Desired Ground Zeroes: Nuclear Imagination and the Death Drive Calum Lister Matheson a Dissertation Submitted to the Faculty At
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Creation: Believe It Or Not*
TMSJ 13/1 (Spring 2002) 5-32 CREATION: BELIEVE IT OR NOT* John MacArthur President and Professor of Pastoral Ministries Naturalism has replaced Christianity as the main religion of the Western world. Though the teaching that natural evolutionary processes can account of the origin of all living species has never been proven, that teaching is central to the philosophy that now dominates Western scholarly thinking. Even evangelicals have become less willing to defend the early chapters of Genesis against the encroach- ments of evolutionary thought, although in actuality affirming an “old earth” theory and remaining evangelical is an inconsistency. A “framework” approach to those chapters does not square with a consistent hermeneutical approach to Scripture, because the first chapter of Genesis teaches that God created the world in a normal week of seven days. The purpose of evolution is to explain away the God of the Bible. The absurd teaching of the Big Bang theory of evolution is that nobody times nothing equals everything. It is a theory that raises an almost endless array of unsolvable problems. It is degrading to humanity, hostile to reasons, and antithetical to the truth that God has revealed. When one starts adapting the Word of God to fit scientific theories based on naturalistic beliefs, he has begun his journey on the road to skepticism. * * * * * Introduction Thanks to the theory of evolution, naturalism is now the dominant religion of modern society. Less than a century and a half ago, Charles Darwin popularized the credo for this secular religion with his book The Origin of Species. -
A Dystopian Booklist* Norwell High School Library Media Center
The Worst is Yet to Come: a Dystopian Booklist* Norwell High School Library Media Center Dystopia: 1. a society characterized by human misery, squalor, oppression, disease, and overcrowding; 2. an imaginary place where everything is as bad as it can be Anthony, Joelle. Restoring Harmony - Ten years after the Great Collapse of 2031, Molly McClure leaves the safety of her family's island home to travel through a dangerous and desolate wasteland to find her grandparents and persuade them to return with her to Canada. Atwood, Margaret. Handmaid’s Tale - It is the world of the near future, and Offred is a Handmaid in the home of the Commander and his wife. She is allowed out once a day to the food market, she is not permitted to read, and she is hoping the Commander makes her pregnant, because she is only valued if her ovaries are viable. Offred can remember the years before, when she was an independent woman, had a job of her own, a husband and child. But all of that is gone now...everything has changed. (summary description from OCLN Library Catalog) Bacigalupi, Paolo. Ship Breaker - In a futuristic world, teenaged Nailer scavenges copper wiring from grounded oil tankers for a living, but when he finds a beached ship with a girl in the wreckage, he has to decide if he should strip the ship or rescue the girl. The Drowned Cities - In a future America that has devolved into unending civil wars, Mahlia and Mouse barely escape the war-torn lands of the Drowned Cities, but their safety is soon threatened and Mahlia will have to risk everything if she is to save Mouse. -
The Death Drive
THE DEATH DRIVE When Freud articulated the idea of the death drive in Beyond the Pleasure Principle (Jenseits des Lustprinzips, 1920), he transformed himself into the psychological counterpart of a radical Hegelian without realizing it. The pleasure principle was “obvious.” People sought to maximize their pleasures and minimize their pains. The ultimate pain was symbolized (and actually experienced) by death, avoided at all costs. But, Freud concluded in a way that was broadly misunderstood, the opposite was the case. Another drive, more powerful than the drive for pleasure, dominated human behavior and consciousness, a death drive. Note: “drive,” Trieb, was translated as “in- stinct” until recently. Freud’s drives related to the key critical objects of childhood: the breast, shit, the phallus, the gaze, and the voice. These complex mediators (“partial objects”) continued to exercise an ambiguous force after first childhood encounters; they could not be assimilated within the world of objects and, thus, were linked to the idea of the Freudian Thing (das Ding). Unlike Whilhelm Reich and Erich Fromm, who took the life and death drives literally, as about (good, healthy, sexy) life and (bad, des- tuctive, selfish) death and posited a program to avoid the latter and embrace the former, Freud’s idea was more radical. It was about the compulsion to repeat, to return to key positions, objects, and events that were, like the partial objects, incapable of resolution. The death drive was circular, but the circle had a gap. Filling this gap was what Lacan later identified as the objet petit a, an irrational source of pleasure converted from the pain of impasse. -
Cinema of the Dark Side Atrocity and the Ethics of Film Spectatorship
Cinema of the Dark Side Atrocity and the Ethics of Film Spectatorship Shohini Chaudhuri CHAUDHURI 9780748642632 PRINT.indd 1 26/09/2014 16:33 © Shohini Chaudhuri, 2014 Edinburgh University Press Ltd The Tun – Holyrood Road 12 (2f) Jackson’s Entry Edinburgh EH8 8PJ www.euppublishing.com Typeset in Monotype Ehrhardt by Servis Filmsetting Ltd, Stockport, Cheshire, and printed and bound in Great Britain by CPI Group (UK) Ltd, Croydon CR0 4YY A CIP record for this book is available from the British Library ISBN 978 0 7486 4263 2 (hardback) ISBN 978 1 4744 0042 8 (paperback) ISBN 978 0 7486 9461 7 (webready PDF) ISBN 978 1 4744 0043 5 (epub) The right of Shohini Chaudhuri to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 and the Copyright and Related Rights Regulations 2003 (SI No. 2498). CHAUDHURI 9780748642632 PRINT.indd 2 26/09/2014 16:33 Contents Acknowledgements iv List of Figures viii Introduction 1 1 Documenting the Dark Side: Fictional and Documentary Treatments of Torture and the ‘War On Terror’ 22 2 History Lessons: What Audiences (Could) Learn about Genocide from Historical Dramas 50 3 The Art of Disappearance: Remembering Political Violence in Argentina and Chile 84 4 Uninvited Visitors: Immigration, Detention and Deportation in Science Fiction 115 5 Architectures of Enmity: the Israeli–Palestinian Conflict through a Cinematic Lens 146 Conclusion 178 Bibliography 184 Index 197 CHAUDHURI 9780748642632 PRINT.indd 3 26/09/2014 16:33 Introduction n the science fiction film Children of Men (2006), set in a future dystopian IBritain, a propaganda film plays on a TV screen on a train. -
Propaganda, Cinema and the American Character in World War Ii Theodore Kornweibel, Jr
humphrey bogart's Sahara propaganda, cinema and the american character in world war ii theodore kornweibel, jr. How and why a people responds affirmatively to momentous events in the life of its nation is an intriguing question for the social historian. Part of the answer may be found in the degree to which a populace can connect such events to traditional (and often idealistic) themes in its culture, themes which have had wide currency and restatement. This kind of identification can be seen particularly in wartime; twice in this century large segments of the American population rallied around the call to preserve democracy under the guise of fighting a "war to end all wars" and another to preserve the "four freedoms." But popular perceptions of these global conflicts were not without both deliberate and unconscious manipulation in many areas of the culture, including commercial motion pictures. Hollywood produced hundreds of feature films during World War II which depicted facets of that conflict on the domestic homefront, the soil of friendly Allies and far-flung battlefields. Many of the films showed no more than a crude addition of the war theme to plots that would have been filmed anyway in peacetime, such as gangster stories and musical comedies. But other movies reached a deeper level in subtly linking the war to American traditions and ideals. Sahara,1 Columbia Pictures' biggest money-maker in 1943, starring Humphrey Bogart in a finely understated performance, is such a motion picture. Students of American culture will find Sahara and its never-filmed predecessor script, "Trans-Sahara," artifacts especially useful in ex amining two phenomena: the process of government pressure on 0026-3079/81/2201-0005S01.50/0 5 movie studios to ensure that the "approved" war. -
Deception, Disinformation, and Strategic Communications: How One Interagency Group Made a Major Difference by Fletcher Schoen and Christopher J
STRATEGIC PERSPECTIVES 11 Deception, Disinformation, and Strategic Communications: How One Interagency Group Made a Major Difference by Fletcher Schoen and Christopher J. Lamb Center for Strategic Research Institute for National Strategic Studies National Defense University Institute for National Strategic Studies National Defense University The Institute for National Strategic Studies (INSS) is National Defense University’s (NDU’s) dedicated research arm. INSS includes the Center for Strategic Research, Center for Complex Operations, Center for the Study of Chinese Military Affairs, Center for Technology and National Security Policy, Center for Transatlantic Security Studies, and Conflict Records Research Center. The military and civilian analysts and staff who comprise INSS and its subcomponents execute their mission by conducting research and analysis, publishing, and participating in conferences, policy support, and outreach. The mission of INSS is to conduct strategic studies for the Secretary of Defense, Chairman of the Joint Chiefs of Staff, and the Unified Combatant Commands in support of the academic programs at NDU and to perform outreach to other U.S. Government agencies and the broader national security community. Cover: Kathleen Bailey presents evidence of forgeries to the press corps. Credit: The Washington Times Deception, Disinformation, and Strategic Communications: How One Interagency Group Made a Major Difference Deception, Disinformation, and Strategic Communications: How One Interagency Group Made a Major Difference By Fletcher Schoen and Christopher J. Lamb Institute for National Strategic Studies Strategic Perspectives, No. 11 Series Editor: Nicholas Rostow National Defense University Press Washington, D.C. June 2012 Opinions, conclusions, and recommendations expressed or implied within are solely those of the contributors and do not necessarily represent the views of the Defense Department or any other agency of the Federal Government. -
Death Drive in Outer Space
TIME AND TABOO: DEATH DRIVE IN OUTER SPACE Isabel Millar Heptapods and their discontents Psychoanalysis and psychoanalytic theory is often wrongly accused by those who do not care to take it seriously, of being a ‘humanism’ and therefore not capable of addressing the new conceptual challenges that the post-human, post-apocalyptic, post-Anthropocenic1 era may present us with. The persistent mischaracterization of psychoanalysis as somehow reducing grand theoretical, political and philosophical concerns into petty psychological questions of personal experience has meant that often the radical conceptual possibilities of psychoanalysis in both theory and praxis are missed. Having said that, the opportunities to put psychoanalysis to work outside its usual scope, even by those sympathetic to the psychoanalytic edifice, are often overlooked in favour of seemingly more well-suited theoretical frameworks2. This we see in the case of neuroscientific collaborations with AI companies for example under the auspices of Nick Bostrom’s Future of Humanity Institute, Elon Musk’s Neuralink, and the Blue Brain project among others. The challenge then is to push psychoanalysis beyond its comfortable realms and outside of the usual concerns with either the clinical subject or cultural critique of media objects and ask rather how may psychoanalysis become a tool with which we ask new theoretical questions that space travel and different modes of thought (including artificial and non-human) and their concomitant challenges presents the human subject with? Given its shared ability to engage the unconscious and allow us to experience (as dreams so often do) forms of time and space altering logic, often the way to approach these questions is through cinema. -
Diacronie, N° 29, 1 | 2017, « “Crash Test” » [Online], Messo Online Il 29 Mars 2017, Consultato Il 28 Septembre 2020
Diacronie Studi di Storia Contemporanea N° 29, 1 | 2017 “Crash test” Continuità, discontinuità, legami e rotture nelle dinamiche della storia contemporanea Redazione di Diacronie (dir.) Edizione digitale URL: http://journals.openedition.org/diacronie/4862 DOI: 10.4000/diacronie.4862 ISSN: 2038-0925 Editore Association culturelle Diacronie Notizia bibliografica digitale Redazione di Diacronie (dir.), Diacronie, N° 29, 1 | 2017, « “Crash test” » [Online], Messo online il 29 mars 2017, consultato il 28 septembre 2020. URL : http://journals.openedition.org/diacronie/4862 ; DOI : https://doi.org/10.4000/diacronie.4862 Questo documento è stato generato automaticamente il 28 settembre 2020. Creative Commons License 1 INDICE Nota introduttiva n. 29 – marzo 2017 Jacopo Bassi e Fausto Pietrancosta I. Articoli La Icaria di Étienne Cabet: un’utopia letteraria del XIX secolo José D’Assunção Barros Guerra e miniera in Toscana Il lavoro nel comparto lignitifero durante i due conflitti mondiali Giorgio Sacchetti Un oscuro protagonista dell’affaire Moro: Antonio Chichiarelli e il falso comunicato n. 7 Francesco Landolfi Un largo y sigiloso camino Espionaje e infiltración policial en el mundo estudiantil en la Argentina (1957-1972) Monica Bartolucci “Diplomacias y soberanía” Argentina y Gran Bretaña (1982-1989) Pablo Baisotti II. Tavola rotonda – Wikipedia e le scienze storiche Riflessioni sulla narrazione storica nelle voci di Wikipedia Tommaso Baldo Verso il sapere unico Nicola Strizzolo Dissoluzioni, parodie o mutamenti? Considerazioni sulla storia nelle pagine di Wikipedia Mateus H. F. Pereira Risposta a “Riflessioni sulla narrazione storica nelle voci di Wikipedia” Iolanda Pensa Wikipedia è poco affidabile? La colpa è anche degli esperti Cristian Cenci Danzica e le guerre wikipediane Qualche osservazione sulle edit wars Jacopo Bassi Considerazioni conclusive Riflessioni sulla narrazione storica nelle voci di Wikipedia Tommaso Baldo Diacronie, N° 29, 1 | 2017 2 III. -
Barbie Bake-Off and Risk Or Role the Apprentice Model? Documentary Pokémon Go Shorts
FEBRUARY 2017 ISSUE 59 POST-TRUTH RESEARCHING THE PAST BARBIE BAKE-OFF AND RISK OR ROLE THE APPRENTICE MODEL? DOCUMENTARY POKÉMON GO SHORTS MM59_cover_4_feb.indd 1 06/02/2017 14:00 Contents 04 Making the Most of MediaMag MediaMagazine is published by the English and Media 06 What’s the Truth in a Centre, a non-profit making Post-fact World? organisation. The Centre Nick Lacey explores the role publishes a wide range of of misinformation in recent classroom materials and electoral campaigns, and runs courses for teachers. asks who is responsible for If you’re studying English 06 gate-keeping online news. at A Level, look out for emagazine, also published 10 NW and the Image by the Centre. System at Work in the World Andrew McCallum explores the complexities of image and identify in the BBC television 30 16 adaptation of Zadie Smith’s acclaimed novel, NW. 16 Operation Julie: Researching the Past Screenwriter Mike Hobbs describes the challenges of researching a script for a sensational crime story forty years after the event. 20 20 Bun Fight: How The BBC The English and Media Centre 18 Compton Terrace Lost Bake Off to Channel 4 London N1 2UN and Why it Matters Telephone: 020 7359 8080 Jonathan Nunns examines Fax: 020 7354 0133 why the acquisition of Bake Email for subscription enquiries: Off may be less than a bun [email protected] in the oven for Channel 4. 25 Mirror, Mirror, on the Editor: Jenny Grahame Wall… Mark Ramey introduces Copy-editing: some of the big questions we Andrew McCallum should be asking about the Subscriptions manager: nature of documentary film Bev St Hill 10 and its relationship to reality. -
Vlearning Our Solar System
VLearning A VLearning Special Intellectual output Our Solar System The Moon Lesson Plan Thanks to Anica Trickovic NOT FOR SALE Constellation A Guide to Guide Small Bodies This website was produced by funding from the European Commission's Horizon 2020 Programme under grant agreement nº 638653 IThanks to E Twinning Scientix and Space Awareness/ LEARNING OUTCOMES Connection The Solar System, consists of the Sun as its central star, eight planets and During this activity, students play a game and learn the properties of different their moons plus dwarf planets. planets and their relative position in the Solar System. There are countless small bodies. (further information about these can be from the Visnjan Observatory, contact “Podrute” ). Small bodies can be anything from LEARNING OBJECTIVES something the size of a pebbles to the size of a dwarf planet like Pluto) and comets. • Students will be able to describe what the Solar System is. Planets, small bodies, asteroids, dwarf planets and comets all orbit the sun • Students will be able to describe the properties of different planets and The Earth is a very special planet because it is our home! The Earth is located classify them into rocky and gassy. about 150 million kilometres from the Sun, giving a temperature that is exactly right for liquid water to be present on the surface, This is called being located • Students will be able to name the planets and place them in order. in the “Goldilocks zone” and earth is the only planet which can have liquid water present on the surface. This proved crucial for the development of life! The Solar System is part of the Milky Way. -
The Disability Drive by Anna Mollow a Dissertation Submitted in Partial Satisfaction of the Requirements for the Degree of Docto
The Disability Drive by Anna Mollow A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Kent Puckett, Chair Professor Celeste G. Langan Professor Melinda Y. Chen Spring 2015 The Disability Drive © Anna Mollow, 2015. 1 Abstract The Disability Drive by Anna Mollow Doctor of Philosophy in English University of California Berkeley Professor Kent Puckett, Chair This dissertation argues that the psychic force that Freud named “the death drive” would more precisely be termed “the disability drive.” Freud‟s concept of the death drive emerged from his efforts to account for feelings, desires, and actions that seemed not to accord with rational self- interest or the desire for pleasure. Positing that human subjectivity was intrinsically divided against itself, Freud suggested that the ego‟s instincts for pleasure and survival were undermined by a competing component of mental life, which he called the death drive. But the death drive does not primarily refer to biological death, and the term has consequently provoked confusion. By distancing Freud‟s theory from physical death and highlighting its imbrication with disability, I revise this important psychoanalytic concept and reveal its utility to disability studies. While Freud envisaged a human subject that is drawn, despite itself, toward something like death, I propose that this “something” can productively be understood as disability. In addition, I contend that our culture‟s repression of the disability drive, and its resultant projection of the drive onto stigmatized minorities, is a root cause of multiple forms of oppression. -
Politics and Metaphysics in Three Novels of Philip K. Dick
EUGÊNIA BARTHELMESS Politics and Metaphysics in Three Novels of Philip K. Dick Dissertação apresentada ao Curso de Pós- Graduação em Letras, Área de Concentra- ção Literaturas de Língua Inglesa, do Setor de Ciências Humanas, Letras e Artes da Universidade Federai do Paraná, como requisito parcial à obtenção do grau de Mestre. Orientadora: Prof.3 Dr.a BRUNILDA REICHMAN LEMOS CURITIBA 19 8 7 OF PHILIP K. DICK ERRATA FOR READ p -;2011 '6:€h|j'column iinesllll^^is'iiearly jfifties (e'jarly i fx|fties') fifties); Jl ' 1 p,.2Ò 6th' column line 16 space race space race (late fifties) p . 33 line 13 1889 1899 i -,;r „ i i ii 31 p .38 line 4 reel."31 reel • p.41 line 21 ninteenth nineteenth p .6 4 line 6 acien ce science p .6 9 line 6 tear tears p. 70 line 21 ' miliion million p .72 line 5 innocence experience p.93 line 24 ROBINSON Robinson p. 9 3 line 26 Robinson ROBINSON! :; 1 i ;.!'M l1 ! ! t i " i î : '1 I fi ' ! • 1 p .9 3 line 27 as deliberate as a deliberate jf ! •! : ji ' i' ! p .96 lin;e , 5! . 1 from form ! ! 1' ' p. 96 line 8 male dis tory maledictory I p .115 line 27 cookedly crookedly / f1 • ' ' p.151 line 32 why this is ' why is this I 1; - . p.151 line 33 Because it'll Because (....) it'll p.189 line 15 mourmtain mountain 1 | p .225 line 13 crete create p.232 line 27 Massachusetts, 1960. Massachusetts, M. I. T.