GO for the GOLD the Iconic Movie Posters of Bill Gold by Val Quarles Made My First Poster in 3Rd Or 4Th Grade

Total Page:16

File Type:pdf, Size:1020Kb

GO for the GOLD the Iconic Movie Posters of Bill Gold by Val Quarles Made My First Poster in 3Rd Or 4Th Grade GO FOR THE GOLD The iconic movie posters of Bill Gold By Val Quarles made my first poster in 3rd or 4th grade. It was for a school clean up drive. It was I a “wanted” poster with a “trash monster” that looked suspiciously like my dad. That was the beginning of a life long pattern of creating and being an admirer of graphic art, posters, and spe- cifically movie posters. A movie poster is graphic art at it’s best, and to my mind, most fun. You aren’t having to help sell insur- ance, or dentistry, or a car wash. You get to be as creative and intriguing as the movie. You are still “selling” but you have a product that is more inher- ently interesting. No one understood this better than graphic designer Bill Gold. Bill Gold was born January 3, 1921 in New York City. He studied illustration at the prestigious Pratt Insti- tute in New York, and he had the good fortune to begin his professional career in the advertising de- partment of Warner Bros., in 1941. A mere six years later he was head of poster design. Although Bill Gold never “copped” to Bill Gold didn’t just make movie posters. He any influences, in an interview with Lars made the movie posters for many of the Trodson, he stated in his younger years he film industry’s most famous, most cultish, would copy the illustrations of the Saturday most well-known films. Read through his list Evening Post, and other magazines. That of work, and not only will you remember work would have been Rockwell’s, J.C. scenes from the movies, but after many Leyendecker, Rene Robert Bouche, and of the titles you will see the image of the others. It was the 20’s and 30’s and illustra- poster in your mind’s eye: The Big Sleep; tions rather than photographs were what Strangers on a Train; Streetcar Named De- were on and in magazines. sire; Dial M for Murder; East of Eden; Mister Roberts; Giant; The Searchers; A Face in a Crowd; The Pajama Game; Splendor in the Grass; Gypsy; The Music Man; My Fair Lady; The Great Race; Who’s Afraid of Virginia Woolf?; Bonnie and Clyde; Wait Until Dark; Bullitt; Funny Girl; There’s a Girl in My Soup; Woodstock; Diamonds are Forever; Fiddler on the Roof; The Exorcist; High Plains Drift- er; Papillon; The Sting; Dog Day Afternoon; Heaven’s Gate; On Golden Pond; Unfor- given...the list goes on and on. In 1967 he won first prize from the Illustra- tors Club for the poster for ‘Camelot’. In it you can see the influence of illustrators like Maxfield Parrish and Leyendecker, in the Nouveau swirls, the precise, almost geometric lines in the side illustrations, and color scheme. But future Gold is there - in the silohuette of the pale woman’s profile offset by that of the swarthy man’s, the breaking into and use of negative space. of “mash up” of characters in various emo- tive states, with a few illustrated scenes from situations in the film. Look at the post- ers for The Great Race, What’s Up Doc, and The Music Man. All of those films are comedies, and the posters are simple and happy, with no need of provactive imag- ery. He takes risks only when creating for those having adult themes. What strikes me about his work isn’t just the volume, it’s the volume of iconic work coupled with his range of imagery. He’s not a “one trick pony”. That isn’t to say he doesn’t have some “tells”, he does. He often uses negative space, and silhou- ettes. Both of which I plan to use in my own work. He used these techniques in mid-ca- reer - Dirty Harry, Bullitt, Cool Hand Luke, and all through his later work, Invasion of the Body Snatchers, Mystic River, and of course the iconic, very creepy and unfor- gettable poster for The Exorcist. But he also likes visual analogies. The canoe coming out of the eye in the poster for Deliverance - playing on many themes in the movie, the group of friends being watched and hunted by the antagonists, Jon Voight’s character seeing what they were doing to his friends, the fear, and aggression of the image itself, nothing is quite as terrifying as a sharp object in your eye. Sometimes he His work has become what every graphic chooses a minimalist look with lots of neg- designer secretly and not so secretly, pines ative space, as in the poster for The Way for. His commercial art, has become “just” We Were, which is just a black and white art. photo, with most of the image bleached out and Redford and Streisand walking Bill Gold is still alive and is now 95 years old. together along a beach, shown in high I am overwhelmed with admiration for his contrast, walking into the red title beneath talent, and deeply envious of what I know their feet. With family films or comedies, must have been a fun, interesting and he is very vaudevillian and traditional in his fulfilling professional life. I can only hope to approach, grouping illustrations in a kind have one half as satisfying. BILL GOLDgraphic designer Yankee Doodle Dandy (1942) Strangers on a Train (1951) Casablanca (1942) A Streetcar Named Desire (1951) Night and Day (1946) Dial M for Murder (1954) The Big Sleep (1946) The Silver Chalice (1954) Escape Me Never (1947) East of Eden (1955) Winter Meeting (1948) The Wrong Man (1956) Mister Roberts (1955) The Searchers (1956) Searchers The A Face in the Crowd (1957)(1956) Dick Moby Baby Doll (1955) The Four Seasons (1981) The James Dean Story (1957) Giant (1956) Hard Country (1981) Splendor in the Grass (1961) The Pajama Game (1957) Lone Ranger (1956) On Golden Pond (1981) (1980) Eyes Those Lips, Those The Prince and the Showgirl (1957) Gypsy (1962) The Funhouse (1981) (1980) Time in Somewhere For Your Eyes Only (1981) Only Eyes Your For Top Secret Aair (1957) (1981) Titans the of Clash The Music Man (1962) Deathtrap (1982) Bomb Nude (1980) The The Old Man and the Sea (1958) Man (1980) Stunt The My Fair Lady (1964) Evil Under the Sun (1982) (1981) Love Endless Robin and the 7 Hoods (1964) All the President's Men (1976)Firefox (1982) The Duchess and the Dirtwater Fox (1976) Sex and the Single Girl (1964) Honkytonk Man (1982) The Enforcer (1976) The Great Race (1965) I, The Jury (1982) Fellini's Casanova (1976) Who's Afraid of Virginia Woolf? (1966) My Favorite Year (1982) Gable and Lombard (1976) Bonnie and Clyde (1967) Breathless (1983) Camelot (1967) Marathon Man (1976)Cross Creek (1983) The Outlaw Josey Wales (1976)Eddie Macon's Run (1983) Last of the Mobile Hot Shots (1970) Cool Hand Luke (1967) Portnoy's Complaint (1976)Mystic River (2003) The Life and Times of Judge Roy Bean (1972) The Fox (1967) The Wiz (1978) No Blade of Grass (1970) The Ritz (1976) Lady Sings the Blues (1972) SugarlandThe Express (1974) Dog Afternoon Day (1975) Wait Until Dark (1967) W.C. Fields and Me (1976)Agatha (1979) Ryan's Daughter (1970) (1975) Pool Drowning The Alien (1979) The Trial of the Catonsville Nine (1972) Zandy's Bride (1974) Bullitt (1968) Greased Lightning (1977) Barry (1975) Lyndon Funny Lady (1975) Funny The Yakuza (1974) Yakuza The A REALA Piece of the ActionChapter (1977) TwoCOOL (1979) Soldier Blue (1970) What'sHAND Up, Doc? (1972) (1975)Times Hard Funny Girl (1968) Julia (1977)Exorcist II: The HereticEscape (1977) from Alcatraz (1979)Start the Revolution Without Me (1970) Mahogany (1975) Day for Night (1973) A Dream of Kings (1969) Smokey and the BanditThe Last Married Couple in America (1980) (1977) Fun with Dick and JaneThe Great (1977) Santini (1979) The Go-Between (1970) The Exorcist (1973) Old Curiosity Shop (1975)The Gauntlet (1977) Hair (1979) There Was a Crooked ManHigh (1970)In Plainsthe Line Drifter of Fire (1973) (1993) The Prisoner of Second AvenueThe Sentinel (1975) (1977) Scavenger Hunt (1979) The Bell Jar (1979) There's a Girl in My SoupO (1970) LuckyA Perfect Man (1973) World (1993) Twilight's Last Gleaming (1977) The Bridges of Madison County (1995) Raerty and the Gold Dust Twins (1975) The Promise (1979) Dorian Gray (1970) Oklahoma Crude (1973) Bloodbrothers (1978) Can (1980) You Way Which Any Return of the Pink Panther (1975) Mississippi Burning (1988) The StarsPapillon Fell on (1973) Henrietta (1995) California Suite (1978) A Clockwork Orange (1971) Moonwalker (1988) ThePat Old Garrett Curiosity & Billy Shop the (1995) Kid (1973) Rooster Cogburn (1975)Convoy (1978) The Accused (1988) Woodstock (1970) Little Miss Marker (1980) ScarecrowAbsolute (1973) Power (1997)Heartbreak Ridge (1986) The Dogs of War (1980) War The Dogs of Rosebud (1975) The Long Riders (1980) Diamonds are Forever (1971) The Invasion of the BodyThelonious SnatchersThe Jazz Singer (1980) Monk: (1978) Straight, No Chaser (1988) True Crime (1999) Heaven's GateHeaven's (1980) Steel Yard Blues (1973)Platoon (1986) The Great Waldo Pepper (1975)Movie Movie (1978) Great Balls of Fire! (1989)Fiddler on the Roof (1970) Bronco Billy (1980) The Sting (1973) Hamburger Hill (1987) Same Time, Next Year (1978) The Hindenburg (1975) Night Visitor (1989) Get Carter (1970) The Way We Were (1973)Orphans (1987) The Wilby Conspiracy (1975) Pink Cadillac (1989) Klute (1971) Fame (1980) Fame The Front Page (1974)The Believers (1987) A Matter of Time (1976) McCabe & Mrs. Miller (1971)Law and Disorder (1974)The Untouchables (1987) A Star is Born (1976) Medicine Ball Caravan (1971)Mame (1974) Bird (1988) Deliverance (1972) 99 and 44/100% DeadColors (1974) (1988) Jeremiah Johnson (1972)The Odessa File (1974)The Dead Pool (1988) Gorky (1983) Park High Road China to (1983) Never Say Never Again (1983) Again Never Say Never The Sting II (1983)The Sudden Impact (1983) Champions (1984) City Heat (1984) Harry & Son (1984) Splash (1984) The River The (1984) Tightrope (1984) Tightrope Pale Rider (1985) Pale Best Shot (1986).
Recommended publications
  • Allen Rostron, the Law and Order Theme in Political and Popular Culture
    OCULREV Fall 2012 Rostron 323-395 (Do Not Delete) 12/17/2012 10:59 AM OKLAHOMA CITY UNIVERSITY LAW REVIEW VOLUME 37 FALL 2012 NUMBER 3 ARTICLES THE LAW AND ORDER THEME IN POLITICAL AND POPULAR CULTURE Allen Rostron I. INTRODUCTION “Law and order” became a potent theme in American politics in the 1960s. With that simple phrase, politicians evoked a litany of troubles plaguing the country, from street crime to racial unrest, urban riots, and unruly student protests. Calling for law and order became a shorthand way of expressing contempt for everything that was wrong with the modern permissive society and calling for a return to the discipline and values of the past. The law and order rallying cry also signified intense opposition to the Supreme Court’s expansion of the constitutional rights of accused criminals. In the eyes of law and order conservatives, judges needed to stop coddling criminals and letting them go free on legal technicalities. In 1968, Richard Nixon made himself the law and order candidate and won the White House, and his administration continued to trumpet the law and order theme and blame weak-kneed liberals, The William R. Jacques Constitutional Law Scholar and Professor of Law, University of Missouri–Kansas City School of Law. B.A. 1991, University of Virginia; J.D. 1994, Yale Law School. The UMKC Law Foundation generously supported the research and writing of this Article. 323 OCULREV Fall 2012 Rostron 323-395 (Do Not Delete) 12/17/2012 10:59 AM 324 Oklahoma City University Law Review [Vol. 37 particularly judges, for society’s ills.
    [Show full text]
  • New and Best-Selling Titles 2015 ‘Reel Art Press Is a Publishing Cult’ ESQUIRE MAGAZINE CONTENTS
    New and Best-Selling Titles 2015 ‘Reel Art Press is a publishing cult’ ESQUIRE MAGAZINE CONTENTS Introduction 7 Autumn / Winter 2015 8 Backlist 25 Limited Editions 35 Contact Information 58 One of the greatest pleasures for me when working with artists or their estates is that tantalizing moment, the spark, when a single image, or contact sheet, or long forgotten box of negatives or battered prints promises something special. Diving into the depths of an archive to explore an artist’s brilliance and talent. Our 2015 titles have all given me that unquantifiable moment of excitement when I was certain that something very special could be brought to press and I could not be happier with the resulting editions. My first window into the work of British Magnum photographer David Hurn was in my days as a vintage movie poster dealer, through his work as the special photographer for From Russia With Love and Barbarella. His shots of the stars were the very best of their kind, capturing the icons of the era in all their sixties glamour and cool. Hurn’s photograph of Sean Connery, for example, with his tux and gun in From Russia With Love is one of the most celebrated Bond images of all time, more synonymous with 007 than any other shot. When I began to look more closely at Hurn’s work from the period, one of the things that actually intrigued me most was his non-celebrity work. Hurn is so much more than just another sixties A-list photographer. As Peter Doggett comments in his introduction, “Unlike most of his peers, Hurn delved beyond the fatal attractions of Swinging London and its global counterparts, to pursue his greatest subject: ordinary people pursuing ordinary passions.
    [Show full text]
  • Proquest Dissertations
    "The Cross-Heart People": Indigenous narratives,cinema, and the Western Item Type text; Dissertation-Reproduction (electronic) Authors Hearne, Joanna Megan Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 10/10/2021 17:56:11 Link to Item http://hdl.handle.net/10150/290072 •THE CROSS-HEART PEOPLE": INDIGENOLJS NARRATIVES, CINEMA, AND THE WESTERN By Joanna Megan Heame Copyright © Joanna Megan Heame 2004 A Dissertation Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2004 UMI Number: 3132226 Copyright 2004 by Hearne, Joanna Megan All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI UMI Microform 3132226 Copyright 2004 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O.
    [Show full text]
  • 1-Abdul Haseeb Ansari
    Journal of Criminal Justice and Law Review : Vol. 1 • No. 1 • June 2009 IDENTIFYING LARGE REPLICABLE FILM POPULATIONS IN SOCIAL SCIENCE FILM RESEARCH: A UNIFIED FILM POPULATION IDENTIFICATION METHODOLOGY FRANKLIN T. WILSON Indiana State University ABSTRACT: Historically, a dominant proportion of academic studies of social science issues in theatrically released films have focused on issues surrounding crime and the criminal justice system. Additionally, a dominant proportion has utilized non-probability sampling methods in identifying the films to be analyzed. Arguably one of the primary reasons film studies of social science issues have used non-probability samples may be that no one has established definitive operational definitions of populations of films, let alone develop datasets from which researchers can draw. In this article a new methodology for establishing film populations for both qualitative and quantitative research–the Unified Film Population Identification Methodology–is both described and demonstrated. This methodology was created and is presented here in hopes of expand the types of film studies utilized in the examination of social science issues to those communication theories that require the examination of large blocks of media. Further, it is anticipated that this methodology will help unify film studies of social science issues in the future and, as a result, increase the reliability, validity, and replicability of the said studies. Keywords: UFPIM, Film, Core Cop, Methodology, probability. Mass media research conducted in the academic realm has generally been theoretical in nature, utilizing public data, with research agendas emanating from the academic researchers themselves. Academic studies cover a gambit of areas including, but not limited to, antisocial and prosocial effects of specific media content, uses and gratifications, agenda setting by the media, and the cultivation of perceptions of social reality (Wimmer & Dominick, 2003).
    [Show full text]
  • THE WESTFIELD LEADER the Leading and Most Widely Circulated Weekly Newspaper in Union County Pfieventh YEAR—No
    •"•*. THE WESTFIELD LEADER The Leading And Most Widely Circulated Weekly Newspaper In Union County PfiEVENTH YEAR—No. 32 li.llt.eieU M OtoUUllli 1.1U9* . P> Offl TVtflM WESTFIELD. NEW JERSEY, THURSDAY, APRIL 18, 1957 36 Pagei—10 Cent* Westfield Club Primary Vote In Westfield [an Eastertide REPUBLICAN Displays Flowers IW 2W 3W 4W Tot.l Light Vote Tallied Here GOVERNOR Forbes 813 f>47 458 381 2,299 At Public Show Dumont 317 216 187 137 857 lurch Services ASSEMBLY In Quiet Primary Election Griffin . 680 511 367 304 1,862 First Event Rand 190 133 148 109 580 Paris To Be Scene Set At Local Murray , 369 310 222 156 1,057 No Opposition liial Good Of Sunrise Service Thomas 819 037 464 381 2,301 Irene Griffin No Contests For Homes May 9 Vanderbilt 813 627 436 367 2,243 In Mountainside Crane „ . 825 652 459 364 2,300 lay Devotion An Easter Sunday, sunrise serv- Mrs. Torg Tonnessen, president Stamler . 427 319 217 197 1,160 Wins County GOP MOUNTAINSIDE — With Either Party ice will be held at Mindowaskin of the Rake and Hoe Garden Club Velbinger 120 80 109 69 378 •oting described as "extremely Park this week at 0 a.m. under of Westfield, has announced the ight," Mayor Joseph A. C. Komich first Baptist the sponsorship of the youth com- FREEHOLDERS club will hold its first public open Bailey 1,022 805 569 454 2,850 Nod For Assembly nd Councilmen Ronald L. Farrell On Local Scene mittee of the Westfield Council of home flower show May 9.
    [Show full text]
  • The Peer Review Process-The Good Bad and Ugly
    The Hospital Medical Staff Peer Review Process: The Good, The Bad, and The Ugly Presented by: www.TheHealthLawFirm.com © Copyright 2017. George F. Indest III. All rights reserved. SUBTITLE: “Practical Matters the Physician Must Know When Confronted by a Medical Staff Peer Review/ Clinical Privileges/Fair Hearing Proceeding” Originally presented by George F. Indest III at an annual meeting of the American College of Surgeons Presented by: www.TheHealthLawFirm.com © Copyright 2017. George F. Indest III. All rights reserved. George F. Indest III, J.D., M.P.A., LL.M. Board Certified by the Florida Bar in the Legal Specialty of Health Law Website: www.TheHealthLawFirm.com Main Office: 1101 Douglas Avenue Altamonte Springs, Florida 32714 Phone: (407) 331-6620 Fax: (407) 331-3030 Website: www.TheHealthLawFirm.com “In the next fifteen minutes we have to create enough confusion to get out of here alive.” -Smith [Clint Eastwood] in “Where Eagles Dare” “If you want to play the game, you’d better know the rules….” -Inspector Harry Callahan [Clint Eastwood] in “The Dead Pool” TERMINOLOGY “Peer Review Hearing” a/k/a – Privileges Hearing – Fair Hearing – Medical Review Hearing – Credentials Hearing – Medical Staff Hearing – Disciplinary Hearing – Credentials Committee Hearing – Ad Hoc Committee Hearing The “Private Practice Physician” We are Discussing 1. Not a Hospital employee. 2. Does not have a direct contract with the Hospital. 3. Not a member of a group with an exclusive contract. 4. Does have clinical privileges at the Hospital. Two components of a physician’s medical staff relationship in a Hospital (often used interchangeably & incorrectly): 1.
    [Show full text]
  • Serial Killing Myths Versus Reality
    SERIAL KILLING MYTHS VERSUS REALITY: A CONTENT ANALYSIS OF SERIAL KILLER MOVIES MADE BETWEEN 1980 AND 2001 Sarah Scott McCready, B.A. Thesis Prepared for the Degree of MASTER OF SCIENCE UNIVERSITY OF NORTH TEXAS August 2002 APPROVED: Tory J. Caeti, Major Professor John Liederbach, Committee Member D. Kall Loper, Committee Member Robert W. Taylor, Chair of the Department of Criminal Justice Eric J. Fritsch, Program Coordinator Of the Department of Criminal Justice David W. Hartman, Dean of the School of Community Service C. Neal Tate, Dean of the Robert B. Toulouse School of Graduate Studies McCready, Sarah Scott., Serial Killing Myths Versus Reality: A Content Analysis Of Serial Killer Movies Made Between 1980 and 2001. Master of Science in Criminal Justice, August 2002, 102pp., 28 tables, 1 figure, references, 92 titles. Public perceptions about serial homicide are more mythical than fact. Myths about serial homicide are perpetuated through several sources, especially the entertainment media. The number of films depicting serial killers and serial killing themes has increased in recent years. However, the reality of these films is debatable. This research examines the reality of the films involving a serial killing theme. Hickey provides statistical information on serial killers and serial killings. A content analysis of the fifty top grossing serial killer movies made between 1980 and 2001 was conducted using variables from Hickey research. Research shows similarities and differences between variables, however, results concludes the entertainment media does not accurately portray serial homicide. Copyright 2002 By Sarah Scott McCready ii ACKNOWLEDGMENTS The author would like to acknowledge the tremendous amount of time, effort, and support given by Professor Tory Caeti, Ph.D.
    [Show full text]
  • July 20Th 1988
    California State University, San Bernardino CSUSB ScholarWorks Inland Empire Hispanic News Special Collections & University Archives 7-20-1988 July 20th 1988 Hispanic News Follow this and additional works at: https://scholarworks.lib.csusb.edu/hispanicnews Recommended Citation Hispanic News, "July 20th 1988" (1988). Inland Empire Hispanic News. 249. https://scholarworks.lib.csusb.edu/hispanicnews/249 This Article is brought to you for free and open access by the Special Collections & University Archives at CSUSB ScholarWorks. It has been accepted for inclusion in Inland Empire Hispanic News by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. PoMcia Abusan de Mexicanos, P. 31 Natural High Hang Gliding, P. 5 A Publication of the Hispanic Communication & Development Corporation BULK RATE U.S. POSTAGE PAID SAN BERNARDINO, CA PERMIT No. 118 •W -W INLAND EMPIRE m T Wednesday 250 July 20,1988 HISPANIC NEWS Volume 1, Number 21 ^lexican Undocumented Workers Victims of Police Brutality in Victorville By George Martinez "One, two, three!", chanted the crowd as it counted the number of biows inflicted by a deputy sheriff on a Mexi­ can undocumented worker who was up against a chain link fence and offering no resistance. The beating continued even after the man fell to the ground. The crowd, composed of Hispanic community leaders, media representa­ tives, and government officials was not at the scene of the incident, but rather was at a standing room only press con­ ference viewing a home video depicting what appeared to be an unjustifiable use of force and violence by sheriff's depu­ ties.
    [Show full text]
  • Entertainment Memorabilia, 3 July 2013, Knightsbridge, London
    Bonhams Montpelier Street Knightsbridge London SW7 1HH +44 (0) 20 7393 3900 +44 (0) 20 7393 3905 fax 20771 Entertainment Memorabilia, Entertainment 3 July 2013, 2013, 3 July Knightsbridge, London Knightsbridge, Entertainment Memorabilia Wednesday 3 July 2013 at 1pm Knightsbridge, London International Auctioneers and Valuers – bonhams.com © 1967 Danjaq, LLC. and United Artists Corporation. All Rights reserved courtesy of Rex Features. Entertainment Memorabilia Wednesday 3 July 2013 at 1pm Knightsbridge, London Bonhams Enquiries Customer Services The following symbol is used Montpelier Street Director Monday to Friday 8.30am to 6pm to denote that VAT is due on the hammer price and buyer’s Knightsbridge Stephanie Connell +44 (0) 20 7447 7447 premium London SW7 1HH +44 (0) 20 7393 3844 www.bonhams.com [email protected] Please see back of catalogue † VAT 20% on hammer price for important notice to bidders and buyer’s premium Viewing Senior Specialist Sunday 30 June Katherine Williams Illustrations * VAT on imported items at 11am to 3pm +44 (0) 20 7393 3871 Front cover: Lot 236 a preferential rate of 5% on Monday 1 July [email protected] Back cover: Lot 109 hammer price and the prevailing 9am to 4.30pm Inside front cover: Lot 97 rate on buyer’s premium Consultant Specialist Inside back cover: Lot 179 Tuesday 2 July W These lots will be removed to Stephen Maycock 9am to 4.30pm Bonhams Park Royal Warehouse Wednesday 3 July +44 (0) 20 7393 3844 after the sale. Please read the 9am to 11am [email protected] sale information page for more details.
    [Show full text]
  • Statesman October 25
    PENTAGON SIEGE By Wayne C. Blodgett U1NDER. October 21, Washington, D. C. - The wind is cool off the Potomac but the sun is hot. The speeches we heard as we sat, fifty thousand strong, round the reflecting pool between the Monument and the Memorial are over. Now the people walk across the Arlington Bridge in expectant silence. Half a mile up the boulevard you can see the be- ginning of our line. The end of it has not yet uncoiled it- self and reached the street. In the autumn sunshine of Washington, D. C., the multitudes walk over the river without a sound. We are marching straight ahead to the low gray shape that had been visible to our left from the bridge. Five people ahead of us are softly chanting Hari Krishna. We picked up two pebbles and clicked out the rhythm. We move forward. About one hundred strange looking people break the stillness as they run past us, Viet Cong flags waving. They are swallowed in the crowd. Closer now, we're on the vast grid of the parking lot. Allen Ginsberg and followers make sorrowful wailing noises into their microphones. "Bring out the dead" they Continued on Page 5 Demonstrators crather belote hZ. -i- irt of their long, hard march. See centerfold for pictures and story on Washington TESMMAmarch. VOL. 1 1 NO. 6STUDENT PUBLICATION OF STATE UNIVERSITY OF NEW YORK AT STONY BROOKSOCTOBER 25 ;, 1967 VOL. II NO. 6 OCTOBER 21~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ R'oaroar OUv 'The he Gresaxreasep)aun S. Brookers Mass in Support . x Of Arrested Brc)oklyn Students Remaais on the Van Der Graa By Mitchel Cohen Neil Frumkin then read the student referendum which will By Stacey Roberts On Friday October 20, students appear in voting booths on Thurs- at Stony Brook rallied at the Li- day, October 26.
    [Show full text]
  • Autumn 07 Cover
    Ewbanks Entertainment cover.qxp_Layout 1 23/08/2016 14:37 Page 1 Entertainment Memorabilia, Vintage Posters & Toys Posters Entertainment Memorabilia, Vintage www.ewbankauctions.co.uk Entertainment Memorabilia, Vintage Posters & Toys Tuesday 6th & Wednesday 7th September 2016 Tuesday 6th & Wednesday 7th September 2016 6th & Wednesday Tuesday £10 Ewbanks Entertainment cover.qxp_Layout 1 23/08/2016 14:37 Page 2 ewbank’s auction sale dates 2016 Viewing days/times vary, please contact the auctioneer for details September November 6th Entertainment & Memorabilia (Movie, Music, Sporting 10th Asian Art & Toys) 10th Textiles, Sewing & Vintage Fashion 7th Vintage Posters 16th Antique & Collectors' 21st Jewellery, Silver & Watches 30th Jewellery, Silver & Watches Chris Ewbank, FRICS ASFAV Andrew Ewbank, BA, ASFAV Alastair McCrea, MA 22nd Fine Art & Antiques Senior partner Partner Partner 23rd Antique Furniture & Clocks [email protected] [email protected] [email protected] December 1st Fine Art & Antiques October 2nd Antique Furniture & Clocks 5th Antique & Collectors' 8th Entertainment & Memorabilia (Movie, Music, Sporting 6th Photographic, Scientific Instruments & Natural History & Toys) 27th Decorative Arts 9th Vintage Posters 27th Contemporary Art 14th Antique & Collectors' 15th Fine Wines & Spirits Andrew Delve, MA, ASFAV Tim Duggan, ASFAV Partner Partner [email protected] [email protected] John Snape, BA, ASFAV Stephanie Connell Partner Entertainment & Memorabilia [email protected] Consultant [email protected] Fully illustrated catalogues with multiple images are published on our website approximately two weeks before the sale. For Monthly sales they go online approximately one week before the sale. Cover: Lot 1241 Dates are published on our website and are subject to change without notice.
    [Show full text]
  • Family 2/26/04 Pg 4
    Page 4 Colby Free Press Thursday, February 26, 2004 Family Deaths Faye F. Mollerstrom Beulah Cemetery in Colby. Senior Center to hold pancake feed Organist was Pat Ziegelmeier Faye F. Mollerstrom, 81, of The Senior Progress Center will Donna Schielke, director of the broccoli and cauliflower salad, din- and soloist was Jerry Vincent. Pall- Belleville, died Friday, Feb. 20, have a Sausage and Pancake Feed center, says no special invitation is ner role, pineapple chunks. bearers were Mike Bahe, Greg Senior News 2004 at Belleville Health Care Cen- Saturday, March 6 from 7 a.m. to 2 needed to join in the lunchtime fel- Wednesday - hot turkey sand- ter in Belleville. Colvin, Mike Garrett, Stephen p.m. at 165 Fike Park. will be at 9 a.m. Exercise will be at lowship and all are welcome. She wich, mashed potatoes and gravy, There were no services as she re- Bear, Larry Werth and Mike A free will donation will be taken 9:30 a.m. Tuesday. Line dancing did remind everyone that a reserva- asparagus, bread, peach upside quested her body be willed to sci- Schultz. Honorary pallbearers were at the door. with Deb Koon will be at 10 a.m. tion is needed by noon the previous down cake with topping. ence at the University of Kansas Geoff Reed and Kenny McGuire. The funds go for Senior Progress Wednesday and income tax filing day. Thursday - hamburger steak, Medical Center in Kansas City. She is survived by a son, LaVelle Center upkeep and activities. assistance will be available from 1- The menu for the next week in- baked potatoes, creamed peas, Bachelor-Faulkner-Dart-Surber of Levant and a daughter, Anita of Please make plans to attend.
    [Show full text]