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Places to Go, People to See Thursday, Feb
Versu Entertainment & Culture at Vanderbilt FEBRUARY 28—MARCH 12,2, 2008 NO. 7 RITES OF SPRING PLACES TO GO, PEOPLE TO SEE THURSDAY, FEB. 28 FRIDAY, FEB. 29 SATURDAY 3/1 Silverstein with The Devil Wears Prada — Rocketown John Davey, Rebekah McLeod and Kat Jones — Rocketown Sister Hazel — Wildhorse Saloon The Regulars Warped Tour alums and hardcore luminaries Silverstein bring their popular Indiana native John Davey just might be the solution to February blues — his unique pop/ Yes, they’re still playing together and touring. Yes, they can still rock sound to Nashville. The band teamed up with the Christian group The Devil folk sound is immediately soothing and appealing and is sure to put you in a good mood. with the best of ’em. Yes, you should go. Save all your money this THE RUTLEDGE Wears Prada for a long-winded U.S. tour. ($5, 7 p.m.) 401 Sixth Avenue South, 843-4000 week for that incredibly sweet sing-along to “All For You” (you know 410 Fourth Ave. S. 37201 ($15, 6 p.m.) 401 6th Avenue S., 843-4000 you love it). ($20-$45, 6 p.m.) 120 Second Ave. North, 902-8200 782-6858 Music in the Grand Lobby: Paula Chavis — The Frist Center for the Steep Canyon Rangers — Station Inn Red White Blue EP Release Show — The 5 Spot Visual Arts MERCY LOUNGE/CANNERY This bluegrass/honky-tonk band from North Carolina has enjoyed a rapid Soft rock has a new champion in Red White Blue. Check out their EP Nashville’s best-kept secret? The Frist hosts free live music in its lobby every Friday night. -
Information Prepared by the Project
Roads of Destiny 1 Roads of Destiny **The Project Gutenberg Etext of Roads of Destiny, by O. Henry** #4 in our series by O Henry Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information about Project Gutenberg 2 Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. Roads of Destiny by O. Henry February, 1997 [Etext #1646] **The Project Gutenberg Etext of Roads of Destiny, by O. Henry** ******This file should be named rdstn10.txt or rdstn10.zip****** Corrected EDITIONS of our etexts get a new NUMBER, rdstn11.txt. VERSIONS based on separate sources get new LETTER, rdstn10a.txt. Etext prepared by John Bickers, [email protected] and Dagny, [email protected] We are now trying to release all our books one month in advance of the official release dates, for time for better editing. Please note: neither this list nor its contents are final till midnight of the last day of the month of any such announcement. The official release date of all Project Gutenberg Etexts is at Midnight, Central Time, of the last day of the stated month. -
Thepowerpopshow's
thepowerpopshow’s greatest hits vol. 21 1. army navy – the long goodbye (from the album the last place c. 2011) F 2. fountains of wayne – someone’s gonna break your heart the (from the album sky full of holes c. 2011) A 3. the whiskey saints – always in my heart C (from the album 24 hours c. 2011) 4. the smithereens – sorry E power (from the album 2011 c. 2011) B 5. the wellingtons – baby’s got a secret O (from the album in transit c. 2011) 6. bill schulz – future butterfly O pop (from the album bill schulz c. 2011) 7. pugwash – there you are K (from the album the olympus sound c. 2011) . 8. the hazey janes – girl in the night (from the album the winter that was c. 2011) C show 9. cut copy – where i’m going (from the album zonoscope c. 2011) O 10. ryan allen and his extra arms – oh yeah M (from the album ryan allen and his extra arms c. 2011) / 11. queen electric – gonna let you down (from the album queen electric c. 2011) P 12. urge overkill – rock n’ roll submarine O (from the album rock n’ roll submarine c. 2011) 13. the evil eye – vicious circle W fridays (digital single c. 2011) 14. boston spaceships – come on baby grace E 5-7pm (from the album our cubehouse still rocks c. 2010) R kscu 103.3fm 15. sloan – follow the leader santa clara, ca (from the album our the double cross c. 2011) P 16. beady eye – the beat goes on O (from the album different gear, still speeding c. -
Sloan Parallel Play Mp3, Flac, Wma
Sloan Parallel Play mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Parallel Play Country: Canada Released: 2008 MP3 version RAR size: 1959 mb FLAC version RAR size: 1842 mb WMA version RAR size: 1607 mb Rating: 4.1 Votes: 435 Other Formats: WMA VOX MOD VQF MMF XM APE Tracklist 1 Believe In Me 3:18 2 Cheap Champagne 2:46 3 All I Am Is All You're Not 3:03 4 Emergency 911 1:50 5 Burn For It 2:38 6 Witch's Wand 2:50 7 The Dogs 3:54 8 Living The Dream 2:53 9 The Other Side 2:54 10 Down In The Basement 2:59 11 If I Could Change Your Mind 2:08 12 I'm Not A Kid Anymore 2:26 13 Too Many 3:43 Credits Mastered By – Joao Carvalho Mixed By – Nick Detoro, Sloan Performer – Andrew Scott , Chris Murphy , Jay Ferguson , Patrick Pentland Performer [Additional] – Dick Pentland, Gregory Macdonald, Kevin Hilliard, Nick Detoro Producer – Nick Detoro, Sloan Recorded By – Nick Detoro Written-By – Sloan Notes The packaging is a four panel digipak. Barcode and Other Identifiers Barcode: 6 6674-400047 Other versions Category Artist Title (Format) Label Category Country Year YEP 2180 Sloan Parallel Play (CD, Album) Yep Roc Records YEP 2180 US 2008 Bittersweet Recordings, BS 055 CD Sloan Parallel Play (CD, Album) BS 055 CD Spain 2008 Murderecords Parallel Play (LP, Album, Yep-2180 Sloan Yep Roc Records Yep-2180 US 2008 180) Parallel Play (CD, Album, YEP-2180 Sloan Yep Roc Records YEP-2180 US 2008 Promo) HSR-002 Sloan Parallel Play (CD, Album) High Spot Records HSR-002 Australia 2008 Related Music albums to Parallel Play by Sloan P.F. -
Lycra, Legs, and Legitimacy: Performances of Feminine Power in Twentieth Century American Popular Culture
LYCRA, LEGS, AND LEGITIMACY: PERFORMANCES OF FEMININE POWER IN TWENTIETH CENTURY AMERICAN POPULAR CULTURE Quincy Thomas A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Jonathan Chambers, Advisor Francisco Cabanillas, Graduate Faculty Representative Bradford Clark Lesa Lockford © 2018 Quincy Thomas All Rights Reserved iii ABSTRACT Jonathan Chambers, Advisor As a child, when I consumed fictional narratives that centered on strong female characters, all I noticed was the enviable power that they exhibited. From my point of view, every performance by a powerful character like Wonder Woman, Daisy Duke, or Princess Leia, served to highlight her drive, ability, and intellect in a wholly uncomplicated way. What I did not notice then was the often-problematic performances of female power that accompanied those narratives. As a performance studies and theatre scholar, with a decades’ old love of all things popular culture, I began to ponder the troubling question: Why are there so many popular narratives focused on female characters who are, on a surface level, portrayed as bastions of strength, that fall woefully short of being true representations of empowerment when subjected to close analysis? In an endeavor to answer this question, in this dissertation I examine what I contend are some of the paradoxical performances of female heroism, womanhood, and feminine aggression from the 1960s to the 1990s. To facilitate this investigation, I engage in close readings of several key aesthetic and cultural texts from these decades. While the Wonder Woman comic book universe serves as the centerpiece of this study, I also consider troublesome performances and representations of female power in the television shows Bewitched, I Dream of Jeannie, and Buffy the Vampire Slayer, the film Grease, the stage musical Les Misérables, and the video game Tomb Raider. -
Wavelength (June 1983)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 6-1983 Wavelength (June 1983) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (June 1983) 32 https://scholarworks.uno.edu/wavelength/32 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. DEVELOPING THE NEW LEADERSHIP IN NEW ORLEANS MUSIC A Symposium on New Orlea Music Business Sponsored by the University of New Orleans Music Department and the Division of Continuing Education and wavelength Magazine. Moderator John Berthelot, UNO Continuing Education Coordinator/Instructor in the non-credit music business program. PROGRAM SCHEDULE How To Get A Job In A New Orleans Music Club 2 p.m.-panel discussion on the New Orleans club scene. Panelists include: Sonny Schneidau, Talent Manager. Tipitina's, John Parsons, owner and booking manager, Maple Leaf Bar. personal manager of • James Booker. one of the prcx:lucers of the new recording by James Booker. Classified. Jason Patterson. music manager of the Snug Harbor. associate prcx:lucer/consultant for the Faubourg Jazz Club, prcx:lucer for the first public showing of One Mo· Time, active with ABBA. foundation and concerts in the Park. Toulouse Theatre and legal proceedings to allow street music in the French Quarter. Steve Monistere, independent booking and co-owner of First Take Studio. -
A History of Hip Hop in Halifax: 1985 - 1998
HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998 by Michael McGuire Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia August 2011 © Copyright by Michael McGuire, 2011 DALHOUSIE UNIVERSITY DEPARTMENT OF HISTORY The undersigned hereby certify that they have read and recommend to the Faculty of Graduate Studies for acceptance a thesis entitled “HOW THE EAST COAST ROCKS: A HISTORY OF HIP HOP IN HALIFAX: 1985 - 1998” by Michael McGuire in partial fulfilment of the requirements for the degree of Master of Arts. Dated: August 18, 2011 Supervisor: _________________________________ Readers: _________________________________ _________________________________ ii DALHOUSIE UNIVERSITY DATE: August 18, 2011 AUTHOR: Michael McGuire TITLE: How the East Coast Rocks: A History Of Hip Hop In Halifax: 1985 - 1998 DEPARTMENT OR SCHOOL: Department of History DEGREE: MA CONVOCATION: October YEAR: 2011 Permission is herewith granted to Dalhousie University to circulate and to have copied for non-commercial purposes, at its discretion, the above title upon the request of individuals or institutions. I understand that my thesis will be electronically available to the public. The author reserves other publication rights, and neither the thesis nor extensive extracts from it may be printed or otherwise reproduced without the author’s written permission. The author attests that permission has been obtained for the use of any copyrighted material appearing in the -
End of Canada's Originall Rock Museum
10 - RPM - Monday July 15,1996 Incredible Records' Lipsin brings fourteen+ years to a close Coladas nationalWeekly1 End of Canada's originall rock museum altrviafive chart-- ,Record Distributor codes Anative of Montreal, Lipsin's first claim ReC(1rd Distributor Cbdes:- - sub MCA, --.1 by Rod Gudino to fame was as editor of the Underground BMG--34---- EMI -,F MCA Qua1itY,J/1 Polygram -,Q Sony HWarner- P Koch - K, \ Polygram - 9Sony - H warno Back in 1976, when a record was a record newspaper which ended when he was invited to New York city to work with Abby Hoffman TW LW WO - JULY 15, 1996 and a cassette was a record that had been TIN LW WO- JULY 15, 1996 put on tape, Jonathan Lipsin opened up a and Jerry Rubin for the Underground Press 1 1 19 THE FUGEES small used record store on Yonge St just Syndicate. Later, at seventeen, he left New 1 2 8 TRIPPIN. ON A HOLE... York for a peaceful time in California's hippy Stone Temple Pilots - Tny Music... Songs From... !he Score (Columbia) 67147-H south of Bloor. Little did he know that that Atlantic 82871-P in almost fifteen years the store would scene, ending up as gardener to a man by the 2 3 7 TONIGHT TONIGHT 2 2 51 ALAN'S MORISSETTE name of Jerry Garcia. He worked hard, spent Smashing Pumpkins - Mellon Collie And The Infinite... Jagged Little Pill (Maverick) 45901-P become a music house of bohemianism and Virgin 40861-F a fond little while there and, in 1975, 11 TRACY CHAPMAN memorabilia, an aerie for nostalgic sorts and E X 7 8 YOU LEARN LE 5 a place to buy cheap stuff for everybody. -
Arbiter, September 21 Students of Boise State University
Boise State University ScholarWorks Student Newspapers (UP 4.15) University Documents 9-21-1994 Arbiter, September 21 Students of Boise State University Although this file was scanned from the highest-quality microfilm held by Boise State University, it reveals the limitations of the source microfilm. It is possible to perform a text search of much of this material; however, there are sections where the source microfilm was too faint or unreadable to allow for text scanning. For assistance with this collection of student newspapers, please contact Special Collections and Archives at [email protected]. II:1 .~ l· I '<~ i j '1 ff ~. , 1 'I~'. "! , .. 'l:"•• ' k. J ~ Ii ~: !:. .~ ~ . <~~., .~. .<_.,' "'~" '.'~-'-" -""-'~-'-'--' ..•"--'- --,- "~"'-' '-<-.-. .._-~ •. -<-._.-._.- THfARBITER 2 WEDNESDAY, SEPTEMBER 21, 1994 annual festival that showcases indepen- ing ever attempted.' dently produced films from Alaska, Idaho, Shallat says Structures in tbe Stream is ~ about water resources in this country and Oregon, Washington and British Colombia. All works must originate on "how we got in the state we're in today. film and all genres and lengths will be It's a story of the ideology of considered. Screening formats available science ... and of how our federal govern- , ~newsbucket are 35 mrn, 16 mm and video projection. - ~ ment is so powerful today and has jU~ diction over natural resources because of Interested filmmakers should request J , \ ' " _ • BY KATE NEILLY BELL an entry form by writing or calling the choices made a long time ago." Rainy States Film Festival, 1136 .13th Ave., Suite C, Seattle, WA 98122-4405, (206) 322-3572. There is a $15 entry fee. -
Doctors Facing 10 Percent Pay Cut in June Hurricane Andrew, Medical Reform Blamed for Salary Reductions
DAY, MARCH 9,1993 doctors facing 10 percent pay cut in June Hurricane Andrew, medical reform blamed for salary reductions •V ED PORTER the industry. n unknown person left a Assistant News Editor "The med school will survive and bounce back. It wiN have to lean to "I think it's going to be phased in gradual threatening message March Doctors at tbe University of Miami become more efficient." ly. This is just part of the realities of state A 2 on an Otto G. Richter School of Medicine will be facing a 10 per FRED KAM, and federal government. We're going to Library terminal designed to take cent pay cut on June 1. Director have to be price-competitive. That is why student and faculty suggestions, Two reasons for the pay cuts are the UM Health Center we're making the pay cuts now," Fogel said. according to a Public Safety report. expected implementation of managed medi cal care by President Clinton and the dam In addition to the upcoming changes in A printout from the computer he thinks the economic and governmental going to raise tuition in exorbitant percent national health care, the current condition of showed the unknown person age inflicted by Hurricane Andrew, accord circumstances that necessitated the pay cuts ing to Dr. Bernard Fogel, dean of the school. ages," Kam said. Tuition at the medical the economy has kept some patients away logged onto the terminal at 4:47 will adversely affect the School of Medicine school for the 1993-94 school year is from the doctor's office. -
Southern Music and the Seamier Side of the Rural South Cecil Kirk Hutson Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1995 The ad rker side of Dixie: southern music and the seamier side of the rural South Cecil Kirk Hutson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Folklore Commons, Music Commons, Social and Cultural Anthropology Commons, and the United States History Commons Recommended Citation Hutson, Cecil Kirk, "The ad rker side of Dixie: southern music and the seamier side of the rural South " (1995). Retrospective Theses and Dissertations. 10912. https://lib.dr.iastate.edu/rtd/10912 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthiough, substandard margins, and improper alignment can adversely affect reproductioiL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. -
3. SMACK THAT – EMINEM (Feat. Eminem) [Akon:] Shady Convict
3. SMACK THAT – EMINEM thing on Get a little drink on (feat. Eminem) They gonna flip for this Akon shit You can bank on it! [Akon:] Pedicure, manicure kitty-cat claws Shady The way she climbs up and down them poles Convict Looking like one of them putty-cat dolls Upfront Trying to hold my woodie back through my Akon draws Slim Shady Steps upstage didn't think I saw Creeps up behind me and she's like "You're!" I see the one, because she be that lady! Hey! I'm like ya I know lets cut to the chase I feel you creeping, I can see it from my No time to waste back to my place shadow Plus from the club to the crib it's like a mile Why don't you pop in my Lamborghini away Gallardo Or more like a palace, shall I say Maybe go to my place and just kick it like Plus I got pal if your gal is game TaeBo In fact he's the one singing the song that's And possibly bend you over look back and playing watch me "Akon!" [Chorus (2X):] [Akon:] Smack that all on the floor I feel you creeping, I can see it from my Smack that give me some more shadow Smack that 'till you get sore Why don't you pop in my Lamborghini Smack that oh-oh! Gallardo Maybe go to my place and just kick it like Upfront style ready to attack now TaeBo Pull in the parking lot slow with the lac down And possibly bend you over look back and Convicts got the whole thing packed now watch me Step in the club now and wardrobe intact now! I feel it down and cracked now (ooh) [Chorus] I see it dull and backed now I'm gonna call her, than I pull the mack down Eminem is rollin', d and em rollin' bo Money