Christmas & New Year in Georgia: What Do Foreigners Think?
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The Shota Rustaveli Theatre and Film Georgia State Humanities, Social
The Shota Rustaveli Theatre and Film Georgia State Humanities, Social Sciences, Business and Management Faculty Art Studies Direction of Art Lili Mamatsashvili Alexandre Roinashvili’s work and his role in the creation of the museum and archival heritage An Abstract of the dissertation for obtaining the academic degree of Doctor of Arts (PhD) Scientific Adviser Doctor of Arts, Professor Nato Gengiuri Tbilisi 2018 The Aim of the Research The work was prepared at the Shota Rustaveli Theatre and Film Georgia State University, Humanities, Based on today’s reality the research on Alexandre Roinashvili has a multilateral importance and, in addition, Social, Business and Management Faculty. shows a difficult and decisive historical path of the development of Georgian consciousness of the XIX century. His creative work is a living face of this era, as Roinashvili photographed and preserved for the generations the reality as a photographic heritage, which had decisive importance for the development of Georgian soci- ety and culture. At the same time, the museum, as the nation’s face index, determinant of its history and the Doctoral Program: consciousness of the present day, was one of the foremost interests of Roinashvili, and in fact his work, may Art Researches, have led to the big shifts that were expressed in the attitude of the museum. Art Studies, The aim of my research is to study the personality of Roinashvili as a public figure, and person with the mis- Sub-field code 1007 sion of equal importance: one is the photographer, who creates an ethnographic, cultural and historical value, in the form of chronicles and another is the museum activity, which is a direct indicator of intellectual and moral faith of the nation. -
The Treasures of Georgia 19 – 30 September 2020
THE TREASURES OF GEORGIA 19 – 30 SEPTEMBER 2020 FROM £3,660 PER PERSON Tour Leader: Bridget Wheeler RICH HERITAGE, MEDIEVAL HISTORY & NATURAL BEAUTY Situated between the subtropical Black Sea coast, the Caspian Sea and the snowy peaks of the Caucasus, the state of Georgia sits at the crossroads of Europe and Asia. Georgia’s rich heritage has been hugely influenced by both Byzantine and Persian cultures. With Russia (and Chechnya, Ingushetia, Kabardino-Balkar, North Osetia-Alania) to the north, Turkey to the west, Armenia and Iran to the south and Azerbaijan to the east, Georgia remains a fiercely independent nation after years of oppression by the Russian Tsars and the Soviet Union. Georgia’s mix of natural beauty and medieval history has made this small country one of Eastern Europe’s most fascinating destinations. Bodbe Monastery Uplistsikhe Alazani Valley 12-DAY ITINERARY, DEPARTING 19 SEPTEMBER 2020 19 September London gold and silver jewellery from the and filled with historical sights. ancient land of Colchis, spectacular Visit Bodbe Nunnery, just outside Depart London Heathrow on a modern and contemporary paintings Sighnaghi. In the 4th century, after Georgian Airways overnight flight to by Georgian artists and masterpieces Georgia converted to Christianity, Tbilisi. of Oriental, Western European and Saint Nino, the queen responsible for Russian decorative arts. Dinner at a the conversion, withdrew to Bodbe 20 September Tbilisi local restaurant. Gorge where she died. She wanted to be buried in a church in Bodbe Arrive in Tbilisi in the early morning. 21 September Tbilisi rather than being taken away to be Transfer and check into the centrally buried elsewhere by the king. -
Vademecum Georgien.Indd
Vademecum Georgia Vademecum GeorGia Federal Foundation For the study oF communist dictatorship as defined by federal law, the Federal Foundation for the reappraisal of the sed dictatorship promotes a comprehensive reappraisal of the causes, history, and impact of the dictatorship in the soviet zone of occupation in east Germany and the former Gdr. the Foundation also supports the process of German unity, as well as the reappraisal of communist dictatorships in international contexts. since its creation in 1998 by Germany’s Federal parliament, the Foundation has awarded over 33 million euros to more than 2,400 historical- political projects carried out by educational agencies; these include initiatives to create or maintain archives, mount exhibitions, complete publications or documentary films, as well as to support special programs initiated by victims of the sed dictatorship. the Vademecum series aims to promote international cooperation for the reappraisal of dictatorships. on the webpage www.stiftung-aufarbeitung.de, it is possible to consult and download a free pdf copy of the vademecum concerning countries such as poland, hungary, czech republic, slovakia, ukraine, Bulgaria, romania and the uK, as well as geographical areas such as scandinavia. Federal Foundation for the study of communist dictatorship Kronenstraße 5 D-10177 Berlin Germany Tel.: 0049 (0)30 23 24 72 00 Fax: 0049 (0)30 23 24 72 10 www.stiftung-aufarbeitung.de [email protected] Researchers: Irakli Khvadagiani | David Jishkariani. Translator: Tornike Khomeriki. -
The V. Sarajishvili Tbilisi State Conservatoire International
The #22 V. Sarajishvili The News Ethnomusicological Life in Georgia Tbilisi State In Memory of Islam Pilpani In Memory of Dieter Christensen Conservatoire Foreign Performers of Georgian Folk Music Finnish Ensemble Iberia International One Georgian Folk Ensemble Ertoba Research Foreigners about Georgian Folklore Meri-Sofia Lakopoulos A New Publication Center for Svan Folk Songs Foreign Musical Folklore Traditional Albanian Polyphony Traditional Family Ensemble Polyphony The Urushadzes Old Press Pages “Georgian Polyphony is a Masterpiece” One Traditional Ritual “Lipaanal” B U L L E T I N Centers of Georgian Science and Culture Shalva Amiranashvili Museum of Fine Arts One Traditional Instrument “Georgian Garmoni” Georgian Children’s Games Tbilisi, June, 2017 1Georgian Children’s Song Games The News Lectures, Meetings, Work-shops, Presenta- tions Ethnomusicological Life in Georgia (January–June 2017) 12.02.2017 – State Museum of Georgian Folk Song and Musical Instruments hosted the presen- Festivals, Conferences, Competitions tation ensemble Patara Kakhi’s audio album. 9.03.2017 – Presentation of ensemble Didgori’s 2.04 - 3.06.2017– Choral Society of Georgia held third audio album was held at the Exhibition “III National Competition of Children’s and Ju- Hall of the Folklore State Centre of Georgia. venile Collectives”, which revealed best col- 10.05.2017 – Exhibition hall of the Folklore State lectives in the following categories: A – Aca- Center of Georgia hosted the presentation of the demic Choral Singing, B – Georgian Folk song, C notated collection “Folk Songs of Ajara and the 4 – Georgian Church Chanting. CD audio album “traditional Music of Ajara”. 1-30.05.2017 – Tbilisi State Conservatoire held 16.05.2017 – Folklore State Center of Georgia the Festival dedicated to its 100th Anniversary. -
New Dispute About Rustavi 2 TV Causes Mixed Reactions
Issue no: 1149 • MAY 10 - 13, 2019 • PUBLISHED TWICE WEEKLY PRICE: GEL 2.50 In this week’s issue... FOCUS Machalikashvili Predicts ON BUILDING PEACE His Detention over Alleged On the forum 'SDG Plotting of Terror Attack Generation: How to Turn Goals into Achievements' - NEWS PAGE 2 youth breaking stereotypes PAGE 7 UN Workshop Focuses on Sustainable Development Goals POLITICS PAGE 4 Georgia, Stop Wasting Time! POLITICS PAGE 5 The Terroirist Wine Club BUSINESS PAGE 6 David Kakabadze Exhibition New Dispute about Rustavi 2 Launched at TBC Gallery CULTURE PAGE 8 GWS Introduces a TV Causes Mixed Reactions Refreshed Label for Its BY THEA MORRISON Premium Wine Brand TAMADA new court dispute has been started against the opposition-minded Rustavi 2 TV by the owner of 9% of company shares, Nino Nizharadze, who is asking for GEL 26 million Afrom the Director General and other sharehold- ers for the “damage caused to the company.” The Director General of the TV channel, Nika Gvaramia, claims the authorities stand behind the lawsuit, adding this is a fi ght “against Geor- gian democracy and freedom of speech.” Gvaramia stressed that the government and the founder and Chair of the ruling party Georgian Dream, Bidzina Ivanishvili, wants the TV Company to be broken in order to “silence the critical voice.” He is sure the TV company will overcome the challenge, adding broadcasting has been switched CULTURE PAGE 9 to an emergency mode. Photo source: news.ge This is not the fi rst dispute against Rustavi 2 the TV channel, fi led a lawsuit claiming his total shares of the broadcaster. -
Georgian National Museum 24 / Renewed Archaeological Exhibition N2
06 / OUT OF EDEN WALK 08 / A DE-TRIBALISED ACADEMICIAN MUSEUM 11 / TweNTY YEARS IN DMANISI Georgian National Museum 24 / RENeweD ARCHAEOLOGICAL EXHIBITION N2 . 2015 60 / BACK AFTER 96 YEARS OF TRAVELING When visiting the Svaneti Museum in Mestia (GNM), you can stop by the multimedia library – a modern, interactive space where visitors can access Georgian and international scientific and educational literature, as well as fiction, in the form of books, periodicals, CDs or DVDs. The multimedia library collection was The Svaneti Museum multimedia libra- filled with books donated by various ry is open every day except Monday, organizations and individuals. from 10.00 am to 6:00 pm. The Svaneti Museum multimedia Membership in the multimedia library library offers free internet and a view is free. You can use the books and of the landscapes of Mestia and its visual material on site. famous towers. www.museum.ge www.facebook.com/GNMuseum www.instagram.com/georgiannationalmuseum A new "revolution" in Georgian painting began in the 1950s, led by young artists who arrived on the scene during the post-Stalinist liberalization period. As a result, the uncontested dominance of the “artistic style” of Socialist realism of the 1930s and 1940s was relegated to the past. 14 / HISTory Remembering the significant period of the late 1950s in the Museum's history is important, as it describes the process of creating an exhibition that was enjoyed by generations. 42 / RESTORATION The exceptional rendering of a very dramatic scene appears to be based on a certain MUSEUM realism – yet we can say with certainty – CONTENTS it was a reality Pirosmani had never seen. -
What's Inside Salsbury’S Black America | PART 2 LIFE and TIMES of WILL JAMES GEORGIAN TRICK RIDERS MEET OUR NEW CEO About the Cover
Spring 2019 what's inside Salsbury’s Black America | PART 2 LIFE and TIMES OF WILL JAMES GEORGIAN TRICK RIDERS MEET OUR NEW CEO About the cover: Will James (1892 – 1942). Steer Wrestling, 1925. Charcoal on paper. Gift of David DeWitt Dominick in honor of Dr. DeWitt Dominick. 7.12.1 (detail) Read more about artist, author, and illustrator Will James beginning on page Pointing four with Nicole Harrison’s story. west ©2019 Buffalo Bill Center of the West. Points West is published for members and friends of the Center of the West. Written permission is BY PETER SEIBERT required to copy, reprint, or distribute Points Executive Director and CEO West materials in any medium or format. All photographs in Points West are Center of the West photos unless otherwise noted. Direct all During the plane trip to New York I had plenty of time to think about the questions about image rights and reproduction to new situation into which I had involved myself. There were some strongly [email protected]. Bibliographies, appealing aspects to be sure. Becoming director of a museum of western art works cited, and footnotes, etc. are purposely and a historical center at the East Entrance to Yellowstone National Park would omitted to conserve space. However, such satisfy my long-delayed desire to return to the West. – Harold McCracken, information is available by contacting the editor. Roughnecks and Gentlemen: Memoirs of a Maverick Address correspondence to Editor, Points West, Buffalo Bill Center of the West, 720 Sheridan Avenue, Cody, Wyoming 82414, or editor@ When I read Harold McCracken’s biography, this quote seemed almost centerofthewest.org. -
Alarming Lead Levels Measured in Georgian Children
Issue no: 1145 • APRIL 26 - 29, 2019 • PUBLISHED TWICE WEEKLY PRICE: GEL 2.50 In this week’s issue... Georgian Justice Minister, EU Migration Offi cial Discuss Visa-Liberalization Challenges NEWS PAGE 2 A Georgian on Russians’ Minds: A Story of Stalin’s Popularity FOCUS ON ISRAELI-GEORGIAN RELATIONS POLITICS PAGE 4 Discover just how invested Israel is in EU4Climate Kicks Off in Georgia's bright future PAGE 8 Georgia POLITICS PAGE 6 Georgian Supra Traditions Alarming Lead Levels Measured Introduced in Tokyo in Georgian Children BY SAMANTHA GUTHRIE study released this week by UNICEF Georgia has once again raised the alarm on lead in the country. The headline: 41% of Georgian children have elevated blood lead levels. AThe study tested the blood of 1,578 randomly selected children two to seven-year-olds across Georgia. The results indicated that 41% of chil- SOCIETY PAGE 9 dren have 5 micrograms or higher of lead per deciliter in their blood. Of these, 25% have 5 - 10 micrograms, and 16% of children had 10 micro- Eifman’s ‘Rodin’ Ballet: grams or higher per deciliter. No level of lead exposure is safe for humans, according to the A Masterpiece World Health Organization (WHO), and levels CULTURE PAGE 15 of 5 micrograms per deciliter or higher are con- sidered to be particularly worrying. UNICEF’s Maia Kurtsikidze told OC Media in October 2018 Connecting Thoughts: that the study would be broad enough to provide a representative picture of nationwide lead expo- CinéDOC-Tbilisi Int’l sure. The concern is especially acute for children, Documentary Film Festival who are particularly vulnerable to the effects of lead. -
ARS 2014 2.Pdf
4 ARS 2/201 Men of Taste. Essays on Art Collecting in East-Central Europe is a collection of four case-studies devoted to Duke Albert Saxe-Teschen, Count János Pálffy, Baron Karl Kuffner, Enea Grazioso Lanfranconi and Count Antoine E. Seilern. The book fills a gap in the literature on the history of art collecting in general and, at the same time, enriches the reader’s knowledge of the cultural milieu of East-Central Europe during the Enlightenment and beyond to the post-World War II era. It is a significant contribution to the still-sparse scholarly literature on art collecting in this part of the world. The book is devoted mainly to scenes from the lives of saints in panel paintings originally produced in the northern regions of the Kingdom of Hungary in present-day Slovakia. The individual scenes in the pictorial legends expressed human ideas about the world, human needs and the essential values of human existence. The effectiveness of images was usually based on the repetition of tried-and-tested pictorial models, presenting particular examples of actions and the organization Niklāvs � of value relations. ars 2014 Ročník / Volume 47 Číslo / Number 2 Obsah / Contents Úvod / Introduction Vojtěch LAHODA Cubist Territories (109) Teritoria kubismu ŠTÚDIE / ARTICLES Timo HUUSKO The Reception of Cubism in Finland (113) Recepcia kubizmu vo Fínsku Helena ČAPKOVÁ The Japanese Cubist Body – mapping modern experience in the pre-WWII Japanese artistic network (122) Japonská kubistická tvorba – mapovanie modernity na japonskej umeleckej scéne pred druhou svetovou vojnou Erwin KESSLER M. H. Maxy: Cubo-Constructivist Integralism (134) M. -
Collaborative, Indispensable Legal Service Solicitor-General Una Jagose QC on Her Vision for the Stewardship of Crown Legal Service
ISSUE 912 · NOVEMBER 2017 Collaborative, Indispensable Legal Service Solicitor-General Una Jagose QC on her vision for the stewardship of Crown legal service Page 37 New NZLS UK reporting Is your email Lawyers Law Reform obligations may service do surf Committees affect NZ appropriate? Page 14 Page 24 Page 50 Page 76 SUCCESSFUL INNOVATION KEEPS EVOLVING Introducing Lexis Advance® Legal research simplified. Just as the first cars have changed — Lexis Advance has taken a leap forward over current online research. This next generation legal research solution is refreshingly intuitive and flexible. Using a single smart search box, Lexis Advance is designed with efficiency in mind — giving you back more time. There are always decisions on your online research platform, but only one choice: Lexis Advance. Talk to your Relationship Manager by calling 0800 800 986 or visit our website www.lexisnexis.co.nz/lexisadvance to request a demo and free trial. LexisNexis and the Knowledge Burst logo are registered trademarks of RELX Inc. © 2017 LexisNexis NZ Limited. All rights reserved. NA102017CC 17NZCRS44 LawTalk Lexis Advance Advert.indd 1 19/10/2017 12:00 PM Clifton Chambers and Thomas More Chambers have joined forces in Wellington Clifton Chambers brings together experienced barristers with specialist skills in diverse areas of law and in mediation PETER CASTLE ANDREW IRWIN PAUL RADICH DAVID JANE MEARES commercial barrister Q c LAURENSON commercial barrister Q c and public law GREG ARTHUR GEOFF SHARP CRAIG KAREN RADICH ASHER EMANUEL barrister commercial LINKHORN employment law junior to clifton mediation barrister chambers www.cliftonchambers.co.nz You only need one tool to rebuild your house completely. -
Caucasus Journal of Social Sciences
aucasus Journal C of social sciences Volume 11 2018 Politics and International Relations Education History and Anthropology Humanities Law and Art Public Health and Psychology Business and Economics ISSN 1512-3677 www.ug.edu.ge Caucasus Journal of Social Sciences Volume 11 Issue 1 The University of Georgia Publishing House Tbilisi 2018 UDC(uak) 908 (479) (06) k144 Printed at The University of Georgia. Tbilisi, Georgia. Copyright © 2018. All rights reserved by the University of Georgia. Permission to make digital or hard copies of part or all of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage. No responsibility for the views expressed by authors in the Caucasus Journal of Social Sciences is assumed by the editors or the publisher. Caucasus Journal of Social Sciences The University of Georgia. Georgia, Tbilisi, 0175. M. Kostava Street 77, Building IV. Tel: (+995 32) 255 22 22 Email: [email protected] Copyright © 2018 Caucasus Journal of Social Sciences ISSN 1512-3677 Caucasus Journal of Social Sciences Editor-in-Chief Jeremiah Paul Johnson Managing Editor Julieta Andguladze Board of Editors Abuladze Konstantine Tbilisi Teaching University “Gorgasali” Alasania Giuli The University of Georgia Blauvelt Timothy American Councils Carper Mark The University of Alaska Anchorage Davies Janette Oxford University Dzebisashvili Lasha The University of Georgia Ghudushauri Tinatin The University of Georgia Gvelesiani Mariam The University of Georgia -
Brewin Pembroke College Department of History of Art University of Cambridge
NAVIGATING ‘NATIONAL FORM’ AND ‘SOCIALIST CONTENT’ IN THE GREAT LEADER’S HOMELAND: GEORGIAN PAINTING AND NATIONAL POLITICS UNDER STALIN, 1921-39 Jennifer Ellen Brewin Pembroke College Department of History of Art University of Cambridge This dissertation is submitted for the degree of Doctor of Philosophy 30 April 2018 Navigating ‘National form’ and ‘socialist content’ in the Great Leader’s homeland: Georgian painting and national politics under Stalin, 1921-39 Jennifer Ellen Brewin, Pembroke College PhD Thesis, 2018 Abstract This thesis examines the interaction of Georgian painting and national politics in the first two decades of Soviet power in Georgia, 1921-1939, focussing in particular on the period following the consolidation of Stalin’s power at the helm of the Communist Party in 1926-7. In the Stalin era, Georgians enjoyed special status among Soviet nations thanks to Georgia’s prestige as the place of Stalin’s birth. However, Georgians’ advanced sense of their national sovereignty and initial hostility towards Bolshevik control following Georgia’s Sovietisation in 1921 also resulted in Georgia’s uniquely fraught relationship with Soviet power in Moscow in the decades that followed. In light of these circumstances, this thesis explores how and why the experience and activities of Georgian painters between 1926 and 1939 differed from those of other Soviet artists. One of its central arguments is that the experiences of Georgian artists and critics in this period not only differed significantly from those of artists and critics of other republics, but that the uniqueness of their experience was precipitated by a complex network of factors resulting from the interaction of various political imperatives and practical circumstances, including those relating to Soviet national politics.