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FILMS by LAWRENCE JORDAN Lawrence Jordan in Person
Bay Area Roots, Risk & Revision FILMS BY LAWRENCE JORDAN Lawrence Jordan In Person Sunday, May 13, 2007 — 7:30 pm — Yerba Buena Center for the Arts I don’t know about alchemy academically, but I am a practicing alchemist in my own way. —Lawrence Jordan Lawrence Jordan has been making films since 1952. He is most widely known for his animated collage films, which Jonas Mekas has described as, “among the most beautiful short films made today. They are surrounded with love and poetry. His content is subtle, his technique is perfect, his personal style unmistakable.” Tonight’s screening sketches out a sampler of Jordan’s films, starting with Trumpit, a 1950s ‘psychodrama’ starring Stan Brakhage, with sound by Christopher Maclaine; Pink Swine, an anti-art dada collage film set to an early Beatles track; Waterlight the first of Jordan’s “personal/poetic documentaries” made in the 1950s aboard a merchant marine freighter during his days as a wandering flâneur; and Winterlight, a visual poem of the Sonoma County winter landscape. Lawrence Jordan’s four most recent films will conclude the night: Enid’s Idyll, Chateau/Poyet, Poet’s Dream, and Blue Skies Beyond the Looking Glass. (Jenn Blaylock) Trumpit (1956) 16mm, b&w, sound, 6 minutes, print from the maker Stan Brakhage stars as the constricted love in this spoof of pseudo-erotic card play. (LUX) Waterlight (1957) 16mm, color, sound, 7 minutes, print from the maker Among the wanderings that began in the 1950s was the filmmaker's 3-year stint in the merchant marine. Waterlight is a night and day impression of the never-constant, ever-changing vast ocean and its companion the sky. -
Marie Dressle? S'"M'em-Orypr~~T~M~R.Cc::-If) O ~E Honored B Plaque (} Powell of Port Hope, a Cousin of Marie Dressler, and Will Be Dedicated by the Rev
Marie Dressle? S'"m'em-orYPr~~t~M~r.cC::-If) o ~e honored b plaque (} Powell of Port Hope, a cousin of Marie Dressler, and will be dedicated by the Rev. S.D. Abraham, Rector of St. Peter's Church. The baptismal records of St. Peter's show an entry which states that a daughter, born on November 9, 1868, to Alexander Rudolph Koerber and Anna, his wife, was baptized in St. Peter's on June 27, 1869. Since the date of birth given differs from that usually given in accounts of the life of "Marie Dressler", the name under which this child became famous as an actress and alsoJrom the date implied in some passages of her autobiography, it is well to point out that ba(J- tismal records of thiS kind are now accepted in applications for old age pension in the absence of regular registration. They have, therefore, almost as much authority Thc mcmory of deputy-rceve of Cobourg, as a registration cer- Cobourg's famous ac- and which is known tificate. At that time, and tress, Marie Dressler, across the country as for many years af- will be honored this "Marie Dressler's Bir- terwards, the Friday afternoon when a thplace", one of registration of births was provincial historical Cobourg's attractions to optional in Ontario. plaque will be unveiled on travellers. The attractive brick the grounds of St. Peter's The plaque is one of a cottage believed to have Anglican Church, where series being erected been rented by the her father was organist throughout the province Koerbers at the time of when she was born and by the Department of Leila's birth, still stands where her birth is Public Records and on King Street West in recorded. -
Dinner at Eight CELEBRATING MARIE DRESSLER’S 150Th BIRTHDAY
SOUVENIR PROGRAM Dinner At Eight CELEBRATING MARIE DRESSLER’S 150th BIRTHDAY from the collection of Marie Dressler Foundation Saturday, September 29, 2018 Best Western Plus Cobourg Inn, Cobourg, Canada MARIE’S 62nd BIRTHDAY SCRAPBOOK November 9, 1933 A STORY WORTH TELLING Almost one hundred and fifty years ago, a little girl named Leila Koerber came into this world here in Cobourg. Who was to know that some sixty plus years later, Leila, now named Marie Dressler, would become an Academy Award winner and the highest grossing movie star in the world for the years 1932 and 1933? While Marie would only spend the earliest years of her life here in Cobourg, she made a lasting impression. Once she arrived on Broadway in the late 1890’s, after almost twenty years of honing her operatic and comedic skills in travelling troupes, people began to notice and fall in love with this not-so-little girl. Although she starred in the first full length silent comedy, “Tillie’s Punctured Romance” in 1914 with a young Charlie Chaplin, her promising silent film career was interrupted by WWI. Afterwards, no one seemed interested in a fifties-something actor. Marie turned to charity work and became known for her social activism, always looking to help women less fortunate than herself. But she was destined to become a movie star. And it happened in 1930, when her friend, Frances Marion, the most successful screenwriter in Hollywood, tailored a star-worthy supporting role for her in “Anna Christie”. This film was a big deal as it was Greta Garbo’s first speaking role. -
Exploring Films About Ethical Leadership: Can Lessons Be Learned?
EXPLORING FILMS ABOUT ETHICAL LEADERSHIP: CAN LESSONS BE LEARNED? By Richard J. Stillman II University of Colorado at Denver and Health Sciences Center Public Administration and Management Volume Eleven, Number 3, pp. 103-305 2006 104 DEDICATED TO THOSE ETHICAL LEADERS WHO LOST THEIR LIVES IN THE 9/11 TERROIST ATTACKS — MAY THEIR HEORISM BE REMEMBERED 105 TABLE OF CONTENTS Preface 106 Advancing Our Understanding of Ethical Leadership through Films 108 Notes on Selecting Films about Ethical Leadership 142 Index by Subject 301 106 PREFACE In his preface to James M cG regor B urns‘ Pulitzer–prizewinning book, Leadership (1978), the author w rote that ―… an im m ense reservoir of data and analysis and theories have developed,‖ but ―w e have no school of leadership.‖ R ather, ―… scholars have worked in separate disciplines and sub-disciplines in pursuit of different and often related questions and problem s.‖ (p.3) B urns argued that the tim e w as ripe to draw together this vast accumulation of research and analysis from humanities and social sciences in order to arrive at a conceptual synthesis, even an intellectual breakthrough for understanding of this critically important subject. Of course, that was the aim of his magisterial scholarly work, and while unquestionably impressive, his tome turned out to be by no means the last word on the topic. Indeed over the intervening quarter century, quite to the contrary, we witnessed a continuously increasing outpouring of specialized political science, historical, philosophical, psychological, and other disciplinary studies with clearly ―no school of leadership‖with a single unifying theory emerging. -
Marcelo Pelissioli from Allegory Into Symbol: Revisiting George Orwell's Animal Farm and Nineteen Eighty-Four in the Light Of
MARCELO PELISSIOLI FROM ALLEGORY INTO SYMBOL: REVISITING GEORGE ORWELL’S ANIMAL FARM AND NINETEEN EIGHTY-FOUR IN THE LIGHT OF 21 ST CENTURY VIEWS OF TOTALITARIANISM PORTO ALEGRE 2008 2 UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL INSTITUTO DE LETRAS PROGRAMA DE PÓS-GRADUAÇÃO EM LETRAS ÊNFASE: LITERATURAS DE LÍNGUA INGLESA LINHA DE PESQUISA: LITERATURA, IMAGINÁRIO E HISTÓRIA FROM ALLEGORY INTO SYMBOL: REVISITING GEORGE ORWELL’S ANIMAL FARM AND NINETEEN EIGHTY-FOUR IN THE LIGHT OF 21 ST CENTURY VIEWS OF TOTALITARIANISM MESTRANDO: PROF. MARCELO PELISSIOLI ORIENTADORA: PROFª. DRª. SANDRA SIRANGELO MAGGIO PORTO ALEGRE 2008 3 4 PELISSIOLI, Marcelo FROM ALLEGORY INTO SYMBOL: REVISITING GEORGE ORWELL’S ANIMAL FARM AND NINETEEN EIGHTY-FOUR IN THE LIGHT OF 21 ST CENTURY VIEWS OF TOTALITARIANISM Marcelo Pelissioli Porto Alegre: UFRGS, Instituto de Letras, 2008. 112 p. Dissertação (Mestrado - Programa de Pós-graduação em Letras) Universidade Federal do Rio Grande do Sul. 1.Totalitarismo, 2.Animal Farm, 3. Nineteen Eighty-Four, 4. Alegoria, 5. Símbolo. 5 Acknowledgements To my dear professor and adviser Dr. Sandra Maggio, for the intellectual and motivational support; To professors Jane Brodbeck, Valéria Salomon, Vicente Saldanha, Paulo Ramos, Miriam Jardim, José Édil and Edgar Kirchof, professors who guided me to follow the way of Literature; To my bosses Antonio Daltro Costa, Gerson Costa and Mary Sieben, for their cooperation and understanding; To my friends Anderson Correa, Bruno Albo Amedei and Fernando Muniz, for their sense of companionship; To my family, especially my mother and grandmother, who always believed in my capacity; To my wife Ana Paula, who has always stayed by my side along these long years of study that culminate in the handing of this thesis; And, finally, to God, who has proved to me along the years that He really is the God of the brave. -
1984: the Worlds in the Novel and the Movie: a Comparative Study
1984: The Worlds in the Novel and the Movie: A Comparative Study. Dr; Urja Mankad George Orwell is the pen-name of Eric Arthur Blair, who was an English writer and journalist, well-noted as a novelist, critic and commentator on politics and culture. George Orwell is one of the most admired English - language essayists of the twentieth century, and is most famous for two novels critical of totalitarianism in general (1984)' and Stalinism in particular (Animal Farm), which he wrote and published towards the end of his life. To Orwell, liberty and democracy went together, guaranteeing, among other things, the freedom of the artist. He believed that the present capitalist civilization was corrupt, but that fascism would be morally calamitous. In December 1936, Orwell went to Spain as a fighter for the Republican side in the Spanish Civil War that was provoked by Francisco Franco's Fascist Uprising. In conversation with Philip Mairet, editor of New English Weekly, Orwell said, "This Fascism .. ... Somebody's got to stop it". Orwell was a dispassionate witness of his age, passionately involved in social and political issues. This appears to be a contradiction in terms but it is not, It expresses the genuine honesty of a man who fought for his convictions, and yet retained a degree of objectivity in his assessment of a situation or an issue. In an age dominated by political ideologies, he steered clear of them. He often tried to get inside a situation but did not at any stage surrender his right to think and to criticize. Though his political analysis was often nalve, his intuitive grasp of a situation was normally sound. -
Uk Films for Sale Efm 2017
UK FILMS FOR SALE EFM 2017 UK FILM CENTRE, STAND 39, EUROPEAN FILM MARKET, MARTIN-GROPIUS-BAU, NIEDERKIRCHNER STR 7, 10785 BERLIN weareukfilm.com @weareukfilm 10X10 TAltitude Film Sales Cast: Luke Evans, Kelly Reilly Charlie Kemball +49 30 206033 401 Genre: Thriller [email protected] Director: Suzi Ewing Market Office: MGB # 132 Status: Production Home Office tel: +44 20 7478 7612 Synopsis: After meticulous planning and preparation, Lewis snatches Cathy off the busy streets and locks her away in a soundproofed room measuring 10 feet by 10 feet. His motive - to have Cathy confess to a dark secret that she is determined to keep hidden. But, Cathy has no intention of giving up so easily. 47 Meters Down TAltitude Film Sales Cast: Claire Holt, Mandy Moore, Matthew Modine Charlie Kemball +49 30 206033 401 Genre: Thriller [email protected] Director: Johannes Roberts Market Office: MGB # 132 Status: Completed Home Office tel: +44 20 7478 7612 Synopsis: Twenty-something sisters Kate and Lisa are gorgeous, fun-loving and ready for the holiday of a lifetime in Mexico. When the opportunity to go cage diving to view Great White sharks presents itself, thrill-seeking Kate jumps at the chance while Lisa takes some convincing. After some not so gentle persuading, Lisa finally agrees and the girls soon find themselves two hours off the coast of Huatulco and about to come face to face with nature's fiercest predator. But what should have been the trip to end all trips soon becomes a living nightmare when the shark cage breaks free from their boat, sinks and they find themselves trapped at the bottom of the ocean. -
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Gale Henry Also Known As: "The Elongated Comedienne" Lived: April 15, 1893 - June 6, 1972 Worked as: film actress, producer, scenario writer, theatre actress Worked In: United States by Steve Massa Thought to be the prototype for Popeye’s girlfriend Olive Oyl, Gale Henry was tall and extremely skinny, with large eyes and a sharp nose. Known as “The Elongated Comedienne,” from 1914 to 1933 she entertained audiences with eccentric physical comedy. Like her contemporaries Alice Howell, Mabel Normand, Marie Dressler, and Louise Fazenda, Gale took many bumps and bruises in the name of laughter alongside her male comedian counterparts in an estimated two hundred fifty-eight shorts and features, some of the craziest of which she wrote. Her active female characters bear comparison with Pearl White and Helen Holmes, the “serial queens” of the 1910s, and she often spoofed the cliff-hanger genre in which they appeared. Henry’s performing style could be very broad, but she also had a gift for small, insightful gestures that could bring a moment of pathos and feeling into the knockabout. She often played put-upon slavies, but her unconventional looks also made her perfect as a lovelorn spinster, an overbearing wife, or a burlesque country girl. She wore a wide-brimmed hat, a tight, old-fashioned button-up blouse, a long plaid or checkered skirt, and clunky high-top shoes. The overall look had a feel of L. Frank Baum’s Scarecrow of Oz—as if she were put together from odd, mismatching parts. After growing up on a ranch in Bear Valley, California, Gale Henry began her stage career with the Temple Opera Company. -
Grand Design Hollywood As a Modern Business Enterprise, 1930-1939 1St Edition Download Free
GRAND DESIGN HOLLYWOOD AS A MODERN BUSINESS ENTERPRISE, 1930-1939 1ST EDITION DOWNLOAD FREE Tino Balio | 9780520203341 | | | | | Sound film And a good benshi was a star demanding star payment. Ashamed of his actions and with his spirit broken, Champ finally agrees to send an unwilling Dink to live with Tony and Linda. James Lastra. I may go back to it in the future. Oct 24, Judy marked it as did-not-finish. Champ asks Linda for enough money to buy the horse back, and she gives it to him. Our History. Tino Balio. When he 1930-1939 1st edition Dink, Champ immediately returns to good spirits. Hollywood remained suspicious, even fearful, of the new technology. Sort order. Murnau and Robert Flaherty 's Grand Design Hollywood as a Modern Business Enterprise Paramount. At first, the sound films which included synchronized dialogue, known as " talking pictures ", or " talkies ", were exclusively shorts. The Trap These appear to be the first publicly exhibited films with projection of both image 1930-1939 1st edition recorded sound. The American movie industry—already the world's most powerful—set an export record in that, by the applied measure of total feet of exposed film, was 27 percent higher than the year before. The sensitivity of the new panchromatic film delivered superior image tonal quality and gave directors the freedom to Grand Design Hollywood as a Modern Business Enterprise scenes at lower light levels than was previously practical. Potential offences include, but are not limited to: In papers and assignments: 1. October 31, Recommended readings: David Bordwell and Kristin Thompson. -
The Companion Film to the EDITED by Website, Womenfilmeditors.Princeton.Edu)
THE FULL LIST OF ALL CLIPS in the film “Edited By” VERSION #2, total running time 1:53:00 (the companion film to the EDITED BY website, WomenFilmEditors.princeton.edu) 1 THE IRON HORSE (1924) Edited by Hettie Gray Baker Directed by John Ford 2 OLD IRONSIDES 1926 Edited by Dorothy Arzner Directed by James Cruze 3 THE FALL OF THE ROMANOV DYNASTY (PADENIE DINASTII ROMANOVYKH) (1927) Edited by Esfir Shub Directed by Esfir Shub 4 MAN WITH A MOVIE CAMERA (CHELOVEK S KINO-APPARATOM) (1929) Edited by Yelizaveta Svilova Directed by Dziga Vertov 5 CLEOPATRA (1934) Edited by Anne Bauchens Directed by Cecil B. De Mille 6 CAMILLE (1936) Edited by Margaret Booth Directed by George Cukor 7 ALEXANDER NEVSKY (ALEKSANDR NEVSKIY) (1938) Edited by Esfir Tobak Directed by Sergei M. Eisenstein and Dmitriy Vasilev 8 RULES OF THE GAME (LA RÈGLE DU JEU) (1939) Edited by Marguerite Renoir Directed by Jean Renoir 9 THE WIZARD OF OZ (1939) Edited by Blanche Sewell Directed by Victor Fleming 10 MESHES OF THE AFTERNOON (1943) Edited by Maya Deren Directed by Maya Deren and Alexander Hammid 11 IT’S UP TO YOU! (1943) Edited by Elizabeth Wheeler Directed by Henwar Rodakiewicz 12 LIFEBOAT (1944) Edited by Dorothy Spencer Directed by Alfred Hitchcock 13 ROME, OPEN CITY (ROMA CITTÀ APERTA) (1945) Edited by Jolanda Benvenuti Directed by Roberto Rossellini 14 ENAMORADA (1946) Edited by Gloria Schoemann Directed by Emilio Fernández 15 THE LADY FROM SHANGHAI (1947) Edited by Viola Lawrence Directed by Orson Welles 16 LOUISIANA STORY (1948) Edited by Helen van Dongen Directed by Robert Flaherty 17 ALL ABOUT EVE (1950) Edited by Barbara “Bobbie” McLean Directed by Joseph L. -
To Download The
Dr. Erika R. Hamer DC, DIBCN, DIBE Board Certified Chiropractic Neurologist Practice Founder/Owner Family Chiropractic Care in Ponte Vedra Beach & Nocatee Town Center Dr. Erika R. Hamer DC, DIBCN, DIBE NOCATEE Initial Visit and Exam Board Certified Initial Visit and Exam - Valued at $260! Chiropractic Neurologist RESIDENT Valued at $260! Practice Founder/Owner SPECIAL *Offer alsoalso valid valid for for reactivating reactivating patients - those not Family Chiropractic Care seenpatients at the- those office not in seen the at previous the office six months. Serving St. Johns County for 17 Years in the previous six months. www.pontevedrawellnesscenter.com In Network for Most Insurance Companies Nocatee Town Center/834-2717 205 Marketside Ave., #200, Ponte Vedra, FL 32081 Most Insurance Companies THE PATIENT AND ANY OTHER PERSON RESPONSIBLE FOR PAYMENT HAS THE RIGHT TO REFUSE TO PAY, CANCEL PAYMENTPonte OR BE REIMBURSEDVedra Beach/273-2691 FOR PAYMENT FOR ANY SERVICE, EXAMINATION OR 4 x 2” ad TREATMENT WHICH IS PERFORMED AS A RESULT OF AND WITHIN 72 HOURS OF RESPONDING TO THE ADVERTISEMENT FOR THE FREE, DISCOUNTED FEE, OR REDUCED FEE SERVICE, EXAMINATION OR TREATMENT. CAN NOT BE COMBINED. MAY NOT BE VALID FOR FEDERAL PROGRAMS INCLUDING MEDICARE . WITH THIS AD AND ONE TIME USE ONLY. CANNOT BE APPLIED RETROACTIVELY100 Corridor TO ALREADY Rd BOOKED South, APPOINTMENTS. # 220, Ponte OFFER VedraEXPIRES 3/01/2021.Beach, FL 32082 YourYour Community Community Voice Voice for 50 for Years 50 Years PONTE VEDVEDRARA Nocatee Town Center/834-2717 RRecorecordderer 205 Marketside Ave, #200, Ponte Vedra, FL 32081 THE PATIENT AND ANY OTHER PERSON RESPONSIBLE FOR PAYMENT HAS THE RIGHT TO REFUSE TO PAY, CANCEL PAYMENT OR BE REIMBURSED FOR PAYMENT FOR ANY SERVICE, EXAMINATION OR TREATMENT WHICH IS PERFORMED AS A RESULT OF AND WITHIN 72 HOURS OF RESPONDING E TRA TO THE ADVERTISEMENT FOR THE FREE, DISCOUNTED FEE, OR REDUCED FEE SERVICE, EXAMINATION OR TREATMENT. -
Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood'
H-Film Black on Beauchamp, 'Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood' Review published on Monday, March 1, 1999 Cari Beauchamp. Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood. Berkeley: University of California Press, 1998. 475 pp. $21.95 (paper), ISBN 978-0-520-21492-7; $30.00 (cloth), ISBN 978-0-684-80213-8. Reviewed by Liza Black (University of Washington) Published on H-Film (March, 1999) A Boa Constrictor Without Lying Down is the well-deserved biography of an extraordinarily talented, unique, and powerful woman. She wrote hundreds of screenplays and had a profound impact on the lives of her friends and family. She was a professional woman amongst professional women. She was steadfastly loyal. She was also generous with her influence and power. According to her friend Adela Rogers St. Johns: "Frances Marion had the rugged determination of a boa constrictor where a friend was concerned." Beauchamp ably tells the story of Frances Marion's professional life. Marion was born in San Francisco in 1888. She moved to Los Angeles with her second husband. Where studio bosses initially noticed her looks instead of her writing. Others noted her beauty as well, but the only thing Marion took seriously was, first and foremost, her writing and, secondarily, attractive men. Over the course of her life, she wrote almost 200 produced films. During World War I, she was selected to film American Women in the War in France. She won two Academy Awards for writing The Big House (1930) and The Champ (1931) In 1933, Marion was elected as the first vice-president of the newly- formed Screen Writers' Guild.