The Real Face of Russia
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Behind the Mask the Real Face of Corporate Social Responsibility Contents Christian Aid/Liz Stuart
Behind the mask The real face of corporate social responsibility Contents Christian Aid/Liz Stuart Above: People from communities living around Coca-Cola’s bottling plant in Kerala, India, protesting about the company’s use of their ground water. Front cover: A Shell oil spill in Ogoni. Loveday Fomsi looks into a polluted stream, formerly a source of drinking water. Front cover photo: Sophia Evans/NB Pictures Behind the mask: The real face of CSR 1 Section 1 Unmasking CSR 4 Section 2 Sustained misery: Shell in the Niger Delta 22 Hooked on tobacco: BAT in Kenya 34 Living its values: Coca-Cola in India 44 Section 3 From CSR to corporate social accountability 50 Notes 60 Behind the mask The real face of CSR ‘We have lived so long at the mercy of uncontrolled economic forces, that we have become sceptical about any plan for human emancipation. Such a rational and deliberate reorganisation of our economic life would enable us, out of the increased wealth production, to establish an irreducible minimum standard which might progressively be raised to one of comfort and security.’ Lord Harold Macmillan, UK Prime Minister 1957-631 All day a steady file of people make their way up and Sadly, this story of failure is not new. In 1990, when 1 down the potholed main road running through the country was under military rule, local young Umuechem, going to and from a polluted stream people mounted a protest about the lack of such that is now their only source of water. Large trucks facilities. Shell called in the police, most of the thunder by at regular intervals, on their way to and town was burned to the ground and 80 people from the oil pumping station on the outskirts of were killed. -
Hyper-Realistic Face Masks: a New Challenge in Person Identification
Sanders et al. Cognitive Research: Principles and Implications (2017) 2:43 Cognitive Research: Principles DOI 10.1186/s41235-017-0079-y and Implications ORIGINAL ARTICLE Open Access Hyper-realistic face masks: a new challenge in person identification Jet Gabrielle Sanders1*, Yoshiyuki Ueda2, Kazusa Minemoto2, Eilidh Noyes1, Sakiko Yoshikawa2 and Rob Jenkins1 Abstract We often identify people using face images. This is true in occupational settings such as passport control as well as in everyday social environments. Mapping between images and identities assumes that facial appearance is stable within certain bounds. For example, a person’s apparent age, gender and ethnicity change slowly, if at all. It also assumes that deliberate changes beyond these bounds (i.e., disguises) would be easy to spot. Hyper-realistic face masks overturn these assumptions by allowing the wearer to look like an entirely different person. If unnoticed, these masks break the link between facial appearance and personal identity, with clear implications for applied face recognition. However, to date, no one has assessed the realism of these masks, or specified conditions under which they may be accepted as real faces. Herein, we examined incidental detection of unexpected but attended hyper- realistic masks in both photographic and live presentations. Experiment 1 (UK; n = 60) revealed no evidence for overt detection of hyper-realistic masks among real face photos, and little evidence of covert detection. Experiment 2 (Japan; n = 60) extended these findings to different masks, mask-wearers and participant pools. In Experiment 3 (UK and Japan; n = 407), passers-by failed to notice that a live confederate was wearing a hyper-realistic mask and showed limited evidence of covert detection, even at close viewing distance (5 vs. -
Women's Life During the Chosŏn Dynasty
International Journal of Korean History(Vol.6, Dec.2004) 113 Women’s Life during the Chosŏn Dynasty Han Hee-sook* 1 Introduction The Chosŏn society was one in which the yangban (aristocracy) wielded tremendous power. The role of women in this society was influenced greatly by the yangban class’ attempts to establish a patriarchal family order and a Confucian-based society. For example, women were forced, in accordance with neo-Confucian ideology, to remain chaste before marriage and barred from remarrying once their husbands had passed away. As far as the marriage system was concerned, the Chosŏn era saw a move away from the old tradition of the man moving into his in-laws house following the wedding (男歸女家婚 namgwiyŏgahon), with the woman now expected to move in with her husband’s family following the marriage (親迎制度 ch΄inyŏng jedo). Moreover, wives were rigidly divided into two categories: legitimate wife (ch΄ŏ) and concubines (ch΄ŏp). This period also saw a change in the legal standing of women with regards to inheritance, as the system was altered from the practice of equal, from a gender standpoint, rights to inheritance, to one in which the eldest son became the sole inheritor. These neo-Confucianist inspired changes contributed to the strengthening of the patriarchal system during the Chosŏn era. As a result of these changes, Chosŏn women’s rights and activities became increasingly restricted. * Professor, Dept. of Korean History, Sookmyung Women’s University 114 Women’s Life during the Chosŏn Dynasty During the Chosŏn dynasty women fell into one of the following classifications: female members of the royal family such as the queen and the king’s concubines, members of the yangban class the wives of the landed gentry, commoners, the majority of which were engaged in agriculture, women in special professions such as palace women, entertainers, shamans and physicians, and women from the lowborn class (ch’ŏnin), which usually referred to the yangban’s female slaves. -
Russian Rap in the Era of Vladimir Putin
CHAPTER 3 RUS SIAN RAP IN THE ERA OF VLADIMIR PUTIN Philip Ewell T has always held a special place in the hearts of Rus sians. From the poetry recitations by Evgeny Evtushenko in the s that lled stadiums to the inspired lyr ics of Rus sian bards like Vladimir Vysotsky, Rus sians have sought not only beauty but also repose in artistic literary forms. is is not sur- prising given Rus sia’s troubled po liti cal history over the centuries, which reached its height in the twentieth century with the repressive Soviet era. Countless vol- umes have been written over the years on censorship in the USSR and on the ensuing balancing act that Soviet artists endured at the hands of the authorities. at Soviet and post- Soviet Rus sian rappers felt that same repression is not in doubt. What sets rap, as a genre, apart from other literary forms in Rus sia is its place in time: It really took hold only in the early s, immediately aer the fall of the Soviet Union, so one cannot speak of rap, as a genre, in uencing po liti cal events in the USSR. ough one could argue that the rst rap in Rus sia was “Rap” from by the group Chas Pik, an unabashed rip- o of e Sugarhill Gang’s “Rapper’s Delight” from — widely recognized as the rst commercial rap hit ever—it was not until the s that Rus sian rappers and rap groups such as Bog- dan Titomir, Liki MC, Bad Balance, and Mal’chishnik became widely known in the former Soviet Union and, with them, the rap genre itself. -
Italian Titles of Nobility
11/8/2020 Italian Titles of Nobility - A Concise, Accurate Guide to Nobiliary History, Tradition and Law in Italy until 1946 - Facts, no… Italian Titles of Nobility See also: Sicilian Heraldry & Nobility • Sicilian Genealogy • Books • Interview ©1997 – 2015 Louis Mendola Author's Note An article of this length can be little more than a precis. Apart from the presentation of the simplest facts, the author's intent is to provide accurate information, avoiding the bizarre ideas that color the study of the aristocracy. At best, this web page is a ready reference that offers a quick overview and a very concise bibliography; it is intended as nothing more. This page is published for the benefit of the historian, genealogist, heraldist, researcher or journalist – and all scientific freethinkers – in search of an objective, unbiased summary that does not seek (or presume) to insult their knowledge, intelligence or integrity. The study of the nobility and heraldry simply cannot exist without a sound basis in genealogical science. Genealogy is the only means of demonstrating familial lineage (ancestry), be it proven through documentation or DNA, be it aristocratic or humble. At 300 pages, the book Sicilian Genealogy and Heraldry considers the subject in far greater detail over several chapters, and while its chief focus is the Kingdom of Sicily, it takes into account the Kingdom of Italy (1861-1946) as well. That book includes chapters dedicated to, among other things, historiography, feudal law and proof standards. Like this web page, the book (you can peruse the table of contents, index and a few pages on Amazon's site) is the kind of reference and guide the author wishes were available when he began to study these fields seriously over thirty years ago. -
Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18
Moscow 4 There are more than 3000 museums (and about 72 000 museum workers) in Russian Moscow region 92 Federation, not including school and company museums. Every year Russian museums visit more than 80 million visitors, 1/3 of who are visitors under 18 There are about 650 individual and institutional members in ICOM Russia. During two last St. Petersburg 117 years ICOM Russia membership was rapidly increasing more than 20% (or about 100 new members) a year Northwestern region 160 You will find the information aboutICOM Russia members in this book. All members (individual and institutional) are divided in two big groups – Museums which are institutional members of ICOM or are represented by individual members and Organizations. All the museums in this book are distributed by regional principle. Organizations are structured in profile groups Central region 192 Volga river region 224 Many thanks to all the museums who offered their help and assistance in the making of this collection South of Russia 258 Special thanks to Urals 270 Museum creation and consulting Culture heritage security in Russia with 3M(tm)Novec(tm)1230 Siberia and Far East 284 © ICOM Russia, 2012 Organizations 322 © K. Novokhatko, A. Gnedovsky, N. Kazantseva, O. Guzewska – compiling, translation, editing, 2012 [email protected] www.icom.org.ru © Leo Tolstoy museum-estate “Yasnaya Polyana”, design, 2012 Moscow MOSCOW A. N. SCRiAbiN MEMORiAl Capital of Russia. Major political, economic, cultural, scientific, religious, financial, educational, and transportation center of Russia and the continent MUSEUM Highlights: First reference to Moscow dates from 1147 when Moscow was already a pretty big town. -
On Geopolitics, Trolling and the Mistranslation of Race in a Twitter Controversy
#Russianrapisracist vs #RussianNaziPurgeParty: On Geopolitics, Trolling and the Mistranslation of Race in a Twitter Controversy Dinara Yangeldina Introduction I am currently being trolled by Russian rap fans in droves posting straight up Nazi propaganda. The Russian hip hop scene is extremely racist. It’s being led by racists like @sdthaking and i1official (@Talib Kweli 2020)1 The above tweet was posted at the end of February 2020 in the middle of a heated Twitter controversy between famous us rapper Talib Kweli and the Russian hip-hop community, in which he described the en- tire Russian rap scene as racist, Nazi and state sponsored.2 Thе scandal quickly spread to other social media platforms and got extensive cover- age online and even on the official Russian tv channels. But what exactly 1 In the wake of a harassment-related scandal Talib Kweli was permanently banned from Twitter on 4 July 2020. It is for this reason that none of his original Tweets are available anymore. The retypes of tweets are based on screenshots circulated in sec- ondary sources or collected by me during the initial stage of research for this chapter (the same applies to Twitter screenshots used here but not available in the original to reference). 2 Talib Kweli is a rapper known for his outspoken activist stance against police bru- tality and racial oppression in the usa. His early recognition is linked to the criti- cally acclaimed band Black Star, which he formed together with Mos Def in 1997 in Brooklyn, New York. This style of hip-hop, known as conscious hip-hop, is usually juxtaposed with gangsta rap. -
In the Lands of the Romanovs: an Annotated Bibliography of First-Hand English-Language Accounts of the Russian Empire
ANTHONY CROSS In the Lands of the Romanovs An Annotated Bibliography of First-hand English-language Accounts of The Russian Empire (1613-1917) OpenBook Publishers To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/268 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. In the Lands of the Romanovs An Annotated Bibliography of First-hand English-language Accounts of the Russian Empire (1613-1917) Anthony Cross http://www.openbookpublishers.com © 2014 Anthony Cross The text of this book is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt it and to make commercial use of it providing that attribution is made to the author (but not in any way that suggests that he endorses you or your use of the work). Attribution should include the following information: Cross, Anthony, In the Land of the Romanovs: An Annotated Bibliography of First-hand English-language Accounts of the Russian Empire (1613-1917), Cambridge, UK: Open Book Publishers, 2014. http://dx.doi.org/10.11647/ OBP.0042 Please see the list of illustrations for attribution relating to individual images. Every effort has been made to identify and contact copyright holders and any omissions or errors will be corrected if notification is made to the publisher. As for the rights of the images from Wikimedia Commons, please refer to the Wikimedia website (for each image, the link to the relevant page can be found in the list of illustrations). -
Eugene Miakinkov
Russian Military Culture during the Reigns of Catherine II and Paul I, 1762-1801 by Eugene Miakinkov A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History Department of History and Classics University of Alberta ©Eugene Miakinkov, 2015 Abstract This study explores the shape and development of military culture during the reign of Catherine II. Next to the institutions of the autocracy and the Orthodox Church, the military occupied the most important position in imperial Russia, especially in the eighteenth century. Rather than analyzing the military as an institution or a fighting force, this dissertation uses the tools of cultural history to explore its attitudes, values, aspirations, tensions, and beliefs. Patronage and education served to introduce a generation of young nobles to the world of the military culture, and expose it to its values of respect, hierarchy, subordination, but also the importance of professional knowledge. Merit is a crucial component in any military, and Catherine’s military culture had to resolve the tensions between the idea of meritocracy and seniority. All of the above ideas and dilemmas were expressed in a number of military texts that began to appear during Catherine’s reign. It was during that time that the military culture acquired the cultural, political, and intellectual space to develop – a space I label the “military public sphere”. This development was most clearly evident in the publication, by Russian authors, of a range of military literature for the first time in this era. The military culture was also reflected in the symbolic means used by the senior commanders to convey and reinforce its values in the army. -
The Drama Number 13 February Contents Leonid Andreyev, By
THE DRAMA Number 13 FEBRUARY CONTENTS E NID NDRE EV b Thomas S eltzer L O A Y , y THE PRE Y BINE WOMEN a com lete Drama TT SA , p h Leonid Andre ev in t ree acts, by y PE RE A PLA WRIGHT a review b SHAKES A S A Y , y George F ullmer Reyno lds E I LE THE TRE b Luc Fr n e Pierce TH L TT ST A , y y a c ILL MIN TI N AND THE DR M b Arthur U A O A A, y Pollock ’ B Y ND H UMAN P WER b e BJORNSON S E O O , y L e M ollander . H THE INDEPENDENCE DAY PAGEANT AT W HINGT N b E M S th l . m h A O , y e S it OS R WILDE G IN a revi w of rthur Ran CA A A , e A ’ som 8 scar Wilde A riti l b e O ; C ca S tudy, y Joseph Howard THE DR M LE GUE OF MERI 1914 A A A A CA, , by M A t rs. Starr B es THE TRI L HI ORY IN MERI 11 review A CA ST A CA , by Charlton Andrews A SELECTIVE LIST OF ESSAYS AND BOOKS BOUT THE THE TRE AND OF PL S ub A A AY , p : lished durin the fourth uarter of 1913 Fr k g q , by an Chouteau Brown THE DR A M A A Quarterly R eview of D ramatic Literature No . 13 February LEONID ANDREYEV . -
Dialectics of Sin: Snokhachestvo Incest in Maxim Gorky's Fiction
CONTINENTAL THOUGHT & THEORY: A JOURNAL OF INTELLECTUAL FREEDOM Thinking Sin: Contemporary Acts and Sensibilities Volume 3 | Issue 2: Thinking Sin 123-142 | ISSN: 2463-333X Dialectics of Sin: snokhachestvo Incest in Maxim Gorky’s Fiction Henrietta Mondry Russian literature famously contributed to thinking about sin in the works of its most celebrated writers, such as Fyodor Dostoevsky and Leo Tolstoy, dubbed as “Russian thinkers” to denote their contribution to moral, philosophical, and psychological thought.1 Dostoevsky explored the problem of sin and crime in Crime and Punishment, and in his last most philosophical novel, The Brothers Karamazov (1880), he even posited the problem of the hereditary nature of sin with its focus on the family. Leo Tolstoy also explored the relations between sin, crime and evil within the family, notably in his play The Power of Darkness (1886) that controversially depicted the Russian peasant family as home to criminal and sinful acts of incest and murder. So powerful was Tolstoy’s indictment that the play was forbidden to be staged till 1902. My present investigation focuses of the work of another celebrated classic of Russian literature, Maxim Gorky (1868-1936), whose contribution to thinking about sin/crime in relation to the workings of the Russian family has not been fully explored. In particular, his stories reveal a preoccupation with the theme of father and daughter-in-law incest, in direct relation to the notion of sin in Judeo-Christian tradition. Writing on the topic of sin and evil in European literature, Ronald Paulson has noted that topics of sin in literature often relate to transgressions of sexual prohibitions set out in Leviticus in the Old Testament (Hebrew Bible).2 Paulson uses the writings of the French philosopher Paul Ricoeur who maintains in his The Symbolism of Evil, that “sin does not so much signify a harmful substance” but rather a violated personal relation to God, a violation of a religious bond, of a contract with the deity himself (p. -
The Grand Duke Constantine's Regiment of Cuirassiers of The
Johann Georg Paul Fischer (Hanover 1786 - London 1875) The Grand Duke Constantine’s Regiment of Cuirassiers of the Imperial Russian Army in 1806 signed and dated ‘Johann Paul Fischer fit 1815’ (lower left); dated 1815 (on the reverse); the mount inscribed with title and dated 1806 watercolour over pencil on paper, with pen and ink 20.5 x 29 cm (8 x 11½ in) This work by Johann Georg Paul Fischer is one of a series of twelve watercolours depicting soldiers of the various armies involved in the Napoleonic Wars, a series of conflicts which took place between 1803 and 1815, when Napoleon Bonaparte (1769-1821) was defeated at the Battle of Waterloo. The series is a variation of a similar set executed slightly earlier, held in the Royal Collection, and which was probably purchased by, or presented to, the Prince Regent. In this work, Fischer depicts various elements of the Russian army. On the left hand side, the Imperial Guard stride forward in unison, each figure looking gruff and determined. They are all tall, broad and strong and as a collective mass they appear very imposing. Even the drummer, who marches in front, looks battle-hardened and commanding. On the right-hand side, a cuirassier sits atop his magnificent steed and there appear to be further cavalry soldiers behind him. There is a swell of purposeful movement in the work, which creates an impressive image of military power. The Russian cuirassiers were part of the heavy cavalry and were elite troops as their ranks were filled up with the best soldiers selected from dragoon, uhlan, jager and hussar regiments.