Feature Films Catalogue Cannes 2017
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Cinema and Politics
Cinema and Politics Cinema and Politics: Turkish Cinema and The New Europe Edited by Deniz Bayrakdar Assistant Editors Aslı Kotaman and Ahu Samav Uğursoy Cinema and Politics: Turkish Cinema and The New Europe, Edited by Deniz Bayrakdar Assistant Editors Aslı Kotaman and Ahu Samav Uğursoy This book first published 2009 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2009 by Deniz Bayrakdar and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-0343-X, ISBN (13): 978-1-4438-0343-4 TABLE OF CONTENTS List of Images and Tables ......................................................................... viii Acknowledgements .................................................................................... ix Preface ........................................................................................................ xi Introduction ............................................................................................. xvii ‘Son of Turks’ claim: ‘I’m a child of European Cinema’ Deniz Bayrakdar Part I: Politics of Text and Image Chapter One ................................................................................................ -
Uzun-Katalog-Berlin-2014.Pdf
the lamb kuzu turkey, germany 2014, 85’, colour director-script Kutluğ Ataman cinematography Feza Çaldıran editing Ali Aga music Can Erdoğan-Sus cast Nesrin Cavadzade, Cahit Gök, Mert Taştan, Sıla Lara Cantürk, Nursel Köse, Taner Birsel, Güven Kıraç, Emel Göksu, Erdal Yıldız, Şerif Sezer production-distribution The Institute for the Readjustment of Clocks, Kutluğ Ataman, Fabian Gasmia, Henning Kamm, Ömer Rüştü Paşa Sok. No: 7 Nur Apt. D: 9 Teşvikiye Şişli 34365 Istanbul [email protected] Eastern Anatolian village tradition requires Kutluğ Ataman (Istanbul, 27-year-old Medine to serve oven-roasted lamb 1961) won rapid acclaim at her five-year-old son, Mert’s circumcision and awards for his first feast. Poor but determined, Medine puts feature, Serpent’s Tale. the family to work cutting branches to earn Lola+Bilidikid opened something towards the price of the sheep they the Panorama section need. Ismail, Medine’s unemployed husband, of the 49th Berlinale, won the Best Film award at is worried by his wife’s assertive behaviour. New York’s The New Festival and the Jury Special Envious of the attention Mert gets, his elder Prize in Berlin. 2 Girls confirmed his position in the sister, Vicdan, makes Mert believe that if a sheep top rank of Turkish filmmakers, national and inter- isn’t found, he will be slaughtered instead. national prizes. Journey to the Moon is a full-length film which, in its installation version, forms part of A singer-prostitute arrives in town. The village Ataman’s artwork series, ‘Mesopotamian Dramatur- leader finds Ismail a job at the slaughterhouse. -
Ferzan Özpetek
THE SPACE BETWEEN A PANORAMA OF CINEMA IN TURKEY This catalog has been published in conjunction with “The Space Between: A Panorama of Cinema in Turkey” co-presented by The Film Society of Lincoln Center and Moon and Stars Project of The American Turkish Society The Film Society of Lincoln Center April 27-May 10, 2012 Walter Reade Theater Elinor Bunin Munroe Film Center New York City The Film Society of Lincoln Center 165 West 65th Street New York, NY 10023 (212) 875-5610 Moon and Stars Project c/o The American Turkish Society 305 E. 47th Street, 8th Floor New York, NY 10017 (212) 583-7614 Written by Richard Peña, Doğa Kayalar Polat, Sean M. Dixon, Alexandra N. Sprano Edited by Binnaz Saktanber Graphic Design by Çağan Yüksel and Jacqueline M. Rivera Printed by Paragraf Basım From Moon and Stars Project of The American Turkish Society Dear Friends: It is our pleasure to co-present with The Film Society of Lincoln Center “The Space Between: A Panorama of Cinema in Turkey.” As part of our mission to highlight the changing face of Turkey’s arts and culture scene in the United States - as well as The American Turkish Society’s overall objective of enhancing mutual understanding between our countries - we have been true believers in the power of cinema not only in transporting audiences to distant places, but also reflecting the universality of the human experience. Building on this idea, Moon and Stars Project has been presenting and supporting numerous film events since its inception in order to expose American audiences and cinema professionals to Turkey’s rising film scene as well as to the developments in the country. -
9Th International Symposium
9th International Symposium Communication in the Millennium In Cooperation with University of Texas at Austin (U.S.A.) Anadolu University (Turkey), and İstanbul University (Turkey) May 22-25, 2011 Hosted by San Diego State University, School of Journalism and Media Studies (U.S.A.) The Association of Turkish and American Scholars (ATACS) The international symposium Communication in the Millennium has been organized since 2003 by scholars in Turkey and the United States, and each year the symposium organizers have noticed increasing interest in this academic event. Because of this interest, the co- founders and the organization committee of this symposium decided to form an association where both countries’ scholars are represented. The mission of the ATACS is to advance the communication profession in both countries through well-grounded academic research and to foster communication academics’ cooperation. The Communication in the Millennium is the established ATACS project, but the association will be working on different projects to serve its mission in the near future. ISBN 978-975-98560-5-2 Copyright © 2011 No part of this publication may be reproduced, storied in a retrieval system or transmitted in any from or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. The papers contained in this symposium book have been provided by authors. Authors are responsible for the contents of their own papers and they are also responsible for copyrighted materials in their studies in terms of legal issues. ii e-Book http://cim.anadolu.edu.tr 9th International Symposium Communication in the Millennium ISBN 978-975-98560-5-2 9th International Symposium Communication in the Millennium The Association of Turkish and American Scholars (ATACS) Symposium web page: http://cim.anadolu.edu.tr e-mail: [email protected] Adress: Anadolu Üniversitesi İletişim Bilimleri Fakültesi Yunusemre Kampusu 26470 Eskişehir, Türkiye iii Scientific Committee A. -
Turkish Independent Cinema: Between Bourgeois Auterism and Political Radicalism Murat Akser
Chapter Eight Turkish Independent Cinema: Between Bourgeois Auterism and Political Radicalism murat akser This chapter provides an overview and analysis of the key periods, directors, feature films, and aesthetic styles in Turkish independent cinema. Without financial backing and with little public interest and an authoritarian censorship board – curtailing individualistic and political forms of expression – Turkish independent cinema devel- oped, against all odds, in the 1960s. Since that time independent film- making has evolved as a result of different movements led by urban and well- educated directors. Yet, many of these cinematic movements never made it past their fringe existence, because Turkey’s mainstream film industry has always relied on the commercial and entertainment aspects of film production. Consequently, these movements played a minor role in the country’s overall cinema history; nevertheless, their influence and importance with respect to inspiring new generations of filmmakers continues to this day. Introduction As in many countries across Europe, audiences in Turkey saw the screenings of Lumière and Pathé shorts in 1896. During that period, film crews also documented city life in Istanbul and exhibited these films in major European centres (Scognamillo 2003). For their first dramatic features, in the 1920s, Turkish filmmakers adopted the Hollywood model of using genre films and star vehicles to entice the public’s inter- est (Arslan 2011). It would be decades before Turkish film directors developed their own style and focused on the more personal, political, and aesthetic aspects. One of the key reasons that independent film- making would not proliferate until the 1960s was the lack of support 132 Murat Akser by Yeşilçam – as Turkey’s film industry is known – of local film move- ments. -
Screening Boredom: the History and Aesthetics of Slow Cinema
SCREENING BOREDOM THE HISTORY AND AESTHETICS OF SLOW CINEMA Orhan Emre Çağlayan A Thesis submitted for the degree of Doctor of Philosophy in Film Studies University of Kent February 2014 ABSTRACT This thesis examines Slow Cinema, a stylistic trend within contemporary art cinema, although one with a longer pre-history. Its distinguishing characteristics pertain ultimately to narration: the films, minimalistic by design, retard narrative pace and elide causality. Specifically, its aesthetic features include a mannered use of the long take and a resolute emphasis on dead time; devices fostering a mode of narration that initially appears baffling, cryptic and genuinely incomprehensible and offers, above all, an extended experience of duration on screen. This contemporary current emerges from a historical genealogy of modernist art films that for decades distended cinematic temporality and, furthermore, from the critical and institutional debates that attended to it. This thesis, therefore, investigates Slow Cinema in its two remarkable aspects: firstly, as an aesthetic practice, focusing on the formal aspects of the films and their function in attaining a contemplative and ruminative mode of spectatorship; and, secondly, as a historical critical tradition and the concomitant institutional context of the films’ mode of exhibition, production and reception. As the first sustained work to treat Slow Cinema both as an aesthetic mode and as a critical discourse with historical roots and a Janus-faced disposition in the age of digital technologies, this thesis argues that the Slow Cinema phenomenon can best be understood via an investigation of an aesthetic experience based on nostalgia, absurd humour and boredom, key concepts that will be explored in respective case studies. -
20. ALTIN KOZA FİLM FESTİVALİ FİLM GÖSTERİM PROGRAMI / 20Th GOLDENBOLL FILM FESTIVAL SCREENINGS 16–22 EYLÜL / SEPTEMBER 2013
20. ALTIN KOZA FİLM FESTİVALİ FİLM GÖSTERİM PROGRAMI / 20th GOLDENBOLL FILM FESTIVAL SCREENINGS 16–22 EYLÜL / SEPTEMBER 2013 Tarih Seans Cinemaximum Seans Cinemaximum Seans Cinemaximum Seans Arıplex Reşatbey Seans Arıplex Reşatbey Seans Belediye Tiyatro Avşar Optimum Date Time Salon Time Salon 1 Time Salon 2 Time Salon 1 Time Salon 2 Time Salonu Salon 2 Umut / Hope 11.45 İkinci Kattan Şarkılar / 100’ Kuyu / The Well Songs From the Second Küf / Mold 12.15 Gelin / Bride 12.00 12.15 12.00 Kız Evlat / The Daughter 106' Floor 94’ 14.00 97’ 87' 98' Sen Aydınatırsın Vesikalı Yarim / My Yarım Kalan Şarkı / Song Beş Vakit / Times and Winds Geceyi / Thou Gild’st Cereyansız / Powerless 13.00 15.00 16.15 Prostitute Love 88’ 14.45 for Marion 15.00 14.45 111’ the Even 80' ENGELSİZ FİLMLER / / Monday 88’ 93' 107’ UNHINDERED FILMS- / September / Break the Barriers Yanlış Zamanda Yanlış Yerde Yalnızlar Rıhtımı / The Halk Parkı / Uyum Dersleri / Masumiyet / Innocence Bela / The Plague 17.45 / Wrong Time Wrong Place 18.30 Lonely Ones Quay 17.45 17.30 17.45 People's Park 17.30 Harmony Lessons 110’ 85' Pazartesi 80' 113' 78' 120’ 16 Eylül Anlattığımız Uzun ve Mutlu Bir Yaşam / A Çanakkale Yolun Sonu / Ilo Ilo / Ilo Ilo Simurg / Simurg Hikayeler / Stories Hayuta ve Berl / Epilogue 20.30 Long and Happy Life 20.45 20.30 20.15 20.30 20.15 Gallipoli 99' 109’ We Tell 96' 77' 105’ 108' Müslüm Baba’nın Evlatları / Children of 11.45 Anlattığımız Yanlış Zamanda Yanlış Yerde Müslüm Baba Yarım Kalan Şarkı / Song Yusuf ile Kenan / Yusuf and Hikayeler / Stories 12.15 / Wrong Time Wrong Place 53’ 12.00 for Marion 12.15 12.00 Kenan We Tell 80' Karadeniz’in Son 93' 80’ 108' 14.00 Korsanları / Last Black Sea Pirates 72’ 13.00 Düş ve Gerçek / ENGELSİZ FİLMLER / Jin / Jin Sonbahar / Autumn Popüler / Populaire Koş ve Zıpla/ Run&Jump UNHINDERED FILMS- 15.00 (*) 16.15 14.45 15.00 Jimmy P. -
Uzun-Katalog-2012-Baski.Pdf
50.17% In 2011, 288 films were released in Turkey, of which 70 national films took a market share of 50.17%, the highest national market share in Europe.* Compared with 2010 (52.86%) and 2009 (50.92%), the national market share stayed almost the same. The Ministry of Culture & Tourism supported 56 feature film projects in 2011. It is our pleasure to share these facts with you. *antrakt-deniz yavuz IV beyond the hill tepenin ardı turkey, greece 2012, hd, 94’, colour director-script Emin Alper cinematography George Chiper – Lillemark editing Özcan Vardar music Özcan Vardar cast Tamer Levent, Reha Özcan, Mehmet Özgür, Berk Hakman, Banu Fotocan, Furkan Berk Kıran production Alper Film (Enis Köstepen, Seyfi Teoman), Two Thiryfive (Nikos Moutselos) distribution Alper Film, Enis Köstepen, Kemankeş Mah. Mumhane Cad. 39/39 34425 Beyoğlu Istanbul T +90 532 690 5636 [email protected] After retiring from the State Forestry Office, Emin Alper (Konya, 1974) Faik moved back to his hometown and started to studied economics and farm the land he inherited from his grandfather. history at Boğaziçi Uni- A sharecropper family takes care of his land and versity, Istanbul. He holds flock of goats. His son and his two grandsons a PhD in Turkish Modern arrive one hot summer’s day for a vacation. They History. He wrote and di- come at a time when Faik’s conflict with the rected the short films, Rıfat (2006) and The Letter (2005). neighbouring nomads is escalating. The gathering He currently teaches at the Istanbul Technical University provokes both unsettled family disputes and the Humanities & Social Sciences Department. -
Eco-Nostalgia in Popular Turkish Cinema Ekin Gündüz Özdemirci
Environmental Studies Faculty Publications Environmental Studies 9-2015 Eco-nostalgia in Popular Turkish Cinema Ekin Gündüz Özdemirci Salma Monani Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/esfac Part of the Communication Technology and New Media Commons, Critical and Cultural Studies Commons, Environmental Education Commons, Environmental Monitoring Commons, International and Intercultural Communication Commons, Mass Communication Commons, Social Influence and Political Communication Commons, and the Sustainability Commons Share feedback about the accessibility of this item. Özdemirci, Ekin Gündüz, and Salam Monani. "Eco-nostalgia in Popular Turkish Cinema." Ecomedia: Key Issues. Stephen Rust, Salma Monani, and Sean Cubitt. dE s. Routledge: Earthscan Series, 2015. This is the authors' version of the work (pre-print). This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/ esfac/72 This open access book chapter is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. Eco-nostalgia in Popular Turkish Cinema Abstract Book Summary: Ecomedia: Key Issues is a comprehensive textbook introducing the burgeoning field of ecomedia studies to provide an overview of the interface between environmental issues and the media globally. Linking the world of media production, distribution, and consumption to environmental understandings, the book addresses ecological meanings encoded in media texts, the environmental impacts of media production, and the relationships between media and cultural perceptions of the environment. -
Transforming Socio-Natures in Turkey; Landscapes, State And
“Transforming Socio-Natures is a landmark text for understanding Turkey’s socio- environmental challenges. This interdisciplinary collection engages the reader in a growing understanding of the ecological costs of neoliberal authoritarianism in Turkey. Ultimately, the reader emerges with critical tools for building a new historical-geographical framework for environmental thought and practice.” –Anna J. Secor, Professor of Human Geography, Durham University, UK “Smart, timely, incisive—this book is a wonderful collection representing some of the best new work from emerging scholars on issues of changing socio-natures, and environmental politics in contemporary Turkey. It is precisely the sort of book I would have loved to have had years ago, but at least its time has come.” –Leila M. Harris, Professor, Institute for Resources Environment and Sustainability and the Institute for Gender, Race, Sexuality and Social Justice, University of British Columbia, Canada “Spanning the whole Republican era and a wide range of environmental issues, this book fills a lacuna in studies of Turkey. It provides the reader with a unique vantage point for understanding the trajectories of and contemporary consequences of the vast economic, demographic and political transformations in the country.” –Ståle Knudsen, Professor of Social Anthropology, University of Bergen, Norway Transforming Socio-Natures in Turkey This book is an exploration of the environmental makings and contested historical trajectories of environmental change in Turkey. Despite the recent proliferation of studies on the political economy of environmental change and urban transformation, until now there has not been a sufficiently complete treatment of Turkey’s troubled environments, which live on the edge both geographically (between Europe and Middle East) and politically (between democracy and totalitarianism). -
New Cinema in Turkey
New Cinema in Turkey New Cinema in Turkey: Filmmakers and Identities between Urban and Rural Space By Giovanni Ottone New Cinema in Turkey: Filmmakers and Identities between Urban and Rural Space By Giovanni Ottone This book first published 2017 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2017 by Giovanni Ottone All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-1272-2 ISBN (13): 978-1-4438-1272-6 TABLE OF CONTENTS Acknowledgements ................................................................................... vii Preface ........................................................................................................ ix List of Illustrations ..................................................................................... xi Introduction ................................................................................................. 1 New Cinema in Turkey: Historical and Political Context Chapter One ................................................................................................. 9 Features of the New Auteur Cinema Chapter Two ............................................................................................. -
Turkish Cinema
HUMANITIES INSTITUTE TURKISH CINEMA Course Description: This course will present a critical understanding and historical knowledge on Turkish Cinema. We will explore Turkish Cinema from the early years to the New Turkish Cinema through historical, cultural, political and social perspectives. These perspectives will be illustrated with the iconic examples from Turkish Cinema. About the Professor This course was prepared by Nazli Bayram, Ph.D., Faculty of Communication Sciences, Cinema and Television Department, Eskisehir, Turkey. Course Content: Weeks Topics 1 Early Years 2 Pre-Yesilcam 3-4 Golden Age I 5-6 Golden Age II : Stars and Genres 7 Political Cinema: Yilmaz Guney 8-9 Women’s Film 10-11 Break from the Past 12-13 New Turkish Cinema 14-15 Into the World Cinema Readings: Akser, M. (2009). Yilmaz Guney’s Beautiful Losers: Idiom And Performance In Turkish Political Film. Cinema and Politics: Turkish Cinema and New Europe. D. Bayrakdar (Ed.). UK: Cambridge Scholars Publishing. Arslan, S. (2010). Cinema in Turkey: a new critical history. New York: Oxford University Press. Buker, S. The Film Does not End with an Ecstatic Kiss. Fragments of Culture: The Everyday of Modern Turkey, A. Saktanber, D. Kandiyoti (Eds.), London: I.B.Tauris & Co Ltd. Donmez-Colin, G. (2008). Turkish Cinema: Identity, Distance and Belonging. London: Reaktion Books. Elsaesser, T. (2005). European Cinema: Face To Face With Hollywood. Amsterdam: Amsterdam University Press. Erdogan, N. & Kaya, D. (2002). Institutional Intervention in the Distribution and Exhibition of Hollywood Films in Turkey. Historical Journal of Film, Radio and Television, 22:1, Pp. 47-59. 1 Mutlu, D. K.