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Hole a Remediative Approach to the Filmmaking of the Coen Brothers
University of Dundee DOCTOR OF PHILOSOPHY Going Down the 'Wabbit' Hole A Remediative Approach to the Filmmaking of the Coen Brothers Barrie, Gregg Award date: 2020 Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 24. Sep. 2021 Going Down the ‘Wabbit’ Hole: A Remediative Approach to the Filmmaking of the Coen Brothers Gregg Barrie PhD Film Studies Thesis University of Dundee February 2021 Word Count – 99,996 Words 1 Going Down the ‘Wabbit’ Hole: A Remediative Approach to the Filmmaking of the Coen Brothers Table of Contents Table of Figures ..................................................................................................................................... 2 Declaration ............................................................................................................................................ -
100 Years: a Century of Song 1950S
100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary -
The Rocky Road to OZ Wicked Witch’S Fiery Exit
Saturday, April 9, 2011; 2 & 8 pm only E.Y Harburg tune “Over the Rainbow” (which was almost cut from the picture) became Garland’s theme and a song that has attained cult status. Casting was not the only problem. The script was labored over by 16 writers, 13 of whom went uncredited including cast members Jack Haley and Bert Lahr, poet Ogden Nash, and screenwriter Herman J. Mankiewicz, who authored Citizen Kane (1941). The picture went through five directors (Norman Taurog, Mervyn LeRoy, George Cukor, Richard Thorpe and Victor Fleming), a ton of extras and they almost fried Margaret Hamilton in the effects created for the The Rocky Road to OZ Wicked Witch’s fiery exit. the time The Wizard of Oz premiered at Sid Grauman’s Chinese Theater on a summer night Yet despite the difficulties, and the initial lackluster box By in 1939, it had been staged successfully as a office,The Wizard of Oz was Oscar®-nominated for Best Broadway musical and three silent film versions had already Picture, Color Cinematography, Interior Decoration, and been released. L. Frank Baum, creator of the Oz franchise did Special Effects and won awards for Best Song (“Over the his own production in 1914 and the 1925 version directed Rainbow”) and Original Score. It also placed tenth on the by silent film comedian Larry Semon featured Oliver ‘Babe’ list of the Greatest American Films of All Time. “There’s no Hardy as the Tin Woodman. Samuel Goldwyn, who had question that Steven Spielberg, George Lucas, Peter Jackson, acquired the film rights in 1933, sold them to M-G-M for almost any influential contemporary filmmaker you could $75,000 and the adventure began. -
Sunshine State
SUNSHINE STATE A FILM BY JOHN SAYLES A Sony Pictures Classics Release 141 Minutes. Rated PG-13 by the MPAA East Coast East Coast West Coast Distributor Falco Ink. Bazan Entertainment Block-Korenbrot Sony Pictures Classics Shannon Treusch Evelyn Santana Melody Korenbrot Carmelo Pirrone Erin Bruce Jackie Bazan Ziggy Kozlowski Marissa Manne 850 Seventh Avenue 110 Thorn Street 8271 Melrose Avenue 550 Madison Avenue Suite 1005 Suite 200 8 th Floor New York, NY 10019 Jersey City, NJ 07307 Los Angeles, CA 9004 New York, NY 10022 Tel: 212-445-7100 Tel: 201 656 0529 Tel: 323-655-0593 Tel: 212-833-8833 Fax: 212-445-0623 Fax: 201 653 3197 Fax: 323-655-7302 Fax: 212-833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com CAST MARLY TEMPLE................................................................EDIE FALCO DELIA TEMPLE...................................................................JANE ALEXANDER FURMAN TEMPLE.............................................................RALPH WAITE DESIREE PERRY..................................................................ANGELA BASSETT REGGIE PERRY...................................................................JAMES MCDANIEL EUNICE STOKES.................................................................MARY ALICE DR. LLOYD...........................................................................BILL COBBS EARL PICKNEY...................................................................GORDON CLAPP FRANCINE PICKNEY.........................................................MARY -
Twisted Trails of the Wold West by Matthew Baugh © 2006
Twisted Trails of the Wold West By Matthew Baugh © 2006 The Old West was an interesting place, and even more so in the Wold- Newton Universe. Until fairly recently only a few of the heroes and villains who inhabited the early western United States had been confirmed through crossover stories as existing in the WNU. Several comic book miniseries have done a lot to change this, and though there are some problems fitting each into the tapestry of the WNU, it has been worth the effort. Marvel Comics’ miniseries, Rawhide Kid: Slap Leather was a humorous storyline, parodying the Kid’s established image and lampooning westerns in general. It is best known for ‘outing’ the Kid as a homosexual. While that assertion remains an open issue with fans, it isn’t what causes the problems with incorporating the story into the WNU. What is of more concern are the blatant anachronisms and impossibilities the story offers. We can accept it, but only with the caveat that some of the details have been distorted for comic effect. When the Rawhide Kid is established as a character in the Wold-Newton Universe he provides links to a number of other western characters, both from the Marvel Universe and from classic western novels and movies. It draws in the Marvel Comics series’ Blaze of Glory, Apache Skies, and Sunset Riders as wall as DC Comics’ The Kents. As with most Marvel and DC characters there is the problem with bringing in the mammoth superhero continuities of the Marvel and DC universes, though this is not insurmountable. -
The Plagued History of Judy Garland and Liza Minnelli “Live” at the London Palladium, 1965-2009 LAWRENCE SCHULMAN
ARSC JOURNAL VOL. 40, NO. 2 $56&-RXUQDO VOLUME 40, NO. 2 • FALL 2009 )UDQN0DQFLQLDQG0RGHVWR+LJK6FKRRO%DQG·V &RQWULEXWLRQWRWKH1DWLRQDO5HFRUGLQJ5HJLVWU\ 67(9(13(&6(. 7KH3ODJXHG+LVWRU\RI-XG\*DUODQGDQG/L]D0LQQHOOL ´/LYHµDWWKH/RQGRQ3DOODGLXP /$:5(1&(6&+8/0$1 'DYLG/HPLHX[DQGWKH*UDWHIXO'HDG$UFKLYHV -$621.8))/(5 7KH0HWURSROLWDQ2SHUD+LVWRULF%URDGFDVW5HFRUGLQJV FALL 2009 FALL *$5<$*$/2 &23<5,*+7 )$,586( %22.5(9,(:6 6281'5(&25',1*5(9,(:6 &855(17%,%/,2*5$3+< $56&-2851$/+,*+/,*+76 Volume 40, No. 2 ARSC Journal Fall, 2009 EDITOR Barry R. Ashpole ORIGINAL ARTICLES 159 Frank Mancini and Modesto High School Band’s Contribution to the 2005 National Recording Registry STEVEN PECSEK 174 The Plagued History of Judy Garland and Liza Minnelli “Live” at the London Palladium, 1965-2009 LAWRENCE SCHULMAN ARCHIVES 189 David Lemieux and the Grateful Dead Archives JASON KUFFLER DISCOGRAPHY 195 The Metropolitan Opera Historic Broadcast Recordings GARY A. GALO 225 COPYRIGHT & FAIR USE 239 BOOK REVIEWS 281 SOUND RECORDING REVIEWS 317 CURRENT BIBLIOGRAPHY 341 ARSC JOURNAL HIGHLIGHTS 1968-2009 ORIGINAL ARTICLE | LAWRENCE SCHULMAN 7KH3ODJXHG+LVWRU\RIJudy Garland and Liza Minnelli “Live” at the London Palladium, In overviewing the ill-fated history of Judy Garland’s last Capitol Records album, Judy Garland and Liza Minnelli “Live” at the London Palladium, recorded on 8 and 15 November WKHDXWKRUHQGHDYRUVWRFKURQLFOHWKHORQJDQGZLQGLQJHYHQWVVXUURXQGLQJLWVÀUVW release on LP in 1965, its subsequent truncated reissues over the years, its aborted release RQ&DSLWROLQLQLWVFRPSOHWHIRUPDQGÀQDOO\LWVDERUWHGUHOHDVHRQ&ROOHFWRU·V&KRLFH -
The World's Largest and Most Extraordinary Collection
For Immediate Release: THE WORLD’S LARGEST AND MOST EXTRAORDINARY COLLECTION OF SIGNED HOLLYWOOD PHOTOGRAPHS WILL BE OFFERED AT JULIEN’S AUCTIONS IN LOS ANGELES ON SEPTEMBER 23, 2016 Harold Lloyd’s Rogues Gallery of Exclusive Hollywood Autographed Photographs Los Angeles, California – (September 15, 2016) – Julien’s Auctions, the world-record breaking auction house to the stars, will present one of the world’s most extraordinary collections of autographed Hollywood photographs — Harold Lloyd’s Rogues Gallery — on Friday, September 23, 2016 in Los Angeles. The collection features nearly 200 rare, signed photographs from Hollywood’s Golden Era. The auction will take place at the highly-anticipated Icons & Idols: Hollywood auction event that weekend at Julien’s Auction Gallery in Los Angeles. The Rogues Gallery Autograph Collection is the most extensive and unique autograph collection amassed by the silent film star Harold Lloyd and is comprised of the most significant figures of Hollywood’s “Golden Age.” This one-of-a-kind collection is a time capsule of Hollywood, Americana and the politics of the day. “The King of Daredevil Comedy,” Harold Lloyd is best remembered today as the young man dangling desperately from a clock tower in the 1923 classic, “Safety Last.” At the height of his career, Lloyd was one of the most popular and highest-paid stars of his time. He made more films than his contemporaries Charlie Chaplin and Buster Keaton combined. With hits like his 1922 film “Grandma’s Boy,” Lloyd became a strong force in bringing about the advent of the “feature-length” film. Harold Lloyd’s acting career rose to prominence during the silent film era and spanned 34 years of active filmmaking, over 200 comedies and one 1928 Academy Award nomination. -
K-Bay Aquarama for HOSPITAL "An Uaisianding Success", Were Scheduled Jan
Property of MAEIN: 79.- Hi.STD:II JAN 1 0 1961 Please Lotu;ii to Room AY/ VOL X, No. I U.S. MARINE CORPS AIR STATION, KANEOHE BAY, HAWAII January 6, 1961 Please, Mr. Weatherman BENEFIT GAME GARNERS $1700 K-Bay Aquarama FOR HOSPITAL "An uaisianding success", were Scheduled Jan. 15 the words used by Mrs. John W. Antonelli, president of the Kane- Plans for Kaneohe Bay's once- the water, release his chute and ohe Marine Officers Wives Club, postponed water ski "Aquarama" begin an underwater swim to in summing up the results of last were once again put on the draw- the beach, emerging directly Monday's benefit football game ing board this week with Jan. In front of the spectator fans. held at Castle High Stadium. 15 set as "target date". The event Another chutist, Cpl. G. N. Despite threatening weather, promises to be the most varied Zigoris, will bailout from the almost 2,000 spectators turned water show ever produced in the same altitude in a real-life demo- out to see the Windward Ma- 50th State. stration of an air-sea rescue by rine All Stars romp over the Taking a long, hard look at helicopter. Leeward Service All Stars. The advance weather predications, sky-diving event fea- final score was 49 to 6. Another show officials told the WIND- tures a 20-second delay free-fall An incomplete tally of pro- WARD MARINE that all events from 5,280 feet by MSgt. R. H. ceeds at press time indicated a originally planned for the Dec. -
2006 Was Another Year of Great Events, New Releases, and Accolades for and About Judy Garland’S Great Talent and Body of Work
2006 was another year of great events, new releases, and accolades for and about Judy Garland’s great talent and body of work. The biggest news for this past year was the discovery of two of the lost Decca recordings that Judy made in 1935. Thought to be lost forever, these recordings were transferred to digital format and put up for auction (see following page for details). The other big news for the year would have to be the highly successful release of the Judy Garland stamp on what would have been Judy’s 84th birthday, June 10, 2006 (see following page for details) June 2006 could well be remembered as the best “Judy Garland Month” ever! We had the stamp release, two new CDs, over 10 DVDs, the Judy Garland Festival in Minnesota, and more! Plus, The Judy Room has a new look! Beginning in Summer 2006, I began making “vintage magazine covers” the theme of the homepage (see the thumbnails below). These covers reflect the change in seasons and special events or holidays while also fondly looking back to golden age of fan magazines . A BIG THANK YOU to “Alex in Belgium” for his masterful photo colorization. I would like to extend a special thanks and appreciation to Eric Hemphill, Scott Schechter, “tinman”, Donald, and everyone else who has helped to make The Judy Room a success. I hope you all know that I couldn’t do this without you. THANK YOU! Sincerely, Scott Brogan The Judy Room JANUARY 12, 2006: The Recording Industry Association Of America (RIAA) announces their Grammy Hall Of Fame inductees, and the 1956 M-G-M Records soundtrack to The Wizard Of Oz is included. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
31. Oktober 1994 COOL POP • POLITICS • HOLLYWOOD 1960-68
Retrospektive GESTE R R EI CHISCHES Viennale 1994 FILMMUSEUM 1.-31. Oktober 1994 COOL POP • POLITICS • HOLLYWOOD 1960-68 MIT FILMEN VON ROBERT ALDRICH WILLIAM ASHER • GEORGE AXELROD ALLEN BARON • JOHN BOORMAN • MARLON B RAN DO RICHARD BROOKS WILLIAM CONRAD • ROGER CORMAN EDWARD DMYTRYK • BLAKE EDWARDS • RICHARD FLEISCHER THEODORE FLICKER ROBERT FLOREY JOHN FORD JOHN FRANKENHEIMER SAMUEL FÜLLER • GUY HAMILTON • HARVEY HART HOWARD HAWKS MONTE HELLMAN DOUGLAS HEYES • ALFRED HITCHCOCK JOHN HUSTON • NORMAN JEWISON ■ ELIA KAZAN • STANLEY KUBRICK • IRVIN LERNER • RICHARD LESTER JERRY LEWIS • SIDNEY LUMET LESLIE MARTINSON RUSS MEYER • JOSEPH M. NEWMAN • SAM PECKINPAH • ARTHUR PENN ■ FRANK PERRY • ROMAN POLANSKI OTTO PREMINGER • ROBERT ROSSEN FRANKLIN J. SCHAFFNER • GEORGE SIDNEY DON SIEGEL • ALEXANDER SINGER • JOHN STURGES PETER USTINOV ROGER VADIM • PAUL WENDKOS BILLY WILDER RON WINSTON Samstag, 1. Oktober 1994, 17.00 Uhr Montag. 3. Oktober 1994, 17.00 Uhr Mittwoch. 5. Oktober 1994. 17.00 Uhr Freitag. 7. Oktober 1994, 17.00 Uhr Sonntag, 9. Oktober 1994, 17.00 Uhr Dienstag, 11. Oktober 1994, 17 00 Uhr Twilight Zone: IN PRAISE OF PIP (1963) FATHOM (1967) THE BELLBOY (1960) Joseph M. Newman SEVEN DAYS IN MAY (1964) ANGEL BABY (1961) FAIL SAFE (1964) Regie: Leslie H. Martinson; Drehbuch: Lorenzo Regie und Drehbuch: Jerry Lewis; Kamera THE KILLERS (1964) Regie: John Frankenheimer; Drehbuch: Rod Ser- Semple, Jr.; Kamera: Douglas Slocombe; Bauten: Regie: Paul Wendkos; Drehbuch: Orin Borsten, Regie: Sidney Lumet; Drehbuch: Walter Bern¬ Haskell Boggs; Bauten: Hai Pereira, Henry ling; Kamera: Ellsworlh Fredricks; Bauten: Cary Maurice Carter; Musik: John Dankworth; Schnitt: Paul Mason. Samuel Roeca; Kamera. Haskell stein; Kamera: Gerald Hirschfeld; Bauten: Albert Bumstead; Musik: Walter Scharf, Schnitt Stanley Regie: Don Siegel; Drehbuch: Gene L.