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John Williams JOHN WILLIAMS AWARDS/NOMINATIONS GRAMMY AWARD (201 4) THE BOOK THIEF Best Instrumental Composition ACADEMY AWARD NOMINATION (2013) THE BOOK THIEF Best Original Score BAFTA AWARD NOMINATION (2013) THE BOOK THIEF Best Original Music GOLDEN GLOBE AWARD NOMINATION THE BOOK THIEF (2013) Best Original Score ACADEMY AWARD NOMINATI ON (2012 ) LINCOLN Best Original Score GOLDEN GLOBE AWARD NOMINATION LINCOLN (2012) Best Original Score GRAMMY AWARD NOMINATION (2012) THE ADVENTURES OF TINTIN – THE SECRET Best Score Soundtrack for Visual Media OF THE UNICORN BAFTA AWARD NOMINATIO N (2012 ) LINCOLN Best Original Music CRITIC’S CHOICE AWARD (2012) LINCOLN Best Score ACADEMY AWARD NOMINATION (2011) TINTIN Best Original Score ACADEMY AWARD NOMINATION (2011) TINTIN Best Original Score ACADEMY AWARD NOMINATION (2011) WAR HORSE Best Ori ginal Score BAFTA AWARD NOMINATION (2011) WAR HORSE Best Original Music GOLDEN GLOBE AWARD NOMINATION (2011) WAR HORSE Best Original Score CRITICS CHOICE AWARD NOMINATION WAR HORSE (2011) Best Score 1 The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 JOHN WILLIAMS ANNIE AWARD NOMINATION (2011) TINTIN Best Music in a Feature Production EMMY AWARD (2009) GREAT PERFORMANCES Outstanding Original Main Title Theme Music GRAMMY AWARD (2008) “The Adventures of Mutt” Best Instrumental Composition from INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULL GRAMMY AWARD (2006) “A Prayer for Peace” Best Instrumental Composition from MUNICH GRAMMY AWARD (2006) MEMOIRS OF A GEISHA Best Score Soundtrack Album GRAMMY AWARD NOMINATION (2006) “Sayuri’s Theme and End Credits” Best Instrumental Composition from MEMOIRS OF A GEISHA GRAMMY AWARD NOMINATION (2006) MUNICH Best Score Soundtrack Album ACADEMY AWARD NOMINATION (2006) MUNICH Best Original Score ACADEMY AWARD NOMINATION (2006) MEMOIRS OF A GEISHA Best Original Score GOLDEN GLOBE AWARD (2005) MEMOIRS OF A GEISHA Best Original Score GRAMMY AWARD NOMINATION (2005) STAR WARS EPISODE III -THE REVENGE OF Best Score Soundtrack Album THE SITH GRAMMY AWARD NOMINATIONS (2005) “Anakin’s Betrayal” Best Instrumental Composition “The Ferry Scene” from STAR WARS EPISODE III-THE REVENGE OF THE SITH ACADEMY AWARD NOMINATION (2005) HARRY POTTER AND THE PRISONER OF Best Original Score AZKABAN GRAMMY AWARD NOMINATION (2004) HARRY POTTER AND THE PRISONER OF Best Score Soundtrack Album AZKABAN KENNEDY CE NTER HONOR (2004) Career Achievement Award GRAMMY AWARD NOMINATION (2003) HARRY POTTER AND THE CHAMBER OF Best Score Soundtrack Album SECRETS 2 The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 JOHN WILLIAMS GRAMMY AWARD NOMINATION (2003) CATCH ME IF YOU CAN Best Score Soundtrack Album ACADEMY AWARD NOMINATION (2002) CATCH ME IF YOU CAN Best Original Score BAFTA AWARD NOMINATION (2003) CATCH ME IF YOU CAN Anthony Asquith Award for Achievement in Film Music GRAMMY AWARD NOMINATION (2002) “Hedwig’s Theme” Best Instrumental Composition from HARRY POTTER AND THE SORCERER’S STONE GRAMMY AWARD NOMINATION (2002) HARRY POTTER AND THE SORCERER’S Best Score Soundtrack Album STONE EMMY AWARD NOMINATION (2002) THE 74 th ANNUAL ACADEMY AWARDS Outstanding Music Direction ACADEMY AWARD NOMINATION (2001) A.I. ARTIFICIAL INTELLIGENCE Best Original Score ACADEMY AWARD NOMINATION (2001) HARRY POTTER AND THE SORCERER’S Best Original Score STONE GOLDEN GLOBE AWARD NOMINATION (2002) A.I. ARTIFICIAL INTELLIGENCE Best Original Score GRAMMY AWARD NOMINATION (2001) A.I. ARTIFICIAL INTELLIGENCE Best Sc ore Soundtrack Album NATIONAL BOARD OF REVIEW (2001) Career Music Achievement Award ACADEMY AWARD NOMINATION (2000) THE PATRIOT Best Original Score GRAMMY AWARD (2000) “Theme from Angela’s As hes” Best Instrumental Composition from ANGELA’S ASHES SHOWEST MAESTRO AWARD (2000) Career Achievement Award ACADEMY AWARD NOMINATION (1999) ANGELA’S ASHES Best Original Score GRAMMY AWARD NOMINATION (1999) “Stella By Starlight” Best Instrumental Arrangement from CINEMA SERENAD E 2 3 The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 JOHN WILLIAMS GRAMMY AWARD NOMINATION (1999) STAR WARS EPISODE 1: THE PHANTOM Best Instrumental Composition Written For A Motion MENACE Picture or Television GOLDEN GLOBE NOMINATION (1999) ANGELA’S ASHES Best Original Score BAFTA AWARD NOMINATION (1998) SAVING PRIVATE RYAN Anthony Asquith Award for Achievement in Film Music ACADEMY AWARD NOMINATION (1998) SAVING PRIVATE RYAN Best Original Dramatic Score GRAMMY AWARD (1998) SAVING PRIV ATE RYAN Best Instrumental Composition Written for a Motion Picture or Television GRAMMY AWARD NOMINATION (1998) GERSHWIN FANTASY (featuring violinist Joshua Best Classical Crossover Album * Bell) GOLDEN GLOBE NOMINATION (1998) SAVING PRIVATE RYAN Best Original Score GRAMMY AWARD NOMINATION (1997) AMISTAD Best Instrumental Composition Written for a Motion Picture or Television ACADEMY AWARD NOMINATION (1997) AMISTAD Best Original Dramatic Score GRAMMY AWARD NOMINATION (1997) SEVEN YEARS IN TI BET Best Instrumental Composition Written for a Motion Picture or Television GRAMMY AWARD NOMINATION (1997) THE LOST WORLD: JURASSIC PARK Best Instrumental Composition Written for a Motion Picture or Television GOLDEN GLOBE NOMINATION (1997) SEVEN YEARS IN TIBET Best Original Score ACADEMY AWARD NOMINATION (1996) SLEEPERS Best Original Dramatic Score GRAMMY NOMINATION (1996) “Moonlight” Best Song Written for a Motion Picture or Television* from SABRINA ACADEMY AWARD NOMINATION (1995) NIXON Best Original Dramatic Score 4 The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 JOHN WILLIAMS ACADEMY AWARD NOMINATION (1995) SABRINA Best Origin al Musical or Comedy Score ACADEMY AWARD NOMINATION (1995) “Moonlight” from SABRINA Best Original Song* GOLDEN GLOBE NOMINATION (1995) “Moonlight” Best Original Song* from SABRINA ACADEMY AWARD (1993) SCHINDLER'S LIS T Best Original Score GRAMMY AWARD (1993) SCHINDLER'S LIST Best Instrumental Composition GRAMMY NOMINATION (1993) JURASSIC PARK Best Instrumental Composition ACADEMY AWARD NOMINATION (1991) JFK Best Original Score ACADEMY AWARD NOMINATION (1991) “When You’re Alone” from HOOK Best Original Song * ACADEMY AWARD NOMINATION (1990) HOME ALONE Best Original Score ACADEMY AWARD NOMINATION (1990) “Somewhere in my Memory” Best Original Song* from HOME ALONE ACADEMY AWARD NOMINATION (1990) INDIA NA JONES AND THE LAST CRUSADE Best Original Score GRAMMY NOMINATION (1989) INDIANA JONES AND THE LAST CRUSADE Best Album of Original Instr. Background Score ACADEMY AWARD NOMINATION (1989) BORN ON THE FOURTH OF JULY Best Original Score GOLDEN GLOBE NOMINATION (1989) BORN ON THE FOURTH OF JULY Best Original Score ACADEMY AWARD NOMINATION (1988) THE ACCIDENTAL TOURIST Best Original Score GOLDEN GLOBE NOMINATION (1988) THE ACCIDENTAL TOURIST Best Original Score 5 The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 JOHN WILLIAMS GRAMMY NOMINATION (1988) OLYMPIC SPIRIT Best Instrumental Composi tion ACADEMY AWARD NOMINATION (1987) EMPIRE OF THE SUN Best Original Score BRITISH ACADEMY AWARD (1987) EMPIRE OF THE SUN Best Original Score GRAMMY NOMINATION (1987) EMPIRE OF THE SUN Best Album of Original Instrumental ACADEMY AWARD NOMINATION (1987) THE WITCHES OF EASTWICK Best Original Score GRAMMY NOMINATION (1987) THE WITCHES OF EASTWICK Best Album of Original Instr. Background Score ACADEMY AWARD NOMINATION (1984) THE RIVER Best Original Score ACADEMY AWARD NOMIN ATION (1984) INDIANA JONES AND THE TEMPLE OF DOOM Best Original Score ACADEMY AWARD NOMINATION (1983) RETURN OF THE JEDI Best Original Score GRAMMY NOMINATION (1983) RETURN OF THE JEDI Best Album of Original Score ACADEMY AWARD NOMINATION (1982) "If We Were In Love" Best Original Song* from YES, GIORGIO ACADEMY AWARD (1982) E.T. THE EXTRA -TERRESTRIAL Best Original Score GOLDEN GLOBE AWARD (1982) E.T. THE EXTRA -TERRESTRIAL Best Original Score GRAMMY AWARD (1982) E.T. THE EXTRA -TERRESTRIAL Best Album of Origi nal Score GRAMMY AWARDS (1982) “Flying Theme” Best Arrangement in Instrumental Recording from E.T. THE EXTRA-TERRESTRIAL Best Instrumental Composition GRAMMY NOMINATION (1982) E.T. THE EXTR A-TERRESTRIAL Best Pop Instrumental Performance 6 The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 JOHN WILLIAMS GRAMMY NOMINATION (1982) ADVENTURE ON EARTH Best Instrumental Composition ACADEMY AWARD NOMINATION (1981) RAIDERS OF THE LOST ARK Best Original Score GRAMMY AWARD (1981) RAIDERS OF THE LOST ARK Best Album of Orig. Score ACADEMY AWARD NOMINATION (1980) THE EMPIRE STRIKES BACK Best Original Score GRAMMY AWARDS (1980) THE EMPIRE STRIKES BACK Best Album of Original Score Best Instrumental Composition GRAMMY NOMINATION (1980) “Yoda's Theme” Best Instrumental Composition from THE EMPIRE STRIKES BACK Best Pop Instrumental Pe rformance GRAMMY NOMINATION (1980) “Imperial March (Darth Vader's Theme)” Best Instrumental Composition from THE EMPIRE STRIKES BACK ACADEMY AWARD NOMINATION (1979) SUPERMAN Best Original Score GRAMMY AWARD (1979) SUPERMAN Best Album of Original Score GRAMMY AWARD (1979) Theme from SUPERMAN Best Instrumental Composition GRAMMY NOMINATION (1979) Theme from SUPERMAN Best Pop Instrumental Performance ACADEMY AWARD NOMINATION (1977) CLOSE ENCOUNTERS OF THE THIRD KIND Best Original Score GRAMMY AWARD (1978) Theme from CLOSE ENCOUNTERS OF THE Best Instrumental Composition THIRD KIND GRAMMY AWARD (1978) CLOSE ENCOUNTERS OF THE THIRD KIND Best Album of Original Score GRAMMY AWARD NOMINATION (1978) CLOSE ENCOUNTERS OF THE THIRD KIND Best Pop Instrumental Performance ACADEMY AWARD (1977) STAR WARS Best Original Score 7 The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 JOHN WILLIAMS GOLDEN GLOBE AWARD (1977)
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