DOCSLIB.ORG

XXIV:9) Clint Eastwood, the OUTLAW JOSEY WALES (1976, 135 Min.)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
XXIV:9) Clint Eastwood, the OUTLAW JOSEY WALES (1976, 135 Min.) Please turn off cellphones during screening March 20, 2012 (XXIV:9) Clint Eastwood, THE OUTLAW JOSEY WALES (1976, 135 min.) Directed by Clint Eastwood Screenplay by Philip Kaufman and Sonia Chernus Based on the novel by Forrest Carter Produced by Robert Daley Original Music by Jerry Fielding Cinematography by Bruce Surtees Film Editing by Ferris Webster Clint Eastwood…Josey Wales Chief Dan George…Lone Watie Sondra Locke…Lee Bill McKinney…Terrill John Vernon…Fletcher Paula Trueman…Grandma Sarah Sam Bottoms...Jamie Geraldine Keams…Little Moonlight Woodrow Parfrey…Carpetbagger John Verros…Chato Will Sampson…Ten Bears John Quade…Comanchero Leader John Russell…Bloody Bill Anderson Charles Tyner…Zukie Limmer John Mitchum…Al Kyle Eastwood…Josey's Son Richard Farnsworth…Comanchero 1996 National Film Registry 1983 Sudden Impact, 1982 Honkytonk Man, 1982 Firefox, 1980 Bronco Billy, 1977 The Gauntlet, 1976 The Outlaw Josey Wales, 1975 The Eiger Sanction, 1973 Breezy, 1973 High Plains Drifter, Clint Eastwood (b. Clinton Eastwood Jr., May 31, 1930, San 1971 Play Misty for Me, and 1971 The Beguiled: The Storyteller. Francisco, California) has won five Academy Awards: best He has 67 acting credits, some of which are 2008 Gran Torino, director and best picture for Million Dollar Baby (2004), the 2004 Million Dollar Baby, 2000 Space Cowboys, 1999 True Irving G. Thalberg Memorial Award (1995) and best director and Crime, 1997 Absolute Power, 1995 The Bridges of Madison best picture for Unforgiven (1992). He has directed 35 films, County, 1993 A Perfect World, 1993 In the Line of Fire, 1992 among them 2011 J. Edgar, 2010 Hereafter, 2009 Invictus, 2008 Unforgiven, 1990 White Hunter Black Heart, 1989 Pink Gran Torino, 2008 Changeling, 2006 Letters from Iwo Jima, Cadillac, 1988 The Dead Pool, 1986 Heartbreak Ridge, 1985 2006 Flags of Our Fathers, 2004 Million Dollar Baby, 2003 Pale Rider, 1984 Tightrope, 1983 Sudden Impact, 1982 “The Blues”, 2003 Mystic River, 2002 Blood Work, 2000 Space Honkytonk Man, 1982 Firefox, 1980 Any Which Way You Can, Cowboys, 1999 True Crime, 1997 Midnight in the Garden of 1980 Bronco Billy, 1979 Escape from Alcatraz, 1978 Every Good and Evil, 1997 Absolute Power, 1995 The Bridges of Which Way But Loose, 1977 The Gauntlet, 1976/I The Enforcer, Madison County, 1993 A Perfect World, 1992 Unforgiven, 1990 1976 The Outlaw Josey Wales, 1975 The Eiger Sanction, 1974 The Rookie, 1990 White Hunter Black Heart, 1988 Bird, 1986 Thunderbolt and Lightfoot, 1973 Magnum Force, 1973 High Heartbreak Ridge, 1985 “Amazing Stories”, 1985 Pale Rider, Plains Drifter, 1972 Joe Kidd, 1971 Dirty Harry, 1971 Play Eastwood—THE OUTLAW JOSEY WALES—2 Misty for Me, 1971 The Beguiled, 1970 Kelly's Heroes, 1970 has 104 composer credits, including 1979 Escape from Alcatraz, Two Mules for Sister Sara, 1969 Paint Your Wagon, 1968 Where 1979 Beyond the Poseidon Adventure, 1978 The Big Sleep, 1978 Eagles Dare, 1968 Coogan's Bluff, 1968 Hang 'Em High, 1966 Gray Lady Down, 1977 The Gauntlet, 1977 Semi-Tough, 1977 The Good, the Bad and the Ugly, 1965 For a Few Dollars More, Demon Seed, 1976/I The Enforcer, 1976 “The Bionic Woman” 1959-1965 “Rawhide” (217 episodes), 1964 A Fistful of Dollars, (10 episodes), 1976 The Outlaw Josey Wales, 1976 The Bad 1958 Ambush at Cimarron Pass, 1958 Lafayette Escadrille, 1956 News Bears, 1971-1976 “McMillan & Wife” (24 episodes), 1975 Away All Boats, 1955 Lady Godiva of Coventry, 1955 Francis in The Killer Elite, 1975 “Matt Helm”, 1974 “Police Woman”, 1974 the Navy, and 1955 Revenge of the Creature. The Gambler, 1974 Bring Me the Head of Alfredo Garcia, 1973 The Outfit, 1973 Scorpio, 1972 Junior Bonner, 1971 Straw Dogs, Philip Kaufman (October 23, 1936, Chicago, Illinois) has 17 1971 Johnny Got His Gun, 1969-1970 “The Governor & J.J.” (27 screenplay titles, among them 1993 Rising Sun, 1990 Henry & episodes), 1967-1969 “Mission: Impossible” (7 episodes), 1969 June, 1988 The Unbearable Lightness of Being, 1983 The Right The Wild Bunch, 1967 “Star Trek”, 1965-1966 “Hogan's Heroes” Stuff, 1979 The Wanderers, 1976 The Outlaw Josey Wales, 1972 (24 episodes), 1964 McHale's Navy, 1962 Advise & Consent, and The Great Northfield Minnesota Raid, 1967 Fearless Frank, and 1952 “The Jerry Fielding Show” (14 episodes). 1964 Goldstein. Sonia Chernus (August 14, 1909 – June 29, 1990, Los Angeles, California) has only one screenplay credit—this films. She also has TV writing credcits for “Mister Ed”, 1962 and “Rawhide”, and a story credit for 1947 The Big Fix. Forrest Carter (Asa Carter, 4 September 1925, Anniston, Alabama—7 June 1979, Abilene Texas,). From IMdB: “Forrest Carter, the author of the controversial memoir (now recognized as a work of fiction) The Education of Little Tree, was the pen- name of Asa Earl Carter...a rabid segregationist who was an infamous racist propagandist in the 1960s. A leader of the White Citizens Council (a group dedicated to opposing desegregation and one that was generally considered to be a front group for the Ku Klux Klan) of North Alabama, Carter was the head of a "klavern" of the Ku Klux Klan. He was an unofficial Clint Eastwood and Bruce Surtees on set of "Hang 'Em High" speechwriter for segregationist Governor George Wallace, the Bruce Surtees (director of photography) (b. Bruce Mohr segregationist governor of Alabama and candidate for the Powell Surtees, July 27, 1937, Los Angeles, California – Presidency (1968, '72). Asa Earl Carter wrote white supremacist February 23, 2012, Carmel, California), was often called “The literature, and was a major contributor to The Southerner, a Prince of Darkness” for his uncanny ability to film in scenes with white-supremacist publication that he edited and published first almost no light at all; he often worked with Eastood. Some of his under the aegis of the racist White Citizens Council. Originally 56 cinematographer credits are 2002 Joshua, 2000 “American accepted as an actual work by a Cherokee Indian, The Education Tragedy”, 2000 “Thin Air”, 1999 “That Championship Season”, of Little Tree ranks as one of the great literary hoaxes of 1998 Just a Little Harmless Sex, 1996 The Substitute, 1995 The American literature. Taking the pen of name Forrest Carter, he Stars Fell on Henrietta, 1992 That Night, 1991 The Super, 1990 published two Westerns, including The Rebel Outlaw: Josey Men Don't Leave, 1988 License to Drive, 1986 Ratboy, 1986 Wales…. After the Eastwood film was released, the New York Psycho III, 1985 Pale Rider, 1984 Beverly Hills Cop, 1984 Times revealed that "Forrest Carter" was actually Asa Earl Tightrope, 1983 Sudden Impact, 1983 Risky Business, 1983 Bad Carter, the segregationist. At the time it was fashionable among Boys, 1982 Honkytonk Man, 1982 White Dog, 1982 Firefox, some critics, in line with Paulene Kael’s criticism of the movie- 1981 Inchon, 1979 Escape from Alcatraz, 1978 Big Wednesday, star/director, to portray Eastwood as a "fascist," and Carter's 1977 Three Warriors, 1976 The Shootist, 1976 The Outlaw Josey outing was more likely made to embarrass Eastwood rather than Wales, 1976 Leadbelly, 1975 Night Moves, 1974 Lenny, 1973 to out Asa Earl Carter. The Outfit, 1973 Blume in Love, 1973 High Plains Drifter, 1972 Joe Kidd, 1972 Conquest of the Planet of the Apes, 1972 The Robert Daley has 17 producer credits, all of them with Great Northfield Minnesota Raid, 1971 Dirty Harry, 1971 Play Eastwood: 1980 Any Which Way You Can, 1980 Bronco Billy, Misty for Me, and 1971 The Beguiled. 1979 Escape from Alcatraz, 1978 Every Which Way But Loose, 1977 The Gauntlet, 1976/I The Enforcer, 1976 The Outlaw Josey Ferris Webster (April 29, 1912, Seattle, Washington – February Wales, 1975 The Eiger Sanction, 1974 Thunderbolt and 4, 1989, San Luis Obispo, California) has 74 editing credits, Lightfoot, 1973 Magnum Force, 1973 Breezy, 1973 High Plains among them 1982 Honkytonk Man, 1982 Firefox, 1980 Any Drifter, 1972 Joe Kidd, 1971 Dirty Harry, and 1971 Play Misty Which Way You Can, 1980 Bronco Billy, 1979 Escape from for Me. Alcatraz, 1978 Every Which Way But Loose, 1977 The Gauntlet, 1976/I The Enforcer, 1976 The Outlaw Josey Wales, 1975 The Jerry Fielding (b. Joshua Feldman, June 17, 1922, Pittsburgh, Eiger Sanction, 1974 Thunderbolt and Lightfoot, 1973 Magnum Pennsylvania – February 17, 1980, Toronto, Ontario, Canada) Force, 1973 Breezy, 1973 High Plains Drifter, 1972 Joe Kidd, Eastwood—THE OUTLAW JOSEY WALES—3 1971 The Organization, 1970 A Walk in the Spring Rain, 1970 1974 Thunderbolt and Lightfoot, 1974 “The Execution of Private Start the Revolution Without Me, 1968 Ice Station Zebra, 1966 Slovik”, 1974 “Columbo”, 1974 “Mannix”, 1972 The Life and Seconds, 1964 Seven Days in May, 1963 The Great Escape, 1962 Times of Judge Roy Bean, 1972 Junior Bonner, 1972 The Manchurian Candidate, 1961 By Love Possessed, 1960 The Deliverance, 1970 “McCloud”, 1968 Firecreek, 1968 The Road Magnificent Seven, 1959 Green Mansions, 1958 Cat on a Hot Hustlers, and 1967 She Freak. Tin Roof, 1958 The Law and Jake Wade, 1957 Something of Value, 1956 Tea and Sympathy, 1956 The Fastest Gun Alive, John Vernon… Fletcher (b. Adolphus Raymondus Vernon 1956 Forbidden Planet, 1955 Blackboard Jungle, 1952 Lone Agopsowicz, February 24, 1932, Zehner, Saskatchewan, Canada Star, 1950 Father of the Bride, 1949 Madame Bovary, 1946 – February 1, 2005, Los Angeles, California) has almost 200 Undercurrent, and 1945 The Picture of Dorian Gray. acting credits, some of which are 2008 Delgo, 2002 Warrior Angels, 2002 Sorority Boys, 2002 Welcome to America, 2000 Star Trek: Klingon Academy (Video Game),
Load more

Recommended publications
  • UC Riverside UC Riverside Electronic Theses and Dissertations
    UC Riverside UC Riverside Electronic Theses and Dissertations Title Sonic Retro-Futures: Musical Nostalgia as Revolution in Post-1960s American Literature, Film and Technoculture Permalink https://escholarship.org/uc/item/65f2825x Author Young, Mark Thomas Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Sonic Retro-Futures: Musical Nostalgia as Revolution in Post-1960s American Literature, Film and Technoculture A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Mark Thomas Young June 2015 Dissertation Committee: Dr. Sherryl Vint, Chairperson Dr. Steven Gould Axelrod Dr. Tom Lutz Copyright by Mark Thomas Young 2015 The Dissertation of Mark Thomas Young is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS As there are many midwives to an “individual” success, I’d like to thank the various mentors, colleagues, organizations, friends, and family members who have supported me through the stages of conception, drafting, revision, and completion of this project. Perhaps the most important influences on my early thinking about this topic came from Paweł Frelik and Larry McCaffery, with whom I shared a rousing desert hike in the foothills of Borrego Springs. After an evening of food, drink, and lively exchange, I had the long-overdue epiphany to channel my training in musical performance more directly into my academic pursuits. The early support, friendship, and collegiality of these two had a tremendously positive effect on the arc of my scholarship; knowing they believed in the project helped me pencil its first sketchy contours—and ultimately see it through to the end.
    [Show full text]
  • Stirling Silliphant Papers, Ca
    http://oac.cdlib.org/findaid/ark:/13030/tf2f59n87r No online items Finding Aid for the Stirling Silliphant Papers, ca. 1950-ca. 1985 PASC.0134 Finding aid prepared by Processed by UCLA Library Special Collections staff; machine-readable finding aid created by D.MacGill UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] Online finding aid last updated 14 August 2017 Finding Aid for the Stirling PASC.0134 1 Silliphant Papers, ca. 1950-ca. 1985 PASC.0134 Title: Stirling Silliphant papers Identifier/Call Number: PASC.0134 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 27.0 linear feet65 boxes. Date (inclusive): ca. 1950-ca. 1985 Language of Materials: Materials are in English. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. Preferred Citation [Identification of item], Stirling Silliphant Papers (Collection Number PASC 134).
    [Show full text]
  • A History of Fort Bascom in the Canadian River Valley
    New Mexico Historical Review Volume 87 Number 3 Article 4 7-1-2012 Boots on the Ground: A History of Fort Bascom in the Canadian River Valley James Blackshear Follow this and additional works at: https://digitalrepository.unm.edu/nmhr Recommended Citation Blackshear, James. "Boots on the Ground: A History of Fort Bascom in the Canadian River Valley." New Mexico Historical Review 87, 3 (2012). https://digitalrepository.unm.edu/nmhr/vol87/iss3/4 This Article is brought to you for free and open access by UNM Digital Repository. It has been accepted for inclusion in New Mexico Historical Review by an authorized editor of UNM Digital Repository. For more information, please contact [email protected], [email protected], [email protected]. Boots on the Ground a history of fort bascom in the canadian river valley James Blackshear n 1863 the Union Army in New Mexico Territory, prompted by fears of a Isecond Rebel invasion from Texas and its desire to check incursions by southern Plains Indians, built Fort Bascom on the south bank of the Canadian River. The U.S. Army placed the fort about eleven miles north of present-day Tucumcari, New Mexico, a day’s ride from the western edge of the Llano Estacado (see map 1). Fort Bascom operated as a permanent post from 1863 to 1870. From late 1870 through most of 1874, it functioned as an extension of Fort Union, and served as a base of operations for patrols in New Mexico and expeditions into Texas. Fort Bascom has garnered little scholarly interest despite its historical signifi cance.
    [Show full text]
  • Clint Eastwood Et Les Années 1980 Julien Fonfrède
    Document generated on 09/28/2021 9:57 a.m. 24 images Papy fait de la résistance Clint Eastwood et les années 1980 Julien Fonfrède Années 1980 – Laboratoire d’un cinéma populaire Number 183, August–September 2017 URI: https://id.erudit.org/iderudit/85996ac See table of contents Publisher(s) 24/30 I/S ISSN 0707-9389 (print) 1923-5097 (digital) Explore this journal Cite this article Fonfrède, J. (2017). Papy fait de la résistance : Clint Eastwood et les années 1980. 24 images, (183), 31–31. Tous droits réservés © 24/30 I/S, 2017 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Années 1980 – Laboratoire d’un cinéma populaire PAPY FAIT DE LA RÉSISTANCE CLINT EASTWOOD ET LES ANNÉES 1980 par Julien Fonfrède es réalisateurs, acteurs et actrices phares D des décennies précédant les années 1980, nombreux sont ceux et celles qui sont tombés dans l’oubli au cours de cette période. Le cinéma rajeunit alors. Une nouvelle génération de réali- sateurs, de spectateurs, de sujets et de visages débarque. Difficile, pour beaucoup, de s’adapter aux changements. Pour Clint Eastwood, ce ne sera en revanche pas le cas.
    [Show full text]
  • Have Gun, Will Travel: the Myth of the Frontier in the Hollywood Western John Springhall
    Feature Have gun, will travel: The myth of the frontier in the Hollywood Western John Springhall Newspaper editor (bit player): ‘This is the West, sir. When the legend becomes fact, we print the legend’. The Man Who Shot Liberty Valance (dir. John Ford, 1962). Gil Westrum (Randolph Scott): ‘You know what’s on the back of a poor man when he dies? The clothes of pride. And they are not a bit warmer to him dead than they were when he was alive. Is that all you want, Steve?’ Steve Judd (Joel McCrea): ‘All I want is to enter my house justified’. Ride the High Country [a.k.a. Guns in the Afternoon] (dir. Sam Peckinpah, 1962)> J. W. Grant (Ralph Bellamy): ‘You bastard!’ Henry ‘Rico’ Fardan (Lee Marvin): ‘Yes, sir. In my case an accident of birth. But you, you’re a self-made man.’ The Professionals (dir. Richard Brooks, 1966).1 he Western movies that from Taround 1910 until the 1960s made up at least a fifth of all the American film titles on general release signified Lee Marvin, Lee Van Cleef, John Wayne and Strother Martin on the set of The Man Who Shot Liberty Valance escapist entertainment for British directed and produced by John Ford. audiences: an alluring vision of vast © Sunset Boulevard/Corbis open spaces, of cowboys on horseback outlined against an imposing landscape. For Americans themselves, the Western a schoolboy in the 1950s, the Western believed that the western frontier was signified their own turbulent frontier has an undeniable appeal, allowing the closing or had already closed – as the history west of the Mississippi in the cinemagoer to interrogate, from youth U.
    [Show full text]
  • Introduction
    CINEMATOGRAPHY Mailing List the first 5 years Introduction This book consists of edited conversations between DP’s, Gaffer’s, their crew and equipment suppliers. As such it doesn’t have the same structure as a “normal” film reference book. Our aim is to promote the free exchange of ideas among fellow professionals, the cinematographer, their camera crew, manufacturer's, rental houses and related businesses. Kodak, Arri, Aaton, Panavision, Otto Nemenz, Clairmont, Optex, VFG, Schneider, Tiffen, Fuji, Panasonic, Thomson, K5600, BandPro, Lighttools, Cooke, Plus8, SLF, Atlab and Fujinon are among the companies represented. As we have grown, we have added lists for HD, AC's, Lighting, Post etc. expanding on the original professional cinematography list started in 1996. We started with one list and 70 members in 1996, we now have, In addition to the original list aimed soley at professional cameramen, lists for assistant cameramen, docco’s, indies, video and basic cinematography. These have memberships varying from around 1,200 to over 2,500 each. These pages cover the period November 1996 to November 2001. Join us and help expand the shared knowledge:- www.cinematography.net CML – The first 5 Years…………………………. Page 1 CINEMATOGRAPHY Mailing List the first 5 years Page 2 CINEMATOGRAPHY Mailing List the first 5 years Introduction................................................................ 1 Shooting at 25FPS in a 60Hz Environment.............. 7 Shooting at 30 FPS................................................... 17 3D Moving Stills......................................................
    [Show full text]
  • Dirty Harry Quand L’Inspecteur S’En Mêle Dirty Harry, États-Unis 1971, 102 Minutes Pascal Grenier
    Document generated on 09/25/2021 3:09 p.m. Séquences La revue de cinéma Dirty Harry Quand l’inspecteur s’en mêle Dirty Harry, États-Unis 1971, 102 minutes Pascal Grenier Animer ailleurs Number 259, March–April 2009 URI: https://id.erudit.org/iderudit/44930ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review Grenier, P. (2009). Review of [Dirty Harry : quand l’inspecteur s’en mêle / Dirty Harry, États-Unis 1971, 102 minutes]. Séquences, (259), 32–32. Tous droits réservés © La revue Séquences Inc., 2009 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ 3 ARRÊT SUR IMAGE I FLASH-BACK Dirty Harry I Quand l'inspecteur s'en mêle Un inspecteur aux méthodes expéditives lutte contre un psychopathe dangereux qui menace la population de San Francisco. Sorti en 1971, ce drame policier fort percutant créa toute une controverse à l'époque. Clint Eastwood est propulsé au rang de star et son personnage, plus grand que nature, est encore aujourd'hui une véritable icône cinématographique. PASCAL GRENIER irty Harry marque la quatrième collaboration entre le réalisateur Don Siegel et le comédien Clint Eastwood D après Coogan's Bluff, Two Mules for Sister Sara et The Beguiled.
    [Show full text]
  • CHAMPION AEROSPACE LLC AVIATION CATALOG AV-14 Spark
    ® CHAMPION AEROSPACE LLC AVIATION CATALOG AV-14 REVISED AUGUST 2014 Spark Plugs Oil Filters Slick by Champion Exciters Leads Igniters ® Table of Contents SECTION PAGE Spark Plugs ........................................................................................................................................... 1 Product Features ....................................................................................................................................... 1 Spark Plug Type Designation System ............................................................................................................. 2 Spark Plug Types and Specifications ............................................................................................................. 3 Spark Plug by Popular Aircraft and Engines ................................................................................................ 4-12 Spark Plug Application by Engine Manufacturer .........................................................................................13-16 Other U. S. Aircraft and Piston Engines ....................................................................................................17-18 U. S. Helicopter and Piston Engines ........................................................................................................18-19 International Aircraft Using U. S. Piston Engines ........................................................................................ 19-22 Slick by Champion .............................................................................................................................
    [Show full text]
  • {PDF EPUB} the Elephants by Georges Blond the Elephants by Georges Blond
    Read Ebook {PDF EPUB} The Elephants by Georges Blond The Elephants by Georges Blond. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 6607bc654d604edf • Your IP : 116.202.236.252 • Performance & security by Cloudflare. Sondra Locke: a charismatic performer defined by a toxic relationship with Clint Eastwood. S ondra Locke was an actor, producer, director and talented singer. But it was her destiny to be linked forever with Clint Eastwood, whose partner she was from the mid-1970s to the late 1980s. She was a sexy, charismatic performer with a tough, lean look who starred alongside Eastwood in hit movies like The Outlaw Josey Wales, The Gauntlet, Every Which Way But Loose (in which she sang her own songs — also for the sequel Any Which Way You Can) and Bronco Billy. But the pair became trapped in one of the most notoriously toxic relationships in Hollywood history, an ugly, messy and abusive overlap of the personal and professional — a case of love gone sour and mentorship gone terribly wrong.
    [Show full text]
  • A PERFECT WORLD / 1993 (Um Mundo Perfeito)
    CINEMATECA PORTUGUESA – MUSEU DO CINEMA A INICIAÇÃO AO CINEMA: EXPERIÊNCIAS E REFLEXÕES ALAIN BERGALA / CRESCER NO CINEMA 19 de Fevereiro de 2013 A PERFECT WORLD / 1993 (Um Mundo Perfeito) Um filme de Clint Eastwood Realização: Clint Eastwood / Argumento: John Lee Hancock / Direcção de Fotografia: Jack N. Green / Design de Produção: Henry BUmstead / Direcção Artística: Jack Taylor Jr. / Guarda-Roupa: Erica Edell Phillips / Música: Lennie NiehaUs / Som: Jeff WeXler e Bobby Fernandez / Montagem: Joel CoX e Ron Spang / Interpretação: Kevin Costner (BUtch Haynes), Clint Eastwood (Red Garnett), Laura Dern (Sally Gerber), T. J. Lowther (Phillip Perry), Keith Szarabajka (Terry PUgh), Leo Burmester (Tom Adier), Paul Hewitt (Dick Scuttie), Bradley Whitford (Bobby Lee), Ray McKinnon (Bradley), Jennifer Griffin (Gladys Perry), Leslie Flowers (Naomi Perry), Belinda Flowers (RUth Perry), etc. Produção: Malpaso / Produtores; Mark Johnson e David Valdes / Distribuição: Warner Bros. / Cópia: em 35mm, colorida, legendada em sueco e electronicamente em português, 137 minUtos / Estreia em Portugal: 17 de Dezembro de 1993, nos cinemas Alfa 3, Amoreiras 6, Fonte Nova 1, MonUmental e São Jorge 1 (Lisboa) e em cinemas de Cascais, Almada, Setúbal, Barreiro, Porto, Coimbra, Caldas da Rainha e Funchal. Sessão apresentada por Alain Bergala _____________________________ O percUrso de Clint Eastwood, qUer no qUe toca a sUa carreira de actor e realiZador, qUer no que toca à evolução e às cambiantes da sua persona cinematográfica, é por esta altura já bem conhecido. Não só a decisiva viragem na atitude da critica perante a sua figura e os seus filmes mas também, e de modo indissociável, pelo trabalho de decomposição de uma "imagem de marca" adquirida no começo da carreira (e que lhe valeu a fama e o estrelato), lenta e metodicamente posta à prova ao longo da sua carreira de realizador.
    [Show full text]
  • Film Front Weimar’ 30-10-2002 14:10 Pagina 1
    * pb ‘Film Front Weimar’ 30-10-2002 14:10 Pagina 1 The Weimar Republic is widely regarded as a pre- cursor to the Nazi era and as a period in which jazz, achitecture and expressionist films all contributed to FILM FRONT WEIMAR BERNADETTE KESTER a cultural flourishing. The so-called Golden Twenties FFILMILM FILM however was also a decade in which Germany had to deal with the aftermath of the First World War. Film CULTURE CULTURE Front Weimar shows how Germany tried to reconcile IN TRANSITION IN TRANSITION the horrendous experiences of the war through the war films made between 1919 and 1933. These films shed light on the way Ger- many chose to remember its recent past. A body of twenty-five films is analysed. For insight into the understanding and reception of these films at the time, hundreds of film reviews, censorship re- ports and some popular history books are discussed. This is the first rigorous study of these hitherto unacknowledged war films. The chapters are ordered themati- cally: war documentaries, films on the causes of the war, the front life, the war at sea and the home front. Bernadette Kester is a researcher at the Institute of Military History (RNLA) in the Netherlands and teaches at the International School for Humanities and Social Sciences at the University of Am- sterdam. She received her PhD in History FilmFilm FrontFront of Society at the Erasmus University of Rotterdam. She has regular publications on subjects concerning historical representation. WeimarWeimar Representations of the First World War ISBN 90-5356-597-3
    [Show full text]
  • Primetime • Tuesday, April 17, 2012 Early Morning
    Section C, Page 4 THE TIMES LEADER—Princeton, Ky.—April 14, 2012 PRIMETIME • TUESDAY, APRIL 17, 2012 6 PM 6:30 7 PM 7:30 8 PM 8:30 9 PM 9:30 10 PM 10:30 11 PM 11:30 ^ 9 Eyewitness News Who Wants to Be a Last Man Standing (7:31) Cougar Town Dancing With the Stars (N) (S) (Live) (9:01) Private Practice Erica’s medical Eyewitness News Nightline (N) (CC) (10:55) Jimmy Kimmel Live “Dancing WEHT at 6pm (N) (CC) Millionaire (CC) (N) (CC) (N) (CC) (CC) condition gets worse. (N) (CC) at 10pm (N) (CC) With the Stars”; Ashanti. (N) (CC) # # News (N) (CC) Entertainment To- Last Man Standing (7:31) Cougar Town Dancing With the Stars (N) (S) (Live) (9:01) Private Practice Erica’s medical News (N) (CC) (10:35) Nightline Jimmy Kimmel Live “Dancing With the WSIL night (N) (CC) (N) (CC) (N) (CC) (CC) condition gets worse. (N) (CC) (N) (CC) Stars”; Ashanti. (N) (CC) $ $ Channel 4 News at Channel 4 News at The Biggest Loser The contestants re- The Voice “Live Eliminations” Vocalists Fashion Star “Out of the Box” The design- Channel 4 News at (10:35) The Tonight Show With Jay (11:37) Late Night WSMV 6pm (N) (CC) 6:30pm (N) (CC) view their progress. (N) (CC) face elimination. (N) (S) (Live) (CC) ers push creative boundaries. (N) 10pm (N) (CC) Leno (CC) With Jimmy Fallon % % Newschannel 5 at 6PM (N) (CC) NCIS “Rekindled” The team investigates a NCIS: Los Angeles “Lone Wolf” A discov- Unforgettable “Trajectories” A second NewsChannel 5 at (10:35) Late Show With David Letter- Late Late Show/ WTVF warehouse fire.
    [Show full text]