The Redesign of the Global Financial Architecture: Forums, Institutions, and State Power
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Money in the Great Recession BUCKINGHAM STUDIES in MONEY, BANKING and CENTRAL BA.NKING
Money in the Great Recession BUCKINGHAM STUDIES IN MONEY, BANKING AND CENTRAL BA.NKING Seri Editor: Tim Congdon CBE, Chairman, Ins1itute of [nternalional Jlonewry R.:search and Professo1~ University of Buckingham, Uniled Kingdom The Institute of International Monetary Research promotes research into how Money in the Great dc:\'elopments in banking and finance affect the wider economy. Particular attention is paid to the effect of changes in the quantity of money, on inflation and detlation, and on boom and bust. The Institute's wider aims are to enhance economic kno\\'ledge and understanding, and to seek price stability, steady Recession economic growth and high employment. The Institute is located at the University of Buckingham and helps with the university's educational role. Buckingham Studies in Money, Banking and Central Banking presents some Did a Crash in Money Growth Cause the of the Instilllte·s most important work. Contributions from scholars at other Global Slun1p? universities and research bodies. and practi tioners in finance and banking. are also welcome. for more on the Institute. see the \\·ebsit.: at www.m\·-pr.org, Edited by Tim Congdon CBE Chairman, Institute of Internatio11al 1V oneta1y R esearch and Profess01; University of Buckingham, United Kingdom BUCKINGHAM STUDIES IN MONEY, BANKING AND CENTRAL BANKING IN ASSOCIATION WITH THE INSTITUTE OF ECONOMIC AFFAIRS ~Edward Elgar ~ PUBL I SH I NG Cheltenham, UK• Northampton, MA, USA ';;' Tim Congdon 2017 Contents :-\II rights reserved. No part of this publication may be reproduced, stored 1n a retrieval S~ ' Stem or transmitted in anv form orb\' an\' means electronic mechanical o: photoco_pying, recording. -
'I Spy': Mike Leigh in the Age of Britpop (A Critical Memoir)
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Glasgow School of Art: RADAR 'I Spy': Mike Leigh in the Age of Britpop (A Critical Memoir) David Sweeney During the Britpop era of the 1990s, the name of Mike Leigh was invoked regularly both by musicians and the journalists who wrote about them. To compare a band or a record to Mike Leigh was to use a form of cultural shorthand that established a shared aesthetic between musician and filmmaker. Often this aesthetic similarity went undiscussed beyond a vague acknowledgement that both parties were interested in 'real life' rather than the escapist fantasies usually associated with popular entertainment. This focus on 'real life' involved exposing the ugly truth of British existence concealed behind drawing room curtains and beneath prim good manners, its 'secrets and lies' as Leigh would later title one of his films. I know this because I was there. Here's how I remember it all: Jarvis Cocker and Abigail's Party To achieve this exposure, both Leigh and the Britpop bands he influenced used a form of 'real world' observation that some critics found intrusive to the extent of voyeurism, particularly when their gaze was directed, as it so often was, at the working class. Jarvis Cocker, lead singer and lyricist of the band Pulp -exemplars, along with Suede and Blur, of Leigh-esque Britpop - described the band's biggest hit, and one of the definitive Britpop songs, 'Common People', as dealing with "a certain voyeurism on the part of the middle classes, a certain romanticism of working class culture and a desire to slum it a bit". -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
The Political in Political Economy: Historicising the Great Crisis of Spanish Residential Capitalism
A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/129362 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications The Political in Political Economy: Historicising the Great Crisis of Spanish Residential Capitalism By Javier Moreno Zacarés A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Politics and International Studies University of Warwick Department of Politics and International Studies September 2018 Table of Contents List of Illustrations ........................................................................................................ v Acknowledgements ...................................................................................................... vi Abstract ....................................................................................................................... vii Abbreviations ............................................................................................................. viii INTRODUCTION ..................................................................................... 1 0.1. THE CASE: WHY IT MATTERS ............................................................................... -
The Financial Crisis, 3Rd Ed
Financial crisis 3rd edition October-December 2016, issue 41 CENTRE FOR CULTURE RESEARCH AND DOCUMENTATION BANK OF GREECE EUROSYSTEM Library of the Bank of Greece Table of Contents Introduction ............................................................................................................................ 1 I. Print collection of the Library ................................................................................................ 2 I.1 Monographs .................................................................................................................................. 2 IΙ.Electronic collection of the Library ....................................................................................... 55 II.1 Full text articles .......................................................................................................................... 55 IΙ.2 Electronic books ......................................................................................................................... 61 ΙΙΙ. Resources from the World Wide Web ................................................................................ 64 ΙV. List of topics published in previous issues of the Bibliography ............................................ 70 All issues are available at the internet: http://www.bankofgreece.gr/Pages/el/Bank/Library/news.aspx Bank of Greece / Centre for Culture, Research and Documentation / Library Section / 21 El. Venizelos Ave., 102 50 Athens / tel. 210 3202446, 3203129/ email [email protected] Bibliography: -
English Productions of Measure for Measure on Stage and Screen
English Productions of Measure for Measure on Stage and Screen: The Play’s Indeterminacy and the Authority of Performance Thesis submitted for the degree of Doctor of Philosophy at the Department of English and Creative Writing Lancaster University March, 2016 Rachod Nusen Declaration I declare that this thesis is my own work, and has not been submitted in substantially the same form for the award of a higher degree elsewhere. Acknowledgements First and foremost, I would like to express my deepest gratitude to my supervisor, Professor Alison Findlay. Without her advice, kindness and patience, I would be completely lost. It is magical how she could help a man who knew so little about Shakespeare in performance to complete this thesis. I am forever indebted to her. I am also indebted to Dr. Liz Oakley-Brown, Professor Geraldine Harris, Dr. Karen Juers-Munby, Dr. Kamilla Elliott, Professor Hilary Hinds and Professor Stuart Hampton-Reeves for their helpful suggestions during the annual, upgrade, mock viva and viva panels. I would like to acknowledge the Shakespeare Centre Library and Archive, the National Theatre Archive, the Shakespeare’s Globe Library and Archives, the Theatre Collection at the University of Bristol, the National Art Library and the Folger Shakespeare Library on where many of my materials are based. Moreover, I am extremely grateful to Mr. Phil Willmott who gave me an opportunity to interview him. I also would like to take this opportunity to show my appreciation to Thailand’s Office of the Higher Education Commission for finically supporting my study and Chiang Mai Rajabhat University for allowing me to pursue it. -
MI CV WORD April 2020
Giancarlo Dellapina Production Sound Mixer Mobile: +44 (0)7785572229 E Mail [email protected] FEATURE FILMS Fred Films , Powder Keg Pictures “Fishermans Friends” Director; Chris Foggin Tuppence Middleton, Daniel Mays Producer; Mike O’Regan DOP; Simon Tindall Koliko Films “Military Wives” Director; Peter Cattaneo Main & 2nd Unit Dailies Kristen Scott Thomas, Sharon Horgan Producer; Rene Besson DOP; Hubert Taczanowski Marvel, Supreme Works “Dr Strange” Director; Jeff Habberstad 2nd Unit Benedict Cumberbatch Producer; Kevin Feige DOP; Fraser Taggart Phantom Thread LTD “Phantom Thread” Daniel Day Lewis Director: Paul Thomas Anderson 2nd Unit Lesley Manville Producer: Peter Heslop DOP: Paul Thomas Anderson Mistletoe Pictures LTD “Nutcracker And The Four Realms” Director: Lasse Hallstrom 2nd Unit Keira Knightley, Morgan Freeman, Helen Mirren Producer: Paige Chaytor DOP: Linus Sandgren Playmaker Films “Palio” Alexa Director; Cosima Spender Documentary Feature about the historic Palio of Siena Producer; James Gay-Rees Winner Best Editing in Documentary Tribeca DOP; Stuart Bentley Yellow Sun Ltd/BFI “Half Of A Yellow Sun” 35mm, Loc Nigeria Director: Biyi Bandele Chiwitel Ejiofor, Thandie Newton, John Boyega Producer: Andrea Calderwood DOP; John De Borman SIP UK LTD “Snow In Paradise” Alexa Director; Andrew Hulme Fred Schmidt, Martin Askew, Aymen Hamdouchi Line Producer: Vanessa Tovell Nominated at Cannes, Un Certain Regard DOP; Mark Wolf Bread Street Films “Blackwood” Red Epic Director: Adam Wimpenny Ed Stoppard, Sophia Myles, Greg Wise, Joanna -
Gulliver's Travels (Round 1) Published on Pub Quiz Questions HQ (
Gulliver's Travels (Round 1) Published on Pub Quiz Questions HQ (http://pubquizquestionshq.com) Gulliver's Travels (Round 1) General Knowledge The questions and answers within this pub quiz round were verified and updated in July 2020. This quiz is also available to play along in podcast format: All answers are available below: 1) Which British actor who starred as Jimmy in the film Quadrophenia later appeared in Blur's video for the single Parklife? 2) As of July 2020, which Argentinian striker is Barcelona's all-time leading goalscorer? 3) Lara Croft is a fictional character in which video game franchise? 4) Planned and constructed in 1850 by King Maximilian II of Bavaria, Maximilianstrasse is a major shopping district in which German city? 5) The wise, methodical detective Lester Freamon is a fictional character in which cult TV series set in Baltimore? 6) Which is Europe's most southernly capital city? 7) Clark Kent is the real name of which superhero? 8) The film Grease was mostly filmed in which US state? 9) Which Irish writer and clergyman wrote Gulliver's Travels? Page 1 of 3 Gulliver's Travels (Round 1) Published on Pub Quiz Questions HQ (http://pubquizquestionshq.com) 10) The largest tower located OUTSIDE of London in the United Kingdom is found in which English city? Answers: 1) Which British actor who starred as Jimmy in the film Quadrophenia later appeared in Blur's video for the single Parklife? Phil Daniels 2) As of July 2020, which Argentinian striker is Barcelona's all-time leading goalscorer? Lionel Messi 3) Lara Croft -
William John Vittery Final Phd Thesis.Pdf
Crisis and Stability: The Global Financial Crisis, British Broadsheet Press and the Politics of Ideational Reversion William John Vittery Doctor of Philosophy University of York Politics December 2015 Abstract By analysing UK media narrations surrounding the global financial crisis, this thesis presents a critical engagement with existing constructivist institutionalist literature. Through the application of a ‘dynamic tracing’ methodology to British broadsheet newspaper discourse from 2007-10, the thesis reveals three significant, and interconnected, dynamics. Firstly, it highlights the existence of ‘ideational reversion’, whereby after a short period of flux through late-2008 and early-2009, prominent discourses by and large returned to the pre-crisis status quo ante. By analysing the pre- crisis, crisis, and post-crisis discourse holistically, a notably higher degree of overall ideational stability is found than the existing literature suggests would be the case. Secondly, it is demonstrated that ideational disjuncture within media commentary was effectively ‘siloed’ in the financial sector, meaning that the perception of crisis did not challenge broader conceptualisations of the neo-liberal economy. Thirdly, the impact of such reversion and siloing was to provide a greater social source of legitimacy, or strategic advantage, to orthodox austerity narratives than to their Keynesian alternative. On the back of these observations, conceptual extensions are put forward that involve developing a greater focus on the ‘stickiness’ of pre-existing -
Catch-Up and Constraints in the Twentieth and Twenty-First Centuries
OUP CORRECTED PROOF – FINAL, 29/5/2019, SPi 2 Catch-up and Constraints in the Twentieth and Twenty-first Centuries Robert H. Wade 2.1 Introduction The old-style development economists—including Gerschenkron, Prebisch, Lewis, Myrdal, Chenery, Hirschman, Adelman, Seers, and many more—would surely be disappointed by the record of global economic development in the past half century, at least when looking at the slowness of catch-up as distinct from the dramatic falls in global poverty even while population increased at the fastest rate in human history. Gerschenkron’s ‘late development effect’,or‘the advan- tages of backwardness’, seems noticeable more by its absence than its presence, despite new technology being widely available to people around the world and despite no shortage of people with entrepreneurial talent. But perhaps they would not be surprised. At the core of their understanding of the process of catch-up development were the following propositions: (1) Development is a disruptive process of non-marginal changes over time, opposed by many in the society, generating inevitable conflict, and placing a premium on fragile conflict-resolution institutions—a premium which calls for not exposing the economy to unmediated international competi- tive pressures. (2) The price system in a developing country cannot play the role accorded it in developed countries as the major allocator of resources, because markets are too undeveloped and because relying on markets would tend to sustain the existing production specialization based on static comparative advantage with decreasing returns to scale—a point which also implies the desirability of less than full-scale integration into the international economy. -
LOCANTRO Theatre
Tony Locantro Programmes – Theatre MSS 792 T3743.L Theatre Date Performance Details Albery Theatre 1997 Pygmalion Bernard Shaw Dir: Ray Cooney Roy Marsden, Carli Norris, Michael Elphick 2004 Endgame Samuel Beckett Dir: Matthew Warchus Michael Gambon, Lee Evans, Liz Smith, Geoffrey Hutchins Suddenly Last Summer Tennessee Williams Dir: Michael Grandage Diana Rigg, Victoria Hamilton 2006 Blackbird Dir: Peter Stein Roger Allam, Jodhi May Theatre Date Performance Details Aldwych Theatre 1966 Belcher’s Luck by David Mercer Dir: David Jones Helen Fraser, Sebastian Shaw, John Hurt Royal Shakespeare Company 1964 (The) Birds by Aristophanes Dir: Karolos Koun Greek Art Theatre Company 1983 Charley’s Aunt by Brandon Thomas Dir: Peter James & Peter Wilson Griff Rhys Jones, Maxine Audley, Bernard Bresslaw 1961(?) Comedy of Errors by W. Shakespeare Christmas Season R.S.C. Diana Rigg 1966 Compagna dei Giovani World Theatre Season Rules of the Game & Six Characters in Search of an Author by Luigi Pirandello Dir: Giorgio de Lullo (in Italian) 1964-67 Royal Shakespeare Company World Theatre Season Brochures 1964-69 Royal Shakespeare Company Repertoire Brochures 1964 Royal Shakespeare Theatre Club Repertoire Brochure Theatre Date Performance Details Ambassadors 1960 (The) Mousetrap Agatha Christie Dir: Peter Saunders Anthony Oliver, David Aylmer 1983 Theatre of Comedy Company Repertoire Brochure (including the Shaftesbury Theatre) Theatre Date Performance Details Alexandra – Undated (The) Platinum Cat Birmingham Roger Longrigg Dir: Beverley Cross Kenneth -
MARK ALDRIDGE Crime Files
MARK ALDRIDGE Crime Files Series Editor Clive Bloom Professor Emeritus Middlesex University London , United Kingdom Since its invention in the nineteenth century, detective fi ction has never been more popular. In novels, short stories, fi lms, radio, television and now in com- puter games, private detectives and psychopaths, poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning read- ers a comprehensive set of guides to the world of crime and detective fi ction. Every aspect of crime writing, detective fi ction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. More information about this series at http://www.springer.com/series/14927 Mark Aldridge Agatha Christie on Screen Mark Aldridge Film and Television Studies Southampton Solent University Southampton , United Kingdom Crime Files ISBN 978-1-349-67695-8 ISBN 978-1-137-37292-5 (eBook) DOI 10.1057/978-1-137-37292-5 Library of Congress Control Number: 2016955645 © The Editor(s) (if applicable) and The Author(s) 2016 The author(s) has/have asserted their right(s) to be identifi ed as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifi cally the rights of translation, reprint- ing, reuse of illustrations, recitation, broadcasting, reproduction on microfi lms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, com- puter software, or by similar or dissimilar methodology now known or hereafter developed.