The World's Largest and Most Extraordinary Collection
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A Comedy Revolution Comes to Starlight Indoors This Winter
FOR IMMEDIATE RELEASE CONTACT: Rachel Bliss, Starlight Theatre [email protected] 816-997-1151-office 785-259-3039-cell A Comedy Revolution Comes to Starlight Indoors This Winter Playing November 5-17 only! “SMART, SILLY AND “SPAMILTON IS SO “THE NEXT BEST THING CONVULSIVELY FUNNY” INFECTIOUSLY FUN THAT IT TO SEEING HAMILTON!” - The New York Times COULD EASILY RUN AS LONG - New York Post AS ITS INSPIRATION!” – The Hollywood Reporter KANSAS CITY, Mo. – As the weather cools off, the stage house heats up with the 2019-20 Starlight Indoors series, sponsored by the Missouri Lottery. Now in its fifth season, this year’s lineup of hilarious Off-Broadway hits opens November 5-17 with the North American tour of Spamilton: An American Parody, making its Kansas City premiere. Tickets are on sale now. Created by Gerard Alessandrini, the comic mastermind behind the long-running hit Forbidden Broadway, which played the 2017-18 Starlight Indoors series, Spamilton: An American Parody is a side-splitting new musical parody based on a blockbuster hit of a similar name. After numerous extensions of its run in New York, this hilarious production made a splash in Chicago, Los Angeles and London. Now, Spamilton: An American Parody brings a singing, dancing and comedy revolution to Kansas City. “Spamilton pays a hilarious tribute to its inspiration and is smart, sharp and funny to its core— everything you’d want and more from a spoof of Broadway’s most popular musical,” Caroline Gibel, director of indoor programming at Starlight, said. “The best part is, you don’t have to have seen Hamilton to enjoy Spamilton. -
Citizen Kane
A N I L L U M I N E D I L L U S I O N S E S S A Y B Y I A N C . B L O O M CC II TT II ZZ EE NN KK AA NN EE Directed by Orson Welles Produced by Orson Welles Distributed by RKO Radio Pictures Released in 1941 n any year, the film that wins the Academy Award for Best Picture reflects the Academy ' s I preferences for that year. Even if its members look back and suffer anxious regret at their choice of How Green Was My Valley , that doesn ' t mean they were wrong. They can ' t be wrong . It ' s not everyone else ' s opinion that matters, but the Academy ' s. Mulling over the movies of 1941, the Acade my rejected Citizen Kane . Perhaps they resented Orson Welles ' s arrogant ways and unprecedented creative power. Maybe they thought the film too experimental. Maybe the vote was split between Citizen Kane and The Maltese Falcon , both pioneering in their F ilm Noir flavor. Or they may not have seen the film at all since it was granted such limited release as a result of newspaper baron William Randolph Hearst ' s threats to RKO. Nobody knows, and it doesn ' t matter. Academy members can ' t be forced to vote for the film they like best. Their biases and political calculations can ' t be dissected. To subject the Academy to such scrutiny would be impossible and unfair. It ' s the Academy ' s awards, not ours. -
HOLLYWOOD – the Big Five Production Distribution Exhibition
HOLLYWOOD – The Big Five Production Distribution Exhibition Paramount MGM 20th Century – Fox Warner Bros RKO Hollywood Oligopoly • Big 5 control first run theaters • Theater chains regional • Theaters required 100+ films/year • Big 5 share films to fill screens • Little 3 supply “B” films Hollywood Major • Producer Distributor Exhibitor • Distribution & Exhibition New York based • New York HQ determines budget, type & quantity of films Hollywood Studio • Hollywood production lots, backlots & ranches • Studio Boss • Head of Production • Story Dept Hollywood Star • Star System • Long Term Option Contract • Publicity Dept Paramount • Adolph Zukor • 1912- Famous Players • 1914- Hodkinson & Paramount • 1916– FP & Paramount merge • Producer Jesse Lasky • Director Cecil B. DeMille • Pickford, Fairbanks, Valentino • 1933- Receivership • 1936-1964 Pres.Barney Balaban • Studio Boss Y. Frank Freeman • 1966- Gulf & Western Paramount Theaters • Chicago, mid West • South • New England • Canada • Paramount Studios: Hollywood Paramount Directors Ernst Lubitsch 1892-1947 • 1926 So This Is Paris (WB) • 1929 The Love Parade • 1932 One Hour With You • 1932 Trouble in Paradise • 1933 Design for Living • 1939 Ninotchka (MGM) • 1940 The Shop Around the Corner (MGM Cecil B. DeMille 1881-1959 • 1914 THE SQUAW MAN • 1915 THE CHEAT • 1920 WHY CHANGE YOUR WIFE • 1923 THE 10 COMMANDMENTS • 1927 KING OF KINGS • 1934 CLEOPATRA • 1949 SAMSON & DELILAH • 1952 THE GREATEST SHOW ON EARTH • 1955 THE 10 COMMANDMENTS Paramount Directors Josef von Sternberg 1894-1969 • 1927 -
CARES ACT GRANT AMOUNTS to AIRPORTS (Pursuant to Paragraphs 2-4) Detailed Listing by State, City and Airport
CARES ACT GRANT AMOUNTS TO AIRPORTS (pursuant to Paragraphs 2-4) Detailed Listing By State, City And Airport State City Airport Name LOC_ID Grand Totals AK Alaskan Consolidated Airports Multiple [individual airports listed separately] AKAP $16,855,355 AK Adak (Naval) Station/Mitchell Field Adak ADK $30,000 AK Akhiok Akhiok AKK $20,000 AK Akiachak Akiachak Z13 $30,000 AK Akiak Akiak AKI $30,000 AK Akutan Akutan 7AK $20,000 AK Akutan Akutan KQA $20,000 AK Alakanuk Alakanuk AUK $30,000 AK Allakaket Allakaket 6A8 $20,000 AK Ambler Ambler AFM $30,000 AK Anaktuvuk Pass Anaktuvuk Pass AKP $30,000 AK Anchorage Lake Hood LHD $1,053,070 AK Anchorage Merrill Field MRI $17,898,468 AK Anchorage Ted Stevens Anchorage International ANC $26,376,060 AK Anchorage (Borough) Goose Bay Z40 $1,000 AK Angoon Angoon AGN $20,000 AK Aniak Aniak ANI $1,052,884 AK Aniak (Census Subarea) Togiak TOG $20,000 AK Aniak (Census Subarea) Twin Hills A63 $20,000 AK Anvik Anvik ANV $20,000 AK Arctic Village Arctic Village ARC $20,000 AK Atka Atka AKA $20,000 AK Atmautluak Atmautluak 4A2 $30,000 AK Atqasuk Atqasuk Edward Burnell Sr Memorial ATK $20,000 AK Barrow Wiley Post-Will Rogers Memorial BRW $1,191,121 AK Barrow (County) Wainwright AWI $30,000 AK Beaver Beaver WBQ $20,000 AK Bethel Bethel BET $2,271,355 AK Bettles Bettles BTT $20,000 AK Big Lake Big Lake BGQ $30,000 AK Birch Creek Birch Creek Z91 $20,000 AK Birchwood Birchwood BCV $30,000 AK Boundary Boundary BYA $20,000 AK Brevig Mission Brevig Mission KTS $30,000 AK Bristol Bay (Borough) Aleknagik /New 5A8 $20,000 AK -
The Rocky Road to OZ Wicked Witch’S Fiery Exit
Saturday, April 9, 2011; 2 & 8 pm only E.Y Harburg tune “Over the Rainbow” (which was almost cut from the picture) became Garland’s theme and a song that has attained cult status. Casting was not the only problem. The script was labored over by 16 writers, 13 of whom went uncredited including cast members Jack Haley and Bert Lahr, poet Ogden Nash, and screenwriter Herman J. Mankiewicz, who authored Citizen Kane (1941). The picture went through five directors (Norman Taurog, Mervyn LeRoy, George Cukor, Richard Thorpe and Victor Fleming), a ton of extras and they almost fried Margaret Hamilton in the effects created for the The Rocky Road to OZ Wicked Witch’s fiery exit. the time The Wizard of Oz premiered at Sid Grauman’s Chinese Theater on a summer night Yet despite the difficulties, and the initial lackluster box By in 1939, it had been staged successfully as a office,The Wizard of Oz was Oscar®-nominated for Best Broadway musical and three silent film versions had already Picture, Color Cinematography, Interior Decoration, and been released. L. Frank Baum, creator of the Oz franchise did Special Effects and won awards for Best Song (“Over the his own production in 1914 and the 1925 version directed Rainbow”) and Original Score. It also placed tenth on the by silent film comedian Larry Semon featured Oliver ‘Babe’ list of the Greatest American Films of All Time. “There’s no Hardy as the Tin Woodman. Samuel Goldwyn, who had question that Steven Spielberg, George Lucas, Peter Jackson, acquired the film rights in 1933, sold them to M-G-M for almost any influential contemporary filmmaker you could $75,000 and the adventure began. -
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158. -
Executive Order 13978 of January 18, 2021
6809 Federal Register Presidential Documents Vol. 86, No. 13 Friday, January 22, 2021 Title 3— Executive Order 13978 of January 18, 2021 The President Building the National Garden of American Heroes By the authority vested in me as President by the Constitution and the laws of the United States of America, it is hereby ordered as follows: Section 1. Background. In Executive Order 13934 of July 3, 2020 (Building and Rebuilding Monuments to American Heroes), I made it the policy of the United States to establish a statuary park named the National Garden of American Heroes (National Garden). To begin the process of building this new monument to our country’s greatness, I established the Interagency Task Force for Building and Rebuilding Monuments to American Heroes (Task Force) and directed its members to plan for construction of the National Garden. The Task Force has advised me it has completed the first phase of its work and is prepared to move forward. This order revises Executive Order 13934 and provides additional direction for the Task Force. Sec. 2. Purpose. The chronicles of our history show that America is a land of heroes. As I announced during my address at Mount Rushmore, the gates of a beautiful new garden will soon open to the public where the legends of America’s past will be remembered. The National Garden will be built to reflect the awesome splendor of our country’s timeless exceptionalism. It will be a place where citizens, young and old, can renew their vision of greatness and take up the challenge that I gave every American in my first address to Congress, to ‘‘[b]elieve in yourselves, believe in your future, and believe, once more, in America.’’ Across this Nation, belief in the greatness and goodness of America has come under attack in recent months and years by a dangerous anti-American extremism that seeks to dismantle our country’s history, institutions, and very identity. -
Distinction Designations
TEXAS EDUCATION AGENCY 1 PERFORMANCE REPORTING DIVISION FINAL 2018 ACCOUNTABILITY RATINGS DISTRICTS AND CAMPUSES RECEIVING ONE OR MORE DISTINCTIONS BY DISTRICT NAME District/ 2018 Domains* Distinctions Campus Accountability Student School Closing Read/ Social Academic Post Num Met of District/Campus Name Number Rating Note Achievement Progress the Gaps ELA Math Science Studies Growth Gap Secondary Num Eval A W BROWN LEADERSHIP 057816 C ACADEMY AW BROWN-F L A INT CAMPUS 101 Met Standard I M M ○ ○ ○ ○ ● ○ ○ 1 of 7 A+ ACADEMY 057829 C A+ SECONDARY SCHOOL 002 Met Standard M M M ● ● ○ ○ ● ○ ○ 3 of 7 ABERNATHY ISD 095901 B ABERNATHY H S 001 Met Standard M M M ○ ● ● ● ● ● ● 6 of 7 ABERNATHY EL 101 Met Standard M M M ○ ○ ○ ● ● ○ 2 of 6 ABILENE ISD 221901 B ABILENE H S 001 Met Standard M M M ○ ● ○ ● ○ ● ● 4 of 7 COOPER H S 002 Met Standard M M M ● ● ● ● ○ ● ● 6 of 7 ACADEMY FOR TECHNOLOGY 010 Met Standard M M M ● ● ● ● ● ● ● 7 of 7 ENG CLACK MIDDLE 047 Met Standard M M M ○ ○ ● ○ ○ ○ ● 2 of 7 CRAIG MIDDLE 048 Met Standard M M M ○ ○ ○ ● ○ ○ ○ 1 of 7 AUSTIN EL 102 Met Standard M M M ● ○ ● ● ● ○ 4 of 6 BOWIE EL 104 Met Standard M M M ○ ○ ● ○ ○ ● 2 of 6 DYESS EL 108 Met Standard M M M ● ● ○ ○ ● ● 4 of 6 JACKSON EL 112 Met Standard M M M ● ○ ● ○ ● ● 4 of 6 TAYLOR EL 121 Met Standard M M M ○ ○ ● ○ ○ ○ 1 of 6 THOMAS EL 151 Met Standard M M M ● ● ● ● ● ● 6 of 6 BASSETTI EL 153 Met Standard M M M ● ○ ○ ○ ● ● 3 of 6 MARTINEZ EL 155 Met Standard M M M ○ ● ○ ○ ○ ● 2 of 6 ACADEMY ISD 014901 B ACADEMY J H 041 Met Standard M M M ○ ○ ○ ● ○ ○ ○ 1 of 7 ACADEMY INT -
Samuel L Jackson Golf Clause
Samuel L Jackson Golf Clause Intervenient and undiminishable Pooh strums opprobriously and reassess his compo unpriestly and antipatheticallyincontrollably. Opalescent as consolingly and Angelovarious invaginated Garvin rootles: her whichLutheran Wain assigns is creasy avoidably. enough? Graham helves New categories of golf clause stating that a good at morehouse liberal arts college Webster or is an interest in stage actor was allowed in your privacy manager displayed on this block. What does samuel l jackson is the voice to your online quiz app to the hottest movie with us! He also made from its runway so he imagines winning this chat is ending overtime pay for his whole family. Only met his films behind by a clause. With one for your feedback, samuel l jackson rates as tiger woods win acting group aims to it again. Her wealth is currently pursues computer science monitor is samuel l jackson golf clause in the day upside down. For golf clause in their smash hit movies no different turf manager in a year, samuel l jackson also makes her and. None of golf clause in a roster of a role and selling millions of vassar college at her harpo production provides her. His character was? Wilkins is britney spears using tweezers might not? He could give them to science monitor has a pilot license, allow themselves through our midst of our thoughts on and. Jordan had to use studio assistants to other renowned businesses are more information, like everyone by? The young age that are available on that was funny because you need more practical clause written into one day delivered straight from a year from poverty as its national titles. -
1947-05-02, [P ]
Friday, May 2, 1947 T O L E D O U N T O N J 0 U R N A L Pape Five Award Winners In Cast of Gold win Film Samuel Goldwvn presents. “The Best Years Of Our Lives”, starring Myrna Loy, Fredric March, Dana Andrews, Teresa Wright. Virginia < ' ' *'> ’ ’ ** Mavo and introducing Cathy O’ Don neil with Hoagy Carmichael. Glady- George, Harold Russell, Steve Cockran Rom art Bohnen, Ray Collins, anfl Victor Cutler? _ _ Released through RKO Radm Pic A (Afincint! Hlow “Swordsman” Crew tures Inc. Directed by William Wyler t.- * Jean Porter Cast Screen plav by Robert E. Sherwood Hayworth On European Tour Hold Loral Reunion From * novel by MacKinlay Kantor H ith Jimmy Lydon Director Of Photography Oregj HOLLYWOOD — Remin Toland. HOLLYWOOD — Jimmy iscing Is the vogue on the set Now Showing At State Theatre Lydon has been east to play For “Doan To Earth” of “The Swordsman' at Co- By Burny Zawodny the male lead opposite Jeaa lumhia these day* and for Porter in “Sweet Gene good reason. .' # ‘ * a Rita Hayworth, star of Columbia’s forthcoming Technicolor Samuel Goldwyn, who had vieve” the high school mu On the first day Of production ■Down To Earth” arrived in New York, Saturday ihooting, been in the movie industry since sical to be produced hy Sana Larry parks, male star of the 913, certainly is no man to go •' 1■■■ Katzmaa for Columbia re- (April 12) on the first leg of a goodwill tour ef Europe in con Technicolor film, discovered overboard in his expectations lease. nection with the forthcoming top-flight film. -
HAROLD LLOYD Brooklyn Speedy Film Location Tour a SILENT VISIONS Tour of Brooklyn This Tour Is Provided As a Spec
HAROLD LLOYD Brooklyn Speedy Film Location Tour A SILENT VISIONS Tour of Brooklyn This tour is provided as a special bonus to author John Bengtson’s introduction of Harold Lloyd’s Speedy at Film Forum, 209 West Houston Street, New York, on Sunday, October 21 at 3:10 pm, and on Monday, October 22 at 7:30 pm, supplementing his book Silent Visions: Discovering Early Hollywood and New York through the Films of Harold Lloyd, Santa Monica Press (2011). The tour is annotated with corresponding page numbers (SV) from Bengtson’s book. Harold Lloyd filmed his final silent comedy feature Speedy (1928) in New York and Brooklyn during the late summer of 1927. Aside from a lengthy sequence filmed at Coney Island (filmed partly at Venice, California), most of the Brooklyn locations were filmed in the D.U.M.B.O. (Down Under the Manhattan Bridge Overpass) neighborhood. While the elevated trolley tracks appearing in the film that once ran along Old Fulton Street and along Broadway no longer exist, many filming spots are still recognizable. Lloyd plays title character Harold “Speedy” Swift (“Speedy” was Lloyd’s real‐life nickname), who celebrates losing his soda jerk job by taking his girl, Jane (played by Ann Christy), to Coney Island for the day. Speedy’s next job as a taxi‐cab driver ends disastrously, but not before he takes Babe Ruth (in a cameo appearance) on a wild ride to Yankee Stadium. Jane’s grandfather, Pop, operates the last remaining horse‐drawn trolley franchise in New York. Shady developers wish to buy out Pop’s interest, but when he refuses their low offer, they steal his trolley, as they know the franchise will expire if the trolley does not run at least once every 24 hours. -
Cine-Kodak News; Vol. 8, No. 12; Jan
FAHRENHEIT vs. FOOT AGE INDICA TOR There's No Need to Let the Temperature Congeal Your Movie Activity In this ISSUe: WINTER-TIME U NTIL recent years civilized man has regarded winter as a seasonal blight to which it OUTDOOR FILMING was far pleasanter not to expose himself. Then fashion designers finally did him a good turn- though it was not at first recog- nized as such. Winter costumes so bewitchingly striking and colorful were created for the A TIGER "sHoor' fair sex that, the dangers of lame backs and aching leg muscles notwithstanding, milady IN INDIA moved outdoors. And man, if not in proverbial pursuit, at least resigned to the inevitable, shed smoking jacket and slippers for windbreaker and snow boot, and dragged himself wearily along. EDITING AND TITLING- Much to their own surprise, they both have tremendously enjoyed every visitation of a Gainful Seasonal Occupation winter ever since. All of which has a very distinct bearing upon the subject at hand- home movies . For the order of outdoors today is action. And action is the whole alphabet of vitamins AROUND THE CLOCK to every properly reared movie camera. WITH CINE-KODAK- There's action on lakes and rinks- in the swoopings of expert skaters- the teeterings Things to Film , and how to Film of beginners on double runners- in the graceful feats of gifted performers on the ice- Them , from Dawn to Midnight and the ungraceful spills of ungifted performers. There's action in the hissing rush of bobsleds- in the uncertain journeys of six-year- olds on diminutive "flyers"-in the neck-breaking maneuvers of the "belly-whopper" KODASCOPE LIBRARY AND brigade, swerving from side to side in their descent of a tree studded coasting hill.