580 - 700 notepad, 319 (part) in black ballpoint on a pad from The Palace, 322 Sun City, together with the pen apparently U2: An autographed ‘Achtung Baby’ 20th used by Michael and a hotel brochure, notepad Anniversary Box Set, 6 x 8¼ inches (15x21cm) autographed by the band, 318 £350 - 500 numbered 6693, the box lid signed and Michael Jackson: An autographed issue of €410 - 580 variously inscribed in black marker by the band, ‘People Extra’ magazine, dated 2012 by Bono and Larry, the magnetic November/December 1984, the front cover According to information from the vendor, this puzzle tiled lidded box containing: six CDs, signed by Michael in black marker was acquired from a guest at the hotel who four DVDs, a double vinyl LP, five clear vinyl £300 - 400 obtained the autograph after giving up his 7-inch singles, hardback book, sixteen art prints, €350 - 470 room for Michael’s entourage, who took over sticker sheet, ‘Propaganda’ magazine (special the whole floor. 1991 Achtung Baby issue), a pair of ‘The Fly’ sunglasses and four metal badges, with ‘From Formerly in the collection of Phoenix, former The Sky Down’ documentary film, previously manager of Tito Jackson and publicist for the 320 unreleased material, B-Sides, remixes and rarities Jackson family. Michael Jackson: An autograph and £800 - 1,200 photographs, €930 - 1,400 Provenance: Ex-lot 275, Entertainment 1990s, Memorabilia, Bonhams - Knightsbridge, 15th comprising: a piece of lined paper signed December 2010. by Michael in black marker, with five colour 323 photographs of Michael and entourage at an Peter Anderson (British, born 1954): airport, these dated on the back November Madonna Soho, London, 1983, 1995, signature piece 4 x 5¾ inches hand printed silver gelatin image, from a later (10x14.5cm) impression, in the form of a contact sheet, £350 - 500 numbered 3/25, signed and stamped, in metal €410 - 580 frame, 15 x 21 inches (38x53cm) £400 - 600 €470 - 700

70 | Bonhams 324 Kate Bush: A collection of memorabilia including autograph items and photographs, 1970s-1990s, comprising four various cards and two letters each signed and inscribed by Kate, the letters on personalised stationery and with original envelopes, and a small piece of signed paper; a quantity of photographs, colour and black and white, prints and slides, the majority apparently privately-taken at fan conventions; fan club membership cards and a number of the fanzines, ‘Homeground’; a Kate Bush Band tour pack, 1979 and various songbooks; and a 325 326 number of VHS videos £600 - 800 €700 - 930

325 Annie Lennox/ The Tourists: A set of handwritten lyrics for the song ‘Immune To Life’, late 1970s, inscribed in black ink to both sides of a page of lined paper, ‘IMMUNE TO LIFE, (1) Brother’s getting busted on the street, For sure, he’ll do some time, That man has his troubles, And thank God that they ain’t mine, But the pseudo lady in the orange robes, She thinks its Babylon-, Baby, ya can’t escape that easy, Not until you’re dead & gone, Chorus You wanna be immune to life, You don’t wanna feel no pain, And no strife -, You wanna be immune to life. (2)So you take upon religion...... ’, framed and mounted together with an image of Lennox, the lyric 5 x 7½ inches (13x18.5cm) £500 - 600 327 €580 - 700

326 Annie Lennox/ The Tourists: A handwritten letter regarding the groups separation 327W from their manager, Happy Mondays: A Premier drum kit played dated Nov 8th ‘78, by Gary Whelan, in black ink on blue paper, send to an address natural wood finish, comprising double-head in Crouch End, London - ‘Dear David, This is to 12inch, 13inch and 14inch tom toms and confirm that on Monday 30th October 1978 single-head 18inch bass drum, with statement we did agree to part company. And as from of provenance that day you no longer represent us as our £500 - 700 manager. Yours Sincerely, Ann Lennox (sic). on €580 - 820 behalf of “The Tourists”’, mounted and framed together with an image of Lennox, the letter 5 The statement from Gary Whelan confirms x 6½ inches (13x16.5cm) this kit was used on the debut album, ‘Squirrel £300 - 400 And G-Man 24 Hour Party People Plastic Face €350 - 470 Carnt Smile (White Out)’, 1987, and for live performances during the same period. The Tourists (1977 - 1980) were the first group to feature Annie Lennox and Dave Stewart Proceeds from the sale of this lot will be in their line-up prior to the formation of donated to the Children’s Adventure Farm, ‘Eurythmics’. Cheshire.

324

Entertainment Memorabilia | 71 328

328W Radiohead: A Yamaha U1 piano, used for studio and live work, serial no. 5805037, black case, with matching stool, and a Coby CM- P22 Dynamic microphone signed by Thom, Colin and Philip in silver pen, piano 60 inches (153cm) wide, 47¼ inches (120cm) high, 24inches (61cm) deep £3,000 - 4,000 €3,500 - 4,700

The piano was purchased directly from Radiohead. It is mentioned by the band’s technician as being for sale on the website, http://www. stringsreunited.com/plankarchive.shtml.

329 Radiohead: An autographed poster and CD insert, comprising: a 1995 U.S. promo poster for ‘The Bends’ signed by the band in black markers, and a ‘Just’ insert similarly signed £200 - 300 €230 - 350

329

72 | Bonhams 330W Radiohead: An original painting by Thom Yorke and Stanley Donwood for The Trade Justice Movement, 2005, acrylic on canvas, vertical tear to canvas, signed by both, 122 x 44 inches (310x112cm) £3,500 - 4,000 €4,100 - 4,700

Artist Stanley Donwood (Dan Rickwood) is known for his close association with Radiohead and Thom Yorke. Having met Thom Yorke at University, Donwood has created all Radiohead and Thom Yorke solo projects album art and promotional posters since ‘The Bends’ in 1994.

The Trade Justice Movement was part of the 2005 ‘Make Poverty History’ campaign. This artwork was created as part of an event leading up to the Summer mass lobby.

This lot is being sold to benefit ‘The Trade Justice Movement’.

Please refer to department for further images of Thom Yorke and Stanley Donwood creating the piece.

330

Entertainment Memorabilia | 73 331 332

334

333

332 334 Oasis: A collection of autographed song Oasis: Autographed set lists and sound sheets and other autograph items, check list, comprising seven song sheets signed by the various dates, band in black marker and one signed and comprising: a typewritten set list, Brussels, inscribed Live Forever! by Liam; the back cover 4th June 2005, signed and inscribed by Noel of a ‘Definitely Maybe’ songbook signed by in black marker, True Perfection Has To Be four members in black marker; and a ‘Definitely Imperfect; a similar, Berlin, 10th February 2002, Maybe’ CD booklet signed and inscribed in with guitar choice and tunings added by Noel various pens To Tony by the band in black marker; and a sound check list in 335 £600 - 800 Liam’s hand, four tracks in blue marker with €700 - 930 Noel’s annotations of guitar choice and tunings in red marker, 8¼ x 11¾ inches (21 x 30cm) 331 333 £500 - 600 Oasis: An autographed ‘Definitely Maybe’ Oasis / Jill Furmanovsky: A box set of five €580 - 700 album flat, limited edition giclée prints, signed by the band in blue marker pens, 12¼ 1995 - 1997, 335 inches (32cm) square taken of the band in the UK and USA, each Noel Gallagher’s High Flying Birds: An £200 - 300 signed by the photographer in pencil and with autographed copy of the eponymous €230 - 350 photographers blind stamp, in cardboard box, album, with 10 corresponding 11½ x 8 inches (29x20 cm.) autographed song sheets, Provenance: Ex lot 180, Pop & Guitars, Christie’s, £300 - 500 2011, South Kensington, 10th December 1998. €350 - 580 the album signed and inscribed God bless on the front cover in black marker by Noel, with the ten album song sheets each signed by Noel in red marker pen £300 - 500 €350 - 580

74 | Bonhams 336 337 338

336 339 Robbie Williams: A page of handwritten Coldplay: A Danish platinum award presented lyrics for the song Strong, to production manager Andy Franks, 1999, Chrysalis, October 2005, written in Williams’ hand in black ink on the framed ‘platinum’ award certified by IFPI white paper, some verses omitted and minor Denmark, accompanied by a black and white workings to the chorus, the track from the photograph of the band signed in black ink by album ‘I’ve Been Expecting You’ Chris Martin, Guy Berryman, Johnny Buckland £600 - 800 and Will Champion and various tour passes, €700 - 930 award - 16 x 16 inches (41x41cm.) (3) £300 - 500 During Robbie’s performance at Knebworth, €350 - 580 Williams and the crowd sang ‘Strong’ to beat the world record for the number of people 340 singing karaoke at any one time. Coldplay: Unpublished photographs of the band at The Point, Oxford, 16th March 2000, According to the vendor the lyrics were given comprising thirty-four colour transparencies to Robbie’s manager Andy Franks. mounted as slides, sold with copyright £3,500 - 5,000 337 €4,100 - 5,800 Robbie Williams: A page of handwritten lyrics for the song Deceiving Is Believing, Coldplay formed in 1996 as Pectoralz, but were 1999, Chrysalis,, re-named in 1998. They released three EPs in the 28 lines written in Williams’ hand in black 1998/99 but failed to achieve a hit. Having ink on white notepaper, some verses omitted signed to Parlophone in 1999, they recorded 339 and minor workings to the chorus their first album, ‘Parachutes’ in September £500 - 700 of that year and in early 2000. The first single €580 - 820 from this, ‘Shiver’, was released in March 2000 and entered the UK Top 40. In June the band According to the vendor these lyrics were given embarked on their first headlining tour and to Robbie’s manager Andy Franks. appeared at Glastonbury. The single ‘Yellow’ was released in late June and the debut album 338 in early July. Robbie Williams: Eight lines of handwritten lyrics from John’s Gay, These photographs were taken by the vendor written in black ink in Robbie’s hand on the whilst a student in Oxford. Coldplay were co- back for a set list, titled ‘Europe 1’ songs headlining a UK tour in March-April with the include ‘Let Me Entertain You’ and ‘Angels’ Welsh four-piece band, Terris. These images £500 - 700 capture a live performance of Coldplay just as €580 - 820 they were on the threshold of the enormous worldwide success that was to follow upon the According to the vendor these lyrics were given release of the breakthrough single, ‘Yellow’, to Robbie’s manager Andy Franks. and their first album, ‘Parachutes’. 340 (part)

Entertainment Memorabilia | 75 341 345

The Beatles

341 344 Astrid Kirchherr (German, b.1938): George The Beatles: A set of autographs, Harrison, Hamburg, 1960, circa late 1962, a limited edition lithograph of a contact sheet in blue ballpoints on four pieces of paper, John of George at the Heiligengeistfeld fairground, Lennon and Paul McCartney both dedicated to numbered 60/500 and signed by the Anne on the back of a Beatles Fan Club letter, photographer, 13¼ x 17 inches (34 x 43cm) in clip-frame, 7 x 9½ inches (18x24cm) within mount £1,500 - 2,000 £500 - 600 €1,800 - 2,300 €580 - 700 345 342 The Beatles: A set of autographs, Gerd ‘Germin’ Mingram (German, 1910-2001): late 1962/early 1963, The Beatles in the Top Ten Club, Hamburg, by John Lennon, Paul McCartney, George 1961, Harrison and Ringo Starr in blue ballpoint pen a black and white photograph of John Lennon, on a page from an album, 4½ x 5¾ inches Paul McCartney and George Harrison onstage, (11.5x14.5cm) photographer’s stamp to reverse and inscribed £2,500 - 3,000 ‘Beatles Top Ten 1961’ in blue ballpoint pen, €2,900 - 3,500 344 print 7 x 9½ inches (18x24cm) £200 - 300 €230 - 350

343 Klaus Voormann (German, b.1938): A drawing of The Beatles, pencil and black ink, signed and inscribed in black ink by the artist, Für meinen Fryderyk Dein Klaus, unframed, 8 x 11½ inches (20x29.5cm) £300 - 500 €350 - 580

Inscribed to photographer Fryderyk Gabowicz.

342 343

76 | Bonhams 348 349 346

347 350

346 348 The Beatles: A black/gold label pressing of The Beatles: An autograph album signed the debut album ‘Please Please Me’, by the Beatles, Roy Orbison and others, 1963, 1960s, mono, PMC 1202, Side 1 with McCartney- one page signed by John Lennon, Paul Lennon compositions publishing credit to Dick McCartney, George Harrison and Ringo Starr in James Mus. Co., Side 2 with Northern Songs blue and black ballpoints, Ringo adding Beatles, credit for ‘Do You Want To Know A Secret’ and also signed by, amongst others, Roy Orbison, ‘There’s A Place’ Brenda Lee, Brian Hyland, Del Shannon and £400 - 500 Vince Eager, pages 3 x 5 inches (8x13cm) €470 - 580 £1,800 - 2,000 €2,100 - 2,300 2013 marks the 50th anniversary of this album, first released in the UK on 22nd March 1963. According to the vendor, the Beatles autographs were obtained at the Granada This lot is sold on behalf of Oxfam. Cinema, Tooting, London, 1st June 1963.

347 349 The Beatles: A group of Beatles Fan Club The Beatles: A handbill for their concert at records, the Town Hall, Birmingham, 1963-1970, 4th June 1963, comprising: six Christmas flexidiscs, 1963- complete with ticket order section, 7 x 10 351 1968, two with newsletter, one with insert, inches (18 x 26cm) 1964 also with two magazine clippings £600 - 800 picturing George Harrison’s mother, each in €700 - 930 351 mailer with handwritten date; and ‘From Then Trevor Clark (British, b.1933): A set of To You’, the 1970 compilation album 350 four colour photographic portraits of The £500 - 600 The Beatles: A demo pressing of the single Beatles, €580 - 700 ‘Please Please Me’/’Ask Me Why’, recent bromide prints, each signed by the 1963, photographer and dated 1963 in black marker, Provenance: The Harrison Family Collection. Parlophone, 45-R4983, in card sleeve 20 x 24 inches (51x61cm) £1,000 - 1,200 £300 - 400 €1,200 - 1,400 €350 - 470

Entertainment Memorabilia | 77 353

354 353 353 The Beatles: An unusual acetate recording of the German versions of ‘She Loves You’/’I Wanna Hold Your Hand’, US, a double-sided, 10 inch disc, 45rpm, with Presto labels with recording details in blue ink, in original Presto Recording Corporation, Paramus, New Jersey sleeve £500 - 600 €580 - 700

354 The Beatles: A set of autographs on three album pages, 1963/64, signed by John Lennon, Paul McCartney, George Harrison and Ringo Starr in blue ballpoint and ink, with dedications To Pat, George Harrison and Paul McCartney on either side of one page, 4½ x 5¾ inches (11.5x14.5cm) £1,200 - 1,500 €1,400 - 1,800

355 The Beatles: A piece of the Cavern Club stage and other Cavern/Beatles memorabilia, 1960s, comprising: a section of the wooden stage with card attached reading From The Cavern 352 - Liverpool ‘’The Birthplace of The Beatles’’ Comes This Genuine Piece Of The Cavern Club Stage On Which The Beatles Performed 292 352 Times During The Period 1961 To 1963, with Trevor Clark (British, b.1933): A large original mailing envelope; a contemporary photographic portrait of The Beatles, clipping headlined Beatles stage on sale-5s a ‘Fooling Around’, piece; a 1964 Club membership card and 1967 a recent bromide print, signed by the Club pennant-shaped calendar; items posted photographer and dated 1963 in black to the original recipient of the stage piece - a marker, 30 x 45½ inches (76x115.5cm) Beatles Fan Club photo with stamped Ringo £300 - 400 Starr autograph, a similar with George Harrison €350 - 470 ‘autograph’ in unknown hand, a card from Ringo’s parents with stamped autograph, two letters from Irene Harrison; and a German photo 355 (part) agency print of the Beatles with Pete Best £1,000 - 1,200 €1,200 - 1,400

78 | Bonhams 359

356 (detail)

356 John Lennon: A rare autographed German edition of ‘In His Own Write’ (In Seiner Eigenen Schreibe), 1964, German and English text, the front flyleaf signed and inscribed by John Lennon in black ink £1,500 - 2,000 €1,800 - 2,300

357 The Beatles: An autographed publicity photograph, 1964, signed by John Lennon, Paul McCartney, George Harrison and Ringo Starr in blue and black ballpoints, 8 x 10 inches (20x25cm) £3,000 - 4,000 €3,500 - 4,700

According to the consignor, the autographs were obtained 357 when the Beatles were filming for ‘A Hard Day’s Night’ at the Scala Theatre, March/April 1964.

358 The Beatles: A Hards Day’s Night, United Artists, 1964, British quad poster, rolled, photography by Robert Freeman, 30 x 40 inches (76x102cm) £800 - 1,200 €930 - 1,400

Literature: NOURMAND, Tony & MARSH, Graham, Film Posters of the 1960s, Op.cit, p.124 (illus.)

359 The Beatles: A George Harrison autograph, 1960s, in blue ballpoint on an album page, mounted in card £400 - 500 €470 - 580

360 The Beatles: An autograph book signed by three of the Beatles and others, 1960s, 358 one page signed in blue ballpoints by John Lennon, Paul McCartney and Ringo Starr, Ringo adding Beatles, other signatures include Patrick Macnee, Margaret Lockwood, Harry Secombe, Gerry Marsden, Swinging Blue Jeans, 3 x 4 inches (7.5x10cm) £800 - 1,200 €930 - 1,400

360

Entertainment Memorabilia | 79 361

362 363

361 363 The Beatles: An autograph book signed by The Beatles: An autographed publicity three members of the Beatles and others, photograph, 1960s, 1965, one page signed in blue and black ballpoints the black and white portrait photograph taken by John Lennon, Paul McCartney and George in the Bahamas signed by John Lennon, Paul Harrison, ‘Ringo’s’ autograph probably in McCartney, George Harrison and Ringo Starr in blue George’s hand, other signatures include ballpoint, with indistinct inscription in unknown 364 members of the Hollies, Dave Clark and Prime hand, and additionally signed on the reverse by Minister Harold Macmillan, 3¾ x 4½ inches (9.5x11.5cm) George Harrison in blue ballpoint, mounted, framed £1,200 - 1,800 and glazed, 8 x 10 inches (20.5x25.5cm) €1,400 - 2,100 £2,500 - 3,500 €2,900 - 4,100 362 The Beatles and the Rolling Stones: A 364 collection of autographs, Paul McCartney: An autographed £1 note, 1960s, 1960s, comprising a notebook with laid-in and loose signed in blue ink, the reverse with unknown Metropolitan Police Memo pages, signed by, signature in red ballpoint amongst others, the Beatles, with dedication To £250 - 300 Susan by George, Keith Richards, Brian Jones €290 - 350 (and Mick Jagger on a baker’s paper bag), Brenda Lee, Dusty Springfield, Gene Pitney, P.J. 365 Proby, Adam Faith, Acker Bilk, Gerry Marsden, Robert Freeman (British, b.1936): Paul Freddie Garrity and Bud Flanagan (some McCartney On Idol Lane, multiples), notebook 3¾ x 6¼ inches (9.5x16cm) London 1965, £2,000 - 2,500 a black and white giclée print of Paul €2,300 - 2,900 McCartney staining under Idol Lane street sign, signed by the photographer, mounted and framed, 19½ x 13 inches (49x33cm) £500 - 700 €580 - 820

365

80 | Bonhams 367 (part) 366

368 (part)

369

366 368 369 The Beatles: Help!, The Beatles: A harmonica box and other items, The Beatles: Photographs and related United Artists, 1965, 1966, autographs, British quad poster, 30 x 40 inches (76x102cm) comprising: a box for a Hohner ‘Marine Band’ 1966, £800 - 1,200 harmonica in the key of E; a bar of soap; a comprising: three black and white photographs €930 - 1,400 Golden Virginia tobacco packet; a Pan-Am of the Beatles arriving at the Schloss Hotel, Carry-On Baggage Permit with Munich Airport Tremsbüttel, near Hamburg, and on the Literature: NOURMAND, Tony & MARSH, stamp and a ticket from Munich station; a balcony, and another of the vendor trying on Graham, Film Posters of the 1960s, Op.cit., cigarette box top inscribed in black ballpoint, Paul’s stage jacket; together with a signed Tony p.124 (illus.) probably in Mal Evans’ hand, listing various Sheridan publicity card and a hotel card signed records; two pieces of paper inscribed in black by The Rattles, support band on the Beatles ballpoint in unknown hand, Revolver and Spiral German tour, June 1966 367 Staircase; and a publicity card of the Beatles £150 - 200 The Beatles: Help!, signed in blue ballpoint by Ringo €180 - 230 United Artists, 1965, £250 - 350 French colour lobby stills (Au Secours!), a set of €290 - 410 twelve in original envelope, 8¼ x 10½ inches The photographs of the Beatles were taken by (21x26.5cm) the vendor, an employee of the hotel at the £300 - 500 According to the vendor, an employee at the time. €350 - 580 Schloss Hotel, Tremsbüttel, near Hamburg, these items were left in John’s room after the group’s departure. The group arrived early on 26th June and having slept until the early afternoon, appeared on a balcony to greet the crowd of fans gathered there.

Entertainment Memorabilia | 81 370

370 Bob Dylan / John Lennon: A tan suede jacket, 1960s, labelled Levi’s®, collar with light brown leather facing, two breast pockets and front with press-stud fasteners, with statement of provenance £8,000 - 12,000 €9,300 - 14,000

The statement is by Tony Bramwell, who worked for Brian Epstein and The Beatles throughout the 60s. The Beatles met Bob Dylan several times in London in May 1966, whilst he stayed at the Mayfair Hotel in Jermyn Street. Tony records that Dylan was wearing this jacket, which John admired and, a few days later, the jacket was delivered to the Beatles’ office for John. It turned out to be somewhat on the small side for John so it was passed to Tony, who subsequently wore it for many years.

82 | Bonhams 371 371

371 The Beatles: A rare set of Beatles autographs with Brian Epstein, 1966, signed by John Lennon, Paul McCartney, George Harrison and Ringo Starr and in purple ballpoint by Brian Epstein on the back of a card from the Schloss Hotel, Tremsbüttel, near Hamburg, 6¾ x 9¾ inches (17 x 25cm) open £5,000 - 6,000 €5,800 - 7,000

Autographs obtained by the vendor, who worked at this hotel, during the Beatles’ brief tour to Germany, 23rd-27th June 1966.

372 The Beatles: Two ‘Bravo-Beatles-Blitz-Tournee’ press conference invitations, 1966, at the Hotel Bayerischer Hof, Munich, Thursday 23rd June and the Gruga-Halle, Essen on Saturday 25th June, each 4 x 8¼ inches (10x21cm) £500 - 600 €580 - 700

According to the vendor, an employee at the time at the Schloss Hotel, 372 Tremsbüttel, near Hamburg, these were left behind in George’s room following the band’s departure on 27th June.

373 The Beatles: A menu card from the Beatles’ tour train and Press ticket, Germany, March 1966, comprising: a DSG card typewritten on the front Deutschlandtournee der Liverpooler Beatles München-Essen-Hamburg 25.-26.6.1966, the inside with menu details; an unused ticket for a Press conference at the Ernst Merck Halle, Hamburg, 26th June; together with two notes, one addressed to Mr. McCartney and a business card for Werner R. Bayer Beat-Fotograf, ticket 3 x 6 inches (7.5x15cm) £500 - 600 €580 - 700

The Beatles travelled from Munich to Essen and Hamburg in a specially- chartered train, used the year before by Queen Elizabeth II on a royal visit to West Germany.

According to the vendor, an employee at the Schloss Hotel, Tremsbuttel, near Hamburg, these items were left behind in Paul’s room after the band’s departure on 27th June 373

Entertainment Memorabilia | 83 377

376 (part) 375 (part)

84 | Bonhams 374 The Beatles: Yellow Submarine, King Features, 1968 German poster, linen-backed, art by Heinz Edelmann, 23 x 33 inches (58.5x84cm) £250 - 350 €290 - 410

375 The Beatles: Yellow Submarine, King Features/ United Artists, 1968, an unusual set of nine black and white lobby cards, printed on heavy card with reinforced hole to each corner, including title card, 9 x 13 inches (23x33cm) £250 - 300 €290 - 350

376 The Beatles: Yellow Submarine, King Features/ United Artists, 1968, nine black and white stills, French, one 378 duplicate, in original sleeve, 7 x 9½ inches (18x24cm) £200 - 300 €230 - 350

377 The Beatles: A scarce original ‘Yellow Submarine’ animation background, 1967/68, watercolour on two paper cut-out sections attached to celluloid sheet with scene references ‘Love III Overlay Sc4AB’, 31.5 x 37.5cm (12¼x14¾in) £2,000 - 3,000 €2,300 - 3,500

378 The Beatles: Yellow Submarine, King Features/ United Artists, 1968, British quad poster, first advanced, unfolded, 30 x 40 inches (76x102cm) £1,000 - 1,500 €1,200 - 1,800 379

379 The Beatles: Yellow Submarine, King Features/ United Artists, 1968, British quad poster, second advanced, unfolded, 30 x 40 inches (76x102cm) £1,000 - 1,500 €1,200 - 1,800

380 The Beatles: Yellow Submarine, King Features/ United Artists, 1968, British quad poster, art by Heinz Edelmann, 30 x 40 inches (76x102cm) £1,000 - 1,500 €1,200 - 1,800

Literature: NOURMAND, Tony & MARSH, Graham, Film Posters of the 60s, Taschen, 2005, p.125 (illus.)

380

Entertainment Memorabilia | 85 382 (part)

381 (detail)

383 (part) 383 (part) 384

381 382 383 Paul McCartney: A Rigby & Evens Limited The Beatles: Documents and photographs Pattie Boyd (British, born. 1944): The brass shop plate, part of the inspiration for relating to the ‘Magical Mystery Tour’ Beatles In India, the title of Paul’s composition, ‘Eleanor Rigby’, filming, West Malling, September 1967, 1968, 1966, comprising: a Call Sheet for Sunday 24th a set of five black and white giclée prints framed with photographs of Paul, copy of the September, the ‘Ballroom’ sequence; a sheet taken by Pattie Boyd, of the Beatles while 45rpm single and explanatory text, plate 10 x of instructions for the dancers from the visiting Maharishi Mahesh Yogi’s ashram in 15 inches (20.5 x 13cm) Frank & Peggy Spencer dance school, headed Rishikesh, each signed by the photographer £500 - 600 Our Beatles Film ‘Crowd’ Party; a sheet of and numbered 4/150, mounted and framed, €580 - 700 instructions from NEMS Enterprises Ltd.; a majority 8 x 10 inches (20x26cm) letter from the dance school, reading Thank £300 - 500 During a visit to Bristol, in January 1966, to you very much for your help and co-operation €350 - 580 see Jane Asher appearing at the Old Vic, Paul with the Beatles film...especially those who walked past a wine merchant, Rigby & Evens, stayed to the bitter end and did not make a 384 at No. 22 King Street (the Theatre Royal was at fuss in the difficult situation which arose when The Beatles/ Apple Records: A rare unused No. 35). He had already decided on the name the generator broke down...; dance school promotional dartboard, ‘Eleanor’ for the subject of his song-in-the- leaflet and ticket, and newspaper clipping with circa 1969, making but was stuck for a surname: ‘Rigby’ two Daily Express photographs of the dance printed in green and black with Apple logo to struck him as perfect. In ‘Many Years From Now’ filming; ten unpublished black and white the centre, 18 inches (46cm) diameter he remembers ‘...I saw an old shop called Rigby, photographs, to be sold with copyright, taken £1,500 - 2,000 and I thought, Oooh, It’s a very ordinary name by the vendor at West Malling, including shots €1,800 - 2,300 and yet it’s a special name, it was exactly what I of the Beatles’ cars and Ringo on the bus, with wanted. So Eleanor Rigby. I felt great. I’d got it!’ negatives; and the Minolta-16 II camera that took the pictures, in case with Attachment Set Literature: ‘Paul McCartney Many Years From £500 - 700 Now’, Barry Miles, Secker & Warburg, 1997 €580 - 820 ‘A Hard Day’s Write’, Steve Turner, Little, Brown/Carlton, 1994.

Sold in these rooms, lot 753, 17th November 2005 and originally offered on behalf of the ‘Hop Skip And Jump Southwest’ children’s charity.

86 | Bonhams 385 385 (page detail)

385 386 John Lennon: A rare copy of the Paul McCartney: Autographed test unpublished book, ‘Power To The People, pressings of the album ‘Wings At The The Political Thoughts Of John Lennon’, Speed Of Sound’, an uncorrected proof copy, paper covers with 1976, dustjacket stamped Publication 20 APR 1972, comprising two singles-sided, 12 inch discs, New English Library, London, 1972, with a each with whitle label inscribed in unknown handwritten note reading, The compiler of hand with recording details in blue ballpoint, this little opportunist book which was never reverse of A-side signed in blue ink by Paul and published! Peter Haining Editorial Director NEL Linda, the reverse of the B-side signed by Paul £3,000 - 5,000 and Linda and inscribed love to Tony + family €3,500 - 5,800 from ‘the cook of the house’ £1,000 - 1,200 John had always been known as outspoken in €1,200 - 1,400 his views but his increasingly-political stance was signalled by the campaign for peace he and The ‘Tony’ to whom these were originally given Yoko mounted, most notably with the ‘Bed-In’ is legendary British DJ, Tony Prince. held in Amsterdam and then Montreal in 1969. 386 The couple became involved in various causes, 387 John released his song, ‘Power To The People’ in Paul McCartney and Linda McCartney: A March 1971 and, after moving to New York in collection of related memorabilia, September 1971, appeared in demonstrations including; and performed at benefit concerts. In February two MPL ‘We’ve Moved’ packs with envelopes 1972, the couple’s US visas expired and in early (limited edition of 1000) one with original March, their temporary extensions were revoked. flexidisc, three large images of Soho Sq. used They were then given deportation orders, due for the pack, two ‘Linda McCartney’s Little to John’s drug conviction in London in 1968 Calendar in aid of War Child 1995’, and three and a four year battle to stay in the US began. further Linda McCartney calendars of dating The couple had many high-profile supporters, from 1981, 1983 and 1995 including John Lindsay, mayor of New York City, £500 - 600 who wrote to the Commissioner of Immigration €580 - 700 and Naturalisation in Washington, DC, asking for the deportation order to be dropped. He argued that the drug conviction was not the real reason behind the order, but that John and Yoko ‘speak out with strong and critical voices on the major issues of the day.’ (‘Lennon’, Ray Coleman, Pan Books, 2000)

It has been suggested that the publication of this book, a compilation of John’s thoughts and opinions expressed in interviews, was halted as it was perceived to have been a possible cause for jeopardising John’s long fight for his US Green Card. He was eventually granted permanent residency in July 1976. 387 (part)

Entertainment Memorabilia | 87 388 Paul McCartney: A prototype of the Soho Square MPL office wall-light, late 1970s/ early 1980s, the Art Deco style wall light, in frosted perspex, copper mounts, and metal backplate, together with two transparencies showing the offices interior, height 11 inches (28cm) £300 - 500 €350 - 580

389 Paul McCartney: Two original MPL Soho 389 Square office related designs, 1975, including; a large design for the ground floor foyer, inscribed ‘Ground Floor Rough/ MPL/ Whitmore-Thomas’ dated ‘1975’, inscribed ‘OK’, together with a concept design drawing for the ‘1st Floor Partners Desk’, with related door panel designs, the largest 29½ x 22 390 inches (75x56cm) £600 - 800 €700 - 930

390 Paul McCartney: An original concept design 389 for his home entrance gates, dated 1977, pencil on Whitmore Thomas logo paper, featuring rabbit and bird motif, with a star, tick and ‘P 10/10’ and two copied Cavendish Avenue extension designs £500 - 600 €580 - 700

391 Paul McCartney: An autographed edition of ‘Paul McCartney Composer/Artist’, First Edition, MPL Communications Inc./Pavilion Books, 1981, the flyleaf signed and inscribed by Paul in blue ballpoint, lots of love To Uncle ERC and auntie GLOR! from nephew Paul Mc and with his characteristic cartoon face added £1,000 - 1,500 €1,200 - 1,800

388 391 Presented to Eric Stewart, who played and collaborated on three of Paul’s solo albums in the 1980s.

392 Paul McCartney & Wings: An autographed copy of the album ‘Wings At The Speed Of Sound’, the front cover signed by Paul McCartney in black marker pen £450 - 500 €530 - 580

According to information from the vendor, this was signed outside Liverpool’s Philharmonic Theatre after the LIPA graduation ceremony on 25th July 2012. It was the last item Paul signed before driving away and there is a 392 394 brief glimpse of the album in footage of the event on Youtube. The autograph reflects the circumstances of the signing.

88 | Bonhams 393

399

397 (part)

395

393 Paul McCartney: Three items of presentation jewellery, given to Eric Stewart, 1980s, comprising: a ‘Tug Of War’ tie-clip in 398 (part) hallmarked gold with one small stone, engraved on the reverse Love and Thanx!! Paul + Linda ERIC; a ‘Pipes Of Peace’ silver- coloured medal, reverse reading Presented To Eric Stewart Love Paul & Linda McCartney, 395 398* with certificate reading Pipes of Peace Medal Paul McCartney: An oversized signature George Harrison: A pair of plaster casts of presented to Eric Stewart For conspicuous and sketch, George Harrison’s hands, services above and beyond the call of duty, in black ink in Paul McCartney’s hand, in 1995, without whose initiative, inspiration and common mount with a concert ticket Paul one of just two pairs made, with background personal effort the success of this campaign McCartney, Cornwall Coliseum, Friday 7th June details and certificate, including a photograph would have been possible, signed by Paul and 1991, framed, 43½ x 25½ inches (111x65cm.) of George and the cast-maker, together with dated September 1984; and a pair of ‘Press To £600 - 800 a sheet of Celebrity Impressions headed paper Play’ hallmarked gold cufflinks, each with two €700 - 930 signed in black ink by George Harrison. small stones and engraved Eric on the reverse, £800 - 1,200 cleaning cloth with printed message from Paul 396 €930 - 1,400 and Linda, each piece in original box Paul McCartney and Ringo Starr: Two £600 - 800 autographed CD album booklets, The vendor made a number of hand casts and €700 - 930 comprising ‘Ecce Cor Meum’ signed by Paul imprints of Formula 1 drivers, sporting stars and ‘Yellow Submarine’ by Ringo, each in black and entertainers between 1990 and 2000. He Presented to Eric Stewart, who played and marker met George at the Adelaide F1 Grand Prix in collaborated on three of Paul’s solo albums in £250 - 300 1995. the 1980s. €290 - 350 399 • 394 397 George Harrison: A silk banner sent Paul McCartney and others: An The Beatles: Two limited edition books, from the family of George Harrison for autographed copy of ‘The Popular Voice’ STARR, Ringo ‘Postcards From The Boys’, Christmas 2002, by Derek Jewell (1927-1985), Guildford: Genesis Publications, 2003, number the central section with peacock feather First Edition, André Deutsch, 1980, signed, 1252 of 2500 copies signed by Ringo Starr, design, on suspension string with strips of blue, inscribed and dated twice by the author, also in a red metal and board slip case modelled yellow and purple, approximately 24 x 12½ signed by Paul McCartney, Cleo Laine, John as a British Royal Mail post box, and MARTIN, inches (61 x 32cm) Dankworth, Ronnie Scott, Pete King, Andrew George & PEARSON, William, Peter ‘Summer £500 - 600 Lloyd Webber, Tim Rice, Jon Anderson, Rick Of Love, The Making Of Sgt. Pepper’, €580 - 700 Wakeman, Elaine Paige, Phil Collins, Mike Guildford: Genesis Publications, 2006, number Rutherford and Tony Banks, who all feature in 332 of 1650, signed by George Martin, in a END OF SALE the book presentation card case and original felt sleeve, £300 - 400 with souviner t-shrit (2) €350 - 470 £500 - 700 €580 - 820

Entertainment Memorabilia | 89 Index Film Index Gaslight 23 Gielgud, John 29, 42 2001: A Space Odyssey 86 Girl On A Motorcycle 82 Animal Farm 26 Goldfinger 91 Arabesque 80 Gone With The Wind 6 Around The World In 80 Days 150 Goons, The 152 Astaire, Fred 3 Goose Steps Out, The 13 Bergman, Ingmar 79 Grant, Cary 14 Bergman, Ingrid 22 - 24 Great Escape, The 76 Bigger Splash, A 115 Hardy, Oliver 2 Black Magic 18 Harry Potter 146-149 Blackadder 157 Hayworth, Rita 11 Blade Runner 131 Hepburn, Audrey 69 - 72, Blue Murder At St. Trinians 25 How To Steel A Million 71, 72 Bogarde, Dirk 119 In Old Chicago 5 Bogart, Humphrey 9, 15 Indiana Jones And The Last Crusade 133 – 141 Born Yesterday 12 Ipcress File, The 78 Boyfriend, The 112 James Bond 87 -108 Brando, Marlon 55 Jungle Book, The 53 Braveheart 142-144 Jungle Cat 52 Bridge Too Far, A 119 La Notte 67 Bullitt 109 Lake, Veronica 7 Bus Stop 57 Laurel, Stan 2 Cabaret 113 - 114 Lawrence Of Arabia 75 Callas, Maria 27- 28 Lee, Christopher 111 Casino Royale 99, 108 Leigh, Vivien 34, 37- 41 Chaplin, Charlie 8 - 9 Let’s All Go Down The Strand 44 Clockwork Orange, A 86 Lolita 73 Connery, Sean 123 Loren, Sophia 68 Cool Hand Luke 81 Love Is My Profession 32 Cooper, Gladys 46 Man With The Golden Gun, The 104 - 105 Coronation Street 153 Manhattan 121 Coward, Noel 45 McQueen, Steve 76, 83, 84, 109 Crosby, Bing 3, 7, 11 Merivale, John 41 Dallas 158 Misfits, the 61-64 Day Of The Triffids, Th 74 Mitchum, Robert 20 Dean, James 19 Monroe, Marilyn 57 - 64 Deer Hunter, The 120 Moon Over Miami 10 Diamonds Are Forever 101 - 102 Moonraker 103, 104, 107 Disney, Walt 47 - 53 Octopussy 103 Dr. No 87 Olivier, Laurence 9, 34 Dumbo 51 On Her Majesty’s Secret Service 98 Exodus 66 On The Avenue 4 Fantasia 50 Outlaw Josey Wales, The 118 Flynn, Errol 9 Pacific Vibrations 110 Fonteyn, Margot 9, 30, 31 Perkins, Anthony 68 For Your Eyes Only 104 Raging Bull 122 Ford, Glenn 21 Raiders Of The Lost Ark 141 From Russia With Love 8 - 90 Railway Children, The 43 Garland, Judy 47 Robinson Crusoe On Mars 77

90 | Bonhams Rocky Horror Picture Show 116 Happy Mondays 327 Rogers, Ginger 3 Hard Days Night, A 358 Russell, Jane 9 Harrison, George 341, 398-399 Russia House, The 123 Help! 366-367 Sheridan, Dinah 43 - 46 Hendrix, Jimi 207, 209, 210, 212, 213 Sinatra, Frank 9, 11 High Flying Birds 335 Spitting Image 155 Iron Maiden 262 Spy Who Loved Me, The 103 -104 Jackson 5, The 311 Star Wars 124 - 130 Jackson, Michael 312 -320 Sunset Boulevard 17 Jagger, Mick 172, 176, 177, 179, 181, 183, 190 Superman III 132 Jethro Tull 198-200 Swanson, Gloria 17 Jimi Hendrix Experience, The 206 – 213 Taxi Driver 117 John, Elton 254, 255 Taylor, Elizabeth 54 Journey 321 Thomas Crown Affair, The 83 - 84 Led Zeppelin 227 -230 Thunderball 92 Lennon, John 356, 370, 385 Thunderbirds 154 Lennox, Annie 325, 326 Viva James Bond 100 Lynott, Phil 259 Welles, Orson 16, 18 Madonna 323 Woman Like Satin, A 33 Marriott, Steve 257 Yankee Doodle Dandy 12 McCartney, Paul 364, 365, 386, 396 You Only Live Twice 93-97 Monkees, The 163 Zabriskie Point 67 Oasis 331 – 334 Page, Jimmy 226, 229 Rock and Pop Index Pink Floyd 231-234 Presley, Elvis 159-161 10CC 264 Queen 267 – 289 AC/DC 265 Radiohead 328 – 330 Baker, Ginger 220 Robbie Williams 336 – 338 Beatles, The 341 – 399 Rolling Stones, The 169 – 197 Black Sabbath 258 Sex Pistols, The 290 – 304 Blind Faith 221 Small Faces, The 256 Bob Marley & the Wailers 253 Sonny & Cher 168 Bolan, Marc 250 Starr, Ringo 396, 397 Bowie, David 235-249 Stewart, Eric 264 Bruce, Jack 214-219 Thin Lizzie 260 Bush, Kate 324 Tin Machine 247-249 Buzzcocks 305 Townshend, Pete 202 Clapton, Eric 221-225 U2 322 Clash, The 308-310 Vincent, Gene 164 Coldplay 339, 340 Watts, Charlie 192 Cream 214 – 219 Whitesnake 263 Deep Purple 261 Who, The 201-205 Dylan, Bob 165-167, 370 Wood, Ronnie 194 English, Michael 251 Yellow Submarine 374 – 380 Entwistle, John 203, 205 Young, Angus 265 Gallagher, Noel 335 Ziggy Stardust 238 – 241 Gallagher, Rory 266 Gaye, Marvin 252 Graham Bond Organisation 215

Entertainment Memorabilia | 91 Motor Cars & Automobilia Friday 12 July 2013 Goodwood Festival of Speed

+44 8700 273 619 [email protected]

Illustrated: Steve McQueen’s leather aviator’s jacket, £10,000 - 12,000

Other highlights also include: A ‘Steve McQueen’ Porsche 917 steering wheel from the film “Le Mans” £10,000 - 12,000

Steve McQueen’s presentation script from “Tom Horn” £700 - 900 International Auctioneers and Valuers - bonhams.com/cars 19th & 20th Century Vintage Posters Knightsbridge, London Wednesday 16 October 2013 Entries now invited

Closing date for entries Friday 16 August 2013

+44 (0) 207 393 3860 [email protected]

Alphonse Mucha (Czechoslovakian, 1860-1939) Biscuits Lefèvre-Utile, 1896 £3,300 - £5,300

International Auctioneers and Valuers - bonhams.com/entertainment Prints Wednesday 18 September 2013 at 1pm Knightsbridge, London

Closing date for entries Friday 9 August 2013

+44 (0) 20 7393 3941 [email protected]

Edward Bawden R.A. (British, 1903-1989) St Paul’s (MG. 64) Linocut printed in colours, 1966, on wove, signed, titled and inscribed in pen, 661 x 500mm (B) Sold for £1,200

International Auctioneers and Valuers - bonhams.com/prints Prices shown include buyer’s premium. Details can be found at bonhams.com TCM presents: Classic Movie Memorabilia from Prints Bogart to Batman Wednesday 18 September 2013 at 1pm Knightsbridge, London Monday November 25, 1pm Closing date for entries New York Friday 9 August 2013

+44 (0) 20 7393 3941 [email protected] Highlights Preview Edward Bawden R.A. (British, 1903-1989) June 30-July 2, London St Paul’s (MG. 64) Linocut printed in colours, 1966, on wove, signed, titled and inscribed in pen, 661 x Preview 500mm (B) October 22-27, Los Angeles Sold for £1,200 November 20-25, New York

+1 323 436 5467 [email protected]

A Michael Keaton costume from Batman Returns, 1992

International Auctioneers and Valuers - bonhams.com/prints International Auctioneers and Appraisers – bonhams.com/entertainment Prices shown include buyer’s premium. Details can be found at bonhams.com NOTICE TO BIDDERS This notice is addressed by Bonhams to any person who may a qualified electrician on their status before doing so. Such Bonhams’ behalf which is in any way descriptive of any Lot be interested in a Lot, including Bidders and potential Bidders items which are unsuitable for connection are sold as items of or as to the anticipated or likely selling price of any Lot. No (including any eventual Buyer of the Lot). For ease of reference interest for display purposes only. If you yourself do not have statement or representation by Bonhams or on its behalf in any we refer to such persons as “Bidders” or “you”. Our List of expertise regarding a Lot, you should consult someone who way descriptive of any Lot or any Estimate is incorporated into Definitions and Glossary is incorporated into this Notice to does to advise you. We can assist in arranging facilities for you our Buyer’s Agreement. Bidders. It is at Appendix 3 at the back of the Catalogue. to carry out or have carried out more detailed inspections and Where words and phrases are used in this notice which are in tests. Please ask our staff for details. Alterations the List of Definitions, they are printed in italics. Descriptions and Estimates may be amended at Bonhams’ Any person who damages a Lot will be held liable for the discretion from time to time by notice given orally or in IMPORTANT: Additional information applicable to the Sale loss caused. writing before or during a Sale. may be set out in the Catalogue for the Sale, in an insert in the Catalogue and/or in a notice displayed at the Sale venue 3. DESCRIPTIONS OF LOTS AND ESTIMATES THE LOT IS AVAILABLE FOR INSPECTION AND YOU MUST and you should read them as well. Announcements affecting FORM YOUR OWN OPINION IN RELATION TO IT. YOU ARE Contractual Description of a Lot the Sale may also be given out orally before and during the STRONGLY ADVISED TO EXAMINE ANY LOT OR HAVE IT The Catalogue contains an Entry about each Lot. Each Lot Sale without prior written notice. You should be alert to the EXAMINED ON YOUR BEHALF BEFORE THE SALE. is sold by its respective Seller to the Buyer of the Lot as possibility of changes and ask in advance of bidding if there corresponding only with that part of the Entry which is have been any. 4. CONDUCT OF THE SALE printed in bold letters and (except for the colour, which may be inaccurately reproduced) with any photograph of the Lot 1. OUR ROLE Our Sales are public auctions which persons may attend and in the Catalogue. The remainder of the Entry, which is not you should take the opportunity to do so. We do reserve the printed in bold letters, represents Bonhams’ opinion (given on In its role as Auctioneer of Lots, Bonhams acts solely for and right at our sole discretion to refuse admission to our premises behalf of the Seller) about the Lot only and is not part of the in the interests of the Seller. Bonhams’ job is to sell the Lot at or to any Sale without stating a reason. We have complete Contractual Description in accordance with which the Lot is the highest price obtainable at the Sale to a Bidder. Bonhams discretion as to whether the Sale proceeds, whether any Lot is sold by the Seller. does not act for Buyers or Bidders in this role and does not included in the Sale, the manner in which the Sale is conducted give advice to Buyers or Bidders. When it or its staff make and we may offer Lots for Sale in any order we choose Estimates statements about a Lot or, if Bonhams provides a Condition notwithstanding the numbers given to Lots in the Catalogue. In most cases, an Estimate is printed beside the Entry. Estimates Report on a Lot it is doing that on behalf of the Seller of the You should therefore check the date and starting time of the are only an expression of Bonhams’ opinion made on behalf Lot. Bidders and Buyers who are themselves not expert in Sale, whether there have been any withdrawals or late entries. of the Seller of the range where Bonhams thinks the Hammer the Lots are strongly advised to seek and obtain independent Remember that withdrawals and late entries may affect the Price for the Lot is likely to fall; it is not an Estimate of value. advice on the Lots and their value before bidding for them. time at which a Lot you are interested in is put up for Sale. We It does not take into account any VAT or Buyer’s Premium The Seller has authorised Bonhams to sell the Lot as its agent have complete discretion to refuse any bid, to nominate any payable. Lots can in fact sell for Hammer Prices below and on its behalf and, save where we expressly make it clear to bidding increment we consider appropriate, to divide any Lot, above the Estimate. Any Estimate should not be relied on as an the contrary, Bonhams acts only as agent for the Seller. Any to combine two or more Lots, to withdraw any Lot from a Sale indication of the actual selling price or value of a Lot. Estimates statement or representation we make in respect of a Lot is and, before the Sale has been closed, to put up any Lot for are in the currency of the Sale. made on the Seller’s behalf and, unless Bonhams sells a Lot auction again. Auction speeds can exceed 100 Lots to the hour as principal, not on our behalf and any Contract for Sale is and bidding increments are generally about 10%. However Condition Reports between the Buyer and the Seller and not with us. If Bonhams these do vary from Sale to Sale and from Auctioneer to In respect of most Lots, you may ask for a Condition Report on sells a Lot as principal this will either be stated in the Catalogue Auctioneer. Please check with the department organising the its physical condition from Bonhams. If you do so, this will be or an announcement to that effect will be made by the Sale for advice on this. Where a Reserve has been applied to a provided by Bonhams on behalf of the Seller free of charge. Auctioneer, or it will be stated in a notice at the Sale or an Lot, the Auctioneer may, in his absolute discretion, place bids Bonhams is not entering into a contract with you in respect insert in the Catalogue. (up to an amount not equalling or exceeding such Reserve) on of the Condition Report and accordingly does not assume behalf of the Seller. We are not responsible to you in respect of responsibility to you in respect of it. Nor does the Seller owe or Bonhams does not owe or undertake or agree to any duty the presence or absence of any Reserve in respect of any Lot. If agree to owe you as a Bidder any obligation or duty in respect or responsibility to you in contract or tort (whether direct, there is a Reserve it will normally be no higher than the lower of this free report about a Lot, which is available for your own collateral, express, implied or otherwise). If you successfully bid figure for any Estimate in the Catalogue, assuming that the inspection or for inspection by an expert instructed by you. for a Lot and buy it, at that stage Bonhams does enter into an currency of the Reserve has not fluctuated adversely against However, any written Description of the physical condition of agreement with the Buyer. The terms of that contract are set the currency of the Estimate. The Buyer will be the Bidder who the Lot contained in a Condition Report will form part of the out in our Buyer’s Agreement, which you will find at Appendix makes the highest bid acceptable to the Auctioneer for any Lot Contractual Description of the Lot under which it is sold to 2 at the back of the Catalogue. This will govern Bonhams’ (subject to any applicable Reserve) to whom the Lot is knocked any Buyer. relationship with the Buyer. down by the Auctioneer at the fall of the Auctioneer’s hammer. Any dispute as to the highest acceptable bid will be settled by The Seller’s responsibility to you 2. LOTS the Auctioneer in his absolute discretion. All bids tendered will The Seller does not make or agree to make any representation relate to the actual Lot number announced by the Auctioneer. of fact or contractual promise, Guarantee or warranty and Subject to the Contractual Description printed in bold letters An electronic currency converter may be used at the Sale. This undertakes no obligation or duty, whether in contract or in in the Entry about the Lot in the Catalogue (see paragraph 3 equipment is provided as a general guide as to the equivalent tort (other than to the eventual Buyer as set out above), in below), Lots are sold to the Buyer on an “as is” basis, with amount in certain currencies of a given bid. We do not accept respect of the accuracy or completeness of any statement all faults and imperfections. Illustrations and photographs any responsibility for any errors which may occur in the use of or representation made by him or on his behalf, which is in contained in the Catalogue (other than photographs forming the currency converter. We may use video cameras to record any way descriptive of any Lot or as to the anticipated or part of the Contractual Description) or elsewhere of any Lots the Sale and may record telephone calls for reasons of security likely selling price of any Lot. Other than as set out above, are for identification purposes only. They may not reveal the and to assist in solving any disputes which may arise in relation no statement or representation in any way descriptive of a true condition of the Lot. A photograph or illustration may not to bids made at the Sale. At some Sales, for example, jewellery Lot or any Estimate is incorporated into any Contract for Sale reflect an accurate reproduction of the colour(s) of the Lot. Lots Sales, we may use screens on which images of the Lots will be between a Seller and a Buyer. are available for inspection prior to the Sale and it is for you to projected. This service is provided to assist viewing at the Sale. satisfy yourself as to each and every aspect of a Lot, including The image on the screen should be treated as an indication Bonhams’ responsibility to you its authorship, attribution, condition, provenance, history, only of the current Lot. It should be noted that all bids You have the opportunity of examining the Lot if you want to background, authenticity, style, period, age, suitability, quality, tendered will relate to the actual Lot number announced by and the Contract for Sale for a Lot is with the Seller and not roadworthiness (if relevant), origin, value and estimated selling the Auctioneer. We do not accept any responsibility for any with Bonhams; Bonhams acts as the Seller’s agent only (unless price (including the Hammer Price). It is your responsibility errors which may occur in the use of the screen. Bonhams sells the Lot as principal). to examine any Lot in which you are interested. It should be remembered that the actual condition of a Lot may not be as 5. BIDDING Bonhams undertakes no obligation to you to examine, good as that indicated by its outward appearance. In particular, investigate or carry out any tests, either in sufficient depth or parts may have been replaced or renewed and Lots may not We do not accept bids from any person who has not at all, on each Lot to establish the accuracy or otherwise of any be authentic or of satisfactory quality; the inside of a Lot may completed and delivered to us one of our Bidding Forms, Descriptions or opinions given by Bonhams, or by any person not be visible and may not be original or may be damaged, either our Bidder Registration Form, Absentee Bidding Form on Bonhams’ behalf, whether in the Catalogue or elsewhere. as for example where it is covered by upholstery or material. or Telephone Bidding Form. You will be asked for proof of Given the age of many Lots they may have been damaged and/ identity, residence and references, which, when asked for, you You should not suppose that such examinations, investigations or repaired and you should not assume that a Lot is in good must supply if your bids are to be accepted by us. Please bring or tests have occurred. condition. Electronic or mechanical parts may not operate your passport, driving licence (or similar photographic proof or may not comply with current statutory requirements. You of identity) and proof of address. We may request a deposit Bonhams does not make or agree to make any representation should not assume that electrical items designed to operate from you before allowing you to bid. We may refuse entry of fact, and undertakes no obligation or duty (whether in on mains electricity will be suitable for connection to the to a Sale to any person even if that person has completed a contract or tort) in respect of the accuracy or completeness mains electricity supply and you should obtain a report from Bidding Form. of any statement or representation made by Bonhams or on

NTB/MAIN/5.13 Bidding in person identity of your client in advance, we will be in a position to G Gold bullion exempt from VAT on the Hammer Price You should come to our Bidder registration desk at the Sale address the invoice to your principal rather than you. We will and subject to VAT at the prevailing rate on the Buyer’s venue and fill out a Bidder Registration Form on (or, if possible, require proof of the agent’s client’s identity and residence in Premium before) the day of the Sale. The bidding number system is advance of any bids made by the agent on his behalf. Please • Zero rated for VAT, no VAT will be added to the Hammer sometimes referred to as “paddle bidding”. You will be issued refer to our Conditions of Business and contact our Customer Price or the Buyer’s Premium with a large card (a “paddle”) with a printed number on it. Services Department for further details. a Buyers from within the EU: VAT is payable at the This will be attributed to you for the purposes of the Sale. prevailing rate on just the Buyer’s Premium (NOT the Should you be a successful Bidder you will need to ensure that 6. CONTRACTS BETWEEN THE BUYER AND SELLER Hammer Price). Buyers from outside the EU: VAT is your number can be clearly seen by the Auctioneer and that it AND THE BUYER AND BONHAMS payable at the prevailing rate on both Hammer Price is your number which is identified as the Buyer’s. You should and Buyer’s Premium. If a Buyer, having registered under not let anyone else use your paddle as all Lots will be invoiced On the Lot being knocked down to the Buyer, a Contract for a non-EU address, decides that the item is not to be to the name and address given on your Bidder Registration Sale of the Lot will be entered into between the Seller and exported from the EU, then he should advise Bonhams Form. Once an invoice is issued it will not be changed. If there the Buyer on the terms of the Contract for Sale set out in immediately. is any doubt as to the Hammer Price of, or whether you are the Appendix 1 at the back of the Catalogue. You will be liable to successful Bidder of, a particular Lot, you must draw this to the pay the Purchase Price, which is the Hammer Price plus any In all other instances no VAT will be charged on the Hammer attention of the Auctioneer before the next Lot is offered for applicable VAT. At the same time, a separate contract is also Price, but VAT at the prevailing rate will be added to Buyer’s Sale. At the end of the Sale, or when you have finished bidding entered into between us as Auctioneers and the Buyer. This Premium which will be invoiced on a VAT inclusive basis. please return your paddle to the Bidder registration desk. is our Buyer’s Agreement, the terms of which are set out in Appendix 2 at the back of the Catalogue. Please read the terms 9. PAYMENT Bidding by telephone (only available on lots with a of the Contract for Sale and our Buyer’s Agreement contained low estimate greater than £400) in the Catalogue in case you are the successful Bidder. We It is of critical importance that you ensure that you have readily If you wish to bid at the Sale by telephone, please complete a may change the terms of either or both of these agreements available funds to pay the Purchase Price and the Buyer’s Telephone Bidding Form, which is available from our offices or in advance of their being entered into, by setting out different Premium (plus VAT and any other charges and Expenses to us) in the Catalogue. Please then return it to the office responsible terms in the Catalogue and/or by placing an insert in the in full before making a bid for the Lot. If you are a successful for the Sale at least 24 hours in advance of the Sale. It is your Catalogue and/or by notices at the Sale venue and/or by oral Bidder, payment will be due to us by 4.30 pm on the second responsibility to check with our Bids Office that your bid has announcements before and during the Sale. You should be working day after the Sale so that all sums are cleared by been received. Telephone calls will be recorded. The telephone alert to this possibility of changes and ask if there have been the eighth working day after the Sale. Unless agreed by us in bidding facility is a discretionary service and may not be any. advance payments made by anyone other than the registered available in relation to all Lots. We will not be responsible for Buyer will not be accepted. Payment will have to be by one of bidding on your behalf if you are unavailable at the time of 7. BUYER’S PREMIUM AND OTHER CHARGES the following methods (all cheques should be made payable to the Sale or if the telephone connection is interrupted during PAYABLE BY THE BUYER Bonhams 1793 Limited). Bonhams reserves the right to vary the bidding. Please contact us for further details. terms of payment at any time. Under the Buyer’s Agreement, a premium (the Buyer’s Bidding by post or fax Premium) is payable to us by the Buyer in accordance with the Sterling personal cheque drawn on a UK branch of a bank Absentee Bidding Forms can be found in the back of this terms of the Buyer’s Agreement and at rates set out below, or building society: all cheques must be cleared before you Catalogue and should be completed and sent to the office calculated by reference to the Hammer Price and payable in can collect your purchases; responsible for the Sale. It is in your interests to return your addition to it. Storage charges and Expenses are also payable form as soon as possible, as if two or more Bidders submit by the Buyer as set out in the Buyer’s Agreement. All the sums Bankers draft/building society cheque: if you can provide identical bids for a Lot, the first bid received takes preference. payable to us by the Buyer are subject to VAT. For this Sale the suitable proof of identity and we are satisfied as to the In any event, all bids should be received at least 24 hours following rates of Buyer’s Premium will be payable by Buyers genuineness of the draft or cheque, we will allow you to collect before the start of the Sale. Please check your Absentee of Lots: your purchases immediately; Bidding Form carefully before returning it to us, fully completed 25% up to £25,000 of the Hammer Price and signed by you. It is your responsibility to check with our Cash: you may pay for Lots purchased by you at this Sale with 20% from £25,001 of the Hammer Price Bids Office that your bid has been received. This additional notes, coins or travellers cheques in the currency in which 12% from £500,001 of the Hammer Price service is complimentary and is confidential. Such bids are the Sale is conducted (but not any other currency) provided made at your own risk and we cannot accept liability for our that the total amount payable by you in respect of all Lots On certain Lots, which will be marked “AR” in the Catalogue failure to receive and/or place any such bids. All bids made purchased by you at the Sale does not exceed £3,000, or the and which are sold for a Hammer Price of €1,000 or greater on your behalf will be made at the lowest level possible equivalent in the currency in which the Sale is conducted, at (converted into the currency of the Sale using the European subject to Reserves and other bids made for the Lot. Where the time when payment is made. If the amount payable by you Central Bank Reference rate prevailing on the date of the Sale), appropriate your bids will be rounded down to the nearest for Lots exceeds that sum, the balance must be paid otherwise the Additional Premium will be payable to us by the Buyer to amount consistent with the Auctioneer’s bidding increments. than in coins, notes or travellers cheques; cover our Expenses relating to the payment of royalties under New Bidders must also provide proof of identity and address the Artists Resale Right Regulations 2006. The Additional when submitting bids. Failure to do this will result in your bid Sterling travellers cheques: you may pay for Lots purchased Premium will be a percentage of the amount of the Hammer not being placed. by you at this Sale with travellers cheques, provided the total Price calculated in accordance with the table below, and shall amount payable by you in respect of all Lots purchased by you not exceed €12,500 (converted into the currency of the Sale Bidding via the internet at the Sale does not exceed £3,000. We will need to see your using the European Central Bank Reference rate prevailing on Please visit our Website at http://www.bonhams.com for passport if you wish to pay using travellers cheques; the date of the Sale). details of how to bid via the internet. Hammer Price Percentage amount Bank transfer: you may electronically transfer funds to our Bidding through an agent From €0 to €50,000 4% Trust Account. If you do so, please quote your paddle number Bids will be accepted as placed on behalf of the person named From €50,000.01 to €200,000 3% and invoice number as the reference. Our Trust Account details as the principal on the Bidding Form although we may refuse From €200,000.01 to €350,000 1% are as follows: to accept bids from an agent on behalf of a principal and will From €350,000.01 to €500,000 0.5% Bank: National Westminster Bank Plc require written confirmation from the principal confirming Exceeding €500,000 0.25% Address: PO Box 4RY the agent’s authority to bid. Nevertheless, as the Bidding 250 Regent Street Form explains, any person placing a bid as agent on behalf 8. VAT London W1A 4RY of another (whether or not he has disclosed that fact or the Account Name: Bonhams 1793 Limited Trust Account identity of his principal) will be jointly and severally liable with The prevailing rate of VAT at the time of going to press is 20%, Account Number: 25563009 the principal to the Seller and to Bonhams under any contract but this is subject to government change and the rate payable Sort Code: 56-00-27 resulting from the acceptance of a bid. Subject to the above, will be the rate in force on the date of the Sale. IBAN Number: GB 33 NWBK 560027 25563009 please let us know if you are acting on behalf of another person when bidding for Lots at the Sale. The following symbols are used to denote that VAT is due on If paying by bank transfer, the amount received after the the Hammer Price and Buyer’s Premium: deduction of any bank fees and/or conversion of the currency Equally, please let us know if you intend to nominate another † VAT at the prevailing rate on Hammer Price and Buyer’s of payment to pounds sterling must not be less than the person to bid on your behalf at the Sale unless this is to be Premium sterling amount payable, as set out on the invoice. carried out by us pursuant to a Telephone or Absentee Bidding Ω VAT on imported items at the prevailing rate on Hammer Form that you have completed. If we do not approve the Price and Buyer’s Premium Debit cards: there is no additional charge for purchases made agency arrangements in writing before the Sale, we are entitled * VAT on imported items at a preferential rate of 5% on with personal debit cards, issued by a UK bank. Debit cards to assume that the person bidding at the Sale is bidding on his Hammer Price and the prevailing rate on Buyer’s Premium issued by an overseas bank, deferred and company debit cards own behalf. Accordingly, the person bidding at the Sale will and all credit cards will be subject to a 2% surcharge; be the Buyer and will be liable to pay the Hammer Price and Buyer’s Premium and associated charges. If we approve the

NTB/MAIN/5.13 Union Pay cards: these are now accepted at our Knightsbridge any Description or Estimate made of any Lot, or the conduct modern firearms specialist. All prospective Bidders are advised and New Bond Street offices, when presented in person by the of any Sale in relation to any Lot, whether in damages, for an to consult the ˚ of bore and wall-thickness measurements card holder. These cards are subject to a 2% surcharge. indemnity or contribution, or for a restitutionary remedy or posted in the saleroom and available from the department. otherwise, our and/or the Seller’s liability (combined, if both Bidders should note that guns are stripped only where there Credit cards: Visa and Mastercard only. Please note there is a we and the Seller are liable) will be limited to payment of a is a strong indication of a mechanical malfunction. Stripping 2% surcharge on the total invoice value when payments are sum which will not exceed by way of maximum the amount is not, otherwise, undertaken. Guns intended for use should made using credit cards. It may be advisable to notify your card of the Purchase Price of the Lot irrespective in any case of the be stripped and cleaned beforehand. Hammer guns should provider of your intended purchase in advance to reduce delays nature, volume or source of any loss or damage alleged to be have their rebound mechanisms checked before use. The caused by us having to seek authority when you come to pay. If suffered or sum claimed as due, and irrespective of whether safety mechanisms of all guns must be tested before use. you have any questions with regard to payment, please contact the liability arises from any negligence, other tort, breach All measurements are approximate. our Customer Services Department. of contract (if any) or statutory duty or otherwise. Nothing set out above will be construed as excluding or restricting Original Gun Specifications Derived from Gunmakers 10. COLLECTION AND STORAGE (whether directly or indirectly) our liability or excluding or The Sporting Gun Department endeavours to confirm a gun’s restricting any person’s rights or remedies in respect of (i) fraud, original specification and date of manufacture with makers The Buyer of a Lot will not be allowed to collect it until or (ii) death or personal injury caused by our negligence (or by who hold their original records. payment in full and in cleared funds has been made (unless the negligence of any person under our control or for whom we have made a special arrangement with the Buyer). For we are legally responsible), or (iii) acts or omissions for which Licensing Requirements collection and removal of purchased Lots, please refer to Sale we are liable under the Occupiers Liability Act 1957, or (iv) Firearms Act 1968 as amended Information at the front of the Catalogue. Our offices are any other liability to the extent the same may not be excluded Bonhams is constantly reviewing its procedures and would open 9.00am – 5pm Monday to Friday. Details relating to or restricted as a matter of law or (v) our undertakings under remind you that, in the case of firearms or shotguns subject to the collection of a Lot, the storage of a Lot and our Storage paragraphs 9 (in relation to specialist Stamp or Book Sales only) certification, to conform with current legislation, Bonhams is Contractor after the Sale are set out in the Catalogue. and 10 of the Buyer’s Agreement. The same applies in respect required to see, as appropriate, your original registered firearms of the Seller, as if references to us in this paragraph were dealer’s certificate / shot gun certificate / firearm certificate / 11. SHIPPING substituted with references to the Seller. museum firearms licence / Section 5 authority or import licence (or details of any exemption from which you may benefit, for Please refer all enquiries to our shipping department on: 15. BOOKS instance Crown servant status) for the firearm(s) you have Tel: +44 (0)20 8963 2850/2852 Fax: +44 (0)20 8963 2805 purchased prior to taking full payment of the amount shown Email: [email protected] As stated above, all Lots are sold on an “as is” basis, subject on your invoice. Should you not already be in possession of to all faults, imperfections and errors of Description save as such an authority or exemption, you are required to initially 12. EXPORT/TRADE RESTRICTIONS set out below. However, you will be entitled to reject a Book pay a deposit of 95% of the total invoice with the balance of in the circumstances set out in paragraph 11 of the Buyers 5% payable on presentation of your valid certificate or licence It is your sole responsibility to comply with all export and Agreement. Please note that Lots comprising printed Books, showing your authority to hold the firearm(s) concerned. import regulations relating to your purchases and also to obtain unframed maps and bound manuscripts are not liable to VAT any relevant export and/or import licence(s). Export licences are on the Buyer’s Premium. Please be advised that if a successful Bidder is then unable to issued by Arts Council England and application forms can be produce the correct paperwork, the Lot(s) will be reoffered by obtained from its Export Licensing Unit. The detailed provisions 16. CLOCKS AND WATCHES Bonhams in the next appropriate Sale, on standard terms for of the export licencing arrangements can be found on the ACE Sellers, and you will be responsible for any loss incurred by website http://www.artscouncil.org.uk/what-we-do/supporting- All Lots are sold “as is”, and the absence of any reference Bonhams on the original Sale to you. museums/cultural-property/export-controls/export-licensing/ to the condition of a clock or watch does not imply that or by phoning ACE on +44 (0)20 7973 5188. The need for the Lot is in good condition and without defects, repairs or In the case of RFD certificates and Section 5 authorities, we import licences varies from country to country and you should restorations. Most clocks and watches have been repaired in wish to keep an up-to-date copy on file. Please supply us with acquaint yourself with all relevant local requirements and the course of their normal lifetime and may now incorporate a Fax or photocopy. It would be helpful if you could send us an provisions. The refusal of any import or export licence(s) or parts not original to them. Furthermore, Bonhams makes updated copy whenever your certificate or authority is renewed any delay in obtaining such licence(s) shall not permit the no representation or warranty that any clock or watch is in or changed. rescission of any Sale nor allow any delay in making full working order. As clocks and watches often contain fine and payment for the Lot. Generally, please contact our shipping complex mechanisms, Bidders should be aware that a general Lots marked ‘S1´ and bearing red labels are Section 1 firearms department before the Sale if you require assistance in service, change of battery or further repair work, for which the and require a valid British Firearms certificate, RFD Licence or relation to export regulations. Buyer is solely responsible, may be necessary. Bidders should import licence. be aware that the importation of watches such as Rolex, Frank 13. CITES REGULATIONS Muller and Corum into the United States is highly restricted. Lots marked ‘S2’ and bearing blue labels are Section 2 firearms These watches may not be shipped to the USA and can only be and require a valid British Shotgun certificate, RFD licence or Please be aware that all Lots marked with the symbol Y are imported personally. import licence. subject to CITES regulations when exporting these items outside the EU. These regulations may be found at 17. FIREARMS – PROOF, CONDITION AND Lots marked ‘S5´ and bearing specially marked red labels are http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or may CERTIFICATION Section 5 prohibited firearms and require a valid Section 5 be requested from: Authority or import licence. Proof of Firearms Animal Health and Veterinary Laboratories Agency (AHVLA) The term “proof exemption” indicates that a firearm has Lots marked with a ‘S58´ and bearing yellow labels are for Wildlife Licencing been examined at a Proof House, but not proved, as either obsolete calibres and no licence is required unless ammunition Floor 1, Zone 17, Temple Quay House (a) it was deemed of interest and not intended for use, or (b) is held. 2 The Square, Temple Quay ammunition was not available. In either case, the firearm must BRISTOL BS1 6EB be regarded as unsafe to fire unless subsequently proved. Unmarked Lots require no licence. Tel: +44 (0) 117 372 8774 Firearms proved for Black Powder should not be used with smokeless ammunition. Please do not hesitate to contact the Modern Sporting Gun 14. THE SELLERS AND/OR BONHAMS’ LIABILITY Department should you have any queries. The term “Certificate of Unprovability” indicates that a firearm Other than any liability of the Seller to the Buyer of a Lot has been examined at a Proof House and is deemed both Taxidermy and Related Items under the Contract for Sale, neither we nor the Seller are unsuitable for proof and use. Reproof is required before any As a Seller of these articles, Bonhams undertakes to comply liable (whether in negligence or otherwise) for any error or such firearm is to be used. fully with Cites and DEFRA regulations. Buyers are advised to misdescription or omission in any Description of a Lot or any inform themselves of all such regulations and should expect Estimate in respect of it, whether contained in the Catalogue Guns Sold as Parts the exportation of items to take some time to arrange. or otherwise, whether given orally or in writing and whether Barrels of guns sold as parts will only be made available for given before or during the Sale. Neither we nor the Seller will sleeving and measurements once rendered unserviceable 18. FURNITURE be liable for any loss of Business, profits, revenue or income, or according to the Gun Barrel Proof Act of 1968 to 1978 and the for loss of reputation, or for disruption to Business or wasted Rules of Proof. Upholstered Furniture time on the part of management or staff, or for indirect losses Whilst we take every care in cataloguing furniture which has or consequential damages of any kind, irrespective in any Condition of Firearms been upholstered we offer no Guarantee as to the originality case of the nature, volume or source of the loss or damage Comment in this Catalogue is restricted, in general, to of the wood covered by fabric or upholstery. alleged to be suffered, and irrespective of whether the said exceptional condition and to those defects that might affect loss or damage is caused by or claimed in respect of any the immediate safety of a firearm in normal use. An intending negligence, other tort, breach of contract (if any) or statutory Bidder unable to make technical examinations and assessments duty, restitutionary claim or otherwise. In any circumstances is recommended to seek advice from a gunmaker or from a where we and/or the Seller are liable in relation to any Lot or

NTB/MAIN/5.13 19. JEWELLERY • The date given is that of the image (negative). Where no 24. WINE further date is given, this indicates that the photographic ˜ Ruby and Jadeite print is vintage (the term “vintage” may also be included Lots which are lying under Bond and those liable to VAT may Ruby and jadeite gemstones of Burmese (Myanmar) origin in the Lot Description). A vintage photograph is one which not be available for immediate collection. may not be imported into the US. Rubies and jadeite of was made within approximately 5-10 years of the negative. non–Burmese origin require certification before import Where a second, later date appears, this refers to the date Examining the wines into the US and it is the Buyer’s responsibility to obtain all of printing. Where the exact printing date is not known, but It is occasionally possible to provide a pre-Sale tasting for relevant and required export/import licences, certificates understood to be later, “printed later” will appear in the Lot larger parcels (as defined below). This is generally limited to and documentation before shipping. Failure by the Buyer to Description. more recent and everyday drinking wines. Please contact the successfully import goods into the US does not constitute • Unless otherwise specified, dimensions given are those of department for details. grounds for non payment or cancellation of Sale. Bonhams the piece of paper on which the image is printed, including will not be responsible for any additional costs in this regard any margins. Some photographs may appear in the It is not our policy to inspect every unopened case. In the case howsoever incurred. Catalogue without margins illustrated. of wines older than 20 years the boxes will usually have been • All photographs are sold unframed unless stated in the Lot opened and levels and appearance noted in the Catalogue Gemstones Description. where necessary. You should make proper allowance for Historically many gemstones have been subjected to a variety variations in ullage levels and conditions of corks, capsules of treatments to enhance their appearance. Sapphires and 21. PICTURES and labels. rubies are routinely heat treated to improve their colour and clarity, similarly emeralds are frequently treated with oils or Explanation of Catalogue Terms Corks and Ullages resin for the same purpose. Other treatments such as staining, The following terms used in the Catalogue have the following Ullage refers to the space between the base of the cork and irradiation or coating may have been used on other gemstones. meanings but are subject to the general provisions relating to the wine. Ullage levels for Bordeaux shaped bottles are only These treatments may be permanent, whilst others may need Descriptions contained in the Contract for Sale: normally noted when below the neck and for Burgundy, special care or re-treatment over the years to retain their • “Jacopo Bassano”: in our opinion a work by the artist. Alsace, German and Cognac shaped bottles when greater than appearance. Bidders should be aware that Estimates assume When the artist’s forename(s) is not known, a series of 4 centimetres (cm). Acceptable ullage levels increase with age; that gemstones may have been subjected to such treatments. asterisks, followed by the surname of the artist, whether generally acceptable levels are as follows: A number of laboratories issue certificates that give more preceded by an initial or not, indicates that in our opinion detailed Descriptions of gemstones. However there may not be the work is by the artist named; Under 15 years old – into neck or less than 4cm consensus between different laboratories on the degrees, or • “Attributed to Jacopo Bassano”: in our opinion probably 15 to 30 years old – top shoulder (ts) or up to 5cm types of treatment for any particular gemstone. In the event a work by the artist but less certainty as to authorship is Over 30 years old – high shoulder (hs) or up to 6cm that Bonhams has been given or has obtained certificates expressed than in the preceding category; for any Lot in the Sale these certificates will be disclosed in • “Studio/Workshop of Jacopo Bassano”: in our opinion a It should be noted that ullages may change between the Catalogue. Although, as a matter of policy, Bonhams work by an unknown hand in a studio of the artist which publication of the Catalogue and the Sale and that corks may endeavours to provide certificates from recognised laboratories may or may not have been executed under the artist’s fail as a result of transporting the wine. We will only accept for certain gemstones, it is not feasible to obtain certificates direction; responsibility for Descriptions of condition at the time of for each Lot. In the event that no certificate is published in the • “Circle of Jacopo Bassano”: in our opinion a work by publication of the Catalogue and cannot accept responsibility Catalogue, Bidders should assume that the gemstones may a hand closely associated with a named artist but not for any loss resulting from failure of corks either before or after have been treated. Neither Bonhams nor the Seller accepts any necessarily his pupil; this point. liability for contradictions or differing certificates obtained by • “Follower of Jacopo Bassano”: in our opinion a work by a Buyers on any Lots subsequent to the Sale. painter working in the artist’s style, contemporary or nearly Options to buy parcels contemporary, but not necessarily his pupil; A parcel is a number of Lots of identical size of the same wine, Estimated Weights • “Manner of Jacopo Bassano”: in our opinion a work in the bottle size and Description. The Buyer of any of these Lots has If a stone(s) weight appears within the body of the Description style of the artist and of a later date; the option to accept some or all of the remaining Lots in the in capital letters, the stone(s) has been unmounted and • “After Jacopo Bassano”: in our opinion, a copy of a known parcel at the same price, although such options will be at the weighed by Bonhams. If the weight of the stone(s) is stated work of the artist; Auctioneer’s sole discretion. Absentee Bidders are, therefore, to be approximate and does not appear in capital letters, the • “Signed and/or dated and/or inscribed”: in our opinion the advised to bid on the first Lot in a parcel. stone(s) has been assessed by us within its/their settings, and signature and/or date and/or inscription are from the hand the stated weight is a statement of our opinion only. This of the artist; Wines in Bond information is given as a guide and Bidders should satisfy • “Bears a signature and/or date and/or inscription”: in our Wines lying in Bond are marked Δ and VAT is payable by the themselves with regard to this information as to its accuracy. opinion the signature and/or date and/or inscription have purchaser, at the standard rate, on the Hammer Price, unless been added by another hand. the wines are to remain under Bond. Buyers requiring their Signatures wine to remain in Bond must notify Bonhams at the time of 1. A diamond brooch, by Kutchinsky 22. PORCELAIN AND GLASS the Sale. The Buyer is then himself responsible for all duty, When the maker’s name appears in the title, in Bonhams’ clearance VAT and other charges that may be payable thereon. opinion the piece is by that maker. Damage and Restoration All such Lots must be transferred or collected within two weeks For your guidance, in our Catalogues we detail, as far as of the Sale. 2. A diamond brooch, signed Kutchinsky practicable, recorded all significant defects, cracks and Has a signature that, in Bonhams’ opinion, is authentic but restoration. Such practicable Descriptions of damage cannot Buyers outside the UK must be aware that any forwarding may contain gemstones that are not original, or the piece may be definitive, and in providing Condition Reports, we cannot agent appointed to export their purchases must have a have been altered. Guarantee that there are no other defects present which movement certificate for Lots to be released under Bond. have not been mentioned. Bidders should satisfy themselves 3. A diamond brooch, mounted by Kutchinsky by inspection, as to the condition of each Lot. Please see the Bottling Details and Case Terms Has been created by the jeweller, in Bonhams’ opinion, but Contract for Sale printed in this Catalogue. Because of the The following terms used in the Catalogue have the following using stones or designs supplied by the client. difficulty in determining whether an item of glass has been meanings: repolished, in our Catalogues reference is only made to visible CB – Château bottled 20. PHOTOGRAPHS chips and cracks. No mention is made of repolishing, severe DB – Domaine bottled or otherwise. EstB – Estate bottled Explanation of Catalogue Terms BB – Bordeaux bottled • “Bill Brandt”: in our opinion a work by the artist. 23. VEHICLES BE – Belgian bottled • “Attributed to Bill Brandt”: in our opinion probably a work FB – French bottled by the artist, but less certainty to authorship is expressed The Veteran Car Club of Great Britain GB – German bottled than in the preceding category. OB – Oporto bottled • “Signed and/or titled and/or dated and/or inscribed”: in Dating Plates and Certificates UK – United Kingdom bottled our opinion the signature and/or title and/or date and/or When mention is made of a Veteran Car Club Dating Plate or owc – original wooden case inscription are in the artist’s hand. Dating Certificate in this Catalogue, it should be borne in mind iwc – individual wooden case • “Signed and/or titled and/or dated and/or inscribed in that the Veteran Car Club of Great Britain using the services of oc – original carton another hand”: in our opinion the signature and/or title Veteran Car Company Ltd, does from time to time, review cars and/or date and/or inscription have been added by already dated and, in some instances, where fresh evidence another hand. becomes available, the review can result in an alteration of date. Whilst the Club and Veteran Car Company Ltd make every effort to ensure accuracy, the date shown on the Dating Plate or Dating Certificate cannot be guaranteed as correct and intending purchasers should make their own enquiries as to the date of the car.

NTB/MAIN/5.13 SYMBOLS 2 SELLER’S UNDERTAKINGS 4.2 The Seller will not be liable for any breach of any undertaking, whether implied by the Sale of Goods THE FOLLOWING SYMBOLS ARE USED TO DENOTE 2.1 The Seller undertakes to you that: Act 1979 or otherwise, as to the satisfactory quality of the Lot or its fitness for any purpose. Y Subject to CITES regulations when exporting these items 2.1.1 the Seller is the owner of the Lot or is duly authorised outside the EU, see clause 13. to sell the Lot by the owner; 5 RISK, PROPERTY AND TITLE W Objects displayed with a w will be located in the Bonhams Warehouse and will only be available for 2.1.2 save as disclosed in the Entry for the Lot in the 5.1 Risk in the Lot passes to you when it is knocked collection from this location. Catalogue, the Seller sells the Lot with full title down to you on the fall of the Auctioneer’s ≈ Please note that as a result of recent legislation ruby and guarantee or, where the Seller is an executor, trustee, hammer in respect of the Lot. The Seller will not jadeite gem stones of Burmese (Myanmar) origin may liquidator, receiver or administrator, with whatever be responsible thereafter for the Lot prior to not be imported into the US. Rubies and jadeite of non- right, title or interest he may have in the Lot; you collecting it from Bonhams or the Storage Burmese origin require certification before import into the Contractor, with whom you have separate contract(s) US. 2.1.3 except where the Sale is by an executor, trustee, as Buyer. You will indemnify the Seller and keep the Δ Wines lying in Bond. liquidator, receiver or administrator the Seller is both Seller fully indemnified from and against all claims, AR An Additional Premium will be payable to us by the Buyer legally entitled to sell the Lot, and legally capable proceedings, costs, expenses and losses arising in to cover our Expenses relating to payment of royalties of conferring on you quiet possession of the Lot respect of any injury, loss and damage caused to the under the Artists Resale Right Regulations 2006. See and that the Sale conforms in every respect with Lot after the fall of the Auctioneer’s hammer until clause 7 for details. the terms implied by the Sale of Goods Act 1979, you obtain full title to it. ○ The Seller has been guaranteed a minimum price for the Sections 12(1) and 12(2) (see the Definitions and Lot, either by Bonhams or a third party. This may take Glossary); 5.2 Title to the Lot remains in and is retained by the the form of an irrevocable bid by a third party, who may Seller until the Purchase Price and all other sums make a financial gain on a successful Sale or a financial 2.1.4 the Seller has complied with all requirements, legal or payable by you to Bonhams in relation to the Lot loss if unsuccessful. otherwise, relating to any export or import of the Lot, have been paid in full to, and received in cleared ▲ Bonhams owns the Lot either wholly or partially or may and all duties and taxes in respect of the export or funds by, Bonhams. otherwise have an economic interest. import of the Lot have (unless stated to the contrary in the Catalogue or announced by the Auctioneer) 6 PAYMENT •, †, *, G, Ω, a see clause 8, VAT, for details. been paid and, so far as the Seller is aware, all third parties have complied with such requirements in 6.1 Your obligation to pay the Purchase Price arises when DATA PROTECTION – USE OF YOUR INFORMATION the past; the Lot is knocked down to you on the fall of the Auctioneer’s hammer in respect of the Lot. Where we obtain any personal information about you, we shall 2.1.5 subject to any alterations expressly identified as such only use it in accordance with the terms of our Privacy Policy made by announcement or notice at the Sale venue 6.2 Time will be of the essence in relation to payment (subject to any additional specific consent(s) you may have or by the Notice to Bidders or by an insert in the of the Purchase Price and all other sums payable by given at the time your information was disclosed). A copy of Catalogue, the Lot corresponds with the Contractual you to Bonhams. Unless agreed in writing with you our Privacy Policy can be found on our Website www.bonhams. Description of the Lot, being that part of the Entry by Bonhams on the Seller’s behalf (in which case com or requested by post from Customer Services Department, about the Lot in the Catalogue which is in bold you must comply with the terms of that agreement), 101 New Bond Street, London, W1S 1SR or by email from letters and (except for colour) with any photograph all such sums must be paid to Bonhams by you in [email protected] of the Lot in the Catalogue and the contents of the currency in which the Sale was conducted by any Condition Report which has been provided to not later than 4.30pm on the second working day APPENDIX 1 the Buyer. following the Sale and you must ensure that the funds are cleared by the seventh working day after CONTRACT FOR SALE 3 DESCRIPTIONS OF THE LOT the Sale. Payment must be made to Bonhams by one of the methods stated in the Notice to Bidders unless IMPORTANT: These terms may be changed in advance of the 3.1 Paragraph 2.1.5 sets out what is the Contractual otherwise agreed with you in writing by Bonhams. If Sale of the Lot to you, by the setting out of different terms in Description of the Lot. In particular, the Lot is not you do not pay any sums due in accordance with this the Catalogue for the Sale and/or by placing an insert in the sold as corresponding with that part of the Entry in paragraph, the Seller will have the rights set out in Catalogue and/or by notices at the Sale venue and/or by oral the Catalogue which is not printed in bold letters, paragraph 8 below. announcements before and during the Sale at the Sale venue. which merely sets out (on the Seller’s behalf) You should be alert to this possibility of changes and ask in Bonhams’ opinion about the Lot and which is not 7 COLLECTION OF THE LOT advance of bidding if there have been any. part of the Contractual Description upon which the Lot is sold. Any statement or representation other 7.1 Unless otherwise agreed in writing with you by Under this contract the Seller’s liability in respect of the quality than that part of the Entry referred to in paragraph Bonhams, the Lot will be released to you or to your of the Lot, it’s fitness for any purpose and its conformity with 2.1.5 (together with any express alteration to it order only when Bonhams has received cleared funds any Description is limited. You are strongly advised to examine as referred to in paragraph 2.1.5), including any to the amount of the full Purchase Price and all other the Lot for yourself and/or obtain an independent examination Description or Estimate, whether made orally or in sums owed by you to the Seller and to Bonhams. of it before you buy it. writing, including in the Catalogue or on Bonhams’ Website, or by conduct, or otherwise, and whether 7.2 The Seller is entitled to withhold possession from you 1 THE CONTRACT by or on behalf of the Seller or Bonhams and of any other Lot he has sold to you at the same or whether made prior to or during the Sale, is not part at any other Sale and whether currently in Bonhams’ 1.1 These terms govern the Contract for Sale of the Lot of the Contractual Description upon which the Lot is possession or not until payment in full and in cleared by the Seller to the Buyer. sold. funds of the Purchase Price and all other sums due to the Seller and/or Bonhams in respect of the Lot. 1.2 The Definitions and Glossary contained in Appendix 3 3.2 Except as provided in paragraph 2.1.5, the Seller in the Catalogue are incorporated into this Contract does not make or give and does not agree to make 7.3 You will collect and remove the Lot at your own for Sale and a separate copy can also be provided or give any contractual promise, undertaking, expense from Bonhams’ custody and/ or control or by Bonhams on request. Where words and phrases obligation, guarantee, warranty, or representation from the Storage Contractor’s custody in accordance are used which are in the List of Definitions, they are of fact, or undertake any duty of care, in relation to with Bonhams’ instructions or requirements. printed in italics. any Description of the Lot or any Estimate in relation to it, nor of the accuracy or completeness of any 7.4 You will be wholly responsible for packing, handling 1.3 The Seller sells the Lot as the principal to the Description or Estimate which may have been made and transport of the Lot on collection and for Contract for Sale, such contract being made between by or on behalf of the Seller including by Bonhams. complying with all import or export regulations in the Seller and you through Bonhams which acts in No such Description or Estimate is incorporated into connection with the Lot. the sole capacity as the Seller’s agent and not as this Contract for Sale. an additional principal. However, if the Catalogue 7.5 You will be wholly responsible for any removal, states that Bonhams sells the Lot as principal, or such 4 FITNESS FOR PURPOSE AND SATISFACTORY storage or other charges or Expenses incurred a statement is made by an announcement by the QUALITY by the Seller if you do not remove the Lot in Auctioneer, or by a notice at the Sale, or an insert accordance with this paragraph 7 and will in the Catalogue, then Bonhams is the Seller for the 4.1 The Seller does not make and does not agree indemnify the Seller against all charges, costs, purposes of this agreement. to make any contractual promise, undertaking, including any legal costs and fees, Expenses and obligation, guarantee, warranty, or representation of losses suffered by the Seller by reason of your 1.4 The contract is made on the fall of the Auctioneer’s fact in relation to the satisfactory quality of the Lot or failure to remove the Lot including any charges hammer in respect of the Lot when it is knocked its fitness for any purpose. due under any Storage Contract. All such sums down to you. due to the Seller will be payable on demand.

NTB/MAIN/5.13 8 FAILURE TO PAY FOR THE LOT 9 THE SELLER’S LIABILITY 10.3 If either party to the Contract for Sale is prevented from performing that party’s respective obligations 8.1 If the Purchase Price for a Lot is not paid to Bonhams 9.1 The Seller will not be liable for any injury, loss or under the Contract for Sale by circumstances beyond in full in accordance with the Contract for Sale damage caused by the Lot after the fall of the its reasonable control or if performance of its the Seller will be entitled, with the prior written Auctioneer’s hammer in respect of the Lot. obligations would by reason of such circumstances agreement of Bonhams but without further notice to give rise to a significantly increased financial you, to exercise one or more of the following rights 9.2 Subject to paragraph 9.3 below, except for breach cost to it, that party will not, for so long as such (whether through Bonhams or otherwise): of the express undertaking provided in paragraph circumstances prevail, be required to perform such 2.1.5, the Seller will not be liable for any breach obligations. This paragraph does not apply to the 8.1.1 to terminate immediately the Contract for Sale of the of any term that the Lot will correspond with any obligations imposed on you by paragraph 6. Lot for your breach of contract; Description applied to it by or on behalf of the Seller, whether implied by the Sale of Goods Act 1979 or 10.4 Any notice or other communication to be given 8.1.2 to resell the Lot by auction, private treaty or any otherwise. under the Contract for Sale must be in writing other means on giving seven days’ written notice to and may be delivered by hand or sent by first class you of the intention to resell; 9.3 Unless the Seller sells the Lot in the course of a post or air mail or fax transmission, if to the Seller, Business and the Buyer buys it as a Consumer, addressed c/o Bonhams at its address or fax number 8.1.3 to retain possession of the Lot; in the Catalogue (marked for the attention of the 9.3.1 the Seller will not be liable (whether in negligence, Company Secretary), and if to you to the address or 8.1.4 to remove and store the Lot at your expense; other tort, breach of contract or statutory duty or in fax number of the Buyer given in the Bidding Form restitution or under the Misrepresentation Act 1967, (unless notice of any change of address is given in 8.1.5 to take legal proceedings against you for any sum or in any other way) for any lack of conformity with, writing). It is the responsibility of the sender of the due under the Contract for Sale and/or damages for or inaccuracy, error, misdescription or omission in notice or communication to ensure that it is received breach of contract; any Description of the Lot or any Entry or Estimate in a legible form within any applicable time period. in relation to the Lot made by or on behalf of 8.1.6 to be paid interest on any monies due (after as well the Seller (whether made in writing, including in 10.5 If any term or any part of any term of the Contract as before judgement or order) at the annual rate the Catalogue, or on the Website, or orally, or by for Sale is held to be unenforceable or invalid, such of 5% per annum above the base rate of National conduct or otherwise) and whether made before or unenforceability or invalidity will not affect the Westminster Bank Plc from time to time to be after this agreement or prior to or during the Sale; enforceability and validity of the remaining terms or calculated on a daily basis from the date upon which the remainder of the relevant term. such monies become payable until the date of actual 9.3.2 the Seller will not be liable for any loss of Business, payment; Business profits or revenue or income or for loss of 10.6 References in the Contract for Sale to Bonhams will, reputation or for disruption to Business or wasted where appropriate, include reference to Bonhams’ 8.1.7 to repossess the Lot (or any part thereof) which has time on the part of the Buyer or of the Buyer’s officers, employees and agents. not become your property, and for this purpose management or staff or, for any indirect losses or (unless the Buyer buys the Lot as a Consumer from consequential damages of any kind, irrespective in 10.7 The headings used in the Contract for Sale the Seller selling in the course of a Business) you any case of the nature, volume or source of the loss are for convenience only and will not affect its hereby grant an irrevocable licence to the Seller by or damage alleged to be suffered, and irrespective interpretation. himself and to his servants or agents to enter upon of whether the said loss or damage is caused by all or any of your premises (with or without vehicles) or claimed in respect of any negligence, other tort, 10.8 In the Contract for Sale “including” means during normal Business hours to take possession of breach of contract, statutory duty, restitutionary “including, without limitation”. the Lot or part thereof; claim or otherwise; 10.9 References to the singular will include reference to 8.1.8 to retain possession of any other property sold to you 9.3.3 in any circumstances where the Seller is liable to you the plural (and vice versa) and reference to any one by the Seller at the Sale or any other auction or by in respect of the Lot, or any act, omission, statement, gender will include reference to the other genders. private treaty until all sums due under the Contract or representation in respect of it, or this agreement for Sale shall have been paid in full in cleared funds; or its performance, and whether in damages, for 10.10 Reference to a numbered paragraph is to a an indemnity or contribution or for a restitutionary paragraph of the Contract for Sale. 8.1.9 to retain possession of, and on three months’ written remedy or in any way whatsoever, the Seller’s liability notice to sell, Without Reserve, any of your other will be limited to payment of a sum which will not 10.11 Save as expressly provided in paragraph 10.12 property in the possession of the Seller and/or of exceed by way of maximum the amount of the nothing in the Contract for Sale confers (or purports Bonhams (as bailee for the Seller) for any purpose Purchase Price of the Lot irrespective in any case of to confer) on any person who is not a party to the (including, without limitation, other goods sold to the nature, volume or source of any loss or damage Contract for Sale any benefit conferred by, or the you) and to apply any monies due to you as a result alleged to be suffered or sum claimed as due, and right to enforce any term of, the Contract for Sale. of such Sale in satisfaction or part satisfaction of any irrespective of whether the liability arises from any amounts owed to the Seller or to Bonhams; and negligence, other tort, breach of contract, statutory 10.12 Where the Contract for Sale confers an immunity duty, bailee’s duty, restitutionary claim or otherwise. from, and/or an exclusion or restriction of, the 8.1.10 so long as such goods remain in the possession of responsibility and/or liability of the Seller, it will also the Seller or Bonhams as its bailee, to rescind the 9.4 Nothing set out in paragraphs 9.1 to 9.3 above will operate in favour and for the benefit ofBonhams, contract for the Sale of any other goods sold to be construed as excluding or restricting (whether Bonhams’ holding company and the subsidiaries you by the Seller at the Sale or at any other auction directly or indirectly) any person’s liability or excluding of such holding company and the successors and or by private treaty and apply any monies received or restricting any person’s rights or remedies in assigns of Bonhams and of such companies and of from you in respect of such goods in part or full respect of (i) fraud, or (ii) death or personal injury any officer, employee and agent of Bonhams and satisfaction of any amounts owed to the Seller or to caused by the Seller’s negligence (or any person such companies, each of whom will be entitled to Bonhams by you. under the Seller’s control or for whom the Seller is rely on the relevant immunity and/or exclusion and/or legally responsible), or (iii) acts or omissions for which restriction within and for the purposes of Contracts 8.2 You agree to indemnify the Seller against all legal the Seller is liable under the Occupiers Liability Act (Rights of Third Parties) Act 1999, which enables the and other costs of enforcement, all losses and other 1957, or (iv) any other liability to the extent the same benefit of a contract to be extended to a person who Expenses and costs (including any monies payable may not be excluded or restricted as a matter of law. is not a party to the contract, and generally at law. to Bonhams in order to obtain the release of the Lot) incurred by the Seller (whether or not court 10 MISCELLANEOUS 11 GOVERNING LAW proceedings will have been issued) as a result of Bonhams taking steps under this paragraph 8 on a 10.1 You may not assign either the benefit or burden of All transactions to which the Contract for Sale applies full indemnity basis together with interest thereon the Contract for Sale. and all connected matters will be governed by and (after as well as before judgement or order) at the construed in accordance with the laws of that part rate specified in paragraph 8.1.6 from the date upon 10.2 The Seller’s failure or delay in enforcing or exercising of the United Kingdom where the Sale takes place which the Seller becomes liable to pay the same until any power or right under the Contract for Sale will and the Seller and you each submit to the exclusive payment by you. not operate or be deemed to operate as a waiver of jurisdiction of the courts of that part of the United his rights under it except to the extent of any express Kingdom, save that the Seller may bring proceedings 8.3 On any resale of the Lot under paragraph 8.1.2, the waiver given to you in writing. Any such waiver will against you in any other court of competent Seller will account to you in respect of any balance not affect the Seller’s ability subsequently to enforce jurisdiction to the extent permitted by the laws of remaining from any monies received by him or on any right arising under the Contract for Sale. the relevant jurisdiction. Bonhams has a complaints his behalf in respect of the Lot, after the payment of procedure in place. all sums due to the Seller and to Bonhams, within 28 days of receipt of such monies by him or on his behalf.

NTB/MAIN/5.13 APPENDIX 2 3 PAYMENT 4.4 If you have not collected the Lot by the date specified in the Notice to Bidders, you authorise us, acting BUYER’S AGREEMENT 3.1 Unless agreed in writing between you and us or as as your agent and on your behalf, to enter into a otherwise set out in the Notice to Bidders, you must contract (the “Storage Contract”) with the Storage IMPORTANT: These terms may be changed in advance of the pay to us by not later than 4.30pm on the second Contractor for the storage of the Lot on the then Sale of the Lot to you, by the setting out of different terms in working day following the Sale: current standard terms and conditions agreed the Catalogue for the Sale and/or by placing an insert in the between Bonhams and the Storage Contractor Catalogue and/or by notices at the Sale venue and/or by oral 3.1.1 the Purchase Price for the Lot; (copies of which are available on request). If the Lot announcements before and during the Sale at the Sale venue. is stored at our premises storage fees at our current You should be alert to this possibility of changes and ask in 3.1.2 a Buyer’s Premium in accordance with the rates set daily rates (currently a minimum of £3 plus VAT per advance of bidding if there have been any. out in the Notice to Bidders, and Lot per day) will be payable from the expiry of the period referred to in paragraph 4.2. These storage 1 THE CONTRACT 3.1.3 if the Lot is marked [AR], an Additional Premium fees form part of our Expenses. which is calculated and payable in accordance with 1.1 These terms govern the contract between Bonhams the Notice to Bidders together with VAT on that sum 4.5 Until you have paid the Purchase Price and any personally and the Buyer, being the person to whom if applicable so that all sums due to us are cleared Expenses in full the Lot will either be held by us as a Lot has been knocked down by the Auctioneer. funds by the seventh working day after the Sale. agent on behalf of the Seller or held by the Storage Contractor as agent on behalf of the Seller and 1.2 The Definitions and Glossary contained in Appendix 3.2 You must also pay us on demand any Expenses ourselves on the terms contained in the Storage 3 to the Catalogue for the Sale are incorporated payable pursuant to this agreement. Contract. into this agreement and a separate copy can also be provided by us on request. Where words and 3.3 All payments to us must be made in the currency 4.6 You undertake to comply with the terms of any phrases which are defined in the List of Definitions in which the Sale was conducted, using, unless Storage Contract and in particular to pay the charges are used in this agreement, they are printed in italics. otherwise agreed by us in writing, one of the (and all costs of moving the Lot into storage) due Reference is made in this agreement to information methods of payment set out in the Notice to under any Storage Contract. You acknowledge and printed in the Notice to Bidders, printed in the Bidders. Our invoices will only be addressed to the agree that you will not be able to collect the Lot from Catalogue for the Sale, and where such information registered Bidder unless the Bidder is acting as an the Storage Contractor’s premises until you have paid is referred to it is incorporated into this agreement. agent for a named principal and we have approved the Purchase Price, any Expenses and all charges due that arrangement, in which case we will address the under the Storage Contract. 1.3 Except as specified in paragraph 4 of the Notice to invoice to the principal. Bidders the Contract for Sale of the Lot between you 4.7 You will be wholly responsible for packing, handling and the Seller is made on the fall of the Auctioneer’s 3.4 Unless otherwise stated in this agreement all and transport of the Lot on collection and for hammer in respect of the Lot, when it is knocked sums payable to us will be subject to VAT at the complying with all import or export regulations in down to you. At that moment a separate contract is appropriate rate and VAT will be payable by you on connection with the Lot. also made between you and Bonhams on the terms all such sums. in this Buyer’s Agreement. 4.8 You will be wholly responsible for any removal, 3.5 We may deduct and retain for our own benefit from storage, or other charges for any Lot not removed 1.4 We act as agents for the Seller and are not the monies paid by you to us the Buyer’s Premium, in accordance with paragraph 4.2, payable at our answerable or personally responsible to you for any the Commission payable by the Seller in respect current rates, and any Expenses we incur (including breach of contract or other default by the Seller, of the Lot, any Expenses and VAT and any interest any charges due under the Storage Contract), all of unless Bonhams sells the Lot as principal. earned and/or incurred until payment to the Seller. which must be paid by you on demand and in any event before any collection of the Lot by you or on 1.5 Our personal obligations to you are governed by this 3.6 Time will be of the essence in relation to any your behalf. agreement and we agree, subject to the terms below, payment payable to us. If you do not pay the to the following obligations: Purchase Price, or any other sum due to us in 5 STORING THE LOT accordance with this paragraph 3, we will have the 1.5.1 we will, until the date and time specified in the rights set out in paragraph 7 below. We agree to store the Lot until the earlier of your Notice to Bidders or otherwise notified to you, store removal of the Lot or until the time and date set out the Lot in accordance with paragraph 5; 3.7 Where a number of Lots have been knocked down to in the Notice to Bidders, on the Sale Information you, any monies we receive from you will be applied Page or at the back of the catalogue (or if no date 1.5.2 subject to any power of the Seller or us to refuse to firstly pro-rata to pay the Purchase Price of each Lot is specified, by 4.30pm on the seventh day after the release the Lot to you, we will release the Lot to you and secondly pro-rata to pay all amounts due to Sale) and, subject to paragraphs 6 and 10, to be in accordance with paragraph 4 once you have paid Bonhams. responsible as bailee to you for damage to or the loss to us, in cleared funds, everything due to us and the or destruction of the Lot (notwithstanding that it is Seller; 4 COLLECTION OF THE LOT not your property before payment of the Purchase Price). If you do not collect the Lot before the time 1.5.3 we will provide guarantees in the terms set out in 4.1 Subject to any power of the Seller or us to refuse and date set out in the Notice to Bidders (or if no paragraphs 9 and 10. to release the Lot to you, once you have paid to us, date is specified, by 4.30pm on the seventh day in cleared funds, everything due to the Seller and after the Sale) we may remove the Lot to another 1.6 We do not make or give and do not agree to make to us, we will release the Lot to you or as you may location, the details of which will usually be set out or give any contractual promise, undertaking, direct us in writing. The Lot will only be released on in the relevant section of the Catalogue. If you have obligation, Guarantee, warranty, representation of production of a buyer collection document, obtained not paid for the Lot in accordance with paragraph 3, fact in relation to any Description of the Lot or any from our cashier’s office. and the Lot is moved to any third party’s premises, Estimate in relation to it, nor of the accuracy or the Lot will be held by such third party strictly to completeness of any Description or Estimate which 4.2 You must collect and remove the Lot at your own Bonhams’ order and we will retain our lien over the may have been made by us or on our behalf or by expense by the date and time specified in the Notice Lot until we have been paid in full in accordance with or on behalf of the Seller (whether made orally or in to Bidders, or if no date is specified, by 4.30pm on paragraph 3. writing, including in the Catalogue or on Bonhams’ the seventh day after the Sale. Website, or by conduct, or otherwise), and whether 6 RESPONSIBILITY FOR THE LOT made before or after this agreement or prior to or 4.3 For the period referred to in paragraph 4.2, the Lot during the Sale. No such Description or Estimate is can be collected from the address referred to in the 6.1 Only on the payment of the Purchase Price to us incorporated into this agreement between you and Notice to Bidders for collection on the days and times will title in the Lot pass to you. However under the us. Any such Description or Estimate, if made by us specified in the Notice to Bidders. Thereafter, the Contract for Sale, the risk in the Lot passed to you or on our behalf, was (unless Bonhams itself sells Lot may be removed elsewhere for storage and you when it was knocked down to you. the Lot as principal) made as agent on behalf of the must enquire from us as to when and where you can Seller. collect it, although this information will usually be set 6.2 You are advised to obtain insurance in respect of the out in the Notice to Bidders. Lot as soon as possible after the Sale. 2 PERFORMANCE OF THE CONTRACT FOR SALE

You undertake to us personally that you will observe and comply with all your obligations and undertakings to the Seller under the Contract for Sale in respect of the Lot.

NTB/MAIN/5.13 7 FAILURE TO PAY OR TO REMOVE THE LOT 7.3 If you pay us only part of the sums due to us such 9.3 Paragraph 9 will not apply in respect of a Forgery if: AND PART PAYMENTS payment shall be applied firstly to the Purchase Price of the Lot (or where you have purchased more than 9.3.1 the Entry in relation to the Lot contained in the 7.1 If all sums payable to us are not so paid in full at the one Lot pro-rata towards the Purchase Price of each Catalogue reflected the then accepted general time they are due and/or the Lot is not removed in Lot) and secondly to the Buyer’s Premium (or where opinion of scholars and experts or fairly indicated accordance with this agreement, we will without you have purchased more than one Lot pro-rata to that there was a conflict of such opinion or reflected further notice to you be entitled to exercise one or the Buyer’s Premium on each Lot) and thirdly to any the then current opinion of an expert acknowledged more of the following rights (without prejudice to other sums due to us. to be a leading expert in the relevant field; or any rights we may exercise on behalf of the Seller): 7.4 We will account to you in respect of any balance we 9.3.2 it can be established that the Lot is a Forgery only 7.1.1 to terminate this agreement immediately for your hold remaining from any monies received by us in by means of a process not generally accepted for breach of contract; respect of any Sale of the Lot under our rights under use until after the date on which the Catalogue was this paragraph 7 after the payment of all sums due to published or by means of a process which it was 7.1.2 to retain possession of the Lot; us and/or the Seller within 28 days of receipt by us of unreasonable in all the circumstances for us to have all such sums paid to us. employed. 7.1.3 to remove, and/or store the Lot at your expense; 8 CLAIMS BY OTHER PERSONS IN RESPECT OF 9.4 You authorise us to carry out such processes and 7.1.4 to take legal proceedings against you for payment THE LOT tests on the Lot as we in our absolute discretion of any sums payable to us by you (including the consider necessary to satisfy ourselves that the Lot is Purchase Price) and/or damages for breach of 8.1 Whenever it becomes apparent to us that the Lot or is not a Forgery. contract; is the subject of a claim by someone other than you and other than the Seller (or that such a claim 9.5 If we are satisfied that a Lot is a Forgery we will (as 7.1.5 to be paid interest on any monies due to us (after can reasonably be expected to be made), we may, principal) purchase the Lot from you and you will as well as before judgement or order) at the annual at our absolute discretion, deal with the Lot in transfer the title to the Lot in question to us, with rate of 5% per annum above the base lending rate any manner which appears to us to recognise the full title guarantee, free from any liens, charges, of National Westminster Bank Plc from time to time legitimate interests of ourselves and the other parties encumbrances and adverse claims, in accordance to be calculated on a daily basis from the date upon involved and lawfully to protect our position and with the provisions of Sections 12(1) and 12(2) of which such monies become payable until the date of our legitimate interests. Without prejudice to the the Sale of Goods Act 1979 and we will pay to you actual payment; generality of the discretion and by way of example, an amount equal to the sum of the Purchase Price, we may: Buyer’s Premium, VAT and Expenses paid by you in 7.1.6 to repossess the Lot (or any part thereof) which has respect of the Lot. not become your property, and for this purpose 8.1.1 retain the Lot to investigate any question raised or (unless you buy the Lot as a Consumer) you hereby reasonably expected by us to be raised in relation to 9.6 The benefit of paragraph 9 is personal to, and grant an irrevocable licence to us, by ourselves, our the Lot; and/or incapable of assignment by, you. servants or agents, to enter upon all or any of your premises (with or without vehicles) during normal 8.1.2 deliver the Lot to a person other than you; and/or 9.7 If you sell or otherwise dispose of your interest in the business hours to take possession of any Lot or part Lot, all rights and benefits under this paragraph will thereof; 8.1.3 commence interpleader proceedings or seek any cease. other order of any court, mediator, arbitrator or 7.1.7 to sell the Lot Without Reserve by auction, private government body; and/or 9.8 Paragraph 9 does not apply to a Lot made up of or treaty or any other means on giving you three including a Chinese painting or Chinese paintings, a months’ written notice of our intention to do so; 8.1.4 require an indemnity and/or security from you in motor vehicle or motor vehicles, a Stamp or Stamps return for pursuing a course of action agreed to by or a Book or Books. 7.1.8 to retain possession of any of your other property in you. our possession for any purpose (including, without 10 OUR LIABILITY limitation, other goods sold to you or with us for 8.2 The discretion referred to in paragraph 8.1: Sale) until all sums due to us have been paid in full; 10.1 We will not be liable whether in negligence, other 8.2.1 may be exercised at any time during which we have tort, breach of contract or statutory duty or in 7.1.9 to apply any monies received from you for any actual or constructive possession of the Lot, or at restitution or under the Misrepresentation Act 1967 purpose whether at the time of your default or at any time after such possession, where the cessation or in any other way for lack of conformity with or any time thereafter in payment or part payment of of such possession has occurred by reason of any any inaccuracy, error, misdescription or omission in any sums due to us by you under this agreement; decision, order or ruling of any court, mediator, any Description of the Lot or any Entry or Estimate arbitrator or government body; and in respect of it, made by us or on our behalf or by 7.1.10 on three months’ written notice to sell, Without or on behalf of the Seller (whether made in writing, Reserve, any of your other property in our possession 8.2.2 will not be exercised unless we believe that there including in the Catalogue, or on the Bonhams’ or under our control for any purpose (including other exists a serious prospect of a good arguable case in Website, or orally, or by conduct or otherwise) and goods sold to you or with us for Sale) and to apply favour of the claim. whether made before or after this agreement or prior any monies due to you as a result of such Sale in to or during the Sale. payment or part payment of any amounts owed to 9 FORGERIES us; 10.2 Our duty to you while the Lot is at your risk and/or 9.1 We undertake a personal responsibility for any your property and in our custody and/or control is to 7.1.11 refuse to allow you to register for a future Sale or to Forgery in accordance with the terms of this exercise reasonable care in relation to it, but we will reject a bid from you at any future Sale or to require paragraph 9. not be responsible for damage to the Lot or to other you to pay a deposit before any bid is accepted by us persons or things caused by: at any future Sale in which case we will be entitled 9.2 Paragraph 9 applies only if: to apply such deposit in payment or part payment, as 10.2.1 handling the Lot if it was affected at the time of Sale the case may be, of the Purchase Price of any Lot of 9.2.1 your name appears as the named person to whom to you by woodworm and any damage is caused as a which you are the Buyer. the original invoice was made out by us in respect of result of it being affected by woodworm; or the Lot and that invoice has been paid; and 7.2 You agree to indemnify us against all legal and other 10.2.2 changes in atmospheric pressure; nor will we be costs, all losses and all other Expenses (whether or 9.2.2 you notify us in writing as soon as reasonably liable for: not court proceedings will have been issued) incurred practicable after you have become aware that the Lot by us as a result of our taking steps under this is or may be a Forgery, and in any event within one 10.2.3 damage to tension stringed musical instruments; or paragraph 7 on a full indemnity basis together with year after the Sale, that the Lot is a Forgery; and interest thereon (after as well as before judgement or 10.2.4 damage to gilded picture frames, plaster picture order) at the rate specified in paragraph 7.1.5 from 9.2.3 within one month after such notification has been frames or picture frame glass; and if the Lot is or the date upon which we become liable to pay the given, you return the Lot to us in the same condition becomes dangerous, we may dispose of it without same until payment by you. as it was at the time of the Sale, accompanied by notice to you in advance in any manner we think fit written evidence that the Lot is a Forgery and details and we will be under no liability to you for doing so. of the Sale and Lot number sufficient to identify the Lot.

NTB/MAIN/5.13 10.3.1 We will not be liable to you for any loss of Business, the Entry in the Catalogue in respect of the Lot 12.7 The headings used in this agreement are Business profits, revenue or income or for loss of reflected the then accepted general opinion of for convenience only and will not affect its Business reputation or for disruption to Business or scholars and experts or fairly indicated that there was interpretation. wasted time on the part of the Buyer’s management a conflict of such opinion; or or staff or, if you are buying the Lot in the course of 12.8 In this agreement “including” means “including, a Business, for any indirect losses or consequential it can be established that the Lot is a non-conforming without limitation”. damages of any kind, irrespective in any case of Lot only by means of a process not generally the nature, volume or source of the loss or damage accepted for use until after the date on which the 12.9 References to the singular will include reference to alleged to be suffered, and irrespective of whether Catalogue was published or by means of a process the plural (and vice versa) and reference to any one the said loss or damage is caused by or claimed which it was unreasonable in all the circumstances gender will include reference to the other genders. in respect of any negligence, other tort, breach of for us to have employed; or contract, statutory duty, bailee’s duty, a restitutionary 12.10 Reference to a numbered paragraph is to a claim or otherwise. the Lot comprises atlases, maps, autographs, paragraph of this agreement. manuscripts, extra illustrated books, music or 10.3.2 Unless you buy the Lot as a Consumer, in any periodical publications; or 12.11 Save as expressly provided in paragraph 12.12 circumstances where we are liable to you in nothing in this agreement confers (or purports to respect of a Lot, or any act, omission, statement, the Lot was listed in the Catalogue under confer) on any person who is not a party to this representation in respect of it, or this agreement “collections” or “collections and various” or the Lot agreement any benefit conferred by, or the right to or its performance, and whether in damages, for was stated in the Catalogue to comprise or contain enforce any term of, this agreement. an indemnity or contribution or for a restitutionary a collection, issue or Books which are undescribed or remedy or in any way whatsoever, our liability will be the missing text or illustrations are referred to or the 12.12 Where this agreement confers an immunity from, limited to payment of a sum which will not exceed relevant parts of the Book contain blanks, half titles and/or an exclusion or restriction of, the responsibility by way of maximum the amount of the Purchase or advertisements. and/or liability of Bonhams, it will also operate in Price of the Lot plus Buyer’s Premium (less any sum favour and for the benefit of Bonhams’ holding you may be entitled to recover from the Seller) If we are reasonably satisfied that a Lot is a non- company and the subsidiaries of such holding irrespective in any case of the nature, volume or conforming Lot, we will (as principal) purchase the company and the successors and assigns of Bonhams source of any loss or damage alleged to be suffered Lot from you and you will transfer the title to the Lot and of such companies and of any officer, employee or sum claimed as due, and irrespective of whether in question to us, with full title guarantee, free from and agent of Bonhams and such companies, each the liability arises from negligence, other tort, any liens, charges, encumbrances and adverse claims of whom will be entitled to rely on the relevant breach of contract, statutory duty, bailee’s duty, a and we will pay to you an amount equal to the sum immunity and/or exclusion and/or restriction within restitutionary claim or otherwise. of the Purchase Price and Buyer’s Premium paid by and for the purposes of Contracts (Rights of Third you in respect of the Lot. Parties) Act 1999, which enables the benefit of a You may wish to protect yourself against loss by contract to be extended to a person who is not a obtaining insurance. The benefit of paragraph 10 is personal to, and party to the contract, and generally at law. incapable of assignment by, you and if you sell or 10.4 Nothing set out above will be construed as excluding otherwise dispose of your interest in the Lot, all 13 GOVERNING LAW or restricting (whether directly or indirectly) any rights and benefits under this paragraph will cease. person’s liability or excluding or restricting any All transactions to which this agreement applies person’s rights or remedies in respect of (i) fraud, or 12 MISCELLANEOUS and all connected matters will be governed by and (ii) death or personal injury caused by our negligence construed in accordance with the laws of that part (or any person under our control or for whom we are 12.1 You may not assign either the benefit or burden of of the United Kingdom where the Sale takes (or legally responsible), or (iii) acts or omissions for which this agreement. is to take) place and we and you each submit to we are liable under the Occupiers Liability Act 1957, the exclusive jurisdiction of the courts of that part or (iv) any other liability to the extent the same may 12.2 Our failure or delay in enforcing or exercising any of the United Kingdom, save that we may bring not be excluded or restricted as a matter of law, or power or right under this agreement will not operate proceedings against you in any other court of (v) under our undertaking in paragraph 9 of these or be deemed to operate as a waiver of our rights competent jurisdiction to the extent permitted by conditions. under it except to the extent of any express waiver the laws of the relevant jurisdiction. Bonhams has a given to you in writing. Any such waiver will not complaints procedure in place. 11 BOOKS MISSING TEXT OR ILLUSTRATIONS affect our ability subsequently to enforce any right arising under this agreement. DATA PROTECTION – USE OF YOUR INFORMATION Where the Lot is made up wholly of a Book or Books and any Book does not contain text or illustrations (in 12.3 If either party to this agreement is prevented from Where we obtain any personal information about you, we shall either case referred to as a “non-conforming Lot”), performing that party’s respective obligations only use it in accordance with the terms of our Privacy Policy we undertake a personal responsibility for such a under this agreement by circumstances beyond (subject to any additional specific consent(s) you may have non-conforming Lot in accordance with the terms of its reasonable control or if performance of its given at the time your information was disclosed). A copy of this paragraph, if: obligations would by reason of such circumstances our Privacy Policy can be found on our Website www.bonhams. give rise to a significantly increased financial com or requested by post from Customer Services Department, the original invoice was made out by us to you in cost to it, that party will not, for so long as such 101 New Bond Street, London W1S 1SR, United Kingdom or respect of the Lot and that invoice has been paid; circumstances prevail, be required to perform such by email from [email protected]. and obligations. This paragraph does not apply to the obligations imposed on you by paragraph 3. APPENDIX 3 you notify us in writing as soon as reasonably practicable after you have become aware that the Lot 12.4 Any notice or other communication to be given DEFINITIONS AND GLOSSARY is or may be a non-conforming Lot, and in any event under this agreement must be in writing and may within 20 days after the Sale (or such longer period be delivered by hand or sent by first class post or Where these Definitions and Glossary are incorporated, the as we may agree in writing) that the Lot is a non- air mail or fax transmission (if to Bonhams marked following words and phrases used have (unless the context conforming Lot; and for the attention of the Company Secretary), to the otherwise requires) the meanings given to them below. The address or fax number of the relevant party given Glossary is to assist you to understand words and phrases within 20 days of the date of the relevant Sale (or in the Contract Form (unless notice of any change which have a specific legal meaning with which you may not such longer period as we may agree in writing) you of address is given in writing). It is the responsibility be familiar. return the Lot to us in the same condition as it was of the sender of the notice or communication to at the time of the Sale, accompanied by written ensure that it is received in a legible form within any LIST OF DEFINITIONS evidence that the Lot is a non-conforming Lot and applicable time period. details of the Sale and Lot number sufficient to “Additional Premium” a premium, calculated in accordance identify the Lot. 12.5 If any term or any part of any term of this agreement with the Notice to Bidders, to cover Bonhams’ Expenses is held to be unenforceable or invalid, such relating to the payment of royalties under the Artists Resale but not if: unenforceability or invalidity will not affect the Right Regulations 2006 which is payable by the Buyer to enforceability and validity of the remaining terms or Bonhams on any Lot marked [AR] which sells for a Hammer the Entry in the Catalogue in respect of the Lot the remainder of the relevant term. Price which together with the Buyer’s Premium (but excluding indicates that the rights given by this paragraph do any VAT) equals or exceeds 1000 euros (converted into not apply to it; or 12.6 References in this agreement to Bonhams will, where the currency of the Sale using the European Central Bank appropriate, include reference to Bonhams’ officers, Reference rate prevailing on the date of the Sale). employees and agents. “Auctioneer” the representative of Bonhams conducting the Sale.

NTB/MAIN/5.13 “Bidder” a person who has completed a Bidding Form. “Loss and Damage Warranty” means the warranty described “artist’s resale right”: the right of the creator of a work of art “Bidding Form” our Bidding Registration Form, our Absentee in paragraph 8.2 of the Conditions of Business. to receive a payment on Sales of that work subsequent to the Bidding Form or our Telephone Bidding Form. “Loss and Damage Warranty Fee” means the fee described original Sale of that work by the creator of it as set out in the “Bonhams” Bonhams 1793 Limited or its successors or in paragraph 8.2.3 of the Conditions of Business. Artists Resale Right Regulations 2006. assigns. Bonhams is also referred to in the Buyer’s Agreement, “Lot” any item consigned to Bonhams with a view to its Sale “bailee”: a person to whom goods are entrusted. the Conditions of Business and the Notice to Bidders by the at auction or by private treaty (and reference to any Lot will “indemnity”: an obligation to put the person who has words “we”, “us” and “our”. include, unless the context otherwise requires, reference to the benefit of the indemnity in the same position in which “Book” a printed Book offered for Sale at a specialist Book individual items comprised in a group of two or more items he would have been, had the circumstances giving rise to Sale. offered for Sale as one Lot). the indemnity not arisen and the expression “indemnify” is “Business” includes any trade, Business and profession. “Motoring Catalogue Fee” a fee payable by the Seller to construed accordingly. “Buyer” the person to whom a Lot is knocked down by the Bonhams in consideration of the additional work undertaken “interpleader proceedings”: proceedings in the Courts to Auctioneer. The Buyer is also referred to in the Contract for by Bonhams in respect of the cataloguing of motor vehicles determine ownership or rights over a Lot. Sale and the Buyer’s Agreement by the words “you” and and in respect of the promotion of Sales of motor vehicles. “knocked down”: when a Lot is sold to a Bidder, indicated by “your”. “New Bond Street” means Bonhams’ saleroom at 101 New the fall of the hammer at the Sale. “Buyer’s Agreement” the contract entered into by Bonhams Bond Street, London W1S 1SR. “lien”: a right for the person who has possession of the Lot to with the Buyer (see Appendix 2 in the Catalogue). “Notional Charges” the amount of Commission and VAT retain possession of it. “Buyer’s Premium” the sum calculated on the Hammer Price which would have been payable if the Lot had been sold at the “risk”: the possibility that a Lot may be lost, damaged, at the rates stated in the Notice to Bidders. Notional Price. destroyed, stolen, or deteriorate in condition or value. “Catalogue” the Catalogue relating to the relevant Sale, “Notional Fee” the sum on which the Consignment Fee “title”: the legal and equitable right to the ownership of a Lot. including any representation of the Catalogue published on payable to Bonhams by the Seller is based and which is “tort”: a legal wrong done to someone to whom the wrong our Website. calculated according to the formula set out in the Conditions doer has a duty of care. “Commission” the Commission payable by the Seller to of Business. Bonhams calculated at the rates stated in the Contract Form. “Notional Price” the latest in time of the average of the SALE OF GOODS ACT 1979 “Condition Report” a report on the physical condition of a Lot high and low Estimates given by us to you or stated in the provided to a Bidder or potential Bidder by Bonhams on behalf Catalogue or, if no such Estimates have been given or stated, The following is an extract from the Sale of Goods Act 1979: of the Seller. the Reserve applicable to the Lot. “Conditions of Sale” the Notice to Bidders, Contract for Sale, “Notice to Bidders” the notice printed at the back or front of “Section 12 Implied terms about title, etc Buyer’s Agreement and Definitions and Glossary. our Catalogues. “Consignment Fee” a fee payable to Bonhams by the Seller “Purchase Price” the aggregate of the Hammer Price and VAT (1) In a contract of sale, other than one to which subsection calculated at rates set out in the Conditions of Business. on the Hammer Price. (3) below applies, there is an implied term on the part of “Consumer” a natural person who is acting for the relevant “Reserve” the minimum price at which a Lot may be sold the seller that in the case of a sale he has a right to sell purpose outside his trade, Business or profession. (whether at auction or by private treaty). the goods, and in the case of an agreement to sell he “Contract Form” the Contract Form, or vehicle Entry form, as “Sale” the auction Sale at which a Lot is to be offered for Sale will have such a right at the time when the property is to applicable, signed by or on behalf of the Seller listing the Lots by Bonhams. pass. to be offered for Sale by Bonhams. “Sale Proceeds” the net amount due to the Seller from the “Contract for Sale” the Sale contract entered into by the Sale of a Lot, being the Hammer Price less the Commission, any (2) In a contract of sale, other than one to which subsection Seller with the Buyer (see Appendix 1 in the Catalogue). VAT chargeable thereon, Expenses and any other amount due (3) below applies, there is also an implied term that- “Contractual Description” the only Description of the Lot to us in whatever capacity and howsoever arising. (being that part of the Entry about the Lot in the Catalogue “Seller” the person who offers the Lot for Sale named on (a) the goods are free, and will remain free until which is in bold letters, any photograph (except for the colour) the Contract Form. Where the person so named identifies on the time when the property is to pass, from any and the contents of any Condition Report) to which the Seller the form another person as acting as his agent, or where the charge or encumbrance not disclosed or known undertakes in the Contract of Sale the Lot corresponds. person named on the Contract Form acts as an agent for a to the buyer before the contract is made, and “Description” any statement or representation in any principal (whether such agency is disclosed to Bonhams or not), way descriptive of the Lot, including any statement or “Seller” includes both the agent and the principal who shall be (b) the buyer will enjoy quiet possession of the goods representation relating to its authorship, attribution, condition, jointly and severally liable as such. The Seller is also referred to except in so far as it may be disturbed by the provenance, authenticity, style, period, age, suitability, quality, in the Conditions of Business by the words “you” and “your”. owner or other person entitled to the benefit origin, value, estimated selling price (including the Hammer “Specialist Examination” a visual examination of a Lot by a of any charge or encumbrance so disclosed or Price). specialist on the Lot. known. “Entry” a written statement in the Catalogue identifying the “Stamp” means a postage Stamp offered for Sale at a Lot and its Lot number which may contain a Description and Specialist Stamp Sale. (3) This subsection applies to a contract of sale in the case illustration(s) relating to the Lot. “Standard Examination” a visual examination of a Lot by a of which there appears from the contract or is to be “Estimate” a statement of our opinion of the range within non-specialist member of Bonhams’ staff. inferred from its circumstances an intention that the which the hammer is likely to fall. “Storage Contract” means the contract described in seller should transfer only such title as he or a third “Expenses” charges and Expenses paid or payable by paragraph 8.3.3 of the Conditions of Business or paragraph person may have. Bonhams in respect of the Lot including legal Expenses, 4.4 of the Buyer’s Agreement (as appropriate). banking charges and Expenses incurred as a result of an “Storage Contractor” means the company identified as such (4) In a contract to which subsection (3) above applies there electronic transfer of money, charges and Expenses for loss and in the Catalogue. is an implied term that all charges or encumbrances damage cover, insurance, Catalogue and other reproductions “Terrorism” means any act or threatened act of terrorism, known to the seller and not known to the buyer have and illustrations, any customs duties, advertising, packing or whether any person is acting alone or on behalf of or in been disclosed to the buyer before the contract is made. shipping costs, reproductions rights’ fees, taxes, levies, costs of connection with any organisation(s) and/or government(s), testing, searches or enquiries, preparation of the Lot for Sale, committed for political, religious or ideological or similar (5) In a contract to which subsection (3) above applies storage charges, removal charges, removal charges or costs purposes including, but not limited to, the intention to there is also an implied term that none of the following of collection from the Seller as the Seller’s agents or from a influence any government and/or put the public or any section will disturb the buyer’s quiet possession of the goods, defaulting Buyer, plus VAT if applicable. of the public into fear. namely: “Forgery” an imitation intended by the maker or any other “Trust Account” the bank account of Bonhams into which all person to deceive as to authorship, attribution, origin, sums received in respect of the Purchase Price of any (a) the seller; authenticity, style, date, age, period, provenance, culture, Lot will be paid, such account to be a distinct and separate source or composition, which at the date of the Sale had a account to Bonhams’ normal business bank account. (b) in a case where the parties to the contract intend value materially less than it would have had if the Lot had not “VAT” value added tax at the prevailing rate at the date of the that the seller should transfer only such title as a been such an imitation, and which is not stated to be such Sale in the United Kingdom. third person may have, that person; an imitation in any description of the Lot. A Lot will not be a “Website” Bonhams Website at www.bonhams.com Forgery by reason of any damage to, and/or restoration and/ “Withdrawal Notice” the Seller’s written notice to Bonhams (c) anyone claiming through or under the seller or or modification work (including repainting or over painting) revoking Bonhams’ instructions to sell a Lot. that third person otherwise than under a charge having been carried out on the Lot, where that damage, “Without Reserve” where there is no minimum price at or encumbrance disclosed or known to the buyer restoration or modification work (as the case may be) does not which a Lot may be sold (whether at auction or by private before the contract is made. substantially affect the identity of the Lot as one conforming to treaty). the Description of the Lot. (5A) As regards England and Wales and Northern Ireland, the “Guarantee” the obligation undertaken personally by GLOSSARY term implied by subsection (1) above is a condition and Bonhams to the Buyer in respect of any Forgery and, in the the terms implied by subsections (2), (4) and (5) above case of specialist Stamp Sales and/or specialist Book Sales, a Lot The following expressions have specific legal meanings with are warranties.” made up of a Stamp or Stamps or a Book or Books as set out which you may not be familiar. The following glossary is in the Buyer’s Agreement. intended to give you an understanding of those expressions “Hammer Price” the price in the currency in which the Sale is but is not intended to limit their legal meanings: conducted at which a Lot is knocked down by the Auctioneer.

NTB/MAIN/5.13 To e-mail any of the below use the first name dot second Bonhams Specialist Departments name @bonhams.com eg. [email protected]

19th Century Paintings British & European Football Sporting Motor Cars Scientific Instruments UK Porcelain & Pottery Memorabilia UK Jon Baddeley Charles O’ Brien UK Dan Davies Tim Schofield +44 20 7393 3872 +44 20 7468 8360 John Sandon +44 1244 353118 +44 20 7468 5804 U.S.A. U.S.A +44 20 7468 8244 U.S.A Jonathan Snellenburg Madalina Lazen U.S.A Furniture & Works of Art Mark Osborne +1 212 461 6530 +1 212 644 9108 Peter Scott UK +1 415 503 3353 +1 415 503 3326 Fergus Lyons EUROPE Scottish Pictures 20th Century British Art +44 20 7468 8221 Philip Kantor Chris Brickley Matthew Bradbury California & U.S.A +32 476 879 471 +44 131 240 2297 +44 20 7468 8295 American Paintings Jeffrey Smith AUSTRALIA Scot Levitt +1 415 503 3413 Damien Duigan Silver & Gold Boxes Aboriginal Art +1 323 436 5425 +61 2 8412 2232 UK Greer Adams Greek Art Automobilia Michael Moorcroft +61 2 8412 2222 Carpets Olympia Pappa UK +44 20 7468 8241 UK +44 20 7468 8314 Toby Wilson U.S.A African and Oceanic Art Mark Dance +44 8700 273 619 Aileen Ward UK +44 8700 27361 Golf Sporting U.S.A +1 800 223 5463 Philip Keith U.S.A. Memorabilia Kurt Forry +44 2920 727 980 Hadji Rahimipour Kevin Mcgimpsey +1 415 391 4000 South African Art U.S.A +1 415 503 3392 +44 1244 353123 Giles Peppiatt Fred Baklar Motorcycles +44 20 7468 8355 +1 323 436 5416 Chinese & Asian Art Irish Art Ben Walker UK Penny Day +44 8700 273616 Sporting Guns American Paintings Asaph Hyman +44 20 7468 8366 Automobilia Patrick Hawes Alan Fausel +44 20 7468 5888 Adrian Pipiros +44 20 7393 3815 +1 212 644 9039 U.S.A Impressionist & +44 8700 273621 Dessa Goddard Modern Art Toys, Dolls & Chess Antiquities +1 415 503 3333 UK Musical Instruments Leigh Gotch Madeleine Perridge HONG KONG Deborah Allan Philip Scott +44 20 8963 2839 +44 20 7468 8226 Julian King +44 20 7468 8276 +44 20 7393 3855 +852 2918 4321 U.S.A Travel Pictures Antique Arms & Armour Tanya Wells Natural History Veronique Scorer UK Clocks +1 917 206 1685 U.S.A +44 20 7393 3962 David Williams UK Claudia Florian +44 20 7393 3807 James Stratton Islamic & Indian Art +1 323 436 5437 Urban Art U.S.A +44 20 7468 8364 Alice Bailey Gareth Williams Paul Carella U.S.A +44 20 7468 8268 Old Master Pictures +44 20 7468 5879 +1 415 503 3360 Jonathan Snellenburg UK +1 212 461 6530 Japanese Art Andrew Mckenzie Watches & Art Collections, UK +44 20 7468 8261 Wristwatches Estates & Valuations Coins & Medals Suzannah Yip U.S.A UK Harvey Cammell UK +44 20 7468 8368 Mark Fisher Paul Maudsley +44 (0) 20 7468 8340 John Millensted U.S.A +1 323 436 5488 +44 20 7447 7412 +44 20 7393 3914 Jeff Olson U.S.A. Art Nouveau & Decorative U.S.A +1 212 461 6516 Orientalist Art Jonathan Snellenburg Art & Design Paul Song Charles O’Brien +1 212 461 6530 UK +1 323 436 5455 Jewellery +44 20 7468 8360 HONG KONG Mark Oliver UK Carson Chan +44 20 7393 3856 Contemporary Art Jean Ghika Photography +852 2918 4321 U.S.A UK +44 20 7468 8282 U.S.A Frank Maraschiello Gareth Williams U.S.A Judith Eurich Whisky +1 212 644 9059 +44 20 7468 5879 Susan Abeles +1 415 503 3259 UK U.S.A +1 212 461 6525 Martin Green Australian Art Jeremy Goldsmith AUSTRALIA Portrait Miniatures +44 1292 520000 Litsa Veldekis +1 917 206 1656 Patti Sedgwick Camilla Lombardi U.S.A +61 2 8412 2222 +61 2 8412 2222 +44 20 7393 3985 Joseph Hyman Costume & Textiles +1 917 206 1661 Australian Colonial Claire Browne Marine Art Prints HONG KONG Furniture and Australiana +44 1564 732969 UK UK Daniel Lam James Hendy Veronique Scorer Rupert Worrall +852 3607 0004 +61 2 8412 2222 Entertainment +44 20 7393 3962 +44 20 7468 8262 Memorabilia U.S.A U.S.A Wine Books, Maps & UK Gregg Dietrich Judith Eurich UK Manuscripts Stephanie Connell +1 917 206 1697 +1 415 503 3259 Richard Harvey UK +44 20 7393 3844 +44 (0) 20 7468 5811 Matthew Haley U.S.A Mechanical Music Russian Art U.S.A +44 20 7393 3817 Catherine Williamson Jon Baddeley UK Doug Davidson U.S.A +1 323 436 5442 +44 20 7393 3872 Sophie Hamilton +1 415 503 3363 Christina Geiger +44 20 7468 8334 HONG KONG +1 212 644 9094 Ethnographic Art Modern, Contemporary U.S.A Daniel Lam Jim Haas & Latin American Art Yelena Harbick +852 3607 0004 British & European Glass +1 415 503 3294 U.S.A +1 212 644 9136 UK Alexis Chompaisal Simon Cottle +1 323 436 5469 +44 20 7468 8383 U.S.A. Modern Design Suzy Pai Gareth Williams +1 415 503 3343 +44 20 7468 5879

SD05/2013-06 International Salerooms, Offices and Associated Companies ( • Indicates Saleroom)

UNITED KINGDOM Representatives: Channel Islands Italy - Milan NOrTH AMErICA SOUTH AMErICA Dorset Via Boccaccio 22 London Bill Allan Jersey 20123 Milano USA Argentina 101 New Bond Street • +44 1935 815 271 39 Don Street +39 (0)2 4953 9020 Daniel Claramunt London W1S 1SR St.Helier +39 (0)2 4953 9021 fax San Francisco • +54 11 479 37600 +44 20 7447 7447 East Anglia JE2 4TR [email protected] 220 San Bruno Avenue +44 20 7447 7400 fax +44 1534 722 441 San Francisco Brazil Bury St. Edmunds +44 1534 759 354 fax Italy - rome CA 94103 Thomaz Oscar Saavedra Montpelier Street • 21 Churchgate Street Via Sicilia 50 +1 (415) 861 7500 +55 11 3031 4444 London SW7 1HH Bury St Edmunds Representative: 00187 Rome +1 (415) 861 8951 fax +55 11 3031 4444 fax +44 20 7393 3900 Suffolk IP33 1RG Guernsey +39 (0)6 48 5900 +44 20 7393 3905 fax +44 1284 716 190 +44 1481 722 448 +39 (0)6 482 0479 fax Los Angeles • +44 1284 755 844 fax [email protected] 7601 W. Sunset Boulevard ASIA South East Scotland Los Angeles England Norfolk Netherlands - Amsterdam CA 90046 Hong Kong The Market Place Edinburgh • De Lairessestraat 154 +1 (323) 850 7500 Carson Chan Brighton & Hove Reepham 22 Queen Street 1075 HL Amsterdam +1 (323) 850 6090 fax Suite 1122 19 Palmeira Square Norfolk NR10 4JJ Edinburgh +31 20 67 09 701 Two Pacific Place Hove, East Sussex +44 1603 871 443 EH2 1JX +31 20 67 09 702 fax New York • 88 Queensway BN3 2JN +44 1603 872 973 fax +44 131 225 2266 [email protected] 580 Madison Avenue Admiralty +44 1273 220 000 +44 131 220 2547 fax New York, NY Hong Kong +44 1273 220 335 fax Midlands Spain - Madrid 10022 +852 2918 4321 Glasgow Nuñez de Balboa no.4 - 1A +1 (212) 644 9001 +852 2918 4320 fax Guildford Knowle 176 St. Vincent Street, Madrid +1 (212) 644 9007 fax [email protected] Millmead, The Old House Glasgow 28001 Guildford, Station Road G2 5SG +34 91 578 17 27 Representatives: Beijing Surrey GU2 4BE Knowle, Solihull +44 141 223 8866 [email protected] Arizona Hongyu Yu +44 1483 504 030 West Midlands +44 141 223 8868 fax Terri Adrian-Hardy Room A515 +44 1483 450 205 fax B93 0HT Switzerland - Geneva +1 (480) 994 5362 F/5 CDB International +44 1564 776 151 Representatives: Rue Etienne-Dumont 10 Mansion Tunbridge Wells +44 1564 778 069 fax Wine & Spirits 1204 Geneva California No. 16 Yongan Dongli Ground Floor Tom Gilbey Switzerland Central Valley Chaoyang District Royal Victoria House Oxford • +44 1382 330 256 +41 76 379 9230 David Daniel Beijing 100022 51-55 The Pantiles Banbury Road [email protected] +1 (916) 364 1645 +86(0) 10 6563 7799 Tunbridge Wells, Kent Shipton on Cherwell Wales +86(0) 10 6563 7788 fax TN2 5TE Kidlington OX5 1JH Representatives: District of Columbia/ [email protected] +44 1892 546 818 +44 1865 853 640 Cardiff Greece Mid-Atlantic +44 1892 518 077 fax +44 1865 372 722 fax 7-8 Park Place, Art Expertise Martin Gammon Japan Cardiff CF10 3DP +30 210 3636 404 +1 (202) 333 1696 Level 14 Hibiya Central Building Isle of Wight Yorkshire & North East +44 2920 727 980 1-2-9 Nishi-Shimbashi +44 1983 282 228 England +44 2920 727 989 fax Marbella Southern California Minato-ku James Roberts Christine Eisenberg Tokyo 105-0003 Representative: Leeds +34 952 90 62 50 +1 (949) 646 6560 +81 (0) 3 5532 8636 West Sussex 30 Park Square West EUrOpE [email protected] +81 (0) 3 5532 8637 fax Jeff Burfield Leeds LS1 2PF Florida [email protected] +44 1243 787 548 +44 113 234 5755 Austria - Vienna portugal +1 (305) 228 6600 +44 113 244 3910 fax Garnisongasse 4 Filipa Rebelo de Andrade Taiwan South West 1090 Vienna +351 91 921 4778 Georgia 37th Floor, Taipei 101 Tower England North West England +43 (0)1 403 00 01 [email protected] Mary Moore Bethea Nor 7 Xinyi Road, Section 5 [email protected] +1 (404) 842 1500 Taipei, 100 Bath Chester • russia +886 2 8758 2898 Queen Square House New House Belgium - Brussels Marina Jacobson Illinois +886 2 8757 2897 fax Charlotte Street 150 Christleton Road Boulevard +7 921 555 2302 Ricki Blumberg Harris [email protected] Bath BA1 2LL Chester, Cheshire Saint-Michel 101 [email protected] +1 (312) 475 3922 +44 1225 788 988 CH3 5TD 1040 Brussels +1 (773) 267 3300 +44 1225 446 675 fax +44 1244 313 936 +32 (0)2 736 5076 AUSTrALIA +44 1244 340 028 fax +32 (0)2 732 5501 fax Massachusetts Cornwall – Truro [email protected] Boston/New England Sydney 36 Lemon Street Carlisle Amy Corcoran 76 Paddington Street Truro 48 Cecil Street France - paris +1 (617) 742 0909 Paddington NSW 2021 Cornwall Carlisle, Cumbria 4 rue de la Paix Australia TR1 2NR CA1 1NT 75002 Paris Nevada +61 (0) 2 8412 2222 +44 1872 250 170 +44 1228 542 422 +33 (0)1 42 61 1010 David Daniel +61 (0) 2 9475 4110 fax +44 1872 250 179 fax +44 1228 590 106 fax +33 (0)1 42 61 1015 fax +1 (775) 831 0330 [email protected] [email protected] Exeter Manchester New Mexico Melbourne The Lodge The Stables Germany - Cologne Leslie Trilling Ormond Hall Southernhay West Exeter, 213 Ashley Road Albertusstrasse 26 +1 (505) 820 0701 557 St Kilda Rd Devon Hale WA15 9TB 50667 Cologne Melbourne VIC 3004 EX1 1JG +44 161 927 3822 +49 (0)221 2779 9650 Oregon +61 (0) 3 8640 4088 +44 1392 425 264 +44 161 927 3824 fax +49 (0)221 2779 9652 fax Sheryl Acheson +44 1392 494 561 fax [email protected] +1(503) 312 6023 Representative: Southport Adelaide Winchester 33 Botanic Road Germany - Munich Texas James Bruce The Red House Churchtown Maximilianstrasse 52 Amy Lawch +61 (0) 8 8232 2860 Hyde Street Southport 80538 Munich +1 (713) 621 5988 Winchester Merseyside PR9 7NE +49 (0) 89 2420 5812 Hants SO23 7DX +44 1704 507 875 +49 (0) 89 2420 7523 fax Washington AFrICA +44 1962 862 515 +44 1704 507 877 fax [email protected] Heather O’Mahony +44 1962 865 166 fax +1 (206) 218 5011 South Africa - Johannesburg Ireland - Dublin Penny Culverwell Tetbury 31 Molesworth Street CANADA +27 (0)71 342 2670 22a Long Street Dublin 2 [email protected] Tetbury +353 (0)1 602 0990 Toronto, Ontario • Gloucestershire +353 (0)1 4004 140 fax Jack Kerr-Wilson GL8 8AQ [email protected] 20 Hazelton Avenue +44 1666 502 200 Toronto, ONT +44 1666 505 107 fax M5R 2E2 +1 (416) 462 9004 [email protected]

Montreal, Quebec David Kelsey +1 (514) 341 9238 [email protected]

G-NET/3/13 Registration and Bidding Form (Attendee / Absentee / Online / Telephone Bidding) Please circle your bidding method above.

Sale title: Entertainment Memorabilia Sale date: 3 July 2013

Sale no. 20771 Sale venue: Knightsbridge Paddle number (for office use only) If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours This sale will be conducted in accordance with prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue Bonhams’ Conditions of Sale and bidding and buying for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will at the Sale will be regulated by these Conditions. endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. You should read the Conditions in conjunction with General Bid Increments: the Sale Information relating to this Sale which sets £10 - 200 ...... by 10s £10,000 - 20,000 ...... by 1,000s out the charges payable by you on the purchases £200 - 500 ...... by 20 / 50 / 80s £20,000 - 50,000 ...... by 2,000 / 5,000 / 8,000s you make and other terms relating to bidding and buying at the Sale. You should ask any questions you £500 - 1,000 ...... by 50s £50,000 - 100,000 ...... by 5,000s have about the Conditions before signing this form. £1,000 - 2,000 ...... by 100s £100,000 - 200,000 .....by 10,000s These Conditions also contain certain undertakings £2,000 - 5,000 ...... by 200 / 500 / 800s above £200,000 ...... at the auctioneer’s discretion by bidders and buyers and limit Bonhams’ liability to £5,000 - 10,000 ...... by 500s bidders and buyers. The auctioneer has discretion to split any bid at any time.

Data protection – use of your information Customer Number Title Where we obtain any personal information about you, we shall only use it in accordance with the terms of our First Name Last Name Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was Company name (to be invoiced if applicable) disclosed). A copy of our Privacy Policy can be found on our website (www.bonhams.com) or requested by post Address from Customer Services Department, 101 New Bond Street, London W1S 1SR United Kingdom or by e-mail from [email protected]. City County / State Credit and Debit Card Payments There is no surcharge for payments made by debit cards Post / Zip code Country issued by a UK bank. All other debit cards and all credit cards are subject to a 2% surcharge on the total invoice price. Telephone mobile Telephone daytime

Notice to Bidders. Telephone evening Fax Clients are requested to provide photographic proof of ID - passport, driving licence, ID card, together with proof Preferred number(s) in order for Telephone Bidding (inc. country code) of address - utility bill, bank or credit card statement etc. Corporate clients should also provide a copy of their articles of association / company registration documents, together with a letter authorising the individual to bid on E-mail (in capitals) the company’s behalf. Failure to provide this may result in your bids not being processed. For higher value lots you may also be asked to provide a bank reference. I am registering to bid as a private client I am registering to bid as a trade client If successful If registered for VAT in the EU please enter your registration here: Please tick if you have registered with us before I will collect the purchases myself Please contact me with a shipping quote / - - (if applicable) Please note that all telephone calls are recorded. MAX bid in GBP Telephone or Lot no. Brief description (excluding premium Covering bid* Absentee (T / A) Please indicate Telephone or Absentee (T & VAT) / A)

FOR WINE SALES ONLY Please leave lots “available under bond” in bond I will collect from Park Royal or bonded warehouse Please include delivery charges (minimum charge of £20 + VAT)

BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE READ AND UNDERSTAND OUR CONDITIONS OF SALE AND WISH TO BE BOUND BY THEM. THIS AFFECTS YOUR LEGAL RIGHTS.

Your signature: Date:

* Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. NB. Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. Please email or fax the completed Auction Registration form and requested information to: Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] UK/04/13 Bonhams 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560. © 1967 Danjaq, LLC. and United Artists Corporation. All Rights reserved courtesy of Rex Features. Bonhams Montpelier Street Knightsbridge London SW7 1HH +44 (0) 20 7393 3900

+44 (0) 20 7393 3905 fax 20771 Entertainment Memorabilia, 3 July 2013, Knightsbridge, London

Entertainment Memorabilia Wednesday 3 July 2013 at 1pm Knightsbridge, London

International Auctioneers and Valuers – bonhams.com