PRODUCTION BIOS MICHAEL M. SCOTT (Executive Producer, Director)
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Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Beyond Westworld
“We Don’t Know Exactly How They Work”: Making Sense of Technophobia in 1973 Westworld, Futureworld, and Beyond Westworld Stefano Bigliardi Al Akhawayn University in Ifrane - Morocco Abstract This article scrutinizes Michael Crichton’s movie Westworld (1973), its sequel Futureworld (1976), and the spin-off series Beyond Westworld (1980), as well as the critical literature that deals with them. I examine whether Crichton’s movie, its sequel, and the 1980s series contain and convey a consistent technophobic message according to the definition of “technophobia” advanced in Daniel Dinello’s 2005 monograph. I advance a proposal to develop further the concept of technophobia in order to offer a more satisfactory and unified interpretation of the narratives at stake. I connect technophobia and what I call de-theologized, epistemic hubris: the conclusion is that fearing technology is philosophically meaningful if one realizes that the limitations of technology are the consequence of its creation and usage on behalf of epistemically limited humanity (or artificial minds). Keywords: Westworld, Futureworld, Beyond Westworld, Michael Crichton, androids, technology, technophobia, Daniel Dinello, hubris. 1. Introduction The 2016 and 2018 HBO series Westworld by Jonathan Nolan and Lisa Joy has spawned renewed interest in the 1973 movie with the same title by Michael Crichton (1942-2008), its 1976 sequel Futureworld by Richard T. Heffron (1930-2007), and the short-lived 1980 MGM TV series Beyond Westworld. The movies and the series deal with androids used for recreational purposes and raise questions about technology and its risks. I aim at an as-yet unattempted comparative analysis taking the narratives at stake as technophobic tales: each one conveys a feeling of threat and fear related to technological beings and environments. -
A Conversation with Walter Mirisch
history.wisc.edu FALL 2008 NEWS A Conversation with Walter Mirisch (BA ’42) “If you look at the history of blacks in films—from the inception of American films until the late 1960s—In the Heat of the Night was a revolutionary film. This change was brought about by people in the film industry, people like Walter Mirisch, who were humanists and who believed in the brotherhood of mankind and wanted to make films that spoke to the sense of brotherhood in themselves.” SIDNEY POITIER FINDING MYSELF alterMirisch WM: Oh yes. There were some very IN HISTORY (BA ’42) exem- extraordinary people there at my time. I Life Stories from Our Alumni Wplifies the best was very influenced by William Hesseltine Hollywood has to offer. He is a producer, in American history. I took a wonderful which in his case means he is an essential course in the history of the British Empire part of the film making process—from find- with Paul Knapland. And of course ing the story to editing to post-production. there was Chester Easum, who directed His intelligence, skill, experience, and my undergraduate thesis on the Rome- E-mail your humanity resulted in many films that enrich, Berlin Axis. He was very helpful, and he correspondence to: educate, but most of all provide entertain- taught me a great deal about historical historynewsletter@ ment of the highest order. He tells his story writing. And there were other really lists.wisc.edu. in his recent memoir I Thought We Were excellent people, such as Robert Reynolds Making Movies, Not History (UW Press, in Medieval history, and my advisor, 2008). -
TECHNICAL RIDER Pink Panther Film with Live Orchestra
TECHNICAL RIDER Pink Panther Film with Live Orchestra A joint production of Schirmer Theatrical & The Henry Mancini Family Trust under exclusive worldwide license from Metro-Goldwyn-Mayer Studios, Inc. SUBJECT TO UPDATES AS REQUIRED Schirmer Theatrical, LLC Part of the Music Sales Group 180 Madison Avenue, 24th Floor New York, NY 10016 Tel. 212-254-2100 [email protected] www.musicsalesclassical.com Initial: ______ I. Addendum to Contract a. This document is an integral part of the contract as stated in the introductory paragraphs of the general agreement. NO PART OF THIS RIDER MAY BE STRUCK OR ALTERED WITHOUT WRITTEN PERMISSION OF ALL PARTIES ASSIGNED TO THIS AGREEMENT. b. Definitions: At all times, the definition of the word “PRESENTER” shall refer to the legal entity that is engaging this production, which includes musicians, staff, management, etc. “VENUE” shall refer to the concert hall and location in which the production shall take place. “PRODUCTION” shall refer to the screening of the film “The Pink Panther,” and “FILM” shall refer to the original 1963 film The Pink Panther by director Blake Edwards. “COMPANY” shall refer to the limited liability company, Schirmer Theatrical, LLC, a legal entity incorporated and operating under the laws and jurisdiction of the State of New York. II. Overview All equipment, materials, personnel and/or labor specified in this rider will be provided by the PRESENTER, at the Presenter’s own expense (except where rider specifically notes that the “COMPANY Provides” or “PRODUCTION Provides”). Upon completion of the agreement or sixty (60) days prior to performance the PRESENTER shall provide to the Company plans and information about the VENUE including a plan and section view of the stage in CAD format, lists of sound, lighting and video inventories, and any additional information such as working hours and labor stipulations that may be vital to the planning of this engagement. -
Mise En Page 1
APAND JI ORHA NGE K CommissairesMPriseurs à Drouot Dimanche 17 octobre 2010 CINEMA LIVRES REVUES MAQUETTES ET CELLULOS MANUELS D’EXPLOITATION PROGRAMMES DOCUMENTS PHOTOGRAPHIES AFFICHES APANDJI ORHANGE K Ghislaine KAPANDJI et Elie MORHANGE,M Commissaires-Priseurs. Agrément 2004-508 – RCS Paris B 477 936 447. 46 bis, Passage Jouffroy – 75009 Paris. [email protected]. site www.kapandji-morhange.com. Tél : 01 48 24 26 10 – Fax : 01 48 24 26 11 VENTE AUX ENCHERES PUBLIQUES HÔTEL DROUOT – SALLE 13 9, Rue Drouot – 75009 Paris DIMANCHE 17 octobre 2010 à 11h Lots 1 à 146 à 14h30 Lots 147 à 469 CINEMA LIVRES REVUES MAQUETTES ET CELLULOS MANUELS D’EXPLOITATION PROGRAMMES DOCUMENTS PHOTOGRAPHIES AFFICHES Exposition Publique : Samedi 16 Octobre de 11 heures à 18 heures Téléphone pendant l’exposition et la vente : 01 48 00 20 13 Le catalogue est disponible en ligne sur les sites www.auction.fr, www.kapandji-morhange.com et www.cine-images.com Experts Jean-Louis CAPITAINE Alexandre BOYER Pierre BOURDY 68, rue de Babylone - 75007 PARIS Tél. : 01 45 51 27 50 Tél. + Fax : 01 47 05 60 25 Site : www.cine-images.com E-mail : [email protected] SOMMAIRE Vente du matin (à 11h) LIVRES (n° 1 à 50) REVUES (n° 51 à 68) MAQUETTES ET CELLULOS (n° 69 à 77) MANUELS D’EXPLOITATION (n° 78 à 122) PROGRAMMES (n° 123 à 128) DOCUMENTS (n° 129 à 146) (Jeux, disques vinyles, partitions, timbres, cartes postales, folioscopes) Vente de l’après-midi (à 14h30) PHOTOGRAPHIES (n° 147 à 351) AFFICHES (n° 352 à 469) GLOSSAIRE AFFICHES Etat A : excellent état. -
2020 Report to the Community
REPORT TO THE COMMUNITY Together, WE HEAL . 2 WE INNOVATE . 6 WE EMPOWER . 10 WE LEARN. 14 WE INSPIRE . 18 WE GROW . .. 22 The Numbers . 24 Accolades . 26 Financial Snapshot . 27 Leadership . 28 s Cedars-Sinai strives to enhance the human condition here and around the world, we know we are only as good as our people . All those who help us fulfill our mission share a commitment to saving and improving lives—and to working collaboratively to realize a shared vision . ATogether we heal, we innovate, we empower, we learn, we inspire and we grow . That’s what this Report to the Community is all about . It highlights some of the latest treatments, innovations and programs Cedars-Sinai is pursuing to ensure a better tomorrow for our patients . Cedars-Sinai’s outstanding fiscal year 2019 extended throughout the institution, including extraordinary growth and achievements in our academic programs (major research findings and a record number of advanced degrees awarded in the Graduate School of Biomedical Sciences) . And strong donor support helped our development team raise a record $120 million in philanthropy. Many of these gifts, small and large, came from grateful patients, reflecting their appreciation for the compassionate expertise of our physicians, nurses, pharmacists, other health professionals and support staff . Meanwhile, we cared for more outpatients and inpatients than ever before throughout Southern California . This was due to several factors, including the continued growth and geographic expansion of our network in Santa Monica and the Valley and clinical enhancements at Cedars-Sinai Marina del Rey Hospital. Our affiliation with Torrance Memorial Medical Center and a joint venture partnership with Providence St. -
Sinfonietta De Lausanne Ben Palmer
Blake Edwards’ TM Music by Henry Mancini SINFONIETTA DE LAUSANNE BEN PALMER . LEITUNG 7. DEZEMBER 2018 KKL LUZERN . KONZERTSAAL «The Pink Panther» is a trademark of Metro-Goldwyn-Mayer Studios Inc. All Rights Reserved. CLC_PINKPANTHER_PROGRAMM_AW_F1.indd 1 04.12.18 17:03 Wir freuen uns, Ihnen den Komödien- klassiker «The Pink Panther» von Regisseur Blake Edwards mit der legendären Filmmusik von Henry Mancini als Europapremiere und zugleich als Auftakt unserer Konzertreihe „Silver Screen Classics in Concert“ präsentieren zu dürfen. Im Jahr 1963 jagte Inspektor Jacques Clouseau (Peter Sellers) erstmals über die Kinoleinwände. Die Kombination aus Detektivgeschichte, Slap- stick-Komödie und Romantik zog das Publikum von Beginn an in seinen Bann. Zahlreiche Spielfilme und eine Zeichentrickserie folgten diesem Kinodebüt des „Pink Panthers“. Der elfte und jüngste Film dieses Fran- chise wurde 2009 in den Kinos gezeigt. Ebenso legendär wie der „Pink Panther“-Diamant sind auch die Figur Jacques Clouseau und die ikonische Filmmusik von Komponist Henry Mancini. Es gibt kaum jemanden, der sei- ne Melodie, angeführt vom tapsigen Spiel des Tenorsaxophons, nicht kennt. «The Pink Panther», besetzt mit illustren Namen wie David Niven, Peter Sellers, Robert Wagner, Capucine und Claudia Cardinale, erzählt von Inspector Clouseaus Bemühungen, einen berüchtigten Juwelendieb zu jagen, der schlicht als „Phantom“ bezeichnet wird. Der Dieb soll es auf einen be- sonders seltenen Schatz abgesehen haben: den aussergewöhnlichen «Pink Panther», der sich im Besitz von Prinzessin Dala befindet. Auf den Spuren des „Phantoms“ reist Clouseau von Cortina d‘Ampezzo nach Rom und tritt dabei gekonnt in zahlreiche Fettnäpfchen. Das heutige Konzert, eine Co-Produktion von Schirmer Theatrical und dem Mancini Family Trust, lässt diesen Klassiker der Krimikomödien in einer fein ausgearbeiteten Live-Version der kompletten Filmmusik von Henry Mancini in neuer Pracht erstrahlen. -
Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß. -
LE PAROLE DELLO SCHERMO 2006 Cineteca Del Comune Di Bologna Comune Di Bologna – Settore Cultura E Università
Festival Internazionale di Letteratura e Cinema LE PAROLE DELLO SCHERMO 2006 Cineteca del Comune di Bologna Comune di Bologna – Settore Cultura e Università II Edizione Bologna, martedì 27 giugno – venerdì 30 giugno 2006 LE PAROLE DELLO SCHERMO - FESTIVAL INTERNAZIONA- Manzoni 5), Oratorio di Santa Maria della Vita (via Clavature LE DI LETTERATURA E CINEMA 7), Cortile di Palazzo d’Accursio (Piazza Maggiore 6) SECONDA EDIZIONE • Spettacoli teatrali: Ritratto del Novecento (Teatro DMS, Via Bologna, 27 GIUGNO-30 GIUGNO 2006 Azzo Gardino 65), Mosca e Petuski 125 Km (partenza da Cortile Manifattura delle Arti, Via Azzo Gardino 65) Promosso da: • Mostra fotografica di Angelo Novi: Sala d’Ercole di Palazzo Comune di Bologna - Settore Cultura e Rapporti con l’Università d’Accursio (Piazza Maggiore 6) inaugurazione il 30 giugno Cineteca del Comune di Bologna alle ore 12:30 – dall’1 al 23 luglio ore 10-19. Ingresso libero Con il contributo di: Fondazione Carisbo Per informazioni Granarolo • Segreteria del Festival Montblanc via Riva di Reno 72 - Bologna - Tel 051 219 48 24 - Fax 051 219 Groupama Assicurazioni 48 21 Librerie.COOP e-mail: [email protected] ASCOM Sito web: www.cinetecadibologna.it/paroledelloschermo.htm Bologna Art Hotels dal 27 al 30 giugno infopoint all’esedra di Sala Borsa dalle 10 alle 20 • Cinema Lumière - Via Azzo Gardino 65 - Bologna - Tel. Con la collaborazione di: 051 219 53 11 150° anniversario rapporti italo-turchi Cinema Arlecchino – Via Lame 57 – Bologna – Tel. 051 Ambasciata italo-turca 522175 Amici di Babette ASL (Accendi molti fuochi) Modalità di accesso Banca di Bologna Ingresso singolo intero cinema Lumière e Arlecchino: Euro 4,00 Biblioteca comunale dell’Archiginnasio Ingresso singolo ridotto cinema Lumière e Arlecchino: Euro 2,00 Bologna Fiere Spa per i soci CRAL HERA Bologna, Coop Adriatica, dipendenti comunali. -
National Delta Kappa Alpha
,...., National Delta Kappa Alpha Honorary Cinema Fraternity. 31sT ANNIVERSARY HONORARY AWARDS BANQUET honoring GREER GARSON ROSS HUNTER STEVE MCQUEEN February 9, 1969 TOWN and GOWN University of Southern California PROGRAM I. Opening Dr. Norman Topping, President of USC II. Representing Cinema Dr. Bernard R. Kantor, Chairman, Cinema III. Representing DKA Susan Lang Presentation of Associate Awards IV. Special Introductions Mrs. Norman Taurog V. Master of Ceremonies Jerry Lewis VI. Tribute to Honorary l\llembers of DKA VII. Presentation of Honorary Awards to: Greer Garson, Ross Hunter, Steve McQueen VIII. In closing Dr. Norman Topping Banquet Committee of USC Friends and Alumni Mrs. Tichi Wilkerson Miles, chairman Mr. Stanley Musgrove Mr. Earl Bellamy Mrs. Lewis Rachmil Mrs. Harry Brand Mrs. William Schaefer Mr. George Cukor Mrs. Sheldon Schrager Mrs. Albert Dorskin Mr. Walter Scott Mrs. Beatrice Greenough Mrs. Norman Taurog Mrs. Bernard Kantor Mr. King Vidor Mr. Arthur Knight Mr. Jack L. Warner Mr. Jerry Lewis Mr. Robert Wise Mr. Norman Jewison is unable to be present this evening. He will re ceive his award next year. We are grateful to the assistance of 20th Century Fox, Universal studios, United Artists and Warner Seven Arts. DEPARTMENT OF CINEMA In 1929, the University of Southern California in cooperation with the Academy of Motion Picture Arts and Sciences offered a course described in the Liberal Arts Catalogue as : Introduction to Photoplay: A general introduction to a study of the motion picture art and industry; its mechanical founda tion and history; the silent photoplay and the photoplay with sound and voice; the scenario; the actor's art; pictorial effects; commercial requirements; principles of criticism; ethical and educational features; lectures; class discussions, assigned read ings and reports. -
Catalogo Catalogue 2019.Pdf
IN UN MONDO CHE CAMBIA, PUOI AMARE IL CINEMA FESTA DEL CINEMA DI ROMA DA UN’ALTRA PROSPETTIVA. 17-27 Ottobre 2019 PRODOTTO DA MAIN PARTNER Promosso da Partner Istituzionali Messaggio pubblicitario con finalità promozionale. WE LOVE CINEMA In collaborazione con BNL Main Partner della Festa del Cinema di Roma, dal 17 al 27 ottobre. Seguila da un altro punto di vista, su welovecinema.it e con la nostra app. by BNL - BNP PARIBAS welovecinema.it Sponsor Uffi ciali Auto Uffi ciale La banca per un mondo che cambia Partner Partner Tecnico Main Media Partner TV Uffi ciale Media Partner Sponsor FOOD PROMOTION & EVENTS MANAGEMENT Sponsor Tecnici PRODUZIONI E ALLESTIMENTI L'APP DELLA REGIONE LAZIO CON SCONTI E PROMOZIONI PER I GIOVANI DAI 14 AI 29 ANNI su cinema, eventi, libri, concerti, teatro, sport, turismo, pub e ristoranti SCARICA L’APP DAGLI STORE SCOPRI DI PIÙ NELLO SPAZIO DELLA REGIONE LAZIO ALLA FESTA AUDITORIUM PARCO DELLA MUSICA VIVILE STAGIONI DELLE ARTI CONCERTI FESTIVAL RASSEGNE VIALE PIETRO DE COUBERTIN • 00196 ROMA INFO: 06 8024 1281 • BIGLIETTERIA: 892 101 (SERVIZIO A PAGAMENTO) PROGRAMMAZIONE E BIGLIETTI SU AUDITORIUM.COM Siamo con il CINEMA ITALIANO ovunque voglia arrivare. cinecittaluce.it festadelcinema_165 X240 .indd 1 18/09/19 09:20 esecutivo-pagina-cinema.pdf 1 17/09/2019 09:47:37 C M Y CM MY CY CMY K Lavoriamo ogni giorno per valorizzare il set più bello del mondo. Mazda CX-30 Cat FestaCinema 165x240.indd 1 01/10/19 10:13 SIAE_per_FestaCinemaRoma_2019_165x240.pdf 1 10/09/19 11:47 SOGNI IDEE ARTE EeMOZIONI 14A EDIZIONE | 14TH EDITION -
Academynames Theater for Samuel Goldwyn
Academy of Motion Picture Arts and Sciences library. Beverly Hills, Calif. of the Academy of Motion Picture Arts and Sciences NUMBER 7 FALL,1974 HOLLYWOOD, CALIF. AcademyNames Theater For Samuel Goldwyn The Board of Governors of the Acad emy has voted to honor veteran filmmaker Samuel Goldwyn by nam ing the 1100-seat theater in its new building in his honor. Samuel Goldwyn, Jr., speaking on behalf of his mother and the Samuel Goldwyn Foundation, responded to the action by announcing, "We are honored that the Academy has cho sen to name its new theater for my father. He always believed in the future of the motion picture industry The seven·story building rising on the corner of Wilshire Boulevard and Almont Drive in Beverly s and the role of the Academy in that is no longer just an architectural sketch nor a scale·size model. Academy President Walter Mirisch (left), recently guided Samuel Goldwyn, Jr. on a tour of the new Academy headquarters. The theater in future. And as tangible evidence of the new building will be named in honor of filmmaker Samuel Goldwyn. that belief, the Samuel Goldwyn Foundation will make a gift of $750,- 000 to the Academy Foundation." Fall Retrospective Series Features Samuel Goldwyn (1882-1974) was born in Warsaw, Poland. He emi grated to the United States at the 'Best Performance' Award Winners age of 13. His career in film began On November 4, the Academy's fall The international character of mo with "The Squaw Man," in 1914. retrospective began with a pair of tion pictures is just as apparent in Between that and his final film, films in which Ingrid Bergman and screen acting as it is in all other "Porgy and Bess" (1959), Goldwyn Charles Laughton gave "Best Per aspects of movie making.