New Dispute About Rustavi 2 TV Causes Mixed Reactions
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15 WEEKLY CLIENT ALERTS N N ALERTS CLIENT WEEKLY TK&PARTNERS TABLE OF CONTENT 1. BILLS IN PARLIAMENT 2. GOVERNMENT DECREES 3. TAX LEGISLATION 4. ALEXANDER BAZHBEUK-MELIKYAN #YourSupportTeam BILLS IN PARLIAMENT THE CONSEQUANCE OF OMMISION OF THE DEADLINE FOR THE STATE REGISTRATION OF RIGHTS OF REAL ESTATE The draft, approved on June 11, 2020, proposes to consider the omission of 30 days for the registration of real estate rights under the RA Law “On State Registration of Property Rights” as respectable if the person (applicant) justifies the fact of missing the deadline for reasons beyond their control (in the absence of their fault). The deadline for submitting an application for respecting the omission of the state registration deadline is 15 working days upon the elimination date thereof. In case of non-transaction parties, the deadline for submitting the application is 15 working days upon the day when they knew or were obliged to know about the transaction. The bill has been proposed by the Government and is still in the National Assembly. Find more here. #YourSupportTeam GOVERNMENT DECREES THE STATE OF EMERGENCY CONTINUES It has been resolved to extend the state of emergency declared in the Republic of Armenia on March 16, 2020 and extended until June 13 until July 13, 2020. Henceforth, the activities of certain legal entities and individual 1958. Art Lesson entrepreneurs (including sales by individuals in the markets of agricultural products) at the place (address) may be may temporarily banned by the commandant’s decision if there is a doubt about the presence of infection or in case of detection of infection among the employees. -
Mzia Chikhradze Modernism and Identity the Paradigm of Modernism
Mzia Chikhradze Modernism and Identity The paradigm of modernism places it in a cosmopolitan area. The desire to become integrated into a unified artistic space generates not only common, similar artistic trends in modernist art, but also severely limits the borders between the specific national derivatives within it. Coupled with the fact that “national” became a dangerous and unpopular topic after World War I, the modernism that developed in Central Europe developed as an anti-national phenomenon. Georgia enjoyed a short period of independence from 1918 to 1921. Not only Georgian modernism, but also the distinctive model of the Tbilisi avant-garde flourished during this time. It was based on a creative collaboration between different nationalities, their multinational and intercultural art. The specificity of the Tbilisi avant-garde was characterized by integrating different national characteristics into a unified artistic system. Despite the artists’ differing individual and national backgrounds, a unified artistic language was formed and this unique language determined the emerging art’s diversity and vivid imagery. The art and culture that developed in the bosom of independent Georgia generally carried a trace of Georgian national characteristics. The question arises: How organic and relevant is distinctiveness by national features in the context of modernism, which, as already mentioned, promotes cosmopolitanism. The priority of nationality should be considered as a hindering factor in terms of modernist values. However, the specifics of Georgian modernism and the Tbilisi avant-garde differed from the European ones. Namely, as Italian futurism stated and Tommaso Marinetti, its founding father, wrote in his Manifesto of Futurism: “We want to destroy museums and libraries, fight against morality, feminism, and all opportunist and utilitarian cowardice .. -
Media Influence Matrix: Georgia
F E B R U A R Y 2 0 1 9 Media Influence Matrix: Georgia Government, Politics and Regulation Author: Giorgi Jangiani Research consultant: Ekaterine Basilaia Editor: Marius Dragomir Published by CEU Center for Media, Data and Society (CMDS), Budapest, 2019 About CMDS About the authors The Center for Media, Data and Society Giorgi Jangiani is a researcher at the Center for Media, (CMDS) is a research center for the Data and Society. He’s currently a Master's candidate study of media, communication, and in European Public Policy at CEU. He focuses on the information policy and its impact on integration of Eastern European countries to the EU and society and practice. Founded in 2004 public policy transfer and improvement. Prior to as the Center for Media and attending CEU, he worked at the think tank Georgia's Communication Studies, CMDS is part Reforms Associates (GRASS), where he as a Project of CEU’s School of Public Policy and Manager/Research Fellow supported projects on the serves as a focal point for an EU-Georgian Integration. He also holds an M.A. in Diplomacy and a B.A. in International Relations from international network of acclaimed the Tbilisi State University. scholars, research institutions and activists. Ekaterine Basilaia is currently a lecturer and a researcher at Tbilisi State University. She is a co-author of the book “The Role and Limitations of non- CMDS ADVISORY BOARD Governmental Policy Advocacy in Georgia: Groups and Media in Agenda-Setting” (2016). She was a senior Clara-Luz Álvarez researcher in Georgia for the Horizon 2020 WOSCAP Floriana Fossato project (2016-2017), studying the EU's engagement and Ellen Hume communication strategies in Georgia. -
Soviet Books 2015
www.bookvica.co.com 2015 EARLY SOVIET BOOKS 1917-1940 4. [STENBERG BROTHERS DESIGN] 4. [STENBERG BROTHERS DESIGN] O'NEILL, E.G. Lyubov' pod vyazami. Pyesa v tryokh deistviyakh / Perevod P. O'NEILL, E.G. Lyubov' pod vyazami. Pyesa v tryokh deistviyakh / Perevod P. Zenkevicha i N. Krymovoi [Desire under the Elms: Three act play / Translat- Zenkevicha i N. Krymovoi [Desire under the Elms: Three act play / Translat- ed by P.Zenkevich and N. Krymova]. Moscow; Leningrad: MODP i K, 1927. 48 ed by P.Zenkevich and N. Krymova]. Moscow; Leningrad: MODP i K, 1927. 48 pp.: ill. 24x16 cm. In original illustrated wrappers. Covers rubbed, some pp.: ill. 24x16 cm. In original illustrated wrappers. Covers rubbed, some foxing, light crease and previos owner's pencil signature on the first page. foxing, light crease and previos owner's pencil signature on the first page. Otherwise very good. Otherwise very good. First edition of the play. The poster to the play Desire under the Elms made by Stenberg First edition of the play. The poster to the play Desire under the Elms made by Stenberg brothers was used for the front cover of this edition. The play was first staged in Russian brothers was used for the front cover of this edition. The play was first staged in Russian in the Kamerny Theatre by A. Tairov in 1926. Stenberg brothers were invited as artists to in the Kamerny Theatre by A. Tairov in 1926. Stenberg brothers were invited as artists to this production. The text is accompanied by a few photographs taken during the play. -
POLITICS PAGE 4 the Norway Model for Georgiageorgia’S S EU Future?
Issue no: 939 • APRIL 21 - 24, 2017 • PUBLISHED TWICE WEEKLY PRICE: GEL 2.50 In this week’s issue... FOCUS Georgian-German Year: A Rich ON THE ROAD Program of Celebratory Events TO EUROPE NEWS PAGE 3 The French election, the Georgian France’s Policies toward the tobacco confl ict and a look at the Norway model. How can Georgia Eastern Partnership Countries in best go forward? PAGES 4,6,8 Context POLITICS PAGE 4 The Norway Model for GeorgiaGeorgia’s s EU Future? POLITICS PAGE 6 New Structure Planned for Produce in Georgia Agency BUSINESS PAGE 7 The Invisible Parents SOCIETY PAGE 12 TripAdvisor to Launch Marketing Contemporary Ballet: Why are Campaign about Georgia You Missing Out? BY NINO GUGUNISHVILI eorgia is to be promoted during a massive six month marketing cam- paign on TripAdvisor, one of the largest and most popular sites, George Chogovadze, Head of Geor- gianG National Tourism Administration (GNTA) CULTURE PAGE 15 and Chad Shiver, Marketing Manager for Des- tinations at TripAdvisor, announced this week. Cooperation between TripAdvisor and the GNTA is ongoing, with TripAdvisor promot- ing Georgia’s touristic destinations in ten countries: Germany, Poland, Italy, Sweden, Norway, Denmark, Ukraine, Russia, Israel and Turkey. Having 390 million visitors a month with over 7 million hotels, restaurants, vacation rentals and booking possibilities listed on the site, TripAdvisor is considered one of the largest travel web portals. The GNTA plans to allocate $65,000 for the marketing campaign. GEORGIA TODAY 2 POLITICS APRIL 21 - 24, 2017 President Margvelashvili: We Should Listen to Public Defender’s Recommendations ical system will be more focused on by examining the premises of develop- human rights and freedoms," he added. -
Cities of the South Caucasus: a View from Georgia Edited by David Gogishvili & Alessandro Coppola
Cities of the South Caucasus: a view from Georgia Edited by David Gogishvili & Alessandro Coppola QU3#15 iQuaderni di U3 iQuaderni di U3 QU3 rivista di studi urbani | journal of urban studies Comitato di redazione | Editorial committee Giorgio Piccinato, editor Nicola Vazzoler, deputy editor Francesca Porcari, secretary Lorenzo Barbieri, Sara Caramaschi, Martina Pietropaoli, iQuaderni di UrbanisticaTre Flavio Graviglia, photo editor Elisabetta Capelli,content supervisor Eleonora Ambrosio, leRubriche di UrbanisticaTre Viviana Andriola, Domenica Bona, social & communication Janet Hetman, media partner & events Giulio Cuccurullo, graphic design Comitato scientifico| Scientific committee Thomas Angotti, City University of New York; Oriol Nel·lo i Colom, Universitat Autònoma de Barcelona; Valter Fabietti, Università di Chieti-Pescara; Max Welch Guerra, Bauhaus- Universität Weimar; Michael Hebbert, University College London; Daniel Modigliani, Istituto Nazionale di Urbanistica; Luiz Cesar de Queiroz Ribeiro, Universidade Federal do Rio de Janeiro; Vieri Quilici, Università degli Studi Roma Tre; Christian Topalov, École des hautes études en sciences sociales; Rui Manuel Trindade Braz Afonso, Universidade do Porto Rivista scientifica sottoposta a double blind peer review. Scientific journal subject to double blind peer review N. 15, anno sei, luglio 2018 | No. 15, year six, july 2018 In copertina| On the cover: Tbilisi, “In the Caucasus” Foto di Corinna Del Bianco con il supporto di ROMA UNIVERSITÀTRE DEGLI STUDI ISSN: 2531-7091 2 QU3#15 gen_mar 2018 #15 anno | year 6 in questo numero in this issue Cities of the South Caucasus: a view from Georgia A cura di | Edited by David Gogishvili & Alessandro Coppola David Gogishvili & Alessandro Coppola_p. 5 Editorial Joseph Salukvadze_p. 19 Urbanization Trends and Development of Cities in Georgia Gvantsa Salukvadze & Temur Gugushvili_p. -
Georgian Art Route
Georgian Art Route Georgian art has evolved for millennia. With roots in rich archaic and ethnic traditions, it has grown along with the development of the Georgian statehood, starting from the ancient kingdoms of Colchis and Iberia. From the ancient monuments and fascinating old buildings to the contemporary art galleries and museums, there are so many reasons to travel to Georgia to develop your artistic skills and explore your passion for painting, sculpture, architecture and design. With our exclusive Art Tour to Georgia you will visit all must-see art places, get acquainted with the masterpieces of Georgian painters, explore art galleries and various museums. You will feel the tradition of Georgian art and get inspired for your new art ideas. Key information Duration: 7 days / 6 nights Best season: May - October Tour type: Small group / individual (starting from 2 persons) What’s included: Private airport transfers according to your arrival time, Accommodation in hotels for 6 nights (in double rooms), Meals: breakfast, All transfers in air-conditioned/heated cars/buses, English speaking guide service for all days, All admission fees (Narikala cable car, National Gallery, Sighnaghi Museum, Mirzaani Niko Firosmani museum, David Kakabadze Museum, Prometheus cave, Batumi Botanical garden), Wine tasting and master-class (Khareba winery) What’s not included: Flights, Visa fee, Medical insurance, Lunches and dinners Itinerary in brief Day 1 - Arrival Day 2 - Art Tour to Tbilisi Day 3 - Kakheti - Sighnaghi - Khareba Day 4 - Bagrati - Gelati - Kutaisi Day 5 - Prometheus Caves - Adjara Museum - Batumi Day 6 - Batumi - Mtskheta - Tbilisi Day 7 - Departure Detailed itinerary Day 1 Arrival at the airport, transfer to the hotel. -
(O Dick) Van. - Pittore (N
BABUREN VAN DICK (Germania) Baburen Theodor (o Dick) van. - Pittore (n. Utrecht 1590 circa - m. 1624). Allievo di P. Moreelse in un soggiorno a Roma (1617-1620 circa), si avvicinò, con il conterraneo D. de Haen, al Caravaggio e ai caravaggeschi (Deposizione di S. Pietro in Montorio). Altre opere datate si trovano nei musei di Oslo (1622), Amsterdam (1623), Magonza, Utrecht. FILATELIA SPAGNA BUSTE POSTALI BACKER JACOB DE o BAKER (Belgio) Nato ad Anversa, 1555 circa e ivi morto, 1585 circa. Non si hanno dati precisi sulla vita di Jacob de Backer; oltretutto viene spesso confuso con il pittore fiammingo suo omonimo Jacob Adriaensz Backer. Secondo la RKD Jacob de Backer sarebbe nato ad Anversa nel 1540/45 circa e sarebbe morto nella stessa città fra il 1591 e il 1600. De Backer da ragazzo è stato abbandonato dal padre. Carel van Mander afferma che Jacob de Backer fu allievo di Antonio van Palermo ed Hendrik van Steenwijk il Vecchio. Sebbene sia considerato un pittore manierista e siano visibili influssi di Giorgio Vasari, non sembra sia mai stato in Italia. Il ciclo dei Sette vizi capitali fu acquistato da Cosimo Masi, segretario del cardinale Alessandro Farnese il Giovane nel 1594 ed è conservato nel Museo di Capodimonte a Napoli. FILATELIA GABON Anno 2012, SPAGNA Anno 2013 Busta postale 1 BADALOCCHIO SISTO ROSA (Italia) Nato a Parma, 28 giugno 1585 e ivi morì nel 1647 circa. Pittore e incisore, Badalocchio lavorò prima con Agostino Carracci a Bologna, poi con Annibale Car- racci a Roma. Nel 1609 si trasferì a Parma. La sua opera più conosciuta come incisore è la serie della Bibbia di Raffaello, che creò insieme a Giovanni Lanfranco. -
Radio Free Europe/Radio Liberty
RADIO FREE EUROPE/RADIO LIBERTY MOSCOW’S GRIP ON GEORGIA – WHAT’S NEXT? MODERATOR: JEFFREY GEDMIN, PRESIDENT, RFE/RL SPEAKERS: DAVID KAKABADZE, DIRECTOR, RFE/RL GEORGIAN SERVICE MARINA VASHAKMADZE, TBILISI BUREAU CHIEF, RFE/RL GEORGIAN SERVICE DANIEL KIMMAGE, SENIOR CORRESPONDENT, RFE/RL FRIDAY, AUGUST 15, 2008 Transcript by Federal News Service Washington, D.C. MARTINS ZVANERS: Good afternoon everyone and welcome to Radio Free Europe/Radio Liberty. I’d like to welcome our audience here in the conference room, as well as our audience watching this event on C-SPAN. At this point, I’d like to introduce our president, Jeffrey Gedmin, who will be moderating the opening session. Mr. Gedmin, please, we look forward to this. JEFFREY GEDMIN: Martins, thank you, welcome to everybody. I’m Jeff Gedmin, president of Radio Free Europe/Radio Liberty. Radio Free Europe/Radio Liberty is an independent media organization funded by the United States Congress. It is part of the international family of U.S. broadcasting overseen by the broadcast board of governors, and its mission is the same as it was during the Cold War. Its mission is to promote freedom and democracy through the broadcast of accurate news information, responsible commentary and discussion, and we do so today in 28 languages in 21 countries, from Russia, Belarus, throughout Central Asia, right through the Middle East to Iran. And today our subject is Moscow’s grip on Georgia – what next? Joining me here in Prague is the head of our Georgian language service, David Kakabadze. David, welcome. DAVID KAKABADZE: Hello. MR. GEDMIN: In Washington, senior analyst and correspondent Daniel Kimmage; Daniel, welcome to you. -
Volunteering in Georgia a Handbook
Volunteering in Georgia A Handbook © Copyright Academy for Peace and Development, 2008. Disclaimer The use of this handbook in part or whole is permissible providing the integrity of the manual remains intact and an appropriate quotation and referencing system are used. Printed by The NewsPaper ‘‘Sakartvelos Matsne’’ Ltd. Tbilisi, Georgia. Cover: Graffiti, Tbilisi. ISBN 978 9941 0 0725 5 Volunteering in Georgia A Handbook 006 Preface Dear volunteers going to Georgia, Your upcoming experience of the European Voluntary Service (EVS) is certainly going to be one of the most adventurous and personality-enriching periods in your life. Not only because you are going to the Southern Caucasus, far away from your home country and culture, but also because you will support the local com- munity where you are going with your work, because you will help other people from your heart! By being an international volunteer you will definitely learn a lot and experience both the bright and dark sides of the local culture you are moving to. Neverthe- less your work will also be directed towards people there. You will need a lot of responsibility and surely will face great moments of success shared with others. Being a member of the large family of EVS volunteers makes you an actor of positive change in Europe and beyond. Assume this fully and enjoy a mindful of heartfelt emotions! The Handbook you are just about to read will be very helpful with your pre- paration for and awareness of many obstacles that you will meet along the way. The Handbook might also help you a lot to identify your own objectives for your upcoming EVS project. -
The Shota Rustaveli Theatre and Film Georgia State Humanities, Social
The Shota Rustaveli Theatre and Film Georgia State Humanities, Social Sciences, Business and Management Faculty Art Studies Direction of Art Lili Mamatsashvili Alexandre Roinashvili’s work and his role in the creation of the museum and archival heritage An Abstract of the dissertation for obtaining the academic degree of Doctor of Arts (PhD) Scientific Adviser Doctor of Arts, Professor Nato Gengiuri Tbilisi 2018 The Aim of the Research The work was prepared at the Shota Rustaveli Theatre and Film Georgia State University, Humanities, Based on today’s reality the research on Alexandre Roinashvili has a multilateral importance and, in addition, Social, Business and Management Faculty. shows a difficult and decisive historical path of the development of Georgian consciousness of the XIX century. His creative work is a living face of this era, as Roinashvili photographed and preserved for the generations the reality as a photographic heritage, which had decisive importance for the development of Georgian soci- ety and culture. At the same time, the museum, as the nation’s face index, determinant of its history and the Doctoral Program: consciousness of the present day, was one of the foremost interests of Roinashvili, and in fact his work, may Art Researches, have led to the big shifts that were expressed in the attitude of the museum. Art Studies, The aim of my research is to study the personality of Roinashvili as a public figure, and person with the mis- Sub-field code 1007 sion of equal importance: one is the photographer, who creates an ethnographic, cultural and historical value, in the form of chronicles and another is the museum activity, which is a direct indicator of intellectual and moral faith of the nation. -
Classical Literature and the Retroaction of Socialist Ideologyâ•Flthe Sovietization of a Medieval Georgian Epic Poem And
Diego Benning Wang, 1 Classical Literature and the Retroaction of Socialist Ideology—The Sovietization of a Medieval Georgian Epic Poem and Its Mysterious Author Diego Benning Wang O Georgia—who makest us shed tears, /Thou art the second cradle of the Russian muse. /One who carelessly forgets about Georgia, /Is not likely to be a poet in Russia. –Evgeny Evtushenko When you read Rustaveli, you would be thinking: could there be many writers who lived 700-odd years ago akin to this precious genius of the Georgian people? –Mikhail Kalinin Early-20th-century Russian poet Kontantin Balmont, the first person to fully translate the medieval Georgian epic poetry vepkhistqaosani (The Knight in Panther Skin) into Russian, said such about the work’s author Shota Rustaveli: “Like Homer to the Hellas, Dante to Italy, Shakespeare to England, Calderón and Cervantes to Spain, Rustaveli is Georgia… A people, if great, will compose a song and carry in their bosom their world- renowned poet. Such crown-bearer of the ages, still unbeknownst to the Russians to this day, was the chosen one of Georgia, Shota Rustaveli, who in the twelfth century endowed his homeland with a banner and an appeal—vepkhistqaosani […] This is the best poetry of love ever composed in Europe, a rainbow of love, a bridge of fire, which connects the heaven with the earth.”1 Long after Balmont’s Russian translation of vepkhistqaosani was completed, the work still remained unknown to most non-Georgians of the Soviet Union. Yet four decades later, Rustaveli had become a household name far beyond his native Georgia and throughout the Soviet Union.