Angels One Five on Talking Pictures TV Stars: Jack Hawkins, Michael Denison, John Gregson, Dulcie Gray, Veronica Hurst

Total Page:16

File Type:pdf, Size:1020Kb

Angels One Five on Talking Pictures TV Stars: Jack Hawkins, Michael Denison, John Gregson, Dulcie Gray, Veronica Hurst PREMIERE HIGHLIGHTS FOR January ON TALKING PICTURES TV SKY 328 | FREEVIEW 81 | FREESAT 306 | VIRGIN 445 Tues 31st Dec 11:30 Wed 1st Jan 22:05 and Sat 4th Jan 12:00 and Sun 12th Jan 19:10 Blitz on Britain (1960) Up the Chastity Belt (1971) War documentary, directed by Comedy, directed by Bob Kellett. Harry Booth. Commentary by: Stars: Frankie Howerd, Eartha Kitt, Alistair Cooke. The defence of Britain Anna Quayle, Bill Fraser, Graham during the blitz in World War II told Crowden, Roy Hudd, Hugh Paddick. through archive footage. Lurkalot the serf is called to help when Tues 31st Dec 14:30 Sir Braggart De Bombast tries to Talking Pictures TV with Veronica kidnap Lobelia De Custard. Hurst, star of Angels One Five Thurs 2nd Jan 13:15; Sun 5th Jan An exclusive interview with 18:30; Mon 6th Jan 07:20; Veronica Hurst, on her life and work, Sat 11th Jan 05:15 including the film Angels One Five. IWM: High Journey (1958) Tues 31st Dec 14:45 European countries photographed and Sat 4th Jan 16:00 from low-flying aircraft revealing Angels One Five (1952) historical heritage and remarkable War drama, directed by: George More landscapes. Narrated by Orson Welles. O’Ferrall Stars: Jack Hawkins, Michael Thurs 2nd Jan 22:00 Denison, John Gregson, Dulcie Gray, and Sat 4th Jan 23:30 Veronica Hurst. Life in the RAF during And Then There Were None (1974) the Battle of Britain, set in 1940. Crime Mystery directed by Tues 31st Dec 19:10 Peter Collinson. Stars: Oliver Reed, and Sat 4th Jan 21:40 Elke Sommer, Richard Attenborough, The Wolves of Willoughby Chase Stéphane Audran, Herbert Lom. (1989) Ten people in a hotel are accused of Fantasy directed by Stuart Orme murder by a pre-recorded voice; one Stars: Stephanie Beacham, Mel Smith, by one they are found dead. Richard O’Brien, Jane Horrocks. Classic Fri 3rd Jan 13:35; Sun 12th Jan mock-Gothic tale set in an isolated 13:35; Thurs 30th Jan 16:50 country house. IWM: They Stand Ready (1955) Wed 1st Jan 15:25 Documentary about National Service The Amazing Mr Blunden (1972) illustrated by the story of one young Family film, written and directed by National Serviceman. Lionel Jeffries. Stars: Laurence Fri 3rd Jan 16:10 Naismith, Lynne Frederick, Trent’s Last Case (1953) Rosalyn Landor, Garry Miller, Crime drama, directed by Herbert David Lodge, Diana Dors. Wilcox Stars: Margaret Lockwood, A family move to a haunted house Michael Wilding, Orson Welles, Miles and meet two ghostly children. Malleson, John McCallum. Philip Trent suspects foul play when an American financier is found dead. Angels One Five on Talking Pictures TV Stars: Jack Hawkins, Michael Denison, John Gregson, Dulcie Gray, Veronica Hurst. Directed by: George More O’Ferrall. The plot centres on a young fighter pilot during the Battle of Britain in World War II. Some scenes were shot at RAF Uxbridge, home to a wartime operations room. The first British production to portray the Battle of Britain. Airs: Tue 31st Dec 19 14:45 & Sat 4th Jan 16:00 Veronica Hurst on Talking Pictures TV Airing before Angels One Five is an exclusive interview with Veronica Hurst, who plays the role of Betty Carfax in the film. New Years Eve at 2:30pm PREMIERE HIGHLIGHTS FOR January ON TALKING PICTURES TV SKY 328 | FREEVIEW 81 | FREESAT 306 | VIRGIN 445 Raising the Wind on Talking Pictures TV ‘Carry On’ director Gerald Thomas directs this classic early 1960s comedy starring: Leslie Phillips, James Robertson Justice, Sid James, Kenneth Williams, Liz Fraser, Lance Percival, Joan Hickson, Jim Dale, Victor Maddern and Eric Barker. The film follows the adventures of a group of music students who move into a shared London flat in order to cut costs and have somewhere to practice their instruments. Things get tricky when one student accidentally sells a composition to an advertising agency and risks losing his scholarship. Can he and his friends find a way to raise the money to buy back the song rights? Slightly more highbrow humour than a ‘Carry On’, but no less hilarious. Airs on Sun 5th Jan at 7:10pm Sat 4th Jan 15:05 Wed 8th Jan 17:00 and Sun 2nd Feb 07:15 and Sat 11th Jan 18:00 IWM: Treble One – A Tribute They Came From Beyond Space (1959) (1967) Film featuring RAF 111 Squadron “Black Science-Fiction, directed by Arrows” aerobatics team. Daily routine Freddie Francis. Stars: Robert Hutton at the base and formation flying. Jennifer Jayne, Zia Mohyeddin. Sat 4th Jan 18:00 Scientists become possessed by an The Pot Carriers (1962) aggressive alien force. British comedy-drama directed by Sat 11th Jan 16:00 Peter Graham Scott. Stars: Ronald and Thurs 16th Jan 16:45 Fraser, Paul Massie, Carole Lesley & Warlords of Atlantis (1978) Dennis Price. A young prisoner Adventure Fantasy, directed by: struggles to adjust to life inside. Kevin Connor. Stars: Doug McClure, Sun 5th Jan 19:10 Peter Gilmore, Cyd Charisse, Daniel Raising the Wind (1961) Massey. A professor of archaeology, his son and an engineer are on a Comedy, directed by Gerald Thomas. quest to find the lost city of Atlantis, Stars: James Robertson Justice, but when a giant octopus attacks their Sid James, Leslie Phillips, Kenneth ship they awaken within a mysterious Williams, Liz Fraser and Eric Barker. underwater realm. A group of music students move into a shared flat in order to cut costs. Sun 12th Jan 16:00 and Wed 15th Jan 13:10 Sun 5th Jan 21:00 Vote for Huggett (1949) Mystery and Imagination Episode 5: Sweeney Todd (1970) Comedy, directed by: Ken Annakin. Stars: Jack Warner, Kathleen Harrison, Horror, directed by: Reginald Collin. Susan Shaw, Petula Clark, Diana Dors. Stars: Freddie Jones, Peter Sallis , Pa Huggett decides to enter the world Heather Canning and Mel Martin. of politics, causing uproar in his own Adaptation of the George Dibdin Pitt household and the local community. classic penny dreadful. In London’s Fleet Street is the shop of Sweeney Sun 12th Jan 21:00 Todd – ‘The Demon Barber’. Mystery and Imagination Customers disappear and Mr Todd has Episode 6: an ‘arrangement’ with Mrs Lovett, The Curse of the Mummy (1970) who owns the pie shop next door. Horror, directed by: Guy Verney. Stars: Isobel Black, Patrick Mower, Tues 7th Jan 19:00 Donald Churchill, Graham Crowden. and Sat 18th Jan 12:00 Adaptation of Bram Stoker’s novel, On the Night of the Fire (1939) Jewel of the Seven Stars. Wealthy Crime, directed by: Brian Desmond and eccentric Trelawny attempts to Hurst Stars: Ralph Richardson, reincarnate an ancient Egyptian Diana Wynyard, Romney Brent. Queen. His experiment has terrifying A barber commits a theft, leading to repercussions, especially upon his involvement in blackmail and murder. daughter, who bears an uncanny resemblance to the Queen. PREMIERE HIGHLIGHTS FOR January ON TALKING PICTURES TV SKY 328 | FREEVIEW 81 | FREESAT 306 | VIRGIN 445 Sunday Night at the London Palladium on Talking Pictures TV Debuting on ITV’s opening weekend in 1955, Sunday Night at the London Palladium was one of the weekly TV highlights which today’s variety shows can only aspire to. Originally hosted by Tommy Trinder, with Bruce Forsyth and Jimmy Tarbuck later taking over, guests included: Norman Wisdom, Adam Faith, Sid James, Frankie Howerd, Bob Monkhouse, The Searchers, Des O’Connor, Michael Bentine, Cleo Laine & Johnny Dankworth, Cliff Richard & the Shadows, Peter Cooke & Dudley Moore, Des O’Connor, and Roy Orbison. Airing on Sundays at 9pm, starting on Sun January 19th. Mon 13th Jan 18:50 Sun 19th Jan 21:00 and Sat 25th Jan 16:00 Sunday Night at the High Tide at Noon (1957) London Palladium Episode 1 Drama, directed by: Philip Leacock. The ground-breaking original British Stars: Betta St. John, Michael Craig, variety show is brought back to TV William Sylvester. A young woman in screens. Featuring the Tiller Girls, Nova Scotia marries, but her cabaret, comedy and showbiz stars. husband squanders their savings. Sun 19th Jan 22:00 Sat 18th Jan 17:35 and Thurs 23rd Jan 19:00 and Wed 22nd Jan 15:05 Venetian Bird (1952) Night Without Stars (1951) Mystery, directed by: Ralph Thomas . Drama, directed by Anthony Pélissier. Stars: Richard Todd, Eva Bartok, John Stars: David Farrar, Nadia Gray, Gregson. A private detective travels to Maurice Teynac. An Englishman falls Venice to find an Italian veteran of the for the widow of a Resistance fighter. Second World War. (AKA The Assassin) Sat 18th Jan 19:25 Mon 20th Jan 19:10 and Fri 24th Jan 18:55 and Sat 1st Feb 13:55 The October Man (1947) Personal Affair (1953) Crime thriller, directed by Roy Ward Drama, directed by Anthony Pelissier. Baker. Stars: John Mills, Edward Stars: Gene Tierney, Leo Genn and Chapman, Joan Greenwood. Glynis Johns. A teenager, who is in A man is suspected of murder, and love with her teacher disappears. begins to doubt his own innocence. Tues 21st Jan 19:00 Sat 18th Jan 21:30 and Sun 02 Feb 19:00 and Wed 22nd Jan 22:05 Old Bill and Son (1940) Personal Services (1987) Comedy, directed by: Ian Dalrymple. Comedy, directed by Terry Jones. Stars: Morland Graham, John Mills, Stars: Julie Walters, Alec McCowen, Mary Clare and Ronald Shiner. Shirley Stelfox, Danny Schiller. World War I veteran Bill re-enlists in A waitress decides to run a brothel. and ends up serving with his son. Sun 19th Jan 16:00 Wed 22nd Jan 18:45 and Thurs 23rd Jan 14:30 and Thu 30 Jan 08:45 The Kidnappers (1953) School for Secrets (1946) Drama, directed by Philip Leacock.
Recommended publications
  • Origen De La Enfermería En El Cine: El Género Histórico-Documental Y Biográfico
    ORIGEN DE LA ENFERMERÍA EN EL CINE: EL GÉNERO HISTÓRICO- DOCUMENTAL Y BIOGRÁFICO José Siles González Universidad de Alicante INTRODUCCIÓN El cine y las películas constituyen una herramienta fundamental para transmitir los fe- nómenos humanos en toda su complejidad, sin renunciar a ninguna de las dimensiones que intervienen en los acontecimientos. Ya Terencio y Shakespeare formularon la famosa frase: «Nada de lo humano me es ajeno». La enfermedad, el dolor, la muerte forman parte de la na- turaleza humana y, más tarde o temprano, de una u otro forma, acaban arribando a la existen- cia de todos los seres humanos que experimentan sus vivencias de forma tan diversa como compleja; es decir, mediante un determinado tipo de estética experiencial. Al cine, nada de lo humano le es ajeno y, particularmente, aquellos fenómenos vinculados a situaciones que producen cambios notables en quienes las viven (enfermedades, dolencias, pérdidas, etc.). Carper (1999) incluyó la dimensión estética como la cuarta integrante de los cuatro niveles del conocimiento enfermero (empírico-científico, ético, personal y estético). Otros autores desarrollaron modelos basándose en estos diferentes patrones y reinterpretando el conoci- miento estético desde las necesidades tanto del paciente como de la práctica profesional de enfermería partiendo de la base de la pertinencia de la estética ante situaciones –como el sufrimiento ante la enfermedad– donde el pensamiento subjetivo adquiere una gran intensi- dad (Chinn, 1994). Debido a su potencial de configuración ideológica (Lebel, 1973), el cine ha desempeña- do un papel determinante en el desarrollo de clichés, estereotipos y en una amplia gama de modelado de todos aquellos asuntos que forman parte de la realidad histórica.
    [Show full text]
  • Issues of Image and Performance in the Beatles' Films
    “All I’ve got to do is Act Naturally”: Issues of Image and Performance in the Beatles’ Films Submitted by Stephanie Anne Piotrowski, AHEA, to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English (Film Studies), 01 October 2008. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which in not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. (signed)…………Stephanie Piotrowski ……………… Piotrowski 2 Abstract In this thesis, I examine the Beatles’ five feature films in order to argue how undermining generic convention and manipulating performance codes allowed the band to control their relationship with their audience and to gain autonomy over their output. Drawing from P. David Marshall’s work on defining performance codes from the music, film, and television industries, I examine film form and style to illustrate how the Beatles’ filmmakers used these codes in different combinations from previous pop and classical musicals in order to illicit certain responses from the audience. In doing so, the role of the audience from passive viewer to active participant changed the way musicians used film to communicate with their fans. I also consider how the Beatles’ image changed throughout their career as reflected in their films as a way of charting the band’s journey from pop stars to musicians, while also considering the social and cultural factors represented in the band’s image.
    [Show full text]
  • Sydney Program Guide
    Page 1 of 28 Sydney Program Guide Sun Jun 7, 2015 06:00 TV SHOP - HOME SHOPPING WS G Home shopping programme. 06:30 TASTY CONVERSATIONS Captioned Repeat HD WS G Butterflied Grilled Perch Inspired by a recent trip to Japan, Audra cooks the perfect summer seafood grill. 06:40 UP THE FRONT 1972 Captioned Repeat WS PG Up The Front Lurk is a cowardly servant for an affluent family when World War I breaks out, but under hypnosis, he joins the cause and winds up in France. Can he make it back home before the enemy nabs him? Starring: Zsa Zsa Gabor, Bill Frazer, Frankie Howerd, Lance Percival Cons.Advice: Sexual References, Mild Coarse Language 08:30 TV SHOP - HOME SHOPPING WS G Home shopping programme. 09:30 ADVENTURES IN RAINBOW COUNTRY Repeat G Eye Of The Needle Follows the adventures of a teenager named Billy Williams and his friend Pete Gawa in northern Ontario. 10:00 ANTIQUES ROADSHOW Captioned Repeat G Burghley House Viewers from all corners bring their items to be appraised by the show's antiques experts. Are they valuable, priceless items, or will they go home disappointed? 11:00 JOHNNY YOU'RE WANTED 1956 Captioned Repeat WS G Johnny You're Wanted Johnny, a truck driver, offers a lift to an attractive hitch-hiker only to later be accused of her murder. Starring: Alfred Marks, John Slater 12:30 SUBARU NATIONAL ROAD SERIES WS NA Battle On The Border Now in its 7th year, the Battle of the Border has grown to hundreds of recreational and seasoned competitive cyclists.
    [Show full text]
  • Film Club Sky 328 Newsletter Freesat 306 AUGUST/SEPT 2020 Virgin 445
    Freeview 81 Film Club Sky 328 newsletter Freesat 306 AUGUST/SEPT 2020 Virgin 445 Dear Supporters of Film and TV History, Hoping you are all well and enjoying a Lyons Maid or two on the hotter days while watching Talking Pictures TV – your own personal trip to the flicks every day and no fleas! This month we bring you a wonderful new DVD Box set from Renown Pictures – The Comedy Collection Volume 3! We thought it was time we all had a jolly good laugh and with 11 films over 3 discs, starring some of the greatest British character actors you will see, it’s an absolute bargain at £20 for all 3 discs with free UK postage. Titles include: A Hole Lot of Trouble with Arthur Lowe, Victor Maddern and Bill Maynard; A Touch of The Sun with Frankie Howerd, Ruby Murray and Alfie Bass, once lost British comedy Just William’s Luck, fully restored to its former glory, Come Back Peter, with Patrick Holt and Charles Lamb, also once lost and never before released on DVD, as well as Where There’s A Will with George Cole and Kathleen Harrison, plus many more! More details overleaf. There’s an extra special deal on our Comedy Collection Volumes 1 and 2 as well. Regarding our events this year and next year, there is good news and bad news. Finally, the manager at the St Albans Arena has come back to the office and has secured 28th March 2021 for us. Sad news as it doesn’t look like we will be able to go ahead with any other event this year, including Stockport on Sunday 4th October.
    [Show full text]
  • The Hammer of the Sun (Winter of the World Volume Three) by Michael Scott Rohan ---Other Avon B
    The Hammer of the Sun (Winter of the World volume three) By Michael Scott Rohan ------------ ---------------------- Other Avon Books in The Winter of the World Trilogy by Michael Scott Rohan Volume 1: The Anvil of Ice Volume 2: The Forge in the Forest .------------------- Copyright © 1988 by Michael Scott Rohan Cover painting by Anne Yvonne Gilbert Published by arrangement with William Morrow and Company, Inc. Library of Congress Catalog Card Number: 89-32722 ISBN: 0-380-70549 All rights reserved, which includes the right to reproduce this book or portions thereof in any form whatsoever except as provided by the U.S. Copyright Law. For information address Permissions Department, William Morrow and Company, Inc., 105 Madison Avenue, New York, New York 10016. ---------------------- Contents Prelude Chapter One - The Forging Chapter Two - The Flaw Chapter Three - Into the Night Chapter Four - The High Gate Chapter Five - To the Heart of the World Chapter Six - King and Mastersmith Chapter Seven - Sorcerers' Isle Chapter Eight - The Cleansing Fires Chapter Nine - The Airs of Freedom Chapter Ten - The Shieldwall Breaks Chapter Eleven - The Hammer of the Sun Chapter Twelve - The Coming of the Spring Coda Appendix ----------------- Prelude The happiness of men is fragile; for so are we made that all our gains carry within them the seeds of loss, and too often we ourselves may sow them. After the events chronicled in the Book of the Helm, many long years of such happiness awaited Elof and Kara whom he loved, and the friends they had won; and for all he knew, in the pride and prime of his years, they might have lasted forever.
    [Show full text]
  • François-Auguste-René, Vicomte De Chateaubriand
    1 “TO BE CHATEAUBRIAND OR NOTHING”: FRANÇOIS-AUGUSTE-RENÉ, VICOMTE DE CHATEAUBRIAND “NARRATIVE HISTORY” AMOUNTS TO FABULATION, THE REAL STUFF BEING MERE CHRONOLOGY 1. Victor Hugo has been found guilty of scribbling “To be Chateaubriand or nothing” in one of his notebooks (but in his defense, when he scribbled this he was young). HDT WHAT? INDEX FRANÇOIS-AUGUSTE-RENÉ VICOMTE DE CHATEAUBRIAND 1768 September 4, Sunday: François-Auguste-René de Chateaubriand was born in Saint-Malo, the last of ten children of René de Chateaubriand (1718-1786), a ship owner and slavetrader. He would be reared in the family castle at Combourg, Brittany and then educated in Dol, Rennes, and Dinan, France. NOBODY COULD GUESS WHAT WOULD HAPPEN NEXT François-Auguste-René “Stack of the Artist of Kouroo” Project HDT WHAT? INDEX FRANÇOIS-AUGUSTE-RENÉ VICOMTE DE CHATEAUBRIAND 1785 At the age of 17 François-Auguste-René, vicomte de Chateaubriand, who had been undecided whether to become a naval officer or a priest, was offered a commission as a 2d lieutenant in the French Army based at Navarre. LIFE IS LIVED FORWARD BUT UNDERSTOOD BACKWARD? — NO, THAT’S GIVING TOO MUCH TO THE HISTORIAN’S STORIES. LIFE ISN’T TO BE UNDERSTOOD EITHER FORWARD OR BACKWARD. François-Auguste-René “Stack of the Artist of Kouroo” Project HDT WHAT? INDEX FRANÇOIS-AUGUSTE-RENÉ VICOMTE DE CHATEAUBRIAND 1787 By this point François-Auguste-René, vicomte de Chateaubriand had risen to the rank of captain in the French army. THE FUTURE IS MOST READILY PREDICTED IN RETROSPECT François-Auguste-René “Stack of the Artist of Kouroo” Project HDT WHAT? INDEX FRANÇOIS-AUGUSTE-RENÉ VICOMTE DE CHATEAUBRIAND 1788 François-Auguste-René, vicomte de Chateaubriand visited Paris and there made the acquaintance of a number of the leading writers of the era, such as Jean-François de La Harpe, André Chénier, and Louis-Marcelin de Fontanes.
    [Show full text]
  • Boxoffice Barometer (March 6, 1961)
    MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph.
    [Show full text]
  • Film Club Sky 328 Newsletter Freesat 306 MAY/JUNE 2020 Virgin 445
    Freeview 81 Film Club Sky 328 newsletter Freesat 306 MAY/JUNE 2020 Virgin 445 Dear Supporters of Film and TV History, Hoping as usual that you are all safe and well in these troubled times. Our cinema doors are still well and truly open, I’m pleased to say, the channel has been transmitting 24 hours a day 7 days a week on air with a number of premières for you all and orders have been posted out to you all every day as normal. It’s looking like a difficult few months ahead with lack of advertising on the channel, as you all know it’s the adverts that help us pay for the channel to be transmitted to you all for free and without them it’s very difficult. But we are confident we can get over the next few months. All we ask is that you keep on spreading the word about the channel in any way you can. Our audiences are strong with 4 million viewers per week , but it’s spreading the word that’s going to help us get over this. Can you believe it Talking Pictures TV is FIVE Years Old later this month?! There’s some very interesting selections in this months newsletter. Firstly, a terrific deal on The Humphrey Jennings Collections – one of Britain’s greatest filmmakers. I know lots of you have enjoyed the shorts from the Imperial War Museum archive that we have brought to Talking Pictures and a selection of these can be found on these DVD collections.
    [Show full text]
  • Gb 1456 Thomas
    GERALD THOMAS COLLECTION GERALD THOMAS COLLECTION SCOPE AND CONTENT Documents relating to the career of director GERALD THOMAS (Born Hull 10/12/1920, died Beaconsfield 9/11/1993). When Gerald Thomas died, his producer partner of 40 years Peter Rogers said: ‘His epitaph will be that he directed all the Carry On films.’ Indeed, for an intense 20-year period Thomas directed the Carry On gang through their innuendo laden exploits, and became responsible, along with Rogers, for creating one of the most enduring and endearing British film series, earning him his place in British popular culture. Thomas originally studied to become a doctor, before war service with the Royal Sussex Regiment put paid to his medical career. When demobilised in 1946, he took a job as assistant in the cutting rooms of Two Cities Films at Denham Studios, where he took Assistant Editor credits on Laurence Olivier’s Hamlet (1948) and the John Mills thriller The October Man (1947). In 1949, he received his first full credit as editor, on the Margaret Lockwood melodrama Madness of the Heart (1949). During this time Peter Rogers had been working as associate producer with his wife, producer Betty Box, on such films as It’s Not Cricket (1949) and Don’t Ever Leave Me (1949). It was Venetian Bird in 1952 that first brought Thomas and Rogers together; Thomas employed as editor by director brother Ralph, and Rogers part of the producer team with Betty Box. Rogers was keen to form a director/producer pairing (following the successful example of Box and Ralph Thomas), and so gave Gerald his first directing credit on the Circus Friends (1956), a Children’s Film Foundation production.
    [Show full text]
  • The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008
    Repositorium für die Medienwissenschaft Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008 https://doi.org/10.25969/mediarep/1299 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Reiter, Roland: The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons. Bielefeld: transcript 2008. DOI: https://doi.org/10.25969/mediarep/1299. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.14361/9783839408858 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 3.0 Attribution - Non Commercial - No Derivatives 3.0 License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/3.0 https://creativecommons.org/licenses/by-nc-nd/3.0 Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien.
    [Show full text]
  • Yellow Submarine (U) Mamma Mia: Here We Go Again
    TINSIDE LIDO 20 - 22 JULY TINSIDE LIDO 24 - 26 AUGUST The Piano (15) Yellow Submarine (U) Dirty Dancing (12) The Shape of Water (15) Jaws (12A) Some Like It Hot (U) Friday 20 July Saturday 21 July Sunday 22nd July Friday 24 August Saturday 25 August Sunday 26 August 9.30pm, bar from 8pm 9.30pm, bar from 8pm 9.30pm, bar from 8pm 9.15 pm, bar from 8pm 9.15pm, bar from 8pm 9.15pm, bar from 8pm Dir. Jane Campion, New Zealand, 1993, 120 mins. Dir. George Dunning, UK, 1968, 90 mins. Dir. Emile Ardolino, US, 1987, 98 mins. Dir. Guillermo Del Toro, Canada/US, 2017, 123 Dir. Steven Spielberg, US, 1975, 124 mins. Dir. Billy Wilder, US, 1959, 121 mins. Cast. Holly Hunter, Anna Paquin, Harvey Keitel, Cast. George Harrison, John Lennon, Paul Cast. Jennifer Grey, Patrick Swayze, Cynthia Rhode, mins. Cast. Sally Hawkins, Octavia Spencer, Michael Cast. Roy Scheider, Richard Dreyfuss, Robert Cast. Marilyn Monroe, Jack Lemmon, Tony Curtis Sam Neill. McCartney, Ringo Starr, Dick Emery, Lance Percival. Jerry Orbach, Jack Weston, Jane Brucker. Shannon. Shaw, Lorraine Gary. Arguably the best and most We are delighted to be screening As a special 50th Anniversary treat To finish our weekend of music Intertwining sci-fi, horror and gothic In what has become a bit of a popular comedy ever made, this 25th Anniversary re-release. PAC is joining with The Box to bring and film we thought, what better romance to spellbinding effect, Del Tinside summer tradition we are Marilyn Monroe, Jack Lemmon and Hunter gives a majestic silent you this iconic film in an iconic way to celebrate than with the Toro’s singular vision shows how delighted to have the best seaside Tony Curtis star in Billy Wilder’s performance as Ada McGrath, the Plymouth location.
    [Show full text]
  • Carry on Cabby, Gender, and the Local Industrial Power Nexus
    Carry on Cabby, Gender, and the Local Industrial Power Nexus Kieron O’Hara More than 900 years have passed since the Norman Conquest, and it is sobering to think that so many centuries of English history, that the slow, beneficent growth of a society so traditional and stable, that the legacy of Shakespeare, Jonson, Dryden and the like-should have issued at last with “Carry On Camping,” which opened yesterday at neighborhood theaters.’ For no man Laughs at old jests ....’ 1. Introduction The Curry On films have for a long time held an important place in British popular culture, although a place not acknowledged in the litera- ture on popular culture as often ‘as one might think. A series of comedy films played by a large ensemble of comedy actors, with little or no claim to art, whose humor would fairly be described as basic, the Curry Ons have a felt Englishness3 about them, often described as analogous to fish and chips, or saucy seaside postcards. They have not endeared them- selves to critics or intellectuals: feminists and the right deplore their near-obsession with the breasts and bottoms of a series of buxom actresses (chiefly Barbara Windsor); the left detect reactionary views: particularly of working relationships, perhaps most in evidence in Kenneth Cope’s doctrinaire and obstructive shop steward in Curry On At Your Convenience. Even where the influence of the Curry Ons is acknowledged without prejudice, it is not generally the case that that influence can be seen as a good one. For example, Peter Hutchings rightly notes the importance of the Curry On tradition for Hitchcock’s Fren~y;~however, no-one would claim that Frenzy was the most politi- cally correct of Hitch’s pictures.
    [Show full text]