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AWARDS/NOMINATIONS

GRAMMY AWARD (201 4) THE BOOK THIEF Best Instrumental Composition

ACADEMY AWARD NOMINATION (2013) THE BOOK THIEF Best Original Score

BAFTA AWARD NOMINATION (2013) THE BOOK THIEF Best Original Music

GOLDEN GLOBE AWARD NOMINATION THE BOOK THIEF (2013) Best Original Score

ACADEMY AWARD NOMINATI ON (2012 ) LINCOLN Best Original Score

GOLDEN GLOBE AWARD NOMINATION LINCOLN (2012) Best Original Score

GRAMMY AWARD NOMINATION (2012) THE ADVENTURES OF TINTIN – THE SECRET Best Score for Visual Media OF THE UNICORN

BAFTA AWARD NOMINATIO N (2012 ) LINCOLN Best Original Music

CRITIC’S CHOICE AWARD (2012) LINCOLN Best Score

ACADEMY AWARD NOMINATION (2011) TINTIN Best Original Score

ACADEMY AWARD NOMINATION (2011) TINTIN Best Original Score

ACADEMY AWARD NOMINATION (2011) WAR HORSE Best Ori ginal Score

BAFTA AWARD NOMINATION (2011) WAR HORSE Best Original Music

GOLDEN GLOBE AWARD NOMINATION (2011) WAR HORSE Best Original Score

CRITICS CHOICE AWARD NOMINATION WAR HORSE (2011) Best Score

1 The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 JOHN WILLIAMS

ANNIE AWARD NOMINATION (2011) TINTIN Best Music in a Feature Production

EMMY AWARD (2009) Outstanding Original Main Title Theme Music

GRAMMY AWARD (2008) “The Adventures of Mutt” Best Instrumental Composition from AND THE KINGDOM OF THE CRYSTAL SKULL

GRAMMY AWARD (2006) “A Prayer for Peace” Best Instrumental Composition from MUNICH

GRAMMY AWARD (2006) Best Score Soundtrack Album

GRAMMY AWARD NOMINATION (2006) “Sayuri’s Theme and End Credits” Best Instrumental Composition from MEMOIRS OF A GEISHA

GRAMMY AWARD NOMINATION (2006) MUNICH Best Score Soundtrack Album

ACADEMY AWARD NOMINATION (2006) MUNICH Best Original Score

ACADEMY AWARD NOMINATION (2006) MEMOIRS OF A GEISHA Best Original Score

GOLDEN GLOBE AWARD (2005) MEMOIRS OF A GEISHA Best Original Score

GRAMMY AWARD NOMINATION (2005) EPISODE III -THE REVENGE OF Best Score Soundtrack Album THE SITH

GRAMMY AWARD NOMINATIONS (2005) “Anakin’s Betrayal” Best Instrumental Composition “The Ferry Scene” from STAR WARS EPISODE III-THE REVENGE OF THE SITH

ACADEMY AWARD NOMINATION (2005) AND THE PRISONER OF Best Original Score AZKABAN

GRAMMY AWARD NOMINATION (2004) HARRY POTTER AND THE PRISONER OF Best Score Soundtrack Album AZKABAN

KENNEDY CE NTER HONOR (2004) Career Achievement Award

GRAMMY AWARD NOMINATION (2003) HARRY POTTER AND THE CHAMBER OF Best Score Soundtrack Album SECRETS

2 The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 JOHN WILLIAMS

GRAMMY AWARD NOMINATION (2003) Best Score Soundtrack Album

ACADEMY AWARD NOMINATION (2002) CATCH ME IF YOU CAN Best Original Score

BAFTA AWARD NOMINATION (2003) CATCH ME IF YOU CAN Anthony Asquith Award for Achievement in Film Music

GRAMMY AWARD NOMINATION (2002) “Hedwig’s Theme” Best Instrumental Composition from HARRY POTTER AND THE SORCERER’S STONE

GRAMMY AWARD NOMINATION (2002) HARRY POTTER AND THE SORCERER’S Best Score Soundtrack Album STONE

EMMY AWARD NOMINATION (2002) THE 74 th ANNUAL Outstanding Music Direction

ACADEMY AWARD NOMINATION (2001) A.I. ARTIFICIAL INTELLIGENCE Best Original Score

ACADEMY AWARD NOMINATION (2001) HARRY POTTER AND THE SORCERER’S Best Original Score STONE

GOLDEN GLOBE AWARD NOMINATION (2002) A.I. ARTIFICIAL INTELLIGENCE Best Original Score

GRAMMY AWARD NOMINATION (2001) A.I. ARTIFICIAL INTELLIGENCE Best Sc ore Soundtrack Album

NATIONAL BOARD OF REVIEW (2001) Career Music Achievement Award

ACADEMY AWARD NOMINATION (2000) Best Original Score

GRAMMY AWARD (2000) “Theme from Angela’s As hes” Best Instrumental Composition from ANGELA’S ASHES

SHOWEST MAESTRO AWARD (2000) Career Achievement Award

ACADEMY AWARD NOMINATION (1999) ANGELA’S ASHES Best Original Score

GRAMMY AWARD NOMINATION (1999) “Stella By Starlight” Best Instrumental from CINEMA SERENAD E 2

3 The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 JOHN WILLIAMS

GRAMMY AWARD NOMINATION (1999) STAR WARS EPISODE 1: THE PHANTOM Best Instrumental Composition Written For A Motion MENACE Picture or Television

GOLDEN GLOBE NOMINATION (1999) ANGELA’S ASHES Best Original Score

BAFTA AWARD NOMINATION (1998) Anthony Asquith Award for Achievement in Film Music

ACADEMY AWARD NOMINATION (1998) SAVING PRIVATE RYAN Best Original Dramatic Score

GRAMMY AWARD (1998) SAVING PRIV ATE RYAN Best Instrumental Composition Written for a Motion Picture or Television

GRAMMY AWARD NOMINATION (1998) GERSHWIN FANTASY (featuring violinist Joshua Best Classical Crossover Album * Bell)

GOLDEN GLOBE NOMINATION (1998) SAVING PRIVATE RYAN Best Original Score

GRAMMY AWARD NOMINATION (1997) AMISTAD Best Instrumental Composition Written for a Motion Picture or Television

ACADEMY AWARD NOMINATION (1997) AMISTAD Best Original Dramatic Score

GRAMMY AWARD NOMINATION (1997) SEVEN YEARS IN TI BET Best Instrumental Composition Written for a Motion Picture or Television

GRAMMY AWARD NOMINATION (1997) THE LOST WORLD: Best Instrumental Composition Written for a Motion Picture or Television

GOLDEN GLOBE NOMINATION (1997) SEVEN YEARS IN TIBET Best Original Score

ACADEMY AWARD NOMINATION (1996) Best Original Dramatic Score

GRAMMY NOMINATION (1996) “Moonlight” Best Song Written for a Motion Picture or Television* from SABRINA

ACADEMY AWARD NOMINATION (1995) NIXON Best Original Dramatic Score

4 The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 JOHN WILLIAMS

ACADEMY AWARD NOMINATION (1995) SABRINA Best Origin al Musical or Comedy Score

ACADEMY AWARD NOMINATION (1995) “Moonlight” from SABRINA Best Original Song*

GOLDEN GLOBE NOMINATION (1995) “Moonlight” Best Original Song* from SABRINA

ACADEMY AWARD (1993) SCHINDLER'S LIS T Best Original Score

GRAMMY AWARD (1993) SCHINDLER'S LIST Best Instrumental Composition

GRAMMY NOMINATION (1993) JURASSIC PARK Best Instrumental Composition

ACADEMY AWARD NOMINATION (1991) JFK Best Original Score

ACADEMY AWARD NOMINATION (1991) “When You’re Alone” from HOOK Best Original Song *

ACADEMY AWARD NOMINATION (1990) Best Original Score

ACADEMY AWARD NOMINATION (1990) “Somewhere in my Memory” Best Original Song* from HOME ALONE

ACADEMY AWARD NOMINATION (1990) INDIA NA JONES AND THE LAST CRUSADE Best Original Score

GRAMMY NOMINATION (1989) INDIANA JONES AND THE LAST CRUSADE Best Album of Original Instr. Background Score

ACADEMY AWARD NOMINATION (1989) BORN ON THE FOURTH OF JULY Best Original Score

GOLDEN GLOBE NOMINATION (1989) BORN ON THE FOURTH OF JULY Best Original Score

ACADEMY AWARD NOMINATION (1988) THE ACCIDENTAL TOURIST Best Original Score

GOLDEN GLOBE NOMINATION (1988) THE ACCIDENTAL TOURIST Best Original Score

5 The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 JOHN WILLIAMS

GRAMMY NOMINATION (1988) OLYMPIC SPIRIT Best Instrumental Composi tion

ACADEMY AWARD NOMINATION (1987) EMPIRE OF THE SUN Best Original Score

BRITISH ACADEMY AWARD (1987) EMPIRE OF THE SUN Best Original Score

GRAMMY NOMINATION (1987) EMPIRE OF THE SUN Best Album of Original Instrumental

ACADEMY AWARD NOMINATION (1987) THE WITCHES OF EASTWICK Best Original Score

GRAMMY NOMINATION (1987) THE WITCHES OF EASTWICK Best Album of Original Instr. Background Score

ACADEMY AWARD NOMINATION (1984) THE RIVER Best Original Score

ACADEMY AWARD NOMIN ATION (1984) INDIANA JONES AND THE TEMPLE OF DOOM Best Original Score

ACADEMY AWARD NOMINATION (1983) Best Original Score

GRAMMY NOMINATION (1983) RETURN OF THE JEDI Best Album of Original Score

ACADEMY AWARD NOMINATION (1982) "If We Were In Love" Best Original Song* from YES, GIORGIO

ACADEMY AWARD (1982) E.T. THE EXTRA -TERRESTRIAL Best Original Score

GOLDEN GLOBE AWARD (1982) E.T. THE EXTRA -TERRESTRIAL Best Original Score

GRAMMY AWARD (1982) E.T. THE EXTRA -TERRESTRIAL Best Album of Origi nal Score

GRAMMY AWARDS (1982) “Flying Theme” Best Arrangement in Instrumental Recording from E.T. THE EXTRA-TERRESTRIAL Best Instrumental Composition

GRAMMY NOMINATION (1982) E.T. THE EXTR A-TERRESTRIAL Best Pop Instrumental Performance

6 The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 JOHN WILLIAMS

GRAMMY NOMINATION (1982) ADVENTURE ON EARTH Best Instrumental Composition

ACADEMY AWARD NOMINATION (1981) Best Original Score

GRAMMY AWARD (1981) RAIDERS OF THE LOST ARK Best Album of Orig. Score

ACADEMY AWARD NOMINATION (1980) Best Original Score

GRAMMY AWARDS (1980) THE EMPIRE STRIKES BACK Best Album of Original Score Best Instrumental Composition

GRAMMY NOMINATION (1980) “Yoda's Theme” Best Instrumental Composition from THE EMPIRE STRIKES BACK Best Pop Instrumental Pe rformance

GRAMMY NOMINATION (1980) “Imperial March ('s Theme)” Best Instrumental Composition from THE EMPIRE STRIKES BACK

ACADEMY AWARD NOMINATION (1979) Best Original Score

GRAMMY AWARD (1979) SUPERMAN Best Album of Original Score

GRAMMY AWARD (1979) Theme from SUPERMAN Best Instrumental Composition

GRAMMY NOMINATION (1979) Theme from SUPERMAN Best Pop Instrumental Performance

ACADEMY AWARD NOMINATION (1977) CLOSE ENCOUNTERS OF THE THIRD KIND Best Original Score

GRAMMY AWARD (1978) Theme from CLOSE ENCOUNTERS OF THE Best Instrumental Composition THIRD KIND

GRAMMY AWARD (1978) CLOSE ENCOUNTERS OF THE THIRD KIND Best Album of Original Score

GRAMMY AWARD NOMINATION (1978) CLOSE ENCOUNTERS OF THE THIRD KIND Best Pop Instrumental Performance

ACADEMY AWARD (1977) STAR WARS Best Original Score

7 The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 JOHN WILLIAMS

GOLDEN GLOBE AWARD (1977) STAR WARS Best Original Score

GRAMMY AWARDS (1977) STAR WARS Best Original Score for a Motion Picture Be st Pop Instrumental Recording

GRAMMY AWARD (1977) Main Title from STAR WARS Best Instrumental Composition

GRAMMY AWARD NOMINATION (1977) STAR WARS Album of the Year

ACADEMY AWARD Best Original Score (1975)

GOLDEN GLOBE AWARD JAWS Best Original Score (1975)

GRAMMY AWARD (1975) JAWS Best Original Score Album

ACADEMY AWARD NOMINATION (1974) Best Original Score

ACADEMY AWARD NOMINATION (1973) “Nice To Be Around” Best Original Song* from

ACADEMY AWARD NOMINATION (1973) CINDERELLA LIBERTY Best Original Score

ACADEMY AWARD NOMINATION (1972) THE POSEIDON ADVENTURE Best Original Score

ACADEMY AWARD NOMINATION (1972) IMAGES Best Original Score

ACADEMY AWARD NOMINATION (1973) TOM SAWYER Best Orig inal Score *

ACADEMY AWARD NOMINATION (1969) THE REIVERS Best Original Score

ACADEMY AWARD (1971) Best Original and Adapted Score

ACADEMY AWARD NOMINATION (1969) GOODBYE MR. CHIPS Best Original Score

8 The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 JOHN WILLIAMS

ACADEMY AWARD NOMINATION (1967) VALLEY OF THE DOLLS Best Original Score

GRAMMY NOMINATION CHECKMATE Best Soundtrack

*shared nomination/award MOTION PICTURES

STAR WARS: EPISODE VII- J.J. Abrams / Bryan Burk / Kathleen Kennedy, prods. AWAKENS J.J. Abrams, dir. Lucasfilm / Pictures

UNTITLED COLD WAR SPY THRILLER Kristie Macosko Krieger / Marc Platt / , DreamWorks SKG / 20 th Century Fox prods. Steven Spielberg, dir.

THE BOOK THIEF Ken Blancato, /Karen Rosenfelt, prods. 20 th Century Fox , dir.

LINCOLN Steven Spielberg / Kathleen Kennedy , prods. DreamWorks SKG Steven Spielberg, dir.

WAR HORSE Steven Spielberg / Kathleen Kennedy / Frank Marshall / DreamWorks SKG Revel Guest, prods. Steven Spielberg, dir.

THE ADVENTURES OF TINTIN / Kathleen Kennedy / DreamWorks SKG Steven Spielberg, prods. Steven Spielberg, dir.

INDIANA JONES AND THE / Frank Marshall / KINGDOM OF THE CRYSTAL SKULL Rick McCallum, prods. Paramount Pictures Steven Spielberg, dir.

MUNICH Kathleen Kennedy / Barry Mendel / DreamWorks SKG Steven Spielberg, prods. Steven Spielberg, dir.

MEMOIRS OF A GEISHA / Steven Spielberg / Dough Wick, prods. Sony Pictures , dir.

9 The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 JOHN WILLIAMS

WAR OF THE WORLDS Steven Spielberg / Laurie MacDonald / Paramount Pictures Walter F. Parkes / Kathleen Kennedy / Paula Wagner, prods. Steven Spielberg, dir.

STAR WARS: EPISODE III - Rick McCallum, prod. REVENGE OF THE SITH George Lucas, exec. prod / dir. 20 TH Century Film / Lucasfilm

THE TERMINAL Steven Spielberg / Walter Parkes / DreamWorks SKG Laurie MacDonald, prods. Steven Spielberg, dir.

HARRY POTTER AND THE PRISONER OF Michael Barnathan / Callum McDougall / AZKABAN Mark Radcliffe, exec. prods. Warner Bros. / Chris Columbus, prods. Alfonso Cuaron, dir.

CATCH ME IF YOU CAN Walter Parkes / Steven Spielberg, prods. DreamWorks Steven Spielberg, dir.

HARRY POTTER AND THE CHAMBER OF David Heyman, prod. SECRETS Chris Columbus, dir. Warner Bros.

MINORITY REPORT Gerald R. Molen / Bonnie Curtis / Walter F. Parkes / 20 TH Century Fox Jan De Bont, prods. Steven Spielberg, dir.

STAR WARS: EPISODE II – ATTACK OF THE Rick McCallum, prod. CLONES George Lucas, dir. 20 TH Century Fox / Lucasfilm

HARRY POTTER AND THE SORCERER’S Michael Barnathan / Mark A. Radcliffe/ STONE David Heyman, prods. Warner Bros. Chris Columbus, dir.

A.I.: ARTIFICIAL INTELLIGENCE Steven Spielberg / / Bonnie Curtis, prods. Warner Bros. / Dreamworks Steven Spielberg, dir.

THE PATRIOT Dean Devlin / / , prods. Sony Pictures Roland Emmerich, dir.

ANGELA’S ASHES / / / Paramount Pictures David Wimbury, prods. Alan Parker, dir.

10 The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 JOHN WILLIAMS

STAR WARS: EPISODE I – THE PHANTOM Rick McCallum, prod. MENACE George Lucas, dir. 20 th Century Fox / Lucasfilm

STEPMOM Chris Columbus / Wendy Finerman / Mark Radcliffe / TriStar Michael Barnathan, prods. Chris Columbus, dir.

SAVING PRIVATE RYAN Steven Spielberg / Mark Gordon / / DreamWorks SKG Gary Levinsohn, prods. Steven Spielberg, dir.

AMISTAD Walter Parkes / Laurie MacDonald, exec. prods. DreamWorks SKG , prod. Steven Spielberg, dir.

SEVEN YEARS IN TIBET Jean-Jacques Annaud / Iain Smith / TriStar John Williams, prods. Jean-Jacques Annaud, dir.

THE LOST WORLD: JURASSIC PARK Steven Spielberg / Kathleen Kennedy, exec. Prods. Universal Gerald Molen / Colin Wilson, prods. Steven Spielberg, dir.

ROSEWOOD Jon Peters, prod. Warner Bros. John Singleton, dir.

SLEEPERS / Steve Golin, prods. Propaganda Films / Warner Bros. Barry Levinson, dir.

NIXON Andrew Vajna / Clayton Townsend / , prods. Cinergi Prods. / Pictures Oliver Stone, dir.

SABRINA Scott Rudin / , prods. Paramount Sydney Pollack, dir.

SCHINDLER'S LIST Branko Lustig / Gerald Molen, prods. Universal / Amblin Steven Spielberg, dir.

JURASSIC PARK Kathleen Kennedy / Gerald Molen, p rods. Universal / Amblin Steven Spielberg, dir.

FAR AND AWAY , prod. Imagine Entertainment / Universal , dir.

11 The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 JOHN WILLIAMS

HOME ALONE 2: LOST IN John Hughes, prod. 20th Century Fox Chris Columbus, dir.

HOOK Frank Marshall / Kathy Kennedy / Je rry Molen, prods. TriStar Steven Spielberg, dir.

JFK Arnon Milchan, ex. prod. Warner Bros. H. Kittman Ho, prod. Oliver Stone, prod./dir.

HOME ALONE John Hughes, prod. 20th Century Fox Chris Columbus, dir.

PRESUMED INNOCENT Sydney Pollack / Mark Rosenberg, prods. Warner Bros. Alan Pakula, dir.

STANLEY & IRIS Alex Winitsky / Arlene Sellers, prods. MGM Martin Ritt, dir.

ALWAYS Frank Marshall / Kathleen Kennedy, prods. Universal / Amblin Steven Spielberg, dir.

BORN ON THE 4TH OF JULY Oliver Stone / H.Kittman Ho, prods. Universal Oliver Stone, dir.

INDIANA JONES AND THE LAST CRUSADE Robert Watts, prod. Paramount / Lucasfilm Steven Spielberg, dir.

THE ACCIDENTAL TOURIST / Charles Okun / Michael Grills, prods. Warner Bros. Lawrence Kasdan, d ir.

EMPIRE OF THE SUN Steven Spielberg / Frank Marshall / Warner Bros. / Amblin Kathleen Kennedy, prods Steven Spielberg, dir.

WITCHES OF EASTWICK Neil Canton, prod. Warner Bros. George Miller, dir.

SPACE CAMP Walter Coblenz / Patrick Bailey, prods. ABC Motion Pictures Harry Winer, dir.

THE RIVER Bob Cortes, prod. Universal , dir.

INDIANA JONES AND THE TEMPLE OF DOOM George Lucas, prod. Paramount Steven Spielberg, dir.

STAR WARS EPISODE VI: RETURN OF THE George Lucas, prod. JEDI Richard Marquand, dir. 20 th Ce ntury Fox / Lucasfilm

12 The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 JOHN WILLIAMS

E.T. THE EXTRA -TERRESTRIAL Steven Spielberg / Kathleen Kennedy, prods. Universal Steven Spielberg, dir.

YES, GIORGIO Peter Fedderman, prod. MGM Franklin J. Schaffner, dir.

MONSIGNOR Frank Yablans, prod. 20 th Century Fox Frank Perry,dir.

HEARTBEEPS Michael Phillips, prod. Universal Allan Arkush,dir.

RAIDERS OF THE LOST ARK George Lucas, prod. Paramount Steven Spielberg, dir.

STAR WARS EPOSIDE V: THE EMPIRE George Lucas, prod. STRIKES BACK Irwin Kershner, dir. 20th Century Fox / Lucasfilm

SUPERMAN II Richard Lester, dir. Warner Bros.

DRACULA Marvin Mirisch / Tom Pevsner, prods. Universal John Badham, dir.

1941 John Milius, prod. Universal / Columbia Steven Spielberg, dir.

JAWS 2 Joe Alves, prod. Universal Jeannot Szwarc, dir.

SUPERMAN The Salkind Bros., prod. Warner Bros. , dir.

THE FURY Frank Yablans, prod. 20th Century Fox Brian Di Palma, dir.

CLOSE ENCOUNTERS OF THE THIRD KIND Julia and Michael Phillips, prods. Columbia Steven Spielberg, dir.

STAR WARS EPISODE IV: A NEW HOPE Gary Kurtz, prod. 20th Century Fox / Lucasfilm George Lucas, dir.

BLACK SUNDAY , prod. Paramount , dir.

FAMILY PLOT , p rod./dir. Universal

13 The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 JOHN WILLIAMS

MIDWAY , prod. Universal Jack Smight, dir.

THE MISSOURI BREAKS / Robert B. Sherman, prods. United Artists Arthur Penn, dir.

JAWS Zanuck / Brown, prods. Universal Steven Spielberg, dir.

THE EIGER SANCTION Jennings Lang, prod. Universal , dir.

SUGARLAND EXPRESS Richard Zanuch, David Brown, prods. Universal Steven Spielberg, dir.

CONRACK Martin Ritt, prod./dir. 20th Century Fox

EARTHQUAKE Jennings Lang / Mark Robson, prods. Universal Ma rk Robson, dir.

THE TOWERING INFERNO , prod. Warner Bros / 20th Century Fox , dir.

THE PAPER CHASE Roderick Paul / Robert Thompson, prods. 20th Century Fox James Bridges, dir.

THE MAN WHO LOVED CAT DANCING Eleanor Pe rry / Martin Poll, prods. MGM Richard C. Sarafian, dir.

CINDERELLA LIBERTY Mark Rydell, prod./dir. 20 th Century Fox

THE LONG GOODBYE Jerry Bick, prod. United Artists , dir.

THE POSEIDON ADVENTURE Irwin Allen ,prod. 20 th Century Fox Ronal d Neame, dir.

IMAGES Tommy Thompson, prod. United Artists Robert Altman, dir.

PETE & TILLIE Julius Epstein, prod. Universal Martin Ritt, dir.

THE COWBOYS Mark Rydell, prod. Warner Bros. Mark Rydell, dir.

FIDDLER ON THE ROOF (score adaptation) , prod./dir. The Mirisch Corporation

14 The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 JOHN WILLIAMS

DADDY’S GONE A - Mark Robson, prod./dir. Red Lion

THE REIVERS Irving Ravetch, prod. Cinema Center Films Mark Rydell, dir.

GOODBYE MR. CHIPS Arthur P. Jacobs, prod. MGM Herb Ross, dir.

SA RGEANT RYKER Frank Telford, prod. Universal Buzz Kulik, dir.

FITZWILLY Walter Mirisch, prod. The Mirisch Corporation , dir.

A GUIDE FOR THE MARRIED MAN Frank Mc Carthy, prod. 20 th Century Fox , dir.

VALLEY OF THE DOLLS Mark Robson, dir. 20 th Ce ntury Fox David Weisbart, prod.

THE RARE BREED William Alland, prod. Universal Andrew V. McLaglen, dir.

HOW TO STEAL A MILLION Fred Kohlman, prod. 20 th Century Fox , prod./dir.

THE PLAINSMAN Norman Pan ama, prod./dir. Warner Bros.

NOT WITHOUT MY WIFE YOU DON’T! Warner Bros.

PENELOPE Arthur Loew Jr., prod. MGM , dir.

NONE BUT THE BRAVE Howard W. Koch, prod. Warner Bros. , dir.

JOHN GOLDFARB, PLEASE COME HOME Stev e Parker, prod. 20th Century Fox J. Lee Thompson, dir.

THE KATHERINE REED STORY Robert Altman, dir.

THE KILLERS Donald Siegel, prod/dir. Universal

DIAMOND HEAD Jerry Bressler, prod. Columbia Guy Green, dir.

15 The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 JOHN WILLIAMS

BACHELOR FLAT Jack Cummings, prod. 20th Century Fox Fran k Taschlin, dir.

THE SECRET WAYS Richard Widmark, prod. Universal Phil Karlson, dir.

I PASSED FOR WHITE Fred M. Wilcox, prod./ dir. Allied Artists

BECAUSE THEY’RE YOUNG Jerry Bresler, prod. Columbia Pictures Paul Wendkos, dir.

DADDY -O Elmer C. Rhoden, Jr., prod. American Int ernational Pictures Lou Place, dir.

TELEVISION

GREAT PERFORMANCES (theme) PBS

2002 WINTER OLYMPICS THEME NBC “Call of the Champions”

1996 SUMMER OLYMPICS THEME NBC “

1988 SUMMER OLYMPICS THEME NBC “Olympic Spirit”

NBC NEWS THEME (1985) NBC “

1984 SUMMER OLYMPICS THEME NBC “Olympic Fanfare and Theme”

AMAZING STORIES (theme) Amblin Entertainment / Universal

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