10. Freyr, Heorot and the Hunt for the Solar Stag
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The Waning Sword E Conversion Imagery and Celestial Myth in Beowulf DWARD The Waning Sword Conversion Imagery and EDWARD PETTIT P The image of a giant sword mel� ng stands at the structural and thema� c heart of the Old ETTIT Celestial Myth in Beowulf English heroic poem Beowulf. This me� culously researched book inves� gates the nature and signifi cance of this golden-hilted weapon and its likely rela� ves within Beowulf and beyond, drawing on the fi elds of Old English and Old Norse language and literature, liturgy, archaeology, astronomy, folklore and compara� ve mythology. In Part I, Pe� t explores the complex of connota� ons surrounding this image (from icicles to candles and crosses) by examining a range of medieval sources, and argues that the giant sword may func� on as a visual mo� f in which pre-Chris� an Germanic concepts and prominent Chris� an symbols coalesce. In Part II, Pe� t inves� gates the broader Germanic background to this image, especially in rela� on to the god Ing/Yngvi-Freyr, and explores the capacity of myths to recur and endure across � me. Drawing on an eclec� c range of narra� ve and linguis� c evidence from Northern European texts, and on archaeological discoveries, Pe� t suggests that the T image of the giant sword, and the characters and events associated with it, may refl ect HE an elemental struggle between the sun and the moon, ar� culated through an underlying W myth about the the� and repossession of sunlight. ANING The Waning Sword: Conversion Imagery and Celesti al Myth in Beowulf is a welcome contribu� on to the overlapping fi elds of Beowulf-scholarship, Old Norse-Icelandic literature and Germanic philology. Not only does it present a wealth of new readings that shed light on the cra� of the Beowulf-poet and inform our understanding of the poem’s S major episodes and themes; it further highlights the merits of adop� ng an interdisciplinary WORD approach alongside a compara� ve vantage point. As such, The Waning Sword will be compelling reading for Beowulf-scholars and for a wider audience of medievalists. As with all Open Book publica� ons, this en� re book is available to read for free on the publisher’s website. Printed and digital edi� ons can also be found at www.openbookpublishers.com Cover image: Freyr, adapted from an illustrati on by Johannes Gehrts (1855-1921), public domain, htt ps://commons.wikimedia.org/wiki/File:Freyr_by_Johannes_Gehrts.jpg Cover design: Anna Gatti book ebooke and OA edi� ons also available OPEN ACCESS www.openbookpublishers.com EDWARD PETTIT OBP https://www.openbookpublishers.com © 2020 Edward Pettit This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: Edward Pettit, The Waning Sword: Conversion Imagery and Celestial Myth in Beowulf. Cambridge, UK: Open Book Publishers, 2020, https://doi.org/10.11647/OBP.0190 In order to access detailed and updated information on the license, please visit https://doi. org/10.11647/OBP.0190#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/ by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Digital material and resources associated with this volume are available at https://doi. org/10.11647/OBP.0190#resources Some of the images have been reproduced at 72 dpi in the digital editions of this book due to copyright restrictions. Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. ISBN Paperback: 978-1-78374-827-3 ISBN Hardback: 978-1-78374-828-0 ISBN Digital (PDF): 978-1-78374-829-7 ISBN Digital ebook (epub): 978-1-78374-830-3 ISBN Digital ebook (mobi): 978-1-78374-831-0 ISBN Digital (XML): 978-1-78374-832-7 DOI: 10.11647/OBP.0190 Cover image: Freyr, adapted from an illustration by Johannes Gehrts (1855-1921). Wikimedia, Public Domain, https://commons.wikimedia.org/wiki/File:Freyr_by_Johannes_Gehrts.jpg Cover design by Anna Gatti. 10. Freyr, Heorot and the Hunt for the Solar Stag Freyr’s solar aspect informs his association with the stag, which he shares with Hroðgar chiefly through the latter’s rulership of the hall Heorot ‘Hart’. The present chapter explores this commonality, the existence of which increases the likelihood that swords wielded by Freyr and Hroðgar and their chief agents (Skírnir, Unferð and Beowulf) similarly have a solar aspect. I also examine in detail northern myths about the hunting of the sun by giant lupine creatures (and a small- looking dog), at least some of which have a lunar nature. By the end of this study, these celestial myths will, I hope, be seen to have an important bearing on the interpretation of Grendel’s wolfish mother, her predatory son and their possession of the giant sword. The myths I examine in this chapter appear broadly comparable to a stag-hunting passage found immediately before Beowulf’s discovery of the giant sword and beheading of the giants. Wordplay in this passage hints, I suggest, at the presence in the mere of the giant sword, and that the predatory giants had seized and kept it there wrongly. Freyr, Beli and the Hart’s Horn Gylfaginning records that after giving his sword to Skírnir, Freyr was vápnlauss er hann barðisk við Belja ok drap hann með hjartar horni ‘weaponless when he fought against Beli and he [i.e., Freyr] slew him with a hart’s horn’.1 Although Freyr is not explicitly cervine here, this was possibly originally a myth in which he and the giant Beli ‘Bellower(?)’ fought each other as antlered stags during the rut,2 when male deer bellow and 1 SnEGylf, 31. 2 Tolley, Shamanism, I, 543–4. © Edward Pettit, CC BY 4.0 https://doi.org/10.11647/OBP.0190.10 236 The Waning Sword lock antlers to deter rivals from their chosen females. If so, Freyr and Beli perhaps fought over a hind.3 Since Vǫluspá describes Beli’s slayer as bjartr ‘bright’, we have reason to think that Freyr’s solar aspect was prominent in this battle. His ‘hart’s horn’—his sword-substitute— would then probably be a solar antler, perhaps the very one we shall meet in Chapter 13. Heorot, the Hart-Hall Hroðgar is associated with a stag not only because he rules the hall called Heorot, but also because, as we have seen, he is implicitly identified with Heorot: he is the eodor Ingwina ‘shelter of the Ing-friends’ (1044). Furthermore, it is not only the hall’s name that suggests an antlered stag. The hall is also described as horngeap ‘horn-curved’ (Beowulf 82) and a hornreced ‘horn-house’ (704)—terms usually assumed to refer to gables.4 Additionally, the hall has a muþa ‘mouth’ (i.e., door) (724). It is easy to imagine Heorot decorated by tapestries or carvings representing deer, like the carvings which adorn the twelfth-century Urnes stave church in Norway.5 Additionally, there is reason to think that Heorot may have been surmounted by antlers, like the palace of the giant-slaying King David illustrated in the ninth-century Utrecht Psalter,6 a work thought to have been made near Reims c. 820 but which was in Canterbury by 1000. In the Utrecht Psalter this striking detail is doubtless the illustrator’s 3 Later in this study I propose a curious equivalence between certain stags and certain dwarves, creatures related to giants. 4 See R. Cramp, ‘The Hall in Beowulf and in Archaeology’, in H. Damico and J. Leyerle (ed.), Heroic Poetry in the Anglo-Saxon Period: Studies in Honor of Jess B. Bessinger, Jr. (Kalamazoo, 1993), 331–46 at 339. It is uncertain whether the description of Heorot as banfag ‘bone-adorned’ (780) refers to antler; see KB, 162. 5 See D. Lindholm and W. Roggenkamp, Stave Churches in Norway: Dragon Myth and Christianity in Old Norwegian Architecture (London, 1969), pl. 26, 28, 29. Bishop Aldhelm of Sherborne (died 709) reported that West Saxon Christian learning was conducted in buildings on the site of pagan shrines where small pillars of snake and stag (cervulusque) had once been worshipped; see HG, 51. 6 Folio 65v, http://psalter.library.uu.nl/page?p=137&res=2&x=0&y=0. See also the derived illustration in the early eleventh-century Harley Psalter: London, British Library MS Harley 603, fol. 57v; http://www.bl.uk/manuscripts/Viewer. aspx?ref=harley_ms_603_fs001r. In Norse mythology, a stag called Eikþyrnir ‘Oak- Thorned One’/‘Oak-Antlered One’ stood on the hall of Óðinn (Grímnismál 26), a god who shares more than one attribute with Freyr. 10. Freyr, Heorot and the Hunt for the Solar Stag 237 interpretation of the words cornu eius exaltabitur in gloria ‘his horn will be exalted in glory’ in Psalm 111:9. Other details in the same illustration are curiously suggestive of Beowulf. Near David’s palace is a tree-bordered Hell, in which a devil armed with a trident stands before a group of flinching spearmen. The devil looks over his shoulder at three beggars next to him, who approach David in single file to request alms.