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English Turf Labyrinths Jeff Saward
English Turf Labyrinths Jeff Saward Turf labyrinths, or ‘turf mazes’ as they are popularly known in Britain, were once found throughout the British Isles (including a few examples in Wales, Scotland and Ireland), the old Germanic Empire (including modern Poland and the Czech Republic), Denmark (if the frequently encountered Trojaborg place-names are a reliable indicator) and southern Sweden. They are formed by cutting away the ground surface to leave turf ridges and shallow trenches, the convoluted pattern of which produces a single pathway, which leads to the centre of the design. Most were between 30 and 60 feet (9-18 metres) in diameter and usually circular, although square and other polygonal examples are known. The designs employed are a curious mixture of ancient classical types, found throughout the region, and the medieval types, found principally in England. Folklore and the scant contemporary records that survive suggest that they were once a popular feature of village fairs and other festivities. Many are found on village greens or commons, often near churches, but sometimes they are sited on hilltops and at other remote locations. By nature of their living medium, they soon become overgrown and lost if regular repair and re-cutting is not carried out, and in many towns and villages this was performed at regular intervals, often in connection with fairs or religious festivals. 50 or so examples are documented, and several hundred sites have been postulated from place-name evidence, but only eleven historic examples survive – eight in England and three in Germany – although recent replicas of former examples, at nearby locations, have been created at Kaufbeuren in Germany (2002) and Comberton in England (2007) for example. -
Dear Friends, the Newport Flower Show Is Pleased to Celebrate Its
Dear Friends, The Newport Flower Show is pleased to celebrate its 18th year as America’s premier summer flower show, held on the historic grounds of Rosecliff. This year’s theme, Jade-Eastern Obsessions, will take visitors on an exotic tour of Far Eastern traditions and beauty. Jade, the imperial gemstone (valued as highly as gold and available in a rainbow of colors), is the perfect symbol for the 2013 Newport Flower Show. Exhibits will immerse you into cultures as varied and beautiful as the liquid forms of carved jade. It’s easy to understand why so many elements from these storied lands became Eastern Obsessions ! Joining us will be the inspirational floral designer Hitomi Gilliam who will share her masterful skills of the latest techniques and designs. As always, our Horticultural Division aspires to engage gardeners at all levels with opportunities to share their obsessions. East will meet west when notable American Landscape Architect, Harriet Henderson, shares her expertise and experiences throughout the Far East and explains how Western gardens have been influenced. Our Photography Division will provoke visitors with mysterious and haunting images from amateur photographers around the world. The Children’s Division will transport the youngest gardeners and designers to the exotic East where they too, can revel in Eastern Obsessions. The expansive front lawn of Rosecliff will lure visitors through an iconic Moon Gate into gardens filled with “Zen-full” inspirations. As always, shopping at the Oceanside Boutiques and the Gardener’s Marketplace are a much anticipated Newport tradition. The Opening Night Party will launch the summer season in Newport with a cocktail buffet, live music, a seaside supper and other surprises. -
Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
Dædalus Spring 2019 Why Jazz Still Matters Spring 2019 Why Dædalus Journal of the American Academy of Arts & Sciences Spring 2019 Why Jazz Still Matters Gerald Early & Ingrid Monson, guest editors with Farah Jasmine Griffin Gabriel Solis · Christopher J. Wells Kelsey A. K. Klotz · Judith Tick Krin Gabbard · Carol A. Muller Dædalus Journal of the American Academy of Arts & Sciences “Why Jazz Still Matters” Volume 148, Number 2; Spring 2019 Gerald Early & Ingrid Monson, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Pianist Geri Allen. Photograph by Arne Reimer, provided by Ora Harris. © by Ross Clayton Productions. Contents 5 Why Jazz Still Matters Gerald Early & Ingrid Monson 13 Following Geri’s Lead Farah Jasmine Griffin 23 Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis 36 “You Can’t Dance to It”: Jazz Music and Its Choreographies of Listening Christopher J. Wells 52 Dave Brubeck’s Southern Strategy Kelsey A. K. Klotz 67 Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s Gerald Early 83 Ella Fitzgerald & “I Can’t Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music Judith Tick 92 La La Land Is a Hit, but Is It Good for Jazz? Krin Gabbard 104 Yusef Lateef’s Autophysiopsychic Quest Ingrid Monson 115 Why Jazz? South Africa 2019 Carol A. -
£75,000 Awarded to Browne's Folly Site
Foll- The e-Bulletin of The Folly Fellowship The Folly Fellowship is a Registered Charity No. 1002646 and a Company Limited by Guarantee No. 2600672 Issue 34: £75,000 awarded to January 2011 Browne’s Folly site Upcoming events: 06 March—Annual General Meeting starting at 2.30pm at athford Hill (Wiltshire) is a leased the manor at Monkton Far- East Haddon Village Hall, B haven for some of our rar- leigh in 1842 and used the folly as Northamptonshire. Details est flora and fauna, including the a project for providing employment were enclosed with the Journal White Heleborine and Twayblade during the agricultural depression. and are available from the F/F website www.follies.org.uk Orchid, and for Greater Horseshoe He also improved the condition of and Bechstein‟s Bats. Part of it is the parish roads and built a school 18-19 March—Welsh Week- owned by the Avon Wildlife Trust in the centre of the village where end with visits to Paxton‟s who received this month a grant of he personally taught the girls. Tower, the Cilwendeg Shell House, and the gardens and £75,000 to spend on infrastructure After his death on 2 August grotto at Dolfor. Details from and community projects such as 1851, the manor was leased to a [email protected] the provision of waymark trails and succession of tenants and eventu- information boards telling visitors ally sold to Sir Charles Hobhouse about the site and about its folly. in 1873: his descendants still own The money was awarded from the estate. -
Open Gardens2016
THE HARDY PLANT SOCIETY OF OREGON OPEN GARDENS2016 gardeners growing together Garden Thyme Nursery Harvest Nursery Hydrangeas Plus Nowlens Bridge Perennials Out in the Garden Nursery Sebright Gardens Secret Garden Growers Bailey garden 2016 Open Garden season is about to begin! Welcome to this year’s directory of approximately 100 listings covering a wide variety of wonderful gardens and nurseries to visit all season. Many gardens will be open on the weekends, and evening openings are on the second and fourth Mondays of June, July, August and September. The Directory has been prepared by a dedicated committee led by Chair Tom Barreto, assisted by Ruth Clark, Merle Dole-Reid, Jenn Ferrante, Barry Gates, Jim Rondone, Pam Skalicky, Lise Storc and Bruce Wakefield. Tom is also much appreciated for his beautiful photography which graces the cover this year. Special thanks to Linda Wisner for cover design, advice and production direction and a very big thank you to Bruce Wakefield for his help with a process that is always time consuming; we are very grateful. We have worked hard to assure the accuracy of the listings in the 2016 Open Gardens Directory, but if you find an error or omission, please contact the HPSO office at 503-224-5718. Corrections will be announced in the HPSO weekly email blasts. And most importantly, our deepest thanks to the generous and welcoming HPSO members who are sharing their gardens this year. We appreciate the opportunity to learn from, and enjoy, your remarkable gardens. 1 VISITOR GUIDELINES TO GOOD GARDEN ETIQUETTE We are fortunate to be able to visit so many glorious gardens through our HPSO membership. -
Curses by Graham Nelson
Curses by Graham Nelson Meldrew Estate Attic, 1993 Out on the Spire adamantine hand Potting Aunt Old Storage Room (1) (6) Room Jemima's Winery Battlements Bell Tower yellow rubber Lair demijohn, nasty-looking red steel wrench, gloves battery, tourist map wishbone D U End Game: Servant's Priest's Airing Room (7) (10) West Side Parish East Side Missed the Attic Hole (3) Roof Cupboard classical Chapel Church Chapel Point iron gothic-looking key, ancient prayer book, old sooty stick dictionary, scarf D D U D U Old Inside End Game: Stone Missed the Furniture Chimney Cupboard cupboard, medicine bottle, painting, skylight, Cross Point gift-wrapped parcel, bird whistle gas mask Dark East Hollow (2) Room Over the Annexe U Public D sepia photograph, East Wing Footpath cupboard nuts cord, flash Library Disused Dead End Storage Observatory Beside the romantic novel, book of Drive Twenties poetry glass ball canvas rucksack Souvenirs Alison's Writing Room (12) Room (11) projector window, mirror Tiny Balcony Curses by Graham Nelson Mildrew Hall Cellars, 1993 Infinity Symbol Cellars (1) Cellar (5) Wine West (3) Cellars (4) robot mouse, vent Hellish Place Hole in Cellars Wall South Curses by Graham Nelson Meldrew Estate Hole in Wall of Cellars South (Mouse Maze), 1993 small brass key Cellars South Curses by Graham Nelson Meldrew Estate Grounds, 1993 Up the Plane To Maze Tree D U Mosaic (2) (17) (23) (29) Garage (35) (38) (39) (40) (41) Behind Heavenly Family Tree Lawn (42) (43) (48) (54) Clearing Summer Place (8) Ornaments big motorised garden roller, -
University Park Gardens Guide and Tree Walk
University Park Gardens Guide and Tree Walk 1 We are proud of the those from Nottingham Welcome University’s landscaped and East Midlands in campuses and visitors Bloom, the local and 4 Horticultural highlights are welcome to enjoy our National Civic Trust and 9 Millennium Garden gardens, walks and trees. the British Association of 12 Lakeside Walk Landscape Industries. University Park has 14 Tree Walk The Friends of University been awarded a Green Please use this guide 16 University Park map Flag every year since to explore and enjoy Park encourage everyone to 22 Our other campuses enjoy the campus grounds and 2003. We were the first University Park. all are welcome at their events. 24 Green issues University to achieve this. w: nott.ac.uk/friends 31 Tree Walk map Other awards include 2 3 Horticultural highlights University Park is very much in the English landscape style, with rolling grassland, many trees, shrubs and water features. An adjoining lake divides it from Highfields Park, which is managed by Nottingham City Council. Formal displays In the summer the display beds are vibrant with exotic annuals One of our boldest displays and bedding plants. In spring is at the North Entrance they are awash with colour from beside the A52 roundabout. A biennials and spring bulbs. contemporary arrangement of informal beds for annual bedding A second, smaller area of formal is backed by a border of exotic bedding is at the West Entrance shrubs, bamboos and grasses, by the old lodges. In the summer, which add value in winter. These large pots of brilliant bedding are complemented by boulders plants enhance our involvement and areas of cobbles. -
Film Is GREAT, Edition 2, November 2016
©Blenheim Palace ©Blenheim Brought to you by A guide for international media The filming of James Bond’s Spectre, Blenheim Palace, Oxfordshire visitbritain.com/media Contents Film is GREAT …………………………………………………………........................................................................ 2 FILMED IN BRITAIN - British film through the decades ……………………………………………………………………………………….. 9 - Around the world in British film locations ……………………………………………….…………………........ 15 - Triple-take: Britain's busiest film locations …………………………………………………………………….... 18 - Places so beautiful you'd think they were CGI ……………………………………………………………….... 21 - Eight of the best: costume dramas shot in Britain ……………………………………………………….... 24 - Stay in a film set ……………………………………………………………………………………………………………...... 27 - Bollywood Britain …………………………………………………………………………………………………………….... 30 - King Arthur's Britain: locations of legend ……………………………………………………………………...... 33 - A galaxy far, far away: Star Wars in Britain .…………………………………………………………………..... 37 ICONIC BRITISH CHARACTERS - Be James Bond for the day …………………………………………………………………………………………….... 39 - Live the Bridget Jones lifestyle ……………………………………………………………………………………..... 42 - Reign like King Arthur (or be one of his knights) ………………………………………………………….... 44 - A muggles' guide to Harry Potter's Britain ……………………………………………………………………... 46 FAMILY-FRIENDLY - Eight of the best: family films shot in Britain ………………………………………………………………….. 48 - Family film and TV experiences …………………….………………………………………………………………….. 51 WATCHING FILM IN BRITAIN - Ten of the best: quirky -
Our Partners
• Leopold Museum • Liliputbahn miniature railway, Our partners Donauparkbahn miniature railway, • Albertina Prater train • Apple Strudel Show • Madame Tussauds • Bank Austria Kunstforum • MAK- Austrian Museum of Applied • Austrian National Library with Arts / Contemporary Art & MAK State Hall, Papyrus Museum, Branch Geymüllerschlössel Globe and Esperanto Museum, • Mozarthaus Vienna Literature Museum • mumok- Museum of Modern Art • Bank Austria Kunstforum Ludwig Foundation • Beethoven Pasqualati House • Museum at the Abbey of the Scots • Beethoven Museum Heiligenstadt • Museum of Military History • Belvedere (Upper and Lower • Museum of Natural History Belvedere, Belvedere 21) • Otto Wagner’s Court Pavilion • City Cruise (Hietzing) • Collection of Anatomical Pathology • Otto Wagner Pavilion Karlsplatz in the Madhouse Tower • Porcelain Museum at Augarten • Danube Tower • Prater Museum • Desert Experience House • Remise – Wiener Linien’s Schönbrunn Transport Museum • Dom Museum Wien • Roman City Carnuntum • Esterházy Palace • Schloss Hof Estate • Forchtenstein Castle • Schloss Niederweiden • Liechtenstein Castle • Schlumberger Cellars • Guided Tour of the UN • Schönbrunn Panorama Train Headquarters • Schönbrunn Palace (Grand Tour) • Haydn House incl. Gloriette, Maze, Privy Garden, • Hofburg- Imperial Apartments, Sisi Children’s Museum at Schönbrunn Museum, Imperial Silver Collection Palace, Orangery Garden • Hofmobiliendepot - Imperial • Schönbrunn Zoo Furniture Collection • Sigmund Freud Museum • House of Music • Schubert’s Birthplace • -
Landscape and Architecture COMMONWEALTH of AUSTRALIA Copyright Regulations 1969
702132/702835 European Architecture B landscape and architecture COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 Warning This material has been reproduced and communicated to you by or on behalf of the University of Melbourne pursuant to Part VB of the Copyright Act 1968 (the Act). The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. do not remove this notice garden scene from a C15th manuscript of the Roman de la Rose Christopher Thacker, The History of Gardens (Berkeley [California] 1979), p 87 Monreale Cathedral, Palermo, Sicily, 1176-82: cloisters of the Benedictine Monastery commercial slide RENAISSANCERENAISSANCE && MANNERISMMANNERISM gardens of the Villa Borghese, Rome: C17th painting J D Hunt & Peter Willis, The Genius of the Place: the English Landscape Garden 1620-1820 (London 1975), p 61 Villa Medici di Castello, Florence, with gardens as improved by Bernardo Buontalenti [?1590s], from the Museo Topografico, Florence Monique Mosser & Georges Teyssot [eds], The History of Garden Design: The Western Tradition from the Renaissance to the Present Day (London 1991 [1990]), p 39 Chateau of Bury, built by Florimund Robertet, 1511-1524, with gardens possibly by Fra Giocondo W H Adams, The French Garden 1500-1800 (New York 1979), p 19 Chateau of Gaillon (Amboise), begun 1502, with gardens designed by Pacello de Mercogliano Adams, The French Garden, p 17 Casino di Pio IV, Vatican gardens, -
A Dimensional Comparison Between Classical Chinese Gardens And
Yiwen Xu, Jon Bryan Burley, WSEAS TRANSACTIONS on ENVIRONMENT and DEVELOPMENT Patricia Machemer, April Allen A Dimensional Comparison between Classical Chinese Gardens and Modern Chinese Gardens YIWEN XU, JON BRYAN BURLEY, PATRICIA MACHEMER, AND APRIL ALLEN School of Planning, Design and Construction Michigan State University 552 West Circle Drive, 302 B Human Ecology Building, East Lansing, MI 48824, USA [email protected] http:/www.msu.edu/%7Eburleyj/ Abstract: Garden designers and scholars are interested in metrics that define the differences and similarities between traditional design and modern designs. This investigation examines the similarities and differences of classical Chinese gardens and modern Chinese gardens. The comparison is accomplished by ordinating the design elements and basic normative planning and design principles for each garden. Three classical Chinese gardens in Suzhou, Jiangsu, China and five modern gardens in Xiamen, Fujian, China were selected for study. A mathematical method called Principal Component Analysis (PCS) was applied in this research. The objective of this method is to define the dimensions that characterize the gardens and plot these gardens along the dimensions/gradients. Seventy-five variables were selected from a literature review, site visits, and site photos. According to the results of the PCA, there are potentially seven meaningful dimensions suitable for analysis, which explain 100% of the variance. This research focused on studying the first three principal components, explaining 81.54% of the variance. The first two principal components reveal a clear pattern between the two sets of environments. The results indicate that the first principal component can be a way to identify the difference between classical Chinese gardens and modern Chinese gardens. -
NAUMKEAG Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form
NATIONAL HISTORIC LANDMARK NOMINATION NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 NAUMKEAG Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: Naumkeag Other Name/Site Number: N/A 2. LOCATION Street & Number: 5 Prospect Hill Road Not for publication: City/Town: Stockbridge Vicinity: State: MA County: Berkshire Code: 003 Zip Code: 01262 3. CLASSIFICATION Ownership of Property Category of Property Private: X Building(s): ___ Public-Local: District: _X_ Public-State: ___ Site: ___ Public-Federal: ___ Structure: ___ Object: ___ Number of Resources within Property Contributing Noncontributing 10 buildings 11 sites 2 structures objects 23 Total Number of Contributing Resources Previously Listed in the National Register: 1 Name of Related Multiple Property Listing: NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 NAUMKEAG Page 2 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this ____ nomination ____ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property ____ meets ____ does not meet the National Register Criteria. Signature of Certifying Official Date State or Federal Agency and Bureau In my opinion, the property ____ meets ____ does not meet the National Register criteria.