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Cinema and Politics
Cinema and Politics Cinema and Politics: Turkish Cinema and The New Europe Edited by Deniz Bayrakdar Assistant Editors Aslı Kotaman and Ahu Samav Uğursoy Cinema and Politics: Turkish Cinema and The New Europe, Edited by Deniz Bayrakdar Assistant Editors Aslı Kotaman and Ahu Samav Uğursoy This book first published 2009 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2009 by Deniz Bayrakdar and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-0343-X, ISBN (13): 978-1-4438-0343-4 TABLE OF CONTENTS List of Images and Tables ......................................................................... viii Acknowledgements .................................................................................... ix Preface ........................................................................................................ xi Introduction ............................................................................................. xvii ‘Son of Turks’ claim: ‘I’m a child of European Cinema’ Deniz Bayrakdar Part I: Politics of Text and Image Chapter One ................................................................................................ -
Uzun-Katalog-Berlin-2014.Pdf
the lamb kuzu turkey, germany 2014, 85’, colour director-script Kutluğ Ataman cinematography Feza Çaldıran editing Ali Aga music Can Erdoğan-Sus cast Nesrin Cavadzade, Cahit Gök, Mert Taştan, Sıla Lara Cantürk, Nursel Köse, Taner Birsel, Güven Kıraç, Emel Göksu, Erdal Yıldız, Şerif Sezer production-distribution The Institute for the Readjustment of Clocks, Kutluğ Ataman, Fabian Gasmia, Henning Kamm, Ömer Rüştü Paşa Sok. No: 7 Nur Apt. D: 9 Teşvikiye Şişli 34365 Istanbul [email protected] Eastern Anatolian village tradition requires Kutluğ Ataman (Istanbul, 27-year-old Medine to serve oven-roasted lamb 1961) won rapid acclaim at her five-year-old son, Mert’s circumcision and awards for his first feast. Poor but determined, Medine puts feature, Serpent’s Tale. the family to work cutting branches to earn Lola+Bilidikid opened something towards the price of the sheep they the Panorama section need. Ismail, Medine’s unemployed husband, of the 49th Berlinale, won the Best Film award at is worried by his wife’s assertive behaviour. New York’s The New Festival and the Jury Special Envious of the attention Mert gets, his elder Prize in Berlin. 2 Girls confirmed his position in the sister, Vicdan, makes Mert believe that if a sheep top rank of Turkish filmmakers, national and inter- isn’t found, he will be slaughtered instead. national prizes. Journey to the Moon is a full-length film which, in its installation version, forms part of A singer-prostitute arrives in town. The village Ataman’s artwork series, ‘Mesopotamian Dramatur- leader finds Ismail a job at the slaughterhouse. -
Bu Kış Içinizi Isıtacak Kışbu Içinizi Yer Prag’Da Görmeniz Gereken
SİMİT SARAYI SİMİT SARAYI’NIN ÜCRETSİZ DERGİSİDİR FREE MAGAZINE OF SiMiT SARAYI NO:45 KASIM NOVEMBER 2016 Prag’da görmeniz gereken YILMAZ ERDOĞAN VE EKŞİ ELMALAR OYUNCULARI İLE ÖZEL RÖPORTAJ AN EXCLUSIVE INTERVIEW WITH 9 MUST –SEE LOCATIONS IN PRAGUE 9yer YILMAZ ERDOGAN AND THE CAST OF “EKSI ELMALAR” KIŞIN TATLI HABERCİSİ: KESTANE SWEET PRECURSOR OF WINTER: CHESTNUT ÇOCUĞUNUZA KİTAP OKUMAYI SEVDİRMENİN YOLLARI HOW TO MAKE YOUR CHILDREN ENJOJ READING MEGALOMAN KRALIN ÖLÜMSÜZLÜK ZİRVESİ: NEMRUT A MEGALOMANIAC KING’S SUMMIT OF IMMORTALITY: NIMROD Bitki KASIM 2016 • NO: 45 çaylarımız Bu kış içinizi ısıtacak OUR HERBAL TEAS WILL WARM YOU THIS WINTER Kasım Dergi ic kapak ilanlari.pdf 1 09/11/2016 16:10 C M Y CM MY CY CMY K Kasım Dergi ic kapak ilanlari.pdf 1 09/11/2016 16:10 EDİTÖR DE ITOR-IN-CHIEF Marka birinciliğinde lideriz! Değerli Simit Sarayı Dostları, Dünyaca ünlü bağımsız araştırma şirketi Future Bright’ın gerçekleştirdiği marka bilinirliği Leader in brand araştırmasında Simit Sarayı, pek çok global zinciri geride bırakarak yüzde 98 oranla ilk sırada yer aldı. Yine aynı şirket tarafından Suudi Arabistan’da yapılan başka C recognition! bir araştırmada ise marka bilinirliğimiz yüzde 70’in M üzerinde çıktı. Hepimizi gururlandıran ve göğsümüzü Dear Friends of Simit Sarayı, Y kabartan bu önemli başarılar, aynı zamanda Simit Sarayı In a brand awareness survery carried out by world- CM ekibi olarak çalışma azmimizi daha da pekiştiriyor. renowned independent research company Future Bright, MY Yurtdışı mağazalarımızın gördüğü ilgiden çok Simit Sarayı took first place with 98 percent, leaving behind memnunuz. Ürünlerimizin bu kadar çok seviliyor olması many global chains. -
Feature Films Catalogue Cannes 2017
Abay Kunanbay Cad. 33/6 Kavaklıdere Ankara Turkey T +90 312 466 3484 - 466 4728 [email protected] www.ankarasinemadernegi.org Turkish Film Industry Having begun to revive in the mid-1990s, the Turkish film industry has enjoyed its most productive and successful years in the second decade of the 2000s, both nationally and internationally. Whilst a total of 357 films were released in 2014, of which 108 were Turkish, in 2015 a total of 406 films were released and 139 of them were local productions. In 2016, 358 films were released and 135 of them were Turkish. In 2015, the 139 Turkish films released saw admissions of 34,700,356. In 2016, 31,102,129 tickets were sold for 135 Turkish films. Compared with 2015, there was virtually no change in the total number of films released, but admissions were down by 9%. Market share for local films decreased by 4% to 53% in comparison with 2015. In the first quarter of 2017, there was a 16% rise in audience numbers, bringing the total up to 24.3 million. This marks the highest number of quarterly admissions ever recorded. No. Turkish No. Foreign Total No. Percentage Turkish Film Foreign Film Total Year Films Films Films of admissions Admissions Admissions Admissions Released Released Released for local films 2010 65 187 252 21,706,524 19,357,870 41,064,394 52,86% 2011 70 218 288 21,222,541 21,075,959 42,298,500 50,17% 2012 61 221 282 20,487,442 23,448,321 43,935,763 46,63% 2013 85 236 321 28,990,793 21,414,227 50,405,020 57,52% 2014 108 249 357 35,513,942 25,888,685 61,402,627 57,84% 2015 139 267 406 34,700,356 26,039,310 60,739,666 57,13% 2016 135 223 358 31,102,129 27,114,489 58,216,618 53,42% Distribution Free market conditions apply to Turkish film distribution, with no subsidies or incentives available to the business. -
Eti Çocuk Tiyatrosu Bakü'de Anadolu Isuzu 30 Yaşinda
ANADOLU ISUZU 30 YAŞINDA ANADOLU ISUZU IS 30 YEARS OLD VODAFONE TİCARİ OPERASYONLAR VODAFONE COMMERCIAL OPERATIONS ETİ ÇOCUK TİYATROSU BAKÜ’DE ETI KIDS’ THEATRE WAS AT BAKU OCAK - JANUARY 2015 Sayı 41 - Issue 41 İçerikler Selçuk Boynueğri Genel Müdür Contents General Manager Değerli Scala MICE Dostları, SCALA MICE Publisher’s Note Yepyeni heyecanlar, beklentiler ve umutlarla yeni bir 1 yıla daha girdik. Bir yandan yüreğimizi koyduğumuz işimizde başarımız kanıtlanırken diğer yandan siz değerleri dostlarımızın Scala MICE’a olan bağlılığını, HABER sıcaklığını ve sevgisini hissettik. 2 News Kutlamalarla dolu bir dönemi geride bıraktık ve 2015 de “fark yaratacak” etkinliklerimizin planlarını EKSTRA yapmaya başladık. 6 Extra Bizler yeni çalışmalarımızın hazırlığı içerisindeyken, 2014 yılı boyunca gerçekleştirmiş olduğumuz unutulmaz organizasyonlarımızdan bazılarını sizlerle ORGANİZASYON paylaşmanın mutluluğunu yaşıyoruz. 8 Organisation Yeni yılın size ve tüm sevdiklerinize sağlık, dostluk, bol muhabbet ve keyif dolu günler getirmesini diliyoruz. TURİZM Saygılarımızla, 18 Tourism Dear Scala MICE Friends, We have welcomed a brand new year, with great Scala NEWS expectations and hope. On one hand we put our heart İmtiyaz Sahibi Scala MICE, Scala Turizm Tanıtım Ltd. Şti. adına and success to our business, on the the other hand we President and Publisher on behalf of Scala NEWS felt your commitment, warmth and love as our friends SELÇUK BOYNUEĞRİ to Scala MICE. Yayın Koordinatörü ve Yazı İşleri / Editor - In - Chief SUZAN TOMA We’ve left behind a festive season filled with Tasarım / Design celebrations and we started to make plans for our new CRETUM TASARIM TANITIM HİZMETLERI activities to stay different in 2015. Baskı / Printed By While we’re getting ready for our new performances, we CRETUM TASARIM TANITIM HİZMETLERI are pleased to share with you some of our memorable organizations which we’ve copmlete during 2014. -
Ferzan Özpetek
THE SPACE BETWEEN A PANORAMA OF CINEMA IN TURKEY This catalog has been published in conjunction with “The Space Between: A Panorama of Cinema in Turkey” co-presented by The Film Society of Lincoln Center and Moon and Stars Project of The American Turkish Society The Film Society of Lincoln Center April 27-May 10, 2012 Walter Reade Theater Elinor Bunin Munroe Film Center New York City The Film Society of Lincoln Center 165 West 65th Street New York, NY 10023 (212) 875-5610 Moon and Stars Project c/o The American Turkish Society 305 E. 47th Street, 8th Floor New York, NY 10017 (212) 583-7614 Written by Richard Peña, Doğa Kayalar Polat, Sean M. Dixon, Alexandra N. Sprano Edited by Binnaz Saktanber Graphic Design by Çağan Yüksel and Jacqueline M. Rivera Printed by Paragraf Basım From Moon and Stars Project of The American Turkish Society Dear Friends: It is our pleasure to co-present with The Film Society of Lincoln Center “The Space Between: A Panorama of Cinema in Turkey.” As part of our mission to highlight the changing face of Turkey’s arts and culture scene in the United States - as well as The American Turkish Society’s overall objective of enhancing mutual understanding between our countries - we have been true believers in the power of cinema not only in transporting audiences to distant places, but also reflecting the universality of the human experience. Building on this idea, Moon and Stars Project has been presenting and supporting numerous film events since its inception in order to expose American audiences and cinema professionals to Turkey’s rising film scene as well as to the developments in the country. -
9Th International Symposium
9th International Symposium Communication in the Millennium In Cooperation with University of Texas at Austin (U.S.A.) Anadolu University (Turkey), and İstanbul University (Turkey) May 22-25, 2011 Hosted by San Diego State University, School of Journalism and Media Studies (U.S.A.) The Association of Turkish and American Scholars (ATACS) The international symposium Communication in the Millennium has been organized since 2003 by scholars in Turkey and the United States, and each year the symposium organizers have noticed increasing interest in this academic event. Because of this interest, the co- founders and the organization committee of this symposium decided to form an association where both countries’ scholars are represented. The mission of the ATACS is to advance the communication profession in both countries through well-grounded academic research and to foster communication academics’ cooperation. The Communication in the Millennium is the established ATACS project, but the association will be working on different projects to serve its mission in the near future. ISBN 978-975-98560-5-2 Copyright © 2011 No part of this publication may be reproduced, storied in a retrieval system or transmitted in any from or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. The papers contained in this symposium book have been provided by authors. Authors are responsible for the contents of their own papers and they are also responsible for copyrighted materials in their studies in terms of legal issues. ii e-Book http://cim.anadolu.edu.tr 9th International Symposium Communication in the Millennium ISBN 978-975-98560-5-2 9th International Symposium Communication in the Millennium The Association of Turkish and American Scholars (ATACS) Symposium web page: http://cim.anadolu.edu.tr e-mail: [email protected] Adress: Anadolu Üniversitesi İletişim Bilimleri Fakültesi Yunusemre Kampusu 26470 Eskişehir, Türkiye iii Scientific Committee A. -
Turkish Independent Cinema: Between Bourgeois Auterism and Political Radicalism Murat Akser
Chapter Eight Turkish Independent Cinema: Between Bourgeois Auterism and Political Radicalism murat akser This chapter provides an overview and analysis of the key periods, directors, feature films, and aesthetic styles in Turkish independent cinema. Without financial backing and with little public interest and an authoritarian censorship board – curtailing individualistic and political forms of expression – Turkish independent cinema devel- oped, against all odds, in the 1960s. Since that time independent film- making has evolved as a result of different movements led by urban and well- educated directors. Yet, many of these cinematic movements never made it past their fringe existence, because Turkey’s mainstream film industry has always relied on the commercial and entertainment aspects of film production. Consequently, these movements played a minor role in the country’s overall cinema history; nevertheless, their influence and importance with respect to inspiring new generations of filmmakers continues to this day. Introduction As in many countries across Europe, audiences in Turkey saw the screenings of Lumière and Pathé shorts in 1896. During that period, film crews also documented city life in Istanbul and exhibited these films in major European centres (Scognamillo 2003). For their first dramatic features, in the 1920s, Turkish filmmakers adopted the Hollywood model of using genre films and star vehicles to entice the public’s inter- est (Arslan 2011). It would be decades before Turkish film directors developed their own style and focused on the more personal, political, and aesthetic aspects. One of the key reasons that independent film- making would not proliferate until the 1960s was the lack of support 132 Murat Akser by Yeşilçam – as Turkey’s film industry is known – of local film move- ments. -
Screening Boredom: the History and Aesthetics of Slow Cinema
SCREENING BOREDOM THE HISTORY AND AESTHETICS OF SLOW CINEMA Orhan Emre Çağlayan A Thesis submitted for the degree of Doctor of Philosophy in Film Studies University of Kent February 2014 ABSTRACT This thesis examines Slow Cinema, a stylistic trend within contemporary art cinema, although one with a longer pre-history. Its distinguishing characteristics pertain ultimately to narration: the films, minimalistic by design, retard narrative pace and elide causality. Specifically, its aesthetic features include a mannered use of the long take and a resolute emphasis on dead time; devices fostering a mode of narration that initially appears baffling, cryptic and genuinely incomprehensible and offers, above all, an extended experience of duration on screen. This contemporary current emerges from a historical genealogy of modernist art films that for decades distended cinematic temporality and, furthermore, from the critical and institutional debates that attended to it. This thesis, therefore, investigates Slow Cinema in its two remarkable aspects: firstly, as an aesthetic practice, focusing on the formal aspects of the films and their function in attaining a contemplative and ruminative mode of spectatorship; and, secondly, as a historical critical tradition and the concomitant institutional context of the films’ mode of exhibition, production and reception. As the first sustained work to treat Slow Cinema both as an aesthetic mode and as a critical discourse with historical roots and a Janus-faced disposition in the age of digital technologies, this thesis argues that the Slow Cinema phenomenon can best be understood via an investigation of an aesthetic experience based on nostalgia, absurd humour and boredom, key concepts that will be explored in respective case studies. -
Featurefilms
feature films feature films notes 1 2 feature films feature films 3 4 feature films mustang france, turkey, germany 2015, 97’, colour director Deniz Gamze Ergüven script Deniz Gamze Ergüven, Alice Winocour cinematography David Chizallet, Ersin Gök editing Mathilde Van de Moortel music Warren Ellis cast Güneş Nezihe Şensoy, Doğa Zeynep Doğuşlu, Tuğba Sunguroğlu, Elit İşcan, İlayda Akdoğan, Nihal Koldaş, Ayberk Pekcan production CG Cinema (Charles Gillibert), Bam Film (Mine Vargı), Vistamar Filmproduktion (Frank Henschke), Uhlandfilm (Anja Uhland) T +33 6 7193 7790 [email protected] It’s the beginning of the summer. Deniz Gamze Ergüven (Ankara, 1978) studied In a village in the north of Turkey, Lale and her four Filmmaking at La Fémis sisters come home from school, innocently playing in Paris afer earning with boys.The supposed debauchery of their games degrees in Literature causes a scandal with unintended consequences. and African History in The family home slowly turns into a prison, classes Johannesburg. Her graduation film, Bir Damla Su (A on housework and cooking replace school, and mar- Drop of Water, 2006), was selected for the Festi- riages begin to be arranged. The five sisters, driven val de Cannes Cinéfondation, and won an award in by the same desire for freedom, fight back against the Leopards of Tomorrow section at Locarno. Afer the limits imposed on them. graduating from La Fémis, she developed her first feature film project called Kings, which won the 2011 session of Emergence, the filmmaking school founded by Elisabeth Depardieu, and was selected for the 2011 Cinéfondation Workshop and 2012 Sundance Screenwriters Lab. -
20. ALTIN KOZA FİLM FESTİVALİ FİLM GÖSTERİM PROGRAMI / 20Th GOLDENBOLL FILM FESTIVAL SCREENINGS 16–22 EYLÜL / SEPTEMBER 2013
20. ALTIN KOZA FİLM FESTİVALİ FİLM GÖSTERİM PROGRAMI / 20th GOLDENBOLL FILM FESTIVAL SCREENINGS 16–22 EYLÜL / SEPTEMBER 2013 Tarih Seans Cinemaximum Seans Cinemaximum Seans Cinemaximum Seans Arıplex Reşatbey Seans Arıplex Reşatbey Seans Belediye Tiyatro Avşar Optimum Date Time Salon Time Salon 1 Time Salon 2 Time Salon 1 Time Salon 2 Time Salonu Salon 2 Umut / Hope 11.45 İkinci Kattan Şarkılar / 100’ Kuyu / The Well Songs From the Second Küf / Mold 12.15 Gelin / Bride 12.00 12.15 12.00 Kız Evlat / The Daughter 106' Floor 94’ 14.00 97’ 87' 98' Sen Aydınatırsın Vesikalı Yarim / My Yarım Kalan Şarkı / Song Beş Vakit / Times and Winds Geceyi / Thou Gild’st Cereyansız / Powerless 13.00 15.00 16.15 Prostitute Love 88’ 14.45 for Marion 15.00 14.45 111’ the Even 80' ENGELSİZ FİLMLER / / Monday 88’ 93' 107’ UNHINDERED FILMS- / September / Break the Barriers Yanlış Zamanda Yanlış Yerde Yalnızlar Rıhtımı / The Halk Parkı / Uyum Dersleri / Masumiyet / Innocence Bela / The Plague 17.45 / Wrong Time Wrong Place 18.30 Lonely Ones Quay 17.45 17.30 17.45 People's Park 17.30 Harmony Lessons 110’ 85' Pazartesi 80' 113' 78' 120’ 16 Eylül Anlattığımız Uzun ve Mutlu Bir Yaşam / A Çanakkale Yolun Sonu / Ilo Ilo / Ilo Ilo Simurg / Simurg Hikayeler / Stories Hayuta ve Berl / Epilogue 20.30 Long and Happy Life 20.45 20.30 20.15 20.30 20.15 Gallipoli 99' 109’ We Tell 96' 77' 105’ 108' Müslüm Baba’nın Evlatları / Children of 11.45 Anlattığımız Yanlış Zamanda Yanlış Yerde Müslüm Baba Yarım Kalan Şarkı / Song Yusuf ile Kenan / Yusuf and Hikayeler / Stories 12.15 / Wrong Time Wrong Place 53’ 12.00 for Marion 12.15 12.00 Kenan We Tell 80' Karadeniz’in Son 93' 80’ 108' 14.00 Korsanları / Last Black Sea Pirates 72’ 13.00 Düş ve Gerçek / ENGELSİZ FİLMLER / Jin / Jin Sonbahar / Autumn Popüler / Populaire Koş ve Zıpla/ Run&Jump UNHINDERED FILMS- 15.00 (*) 16.15 14.45 15.00 Jimmy P. -
Eco-Nostalgia in Popular Turkish Cinema Ekin Gündüz Özdemirci
Environmental Studies Faculty Publications Environmental Studies 9-2015 Eco-nostalgia in Popular Turkish Cinema Ekin Gündüz Özdemirci Salma Monani Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/esfac Part of the Communication Technology and New Media Commons, Critical and Cultural Studies Commons, Environmental Education Commons, Environmental Monitoring Commons, International and Intercultural Communication Commons, Mass Communication Commons, Social Influence and Political Communication Commons, and the Sustainability Commons Share feedback about the accessibility of this item. Özdemirci, Ekin Gündüz, and Salam Monani. "Eco-nostalgia in Popular Turkish Cinema." Ecomedia: Key Issues. Stephen Rust, Salma Monani, and Sean Cubitt. dE s. Routledge: Earthscan Series, 2015. This is the authors' version of the work (pre-print). This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/ esfac/72 This open access book chapter is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. Eco-nostalgia in Popular Turkish Cinema Abstract Book Summary: Ecomedia: Key Issues is a comprehensive textbook introducing the burgeoning field of ecomedia studies to provide an overview of the interface between environmental issues and the media globally. Linking the world of media production, distribution, and consumption to environmental understandings, the book addresses ecological meanings encoded in media texts, the environmental impacts of media production, and the relationships between media and cultural perceptions of the environment.