Ledding Library News Volume 15, Issue 4 April 2014
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Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
LETTERS from IWO JIMA Wettbewerb LETTERS from IWO JIMA Außer Konkurrenz LETTRES D’IWO JIMA Regie: Clint Eastwood
Berlinale 2007 LETTERS FROM IWO JIMA Wettbewerb LETTERS FROM IWO JIMA Außer Konkurrenz LETTRES D’IWO JIMA Regie: Clint Eastwood USA 2006 Darsteller General Kuribayashi Ken Watanabe Länge 141 Min. Saigo Kazunari Ninomiya Format 35 mm, Baron Nishi Tsuyoshi Ihara Cinemascope Shimizu Ryo Kase Farbe Leutnant Ito Shidou Nakamura Leutnant Fujita Hiroshi Watanabe Stabliste Kapitän Tanida Takumi Bando Buch Iris Yamashita, nach Nozaki Yuki Matsuzaki einer Idee von Iris Kashiwara Takashi Yamaguchi Yamashita und Paul Leutnant Okubo Eijiro Ozaki Haggis sowie den Hanako Nae „Picture Letters“ von Admiral Ohsugi Nobumasa Sakagami Tadamichi Sam Lucas Elliot Kuribayashi Sanitäter Endo Sonny Seiichi Saito Kamera Tom Stern Oberst Oiso Hiro Abe Kameraführung Stephen S. Campanelli Kameraassistenz Bill Coe Schnitt Joel Cox Gary D. Roach Ken Kasai, Masashi Nagadoi, Hiroshi Watanabe, Ken Watanabe Schnittassistenz Michael Cipriano Blu Murray Ton Flash Deros LETTERS FROM IWO JIMA Mischung Walt Martin Vor 62 Jahren trafen die amerikanischen und japanischen Truppen auf Musik Kyle Eastwood Iwo Jima aufeinander. Jahrzehnte später fand man Hunderte von Briefen in Michael Stevens der Erde der kargen Insel. Durch diese Briefe bekommen die Männer, die Production Design Henry Bumstead dort unter Führung ihres außergewöhnlichen Generals gekämpft haben, James J. Murakami Ausstattung Gary Fettis Gesicht und Stimme. Spezialeffekte Michael Owens Als die japanischen Soldaten nach Iwo Jima geschickt werden, wissen sie, Kostüm Deborah Hopper dass sie aller Wahrscheinlichkeit nach nicht zurückkehren werden. Zu ihnen Maske Tania McComas gehört der Bäcker Saigo, der überleben möchte, um seine neugeborene Regieassistenz Donald Murphy Tochter sehen zu können. Baron Nishi, der 1936 als Reiter bei den Olym pi - Katie Carroll Casting Phyllis Huffman schen Spielen in Berlin siegte, gehört ebenso dazu wie der idealistische Ex- Produzenten Clint Eastwood Polizist Shimizu und der von der Sache überzeugte Leut nant Ito. -
The New Hollywood Films
The New Hollywood Films The following is a chronological list of those films that are generally considered to be "New Hollywood" productions. Shadows (1959) d John Cassavetes First independent American Film. Who's Afraid of Virginia Woolf? (1966) d. Mike Nichols Bonnie and Clyde (1967) d. Arthur Penn The Graduate (1967) d. Mike Nichols In Cold Blood (1967) d. Richard Brooks The Dirty Dozen (1967) d. Robert Aldrich Dont Look Back (1967) d. D.A. Pennebaker Point Blank (1967) d. John Boorman Coogan's Bluff (1968) – d. Don Siegel Greetings (1968) d. Brian De Palma 2001: A Space Odyssey (1968) d. Stanley Kubrick Planet of the Apes (1968) d. Franklin J. Schaffner Petulia (1968) d. Richard Lester Rosemary's Baby (1968) – d. Roman Polanski The Producers (1968) d. Mel Brooks Bullitt (1968) d. Peter Yates Night of the Living Dead (1968) – d. George Romero Head (1968) d. Bob Rafelson Alice's Restaurant (1969) d. Arthur Penn Easy Rider (1969) d. Dennis Hopper Medium Cool (1969) d. Haskell Wexler Midnight Cowboy (1969) d. John Schlesinger The Rain People (1969) – d. Francis Ford Coppola Take the Money and Run (1969) d. Woody Allen The Wild Bunch (1969) d. Sam Peckinpah Bob & Carol & Ted & Alice (1969) d. Paul Mazursky Butch Cassidy & the Sundance Kid (1969) d. George Roy Hill They Shoot Horses, Don't They? (1969) – d. Sydney Pollack Alex in Wonderland (1970) d. Paul Mazursky Catch-22 (1970) d. Mike Nichols MASH (1970) d. Robert Altman Love Story (1970) d. Arthur Hiller Airport (1970) d. George Seaton The Strawberry Statement (1970) d. -
Soil“ Traveling in Time and Space
„Soil“ Traveling in time and space Lecture for Writers for Europe Prague Session 2018 By Jochen Brunow Soil. When I first heard the title for the Prague session of Writers For Europe, I marveled at how wonderfully specific and inspiring it would be for writing a screenplay. And when I was asked to give the keynote speech a whole lot of associations and mental images rushed through my mind immediately — memories of very different movies popped up. Scenes and sequences dashed by, as well as the recollection of many personal experiences. All of mankind works on soil, names it and describes it in different ways. We walk on soil, explore and discover it. We feel the soil and touch soil, we dig deep into it and build on it. Soil has a smell, a color and a sound. It evokes names and pictures and even history. Therefore soil can be read like a book. Actually, I think soil might be one of the most central ideas and concepts in religion, mythology, spirituality, science, even in ideology and politics. And because of this, it is very present in all forms of art. Being faced with this enormous amount of content, I was worried about how to find a framework for my lecture. But since I am a writer and not a scientist, I will be speaking as a screenwriter to fellow screenwriters and filmmakers. In the following, I will approach the idea of soil as if my task was to write a screenplay about it. Whenever I think about writing a film on a certain topic, I start to ask myself questions. -
Hoover Digest
HOOVER DIGEST RESEARCH + OPINION ON PUBLIC POLICY SUMMER 2020 NO. 3 HOOVER DIGEST SUMMER 2020 NO. 3 | SUMMER 2020 DIGEST HOOVER THE PANDEMIC Recovery: The Long Road Back What’s Next for the Global Economy? Crossroads in US-China Relations A Stress Test for Democracy China Health Care The Economy Foreign Policy Iran Education Law and Justice Land Use and the Environment California Interviews » Amity Shlaes » Clint Eastwood Values History and Culture Hoover Archives THE HOOVER INSTITUTION • STANFORD UNIVERSITY The Hoover Institution on War, Revolution and Peace was established at Stanford University in 1919 by Herbert Hoover, a member of Stanford’s pioneer graduating class of 1895 and the thirty-first president of the United States. Created as a library and repository of documents, the Institution approaches its centennial with a dual identity: an active public policy research center and an internationally recognized library and archives. The Institution’s overarching goals are to: » Understand the causes and consequences of economic, political, and social change The Hoover Institution gratefully » Analyze the effects of government actions and public policies acknowledges gifts of support » Use reasoned argument and intellectual rigor to generate ideas that for the Hoover Digest from: nurture the formation of public policy and benefit society Bertha and John Garabedian Charitable Foundation Herbert Hoover’s 1959 statement to the Board of Trustees of Stanford University continues to guide and define the Institution’s mission in the u u u twenty-first century: This Institution supports the Constitution of the United States, The Hoover Institution is supported by donations from individuals, its Bill of Rights, and its method of representative government. -
A PERFECT WORLD / 1993 (Um Mundo Perfeito)
CINEMATECA PORTUGUESA – MUSEU DO CINEMA A INICIAÇÃO AO CINEMA: EXPERIÊNCIAS E REFLEXÕES ALAIN BERGALA / CRESCER NO CINEMA 19 de Fevereiro de 2013 A PERFECT WORLD / 1993 (Um Mundo Perfeito) Um filme de Clint Eastwood Realização: Clint Eastwood / Argumento: John Lee Hancock / Direcção de Fotografia: Jack N. Green / Design de Produção: Henry BUmstead / Direcção Artística: Jack Taylor Jr. / Guarda-Roupa: Erica Edell Phillips / Música: Lennie NiehaUs / Som: Jeff WeXler e Bobby Fernandez / Montagem: Joel CoX e Ron Spang / Interpretação: Kevin Costner (BUtch Haynes), Clint Eastwood (Red Garnett), Laura Dern (Sally Gerber), T. J. Lowther (Phillip Perry), Keith Szarabajka (Terry PUgh), Leo Burmester (Tom Adier), Paul Hewitt (Dick Scuttie), Bradley Whitford (Bobby Lee), Ray McKinnon (Bradley), Jennifer Griffin (Gladys Perry), Leslie Flowers (Naomi Perry), Belinda Flowers (RUth Perry), etc. Produção: Malpaso / Produtores; Mark Johnson e David Valdes / Distribuição: Warner Bros. / Cópia: em 35mm, colorida, legendada em sueco e electronicamente em português, 137 minUtos / Estreia em Portugal: 17 de Dezembro de 1993, nos cinemas Alfa 3, Amoreiras 6, Fonte Nova 1, MonUmental e São Jorge 1 (Lisboa) e em cinemas de Cascais, Almada, Setúbal, Barreiro, Porto, Coimbra, Caldas da Rainha e Funchal. Sessão apresentada por Alain Bergala _____________________________ O percUrso de Clint Eastwood, qUer no qUe toca a sUa carreira de actor e realiZador, qUer no que toca à evolução e às cambiantes da sua persona cinematográfica, é por esta altura já bem conhecido. Não só a decisiva viragem na atitude da critica perante a sua figura e os seus filmes mas também, e de modo indissociável, pelo trabalho de decomposição de uma "imagem de marca" adquirida no começo da carreira (e que lhe valeu a fama e o estrelato), lenta e metodicamente posta à prova ao longo da sua carreira de realizador. -
The Media and Reserve Library, Located on the Lower Level West Wing, Has Over 9,000 Videotapes, Dvds and Audiobooks Covering a Multitude of Subjects
Libraries WAR The Media and Reserve Library, located on the lower level west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 10 Days to D-Day DVD-0690 Anthropoid DVD-8859 1776 DVD-0397 Apocalypse Now DVD-3440 1900 DVD-4443 DVD-6825 9/11 c.2 DVD-0056 c.2 Army of Shadows DVD-3022 9th Company DVD-1383 Ashes and Diamonds DVD-3642 Act of Killing DVD-4434 Auschwitz Death Camp DVD-8792 Adams Chronicles DVD-3572 Auschwitz: Inside the Nazi State DVD-7615 Aftermath: The Remnants of War DVD-5233 Bad Voodoo's War DVD-1254 Against the Odds: Resistance in Nazi Concentration DVD-0592 Baghdad ER DVD-2538 Camps Age of Anxiety VHS-4359 Ballad of a Soldier DVD-1330 Al Qaeda Files DVD-5382 Band of Brothers (Discs 1-4) c.2 DVD-0580 Discs Alexander DVD-5380 Band of Brothers (Discs 5-6) c.2 DVD-0580 Discs Alive Day Memories: Home from Iraq DVD-6536 Bataan/Back to Bataan DVD-1645 All Quiet on the Western Front DVD-0238 Battle of Algiers DVD-0826 DVD-1284 Battle of Algiers c.4 DVD-0826 c.4 America Goes to War: World War II DVD-8059 Battle of Algiers c.3 DVD-0826 c.3 American Humanitarian Effort: Out-Takes from Vietnam DVD-8130 Battleground DVD-9109 American Sniper DVD-8997 Bedford Incident DVD-6742 DVD-8328 Beirut Diaries and 33 Days DVD-5080 Americanization of Emily DVD-1501 Beowulf DVD-3570 Andre's Lives VHS-4725 Best Years of Our Lives DVD-5227 Anne Frank DVD-3303 Best Years of Our Lives c.3 DVD-5227 c.3 Anne Frank: The Life of a Young Girl DVD-3579 Beyond Treason: What You Don't Know About Your DVD-4903 Government Could Kill You 9/6/2018 Big Red One DVD-2680 Catch-22 DVD-3479 DVD-9115 Cell Next Door DVD-4578 Birth of a Nation DVD-0060 Charge of the Light Brigade (Flynn) DVD-2931 Birth of a Nation and the Civil War Films of D.W. -
Teaching World History with Major Motion Pictures
Social Education 76(1), pp 22–28 ©2012 National Council for the Social Studies The Reel History of the World: Teaching World History with Major Motion Pictures William Benedict Russell III n today’s society, film is a part of popular culture and is relevant to students’ as well as an explanation as to why the everyday lives. Most students spend over 7 hours a day using media (over 50 class will view the film. Ihours a week).1 Nearly 50 percent of students’ media use per day is devoted to Watching the Film. When students videos (film) and television. With the popularity and availability of film, it is natural are watching the film (in its entirety that teachers attempt to engage students with such a relevant medium. In fact, in or selected clips), ensure that they are a recent study of social studies teachers, 100 percent reported using film at least aware of what they should be paying once a month to help teach content.2 In a national study of 327 teachers, 69 percent particular attention to. Pause the film reported that they use some type of film/movie to help teach Holocaust content. to pose a question, provide background, The method of using film and the method of using firsthand accounts were tied for or make a connection with an earlier les- the number one method teachers use to teach Holocaust content.3 Furthermore, a son. Interrupting a showing (at least once) national survey of social studies teachers conducted in 2006, found that 63 percent subtly reminds students that the purpose of eighth-grade teachers reported using some type of video-based activity in the of this classroom activity is not entertain- last social studies class they taught.4 ment, but critical thinking. -
Walpole Public Library DVD List A
Walpole Public Library DVD List [Items purchased to present*] Last updated: 9/17/2021 INDEX Note: List does not reflect items lost or removed from collection A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Nonfiction A A A place in the sun AAL Aaltra AAR Aardvark The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.1 vol.1 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.2 vol.2 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.3 vol.3 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.4 vol.4 ABE Aberdeen ABO About a boy ABO About Elly ABO About Schmidt ABO About time ABO Above the rim ABR Abraham Lincoln vampire hunter ABS Absolutely anything ABS Absolutely fabulous : the movie ACC Acceptable risk ACC Accepted ACC Accountant, The ACC SER. Accused : series 1 & 2 1 & 2 ACE Ace in the hole ACE Ace Ventura pet detective ACR Across the universe ACT Act of valor ACT Acts of vengeance ADA Adam's apples ADA Adams chronicles, The ADA Adam ADA Adam’s Rib ADA Adaptation ADA Ad Astra ADJ Adjustment Bureau, The *does not reflect missing materials or those being mended Walpole Public Library DVD List [Items purchased to present*] ADM Admission ADO Adopt a highway ADR Adrift ADU Adult world ADV Adventure of Sherlock Holmes’ smarter brother, The ADV The adventures of Baron Munchausen ADV Adverse AEO Aeon Flux AFF SEAS.1 Affair, The : season 1 AFF SEAS.2 Affair, The : season 2 AFF SEAS.3 Affair, The : season 3 AFF SEAS.4 Affair, The : season 4 AFF SEAS.5 Affair, -
Dislocation Du Héros / a Perfect World De Clint Eastwood]
Document generated on 09/28/2021 6:35 a.m. 24 images Dislocation du héros A Perfect World de Clint Eastwood Gabriel Landry Number 71, February–March 1994 URI: https://id.erudit.org/iderudit/23001ac See table of contents Publisher(s) 24/30 I/S ISSN 0707-9389 (print) 1923-5097 (digital) Explore this journal Cite this review Landry, G. (1994). Review of [Dislocation du héros / A Perfect World de Clint Eastwood]. 24 images, (71), 66–66. Tous droits réservés © 24 images inc., 1994 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ A PERFECT WORLD DE CLINT EASTWOOD road movie la cavale d'un Butch (Kevin ISLOCATION Costner) et de son Kid(nappé), l'irrésisti ble T. J. Lowther, drôle de gamin. Pari DU HÉROS tenu: passer par Œdipe sans que ça soit trop complexe. Une enfance similaire, par Gabriel Landry c'est-à-dire marquée par l'absence du père, rapproche le bagnard évadé et son jeune otage. C'est la complicité de l'un et de l'autre, scellée «on the road» et à laquelle on croit tout de suite, qui dévêt à moitié le titre de sa grinçante ironie et donne à ce dix-septième film d'Eastwood sa couleur t dernier film de Clint Eastwood est particulière, mélange d'amertume, de L une fable, qui raconte les aventures tendresse et de foudroyant pessimisme. -
JMGC Vol 7 Is 1
Vol 7, Iss 1 ISSN: 2165-7726 Jan-Mar 2019 Journal of Military and Government Counseling In this issue: ♦ PTSD and Moral Injury ♦ Military Sexual Trauma ♦ Children in Military Families ♦ First Responders ♦ Brain-Gut-Microbiome Axis Military and Government Counseling Association A Division of the American Counseling Association Journal of Military and Government Counseling Volume 7, Issue 1 ©2019 Letter from the Editors The Journal of Military and Government Counseling (JMGC) is an official publication of the Military and Government Counseling Association (MGCA), a division of the American Counseling Association. The mission of the journal is to promote reflection and to encourage, develop, facilitate, and promote professional development for administrators, counselors, and educators working with all members of the Armed Services and their families, whether active duty, guard, reserve, retired, or veteran; civilian employees of the Department of Defense; first responders including EMS, law enforcement, fire, and emergency dispatch personnel; and employees of Local, State and Federal governmental agencies. Welcome to the latest edition of the JMGC. Starting with this issue we will be expanding the JMGC’s offerings to include more and deeper conversations that will help clinicians to better understand and work with military and first responder personnel. We hope to expand our professional perspectives so we can better understand how to work with and support these populations, their families, and their communities. We intend to include perspectives that you may not expect, but that may (re)open our clinical eyes to the many perspectives that can be included in this area of professional work. So, keep those manuscript submissions coming in and contact us if you are interested in being a reviewer for the JMGC. -
Gran Torino: the Old Cowboy, the Pretty Girl and the Cool Car1 João De
Gran Torino: The old cowboy, the pretty girl and the cool car1 João de Mancelos (Universidade da Beira Interior) Keywords: Grand Torino, American dream, Hmong, ethnic interaction, hybridity Palavras-chave: Grand Torino, sonho americano, Hmong, interação étnica, hibridismo “Torn from my homelands, I was left to flee. Like dust in the wind, I dispersed silently”. — Shanyia Vang, “My name means free” 1. The silent diaspora Few ethnic groups suffered a diaspora as hard as the Hmong did, forced to abandon China, in the 18th century, and to migrate to Vietnam, Laos, and Thailand, for political and territorial reasons. Between 1919 and 1921, they fought the French colonial authorities in Indochina; after the defeat of the South in the Vietnam War, they endured the revenge of the northern invaders; in 1975, in the year zero of the revolution, they were massacred by Pol Pot. As a result of all these conflicts, numerous Hmong travelled to the US and France, silently dispersing through several other countries (Vang 17-35). The saga of the Hmong has rarely been object of the interest of the North-American cinematography. One notorious exception is the movie The Killing Fields (1984), directed by Roland Joffé, and winner of three Academy Awards. It denounces tyrant Pol Pot and his campaign of terror and ethnic cleansing, during the civil war. The Cambodian leader and his Khmer Rouge were responsible for mass murdering nearly two million individuals, including intellectuals, proprietors, businessmen, and Hmong anticommunists (Olson and Beal 294). In the field of documentary, few movies approach, with scientific rigor, the challenges faced by the Hmong in the US.