The Cord Weekly (September 10, 1998)
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Completeandleft
MEN WOMEN 1. Adam Ant=English musician who gained popularity as the Amy Adams=Actress, singer=134,576=68 AA lead singer of New Wave/post-punk group Adam and the Amy Acuff=Athletics (sport) competitor=34,965=270 Ants=70,455=40 Allison Adler=Television producer=151,413=58 Aljur Abrenica=Actor, singer, guitarist=65,045=46 Anouk Aimée=Actress=36,527=261 Atif Aslam=Pakistani pop singer and film actor=35,066=80 Azra Akin=Model and actress=67,136=143 Andre Agassi=American tennis player=26,880=103 Asa Akira=Pornographic act ress=66,356=144 Anthony Andrews=Actor=10,472=233 Aleisha Allen=American actress=55,110=171 Aaron Ashmore=Actor=10,483=232 Absolutely Amber=American, Model=32,149=287 Armand Assante=Actor=14,175=170 Alessandra Ambrosio=Brazilian model=447,340=15 Alan Autry=American, Actor=26,187=104 Alexis Amore=American pornographic actress=42,795=228 Andrea Anders=American, Actress=61,421=155 Alison Angel=American, Pornstar=642,060=6 COMPLETEandLEFT Aracely Arámbula=Mexican, Actress=73,760=136 Anne Archer=Film, television actress=50,785=182 AA,Abigail Adams AA,Adam Arkin Asia Argento=Actress, film director=85,193=110 AA,Alan Alda Alison Armitage=English, Swimming=31,118=299 AA,Alan Arkin Ariadne Artiles=Spanish, Model=31,652=291 AA,Alan Autry Anara Atanes=English, Model=55,112=170 AA,Alvin Ailey ……………. AA,Amedeo Avogadro ACTION ACTION AA,Amy Adams AA,Andre Agasi ALY & AJ AA,Andre Agassi ANDREW ALLEN AA,Anouk Aimée ANGELA AMMONS AA,Ansel Adams ASAF AVIDAN AA,Army Archerd ASKING ALEXANDRIA AA,Art Alexakis AA,Arthur Ashe ATTACK ATTACK! AA,Ashley -
Allan Holdsworth Schille Reshaping Harmony
BJØRN ALLAN HOLDSWORTH SCHILLE RESHAPING HARMONY Master Thesis in Musicology - February 2011 Institute of Musicology| University of Oslo 3001 2 2 Acknowledgment Writing this master thesis has been an incredible rewarding process, and I would like to use this opportunity to express my deepest gratitude to those who have assisted me in my work. Most importantly I would like to thank my wonderful supervisors, Odd Skårberg and Eckhard Baur, for their good advice and guidance. Their continued encouragement and confidence in my work has been a source of strength and motivation throughout these last few years. My thanks to Steve Hunt for his transcription of the chord changes to “Pud Wud” and helpful information regarding his experience of playing with Allan Holdsworth. I also wish to thank Jeremy Poparad for generously providing me with the chord changes to “The Sixteen Men of Tain”. Furthermore I would like to thank Gaute Hellås for his incredible effort of reviewing the text and providing helpful comments where my spelling or formulations was off. His hard work was beyond what any friend could ask for. (I owe you one!) Big thanks to friends and family: Your love, support and patience through the years has always been, and will always be, a source of strength. And finally I wish to acknowledge Arne Torvik for introducing me to the music of Allan Holdsworth so many years ago in a practicing room at the Grieg Academy of Music in Bergen. Looking back, it is obvious that this was one of those life-changing moments; a moment I am sincerely grateful for. -
Chuck Klosterman on Pop
Chuck Klosterman on Pop A Collection of Previously Published Essays Scribner New York London Toronto Sydney SCRIBNER A Division of Simon & Schuster, Inc. 1230 Avenue of the Americas New York, NY 10020 www.SimonandSchuster.com Essays in this work were previously published in Fargo Rock City copyright © 2001 by Chuck Klosterman, Sex, Drugs, and Cocoa Puffs copyright © 2003, 2004 by Chuck Klosterman, Chuck Klosterman IV copyright © 2006, 2007 by Chuck Klosterman, and Eating the Dinosaur copyright © 2009 by Chuck Klosterman. All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information address Scribner Subsidiary Rights Department, 1230 Avenue of the Americas, New York, NY 10020. First Scribner ebook edition September 2010 SCRIBNER and design are registered trademarks of The Gale Group, Inc., used under license by Simon & Schuster, Inc., the publisher of this work. For information about special discounts for bulk purchases, please contact Simon & Schuster Special Sales at 1- 866-506-1949 or [email protected]. The Simon & Schuster Speakers Bureau can bring authors to your live event. For more information or to book an event contact the Simon & Schuster Speakers Bureau at 1-866-248-3049 or visit our website at www.simonspeakers.com. Manufactured in the United States of America ISBN 978-1-4516-2477-9 Portions of this work originally appeared in The New York Times Magazine, SPIN magazine, and Esquire. Contents From Sex, Drugs, and Cocoa Puffs and Chuck Klosterman IV The -
Sloan Parallel Play Mp3, Flac, Wma
Sloan Parallel Play mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Parallel Play Country: Canada Released: 2008 MP3 version RAR size: 1959 mb FLAC version RAR size: 1842 mb WMA version RAR size: 1607 mb Rating: 4.1 Votes: 435 Other Formats: WMA VOX MOD VQF MMF XM APE Tracklist 1 Believe In Me 3:18 2 Cheap Champagne 2:46 3 All I Am Is All You're Not 3:03 4 Emergency 911 1:50 5 Burn For It 2:38 6 Witch's Wand 2:50 7 The Dogs 3:54 8 Living The Dream 2:53 9 The Other Side 2:54 10 Down In The Basement 2:59 11 If I Could Change Your Mind 2:08 12 I'm Not A Kid Anymore 2:26 13 Too Many 3:43 Credits Mastered By – Joao Carvalho Mixed By – Nick Detoro, Sloan Performer – Andrew Scott , Chris Murphy , Jay Ferguson , Patrick Pentland Performer [Additional] – Dick Pentland, Gregory Macdonald, Kevin Hilliard, Nick Detoro Producer – Nick Detoro, Sloan Recorded By – Nick Detoro Written-By – Sloan Notes The packaging is a four panel digipak. Barcode and Other Identifiers Barcode: 6 6674-400047 Other versions Category Artist Title (Format) Label Category Country Year YEP 2180 Sloan Parallel Play (CD, Album) Yep Roc Records YEP 2180 US 2008 Bittersweet Recordings, BS 055 CD Sloan Parallel Play (CD, Album) BS 055 CD Spain 2008 Murderecords Parallel Play (LP, Album, Yep-2180 Sloan Yep Roc Records Yep-2180 US 2008 180) Parallel Play (CD, Album, YEP-2180 Sloan Yep Roc Records YEP-2180 US 2008 Promo) HSR-002 Sloan Parallel Play (CD, Album) High Spot Records HSR-002 Australia 2008 Related Music albums to Parallel Play by Sloan P.F. -
August 2002 Readers’ Platform
• APEX THEORY • YAMAHA OAK CUSTOM KIT • GGOOOO GGOOOO DDOLLSOLLS’’ MIKEMIKE MALININ MALININ MMAXIMUMAXIMUM PPOPOP JJEFFEFF PPORCAROORCARO TTRIBUTERIBUTE TTOO AA SSTUDIOTUDIO GGIANTIANT MMATTATT WWILSONILSON’’SS IIMPROVMPROV PPLAYHOUSELAYHOUSE HHOTOT LLATINATIN JJAZZAZZ:: MMETHENYETHENY’’SS AANTONIONTONIO SSANCHEZANCHEZ TTHREADGILLHREADGILL’’SS DDAFNISAFNIS PPRIETORIETO BBRAZILRAZIL’’SS VVERAERA FFIGUEIREDOIGUEIREDO $4.99US $6.99CAN 08 SSHOPHOP TTALKALK:: BBUILDINGUILDING YYOUROUR OOWNWN DDRUMSETRUMSET!! 0 74808 01203 9 Redefining “Drum Machine” Ever wonder why Evans heads are so consistent and easy to tune? Designed and built in-house by our staff of engineers, this robotic “Drum Machine,” called the Gluing Gantry, ensures that every Evans head has a true collar. A series of vacuum fixtures holds the film in place for each head while the robotic gluing arm circles above the hoop and dispenses epoxy. The result is a drumhead that tunes both easily and consistently. At Evans, we do it right the first time. And every time. Check out what Peter Erskine has to say about Evans drumheads at www.evansdrumheads.com PO Box 290 • Farmingdale, NY 11735 We’ve been making the world’s finest sticks for years. And experience tells us that there are no shortcuts when it comes to making a stick. There is, however a very good short- cut when choosing one. The journey from wooden dowel to finished drumstick is a tough one. Each stick makes its way through the hands of several craftsmen before it leaves us. And at every test, there’s always the chance of getting turned into firewood. But it does get easier when our sticks reach the store. Because once you feel a pair in your hands, you’ll appreciate the time it spent in ours. -
A History of Hip Hop in Halifax: 1985 - 1998
HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998 by Michael McGuire Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia August 2011 © Copyright by Michael McGuire, 2011 DALHOUSIE UNIVERSITY DEPARTMENT OF HISTORY The undersigned hereby certify that they have read and recommend to the Faculty of Graduate Studies for acceptance a thesis entitled “HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998” by Michael McGuire in partial fulfilment of the requirements for the degree of Master of Arts. Dated: August 18, 2011 Supervisor: _________________________________ Readers: _________________________________ _________________________________ ii DALHOUSIE UNIVERSITY DATE: August 18, 2011 AUTHOR: Michael McGuire TITLE: How the East Coast Rocks: A History Of Hip Hop In Halifax: 1985 - 1998 DEPARTMENT OR SCHOOL: Department of History DEGREE: MA CONVOCATION: October YEAR: 2011 Permission is herewith granted to Dalhousie University to circulate and to have copied for non-commercial purposes, at its discretion, the above title upon the request of individuals or institutions. I understand that my thesis will be electronically available to the public. The author reserves other publication rights, and neither the thesis nor extensive extracts from it may be printed or otherwise reproduced without the author’s written permission. The author attests that permission has been obtained for the use of any copyrighted material appearing in the -
End of Canada's Originall Rock Museum
10 - RPM - Monday July 15,1996 Incredible Records' Lipsin brings fourteen+ years to a close Coladas nationalWeekly1 End of Canada's originall rock museum altrviafive chart-- ,Record Distributor codes Anative of Montreal, Lipsin's first claim ReC(1rd Distributor Cbdes:- - sub MCA, --.1 by Rod Gudino to fame was as editor of the Underground BMG--34---- EMI -,F MCA Qua1itY,J/1 Polygram -,Q Sony HWarner- P Koch - K, \ Polygram - 9Sony - H warno Back in 1976, when a record was a record newspaper which ended when he was invited to New York city to work with Abby Hoffman TW LW WO - JULY 15, 1996 and a cassette was a record that had been TIN LW WO- JULY 15, 1996 put on tape, Jonathan Lipsin opened up a and Jerry Rubin for the Underground Press 1 1 19 THE FUGEES small used record store on Yonge St just Syndicate. Later, at seventeen, he left New 1 2 8 TRIPPIN. ON A HOLE... York for a peaceful time in California's hippy Stone Temple Pilots - Tny Music... Songs From... !he Score (Columbia) 67147-H south of Bloor. Little did he know that that Atlantic 82871-P in almost fifteen years the store would scene, ending up as gardener to a man by the 2 3 7 TONIGHT TONIGHT 2 2 51 ALAN'S MORISSETTE name of Jerry Garcia. He worked hard, spent Smashing Pumpkins - Mellon Collie And The Infinite... Jagged Little Pill (Maverick) 45901-P become a music house of bohemianism and Virgin 40861-F a fond little while there and, in 1975, 11 TRACY CHAPMAN memorabilia, an aerie for nostalgic sorts and E X 7 8 YOU LEARN LE 5 a place to buy cheap stuff for everybody. -
TRANSCRIPTION SAMPLE Interviewee ID January 25, 2012 1
TRANSCRIPTION SAMPLE Interviewee ID January 25, 2012 01:00:00 INTERVIEWER: Okay, so Tara, yeah, I was just asking about the video. Did you see “High School Confidential” or something that you can tell us about what you first sort of-- TARA SLONE: I remember seeing the video for “High School Confidential.” I mean, videos for me were so powerful. I was a kid at the dawn of the video age, living in a small town in Nova Scotia. So it was this huge event on Friday nights to watch videos. And particularly around that time, actually, there were a lot of very powerful women, Carole Pope included. So I just remember being rocked by her, and continue to be rocked by her absolutely. INTERVIEWER: And I think just as we got interrupted before, you were just telling us about LUBA and about her voice. TARA SLONE: LUBA has just got a really cool, unique, deep sort of soulful, scratchy voice. So I definitely remember dancing around as a kid and singing LUBA songs, lots of LUBA songs. INTERVIEWER: So I mean, yeah, I mean, I mentioned some artists before. It’s fine if you don’t have anything to say about either Lee Aaron or Alannah Miles, but Alannah Miles was huge in the late ‘80s, early ‘90s with… TARA SLONE: Yeah. INTERVIEWER: …“Black Velvet,” I mean “Love Is,” I mean, those songs were pretty masculine. I don’t whether you recognized anything in her voice. 01:02:00 TARA SLONE: Oh, yeah, I mean, Alannah Miles is a like powerhouse, belter. -
Weekly
May WEEKLY SUN MON Tur INFO THU FRISAT no, 1 6 7 23 45 v4<..\k, 9 10 1112 13 14 15 $3.00 As?,9030. 8810 85 16 17 18 19 20 21 22 $2.80 plus .20 GST A 2_4 2330 243125 26 27 28 29 Volume 57 No. 14 -512 13 AA22. 2303 Week Ending April 17, 1993 .k2't '1,2. 282 25 No. 1 ALBUM ARE YOU GONNA GO MY WAY Lenny Kravitz TELL ME WHAT YOU DREAM Restless Heart WHO IS IT Michael Jackson SOMEBODY LOVE ME Michael W. Smith LOOKING THROUGH ERIC CLAPTON PATIENT EYES Unplugged PM Dawn Reprise - CDW-45024-P I FEEL YOU Depeche Mode LIVING ON THE EDGE Aerosmith YOU BRING ON THE SUN Londonbeat RUNNING ON FAITH CAN'T DO A THING Eric Clapton (To Stop Me) Chris Isaak to LOOK ME IN THE EYES oc Vivienne Williams IF YOU BELIEVE IN ME thebeANts April Wine coVapti FLIRTING WITH A HEARTACHE Ckade Dan Hill LOITA LOVE TO GIVE 0etex s Daniel Lanois oll.v-oceve,o-c1e, DON'T WALK AWAY Jade NOTHIN' MY LOVE CAN'T FIX DEPECHE MODE 461100'. Joey Lawrence ; Songs Of Faith And Devotion c.,25seNps CANDY EVERYBODY WANTS 10,000 FLYING THE CULT Blue Rodeo Pure Cult BIG TIME DWIGHT YOAKAM I PUT A SPELL ON YOU LEONARD COHEN This Time Bryan Ferry The Future ALBUM PICK DANIEL LANOIS HARBOR LIGHTS ALADDIN . For The Beauty Of Wynona Bruce Hornsby Soundtrack HOTHOUSE FLOWERS COUNTRY Songs From The Rain ADDS HIT PICK JUST AS I AM Ricky Van Shelton No. -
Issue by Laura O'connor Magazine
~ Still truckin' Hatred uncovered .Index First ACC win comes· Nazi infiltrator A&E 85-7 Deacon Notes 82 at Varon SvQray Briefly A2 Editorials A8-9 Calendar 86 Scoreboard 83 recounts Classifieds 88 Sports 81-3 experiences Comics 87 WorldWide A4 News/A3 Visit our web site at http://ogb. wfu.edu Late-night fife alarms pester students . ' . By Heather Seely midnight Sept. 20 to midnight Sept. 27. of "someone targeting the Greeks." The . cially since we get enough actual frre drills dent honor code. News Editor Of the 10, five were the results of unat policethinkitmightbeonefraternitytrying as it is. Another big problem I have with Lawson said if anyone has information tended food. "Most have been the result of tosetupanotheroronefratemityingeneral there being so many disturbances is that I about the pulled fire alarms, they should At 3 a.m. most students would like to b~ cooking," Lawson said. responsible, but it is "merely a theory." At know students who have started just steep call the University Crime Stoppers hotline. sleeping, but for many last week this was That is not the case with all of the situa this point, they have are no true suspects. ing through the alarms when they go off, She said rewards would be paid. not the case. A rash of fire alarms kept tions, though. Early in the morning Sept. 25 "I've only heard rumors that some of the which seems pretty dangerous," said sopho In a couple instances, steam from show students awake, especially those on the within 25 minutes of each _other, pull sta alarms were set offby one of the fratemi- moreSarahGreensfelder,aresidentofTay ers has also caused the alarm system to go Quad. -
0X0a I Don't Know Gregor Weichbrodt FROHMANN
0x0a I Don’t Know Gregor Weichbrodt FROHMANN I Don’t Know Gregor Weichbrodt 0x0a Contents I Don’t Know .................................................................4 About This Book .......................................................353 Imprint ........................................................................354 I Don’t Know I’m not well-versed in Literature. Sensibility – what is that? What in God’s name is An Afterword? I haven’t the faintest idea. And concerning Book design, I am fully ignorant. What is ‘A Slipcase’ supposed to mean again, and what the heck is Boriswood? The Canons of page construction – I don’t know what that is. I haven’t got a clue. How am I supposed to make sense of Traditional Chinese bookbinding, and what the hell is an Initial? Containers are a mystery to me. And what about A Post box, and what on earth is The Hollow Nickel Case? An Ammunition box – dunno. Couldn’t tell you. I’m not well-versed in Postal systems. And I don’t know what Bulk mail is or what is supposed to be special about A Catcher pouch. I don’t know what people mean by ‘Bags’. What’s the deal with The Arhuaca mochila, and what is the mystery about A Bin bag? Am I supposed to be familiar with A Carpet bag? How should I know? Cradleboard? Come again? Never heard of it. I have no idea. A Changing bag – never heard of it. I’ve never heard of Carriages. A Dogcart – what does that mean? A Ralli car? Doesn’t ring a bell. I have absolutely no idea. And what the hell is Tandem, and what is the deal with the Mail coach? 4 I don’t know the first thing about Postal system of the United Kingdom. -
Eyolf Østrem
thingsTT twice Eyolf Østrem Contents Preface vii IYou’ve Been With the Professors 1 1 Analysing Dylan Songs 3 Methodological Considerations The Object............................ 3 The harmony........................... 7 Analysing an Idea......................... 8 2 ‘Beauty may Only Turn to Rust’ 13 The Beautiful world of Bob Dylan................ 14 Beauty and the Beast....................... 16 Proportion and expression..................... 20 Expression and style........................ 22 3 ‘Going Through All These Things Twice’ 25 The Ritual of a Bob Dylan Concert The External Similarites: Ceremony................ 27 The Rolling Thunder Revue................... 30 The Gospel Years......................... 33 The Voice of a Generation.................... 33 Secular Ritual........................... 37 Functions and means....................... 41 Dylan and ritual revisited..................... 45 Postscript............................. 49 4 The Momentum of Standstill 51 or: Time Out Of Mind and the Blues Dylan and the Blues....................... 53 i ii CONTENTS In the Evening.......................... 53 I Pity The Poor Immigrant.................... 55 Standing (Still) in the Doorway.................. 57 Ring Them Bells......................... 62 Highlands............................ 65 II Harmony and Understanding 67 5 ‘What I learned from Lonnie’ 69 An exploration of some remarks in Chronicles Secrets in the back room..................... 69 Melodies out of triplets – Axioms and numbers.......... 71 Rhythm: The Link Wray ‘Rumble’