Academynames Theater for Samuel Goldwyn

Total Page:16

File Type:pdf, Size:1020Kb

Academynames Theater for Samuel Goldwyn Academy of Motion Picture Arts and Sciences library. Beverly Hills, Calif. of the Academy of Motion Picture Arts and Sciences NUMBER 7 FALL,1974 HOLLYWOOD, CALIF. AcademyNames Theater For Samuel Goldwyn The Board of Governors of the Acad­ emy has voted to honor veteran filmmaker Samuel Goldwyn by nam­ ing the 1100-seat theater in its new building in his honor. Samuel Goldwyn, Jr., speaking on behalf of his mother and the Samuel Goldwyn Foundation, responded to the action by announcing, "We are honored that the Academy has cho­ sen to name its new theater for my father. He always believed in the future of the motion picture industry The seven·story building rising on the corner of Wilshire Boulevard and Almont Drive in Beverly s and the role of the Academy in that is no longer just an architectural sketch nor a scale·size model. Academy President Walter Mirisch (left), recently guided Samuel Goldwyn, Jr. on a tour of the new Academy headquarters. The theater in future. And as tangible evidence of the new building will be named in honor of filmmaker Samuel Goldwyn. that belief, the Samuel Goldwyn Foundation will make a gift of $750,- 000 to the Academy Foundation." Fall Retrospective Series Features Samuel Goldwyn (1882-1974) was born in Warsaw, Poland. He emi­ grated to the United States at the 'Best Performance' Award Winners age of 13. His career in film began On November 4, the Academy's fall The international character of mo­ with "The Squaw Man," in 1914. retrospective began with a pair of tion pictures is just as apparent in Between that and his final film, films in which Ingrid Bergman and screen acting as it is in all other "Porgy and Bess" (1959), Goldwyn Charles Laughton gave "Best Per­ aspects of movie making. Nearly half made more than 80 films, including formances." Actors associated with of those who have won acting awards such classics as "Arrowsm ith," "The productions introduced their films have been born abroad. Miss Berg­ Dark Angel," "Barbary Coast," and discussed them afterwards. man, for example, was born in Stock­ "Dodsworth," "The Hurricane," The Actors Branch of the Academy holm and entered the Royal Dramatic "Dead End," "Stella Dallas," "The was the first of the branches to be Theater there at sixteen. David O. Cowboy and the Lady," "Wuthering formed in 1927. Conrad Nagel Selznick brought her to Hollywood Heights," "The Westerner," "The chaired the Branch meetings, and after seeing her in the original, Little Foxes," "The Pride of the Yan­ Douglas Fairbanks was elected the Swedish version of "Intermezzo." kees," "The North Star," "Up in first President of the Academy. Soon she was in great demand and Arms," "The Best Years of Our The upcoming retrospective will has remained so to this very day. Lives," "The Bishop's Wife," "My focus on the art of screen acting and, The same is true, of course, for the Foolish Heart," "Hans Christian through program notes and the com­ performance Charles Laughton gave Andersen" and "Guys and Dolls." ments of actors introducing and dis­ in "The Private Life of Henry VIII." Actors, writers, directors, photo­ cussing films in the series, the unique The idea of so weighty a historical graphers, designers, musicians and nature of acting for the screen will figure being played for broad come- technicians working with Goldwyn be examined. Continued on page 4 Continued on page 2 Second Annual Student Film Awards Technical Achievements Competition Details Announced Considered for Awards Sixteen technical achievements of Enthusiastic response to the Acad­ the past year have been selected for emy's First Student Film Awards from the 47th Annual Academy Awards all parts of the country has encour­ consideration, announced Wilton R. aged the Board of Governors to Holm, Chairman of the Academy approve plans for a second competi­ Scientific or Technical Awards Com­ tion. However, suggestions received mittee. from the ten regional coordinators Meetings and demonstrations to indicate that the Awards will allow evaluate the achievements are now for even greater student participa­ in progress, with a final meeting tion if they are scheduled at the end scheduled for November to deter­ of the production year which, for mine which of the achievements the most students, means late spring. committee will recommend to the Detailed announcements of the Board of Governors for Awards re­ Second Annual Student Film Awards cognition. will be available in February and the Under Academy policy, the fol­ deadline for submission throughout lowing list of achievements is publi­ the country is May 1, 1975. Any film cized to permit those with claims of in 16mm gauge or higher which is prior invention or with devices simi­ completed after October, 1973, the larto those under consideration to deadline for the First Awards, will be advise the Academy: Jack Lemmon speaks to an excited winner from eligible. The rules for the Second last year's Student Fi lm Awa rds competition. Th e Scoring Console System, Quad­ Awards are essentially the same as Regiona l Ce nters recei ved more t ha n 300 ent ries. Eight Sound Corporation and The they were for the First Awards. Burbank Studios; Scoring Console The first competition, held in No­ library Subscribes to FIAF System, Glen Glenn Sound Com­ vember of 1973, drew more than pany; Dubbing Console, Quad-Eight The Margaret Herrick Library has three hundred entries to the Re­ Sound Corporation and Samuel subscribed to the International Fed­ gional Centers. Thirty-seven regional Goldwyn Studios; DubbingConsole, eration of Film Archives' periodical Glen Glenn Sound Company; Dub­ winners were sent to the Academy indexing . service, according to Li­ bing Console, Quad-Eight Sound for final judging in December of brarian Mildred Simpson. Corporation and The Burbank Stu­ 1973, fifteen of these were nomi­ The service provides prepared dios; Computerized Tape Punching nated, and four Awards were pre­ subject index cards to a list of 32 of System, Carter Equipment; HFCTape sented. A photo of the Award Tro­ the most important film periodicals, Preparation System, Hollywood Film phy, designed by Saul Bass and all of which are received by the Li­ Company; and Bell & Howell Tape Associates, will appear in a future brary. Information is supplied by Preparation System, Bell & Howell. issue of the Bulletin. cooperating member institutions, Conti nued on page 6 As before, students are invited to edited and duplicated centrally, and compete in five categories: Dramat­ distributed to subscribers, arriving ic, Documentary, Animated, Experi­ approximately the same time as the current issues of the periodicals. mental, and "Special," this last cate­ Subscribing to the FIAF service Goldwyn Theater. .. gory being reserved for exceptional means that very little original index­ Continued from page 1 films not easily classified in the first ing needs to be done in the Library, received 117 Academy Award Nom­ four categories. Incidentally, Bob freeing Academy staff to assist w ith inations and 19 Academy Awards. Dahlin's film, "Norman Nurdelpick's the ever-increasing numbers of visi­ Suspension: A Tribute to Alfred tors, callers, and correspondents. Goldwyn won an Oscar himself as Hitchcock," recently enjoyed a long Membership in FIAF is limited to producer of "The Best Years of Our theatrical run at the Los Feliz Theatre institutions or organizations wh'kh Lives" (1946). in Los Angeles. This "Special Jury collect and preserve films, but any He was also honored by the Acad­ Award Winner" was featured on the individual or institution may sub­ emy with two special awards, the same bill with another Academy scribe to the indexing service. Con­ Irving G. Thalberg Memorial Award Award Winner, Francois Truffaut's tact the Margaret Herrick Library for in 1946 and the Jean Hersholt Hu­ "Day for Night." further information. manitarian Award in 1957. Page Two Book Review Message from the President I(anin Examines acoustics, technical engineering and equipment will allow us to screen films made in almost every dimen­ Film Industry sion. Mr. Goldwyn would have liked By Sidney Ganis that. He was a perfectionist, and he "Long careers are interesting careers, would have wanted any theater especially in the film business," named for him to be the very best. writes Garson Kanin who has cer­ The Academy is a professional tainly had one of the longest and association looking toward the fu­ most interesting of them all as evi­ ture of our industry. We believe in denced in his newest book 'HOLLY­ fostering the interest of young peo­ WOOD: Stars and Starlets, Tycoons Wa lter Mirisch ple in the industry, in recognizing and Flesh-Peddlers, Moviemakers, the achievements of the newcomer and Moneymakers, Frauds and Ge­ Among all the hundreds of people as well as the old pro, in advancing niuses, Hopefuls and Has-Beens, who have left significant marks on the future of film, not just memo­ Great Lovers and Sex Symbols', a the motion picture industry, few rializing its past. But at the same fascinating and affectionate look at have enjoyed careers as distin­ time, we want to be sure that our Hollywood as seen through the eyes guished, as honored or as lengthy past is not forgotten. of one of this town's most prolific as Samuel Goldwyn. And one of the most important citizens. There is no need for me to praise names in that past is Samuel Gold­ Kanin arrived in Hollywood at the him here; his screen achievements wyn. age of 24 and was hired by Samuel and his contributions to this industry Goldwyn as an assistant whose job speak for themselves. It is certainly it was to " Iearn the business." From most appropriate that the theater in this vantage point he became privy our new building be named The Awards Timetable Announced to Hollywood in its heyday, a mag­ Samuel Goldwyn Theater, but I The following timetable for the 47th ical era of movie stars, movie moguls must also admit to a personal satis­ Annual Academy Awards has been and movie madness.
Recommended publications
  • FILMS by LAWRENCE JORDAN Lawrence Jordan in Person
    Bay Area Roots, Risk & Revision FILMS BY LAWRENCE JORDAN Lawrence Jordan In Person Sunday, May 13, 2007 — 7:30 pm — Yerba Buena Center for the Arts I don’t know about alchemy academically, but I am a practicing alchemist in my own way. —Lawrence Jordan Lawrence Jordan has been making films since 1952. He is most widely known for his animated collage films, which Jonas Mekas has described as, “among the most beautiful short films made today. They are surrounded with love and poetry. His content is subtle, his technique is perfect, his personal style unmistakable.” Tonight’s screening sketches out a sampler of Jordan’s films, starting with Trumpit, a 1950s ‘psychodrama’ starring Stan Brakhage, with sound by Christopher Maclaine; Pink Swine, an anti-art dada collage film set to an early Beatles track; Waterlight the first of Jordan’s “personal/poetic documentaries” made in the 1950s aboard a merchant marine freighter during his days as a wandering flâneur; and Winterlight, a visual poem of the Sonoma County winter landscape. Lawrence Jordan’s four most recent films will conclude the night: Enid’s Idyll, Chateau/Poyet, Poet’s Dream, and Blue Skies Beyond the Looking Glass. (Jenn Blaylock) Trumpit (1956) 16mm, b&w, sound, 6 minutes, print from the maker Stan Brakhage stars as the constricted love in this spoof of pseudo-erotic card play. (LUX) Waterlight (1957) 16mm, color, sound, 7 minutes, print from the maker Among the wanderings that began in the 1950s was the filmmaker's 3-year stint in the merchant marine. Waterlight is a night and day impression of the never-constant, ever-changing vast ocean and its companion the sky.
    [Show full text]
  • A Conversation with Walter Mirisch
    history.wisc.edu FALL 2008 NEWS A Conversation with Walter Mirisch (BA ’42) “If you look at the history of blacks in films—from the inception of American films until the late 1960s—In the Heat of the Night was a revolutionary film. This change was brought about by people in the film industry, people like Walter Mirisch, who were humanists and who believed in the brotherhood of mankind and wanted to make films that spoke to the sense of brotherhood in themselves.” SIDNEY POITIER FINDING MYSELF alterMirisch WM: Oh yes. There were some very IN HISTORY (BA ’42) exem- extraordinary people there at my time. I Life Stories from Our Alumni Wplifies the best was very influenced by William Hesseltine Hollywood has to offer. He is a producer, in American history. I took a wonderful which in his case means he is an essential course in the history of the British Empire part of the film making process—from find- with Paul Knapland. And of course ing the story to editing to post-production. there was Chester Easum, who directed His intelligence, skill, experience, and my undergraduate thesis on the Rome- E-mail your humanity resulted in many films that enrich, Berlin Axis. He was very helpful, and he correspondence to: educate, but most of all provide entertain- taught me a great deal about historical historynewsletter@ ment of the highest order. He tells his story writing. And there were other really lists.wisc.edu. in his recent memoir I Thought We Were excellent people, such as Robert Reynolds Making Movies, Not History (UW Press, in Medieval history, and my advisor, 2008).
    [Show full text]
  • The Rocky Road to OZ Wicked Witch’S Fiery Exit
    Saturday, April 9, 2011; 2 & 8 pm only E.Y Harburg tune “Over the Rainbow” (which was almost cut from the picture) became Garland’s theme and a song that has attained cult status. Casting was not the only problem. The script was labored over by 16 writers, 13 of whom went uncredited including cast members Jack Haley and Bert Lahr, poet Ogden Nash, and screenwriter Herman J. Mankiewicz, who authored Citizen Kane (1941). The picture went through five directors (Norman Taurog, Mervyn LeRoy, George Cukor, Richard Thorpe and Victor Fleming), a ton of extras and they almost fried Margaret Hamilton in the effects created for the The Rocky Road to OZ Wicked Witch’s fiery exit. the time The Wizard of Oz premiered at Sid Grauman’s Chinese Theater on a summer night Yet despite the difficulties, and the initial lackluster box By in 1939, it had been staged successfully as a office,The Wizard of Oz was Oscar®-nominated for Best Broadway musical and three silent film versions had already Picture, Color Cinematography, Interior Decoration, and been released. L. Frank Baum, creator of the Oz franchise did Special Effects and won awards for Best Song (“Over the his own production in 1914 and the 1925 version directed Rainbow”) and Original Score. It also placed tenth on the by silent film comedian Larry Semon featured Oliver ‘Babe’ list of the Greatest American Films of All Time. “There’s no Hardy as the Tin Woodman. Samuel Goldwyn, who had question that Steven Spielberg, George Lucas, Peter Jackson, acquired the film rights in 1933, sold them to M-G-M for almost any influential contemporary filmmaker you could $75,000 and the adventure began.
    [Show full text]
  • Marie Dressle? S'"M'em-Orypr~~T~M~R.Cc::-If) O ~E Honored B Plaque (} Powell of Port Hope, a Cousin of Marie Dressler, and Will Be Dedicated by the Rev
    Marie Dressle? S'"m'em-orYPr~~t~M~r.cC::-If) o ~e honored b plaque (} Powell of Port Hope, a cousin of Marie Dressler, and will be dedicated by the Rev. S.D. Abraham, Rector of St. Peter's Church. The baptismal records of St. Peter's show an entry which states that a daughter, born on November 9, 1868, to Alexander Rudolph Koerber and Anna, his wife, was baptized in St. Peter's on June 27, 1869. Since the date of birth given differs from that usually given in accounts of the life of "Marie Dressler", the name under which this child became famous as an actress and alsoJrom the date implied in some passages of her autobiography, it is well to point out that ba(J- tismal records of thiS kind are now accepted in applications for old age pension in the absence of regular registration. They have, therefore, almost as much authority Thc mcmory of deputy-rceve of Cobourg, as a registration cer- Cobourg's famous ac- and which is known tificate. At that time, and tress, Marie Dressler, across the country as for many years af- will be honored this "Marie Dressler's Bir- terwards, the Friday afternoon when a thplace", one of registration of births was provincial historical Cobourg's attractions to optional in Ontario. plaque will be unveiled on travellers. The attractive brick the grounds of St. Peter's The plaque is one of a cottage believed to have Anglican Church, where series being erected been rented by the her father was organist throughout the province Koerbers at the time of when she was born and by the Department of Leila's birth, still stands where her birth is Public Records and on King Street West in recorded.
    [Show full text]
  • Dinner at Eight CELEBRATING MARIE DRESSLER’S 150Th BIRTHDAY
    SOUVENIR PROGRAM Dinner At Eight CELEBRATING MARIE DRESSLER’S 150th BIRTHDAY from the collection of Marie Dressler Foundation Saturday, September 29, 2018 Best Western Plus Cobourg Inn, Cobourg, Canada MARIE’S 62nd BIRTHDAY SCRAPBOOK November 9, 1933 A STORY WORTH TELLING Almost one hundred and fifty years ago, a little girl named Leila Koerber came into this world here in Cobourg. Who was to know that some sixty plus years later, Leila, now named Marie Dressler, would become an Academy Award winner and the highest grossing movie star in the world for the years 1932 and 1933? While Marie would only spend the earliest years of her life here in Cobourg, she made a lasting impression. Once she arrived on Broadway in the late 1890’s, after almost twenty years of honing her operatic and comedic skills in travelling troupes, people began to notice and fall in love with this not-so-little girl. Although she starred in the first full length silent comedy, “Tillie’s Punctured Romance” in 1914 with a young Charlie Chaplin, her promising silent film career was interrupted by WWI. Afterwards, no one seemed interested in a fifties-something actor. Marie turned to charity work and became known for her social activism, always looking to help women less fortunate than herself. But she was destined to become a movie star. And it happened in 1930, when her friend, Frances Marion, the most successful screenwriter in Hollywood, tailored a star-worthy supporting role for her in “Anna Christie”. This film was a big deal as it was Greta Garbo’s first speaking role.
    [Show full text]
  • The World's Largest and Most Extraordinary Collection
    For Immediate Release: THE WORLD’S LARGEST AND MOST EXTRAORDINARY COLLECTION OF SIGNED HOLLYWOOD PHOTOGRAPHS WILL BE OFFERED AT JULIEN’S AUCTIONS IN LOS ANGELES ON SEPTEMBER 23, 2016 Harold Lloyd’s Rogues Gallery of Exclusive Hollywood Autographed Photographs Los Angeles, California – (September 15, 2016) – Julien’s Auctions, the world-record breaking auction house to the stars, will present one of the world’s most extraordinary collections of autographed Hollywood photographs — Harold Lloyd’s Rogues Gallery — on Friday, September 23, 2016 in Los Angeles. The collection features nearly 200 rare, signed photographs from Hollywood’s Golden Era. The auction will take place at the highly-anticipated Icons & Idols: Hollywood auction event that weekend at Julien’s Auction Gallery in Los Angeles. The Rogues Gallery Autograph Collection is the most extensive and unique autograph collection amassed by the silent film star Harold Lloyd and is comprised of the most significant figures of Hollywood’s “Golden Age.” This one-of-a-kind collection is a time capsule of Hollywood, Americana and the politics of the day. “The King of Daredevil Comedy,” Harold Lloyd is best remembered today as the young man dangling desperately from a clock tower in the 1923 classic, “Safety Last.” At the height of his career, Lloyd was one of the most popular and highest-paid stars of his time. He made more films than his contemporaries Charlie Chaplin and Buster Keaton combined. With hits like his 1922 film “Grandma’s Boy,” Lloyd became a strong force in bringing about the advent of the “feature-length” film. Harold Lloyd’s acting career rose to prominence during the silent film era and spanned 34 years of active filmmaking, over 200 comedies and one 1928 Academy Award nomination.
    [Show full text]
  • PRODUCTION BIOS MICHAEL M. SCOTT (Executive Producer, Director)
    ‘BRIDAL WAVE’ PRODUCTION BIOS MICHAEL M. SCOTT (Executive Producer, Director) – As a director and producer, Michael Scott has been a creative force behind 16 television films for cable and network since 1990. Previously, he had a successful 10-year career producing, writing and directing documentaries and reality programs. In 2008, Scott served as co-executive producer for the Lifetime Original movie titled “The Two Mr. Kissels,” starring John Stamos. As a director, he recently delivered “Special Delivery,” starring Lisa Edelstein and Brenda Song. Scott directed several other films for the Lifetime Network, including “Murder on Pleasant Drive,” “Tell Me No Lies,” “Her Sister’s Keeper” and “Best Friends.” For Hallmark Channel, Scott directed the 2009 holiday movie, “Debbie Macomber’s Mrs. Miracle,” followed in 2010 by “Debbie Macomber’s Call Me Mrs. Miracle” and the Hallmark Channel Original Movies “Edge of the Garden” and “Window Wonderland.” Other directing credits include “Dangerous Heart” (USA Network), “Murder at 75 Birch” (CBS), “Like Father, Like Santa” (Fox Family), “Desperate Justice” (Lifetime) and “Escape From Terror” (NBC). Scott’s producing credits include “Murder 101” (USA), directed by Academy Award®- winning writer Bill Condon, “Sweet Poison” (USA) and “Dead in the Water” (USA) starring Bryan Brown and Teri Hatcher. Having grown up in Mexico, Scott is fluent in Spanish and recently published a biographical book he collaborated on with journalist Jeff Morley about his father, who was CIA Station Chief in Mexico City for 15 years during the height of the Cold War. Researching his father’s life has challenged Scott for two decades and resulted in a lawsuit, Scott vs.
    [Show full text]
  • Download File
    Gale Henry Also Known As: "The Elongated Comedienne" Lived: April 15, 1893 - June 6, 1972 Worked as: film actress, producer, scenario writer, theatre actress Worked In: United States by Steve Massa Thought to be the prototype for Popeye’s girlfriend Olive Oyl, Gale Henry was tall and extremely skinny, with large eyes and a sharp nose. Known as “The Elongated Comedienne,” from 1914 to 1933 she entertained audiences with eccentric physical comedy. Like her contemporaries Alice Howell, Mabel Normand, Marie Dressler, and Louise Fazenda, Gale took many bumps and bruises in the name of laughter alongside her male comedian counterparts in an estimated two hundred fifty-eight shorts and features, some of the craziest of which she wrote. Her active female characters bear comparison with Pearl White and Helen Holmes, the “serial queens” of the 1910s, and she often spoofed the cliff-hanger genre in which they appeared. Henry’s performing style could be very broad, but she also had a gift for small, insightful gestures that could bring a moment of pathos and feeling into the knockabout. She often played put-upon slavies, but her unconventional looks also made her perfect as a lovelorn spinster, an overbearing wife, or a burlesque country girl. She wore a wide-brimmed hat, a tight, old-fashioned button-up blouse, a long plaid or checkered skirt, and clunky high-top shoes. The overall look had a feel of L. Frank Baum’s Scarecrow of Oz—as if she were put together from odd, mismatching parts. After growing up on a ranch in Bear Valley, California, Gale Henry began her stage career with the Temple Opera Company.
    [Show full text]
  • Early Spring 2017
    Early Spring SPECIAL EVENTS Wednesday, March 22 – Sunday, March 26 Friday, April 14 – Sunday, April 16 (Visit brattlefilm.org for ticket prices and more info) The Nineteenth Repertory Series! BOSTON UNDERGROUND FILM FESTIVAL Cambridge Science Festival: Sunday, February 26 2017: The 17th Annual Boston’s premiere festival highlighting the bizarre, the troubling, and the CONTACT! Friday, February 24 – overlooked returns to the Brattle for their nineteenth year. We are thrilled to In celebration of this year’s Cambridge Science Festival, the Brattle is BRATTLE OSCAR PARTY! welcome back these purveyors of the weird and wondrous, and eagerly pleased to present a brief program of films in which the aliens actually do Save the date for the Brattle’s annual celebration of Hollywood’s biggest Monday, May 1, 2017 await their full line-up. ‘come in peace.’ It’s easy to be overwhelmed by blockbuster sci-fi flicks fea - night! Come join us for snacks and drinks as we cheer our favorites during Keep watching BOSTONUNDERGROUND.ORG for more details but, in the turing bombastic scenes of world landmarks being blown to bits by aggres - “the movie-lover’s Super Bowl.” Visit Brattlefilm.org/oscar for more infor - meantime, we can announce the following features: HIDDEN RESERVES, THE sive E.T.’s – but let’s not forget those times when the visitors have been enig - mation on how to attend. SPECIAL ENGAGEMENTS & PREMIERES VOID and A DARK SONG. No Brattle Passes accepted. matic messengers, curious explorers, or even fun-loving stoners. Please join us for some fun from the stars with this survey of (relatively) benign aliens.
    [Show full text]
  • Prospectus July 2, 2021
    Written by Diane Sampson and Lauren Mayer Based on an idea by Tim Heitman Prospectus July 2, 2021 1 Table of Contents Page Description 3 Creative Team 4 A Story Worth Telling 5 Synopsis 6 Next Steps, How You Can Help – Subscriptions 6 How You Can Help – Buying Tickets 7 How You Can Help – How to Make a Contribution Thank you for helping to bring the story of Marie Dressler to the stage. 2 Creative Team Lauren Mayer (composer, co-lyricist) is a songwriter who works in educational theatre, musical revues, cabaret acts, and her own comedy performances. She wrote the music, lyrics & books for several published children’s shows, including December Rainbow which was commissioned by Broadway by the Bay, and she was the songwriter/music director for Darlene Popovic’s award- winning solo show. She has performed her own comedy songs at Society Cabaret, The Plush Room, Feinstein’s at the Niko, and others, and she is a 5-time recipient of the San Francisco Cabaret Gold Award, as well as a phi beta kappa graduate of Yale University (where she studied songwriting and music theory with composer/lyricist Maury Yeston). Lauren is thrilled to be working with Diane and Tim to help audiences fall in love with Marie Dressler, just like we have. Diane Sampson (librettist, co-lyricist) has written the books and lyrics for 4 other musicals, including Oh, Progeny! (two Bay Area productions) and The Tale of Sleeping Cutie, a commissioned work produced in San Francisco in 2014. Full-length non-musicals include Naked and The Greater Good, a finalist in Memphis’s Playhouse on the Square’s New Works Competition in 2019.
    [Show full text]
  • D.W. Griffith, the Keystone Kops and the Canadian Connection by Wyndham Wise
    D.W. Griffith, the Keystone Kops and the Canadian Connection By Wyndham Wise In his fulsome introduction in Maclean's as' (September 2003) to an excerpt from Kay Armatage's revisionist biography of the Victoria—born Nell Shipman, The Girl from God's Country: Nell Shipman and the Silent Cinema, crit- ic Brian D. Johnson claimed Shipman to be "Canada's first movie star." Johnson was not entirely accurate, however. Shipman was only a bit player in the history of Hollywood, never more than a starlet. Ten years prior to her appearence in Back to God's Country, which was released in 1919, no less than three actresses could lay claim to the title of the first Canadian movie star, and, remark- ably, they all appeared in films by D.W. Griffith, the legendary father of cinema, at the Biograph studios between 1908 and 1912. Biograph is the abbreviated name commonly used for the American Mutoscope and Biograph Company. It developed into one of the most active forces in the early years of American cinema and its studios at 11 East 14th Street in New York City were the spawn- ing ground for such formative talents as Griffith's stock company of players at Biograph included three Canadian leading ladies: Florence Lawrence, Florence LaBadie and Mary Pickford. Griffith and Mack Sennett. An itinerant actor and fledgling playwright, Griffith joined Biograph in early 1908, first as a writer and then as an actor. Later that same year, he directed his first film, The Adventures of Dollie. Over the next 18 months (from June 1908 to December 1909), Griffith personally directed all of the Biograph pictures, an incredible 200 TAKE ONE 37 Florence Lawrence Picture Company of America at the end of 1909.
    [Show full text]
  • 1947-05-02, [P ]
    Friday, May 2, 1947 T O L E D O U N T O N J 0 U R N A L Pape Five Award Winners In Cast of Gold win Film Samuel Goldwvn presents. “The Best Years Of Our Lives”, starring Myrna Loy, Fredric March, Dana Andrews, Teresa Wright. Virginia < ' ' *'> ’ ’ ** Mavo and introducing Cathy O’ Don neil with Hoagy Carmichael. Glady- George, Harold Russell, Steve Cockran Rom art Bohnen, Ray Collins, anfl Victor Cutler? _ _ Released through RKO Radm Pic­ A (Afincint! Hlow “Swordsman” Crew tures Inc. Directed by William Wyler t.- * Jean Porter Cast Screen plav by Robert E. Sherwood Hayworth On European Tour Hold Loral Reunion From * novel by MacKinlay Kantor H ith Jimmy Lydon Director Of Photography Oregj HOLLYWOOD — Remin­ Toland. HOLLYWOOD — Jimmy iscing Is the vogue on the set Now Showing At State Theatre Lydon has been east to play For “Doan To Earth” of “The Swordsman' at Co- By Burny Zawodny the male lead opposite Jeaa lumhia these day* and for Porter in “Sweet Gene­ good reason. .' # ‘ * a Rita Hayworth, star of Columbia’s forthcoming Technicolor Samuel Goldwyn, who had vieve” the high school mu­ On the first day Of production ■Down To Earth” arrived in New York, Saturday ihooting, been in the movie industry since sical to be produced hy Sana Larry parks, male star of the 913, certainly is no man to go •' 1■■■ Katzmaa for Columbia re- (April 12) on the first leg of a goodwill tour ef Europe in con­ Technicolor film, discovered overboard in his expectations lease. nection with the forthcoming top-flight film.
    [Show full text]