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GO for the GOLD the Iconic Movie Posters of Bill Gold by Val Quarles Made My First Poster in 3Rd Or 4Th Grade
GO FOR THE GOLD The iconic movie posters of Bill Gold By Val Quarles made my first poster in 3rd or 4th grade. It was for a school clean up drive. It was I a “wanted” poster with a “trash monster” that looked suspiciously like my dad. That was the beginning of a life long pattern of creating and being an admirer of graphic art, posters, and spe- cifically movie posters. A movie poster is graphic art at it’s best, and to my mind, most fun. You aren’t having to help sell insur- ance, or dentistry, or a car wash. You get to be as creative and intriguing as the movie. You are still “selling” but you have a product that is more inher- ently interesting. No one understood this better than graphic designer Bill Gold. Bill Gold was born January 3, 1921 in New York City. He studied illustration at the prestigious Pratt Insti- tute in New York, and he had the good fortune to begin his professional career in the advertising de- partment of Warner Bros., in 1941. A mere six years later he was head of poster design. Although Bill Gold never “copped” to Bill Gold didn’t just make movie posters. He any influences, in an interview with Lars made the movie posters for many of the Trodson, he stated in his younger years he film industry’s most famous, most cultish, would copy the illustrations of the Saturday most well-known films. Read through his list Evening Post, and other magazines. That of work, and not only will you remember work would have been Rockwell’s, J.C. -
Allen Rostron, the Law and Order Theme in Political and Popular Culture
OCULREV Fall 2012 Rostron 323-395 (Do Not Delete) 12/17/2012 10:59 AM OKLAHOMA CITY UNIVERSITY LAW REVIEW VOLUME 37 FALL 2012 NUMBER 3 ARTICLES THE LAW AND ORDER THEME IN POLITICAL AND POPULAR CULTURE Allen Rostron I. INTRODUCTION “Law and order” became a potent theme in American politics in the 1960s. With that simple phrase, politicians evoked a litany of troubles plaguing the country, from street crime to racial unrest, urban riots, and unruly student protests. Calling for law and order became a shorthand way of expressing contempt for everything that was wrong with the modern permissive society and calling for a return to the discipline and values of the past. The law and order rallying cry also signified intense opposition to the Supreme Court’s expansion of the constitutional rights of accused criminals. In the eyes of law and order conservatives, judges needed to stop coddling criminals and letting them go free on legal technicalities. In 1968, Richard Nixon made himself the law and order candidate and won the White House, and his administration continued to trumpet the law and order theme and blame weak-kneed liberals, The William R. Jacques Constitutional Law Scholar and Professor of Law, University of Missouri–Kansas City School of Law. B.A. 1991, University of Virginia; J.D. 1994, Yale Law School. The UMKC Law Foundation generously supported the research and writing of this Article. 323 OCULREV Fall 2012 Rostron 323-395 (Do Not Delete) 12/17/2012 10:59 AM 324 Oklahoma City University Law Review [Vol. 37 particularly judges, for society’s ills. -
Kristen's Conquest
spring 2010 EastThe Magazine of easT Carolina UniversiTy Kristen’s Conquest Miss USA Kristen Dalton vieWfinDer spring 2010 EastThe Magazine of easT Carolina UniversiTy FEATUrEs 20 KrisTen’s ConQUesT 20 She’s living the red carpet lifeBy Samanthanow as Miss Thompson USA, Hatembut less ’90 than a year ago Kristen Dalton was a bright ECU student with a big-time dream. on the cover: Kristen Dalton speaking at a May event at the Pentagon promoting safety. a rolling sTone resTs 26 He had written for 26 magazineBy David Menconiand directed Rollingon MTV, Stone but when it was time to write theTotal history Recall of LiveSouthern rock, Mark Kemp ’80 came home. Can YOU hear Me? 32 For these two professors, who are husbandBy Marion and Blackburn wife, communication is both a profession and a research passion. sofTBall riDes a WAVE 32 36 Eight seniors—six from either California orBy Hawaii—willBethany Bradsher lead the Lady Pirates into a tougher schedule. DEpArTMEnTs froM oUr reaDers . 3. The eCU rePorT . 5. 36 sPring arTs CalenDar . 18 PiraTe naTion . 42. CLASS noTes . 45. UPon The PAST . 56. spring AnD sprAy A couple of kayakers cool off under the fountain in the six-acre lake at north recreation Complex. froM The eDiTor froM oUr reaDers spring 2010 EastThe Magazine of easT Carolina UniversiTy Volume 8, Number 3 HAvE bUsinEss DEgrEE, will TrAvEl MorE on CHoosEAnEED is published four times a year by I was one of the first graduates of the I enjoy receiving my magazine and want read East online at East East Carolina University Did I tell you I graduated? East www.ecu.edu/east Sure did. -
1-Abdul Haseeb Ansari
Journal of Criminal Justice and Law Review : Vol. 1 • No. 1 • June 2009 IDENTIFYING LARGE REPLICABLE FILM POPULATIONS IN SOCIAL SCIENCE FILM RESEARCH: A UNIFIED FILM POPULATION IDENTIFICATION METHODOLOGY FRANKLIN T. WILSON Indiana State University ABSTRACT: Historically, a dominant proportion of academic studies of social science issues in theatrically released films have focused on issues surrounding crime and the criminal justice system. Additionally, a dominant proportion has utilized non-probability sampling methods in identifying the films to be analyzed. Arguably one of the primary reasons film studies of social science issues have used non-probability samples may be that no one has established definitive operational definitions of populations of films, let alone develop datasets from which researchers can draw. In this article a new methodology for establishing film populations for both qualitative and quantitative research–the Unified Film Population Identification Methodology–is both described and demonstrated. This methodology was created and is presented here in hopes of expand the types of film studies utilized in the examination of social science issues to those communication theories that require the examination of large blocks of media. Further, it is anticipated that this methodology will help unify film studies of social science issues in the future and, as a result, increase the reliability, validity, and replicability of the said studies. Keywords: UFPIM, Film, Core Cop, Methodology, probability. Mass media research conducted in the academic realm has generally been theoretical in nature, utilizing public data, with research agendas emanating from the academic researchers themselves. Academic studies cover a gambit of areas including, but not limited to, antisocial and prosocial effects of specific media content, uses and gratifications, agenda setting by the media, and the cultivation of perceptions of social reality (Wimmer & Dominick, 2003). -
The Peer Review Process-The Good Bad and Ugly
The Hospital Medical Staff Peer Review Process: The Good, The Bad, and The Ugly Presented by: www.TheHealthLawFirm.com © Copyright 2017. George F. Indest III. All rights reserved. SUBTITLE: “Practical Matters the Physician Must Know When Confronted by a Medical Staff Peer Review/ Clinical Privileges/Fair Hearing Proceeding” Originally presented by George F. Indest III at an annual meeting of the American College of Surgeons Presented by: www.TheHealthLawFirm.com © Copyright 2017. George F. Indest III. All rights reserved. George F. Indest III, J.D., M.P.A., LL.M. Board Certified by the Florida Bar in the Legal Specialty of Health Law Website: www.TheHealthLawFirm.com Main Office: 1101 Douglas Avenue Altamonte Springs, Florida 32714 Phone: (407) 331-6620 Fax: (407) 331-3030 Website: www.TheHealthLawFirm.com “In the next fifteen minutes we have to create enough confusion to get out of here alive.” -Smith [Clint Eastwood] in “Where Eagles Dare” “If you want to play the game, you’d better know the rules….” -Inspector Harry Callahan [Clint Eastwood] in “The Dead Pool” TERMINOLOGY “Peer Review Hearing” a/k/a – Privileges Hearing – Fair Hearing – Medical Review Hearing – Credentials Hearing – Medical Staff Hearing – Disciplinary Hearing – Credentials Committee Hearing – Ad Hoc Committee Hearing The “Private Practice Physician” We are Discussing 1. Not a Hospital employee. 2. Does not have a direct contract with the Hospital. 3. Not a member of a group with an exclusive contract. 4. Does have clinical privileges at the Hospital. Two components of a physician’s medical staff relationship in a Hospital (often used interchangeably & incorrectly): 1. -
Serial Killing Myths Versus Reality
SERIAL KILLING MYTHS VERSUS REALITY: A CONTENT ANALYSIS OF SERIAL KILLER MOVIES MADE BETWEEN 1980 AND 2001 Sarah Scott McCready, B.A. Thesis Prepared for the Degree of MASTER OF SCIENCE UNIVERSITY OF NORTH TEXAS August 2002 APPROVED: Tory J. Caeti, Major Professor John Liederbach, Committee Member D. Kall Loper, Committee Member Robert W. Taylor, Chair of the Department of Criminal Justice Eric J. Fritsch, Program Coordinator Of the Department of Criminal Justice David W. Hartman, Dean of the School of Community Service C. Neal Tate, Dean of the Robert B. Toulouse School of Graduate Studies McCready, Sarah Scott., Serial Killing Myths Versus Reality: A Content Analysis Of Serial Killer Movies Made Between 1980 and 2001. Master of Science in Criminal Justice, August 2002, 102pp., 28 tables, 1 figure, references, 92 titles. Public perceptions about serial homicide are more mythical than fact. Myths about serial homicide are perpetuated through several sources, especially the entertainment media. The number of films depicting serial killers and serial killing themes has increased in recent years. However, the reality of these films is debatable. This research examines the reality of the films involving a serial killing theme. Hickey provides statistical information on serial killers and serial killings. A content analysis of the fifty top grossing serial killer movies made between 1980 and 2001 was conducted using variables from Hickey research. Research shows similarities and differences between variables, however, results concludes the entertainment media does not accurately portray serial homicide. Copyright 2002 By Sarah Scott McCready ii ACKNOWLEDGMENTS The author would like to acknowledge the tremendous amount of time, effort, and support given by Professor Tory Caeti, Ph.D. -
Family 2/26/04 Pg 4
Page 4 Colby Free Press Thursday, February 26, 2004 Family Deaths Faye F. Mollerstrom Beulah Cemetery in Colby. Senior Center to hold pancake feed Organist was Pat Ziegelmeier Faye F. Mollerstrom, 81, of The Senior Progress Center will Donna Schielke, director of the broccoli and cauliflower salad, din- and soloist was Jerry Vincent. Pall- Belleville, died Friday, Feb. 20, have a Sausage and Pancake Feed center, says no special invitation is ner role, pineapple chunks. bearers were Mike Bahe, Greg Senior News 2004 at Belleville Health Care Cen- Saturday, March 6 from 7 a.m. to 2 needed to join in the lunchtime fel- Wednesday - hot turkey sand- ter in Belleville. Colvin, Mike Garrett, Stephen p.m. at 165 Fike Park. will be at 9 a.m. Exercise will be at lowship and all are welcome. She wich, mashed potatoes and gravy, There were no services as she re- Bear, Larry Werth and Mike A free will donation will be taken 9:30 a.m. Tuesday. Line dancing did remind everyone that a reserva- asparagus, bread, peach upside quested her body be willed to sci- Schultz. Honorary pallbearers were at the door. with Deb Koon will be at 10 a.m. tion is needed by noon the previous down cake with topping. ence at the University of Kansas Geoff Reed and Kenny McGuire. The funds go for Senior Progress Wednesday and income tax filing day. Thursday - hamburger steak, Medical Center in Kansas City. She is survived by a son, LaVelle Center upkeep and activities. assistance will be available from 1- The menu for the next week in- baked potatoes, creamed peas, Bachelor-Faulkner-Dart-Surber of Levant and a daughter, Anita of Please make plans to attend. -
XXIV:9) Clint Eastwood, the OUTLAW JOSEY WALES (1976, 135 Min.)
Please turn off cellphones during screening March 20, 2012 (XXIV:9) Clint Eastwood, THE OUTLAW JOSEY WALES (1976, 135 min.) Directed by Clint Eastwood Screenplay by Philip Kaufman and Sonia Chernus Based on the novel by Forrest Carter Produced by Robert Daley Original Music by Jerry Fielding Cinematography by Bruce Surtees Film Editing by Ferris Webster Clint Eastwood…Josey Wales Chief Dan George…Lone Watie Sondra Locke…Lee Bill McKinney…Terrill John Vernon…Fletcher Paula Trueman…Grandma Sarah Sam Bottoms...Jamie Geraldine Keams…Little Moonlight Woodrow Parfrey…Carpetbagger John Verros…Chato Will Sampson…Ten Bears John Quade…Comanchero Leader John Russell…Bloody Bill Anderson Charles Tyner…Zukie Limmer John Mitchum…Al Kyle Eastwood…Josey's Son Richard Farnsworth…Comanchero 1996 National Film Registry 1983 Sudden Impact, 1982 Honkytonk Man, 1982 Firefox, 1980 Bronco Billy, 1977 The Gauntlet, 1976 The Outlaw Josey Wales, 1975 The Eiger Sanction, 1973 Breezy, 1973 High Plains Drifter, Clint Eastwood (b. Clinton Eastwood Jr., May 31, 1930, San 1971 Play Misty for Me, and 1971 The Beguiled: The Storyteller. Francisco, California) has won five Academy Awards: best He has 67 acting credits, some of which are 2008 Gran Torino, director and best picture for Million Dollar Baby (2004), the 2004 Million Dollar Baby, 2000 Space Cowboys, 1999 True Irving G. Thalberg Memorial Award (1995) and best director and Crime, 1997 Absolute Power, 1995 The Bridges of Madison best picture for Unforgiven (1992). He has directed 35 films, County, 1993 A Perfect -
Clint Eastwood (EUA, Austrália, 2008)
FORUM MUNICIPAL LUÍSA TODI – SETÚBAL, SEGUNDA-FEIRA, 07 DE SETEMBRO, DE 2020 - 21H00 MASTERCLASS: FILMES QUE EU AMO Nº37 - (entrada livre) GRAN TORINO Título original: Gran Torino Realização: Clint Eastwood (EUA, Austrália, 2008) A MINHA RELAÇÃO COM CLINT EASTWOOD Clint Eastwood teve, nos seus tempos iniciais de ator, dois belíssimos mestres, Don Siegel e Sergio Leone. Com um e outro criou um tipo de representação e de personagem que iriam de certa forma transformar radicalmente o filme policial, por um lado, e o western, por outro. Foi em Itália, sob as ordens de Leone, que surgiu a figura do cowboy anti-herói que pouco se distinguia dos vilões. Um homem totalmente desiludido, sem grandes valores, que atirava primeiro e perguntava depois. “O Bom, o Mau e o Vilão” foi o melhor exemplo deste tempo passado na Europa, depois de nos EUA se ter arrastado nalguns episódios de westerns em séries televisivas. Por essa altura, nos anos 60 do século passado, alguém disse dele: “Eu gosto do Clint Eastwood porque ele tem somente duas expressões faciais. Uma com o chapéu e outra sem ele”. Mas a verdade é que o seu trabalho marcou e criou um ícone. De regresso à América, teve então, em Don Siegel, outro realizador que lhe deu tarimba como ator e o preparou para a realização. No início dos anos 70, “Two Mules for Sister Sara”, “The Beguiled”, “High Plains Drifter” ou “The Outlaw Josey Wales” transportam de certa fora o cínico cowboy criado nas planícies europeias para os estúdios norte-americanos. O anti-herói ajudou seguramente à decadência do género nos EUA, ao destruir o tradicional confronto entre o herói e o vilão. -
Guns N' Roses Entity Partnership Citizenship California Composed Of: W
Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA966168 Filing date: 04/10/2019 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Notice of Opposition Notice is hereby given that the following party opposes registration of the indicated application. Opposer Information Name Guns N' Roses Entity Partnership Citizenship California Composed Of: W. Axl Rose Saul Hudson Michael "Duff" McKagan Address c/o LL Management Group West, LLC 5950 Canoga Ave., Ste. 510 Woodland Hills, CA 91367 UNITED STATES Attorney informa- Jill M. Pietrini Esq. tion Sheppard Mullin Richter & Hampton LLP 1901 Avenue of the Stars, Suite 1600 Los Angeles, CA 90067 UNITED STATES [email protected], [email protected], [email protected], [email protected], MDan- [email protected], [email protected], RLHud- [email protected] 310-228-3700 Applicant Information Application No 87947921 Publication date 03/12/2019 Opposition Filing 04/10/2019 Opposition Peri- 04/11/2019 Date od Ends Applicant ALDI Inc. 1200 N. Kirk Road Batavia, IL 60510 UNITED STATES Goods/Services Affected by Opposition Class 029. First Use: 0 First Use In Commerce: 0 All goods and services in the class are opposed, namely: cheese, namely, cheddar cheese Grounds for Opposition Priority and likelihood of confusion Trademark Act Section 2(d) False suggestion of a connection with persons, Trademark Act Section 2(a) living or dead, institutions, beliefs, or national symbols, or brings them into contempt, or disrep- ute Mark Cited by Opposer as Basis for Opposition U.S. Application/ Registra- NONE Application Date NONE tion No. -
DVD Empire - Item - Dirty Harry: Ultimate Collector's Edition / Blu-Ray 6/4/08 2:42 PM
DVD Empire - Item - Dirty Harry: Ultimate Collector's Edition / Blu-ray 6/4/08 2:42 PM Paramount DVDs – 2 For 1! | Free Shipping on 3 or More Items - Restrictions | Reserve & Save – 50% Off! Apply Thank you for visiting. Create an Account or Log In? View Order Your Account Your Wishlist Customer Service Blu-ray Search: Keyword Blu-ray Reviews Adult Blu-Ray Where the Completely Addicted come for Digital Entertainment. Quick Links Dirty Harry: Ultimate Collector's Edition / Blu-ray Recent Releases Widescreen 2.40:1 Color / Widescreen 1.85:1 Color / Production Year: 1971 / Region 1 Future Releases Current Bestsellers $102.66 All Time Bestsellers LIST: $129.95 Recent Additions SAVE: $27.29 (21%) Complete List IN-STOCK: Ships immediately Learn About Used Items Movies Product is Guaranteed to Ship the next Empire Business Day. *Restrictions Apply Action Classics Comedy Eligible for free shipping *Restrictions Apply Drama Family Fantasy Foreign Large: Front • Back Horror Musicals Available on other Media: Science Fiction • DVD-Video: Dirty Harry: Ultimate Collector's Edition Purchase for $59.19 Thrillers Westerns Television Select Product View: BBC - HBO General Info 1 Empire Reviews Customer Comments Suggestions Animation Used Product Box Cover Screen Shots Email a Friend Anime Computer Animation Overall Rating: 4 out of 5, including 1 review Be the first customer to comment on this Title. Special Interest Animals & Nature Documentary In-House Review: Music Grab The Soap! I'm Feeling Extra Dirty! 4.00 out of 5.00 - Film: 4 Features: 4 Video: 4 Audio: 4 - 6/3/2008 All Categories All Genres When people think of Clint Eastwood, many probably think about his great directorial efforts of Features the past decade, or perhaps his lengthy resume of Westerns. -
Genre, Auteur and Identity in Contemporary Hollywood Cinema: Clint Eastwood’S White Hunter, Black Heart1
GENRE, AUTEUR AND IDENTITY IN CONTEMPORARY HOLLYWOOD CINEMA: CLINT EASTWOOD’S WHITE HUNTER, BLACK HEART1 LUIS MIGUEL GARCÍA MAINAR University of Zaragoza 21 In keeping with contemporary enthusiasm for popular culture products, recent US American film criticism has shown great interest in the study of clearly codified artistic forms, with special emphasis on generic conventions and their attendant ideologies. This interest seems to be based on a distinction between generic and personal films, the assumption being that the former are more appropriate objects of study because they show a consistency and predictability that the latter lack. Critical interest does not, however, run parallel with Hollywood’s production, and the truth is that genre pieces do still coexist with a considerable number of more personal films, which show a relatively more realistic approach and pay more attention than the average Hollywood narrative to the construction of their characters. These films, presumably targeted at more mature audiences than the generic majority, seem to join forces with the independent cinema of the 80s and 90s, which has often exhibited a return to well-crafted stories and characters typical of classical cinema. In this paper I would like to concentrate on the study of Clint Eastwood’s White Hunter, Black Heart (1990) as a film with an interest in portraying the experience of the “self” through textual forms that fall outside Hollywood’s generic codes. The mention of Clint Eastwood already indicates the relevance of his presence, both as actor and director, to the understanding of the film, illustrating the persistence of forms of auteurism in contemporary Hollywood.