DOCSLIB.ORG

7. Außerordentliches Konzert a 0 51 (03 Fax T 012 99 Str

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
7. Außerordentliches Konzert a 0 51 (03 Fax T 012 99 Str Progr/7.AK_10./11.4.2004 23.03.2004 11:12 Uhr Seite 1 (HKS Spielzeit 2003/2004 7. Außerordentliches Konzert Progr/7.AK_10./11.4.2004 23.03.2004 11:12 Uhr Seite 2 (Schw Auch Sie können die erste Geige spielen. Verbinden Sie auf ideale Weise die Liebe zur Musik mit der Freude am Fahren. Mit den Modellen der BMW Group steht Ihnen ein in aller Welt geschätztes Ensemble zur Verfügung, das auch bei Virtuosen große Resonanz findet. Und optimaler Service gehört bei uns mit zum guten Ton. BMW Group Niederlassung Dresden Dohnaer Str. 99 01219 Dresden Tel. (03 51)28525-0 www.heimrich-hannot.de Fax (03 51)28525 92 www.bmwdresden.de Freude am Fahren Progr/7.AK_10./11.4.2004 23.03.2004 11:12 Uhr Seite 3 (Schw Sonnabend 10. April 2004, 19.30 Uhr Sonntag 11. April 2004, 11.00 Uhr Festsaal des Kulturpalastes 7. Außerordentliches Konzert Dirigent www.heimrich-hannot.de Walter Weller Solistin Isabelle Faust Violine 3 Progr/7.AK_10./11.4.2004 23.03.2004 11:12 Uhr Seite 4 (Schw 4 Progr/7.AK_10./11.4.2004 23.03.2004 11:12 Uhr Seite 5 (Schw Programm Josef Suk (1874 – 1935) „Legende von den toten Siegern“ für großes Orchester op. 35b (einsätzig) Frank Michael Beyer (geb. 1928) „Musik der Frühe“ – Konzert für Violine und Orchester (1992/93) I. Auffinden II. Erwachen der Bilder III. Lichtblendung IV. Abglanz PAUSE Antonín Dvorˇák (1841 – 1904) Sinfonie Nr. 5 F-Dur op. 76 Allegro, ma non troppo Andante con moto Allegro scherzando FINALE Allegro molto 5 Progr/7.AK_10./11.4.2004 23.03.2004 11:12 Uhr Seite 6 (Schw Seit fünf Jahren regelmäßiger Gast am Pult der Dirigent Dresdner Philharmonie alter Weller, 1939 in Wien geboren, stu- W dierte an der Musikhochschule seiner Hei- matstadt Violine (E. Morawec und F. Samohyl) und wandte sich danach der Orchesterleitung zu. Mit 17 Jahren wurde er Mitglied der Wiener Phil- harmoniker, als deren Konzertmeister er 1961 – 1969 wirkte. Dort gründete er ein eigenes, spä- terhin international berühmtes Streichquartett, das er von 1958 – 1970 führte. 1966 debütierte er als Dirigent bei den Wiener Philharmonikern und wurde danach schon bald von der Wiener Staatsoper und der Volksoper engagiert. 1971 erfolgte seine Ernennung zum Generalmusik- direktor in Duisburg. Zwischen 1975 und 1978 übernahm er die künstlerische Leitung des Nie- derösterreichischen Tonkünstlerorchesters. Über- dies arbeitet er regelmäßig in England, wurde 1977 zum Leiter des Royal Liverpool Philhar- monic Orchestra ernannt und leitete ab 1980 für fünf Jahre das Royal Philharmonic Orchestra London. 1992 übernahm er (bis 1996) die Posi- tion des Chefdirigenten beim Royal Scottish Na- tional Orchestra (jetzt „Conductor Emeritus“ auf Lebenszeit), wirkt seit 1994 zusätzlich als künst- lerischer Leiter der Allgemeinen Musikgesell- schaft Basel, als Generalmusikdirektor des Basler Theaters und als Chefdirigent des Basler Sym- phonischen Orchesters. Er ist Ehrengastdirigent des Royal Liverpool Philharmonic Orchestra auf Lebenszeit und gefragter Gastdirigent bei den berühmtesten Klangkörpern und Opernhäusern in aller Welt. 2003 verliehen ihm die Stuttgarter Philharmoniker den Titel „Ehrendirigent“. Zahl- reiche Platteneinspielungen – darunter einige preisgekrönte (Grand Prix du Disque, Charles Cros) – liegen vor, meist bei Decca, EMI und Chandos Records, darunter ebenso die Aufnah- men aller Beethoven-Sinfonien wie das sinfoni- sche Werk von Mendelssohn, Prokofjew und Rachmaninow. 6 Progr/7.AK_10./11.4.2004 23.03.2004 11:12 Uhr Seite 7 (Schw Der Künstler dirigierte 1997 erstmals die Dresdner Philharmonie während einer Tournee durch Po- len, leitete danach immer wieder Konzerte dieses Klangkörpers und führte die Philharmoniker mehrfach bei Tourneen im In- und Ausland. Für sein Wirken wurden ihm hohe Ehrungen zu- teil, darunter in Österreich das „Große silberne Ehrenzeichen für Verdienste um die Republik Österreich“ (1998), eine Auszeichnung, die vor ihm nur Josef Kripps und Herbert von Karajan er- halten hatten, und das „Ehrenkreuz für Wissen- schaft und Kunst“. Das American Biographical Institute verlieh ihm die „Goldene Ehrenmedaille für außergewöhnliche berufliche Tätigkeit“, und das internationale biographische Zentrum der Universität Cambridge ehrte ihn mit der „Gold- medaille für außergewöhnliche Menschen des 20. Jahrhunderts“. In Schottland wurde Walter Weller durch sein Bild auf der im Umlauf befindlichen schottischen 50-Pfund-Note eine besondere Eh- rung zuteil. 7 Progr/7.AK_10./11.4.2004 23.03.2004 11:12 Uhr Seite 8 (Schw Eine brillante, vielfach ausgezeichnete junge Künstlerin mit umfangreichem Repertoire Solistin bis zur Musik der Gegenwart sabelle Faust zählt heute zu den faszinierend- I sten Künstlern der jungen Generation in Euro- pa. Ihr technische Brillanz sowie eine besondere Sensibilität und Reife ihres Spiels werden von Pu- blikum und Fachwelt gleichermaßen bewundert. Sie erhielt mit fünf Jahren ersten Gei- genunterricht. Zu ihren Lehrern zähl- ten Dénes Zsigmon- dy und Christoph Poppen. Sie gewann höchste Preise bei mehreren interna- tionalen Wettbe- werben und erhielt 1997 den begehrten Gramophone Award Isabelle Faust spielt „Young Artist of the Year“ für ihr CD-Debüt mit die „Dornröschen“- Sonaten von Béla Bartók. Sie konzertierte mit Stradivari aus dem Jahre 1704, zahlreichen namhaften Orchestern. Konzertreisen eine Leihgabe der führten sie ins europäische Ausland, nach Israel, Landesbank Baden- Japan und in die USA. Ihr Repertoire umfaßt die Württemberg. gesamte Bandbreite bis zur Musik unserer Tage. Neben ihrer solistischen Tätigkeit widmet sie sich intensiv der Kammermusik. Regelmäßig wird sie zu internationalen Musikfestspielen wie beispiels- weise nach Helsinki, Lockenhaus, Bad Kissingen, Berlin, Schwetzingen und vielen anderen einge- laden. Zu den regelmäßigen Partnern zählen u. a. F. Boffard, B. Giuranna, E. Kupiec, B. Pergamen- schikow, Chr. Tetzlaff, L. Vogt und T. Zimmer- mann. Mehrere CD-Einspielungen liegen vor, so außer den o. g. Bartók-Werken auch Aufnahmen mit Werken von Bach, Fauré, Haydn (Violin- konzerte), Schumann (Sonaten) und Hartmann (Concerto funebre). Im September 2003 erschien ihre Einspielung von Werken Lutoslawskis, Szymanowskis und Janácˇeks mit Ewa Kupiec am Klavier. 8 Progr/7.AK_10./11.4.2004 23.03.2004 11:12 Uhr Seite 9 (Schw Zum Programm alter Weller, einst Konzertmeister der Wie- W ner Philharmoniker und als Dirigent längst in aller Welt gefragt, leitet immer wieder gern Konzerte der Dresdner Philharmonie. Den tief-romantischen Klängen des „böhmischen Musikanten“ Dvorˇák und seines Schülers und Schwiegersohns Josef Suk steht ein Werk des 20. Jahrhunderts gegenüber: Frank Michael Beyers Violinkonzert, ein Werk voller Licht- Klang-Bildern in mannigfachen Metamorpho- sen, einst von Kolja Blacher mit dem Rundfunk- Sinfonie-Orchester Berlin (1993) uraufgeführt, wird es nun bei uns von Isabelle Faust interpre- tiert. Wir erinnern uns gern an das Dresden- Debüt der jungen Geigerin im 5. Philharmo- nischen Konzert im Januar 2002. Josef Suk liebte ebenso wie sein Meister die hei- matliche Volksmusik. Ganz aus diesem Gefühl heraus, wenn auch künstlerisch überhöht und z. B. durch den französischen Impressionismus beeinflußt, entstand seine „Legende von den to- ten Siegern“. In seiner 5. Sinfonie – komponiert 1875 – war es Dvorˇák erstmals gelungen, slawische Elemen- te so zu verarbeiten, daß diese sich organisch in das gesamte musikalische Geschehen einordnen ließen, ohne als Fremdkörper empfunden zu werden, ein für seine weiteren Arbeiten ent- scheidender Schritt. So konnte der Komponist mit seiner „Pastorale“ – als welche diese Sinfonie bald schon gesehen wurde – zu neuen Ufern aufbrechen und eine Brücke schlagen aus über- nommenen Formprinzipien der Wiener Klassik und dem Geist des 19. Jahrhunderts auf dem Wege zu einer nationalen Identität. 9 Progr/7.AK_10./11.4.2004 23.03.2004 11:12 Uhr Seite 10 (Sch Mitglied eines legendären Sterichquartetts und Komponist, der sich der westeuropäischen Josef Suk Moderne annäherte osef Suk gehörte wie Leosˇ Janácˇek und J Víteˇzslav Novák zu den Wegbereitern jener tschechischen Musikergeneration, die allerdings erst nach dem Zweiten Weltkrieg deutlich im eu- ropäischen Rahmen in Erscheinung trat. Er war – frühbegabt, erst elfjährig – an das Prager Konser- vatorium gekommen, studierte zunächst Violine und fand später in Antonín Dvorˇák seinen wich- tigsten Kompositionslehrer. Seither verband ihn eine lebenslange Freundschaft mit seinem Men- tor und späteren Schwiegervater (Heirat mit des- sen Tochter Otylka). Zeit seines Lebens verfolgte er zwei Karrieren: Als Geiger reiste er nach Abschluß des Konservatori- ums mit dem späterhin berühmt gewordenen „Böhmischen/Tschechischen Quartett“, dessen 10 Progr/7.AK_10./11.4.2004 23.03.2004 11:12 Uhr Seite 11 (Sch Mitbegründer er war und dem er mehr als vier- geb. 4. 1.1874 zig Jahre lang angehören sollte, durch die ganze in Krˇecˇovice; Welt, und als Komponist öffnete er die nationa- gest. 29. 5.1935 in Benesˇov (Prag) le Musiksprache der tschechischen Spätromantik in Richtung der gesamteuropäischen Moderne. 1885 Auf seinen Reisen hatte er von überall her Anre- Prager Konservatorium (Violine) gungen für die eigene künstlerische Entwicklung aufgenommen, war aber dennoch in seinem seit 1891 dort Kompositionsun- kompositorischen Schaffen längere Zeit höchst terricht bei A. Dvorˇák bodenständig geblieben, ausgehend von seiner 1892 Begabung für empfindungsstarke lyrische Into- Mitglied (zweiter Gei- nationen. Er schärfte seinen musikalischen Sinn ger) des neugegründe- jedoch später immer mehr an Werken von Ri- ten „Böhmischen chard Strauss
Load more

Recommended publications
  • University Musical Society Oslo Philharmonic
    UNIVERSITY MUSICAL SOCIETY OSLO PHILHARMONIC ORCHESTRA MARISS JANSONS Music Director and Conductor FRANK PETER ZIMMERMANN, Violinist Sunday Evening, November 17, 1991, at 8:00 Hill Auditorium, Ann Arbor, Michigan PROGRAM Concerto in E minor for Violin and Orchestra, Op. 64 . Mendelssohn Allegro molto appassionata Andante Allegretto non troppo, allegro molto vivace Frank Peter Zimmermann, Violinist INTERMISSION Symphony No. 7 in C major, Op. 60 ("Leningrad") ..... Shostakovich Allegretto Moderate Adagio, moderate risoluto Allegro non troppo CCC Norsk Hydro is proud to be the exclusive worldwide sponsor IfiBUt of the Oslo Philharmonic Orchestra for the period 1990-93. The Oslo Philharmonic and Frank Peter Zimmermann are represented by Columbia Artists Management Inc., New York City. The Philharmonic records for EMl/Angel, Chandos, and Polygram. The box office in the outer lobby is open during intermission for tickets to upcoming Musical Society concerts. Twelfth Concert of the 113th Season 113th Annual Choral Union Series Program Notes Violin Concerto in E minor, Op. 64 root tone G on its lowest note, the flute and FELIX MENDELSSOHN (1809-1847) clarinets in pairs are entrusted with the gentle melody. On the opening G string, the solo uring his short life of 38 years, violin becomes the fundament of this delicate Mendelssohn dominated the passage. The two themes are worked out until musical world of Germany and their development reaches the cadenza, exercised the same influence in which Mendelssohn wrote out in full. The England for more than a gener­ cadenza, in turn, serves as a transition to the ationD after his death. The reason for this may reprise.
    [Show full text]
  • Yoon-Hee Kim Plays
    CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer RPO YELLOW Catalogue No. SP-046 BLACK Job Title Yoon-Hee Kim Page Nos. ‘The profundity of her emotions impresses much more than her technical perfection. Her performance connects virtuosity, energy and passion’ – Rheinische Post, Germany ‘She demonstrates an extraordinary musicality, a strong expression and an absolutely perfect technique’ – Kölner Klassik YOON-HEE KIM PLAYS ‘A sensation … No-one can compete with her extraordinary musicality’ – Adresseavisen , Norway ‘Amazing performance’ – Austria Today KHACHATURIAN & TCHAIKOVSKY VIOLIN CONCERTOS YOON-HEE KIM VIOLIN . BARRY WORDSWORTH CONDUCTOR CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer RPO YELLOW Catalogue No. SP-046 BLACK Job Title Yoon-Hee Kim Page Nos. By the early 1940s Khachaturian was riding on the crest of a wave of popular success. ARAM KHACHATURIAN (1903 –1978) His Piano Concerto (1936) and Violin Concerto (1940) established him, alongside Violin Concerto in D minor (1940) Prokofiev and Shostakovich, as one of Russia’s most celebrated composers. His I. Allegro con fermezza stunning incidental music to Lermontov’s Masquerade appeared in 1941 and the II. Andante sostenuto following year his epic ballet score Gayeneh was written, which included the ever- III. Allegro vivace popular whirlwind ‘Sabre Dance’. ‘I wrote the music as though on a wave of happiness; my whole being was in a state of joy, for I was awaiting the birth of my son. And this feeling, this love of life, was PYOTR TCHAIKOVSKY (1840 –1893) transmitted to the music.’ So saying, Khachaturian set the seal on his gloriously inspired Violin Concerto in D Op.35 (1878) Violin Concerto, composed over two months during the idyllic summer of 1940.
    [Show full text]
  • Download Booklet
    557757 bk Bloch US 20/8/07 8:50 pm Page 5 Royal Scottish National Orchestra the Sydney Opera, has been shown over fifty times on U.S. television, and has been released on DVD. Serebrier regularly champions contemporary music, having commissioned the String Quartet No. 4 by Elliot Carter (for his Formed in 1891 as the Scottish Orchestra, and subsequently known as the Scottish National Orchestra before being Festival Miami), and conducted world première performances of music by Rorem, Schuman, Ives, Knudsen, Biser, granted the title Royal at its centenary celebrations in 1991, the Royal Scottish National Orchestra is one of Europe’s and many others. As a composer, Serebrier has won most important awards in the United States, including two leading ensembles. Distinguished conductors who have contributed to the success of the orchestra include Sir John Guggenheims (as the youngest in that Foundation’s history, at the age of nineteen), Rockefeller Foundation grants, Barbirolli, Karl Rankl, Hans Swarowsky, Walter Susskind, Sir Alexander Gibson, Bryden Thomson, Neeme Järvi, commissions from the National Endowment for the Arts, the Harvard Musical Association, the B.M.I. Award, now Conductor Laureate, and Walter Weller who is now Conductor Emeritus. Alexander Lazarev, who served as Koussevitzky Foundation Award, among others. Born in Uruguay of Russian and Polish parents, Serebrier has Ernest Principal Conductor from 1997 to 2005, was recently appointed Conductor Emeritus. Stéphane Denève was composed more than a hundred works. His First Symphony had its première under Leopold Stokowski (who gave appointed Music Director in 2005 and his first recording with the RSNO of Albert Roussel’s Symphony No.
    [Show full text]
  • RACHMANINOV Piano Concerto No
    RACHMANINOV Piano Concerto No. 2 Études-tableaux, Op. 33 Boris Giltburg, Piano Royal Scottish National Orchestra Carlos Miguel Prieto Sergey Rachmaninov (1873–1943): Piano Concerto No. 2 • Études-tableaux, Op. 33 clarinets and hardly the soft violin pizzicatos, as those are been removed, until nothing but a clear and concise Fritz Kreisler (1875–1962): Liebesleid · Franz Behr (1837–1898): Lachtäubchen, ‘Polka de W.R.’ too delicate to carry a long distance. Finally, the clarinets musical idea remains. often can’t hear the pianist clearly, as most of the piano’s Those miniatures were written between August and To play the opening of Rachmaninov’s Second Piano movement (finally the piano gets to play a melody too!) sound also projects into the hall. The resulting danger of September 1911, exactly one year after Rachmaninov Concerto is a singularly powerful experience. You wait for and the slightly exotic second theme of the finale, which this acoustic triangle is that the clarinets and the piano composed the 13 Préludes, Op. 32, thus completing his silence – the piano starts on its own, there’s no need to returns in triumphant splendour at the very end of the may drift apart. It’s a problem which can be solved, but cycle of 24 preludes. Both opuses were composed at maintain eye contact with anyone – and when the hall movement as the ‘point’ of the entire concerto, with a one which we almost always encounter during the first Ivanovka, a country estate some 450 km south-east of seems to have disappeared, you let the first chord sound, huge sound produced by all, a drenched pianist, and the rehearsal.
    [Show full text]
  • February 2017 Events
    Events February 2017 Sightseeing Tours Highlights in February Historical city centre and Ljubljana castle Take a walk around the historical city centre, explore major Natour Alpe-Adria attractions and Ljubljana Castle. Daily at 11:00 Index From: in front the Town Hall (duration 2 hours) Language: Slovene, English Price: adults € 13, children € 6,5, with Ljubljana Tourist card free of charge. Walking tour of Plečnik’s Ljubljana Festivals 4 An exploration of the life and work of the greatest Slovene architect. Exhibitions 5 Wednesdays and Saturdays at 12:00 From: Tourist Information Centre – TIC (duration 3 hours) Language: Slovene, English Price: € 20 Music 8 Taste Ljubljana culinary tour Opera, theatre, dance 14 Taste of 5 different dishes and 5 selected drinks included. Wednesdays and Saturdays at 12:00 Miscellaneous 15 From: Tourist Information Centre - TIC (duration 3 hours) Language: Slovene, English Price: € 38 Sports 15 Ljubljana beer lover’s experience Taste of 8 different beers and 3 snacks included, visit to Brewery Museum. Mondays and Fridays at 18:00 From: Slovenian Tourist Information Centre – STIC (duration 3 hours) Cover photo: D. Wedam Language: Slovene, English Edited and published by: Ljubljana Price: € 35 Tourism, Krekov trg 10, SI-1000 Ljubljana, Town Hall tour T: +386 1 306 45 83, E: [email protected], Saturdays at 13:00 From: in front of the Town Hall (duration 1 hour) W: www.visitljubljana.com Language: Slovene, English Photography: Archives of Ljubljana Price: € 5 Tourism and individual event organisers Prepress: Prajs d.o.o. Printed by: Partner Graf d.o.o., Ljubljana, February 2017 1 - 4 Feb 9 Feb 25 Feb Ljubljana Tourism is not liable for any inaccurate information appearing in the Natour Alpe-Adria Royal Philharmonic Dragon Carnival Visit the Natour Alpe-Adria Dragon Carnival consists of calendar.
    [Show full text]
  • CHAN 10425X Booklet.Indd
    Gerald Finzi Classics Violin and Cello Concertos Tasmin Little violin Raphael Wallfi sch cello City of London Sinfonia Richard Hickox Royal Liverpool Philharmonic Orchestra Vernon Handley CHAN 10425 X Gerald Finzi (1901–1956) Cello Concerto, Op. 40 39:10 in A minor • in a-Moll • en la mineur Lebrecht Music & Arts Photo Library 1 I Allegro moderato 15:53 2 II Andante quieto 13:34 3 III Rondo: Adagio – Allegro giocoso 9:44 Raphael Wallfi sch cello Royal Liverpool Philharmonic Orchestra Malcolm Stewart leader Vernon Handley Gerald Finzi 3 Finzi: Cello Concerto and Violin Concerto Finzi completed his Cello Concerto for the reaches out to a major sixth, so swinging the 4 Prelude, Op. 25 5:00 Cheltenham Festival of 1955. He had long harmony round in its second bar to a major for string orchestra had a cello concerto in mind, and some of it chord; with this reaching out, and the fi erce Adagio espressivo – Poco più mosso – Tempo primo already composed, when Sir John Barbirolli trills, scotch-snap rhythms, and up-thrusting asked him for a major work; so the fi rst shape, the theme sets up a restless energy. performance was given by Christopher The second subject is a gentler cantabile, but 5 Romance, Op. 11 7:52 Bunting and The Hallé Orchestra under the movement ends stormily, gathered into a for string orchestra Barbirolli on 19 July 1955. cadenza and then despatched with four great Andante espressivo – Più mosso – Tempo primo Those who know Finzi only from his more hammer-blows. lyrical songs, perhaps even from his Clarinet The slow movement opens in a mood of † Concerto as well, may be surprised at the shy rapture, the song-melody beautifully Concerto for Small Orchestra and Solo Violin 20:05 breadth and power of this work.
    [Show full text]
  • Piano with Yonty Solomon
    Dundee Symphony Orchestra is the performing name of Dundee Orchestral Society. The Society was founded in 1893 by a group of enthusiastic amateur performers, and has gone from strength to strength ever since. The only period in the Orchestra's history when it did not perform or rehearse was during the Second World War. The Orchestra is funded through private and charitable donations, subscriptions from members, and by grants from Making Music and the Scottish Arts Council. We would like to thank all those who provide financial assistance for the orchestra for their continuing support over the years. If you enjoy our concerts, we hope you will consider becoming a Friend of the Orchestra. This may be done by completing the form in the programme and returning it to the Friends Co-ordinator. To keep up to date with events visit the Orchestra website on www.dundeesymphonyorchestra.org The Society is affiliated to The National Federation of Music Societies 7-15 Rosebery Avenue, London EC1R 4SP Tel: 0870 872 3300 Fax: 0870 872 3400 Web site: www.makingmusic.org.uk 1 Robert Dick (Conductor) Robert Dick was born in Edinburgh in 1975. On leaving school, Robert entered the Royal College of Music in London studying violin with Grigori Zhislin and Madeleine Mitchell and piano with Yonty Solomon. He graduated with Honours in 1997 and also gained the Associateship Diploma of the Royal College of Music in Violin Performance. Robert has been conducting since he was 11. In 1993 he conducted the Royal Scottish National Orchestra at the invitation of its then Musical Director, Walter Weller, appearing with them again three years later and in 1995 Robert co-founded the reconstituted Orchestra of Old St Paul's in Edinburgh.
    [Show full text]
  • Rengarenk Varicolored
    RENGARENK VARICOLORED JULIEN MASMONDET Ş E F | CONDUCTOR LAURENT KORCIA KEMAN | VIOLIN KONZERTMEISTER ANDREAS NEUFELD 28 Ocak January 2017 Cumartesi Saturday, 20.00 Bilkent Konser Salonu | Concert Hall Değerli Dinleyicilerimiz, Gittikçe artan sayılarla yeni dinleyicilerimizin aramıza katılmasından mutluluk ve gurur duyuyoruz. İzleyicilerimizin beğenilerini içten alkışlarıyla sergilemeleri, bizler için paha biçilmez bir destek. Konserlerimizde ses ve görüntü kaydı yapılmaktadır. Seslendirilen eserlerin bazıları birkaç bölümden oluşmaktadır. Eserin tümü bittikten sonra alkışlamanız bizlere kolaylık sağlayacaktır. Aynı nedenle konser esnasında cep telefonlarınızı tamamen kapatmanızı ve flaşla fotoğraf çekmemenizi rica ederiz. Dear Listeners, We are happy and proud to perform to a growing audience. The applause we receive from the audience is an invaluable expression of appreciation. All our concerts are audio-visually recorded. Some of the works performed by the artists are composed of several parts. It would be highly convenient if the listeners hold their applause until the end of the work. For the same reason, we kindly ask our listeners to turn off their cell phones and not to take any photographs with flash during the concert. BSO konserlerini Radyo Bilkent Klasik Müzik Kuşağı’nda dinleyebilirsiniz. You may listen BSO concerts on Radio Bilkent Classical Music Hours. Pazartesi | Monday 22.00 - 24.00 Pazar | Sunday 08.00 - 10.00 Program D. Kabalevsky Colas Breugnon Uvertürü | Overture, Op.24 M. Bruch Keman Konçertosu No.1, Sol minör, Op.26 Concerto for Violin No.1 in G minor, Op.26 I. Allegro moderato II. Adagio III. Finale: Allegro energico ara interval E. Satie - C. Debussy Gymnopédies Nos.1 & 3 M. Ravel İspanyol Rapsodisi | Rapsodie Espagnole I.
    [Show full text]
  • Download Booklet
    570406bk USA 12/7/07 7:36 pm Page 5 8.570406 Royal Scottish National Orchestra British Piano Concerto Foundation Formed in 1891 as the Scottish Orchestra, and subsequently known as the Scottish National Orchestra before being British Piano Concertos DDD granted the title Royal at its centenary celebrations in 1991, the Royal Scottish National Orchestra is one of Britain shares with the United States an extraordinary willingness to welcome and embrace the Europe’s leading ensembles. Distinguished conductors who have contributed to the success of the orchestra include traditions of foreign cultures. Our countries comprise the world’s two greatest ‘melting pots’, and, as Sir John Barbirolli, Karl Rankl, Hans Swarowsky, Walter Susskind, Sir Alexander Gibson, Bryden Thomson, a result, the artistic appreciation of our people has been possibly the most catholic and least nepotistic Neeme Järvi, now Conductor Laureate, and Walter Weller who is now Conductor Emeritus. Alexander Lazarev, in the world. This tradition is one that we may be extremely proud of. In the case of music, it is John who served as Principal Conductor from 1997 to 2005, was recently appointed Conductor Emeritus. Stéphane certainly one of the reasons for my own initial inspiration to become a musician and to embrace as Denève was appointed Music Director in 2005 and his first Naxos recording, which couples Roussel’s Symphony many different styles and periods as reasonably possible in one lifetime. No. 3 with the complete ballet Bacchus et Ariane (8.570245) was released in May 2007. The orchestra made an Perhaps as a result of this very enviable virtue, however, we do have a tendency to underrate the GARDNER important contribution to the authoritative Naxos series of Bruckner Symphonies under the late Georg Tintner, and artistic traditions of our own wonderful culture.
    [Show full text]
  • Recording Master List.Xls
    UPDATED 11/20/2019 ENSEMBLE CONDUCTOR YEAR Bartok - Concerto for Orchestra Baltimore Symphony Orchestra Marin Alsop 2009 Bavarian Radio Symphony Orchestra Rafael Kubelik 1978L BBC National Orchestra of Wales Tadaaki Otaka 2005L Berlin Philharmonic Herbert von Karajan 1965 Berlin Radio Symphony Orchestra Ferenc Fricsay 1957 Boston Symphony Orchestra Erich Leinsdorf 1962 Boston Symphony Orchestra Rafael Kubelik 1973 Boston Symphony Orchestra Seiji Ozawa 1995 Boston Symphony Orchestra Serge Koussevitzky 1944 Brussels Belgian Radio & TV Philharmonic OrchestraAlexander Rahbari 1990 Budapest Festival Orchestra Iván Fischer 1996 Chicago Symphony Orchestra Fritz Reiner 1955 Chicago Symphony Orchestra Georg Solti 1981 Chicago Symphony Orchestra James Levine 1991 Chicago Symphony Orchestra Pierre Boulez 1993 Cincinnati Symphony Orchestra Paavo Jarvi 2005 City of Birmingham Symphony Orchestra Simon Rattle 1994L Cleveland Orchestra Christoph von Dohnányi 1988 Cleveland Orchestra George Szell 1965 Concertgebouw Orchestra, Amsterdam Antal Dorati 1983 Detroit Symphony Orchestra Antal Dorati 1983 Hungarian National Philharmonic Orchestra Tibor Ferenc 1992 Hungarian National Philharmonic Orchestra Zoltan Kocsis 2004 London Symphony Orchestra Antal Dorati 1962 London Symphony Orchestra Georg Solti 1965 London Symphony Orchestra Gustavo Dudamel 2007 Los Angeles Philharmonic Andre Previn 1988 Los Angeles Philharmonic Esa-Pekka Salonen 1996 Montreal Symphony Orchestra Charles Dutoit 1987 New York Philharmonic Leonard Bernstein 1959 New York Philharmonic Pierre
    [Show full text]
  • Prokofiev (1891-1953)
    RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs And LPs Prepared by Michael Herman Sergei Prokofiev (1891-1953) Born in Sontsovka, Yekaterinoslav District, Ukraine. He was a prodigy who played the piano and composed as a child. His formal training began when Sergei Taneyev recommended as his teacher the young composer and pianist Reinhold Glière who spent two summers teaching Prokofiev theory, composition, instrumentation and piano. Then at the St. Petersburg Conservatory he studied theory with Anatol Liadov, orchestration with Nikolai Rimsky-Korsakov and conducting with Nikolai Tcherepnin. He went on to become one of Russia's greatest composer, excelling in practically every genre of music. He left the Soviet Union in 1922, touring as a pianist and composing in Western Europe and America, but returned home permanently in 1936. Symphony No. 1 in D major, Op. 25 "Classical" (1916-7) Claudio Abbado/Chamber Orchestra of Europe ( + Symphony No. 5, Piano Concerto No. 3, Violin Concerto No. 1, Alexander Nevsky, Romeo and Juliet: Suites Nos. and 2 {Excerpts} and Visions Fugitives) DEUTSCHE GRAMMOPHON PANORAMA 469172-2 (2 CDs) (2000) (original CD release: DEUTSCHE GRAMMOPHON 429396-2 GH) (1990) Claudio Abbado/London Symphony Orchestra ( + Symphony No. 3, Romeo and Juliet - Excerpts, Chout - Excerpts, Hindemith:Symphonic Metamorphoses on Themes by Carl Maria von Weber and Janacek: Sinfonietta) DECCA ELOQUENCE 4806611 (2 CDs) (2012) (original LP release: DECCA SXL 6469/LONDON CS 6679) (1970) Marin Alsop/São Paulo Symphony Orchestra ( + Symphony No. 2 and Dreams) NAXOS 8.573353 (2014) Karel Ancerl/Czech Philharmonic Orchestra ( + Piano Concertos Nos. 1 and 2) SUPRAPHON SU 36702011 (2002) (original LP release: SUPRAPHON DV 5353) (1956) Karel Ancerl/Czech Philharmonic Orchestra (rec.
    [Show full text]
  • TOCC0400DIGIBKLT.Pdf
    AN AUTOBIOGRAPHICAL OUTLINE by Steve Elcock I was born in Chesterfeld, Derbyshire, in 1957 and studied at the local grammar school, where I obtained an A Level in music and learnt the violin up to grade 7. Tese are my only musical qualifcations: as a composer I am otherwise self-taught. I began writing around age ffeen and have continued to do so ever since. In 1981 I moved to France, where I work in language services for companies. For a period of about ten years, I conducted the local amateur symphony orchestra, which played some of my early compositions. In 2009 my short orchestral piece Hammering came to the attention of an old friend with whom I had all but lost touch. Mike George is a producer at the BBC and he was able to get the work performed in a BBC Philharmonic studio concert in Manchester (subsequently broadcast), conducted by James MacMillan. Although I was now 52, this was the frst professional performance of any of my pieces. At that concert I met the composer Robin Walker1 and began an e-mail correspondence with him. He was very enthusiastic about my music and one day suggested I might send some scores and mock-ups to Martin Anderson at Toccata Classics. In June 2013, not believing for an instant that it would do any good, I plucked up enough courage to do so, posting him the Tird and Fourth Symphonies and the symphonic poem Wreck. As I expected, there was no reaction throughout the summer months. And then in late August I received the following e-mail from Martin: Your scores have been sitting at my elbow for what I thought was a week or two, waiting for my deadlines to let up for long enough to clear the desk and read and listen.
    [Show full text]