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The Black Tent
The Black Tent (1956) and Bengazi (1955): The Image of Arabs in Two Post-Empire Journeys into the Deserts of Libya Richard Andrew Voeltz [email protected] Cameron University Volume 7.1 (2018) | ISSN 2158-8724 (online) | DOI 10.5195/cinej.2018.200 | http://cinej.pitt.edu Abstract These two little known films are both part of the cycle of post-imperial films dealing with the decline of the British Empire. They are perhaps the only films set in or near the historical period of the British Military Administration of Libya after 1945. The Black Tent frequently gets lumped in with the genre of World War II British war films. Bengazi marks the cinematic journey of the actor Victor McLaglen from The Lost Patrol (1934) to Bengazi (1955), his career encapsulating the beginning and end of the Hollywood British Empire film genre. Both films contain redemptive dramatic journeys into the deserts of Libya involving the loss of British imperial male power. The case studies of The Black Tent and Bengazi show the beginnings of new post-empire film genres and new mentalities toward the Arab “Other” that partially promotes a decolonization of western cinema. Keywords: Film, Post-Empire, Arabs, Libya New articles in this journal are licensed under a Creative Commons Attribution 4.0 United States License. This journal is published by the University Library System of the University of Pittsburgh as part of its D-Scribe Digital Publishing Program and is cosponsored by the University of Pittsburgh Press. The Black Tent (1956) and Bengazi (1955): The Image of Arabs in Two Post-Empire Journeys into the Deserts of Libya Richard Andrew Voeltz The Black Tent (1956, British) and Bengazi (1955, American) are perhaps the only feature films set in the last days of the British Military Administration of Libya from 1945 to 1951. -
Origen De La Enfermería En El Cine: El Género Histórico-Documental Y Biográfico
ORIGEN DE LA ENFERMERÍA EN EL CINE: EL GÉNERO HISTÓRICO- DOCUMENTAL Y BIOGRÁFICO José Siles González Universidad de Alicante INTRODUCCIÓN El cine y las películas constituyen una herramienta fundamental para transmitir los fe- nómenos humanos en toda su complejidad, sin renunciar a ninguna de las dimensiones que intervienen en los acontecimientos. Ya Terencio y Shakespeare formularon la famosa frase: «Nada de lo humano me es ajeno». La enfermedad, el dolor, la muerte forman parte de la na- turaleza humana y, más tarde o temprano, de una u otro forma, acaban arribando a la existen- cia de todos los seres humanos que experimentan sus vivencias de forma tan diversa como compleja; es decir, mediante un determinado tipo de estética experiencial. Al cine, nada de lo humano le es ajeno y, particularmente, aquellos fenómenos vinculados a situaciones que producen cambios notables en quienes las viven (enfermedades, dolencias, pérdidas, etc.). Carper (1999) incluyó la dimensión estética como la cuarta integrante de los cuatro niveles del conocimiento enfermero (empírico-científico, ético, personal y estético). Otros autores desarrollaron modelos basándose en estos diferentes patrones y reinterpretando el conoci- miento estético desde las necesidades tanto del paciente como de la práctica profesional de enfermería partiendo de la base de la pertinencia de la estética ante situaciones –como el sufrimiento ante la enfermedad– donde el pensamiento subjetivo adquiere una gran intensi- dad (Chinn, 1994). Debido a su potencial de configuración ideológica (Lebel, 1973), el cine ha desempeña- do un papel determinante en el desarrollo de clichés, estereotipos y en una amplia gama de modelado de todos aquellos asuntos que forman parte de la realidad histórica. -
The Hammer of the Sun (Winter of the World Volume Three) by Michael Scott Rohan ---Other Avon B
The Hammer of the Sun (Winter of the World volume three) By Michael Scott Rohan ------------ ---------------------- Other Avon Books in The Winter of the World Trilogy by Michael Scott Rohan Volume 1: The Anvil of Ice Volume 2: The Forge in the Forest .------------------- Copyright © 1988 by Michael Scott Rohan Cover painting by Anne Yvonne Gilbert Published by arrangement with William Morrow and Company, Inc. Library of Congress Catalog Card Number: 89-32722 ISBN: 0-380-70549 All rights reserved, which includes the right to reproduce this book or portions thereof in any form whatsoever except as provided by the U.S. Copyright Law. For information address Permissions Department, William Morrow and Company, Inc., 105 Madison Avenue, New York, New York 10016. ---------------------- Contents Prelude Chapter One - The Forging Chapter Two - The Flaw Chapter Three - Into the Night Chapter Four - The High Gate Chapter Five - To the Heart of the World Chapter Six - King and Mastersmith Chapter Seven - Sorcerers' Isle Chapter Eight - The Cleansing Fires Chapter Nine - The Airs of Freedom Chapter Ten - The Shieldwall Breaks Chapter Eleven - The Hammer of the Sun Chapter Twelve - The Coming of the Spring Coda Appendix ----------------- Prelude The happiness of men is fragile; for so are we made that all our gains carry within them the seeds of loss, and too often we ourselves may sow them. After the events chronicled in the Book of the Helm, many long years of such happiness awaited Elof and Kara whom he loved, and the friends they had won; and for all he knew, in the pride and prime of his years, they might have lasted forever. -
The Green Sheet and Opposition to American Motion Picture Classification in the 1960S
The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968. -
JACKSON BECK 'Ihe Illustrated C.Press
The Old Time Radio Club Established 1975 Number 322 September 2004 JACKSON BECK 'Ihe Illustrated c.Press Membership Information Club Officers and Librarians New member processing: $5 plus club membership President of $17.50 per year from January 1 to December 31. Jerry Collins (716) 683-6199 Members receive a tape library listing, reference 56 Christen Ct. library listing and the monthly newsletter. Lancaster, NY 14086 Memberships are as follows: If you join January [email protected] March, $17.50; April-June, $14; July-September, $10; October-December, $7. All renewals should be Vice President & Canadian Branch sent in as soon as possible to avoid missing Richard Simpson (905) 892-4688 newsletter issues. Please be sure to notify us if you 960 16 Road R.R. 3 have a change of address. The Old Time Radio Fenwick, Ontario Club meets on the first Monday of the month at 7:30 Canada, LOS 1CO PM during the months of September through June at St. AloysiUS School Hall, Cleveland Drive and .Treasurer, Videos & Records Century Road, Cheektowaga, NY. There is D2...meet Dominic Parisi (716) 884-2004 ing during the month of July, and an informal meet 58 Ardmore PI. ing is held in August at the same address. BUffalo, NY 14213 Anyone interested in the Golden Age of Radio is Membership Renewals, Change of Address welcome. The Old Time Radio Club is affiliated with Peter Bellanca (716) 773-2485 the Old Tim~ B~diQ. f'.J~twor!<",,",. 1620 Ferry Road Grand Island, NY 14072 Club Mailing Address [email protected] Old Time Radio Club 56 Christen Ct. -
Printable Schedule
Schedule for 9/29/21 to 10/6/21 (Central Time) WEDNESDAY 9/29/21 TIME TITLE GENRE 4:30am Fractured Flickers (1963) Comedy Featuring: Hans Conried, Gypsy Rose Lee THURSDAY 9/30/21 TIME TITLE GENRE 5:00am Backlash (1947) Film-Noir Featuring: Jean Rogers, Richard Travis, Larry J. Blake, John Eldredge, Leonard Strong, Douglas Fowley 6:25am House of Strangers (1949) Film-Noir Featuring: Edward G. Robinson, Susan Hayward, Richard Conte, Luther Adler, Paul Valentine, Efrem Zimbalist Jr. 8:35am Born to Kill (1947) Film-Noir Featuring: Claire Trevor, Lawrence Tierney 10:35am The Power of the Whistler (1945) Film-Noir Featuring: Richard Dix, Janis Carter 12:00pm The Burglar (1957) Film-Noir Featuring: Dan Duryea, Jayne Mansfield, Martha Vickers 2:05pm The Lady from Shanghai (1947) Film-Noir Featuring: Orson Welles, Rita Hayworth, Everett Sloane, Carl Frank, Ted de Corsia 4:00pm Bodyguard (1948) Film-Noir Featuring: Lawrence Tierney, Priscilla Lane 5:20pm Walk the Dark Street (1956) Film-Noir Featuring: Chuck Connors, Don Ross 7:00pm Gun Crazy (1950) Film-Noir Featuring: John Dall, Peggy Cummins 8:55pm The Clay Pigeon (1949) Film-Noir Featuring: Barbara Hale 10:15pm Daisy Kenyon (1947) Romance Featuring: Joan Crawford, Henry Fonda, Dana Andrews, Ruth Warrick, Martha Stewart 12:25am This Woman Is Dangerous (1952) Film-Noir Featuring: Joan Crawford, Dennis Morgan 2:30am Impact (1949) Film-Noir Featuring: Brian Donlevy, Raines Ella FRIDAY 10/1/21 TIME TITLE GENRE 5:00am Dr. Jekyll and Mr. Hyde (1931) Thriller Featuring: Fredric March, Miriam Hopkins -
Popeye: Lets You and Him Fight! Volume 3 Free
FREE POPEYE: LETS YOU AND HIM FIGHT! VOLUME 3 PDF E. C. Segar | 168 pages | 02 Dec 2008 | Fantagraphics | 9781560979623 | English | Seattle, United States Popeye - Wikipedia This article is about the franchise as a whole. For the character, see Popeye. For other meanings, see Popeye disambiguation. Popeye the Sailor was created by E. Segar as a supporting character in the daily King Features comic strip Thimble Theatreappearing on January 17, The character has since continued to appear in comics and animated cartoons, in the cinema as well as on television. Popeye also became the strip's title in later years. Even though Segar's Thimble Theatre strip was in its 10th year when Popeye made his debut inthe sailor quickly became the main focus of the strip and Thimble Theatre became one of King Features's most popular properties during the s. Thimble Theatre was continued after Segar's death in by several writers and artists, most notably Segar's assistant Bud Sagendorf. The strip, now titled Popeyecontinues to appear in first-run installments in its Sunday edition, written and drawn by Hy Eisman. The daily strips are reprints of old Sagendorf stories. These cartoons proved to be among the most popular of the s, and the Fleischers — and later Paramount's own Famous Studios — continued production through Over the years, Popeye has also appeared in comic books, television cartoons, arcade and video gameshundreds of advertisements and peripheral products, and a live-action film directed by Robert Altman starring comedian Robin Williams as Popeye. Differences in Popeye 's story and characterization show up depending upon which medium he is presented in. -
Cartooning America: the Fleischer Brothers Story
NEH Application Cover Sheet (TR-261087) Media Projects Production PROJECT DIRECTOR Ms. Kathryn Pierce Dietz E-mail: [email protected] Executive Producer and Project Director Phone: 781-956-2212 338 Rosemary Street Fax: Needham, MA 02494-3257 USA Field of expertise: Philosophy, General INSTITUTION Filmmakers Collaborative, Inc. Melrose, MA 02176-3933 APPLICATION INFORMATION Title: Cartooning America: The Fleischer Brothers Story Grant period: From 2018-09-03 to 2019-04-19 Project field(s): U.S. History; Film History and Criticism; Media Studies Description of project: Cartooning America: The Fleischer Brothers Story is a 60-minute film about a family of artists and inventors who revolutionized animation and created some of the funniest and most irreverent cartoon characters of all time. They began working in the early 1900s, at the same time as Walt Disney, but while Disney went on to become a household name, the Fleischers are barely remembered. Our film will change this, introducing a wide national audience to a family of brothers – Max, Dave, Lou, Joe, and Charlie – who created Fleischer Studios and a roster of animated characters who reflected the rough and tumble sensibilities of their own Jewish immigrant neighborhood in Brooklyn, New York. “The Fleischer story involves the glory of American Jazz culture, union brawls on Broadway, gangsters, sex, and southern segregation,” says advisor Tom Sito. Advisor Jerry Beck adds, “It is a story of rags to riches – and then back to rags – leaving a legacy of iconic cinema and evergreen entertainment.” BUDGET Outright Request 600,000.00 Cost Sharing 90,000.00 Matching Request 0.00 Total Budget 690,000.00 Total NEH 600,000.00 GRANT ADMINISTRATOR Ms. -
December 2018
LearnAboutMoviePosters.com December 2018 EWBANK’S AUCTIONS VINTAGE POSTER AUCTION DECEMBER 14 Ewbank's Auctions will present their Entertainment Memorabilia Auction on December 13 and Vintage Posters Auction on December 14. Star Wars and James Bond movie posters are just some of the highlights of this great auction featuring over 360 lots. See page 3. PART III ENDING TODAY - 12/13 PART IV ENDS 12/16 UPCOMING EVENTS/DEADLINES eMovieposter.com’s December Major Auction - Dec. 9-16 Part IV Dec. 13 Ewbank’s Entertainment & Memorabilia Auction Dec. 14 Ewbank’s Vintage Poster Auction Jan. 17, 2019 Aston’s Entertainment and Memorabilia Auction Feb. 28, 2019 Ewbank’s Entertainment & Memorabilia Auction Feb. 28, 2019 Ewbank’s Movie Props Auction March 1, 2019 Ewbank’s Vintage Poster Auction March 23, 2019 Heritage Auction LAMP’s LAMP POST Film Accessory Newsletter features industry news as well as product and services provided by Sponsors and Dealers of Learn About Movie Posters and the Movie Poster Data Base. To learn more about becoming a LAMP sponsor, click HERE! Add your name to our Newsletter Mailing List HERE! Visit the LAMP POST Archive to see early editions from 2001-PRESENT. The link can be found on the home page nav bar under “General” or click HERE. The LAMPPOST is a publication of LearnAboutMoviePosters.com Telephone: (504) 298-LAMP email: [email protected] Copyright 20178- Learn About Network L.L.C. 2 EWBANK’S AUCTIONS PRESENTS … ENTERTAINMENT & MEMORABILIA AUCTION - DECEMBER 13 & VINTAGE POSTER AUCTION - DECEMBER 14 Ewbank’s Auction will present their Entertainment & Memorabilia Auction on December 13 and their Vintage Poster Auction on December 14. -
The Per Niente Per Niente Club Septembre 1, Due Mila Cinque Volume 1, Issue IX Editor Joe Di Leo
The Per Niente Per Niente Club Septembre 1, due mila cinque Volume 1, Issue IX Editor Joe Di Leo Richard Conte (March 24, 1910 – April 15, 1975) Inside this issue: was an American actor who appeared in films such as I'll Cry Tomorrow and The Godfather. Bread and Onions 2/3 He was born Nicholas Conte in Jersey City, New Jersey, the son of a barber. Mrs Calabash 3 In 1935, Conte was spotted by Elia Kazan and John Garfield when he was working as an entertainer at a Connecticut resort, which led to Conte finding Roy Campanella 4/5 stage work. Conte eventually earned a scholarship to study at the Neighborhood Playhouse in New York, where he became a standout actor. The 5' 8" Maggiore’s Corner 6 Conte became a Broadway actor in the late 30s, starring in such plays as Night Music and Walk Into My Parlor. That lead to his first film performance in 1939, Heaven with a Barbed Wire Fence. Letter’s to the Editor 7 In 1942 he signed a long-term contract with 20th Century Fox. He then changed his The Journey Over 8/9 stage name to Richard. His first film at Fox was Guadalcanal Diary (1943). During the World War II years, Conte played mostly soldiers in war dramas, including A Walk in the Sun (1945). Spiegelman on Golf 10/11 During the World War II years Conte appeared in such Fox crime dramas as Cry of the Grandpa 12 City and Call Northside 777 (both from 1948). In the early 1950s, Conte, now not Pictures 13 working for Fox, began appearing in films for various studios. -
Desk Set VOT V13 #1
Carl Denham presents THE BIRTH OF KONG by Ray Morton ing Kong was written by explorer and the brainchild naturalist W. Douglas Kof filmmaker Burden called THE Merian C. Cooper, DRAGON LIZARDS OF one of the pioneers of KOMODO. In 1926, the “Natural Drama” Burden led an expedition – movies created by to the Dutch East Indian traveling to exotic island of Komodo, lands, shooting home of the famed documentary footage Komodo Dragons, a of the native people species of large, vicious and events, and then, lizards thought to have through creative editing been extinct since (and by occasionally prehistoric times until staging events for the the living specimens camera), shaping that were discovered in 1912. footage into a dramatic narrative that had all of the Borrowing the idea of an expedition to a remote island thrills and excitement of a fictional adventure film. for his story, Cooper also decided that the Dragons A former merchant seaman, newspaper reporter and would make ideal antagonists for his ape and began military aviator, Cooper and his partner, former combat dreaming up scenes in which the creatures would fight cinematographer Ernest B. Schoedsack, traveled to Persia --scenes he planned to realize by filming the animals and Thailand to produce two classic Natural Dramas separately in their natural habitats and then intercutting – Grass: A Nation’s Battle for Life (1925) and Chang the footage. Learning that Burden had captured two (1927) -- and used their talents to create unique location Dragons, brought them to New York, and exhibited them footage for Paramount’s 1929 African-set adventure The at the Bronx Zoo until they died, Cooper decided to do Four Feathers. -
The Dr. Demento Show #91-04 - January 27, 1991
The Dr. Demento Show #91-04 - January 27, 1991 --- Playlist --- Topic: cartoon songs Playlist Generated on 09/24/21 by www.madmusic.com So Long, Mom (A Song For World War III) - Tom Lehrer M-80 - The Colon Sphincter Band A K-Tel Comedy Commercial - Roseanne Barr The Yellow Rose Of Texas - Stan Freberg The Walter Brennan Blues - Limbo Drive-In Hello Mom - Tom Geer It Makes A Fellow Proud To Be A Soldier - Tom Lehrer Hockey Here Tonight - Archie Campbell The Bumble Bee Invaded A Nudist Colony - Billy Mitchell Running Bare - Looney Larry Easterday Friday The 13th: The Musical - Open Season The Bingo Song - Court Dock Johnson They Drive Me Brady - Guns N' Moses The Brady Bunch - "Weird Al" Yankovic Little Animals In Heat - Dave Drazin Burning Down The (Cartoon) House - Bob Rumbaugh & Basketcase Betty Boop theme - Mae Questel I'm Popeye The Sailor Man - Billy Costello The Wise Little Hen - Donald Duck When I See An Elephant Fly - Cliff Edwards & The Hall Johnson Choir I Tawt I Taw A Puddy Tat - Mel Blanc Jetsons Theme - TV Soundtrack Hey Rocky! - Boris Badenough Look at All Those Idiots - Mr. Burns & Smithers (From The Simpsons) Les Poissons - The Little Mermaid Soundtrack Wappin' - Darrell Hammond & Christopher Snell - If Santa Was A Hoosier - The Ricky Rydell Review from The Bob & Tom Show #5 - Sister Mary Elephant - Cheech & Chong #4 - Uncle Jack Sez Relax - Charles Webb & Tom Bolton #3 - Sahra Cynthia Sylvia Stout Would Not Take The Garbage Out - Shel Silverstein #2 - Mack The Knife - Bill Smith Tin Soldier (Audio Torture Chamber) - Roseanne Barr #1 - Kick Ass USA - Milo Tremley Next week: computers.