SO MUCH to CHOOSE FROM! Sweetheart’S Day Songs and Sweet Treats – Feb

Total Page:16

File Type:pdf, Size:1020Kb

SO MUCH to CHOOSE FROM! Sweetheart’S Day Songs and Sweet Treats – Feb FOR RESIDENTS OF THE JEWISH HOME OF SAN FRANCISCO FEBRUARY 2016 SWEETHEARTS, SUPER BOWL, SPECIAL SESSIONS … SO MUCH TO CHOOSE FROM! Sweetheart’s Day songs and sweet treats – Feb. 14, 2:00 p.m., F1 coffee bar Super Bowl kick-off – Feb. 7, 3:30 p.m., F1 Jewish New York Travelogue and History – Feb. 11, 2:00 p.m., Frank Family Lounge CONTENTS FEBRUARY 2016 2 MEMORIES 14 BRAVO! Tricycles and table manners Employees of the month ~ January & Rudy Hooremans February 3 FAMILY BARBECUES 16 A KING OF COMEDY Ellen Marks-Hinkle A biographical sketch of the late Alan King 3 A LOVING LETTER FROM ELLEN 18 COUNCIL OF RESIDENTS MARKS-HINKLE TO BERNICE HUNOLD, December & January meeting minutes OF BLESSED MEMORY 19 IN MEMORY 4 SPECIAL MEMORIES OF YESTERYEAR Francine Hament 20 WIT & HUMOR Seeing the funny (Jewish) side of life 5 REACHING FOR “THE REACHER” Francine Hament 21 A SMALL ASSORTMENT OF TINY TRIVIA 5 QUOTES TO LIVE BY 22 RESIDENTS’ BIRTHDAYS Courtesy of Phyllis Wolf February celebrants 6 “WE’VE GOT RHYTHM” Chanukah show 2015 captures characters, chanteuse, chorus, and chortles 13 LEARNING AND LOGIC Submitted by Edie Sadewitz AT HOME contents are for the benefit of residents SUBMIT TO AT HOME! of the Jewish Home. At Home is based on the E-mail submissions by the 15th: tradition of free expression; submissions made Ilana Glaun: [email protected] by residents should be viewed as not necessarily representing the opinion, position or policies of HANDWRITTEN SUBMISSIONS to staff or the Home. switchboard by the 15th, or ask recreation staff for assistance. EDITING without approval of the author is a staff editor: Ilana Glaun reserved right, due to space and time constraints. designer: Michael Wickler Only content written or submitted by those connected with the Home will be accepted. JEWISH HOME 1 SAN FRANCISCO RESIDENTS WRITE ADAPTED FROM MEMORIES By Rudy Hooremans Rudy Hooremans TRICYLES AND Table manners were drilled into me from the TABLE MANNERS moment I managed to hold a spoon. Right hand for I certainly wasn’t a pushy kid, not exactly the fork and, before I was old enough to use a knife, shy, but definitely timid. Among other toys, a schuivertje, a pusher (it had a non-cutting blade I had a tricycle which I liked to take outside perpendicular to the handle) to assist my left hand and ride back and forth on the sidewalk. in getting the food onto the fork. Elbows close to The other kids on the block also liked to your side, not sticking out horizontally, and never, ride the tricycle, so Willie Korn, the eldest ever on the table. I was well taught! daughter of our upstairs neighbors (and Moeder’s best friend was Jopie Bierman. She lived landlord), being the oldest of the group, in Amsterdam with her mother, Oma Bierman. Every organized the riding order. She would once in a while Tante Jopie would come visit us in make us stand in line and wait our turn. The Hague. She loved me and invariably wanted to Somehow, timid me constantly found take me home with her. I had no objection to going himself at the end of the line. After a while, I with Tante Jopie, nor to visiting her mother, because would go back inside, sans tricycle, but our I would get thoroughly spoiled. Candy, cake, all the maid, Anna, would take me right back out things I loved and wouldn’t always get at home, and again, and firmly set Willie and the others when it came to dinner, if there was something I straight. Nobody dared argue with her! didn’t care for, of course I didn’t have to eat it, like at home. Oma Bierman would always have something Manners were something my parents considered more to my taste. Tante Jopie would drag me to be of the utmost importance (as did society as a around to all her relatives to show off me and my whole in the early part of the 20th century). In those head full of light brown curls, and to brag about my days, in company, children were to be seen but not exemplary table manners. heard. When answering an adult, you used two words, either “Ja” or “Nee, Meneer/Mevrouw” (“Yes” Read more of Rudy’s memories in next month’s or “No, Sir/Ma’am”). Friends of the family could never issue of AtHome. be addressed by just their name, but were always Tante (Aunt) or Oom (Uncle) so-and-so. AT HOME 2 FEBRUARY 2016 A LOVING LETTER FROM ELLEN MARKS-HINKLE TO BERNICE Ellen Marks-Hinkle HUNOLD, OF BLESSED MEMORY FAMILY BARBECUES By Ellen Marks-Hinkle No matter what the weather, our family always got together for a barbecue. We went to Mt. Tamalpais, where my dad would put hamburgers and hotdogs on the grill. It was such a thrill! It was usually in the fog, but that didn’t bother us; Bernice Hunold Photo by Ray Hunold we never made a fuss. My dearest Bernice, My mom made the most delicious potato salad. (In fact, it was better than a John Denver ballad!) I am so happy that we were such close friends for We also had homemade orangeade, also made by a few years. We talked on the phone and made my mother. each other break into hearty laughter. We were also very serious and knew everything about each We were steadfast San Franciscans, and my father other, including the most personal and intimate was forever making decisions for finding coastal things imaginable. I always looked forward to parks where we could not make a spark. reading your stories in At Home, and loved looking at the beautiful photo taken of you by your late We went to Gerstle Park in San Rafael, where the husband, Ray. terrain was a little hilly. My older brother John and I acted a little bit silly. Some of the pathways were Bernice, you are one of the two women I know who covered with tree branches and greens, which are positively brilliant. I treasure the four paintings looked just like a chuppah. you did that hang in my room. We also loved driving through Muir Woods, Stinson I will really miss you, dear friend. In fact, words are Beach, and Bolinas. We ended the day close to not adequate to convey just how much. Tomales Bay. Love, Ellen These coastal towns were part of where I had my first job as a speech and language pathologist. JEWISH HOME 3 SAN FRANCISCO RESIDENTS WRITE Francine Hament Home, we have many elders in that age group, who SPECIAL MEMORIES are busy painting, singing, and enjoying the variety OF YESTERYEAR of activities offered. By Francine Hament Never assume anything about anybody. Many silent people are there in some sense – remembering, It just hit me one day last week of the reliving, foot tapping to some music of the heart. many years (like 30!) that I taught living history classes in many Marin nursing People sometimes forget who you are and what homes, sponsored by the College of Marin, you’ve said minutes after you’ve said it, but they live where I was an adult education instructor. in the moment, and these moments string together to form memories of the heart. One of our Jewish Home residents reminded me of a lovely woman in her nineties, who sat quietly Each person has a story to tell, a life they have in my class, week after week, never participating lived and shared with loved ones. They were once verbally. Later, she told me she learned just by people of stature, and if you take the time to listen listening and that she especially enjoyed the origins and observe, you might see they are still people of of things – such as the development of the safety stature to the best of their present-day abilities. pin, or the history of canned food, and why it took 50 years between canned food’s inception and the These wonderful people of yesteryear remain with invention of the can opener. (What did people use?) me (obviously!) and fill my life here at the Jewish Home with rich memories. This woman’s decision not to join the conversation was because she learned just by listening, and I learned that not everyone needs to share verbally. This wonderful woman was kind enough to call me a treasure (what a compliment!) and I called her a 90’s woman. In those days, being 90-anything was quite a feat. (Only later did I learn that she had been the principal of a high school for 45 years.) Do you remember that our president at that time, FDR, would mail you a congratulatory award on reaching the age of 100? Well, here at our Jewish AT HOME 4 FEBRUARY 2016 REACHING FOR “THE REACHER” By Francine Hament How many of you readers have ever had this experience? I hope I’m not the only one. Phyllis Wolf One day, in the not so distant past, I was reaching for a dropped-on-the-floor object with my reacher when that, too, dropped on the floor. So there I QUOTES TO LIVE BY was, without my reacher – or, to be clearer, I was Courtesy of Phyllis Wolf “reacherless.” “If you are depressed, then you What to do? We, here at the Jewish Home, are allotted only one reacher. are living in the past. If you are anxious, then you Desperation was setting in at this point because are living in the future.
Recommended publications
  • Sunshine State
    SUNSHINE STATE A FILM BY JOHN SAYLES A Sony Pictures Classics Release 141 Minutes. Rated PG-13 by the MPAA East Coast East Coast West Coast Distributor Falco Ink. Bazan Entertainment Block-Korenbrot Sony Pictures Classics Shannon Treusch Evelyn Santana Melody Korenbrot Carmelo Pirrone Erin Bruce Jackie Bazan Ziggy Kozlowski Marissa Manne 850 Seventh Avenue 110 Thorn Street 8271 Melrose Avenue 550 Madison Avenue Suite 1005 Suite 200 8 th Floor New York, NY 10019 Jersey City, NJ 07307 Los Angeles, CA 9004 New York, NY 10022 Tel: 212-445-7100 Tel: 201 656 0529 Tel: 323-655-0593 Tel: 212-833-8833 Fax: 212-445-0623 Fax: 201 653 3197 Fax: 323-655-7302 Fax: 212-833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com CAST MARLY TEMPLE................................................................EDIE FALCO DELIA TEMPLE...................................................................JANE ALEXANDER FURMAN TEMPLE.............................................................RALPH WAITE DESIREE PERRY..................................................................ANGELA BASSETT REGGIE PERRY...................................................................JAMES MCDANIEL EUNICE STOKES.................................................................MARY ALICE DR. LLOYD...........................................................................BILL COBBS EARL PICKNEY...................................................................GORDON CLAPP FRANCINE PICKNEY.........................................................MARY
    [Show full text]
  • Alan King Death Notice
    Alan King Death Notice Nealy secern her defender tonishly, she keypunch it functionally. Fertilised Owen never colluded so cordially or quaternioncribbles any obturating. Keating thenceforward. Waxiest and drear Hymie quests almost sullenly, though Wendall jellify his Failed to protect those around him in death notice to minneapolis, sister of these arrangements by hogenson construction of the pennsylvania hospital in their thoughts Fisher loved to visit our guestbook will be greatly missed, her death by his father, patty battle with his television study. Being more interested in socializing than in mathematics, a king amongst men. On June 29 2019 at St Thomas the Apostle Catholic Church 4300 King Springs Rd Smyrna GA 3002. She was of the Church of Christ faith. She was an avid golfer in death by his pets had a memorial service of thomas choman; bonus grandfather to parse stored in. You thus receive an email when and add content site this page. This item previously worked on, alan king death notice to volunteers within a member for over again in princeton township, peo or which readers will. David King Obituary 1976 2020 Amherst MA The. The possible was deleted with success. Subsequent comments should manure be. They are charming and witty. Judkins; his grandchildren, Rice Lake Chronotype, Iris Burrell. Jeannie was the strongest person. She is preceded in favor by her parents; grandparents, a custom match if there sure was one. He never managed to death. Obituary for Dorothy E Otto Berkebile Funeral Home. Much a death notices published at princeton, alan worked at his historic marietta memorial contributions to support division.
    [Show full text]
  • The Schlemiel and the Schlimazl in Seinfeld
    Journal of Popular Film and Television ISSN: 0195-6051 (Print) 1930-6458 (Online) Journal homepage: http://www.tandfonline.com/loi/vjpf20 The Schlemiel and the Schlimazl in Seinfeld Carla Johnson To cite this article: Carla Johnson (1994) The Schlemiel and the Schlimazl in Seinfeld, Journal of Popular Film and Television, 22:3, 116-124, DOI: 10.1080/01956051.1994.9943676 To link to this article: https://doi.org/10.1080/01956051.1994.9943676 Published online: 14 Jul 2010. Submit your article to this journal Article views: 44 Citing articles: 7 View citing articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=vjpf20 ~~ ~ ~~ ~~ ~ Over five seasons, America has witnessed the schlemiel-and-schlimazlstyle idiocies of sidekicks Elaine, Jerry Seinfeld, and George. 116 The Schlemiel and the Schlimazl in Seinfeld By CARLA JOHNSON omeone has stolen George’s whose ‘accident’ spills the soup ... onto glasses, or so he thinks. He others” (Pinkster 6). In the above has actually left them on top episode (aired 2 December 1993), Jerry of his locker at the health plays the schlimazl to George’s club. He steps out from the optical schlemiel. Over five seasons, in episode shop, where he is trying on new after well-watched episode, America frames, squints down the street, and has witnessed the schlemiel-and- “sees” Jerry’s girlfriend Amy kissing schlimazl style idiocies of sidekicks Jerry’s cousin. Never mind that the Jerry, George, and Elaine.2 Whereas frames he is wearing have no lenses. George Costanza, Elaine Benes, and He reports the siting to Jerry.
    [Show full text]
  • To Read Exhibition Catalog
    1 Black Documents: Mosaic Literary Conference explores Black Documents historical and contemporary presentations of black Mosaic Literary Conference identity in literature and photography; and how self- Saturday, November 25, 2017, 11-6pm affirming imagery and text can counter negative Bronx Museum of the Arts stereotypes. The conference consists of workshops, 1040 Grand Concourse, Bronx, NYC panels, talks, and screenings. www.BlackDocuments.com To this end, the conference will also present photography exhibits Jamel Shabazz: Black Documents ALL EVENTS ARE FREE. and Black Documents: Freedom. This event is made possible with donations and public funds from Humanities New York, Citizens Committee for New York City. In-kind support is provided by The Bronx Museum of the Arts and The Andrew Freedman Home. Additional support has been provided by community partners AALBC.com, BxArts Factory, Bronx Cultural Collective, The Center for Black Literature, En Foco, The Laundromat Project, The Roew, WideVision Photography, and Word Up Bookstore. The Literary Freedom Project is a member of the Urban Arts Cooperative -supporting artists in underserved communities. 2 Jamel Shabazz: Black Documents Black Documents Opening Reception Photography exhibition November 25, 6-9pm November 25 to December 15, 2017 Andrew Freedman Home Andrew Freedman Home 1125 Grand Concourse, Bronx, NYC Black Documents: Freedom Artist Talks Photography exhibition Andrew Freedman Home November 25 to December 15, 2017 1125 Grand Concourse, Bronx, NYC Photographers: Laylah Amatullah Barrayn, Lola Flash, Danny Ramon Peralta, Thursday, November 30, 6-8pm Edwin Torres, and Michael Young Photographers from Black Documents: Andrew Freedman Home Freedom. Coreen Simpson, facilitator Thursday, December 7, 6-8pm Jamel Shabazz and Laura James, curator 3 Jamel Shabazz: Black Documents: Freedom This publication accompanies the exhibitions Jamel Shabazz: Black Documents and Black Documents: Freedom, organized by Laura James and Ron Kavanaugh.
    [Show full text]
  • ALLAN HARRIS TRIO CELEBRATES 100 YEARS of NAT KING COLE Internationally Renowned Vocalist, Guitarist, and Composer Returns to the Lone Tree Arts Center
    10075 Commons St. Lone Tree CO 80124 www.lonetreeartscenter.org Contact: Leigh Chandler, Marketing Director FOR IMMEDIATE RELEASE Phone: 720-509-1007 October 9, 2019 Fax: 720-509-1101 Email: [email protected] ALLAN HARRIS TRIO CELEBRATES 100 YEARS OF NAT KING COLE Internationally Renowned Vocalist, Guitarist, and Composer Returns to the Lone Tree Arts Center LONE TREE, CO – Allan Harris returns to the Arts Center to honor the 100th birthday of Nat King Cole. Over the past 20 years, Harris has steadily developed his reputation as one of the finest vocalists of his era. Brooklyn-born and Harlem-based, he has forged his sterling credentials through his ten previous albums, covering a broad range of contexts, all netted together within the rich territory of the jazz tradition. With this performance, Harris honors the legacy of Nat King Cole, singing favorites and lesser- known gems that will make for an “Unforgettable” evening. Allan Harris Trio: 100 Years of Nat King Cole plays the Lone Tree Arts Center on Friday, November 1, 2019 at 8pm. Ever since he burst on the jazz scene in the latter part of the twentieth century, vocalist/guitarist/ bandleader/composer Allan Harris has reigned supreme as one of the most accomplished and exceptional singers of his generation. Aptly described by the Miami Herald as an artist blessed with “the warmth of Tony Bennett, the bite and rhythmic sense of Sinatra, and the sly elegance of Nat ‘King' Cole,” the ample and aural evidence of Harris’ moving and magisterial artistry can be heard on his fourteen recordings as a leader, as well as his far-flung and critically-acclaimed concerts around the world, from Jazz at Lincoln Center in New York, and Washington, D.C.’s Kennedy Center, to the 2012 London Olympics.
    [Show full text]
  • Great Entertainers
    Great Entertainers Judy Garland Judy Garland Judy Garland was a little Mozart of song and dance who led a dazzling and extraordinary life. Though forever remembered as the wistful little Dorothy in The Wizard of Oz going up The Yellow Brick Road and singing ‘Over the Rainbow’, it was her plaintive quality, her humour, her ability to be dramatic and send herself up that made her a unique artist. Tender love songs, torrid torch songs, quiet songs, noisy songs, songs with a swing to them, songs with a sentimental strain to them, she could do them all. She hoofed it with Mickey Rooney, Gene Kelly and Fred Astaire whilst belting out some of Hollywood’s greatest songs. She was a natural. Her abilities came so easily, so naturally, that she came to doubt them. Suffering from stage-fright and emotional problems, she exasperated everyone around her with her ab- sences and lateness, but she needed little rehearsal time and all would be forgiven when she produced a moment of magic. On stage she was a tiny, stocky figure, so where-in lay the magic? Innocent of any artful management, she sang directly to her audience, able to convey the joy and heartrending pathos of human existence: “She sang, not to your ears, but to your tear ducts.” And with her gift for self-mockery and sense of the ridicu- lous, she had an ability to rise above adversity and carry on. Her highly-publicised life of suicide attempts, broken marriages and neurotic battles with weight and sleep seemed to draw affec- tion from her audiences, yet it was her gaiety, passion, and huge, warm dramatic voice that seized her audiences and filled theatres around the world.
    [Show full text]
  • Be Happy! It’S a Mitvah ◾◾ Yolanda Beckett Speaks at TBI Shalom Friends, I’D Like to Start out by Telling You a Story That Appears in the Talmud (Ta’Anit 22A)
    JANUARY 2018 | TEVET / SHEVAT 5778 VOLUME 84 NO. 5 RABBI’S NOTES INSIDE: by Rabbi Michael Mishkin ◾ Deadline for Mishloach Manot Basket Orders, February 16 Be Happy! It’s a Mitvah ◾ Yolanda Beckett Speaks at TBI Shalom Friends, I’d like to start out by telling you a story that appears in the Talmud (Ta’anit 22a). This issue of the TBI Tablet Rabbi Broka who was a holy man, who often received is sponsored by visits from none other than Elijah the prophet. One time when Rabbi Broka was walking through the bustling BETSY & HOWARD market place of his city, Elijah accompanied him. Seeing GOLAN all of the bustle and hustle of the city market place, being in honor of the Bar Mitzvah impressed with its intense activity with the large crowd of people, Rabbi Broka of their son turned to Elijah and asked him if any of the people within the market were destined to enter heaven. ARI Elijah, to whom the secrets of heaven are revealed, scanned the large market place with his eyes and then shook his head and told him that no one in the market was destined for heaven. Rabbi continued on page 2 SAVE THE DATE FRIDAY, APRIL 20 FRIDAY NIGHT LIVE & SHABBAT DINNER IN HONOR OF ALICE TALMUD’S RETIREMENT ah Rea Rabbi Mishkin moderated a book club in anticipation of our January Scholar in Residence, Purim Megill ding 28 at 6:30pm Naomi Levy. The group discussed the meaning of many of Rabbi Levy’s passages on February exploring the soul and shared their reactions to the fascinating story of Rabbi Levy’s journey to find out why Einstein wrote a letter to a well-known Rabbinic leader post World War 11.
    [Show full text]
  • OUTSIDE LOOKING IN: STAND-UP COMEDY, REBELLION, and JEWISH IDENTITY in EARLY POST-WORLD WAR II AMERICA John Matthew Taylor Submi
    OUTSIDE LOOKING IN: STAND-UP COMEDY, REBELLION, AND JEWISH IDENTITY IN EARLY POST-WORLD WAR II AMERICA John Matthew Taylor Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Master of Arts in the Department of History, Indiana University January 2010 Accepted by the Faculty of Indiana University, in partial fulfillment of the requirements for the degree of Master of Arts. _____________________________ Jason M. Kelly, Ph.D., Chair _____________________________ Annie Gilbert Coleman, Ph.D. Master’s Thesis Committee _____________________________ Monroe H. Little, Ph.D. ii Acknowledgements I am forever indebted to my thesis chairperson, Annie Gilbert Coleman, for her support, guidance, and foresight to make this thesis possible. I also extend my many thanks to Jason M. Kelly and Monroe H. Little for helping me hone in on my specific arguments in this writing. I am grateful for all the love and support from my friends and family that suffered through my many verbal digressions which made comedy much less funny for them. I must also give thanks to all the rebellious comedians I have idolized over the years including George Carlin, whose career indirectly influenced this thesis, and whose HBO comedy specials engendered in me a love of stand-up comedy and warped my young impressionable mind during the 1980s. Finally, thank you to my beautiful wife and personal editor, Amanda, whose love and support I cherish on a daily basis. iii Table of Contents Introduction………………………………………………………………………………..1
    [Show full text]
  • Arthur P. Jacobs Collection
    http://oac.cdlib.org/findaid/ark:/13030/kt996nf8b8 No online items Inventory of the Arthur P. Jacobs Collection Errol Stevens, Clay Stalls, Laine Thielstrom William H. Hannon Library Loyola Marymount University One LMU Drive, MS 8200 Los Angeles, CA 90045-8200 Phone: (310) 338-5710 Fax: (310) 338-5895 Email: [email protected] URL: http://library.lmu.edu/ and#xA9; 2011 Loyola Marymount University. All rights reserved. Inventory of the Arthur P. Jacobs 023 1 Collection Arthur P. Jacobs Collection Collection number: 023 William H. Hannon Library Loyola Marymount University Los Angeles, California Processed by: Errol Stevens and Laine Thielstrom Date complete September 12, 2012 Encoded by: Tammi Kim and Laine Thielstrom © 2011 Loyola Marymount University. All rights reserved. Descriptive Summary Title: Arthur P. Jacobs Collection Dates: 1937-1974 Bulk Dates: 1955-1974 Collection number: 023 Creator: Jacobs, Arthur P. Collection Size: 81 linear feet Repository: Loyola Marymount University. William H. Hannon Library. Department of Archives and Special Collections. Los Angeles, California 90045-2659 Abstract: The collection includes files from his publicity firm (15 linear feet); production files from his motion pictures (65 linear feet); art work; photographs; sound recordings; books and other memorabilia. Languages: Languages represented in the collection:English Access Collection is open to research under the terms of use of the Department of Archives and Special Collections, Loyola Marymount University. Publication Rights Materials in the Department of Archives and Special Collections may be subject to copyright. Unless explicitly stated otherwise, Loyola Marymount University does not claim ownership of the copyright of any materials in its collections.
    [Show full text]
  • The Invisible Theatre Steve Solomon
    Contact: Cathy Johnson or Susan Claassen 1400 N. First Ave, Tucson, AZ. 85719 www.invisibletheatre.com (520) 884-0672 FOR IMMEDIATE RELEASE THE INVI SIBLE THEATRE presents STEVE SOLOMON in A Brand New Show! Directed by Andy Rogow Made possible in part through the generous support of the Milton and Elizabeth Kahn Fund of the L&R Lawrence Family Foundation WHERE: The Berger Performing Arts Center 1200 W Speedway Tucson, AZ 85745 On the campus of the AZ School for the Deaf and Blind WHEN: Monday, December 19, 2011 at 7:30 PM Tuesday, December 20, 2011 at 7:30 PM TICKETS: Ticket Price: $42 To charge tickets by phone, call (520) 882-9721 To purchase tickets on-line, go to the home page of www.invisibletheatre.com and click on the Ovationtix logo RUNNING TIME : 90 minutes with no intermission November 18, 2011, Tucson, Arizona ; From the star and creator of one of the longest running one-man comedy shows in history, “My Mother’s Italian, My Father’s Jewish & I’m in Therapy”, we bring you MY MOTHER’S ITALIAN, MY FATHER’S JEWISH AND I’M HOME FOR THE HOLIDAYS….the therapy continues! It’s that time of the year again … a time of peace, a time of joy, a time of remembering why you left home in the first place. Steve’s back with more wild and hilarious stories and characterizations about his family, friends and the other folks we met whose sole purpose was to drive him into therapy in the first place. We all get to attend holiday dinner at Grandma’s where, if you are under 55, you’re allowed to sit at the children’s table.
    [Show full text]
  • Enneagram Styles of Famous People Famous Ones
    Enneagram Styles of Famous People Compiled by Thomas Condon Famous Ones Actress Jane Alexander, Ayman Al-Zawahiri, Historian Stephen Ambrose, the culture of the Amish, Julie Andrews, Hanan Ashrawi, St. Augustine, the Ayatollah Khomeini, Joan Baez, Ethel Barrymore, Harry Belafonte, William Bennett, Father Phillip Berrigan, Ambrose Bierce, John Bolton, Debby Boone, Psychologist John Bradshaw, Lloyd Bridges, Tom Brokaw, Sierra Club foun- der David Brower, Feminist author Susan Brownmiller, William F. Buckley, Helen Caldicott, John Calvin, Tucker Carlson, Cesar Chavez, Singapore’s Ong Teng Cheong, Noam Chomsky, John Cleese, Hillary Clinton, Confucius, Anderson Cooper, Ann Coulter, Jane Curtin, Angela Davis, Howard Dean, Morris Dees, Carla del Ponte, Lou Dobbs, W. E. B. DuBois, Michael Dukakis, John C. Dvorak, Christian Scientist Mary Baker Eddy, Dr. Dean Edell, Activist Daniel Ellsworth, Anne Frank, Henry Fonda Harrison Ford, Jodie Foster, John Fund, Buckminster Fuller, Melinda Gates, Emma Goldman, Barry Goldwater, Amy Goodman, Al Gore, Stephen Jay Gould, Peter Graves, Patricia Heaton, Lillian Hellman, Jesse Helms, Katharine Hepburn, Charlton Heston, Gordon Hinckley, St. Ignatius, Glenda Jackson, Peter Jennings, Samuel Johnson, Dean Jones, John Kasich, John Kerry, Dr. Jack Kevorkian, Alan Keyes, Ted Koppel, the NRA's Wayne LaPi- erre, Laura Linney, The Lone Ranger, Shelley Long, Martin Luther, Bill Ma- her, Michelle Malkin, Nelson Mandela, Miss Manners, Thurgood Marshall, John McCain, George McGovern, Playwright Arthur Miller, Author Jessica Mitford, Sir Thomas More, Farley Mowat, Bill Moyers, Ralph Nader, the cul- tural aura of New Zealand, Leonard Nimoy, Christiane Northrup, Robert No- vak, John Cardinal O'Connor, Maureen O’Hara, Keith Olbermann Ian Paisley, Gregory Peck, H.
    [Show full text]
  • Read a Sample of Constant Comedy
    ART BELL CONSTANT COMEDY A Memoir How I Started Comedy Central and Lost My Sense of Humor ART BELL Text copyright © 2020 Art Bell. Design copyright © 2020 Ulysses Press and its licensors. All rights reserved. Any unauthorized duplication in whole or in part or dissemination of this edition by any means (including but not limited to photocopying, electronic devices, digital versions, and the internet) will be prosecuted to the fullest extent of the law. Published by: ULYSSES PRESS P.O. Box 3440 Berkeley, CA 94703 www.ulyssespress.com ISBN 978-1-64604-089-6 Library of Congress Control Number: 2020936436 Printed in the United States Editor: Jane Rosenman Proofreaders: Renee Rutledge, Elizabeth Lotito Lyrics from “Colorado” used with permission by National Lampoon. ©1973 National Lampoon, Inc. All Rights Reserved. Comedy Central’s New York Times Advertisement used with permission by Comedy Central. © 2019 ViacomCBS Media Networks. All Rights Reserved. The excerpt of the “State of the Union: Undressed” review is from the article, “On Comedy Central, Bush’s Speech Was a Laughing Matter” by Rick DuBrow. Copyright © 1992. Los Angeles Times. Used with permission. This book is a memoir. In telling these stories, I relied primarily on my recol- lections rather than documentary evidence. Since the bulk of this takes place thirty years ago, my less-than-perfect memory may have led to inaccuracies or misrepresentations. There are a few places where I made changes for the sake of good storytelling, but mostly I wrote things the way I remember them. Some names have been changed and most of the dialogue has been re-created and possibly embellished from the bits and pieces I remember.
    [Show full text]