IN PERSON • NOVEMBER 19, 2021 Session 4 – Friday
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Actographe 2018-2.Pdf
35 Actographe, 2018, n° 2 (3) Revue de sciences humaines, sociales et politiques : Arts, Langages et Frontières Review of human, social and political sciences: Arts, Languages and Borders Revue scientifique plurilingue à comité de lecture Périodique, édition électronique www.actographe.eu Rédacteur en chef : David Krasovec. Comité rédactionnel : Margarita Loyevskaya (Moscou), Elena Pevak (Moscou), Alexandra Krasovec (Moscou). Comité scientifique : Annick Morard (Genève), Katja Šmid (Madrid), Nadja Furlan Śtante (Ljubljana), Jerca Kramberger Škerl (Ljubljana), Asli Aksoy (Erlangen). ISSN 2490-9459 © Actographe. Copyright sur l’intégralité des éléments de ce numéro, sauf mention contraire. TABLE DES MATIERES Articles 263 СОФИЯ МИНАСЯН [SOFIIA MINASIAN] Эволюция гротескного восприятия мира в европейской культуре 291 EKATERINA КOMAROVA L’ekphrasis en tant qu’élément constitutif de l’œuvre littéraire de Joris-Karl Huysmans 309 ВЕРА СОРОКИНА [VERA SOROKINA] Специфика жанровой формы «повесть» в современной азербайджанской русскоязычной литературе 325 ANASTASIA DANILOCHKINA Le peintre soviétique Victor Popkov récompensé à la Ve Biennale de Paris en 1967 Point de vue 357 DAVID KRASOVEC 1917 : post-scriptum София МИНАСЯН [Russie, Sofiia MINASIAN] Эволюция гротескного восприятия мира в европейской культуре За время существования гротеск во всех формах художественного изображения являл себя в различных ипостасях в зависимости от социально-духовного контекста соответствующей эпохи. Между тем все этапы развития гротеска объединяет сущностное единство, -
Dialectics of Sin: Snokhachestvo Incest in Maxim Gorky's Fiction
CONTINENTAL THOUGHT & THEORY: A JOURNAL OF INTELLECTUAL FREEDOM Thinking Sin: Contemporary Acts and Sensibilities Volume 3 | Issue 2: Thinking Sin 123-142 | ISSN: 2463-333X Dialectics of Sin: snokhachestvo Incest in Maxim Gorky’s Fiction Henrietta Mondry Russian literature famously contributed to thinking about sin in the works of its most celebrated writers, such as Fyodor Dostoevsky and Leo Tolstoy, dubbed as “Russian thinkers” to denote their contribution to moral, philosophical, and psychological thought.1 Dostoevsky explored the problem of sin and crime in Crime and Punishment, and in his last most philosophical novel, The Brothers Karamazov (1880), he even posited the problem of the hereditary nature of sin with its focus on the family. Leo Tolstoy also explored the relations between sin, crime and evil within the family, notably in his play The Power of Darkness (1886) that controversially depicted the Russian peasant family as home to criminal and sinful acts of incest and murder. So powerful was Tolstoy’s indictment that the play was forbidden to be staged till 1902. My present investigation focuses of the work of another celebrated classic of Russian literature, Maxim Gorky (1868-1936), whose contribution to thinking about sin/crime in relation to the workings of the Russian family has not been fully explored. In particular, his stories reveal a preoccupation with the theme of father and daughter-in-law incest, in direct relation to the notion of sin in Judeo-Christian tradition. Writing on the topic of sin and evil in European literature, Ronald Paulson has noted that topics of sin in literature often relate to transgressions of sexual prohibitions set out in Leviticus in the Old Testament (Hebrew Bible).2 Paulson uses the writings of the French philosopher Paul Ricoeur who maintains in his The Symbolism of Evil, that “sin does not so much signify a harmful substance” but rather a violated personal relation to God, a violation of a religious bond, of a contract with the deity himself (p. -
THE TWILIGHT of IMPERIAL RUSSIA
THE TWILIGHT of IMPERIAL RUSSIA Richard Charques OXFORD UNIVERSITY PRESS LONDON OXFORD NEW YORK ©Richard Charques 1958 First published 1958 First issued as an Oxford University Press paperback, 1965 printing, last digit: 10 Printed in the United States of America Contents List of Maps6 6 Preface7 7 1. Russia at the Accession of Nicholas II 11 2. The Heritage and the Heir 48 3. The Hungry Village 59 4. The Industrial Proletariat 16 5. War on Two Fronts 88 6. The Revolutionary Year 1905 111 7. A Demi-Semi-Constitutional Monarchy 140 8. Necessities of State 158 9. For the Sober and the Strong 175 10. On the Eve of World War 190 11. Defeat and Dissolution 211 The Bolshevik Epilogue 242 Bibliography25 251 Index 253 Maps The provinces of European Russia is The Russian Empire: Communications and principal towns and industrial centres in the early years of the twentieth century 34-5 The Far Eastern theatre of war, 19O4-5 97 The Eastern Front, 1914-15 214 To KB. in memory Preface Since the reign of the last of the Romanov tsars is a classic testing- ground of Marxist theory, it is more than ordinarily vain to look to Soviet historians for the objective account of the period which, counsel of perfection though it may be, still represents the normal ideal of western historiography. In this narrative history of the reign I have pursued no special thesis nor subscribed to any par- ticular doctrine of historical causation. I have kept to the limits of the reign, adding only by way of balance to the introductory survey of the condition of Russia at the accession a short epilogue on the logic of events between the fall of the monarchy and the Bolshevik seizure of power. -
Women in Nineteenth-Century Russia: Lives and Culture
To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/98 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Wendy Rosslyn is Emeritus Professor of Russian Literature at the University of Nottingham, UK. Her research on Russian women includes Anna Bunina (1774-1829) and the Origins of Women’s Poetry in Russia (1997), Feats of Agreeable Usefulness: Translations by Russian Women Writers 1763- 1825 (2000) and Deeds not Words: The Origins of Female Philantropy in the Russian Empire (2007). Alessandra Tosi is a Fellow at Clare Hall, Cambridge. Her publications include Waiting for Pushkin: Russian Fiction in the Reign of Alexander I (1801-1825) (2006), A. M. Belozel’skii-Belozerskii i ego filosofskoe nasledie (with T. V. Artem’eva et al.) and Women in Russian Culture and Society, 1700-1825 (2007), edited with Wendy Rosslyn. Women in Nineteenth-Century Russia: Lives and Culture Edited by Wendy Rosslyn and Alessandra Tosi Open Book Publishers CIC Ltd., 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com © 2012 Wendy Rosslyn and Alessandra Tosi Some rights are reserved. This book is made available under the Creative Commons Attribution-Non-Commercial-No Derivative Works 2.0 UK: England & Wales License. This license allows for copying any part of the work for personal and non-commercial -
The Emergence of Literary Ethnography in the Russian Empire: from the Far East to the Pale of Settlement, 1845-1914 by Nadezda B
THE EMERGENCE OF LITERARY ETHNOGRAPHY IN THE RUSSIAN EMPIRE: FROM THE FAR EAST TO THE PALE OF SETTLEMENT, 1845-1914 BY NADEZDA BERKOVICH DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Slavic Languages and Literature in the Graduate College of the University of Illinois at Urbana-Champaign, 2016 Urbana, Illinois Doctoral Committee: Professor Harriet Murav, Chair and Director of Research Associate Professor Richard Tempest Associate Professor Eugene Avrutin Professor Michael Finke ii Abstract This dissertation examines the intersection of ethnography and literature in the works of two Russian and two Russian Jewish writers and ethnographers. Fyodor Dostoevsky, Vladimir Korolenko, Vladimir Bogoraz, and Semyon An-sky wrote fiction in the genre of literary ethnography. This genre encompasses discursive practices and narrative strategies in the analysis of the different peoples of the Russian Empire. To some extent, and in some cases, these authors’ ethnographic works promoted the growth of Russian and Jewish national awareness between 1845 and 1914. This dissertation proposes a new interpretive model, literary ethnography, for the study of the textualization of ethnic realities and values in the Russian Empire in the late nineteenth-century. While the writers in question were aware of the ethnographic imperial discourses then in existence, I argue that their works were at times in tune with and reflected the colonial ambitions of the empire, and at other times, contested them. I demonstrate that the employment of an ethnographic discourse made possible the incorporation of different voices and diverse cultural experiences. My multicultural approach to the study of the Russian people, the indigenous peoples of the Russian Far East, and the Jews of Tsarist Russia documents and conceptualizes the diversity and multi-voicedness of the Russian Empire during the late nineteenth and early twentieth centuries. -
2020 Convention Program.Pdf
aseees Association for Slavic, East European, & Eurasian Studies 2020 ASEEES VIRTUAL CONVENTION Nov. 5-8 • Nov. 14-15 ASSOCIATION FOR SLAVIC, EAST EUROPEAN, & EURASIAN STUDIES 52nd Annual ASEEES Convention November 5-8 and 14-15, 2020 Convention Theme: Anxiety & Rebellion The 2020 ASEEES Annual Convention will examine the social, cultural, and economic sources of the rising anxiety, examine the concept’s strengths and limitations, reconstruct the politics driving anti- cosmopolitan rebellions and counter-rebellions, and provide a deeper understanding of the discourses and forms of artistic expression that reflect, amplify or stoke sentiments and motivate actions of the people involved. Jan Kubik, President; Rutgers, The State U of New Jersey / U College London 2020 ASEEES Board President 3 CONVENTION SPONSORS ASEEES thanks all of our sponsors whose generous contributions and support help to promote the continued growth and visibility of the Association during our Annual Convention and throughout the year. PLATINUM SPONSORS: Cambridge University Press GOLD SPONSOR: East View information Services SILVER SPONSOR: Indiana University, Robert F. Byrnes Russian and East European Institute BRONZE SPONSORS: Baylor University, Modern Languages and Cultures | Communist and Post-Communist Studies by University of California Press | Open Water RUSSIAN SCHOLAR REGISTRATION SPONSOR: The Carnegie Corporation of New York FILM SCREENING SPONSOR: Arizona State University, The Melikian Center: Russian, Eurasian and East European Studies FRIENDS OF ASEEES: -
Exemplary Bodies: Constructing the Jew in Russian Culture, Since the 1880S BORDERLINES: RUSSIAN and EAST EUROPEAN – JEWISH STUDIES
Exemplary Bodies: Constructing the Jew in Russian Culture, since the 1880s BORDERLINES: RUSSIAN AND EAST EUROPEAN – JEWISH STUDIES Editorial board: Mikhail Krutikov (University of Michigan) Harriet Murav (University of Illinois, Urbana-Champaign), Series Editor Alice Nakhimovsky (Colgate University) David Shneer (University of Denver) Anna Shternshis (University of Toronto) Exemplary Bodies: Constructing the Jew in Russian Culture, since the 1880s by Henrietta Mondry Boston 2010 Library of Congress Cataloging-in-Publication Data Mondry, Henrietta. Exemplary Bodies : constructing the Jew in Russian culture since the 1880s / by Henrietta Mondry. p. cm.—(Borderlines: Russian and East European Jewish studies) Includes bibliographical references and index. ISBN 978-1-934843-39-0 (hardback) ISBN 978-1-618110-26-8 (electronic) 1. Jews in popular culture—Russia (Federation) 2. Human body in popular culture— Russia (Federation) 3. Body image—Social aspects—Russia (Federation) 4. Russian literature—History and criticism. 5. Russia (Federation)—Intellectual life. 6. Russia (Federation)—Ethnic relations. I. Title. DS134.83.M66 2009 305.892'4047—dc22 2009026734 Copyright © 2009 Academic Studies Press. All rights reserved Effective November 11th, 2016, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. On the cover: Marc Chagall. The Red Jew (a fragment). 1915 © 2010 Artists Rights Society (ARS), New York / ADAGP, Paris Cover design by Ivan Grave Published by Academic Studies Press in 2010 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com “In a moment of tenderness my wife tells me that I look like a Viking, but it is flattery: another Jew, Kirk Douglas, plays Vikings in Hollywood” Alexander Melikhov. -
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ILCEA, 36 | 2019, « Représentations De La Révolution De 1917 En Russie Contemporaine » [En Ligne], Mis En Ligne Le 20 Juin 2019, Consulté Le 08 Octobre 2020
ILCEA Revue de l’Institut des langues et cultures d'Europe, Amérique, Afrique, Asie et Australie 36 | 2019 Représentations de la révolution de 1917 en Russie contemporaine Isabelle Després (dir.) Édition électronique URL : http://journals.openedition.org/ilcea/6668 DOI : 10.4000/ilcea.6668 ISSN : 2101-0609 Éditeur UGA Éditions/Université Grenoble Alpes Édition imprimée ISBN : 978-2-37747-096-9 ISSN : 1639-6073 Référence électronique Isabelle Després (dir.), ILCEA, 36 | 2019, « Représentations de la révolution de 1917 en Russie contemporaine » [En ligne], mis en ligne le 20 juin 2019, consulté le 08 octobre 2020. URL : http:// journals.openedition.org/ilcea/6668 ; DOI : https://doi.org/10.4000/ilcea.6668 Ce document a été généré automatiquement le 8 octobre 2020. © ILCEA 1 Les textes réunis dans ce numéro font suite au colloque « Construction et déconstruction d’une mémoire de la révolution de 1917 en Russie contemporaine » qui s’est tenu à l’Université Grenoble Alpes en octobre 2017. Le recueil s’intéresse à plusieurs types de représentations artistiques (théâtre, peinture, musique, littérature), mais aussi historique et juridique, de la révolution. La notion de mémoire collective, conceptualisée par Maurice Halbwachs, sert de fil conducteur. Cette mémoire varie selon les époques, depuis la sacralisation de la révolution comme élément fondateur, et sa mythification au début de l’époque soviétique, jusqu’à sa diabolisation dans les premières années post-soviétiques. Aujourd’hui, le relatif silence qui a accompagné en Russie le centenaire de la révolution laisse penser que le consensus nécessaire à la mémoire historique d’une société apaisée est loin d’être atteint. -
The Real Face of Russia
THE REAL FACE OF RUSSIA ESSAYS AND ARTICLES UKRAINIAN INFORMATION SERVICE THE REAL FACE OF RUSSIA THE REAL FACE OF RUSSIA ESSAYS AND ARTICLES EDITED BY VOLODYMYR BOHDANIUK, B.A., B.Litt. UKRAINIAN INFORMATION SERVICE LONDON 1967 PUBLISHED BY UKRAINIAN INFORMATION SERVICE 200, Liverpool Rd., London, N.l. 1967 Printed in Great Britain by Ukrainian Publishers Limited, 200, Liverpool Rd., London, N.l. Tel. 01-607-6266/7 CONTENTS Page PREFACE ................................................................................................. 7 THE SPIRIT OF RUSSIA by Dr. Dmytro Donzow .............................................. 9 ON THE PROBLEM OF BOLSHEVISM by Evhen M alaniuk ...................................................... 77 THE RUSSIAN HISTORICAL ROOTS OF BOLSHEVISM by Professor Yuriy Boyko .............................................. 129 THE ORIGIN AND DEVELOPMENT OF RUSSIAN IMPERIALISM by Dr. Baymirza H ayit .............................................. 149 BOLSHEVISM AND INTERNATIONALISM by Olexander Yourchenko ..................................... 171 THE “SCIENTIFIC” CHARACTER OF DIALECTICAL MATERIALISM by U. Kuzhil ............................................................... 187 THE HISTORICAL NECESSITY OF THE DISSOLUTION OF THE RUSSIAN EMPIRE by Prince Niko Nakashidze ..................................... 201 UKRAINIAN LIBERATION STRUGGLE by Professor Lev Shankowsky ............................. 211 THE ROAD TO FREEDOM AND THE END OF FEAR by Jaroslav Stetzko ...................................................... 233 TWO -
Forms of the Peasant: Aesthetics and Social Thought in Russian Realism, 1847-1877
Forms of the Peasant: Aesthetics and Social Thought in Russian Realism, 1847-1877 by Jennifer Jean Flaherty A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Slavic Languages and Literatures in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Irina Paperno, Chair Professor Luba Golburt Professor Victoria Frede Spring 2019 Forms of the Peasant: Aesthetics and Social Thought in Russian Realism, 1847-1877 © 2019 By Jennifer Jean Flaherty Abstract Forms of the Peasant: Aesthetics and Social Thought in Russian Realism, 1847-1877 by Jennifer Jean Flaherty Doctor of Philosophy in Slavic Languages and Literatures University of California, Berkeley Professor Irina Paperno, Chair At the center of this dissertation’s inquiry is Russian realism’s construction of what I call “the form of the peasant.” Created by writers, this mythic image emerged in tandem with the movement’s signature formal innovations in narrative perspective, poetic voice, and descriptive style. It also gave shape to the very ideas of history, national identity, subjectivity, and language which defined Russian realism as a literary movement. The three chapters approach several major texts – Ivan Turgenev’s Zapiski okhotnika [Notes from a Hunter] (1847-1852), Lev Tolstoy’s “Utro pomeshchika” (1852-1856) and Anna Karenina (1874-1877), and Nikolai Nekrasov’s Komu na Rusi zhit’ khorosho [Who in Russia Can Live well] (1866-1877) – from a historical and formalist perspective, offering a history of realist forms in the social and intellectual context from which they emerge and to which they contribute. Close readings of narrative and poetic teXts are performed alongside analyses of a range of theoretical texts that are central to Russian social thought in the mid-nineteenth century, including works by Vissarion Belinsky, Nikolai Chernyshevsky, Nikolai Dobroliubov, Alexander Potebnia, and G. -
Artist Biography
MARINELLA SENATORE ARTIST BIOGRAPHY Marinella Senatore (Italy, 1977). Lives and works in Rome and Paris. Trained in music, fine arts and film, Senatore is a multi-disciplinary artist and her practice is characterized by a strong collective and participatory dimension. Senatore’s work merges forms of resistance, vernacular and popular culture, dance and music, mass events and activism, rethinking the political nature of collective formations (“Assembly”) and enable the public to generate a potential for social change. Intertwining with the artist’s personal autographical experiences and collective shared narratives, her practice encompasses collage, performance, sculpture, photography and video. In 2013 she found The School of Narrative Dance, a nomadic, free of charge school focused on non-hierarchical learning and emancipation. The multidisciplinary school, conceived as alternative training ground, is characterized by free workshops engaging local groups and by public energetic, soulful processions, where the artist and participants together orchestrate narratives, tracing new connection between contemporary relations. Her work has been exhibited widely throughout Italy and With the upmost honour, Senatore is the winner of the 4t abroad, including: h edition of Italian Council (2018) of the Directorate-General for Contemporary Art and Architecture and Urban Peripheries MANIFESTA 12, Palermo; Centre Pompidou, Paris; MAXXI (DGAAP) that will result a unique collaboration with Castello Museum, Rome; Queens Museum, NY; Kunsthaus Zurich; di Rivoli Museo d’Arte Contemporanea, Turin and IZIKO South Castello di Rivoli, Turin; Kunsthalle, Sankt Gallen; Palais African National Gallery, Cape Town in 2019. de Tokyo, Paris; Schirn Kunsthalle, Frankfurt; Museum of Contemporary Art, Chicago; Museum of Contemporary Art, In 2017, the artist was awarded with the International Art Santa Barbara; High Line, NY; Madre Museum, Naples; Les Grant in Dresden, Germany including a residency program. -
Journal of the American Historical Society of Germans from Russia
Journal Of the American Historical Society of Germans From Russia Vol. 7, No. 3 Fall 1984 TABLE OF CONTENTS REDACTIONS: THE EDITOR'S PAGE ....................................………………………………….......... i THE RETURN Timothy J. Kloberdanz ................................................…………………………………………..... ii LAST GLIMPSES OF HOME: A TRIP TO THE FORMER VOLGA GERMAN VILLAGE Rosalinda A. Kloberdam .......................................……………………………………………............... 1 THE FATE OF THE VOLGA GERMANS IN BRAZIL Matthias Hagin, translated by Adam Giesinger ........................……………………………........... 9 A WALL PLAQUE WITH A HISTORY Esther Hiebert Ebel ...............................................………………………………………….......... 14 FOLKLORE FORUM: MENNONITE TRADITIONS FROM KANSAS: MEDICAL AND DENTAL SERVICES; COURTING AND WEDDINGS Solomon L. Loewen .................................................…………………………………………........ 15 WE SING OUR HISTORY Lawrence A. Weigel .................................................………………………………………………....... 24 THE AUTOBIOGRAPHY OF PETER SINNER Translated by Adam Giesinger .................................…………………………………………............. 26 IN THE WAKE OF THE GERMAN ARMY ON THE EASTERN FRONT 1941-1942 Reports by Karl Stumpp, translated by Adam Giesinger .......……………………………................. 33 BOOK REVIEW: ABRAM J. LOEWEN, . IMMER WEITER NACH OSTEN Reviewed by Harry Loewen .............................……………………………………………................... 38 On the cover: Catholic churchgoers emerging from their meeting-house in Frank, Volga region,