DOCSLIB.ORG

'Fhe UNIVERSITY of HULL 3Litology and Ethics in the Writings of Philip K

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
'Fhe UNIVERSITY of HULL 3Litology and Ethics in the Writings of Philip K 'fHE UNIVERSITY OF HULL 3litology and Ethics in the Writings of Philip K Dick being a Thesis submitted for the Degree of Phd. in the University of Hull by Andrew Mark Butler, B.A. (Wons) October 1995 Contents Acknowledgements A Note on References, Abbreviations and Editions vii Introduction 1 Chapter One: "Possible maybes" Realism and the Fantastic 6 Realism 7 Literary Realism 9 Author and Reader 15 Realism vs The Fantastic 19 Sf ,20) The "New Wave" (26) Realism or the Fantastic: In Milton Lumky Territory 29 Familiarization 31 Character Types 32 Conclusion Chapter Two: "Life is turning into a Philip K. Dick Novel": Ontology and its Discontents The Real 38 Access to the Real: Philosophical Realism 45 Access to the "Real": Dick's use of viewpoint 48 Postmodernism Fredric Jameson on Dick Jean Baudrillard on Dick 57 Other Postmodern Readings of Dick 60 Cyberpunk 63 Dick as postmodern icon 65 Conclusion 68 Chapter Three: "Can a person hallucinate without being psychotic?": Hallucinatory Environments 69 Basic Plots 69 Eye in the Sky 70 The Left and McCarthyism 72 Black Politics 76 Return to Reality? 77 Flow My Tears, the Policeman Said 79 The Left by 1970 81 The Position of Blacks 82 The Nature of the Conditional Environment 86 Conclusion 94 ii Chapter Four: "Skim milk masquerades as cream": Attempts to penetrate the veil 96 Time Out of Joint 96 Representing the 1950s 98 Misrepresenting the 1950s 101 From Time Out of Joint to The Man in the High Castle 105 The Man in the High Castle 106 Alternate Worlds 106 The "reality" of the conditional environment 108 False Identities 111 The 1-Ching - 113 "Inner Truth" 118 Fiction and Reality 121 Conclusion 125 Chapter Five: "Where are we really?": The Failure of Authenticity 126 Lies, Inc. 127 Textual Problems 127 Paraworlds 129 The Unteleported Man? 130 Dr Bloode's Book 134 The Three Stigmata of Palmer Eldritch 137 Plot 138 Characters 139 Transubstantiation 141 The Status of the Conditional Environment 143 Ubik 146 Plot 146 Simple Answers 148 The Nature of Ubik 149 Religious Explanations of Ubik 150 Conclusion 153 Chapter Six: 'The Android and the Human": Entropy, Empathy and Ethics T__.) What is Human? The Turing Test and Do Androids Dream of Electric Sheep? 1_57) Martin Buber and Responsibility 160 Buberian Human vs Android 162 iii Emmanuel Levinas and Responsibility {66 Levinasian Responsibility in Dick's Novels 170 Levinasian Responsibility in Do Androids Dream of Electric Sheep? 172 Ethics and Ontology Conclusion Chapter Seven: "My life is a fantasy" VALIS 181 Criticising VALIS .. 181 The Paratext 184 VALIS and the Titular Epitext 185 VALIS and the Authorial Epitext 187 VALIS's Peritext 189 The Writing of VALIS 196 VALIS and Dick's Novels of the 1970s 197 A Levinasian Reading of VALIS 201 Ethics and the Other 201 God and the Infinitely Other 206 Conclusion 217 Chapter Eight: "Knowledge rather than faith": The "Divine Trilogy" 222 The Nature of the Trilogy 222 The Divine Invasion 227 Gnosticism 227 Kabbalism 233 Levinas and Jewish Revelation 236 The Transmigration of Timothy Archer 238 Completing the "Divine Trilogy" 238 Bishop Pike 239 Knowledge 242 Irrationality v. Reason 245 The Gift 247 Conclusion 250 Conclusion 251 Appendix 256 Acknowledgements In the process of producing this thesis I have had the help of many people and have made many friends. I wish to thank all of those whose names I recall, and beg forgiveness from those I have inadvertently left out. My first debt is to my supervisor, Rowland Wymer, who so often was able to see clearly what I was saying unclearly, and who helped to unfog my prose. Thanks must go to Paul Williams for his initial words of advice and encouragement, and to John Joyce, Jeff Merrifield and Ken Campbell for putting on Dick-related events at exactly the right times. My own collection of material was supplemented by those whose libraries are greater than mine; in particular Michael J. Cross, Benedict S. Cullum, Gwyneth Jones, Paul Kincaid and Mark Plummer were able to provide arcane texts. JDR (John D. Rickett) provided an excellent translation of Borges over the phone, and backed it up with a written version. The former secretaries (Joyce and Pat) of the Science Fiction Foundation Collection at the University of East London and its current administrator / librarian, Andy Sawyer, at the Sydney Jones Library, University of Liverpool, all gave me the run of their shelves. A debt is owed to Friends of Foundation, who rescued the resource when the vagaries of funding left the SFFC without a home. Within the postgraduate community at Hull, past and present, I wish to thank Sue Allmark, Jo Chipperfield, Julie Crofts, Nick Holland, Richard King, Carole Jones, Ian Smith and Paul Wright, for beers, coffees, conversations and encouraging me to ask the question 'Where are you at?" rather than "How's it going?". Roger Luckhurst did more than nod in the right places, and my use of the paratext and of the gift arose vi from one of our more successful lunch meetings "upstairs". (He should not be blamed for the uses I have put them to). Sam Barber and Robert Edgar became firm friends in the last year of writing this thesis and both offered to read it and comment. Cathy Cundy, John Hoyles, Neil Sinyard and Bruce Woodcock provided moral support. Mike found the right track at a moment I had feared it lost. British sf fandom has provided many sounding boards for my ideas. The Hull SF Group has often been my earliest audience for material, and thanks must go to Howard Baker, Ian Bell, Mike Cross, Carol Ann Green, Dilys Jones, Dave Roberts, Estelle Roberts, Chris Tutin and Julie Venner for putting up with me. The members of Acnestis , an APA run by Maureen Kincaid Speller, have similarly asked pertinent (and impertinent) questions. I have benefited from conversations and e-mail correspondence with Mark Bould, Scott Bukatman, Istvan Csicsery-Ronay Jo, Ben Friedlander, James Kneale, Eric Rabkin and Derek White. The electronic conference devoted to Dick ([email protected] ) has been a frequent source of inspiration and checking references over the last two years. I owe a debt to the many people over the years who, despite not being involved in sf or academia, have offered friendship, support, shoulders, food and drink and, above all, floors to sleep on: Alex, Allan, Craig, John, Lawrence, Melissa, Nige, Pete, Robert and Sue. Particular thanks should go to my evil landlords, Tina Minett Stevens and Darren Stevens (and his printer), and the beasts Edward the Second and Isaac. Fine companions all: there are no better. My greatest debt is to my family, to my parents and my brother, whose radical generosity has no doubt been met with ingratitude, for it is a debt I can only hope to repay. A Note on References, Abbreviations and Editions Most quotations are referenced in parentheses by author, year and page number. The full reference may be located in the Bibliographies. This system is also applied to uncollected items - poems, essays outlines and letters - by Dick; these may be found in the Primary Bibliography: Short Works. Individual volumes by Dick are listed by initial as set out below. The novels are referenced by chapter and page number, other volumes only by page. An alphabetical listing with complete references is in the Primary Bibliography: Individual Volumes; a chronological listing of first editions may be found in the Appendix. BB. The Broken Bubble. CAM. Clans of the Alphane Moon. C&C. Cosmogony and Cosmology. CCA. Confessions of a Crap Artist. C-CW. Counter-Clock World. CIS. The Crack in Space. CP. The Cosmic Puppets. CS (1). Beyond Lies the Wub: The Collected Stories of Philip K Dick Volume 1. CS (2). Second Variety: The Collected Stories of Philip K Dick Volume 2 CS (3). The Father Thing: The Collected Stories of Philip K Dick Volume 3. CS (4). The Days of Perky Pat: The Collected Stories of Philip K Dick Volume 4. CS (5). The Little Black Box: The Collected Stories of Philip K Dick Volume 5. DADOES. Do Androids Dream of Electric Sheep? Del Deus Irae DHG. The Dark-Haired Girl. DI. The Divine Invasion. Dr. B. Dr. Bloodmoney, Or How We Got Along After the Bomb. Dr. F. Dr. Futurity. E. In Pusuit of VALIS: Selections from the Exegesis. ES. Eye in the Sky FMTPS. Flow My Tears, the Policeman Said. GP-H. Galactic Pot-Healer. G-PT. The Game-Players of Titan. GYT. Gather Yourselves Together. HDO. Humpty Dumpty in Oakland. IHISAS. I Hope I Shall Arrive Soon. IMLT. In Milton Lumky Territory. LI. Lies, Inc. MD. A Maze of Death. MG. Mary and the Giant. MHC. The Man in the High Castle. MT-S. Martian Time-Slip. - MWJ. The Man Who Japed. MWTWAEA. The Man Whose Teeth Were All Exactly Alike. NG. Nick and the Glimmung. NWFLY. Now Wait For Last Year. OFFF8. Our Friends From Frolix 8. PASL. Puttering About in a Small Land. PT. The Penultimate Truth. RFA. Radio Free Albemuth. S. The Simulacra. SD. A Scanner Darkly. SL [1972-3]. The Selected Letters of Philip K Dick 1972-1973. SL [1974]. The Selected Letters of Philip K Dick 1974. SL [1975-6]. The Selected Letters of Philip K Dick 1975-1976. SL [1977-9]. The Selected Letters of Philip K Dick 1977-1979. SoL. Solar Lottery. TOJ. Time Out of Joint. TTA. The Transmigration of Timothy Archer. U. Ubik. UM. The Unteleported Man. V. VALIS. VET. Vulcan's Hammer. WC. World of Chance. WCBY. We Can Build You.
Load more

Recommended publications
  • Note to Users
    NOTE TO USERS Page(s) not included in the original manuscript are unavailable from the author or university. The manuscript was microfilmed as received 88-91 This reproduction is the best copy available. UMI INFORMATION TO USERS The most advanced technology has been used to photo­ graph and reproduce this manuscript from the microfilm master. UMI films the original text directly from the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re­ produced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each oversize page is available as one exposure on a standard 35 mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. 35 mm slides or 6" X 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. AccessinglUMI the World’s Information since 1938 300 North Zeeb Road, Ann Arbor, Mi 48106-1346 USA Order Number 8820263 Leigh Brackett: American science fiction writer—her life and work Carr, John Leonard, Ph.D.
    [Show full text]
  • Rereading Philip K. Dick
    REFLECTIONS Robert Silverberg REREADING PHILIP K. DICK They were ugly little things. I mean the tner. Dick was only twenty-seven when first editions of Philip K. Dick’s first nov- Solar Lottery came out, a youthful begin- els—squat, scrunchy, cheaply printed ner who had appeared in the science fic- 1950s paperbacks, artifacts of a primitive tion magazines just three years before era in science fiction publishing. Ace with a double handful of ingenious short Books was the name of the publishing stories. I had already begun to sell some company—they are still in business, stories myself in 1955, so in terms of ca- though vastly transformed—and Ace reer launch we were virtually contempo- writers then were paid one thousand dol- raries, but I was only twenty, a college ju- lars per novel, which even then was the nior, and that seven-year gap in our ages bottom rate for paperback books, al- made me regard Dick as vastly older, though in modern purchasing power it’s vastly wiser, vastly more skillful in the a good deal more than most new SF writ- art of storytelling. I was an earnest be- ers can command today. ginner; he was already a pro. Still, there were harbingers of things to He was good, all right. But I don’t come in those early Dick books. The very think either of us realized, back there in first sentence of the very first one tells us 1955, that he was destined to make an that in the most literal way: “There had imperishable mark on American popular been harbingers.” That’s Solar Lottery, culture.
    [Show full text]
  • Fractal 3D Magic Free
    FREE FRACTAL 3D MAGIC PDF Clifford A. Pickover | 160 pages | 07 Sep 2014 | Sterling Publishing Co Inc | 9781454912637 | English | New York, United States Fractal 3D Magic | Banyen Books & Sound Option 1 Usually ships in business days. Option 2 - Most Popular! This groundbreaking 3D showcase offers a rare glimpse into the dazzling world of computer-generated fractal art. Prolific polymath Clifford Pickover introduces the collection, which provides background on everything from Fractal 3D Magic classic Mandelbrot set, to the infinitely porous Menger Sponge, to ethereal fractal flames. The following eye-popping gallery displays mathematical formulas transformed into stunning computer-generated 3D anaglyphs. More than intricate designs, visible in three dimensions thanks to Fractal 3D Magic enclosed 3D glasses, will engross math and optical illusions enthusiasts alike. If an item you have purchased from us is not working as expected, please visit one of our in-store Knowledge Experts for free help, where they can solve your problem or even exchange the item for a product that better suits your needs. If you need to return an item, simply bring it back to any Micro Center store for Fractal 3D Magic full refund or exchange. All other products may be returned within 30 days of purchase. Using the software may require the use of a computer or other device that must meet minimum system requirements. It is recommended that you familiarize Fractal 3D Magic with the system requirements before making your purchase. Software system requirements are typically found on the Product information specification page. Aerial Drones Micro Center is happy to honor its customary day return policy for Aerial Drone returns due to product defect or customer dissatisfaction.
    [Show full text]
  • 2019-05-06 Catalog P
    Pulp-related books and periodicals available from Mike Chomko for May and June 2019 Dianne and I had a wonderful time in Chicago, attending the Windy City Pulp & Paper Convention in April. It’s a fine show that you should try to attend. Upcoming conventions include Robert E. Howard Days in Cross Plains, Texas on June 7 – 8, and the Edgar Rice Burroughs Chain of Friendship, planned for the weekend of June 13 – 15. It will take place in Oakbrook, Illinois. Unfortunately, it doesn’t look like there will be a spring edition of Ray Walsh’s Classicon. Currently, William Patrick Maynard and I are writing about the programming that will be featured at PulpFest 2019. We’ll be posting about the panels and presentations through June 10. On June 17, we’ll write about this year’s author signings, something new we’re planning for the convention. Check things out at www.pulpfest.com. Laurie Powers biography of LOVE STORY MAGAZINE editor Daisy Bacon is currently scheduled for release around the end of 2019. I will be carrying this book. It’s entitled QUEEN OF THE PULPS. Please reserve your copy today. Recently, I was contacted about carrying the Armchair Fiction line of books. I’ve contacted the publisher and will certainly be able to stock their books. Founded in 2011, they are dedicated to the restoration of classic genre fiction. Their forté is early science fiction, but they also publish mystery, horror, and westerns. They have a strong line of lost race novels. Their books are illustrated with art from the pulps and such.
    [Show full text]
  • Transformations in Sirigu Wall Painting and Fractal Art
    TRANSFORMATIONS IN SIRIGU WALL PAINTING AND FRACTAL ART SIMULATIONS By Michael Nyarkoh, BFA, MFA (Painting) A Thesis Submitted to the School of Graduate Studies, Kwame Nkrumah University of Science and Technology in partial fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY Faculty of Fine Art, College of Art and Social Sciences © September 2009, Department of Painting and Sculpture DECLARATION I hereby declare that this submission is my own work towards the PhD and that, to the best of my knowledge, it contains no material previously published by another person nor material which has been accepted for the award of any other degree of the University, except where due acknowledgement has been made in the text. Michael Nyarkoh (PG9130006) .................................... .......................... (Student’s Name and ID Number) Signature Date Certified by: Dr. Prof. Richmond Teye Ackam ................................. .......................... (Supervisor’s Name) Signature Date Certified by: K. B. Kissiedu .............................. ........................ (Head of Department) Signature Date CHAPTER ONE INTRODUCTION Background to the study Traditional wall painting is an old art practiced in many different parts of the world. This art form has existed since pre-historic times according to (Skira, 1950) and (Kissick, 1993). In Africa, cave paintings exist in many countries such as “Egypt, Algeria, Libya, Zimbabwe and South Africa”, (Wilcox, 1984). Traditional wall painting mostly by women can be found in many parts of Africa including Ghana, Southern Africa and Nigeria. These paintings are done mostly to enhance the appearance of the buildings and also serve other purposes as well. “Wall painting has been practiced in Northern Ghana for centuries after the collapse of the Songhai Empire,” (Ross and Cole, 1977).
    [Show full text]
  • Politics and Metaphysics in Three Novels of Philip K. Dick
    EUGÊNIA BARTHELMESS Politics and Metaphysics in Three Novels of Philip K. Dick Dissertação apresentada ao Curso de Pós- Graduação em Letras, Área de Concentra- ção Literaturas de Língua Inglesa, do Setor de Ciências Humanas, Letras e Artes da Universidade Federai do Paraná, como requisito parcial à obtenção do grau de Mestre. Orientadora: Prof.3 Dr.a BRUNILDA REICHMAN LEMOS CURITIBA 19 8 7 OF PHILIP K. DICK ERRATA FOR READ p -;2011 '6:€h|j'column iinesllll^^is'iiearly jfifties (e'jarly i fx|fties') fifties); Jl ' 1 p,.2Ò 6th' column line 16 space race space race (late fifties) p . 33 line 13 1889 1899 i -,;r „ i i ii 31 p .38 line 4 reel."31 reel • p.41 line 21 ninteenth nineteenth p .6 4 line 6 acien ce science p .6 9 line 6 tear tears p. 70 line 21 ' miliion million p .72 line 5 innocence experience p.93 line 24 ROBINSON Robinson p. 9 3 line 26 Robinson ROBINSON! :; 1 i ;.!'M l1 ! ! t i " i î : '1 I fi ' ! • 1 p .9 3 line 27 as deliberate as a deliberate jf ! •! : ji ' i' ! p .96 lin;e , 5! . 1 from form ! ! 1' ' p. 96 line 8 male dis tory maledictory I p .115 line 27 cookedly crookedly / f1 • ' ' p.151 line 32 why this is ' why is this I 1; - . p.151 line 33 Because it'll Because (....) it'll p.189 line 15 mourmtain mountain 1 | p .225 line 13 crete create p.232 line 27 Massachusetts, 1960. Massachusetts, M. I. T.
    [Show full text]
  • Annual Report Scottsdale Cultural Council
    2010-11ANNUAL REPORT SCOTTSDALE CULTURAL COUNCIL Scottsdale Center for the Performing Arts Scottsdale Museum of Contemporary Art Scottsdale Public Art VISION Excellence and innovation in the arts – for everyone. MISSION To serve Scottsdale residents, visitors, cultural institutions and artists by creating and advancing high-quality arts and cultural experiences and opportunities. VALUES SERVICE Leadership, transparency and responsiveness to the community. EXCELLENCE High standards in all that we do. DIVERSITY Programming, audiences, leadership and management that respect and reflect our communities. ACCOUNTABILITY Reliability and sustainability. INNOVATION Open to creative change and continuous improvement. INCLUSIVENESS Partnership and collaboration. UNDERSTANDING Education and participation in the arts. The Scottsdale Cultural Council, a private non-profit 501(c)(3) organization, is contracted by the City of Scottsdale, Ariz., to administer certain City arts and cultural projects and to manage the City-owned Scottsdale Center for the Performing Arts, Scottsdale Museum of Contemporary Art and Scottsdale Public Art. The programs of the Scottsdale Cultural Council are made possible, in part, by the support of members and donors and grants received from the Arizona Commission on the Arts through appropriations from the Arizona State Legislature and the National Endowment for the Arts. Cover: Soleri Bridge and Plaza Scottsdale Waterfront Commissioned by Scottsdale Public Art Photo: Bill Timmerman 2010-11 SCOTTSDALE CULTURAL COUNCIL ANNUAL
    [Show full text]
  • Teaching the Short Story: a Guide to Using Stories from Around the World. INSTITUTION National Council of Teachers of English, Urbana
    DOCUMENT RESUME ED 397 453 CS 215 435 AUTHOR Neumann, Bonnie H., Ed.; McDonnell, Helen M., Ed. TITLE Teaching the Short Story: A Guide to Using Stories from around the World. INSTITUTION National Council of Teachers of English, Urbana, REPORT NO ISBN-0-8141-1947-6 PUB DATE 96 NOTE 311p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 19476: $15.95 members, $21.95 nonmembers). PUB 'TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) Collected Works General (020) Books (010) EDRS PRICE MF01/PC13 Plus Postage. DESCRIPTORS Authors; Higher Education; High Schools; *Literary Criticism; Literary Devices; *Literature Appreciation; Multicultural Education; *Short Stories; *World Literature IDENTIFIERS *Comparative Literature; *Literature in Translation; Response to Literature ABSTRACT An innovative and practical resource for teachers looking to move beyond English and American works, this book explores 175 highly teachable short stories from nearly 50 countries, highlighting the work of recognized authors from practically every continent, authors such as Chinua Achebe, Anita Desai, Nadine Gordimer, Milan Kundera, Isak Dinesen, Octavio Paz, Jorge Amado, and Yukio Mishima. The stories in the book were selected and annotated by experienced teachers, and include information about the author, a synopsis of the story, and comparisons to frequently anthologized stories and readily available literary and artistic works. Also provided are six practical indexes, including those'that help teachers select short stories by title, country of origin, English-languag- source, comparison by themes, or comparison by literary devices. The final index, the cross-reference index, summarizes all the comparative material cited within the book,with the titles of annotated books appearing in capital letters.
    [Show full text]
  • Panel About Philip K. Dick
    Science Fiction Book Club Interview with Andrew M. Butler and David Hyde July 2018 Andrew M. Butler is a British academic who teaches film, media and cultural studies at Canterbury Christ Church University. His thesis paper for his PhD was titled “Ontology and ethics in the writings of Philip K. Dick.” He has also published “The Pocket essential Philip K. Dick”. He is a former editor of Vector, the Critical Journal of the British Science Fiction Association and was membership secretary of the Science Fiction Foundation. He is a former Arthur C. Clarke Award judge and is now a member of the Serendip Foundation which administers the award. David Hyde, a.k.a. Lord Running Clam, joined the Philip K. Dick Society in 1985 and contributed to its newsletter. When the PKDS was discontinued, he created For Dickheads Only in 1993, a zine that was active until 1997. Since then, his activities include many contributions to and editorial work for the fanzine PKD OTAKU. His book, PINK BEAM: A Philip K. Dick Companion, is a detailed publication history of PKD's novels and short stories. In 2010, David organized the 21st century's first Philip K. Dick Festival in Black Hawk, Colorado. Recently, in partnership with Henri Wintz at Wide Books, he has published two full-color bibliographies of the novels and short stories of Philip K. Dick. In early 2019 Wide Books will publish the French bibliography. On the 35th anniversary of Phil’s passing in 2017 David held a memorial celebration for PKD fans in Ft. Morgan, Colorado, the final resting place of Phil and his twin sister Jane.
    [Show full text]
  • Environmental Crisis and the Sublime in Mary Shelley's Frankenstein and Philip K
    University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2011 Aesthetics of the Brink: Environmental Crisis and the Sublime in Mary Shelley's Frankenstein and Philip K. Dick's Do Androids Dream of Electric Sheep? Aaron Francis Schneeberger The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Schneeberger, Aaron Francis, "Aesthetics of the Brink: Environmental Crisis and the Sublime in Mary Shelley's Frankenstein and Philip K. Dick's Do Androids Dream of Electric Sheep?" (2011). Graduate Student Theses, Dissertations, & Professional Papers. 105. https://scholarworks.umt.edu/etd/105 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. AESTHETICS OF THE BRINK: ENVIRONMENTAL CRISIS AND THE SUBLIME IN MARY SHELLEY‘S FRANKENSTEIN AND PHILIP K. DICK‘S DO ANDROIDS DREAM OF ELECTRIC SHEEP? By AARON FRANCIS SCHNEEBERGER Bachelor of Arts, University of Montana, Missoula, MT, 2008 Thesis presented in partial fulfillment of the requirement for the degree of Master of Arts in English, Literature The University of Montana Missoula, MT August 2011 Approved by: Louise Economides, Chair English Kathleen Kane English Deborah Slicer Philosophy Schneeberger II Schneeberger, Aaron, M.A., Aug 2011 English Aesthetics of the Brink: Environmental Crisis and the Sublime in Mary Shelley‘s Frankenstein and Philip K.
    [Show full text]
  • Science Fiction Review 19 Geis 1976-11
    SCIENCE FICTION REVIEW 19 $1.25 SFR INTERVIEWS Philip K. Dick • keiiy fi*eas ALIEN THOUGHTS SFR-type zine is a special interest item with inherently limited sales BY THE EDITOR potential (except in the growing number of science fiction and fantasy bookstores who sell quite a few). Sometimes I think I should have The following 'diary' format for started a zine called EROTIC VIEW¬ SFR is a change I've been tinkering POINTS: pics, letters, opinion, fic¬ with in the back of my head (far away tion. I'd be rich. from Alter's lair) for about a year. A combination of the usual "Alien • Thoughts" elements in dated form, in 8-3-76 Boxed and Jiffy-bagged all extensia and extremis. How much of the bookstore orders and got them it can the readers want? IMs seems off. Took two days. Every issue I to be the ultimate domination of the pick up two or three new bookstores, zine by the editor and will probably and drop two or three. quiet those who continually cry for 'more Geis'. ************************************ The advantages are obvious: I THE HADONIST don't have to buy as much outside FLIGHT TO OPAR material and I can indulge myself By Philip Jose Farmer shamelessly. Hie disadvantages are 7-30-76 Made my Friday self-impos¬ DAW UW1238, $1.50 the rigors of reading and reviewing ed deadline and got the subscription- a great deal more, and the danger complimentary- trade copies to the Reviewed by REG and the likelihood of making a damn post office in labeled sacks, all in Book two in the saga of Hadon of fool of myself---more exposure, more order, nice, nice, for the second Opar, the hero of the savage, Olympic risk.
    [Show full text]
  • Winter 2005 Clarion Workshop Newsletter
    Number 24: IF YOU CAN’T STAND Winter 2005 THE HEAT... ...get out of the kitchen. And that’s exactly what the thirteen partici- pants of the 2005 Clarion Science Fiction and Fantasy Writers’ Work- shop did. Eschewing the trappings of cuisine and throwing nutritional caution to the wind, they thrived on sandwiches and cereal, producing 79 stories with an impressive, carbohydrate-fueled total of 370,400 words. Director: Elizabeth Zernechel Coordinator: Mary Sheridan Assistants: Sarah Gibbons, The participants came to this year’s workshop from eleven different Kate Fedewa states as well as Canada and Norway. Their educational backgrounds Web page: Dawn Martin ranged from Art to Physics to Psychology, and their professions were just as varied. Newsletter # 24 # Newsletter Clarion 2005 was taught by a talented staff of writers and editors: Joan Vinge, Charles Coleman Finlay, Cory Doctorow, Leslie What, Sheila Williams, Gwyneth Jones and Walter Jon Williams. In addition to teaching and critiquing, the writers-in-residence gave free public readings and signings at local book shops and libraries. ADDRESS SERVICE REQUESTED SERVICE ADDRESS East Lansing, MI 48824-1047 MI Lansing, East 112 Olds Hall Olds 112 Michigan State University State Michigan From left to right— Clarion Workshop Clarion Front Row: Way Jeng; Ian Tregillis; E. M. Zernechel; Kim Jollow Zimring; Traci N. Castleberry; Newsletter Christopher M. Knox. Middle Row: Tom Barlow; Alex Cybulski; Joan D. Vinge, Writer-in-Residence; Charles Coleman Finlay, Writer-in-Residence; T. L. Taylor. Back Row: Bjorn Harald Nordtveit; Kyle D. Kinder; Lister M. Matheson, Director; Bill Purcell; Sean T. Finn. Director’s Corner Please help Clarion continue..
    [Show full text]