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Parsifal and Canada: a Documentary Study
Parsifal and Canada: A Documentary Study The Canadian Opera Company is preparing to stage Parsifal in Toronto for the first time in 115 years; seven performances are planned for the Four Seasons Centre for the Performing Arts from September 25 to October 18, 2020. Restrictions on public gatherings imposed as a result of the Covid-19 pandemic have placed the production in jeopardy. Wagnerians have so far suffered the cancellation of the COC’s Flying Dutchman, Chicago Lyric Opera’s Ring cycle and the entire Bayreuth Festival for 2020. It will be a hard blow if the COC Parsifal follows in the footsteps of a projected performance of Parsifal in Montreal over 100 years ago. Quinlan Opera Company from England, which mounted a series of 20 operas in Montreal in the spring of 1914 (including a complete Ring cycle), announced plans to return in the fall of 1914 for another feast of opera, including Parsifal. But World War One intervened, the Parsifal production was cancelled, and the Quinlan company went out of business. Let us hope that history does not repeat itself.1 While we await news of whether the COC production will be mounted, it is an opportune time to reflect on Parsifal and its various resonances in Canadian music history. This article will consider three aspects of Parsifal and Canada: 1) a performance history, including both excerpts and complete presentations; 2) remarks on some Canadian singers who have sung Parsifal roles; and 3) Canadian scholarship on Parsifal. NB: The indication [DS] refers the reader to sources that are reproduced in the documentation portfolio that accompanies this article. -
F E S T I V a L S P O N S O
Festival Sponsoru İSTANBUL ISTANBUL KÜLTÜR SANAT VAKFI FOUNDATION FOR CULTURE AND ARTS —İKSV— İstanbul Kültür Sanat Vakfı (İKSV), Istanbul Foundation for Culture and Arts 47. İSTANBUL kâr amacı gütmeyen ve kamu yararına (IKSV) is a non-profit cultural institution. MÜZİK FESTİVALİ çalışan bir kültür kurumu. 1973 yılından Since 1973, the Foundation continues its efforts 47TH ISTANBUL bu yana İstanbul’un kültür sanat yaşamını to enrich Istanbul’s cultural and artistic life. MUSIC FESTIVAL zenginleştiren çalışmalar yürütüyor. İKSV regularly organises the Istanbul Festivals Düzenli olarak İstanbul Müzik, Film, of Music, Film, Theatre and Jazz, the Istanbul 11-30 HAZİRAN/JUNE Tiyatro ve Caz festivalleri, İstanbul Bienali, Biennial, the Istanbul Design Biennial, 2019 İstanbul Tasarım Bienali, Leyla Gencer Şan Leyla Gencer Voice Competition, autumn Yarışması ve Filmekimi’ni düzenleyen, film week Filmekimi and realises one-off yıl boyunca özel etkinlikler gerçekleştiren events throughout the year. The Foundation vakıf, Nejat Eczacıbaşı Binası’nda yer alan hosts cultural and artistic events from various Salon İKSV’de de farklı disiplinlerdeki disciplines at its performance venue Salon, VAR OLMANIN etkinliklere ev sahipliği yapıyor. Venedik located at the Nejat Eczacıbaşı Building. Bienali’nde dönüşümlü olarak Uluslararası İKSV also organises the Pavilion of Turkey KARANLIĞI, Mimarlık ve Sanat Sergilerindeki Türkiye at the International Art and Architecture VAR OLMANIN Pavyonu’nun organizasyonunu üstlenen İKSV, Exhibitions of la Biennale di Venezia. -
University Musical Society Oslo Philharmonic
UNIVERSITY MUSICAL SOCIETY OSLO PHILHARMONIC ORCHESTRA MARISS JANSONS Music Director and Conductor FRANK PETER ZIMMERMANN, Violinist Sunday Evening, November 17, 1991, at 8:00 Hill Auditorium, Ann Arbor, Michigan PROGRAM Concerto in E minor for Violin and Orchestra, Op. 64 . Mendelssohn Allegro molto appassionata Andante Allegretto non troppo, allegro molto vivace Frank Peter Zimmermann, Violinist INTERMISSION Symphony No. 7 in C major, Op. 60 ("Leningrad") ..... Shostakovich Allegretto Moderate Adagio, moderate risoluto Allegro non troppo CCC Norsk Hydro is proud to be the exclusive worldwide sponsor IfiBUt of the Oslo Philharmonic Orchestra for the period 1990-93. The Oslo Philharmonic and Frank Peter Zimmermann are represented by Columbia Artists Management Inc., New York City. The Philharmonic records for EMl/Angel, Chandos, and Polygram. The box office in the outer lobby is open during intermission for tickets to upcoming Musical Society concerts. Twelfth Concert of the 113th Season 113th Annual Choral Union Series Program Notes Violin Concerto in E minor, Op. 64 root tone G on its lowest note, the flute and FELIX MENDELSSOHN (1809-1847) clarinets in pairs are entrusted with the gentle melody. On the opening G string, the solo uring his short life of 38 years, violin becomes the fundament of this delicate Mendelssohn dominated the passage. The two themes are worked out until musical world of Germany and their development reaches the cadenza, exercised the same influence in which Mendelssohn wrote out in full. The England for more than a gener cadenza, in turn, serves as a transition to the ationD after his death. The reason for this may reprise. -
Yoon-Hee Kim Plays
CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer RPO YELLOW Catalogue No. SP-046 BLACK Job Title Yoon-Hee Kim Page Nos. ‘The profundity of her emotions impresses much more than her technical perfection. Her performance connects virtuosity, energy and passion’ – Rheinische Post, Germany ‘She demonstrates an extraordinary musicality, a strong expression and an absolutely perfect technique’ – Kölner Klassik YOON-HEE KIM PLAYS ‘A sensation … No-one can compete with her extraordinary musicality’ – Adresseavisen , Norway ‘Amazing performance’ – Austria Today KHACHATURIAN & TCHAIKOVSKY VIOLIN CONCERTOS YOON-HEE KIM VIOLIN . BARRY WORDSWORTH CONDUCTOR CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer RPO YELLOW Catalogue No. SP-046 BLACK Job Title Yoon-Hee Kim Page Nos. By the early 1940s Khachaturian was riding on the crest of a wave of popular success. ARAM KHACHATURIAN (1903 –1978) His Piano Concerto (1936) and Violin Concerto (1940) established him, alongside Violin Concerto in D minor (1940) Prokofiev and Shostakovich, as one of Russia’s most celebrated composers. His I. Allegro con fermezza stunning incidental music to Lermontov’s Masquerade appeared in 1941 and the II. Andante sostenuto following year his epic ballet score Gayeneh was written, which included the ever- III. Allegro vivace popular whirlwind ‘Sabre Dance’. ‘I wrote the music as though on a wave of happiness; my whole being was in a state of joy, for I was awaiting the birth of my son. And this feeling, this love of life, was PYOTR TCHAIKOVSKY (1840 –1893) transmitted to the music.’ So saying, Khachaturian set the seal on his gloriously inspired Violin Concerto in D Op.35 (1878) Violin Concerto, composed over two months during the idyllic summer of 1940. -
La Favorite Opéra De Gaetano Donizetti
La Favorite opéra de Gaetano Donizetti NOUVELLE PRODUCTION 7, 9, 12, 14, 19 février 2013 19h30 17 février 2013 17h Paolo Arrivabeni direction Valérie Nègre mise en scène Andrea Blum scénographie Guillaume Poix dramaturgie Aurore Popineau costumes Alejandro Leroux lumières Sophie Tellier choréraphie Théâtre des Champs-Elysées Alice Coote, Celso Albelo, Ludovic Tézier, Service de presse Carlo Colombara, Loïc Félix, Judith Gauthier tél. 01 49 52 50 70 [email protected] Orchestre National de France Chœur de Radio France theatrechampselysees.fr Chœur du Théâtre des Champs-Elysées Coproduction Théâtre des Champs-Elysées / Radio France La Caisse des Dépôts soutient l’ensemble de la Réservations programmation du Théâtre des Champs-Elysées T. 01 49 52 50 50 theatrechampselysees.fr 5 Depuis quelques saisons, le bel canto La Favorite et tout particulièrement Donizetti ont naturellement trouvé leur place au Gaetano Donizetti Théâtre puisque pas moins de quatre des opéras du compositeur originaire Opéra en quatre actes (1840, version française) de Bergame ont été récemment Livret d’Alphonse Royer et Gustave Vaëz, d’après Les Amours malheureuses présentés : la trilogie qu’il a consacré ou Le Comte de Comminges de François-Thomas-Marie de Baculard d’Arnaud aux Reines de la cour Tudor (Maria Stuarda, Roberto Devereux et Anna Bolena) donnée en version de direction musicale Paolo Arrivabeni concert et, la saison dernière, Don Valérie Nègre mise en scène Pasquale dans une mise en scène de Andrea Blum scénographie Denis Podalydès. Guillaume Poix dramaturgie Aurore Popineau costumes Compositeur prolifique, héritier de Rossini et précurseur de Verdi, Alejandro Le Roux lumières Donizetti appartient à cette lignée de chorégraphie Sophie Tellier musiciens italiens qui triomphèrent dans leur pays avant de conquérir Paris. -
Shostakovich (1906-1975)
RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Dmitri Shostakovich (1906-1975) Born in St. Petersburg. He entered the Petrograd Conservatory at age 13 and studied piano with Leonid Nikolayev and composition with Maximilian Steinberg. His graduation piece, the Symphony No. 1, gave him immediate fame and from there he went on to become the greatest composer during the Soviet Era of Russian history despite serious problems with the political and cultural authorities. He also concertized as a pianist and taught at the Moscow Conservatory. He was a prolific composer whose compositions covered almost all genres from operas, ballets and film scores to works for solo instruments and voice. Symphony No. 1 in F minor, Op. 10 (1923-5) Yuri Ahronovich/Moscow Radio Symphony Orchestra ( + Overture on Russian and Kirghiz Folk Themes) MELODIYA SM 02581-2/MELODIYA ANGEL SR-40192 (1972) (LP) Karel Ancerl/Czech Philharmonic Orchestra ( + Symphony No. 5) SUPRAPHON ANCERL EDITION SU 36992 (2005) (original LP release: SUPRAPHON SUAST 50576) (1964) Vladimir Ashkenazy/Royal Philharmonic Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 and 15, Festive Overture, October, The Song of the Forest, 5 Fragments, Funeral-Triumphal Prelude, Novorossiisk Chimes: Excerpts and Chamber Symphony, Op. 110a) DECCA 4758748-2 (12 CDs) (2007) (original CD release: DECCA 425609-2) (1990) Rudolf Barshai/Cologne West German Radio Symphony Orchestra (rec. 1994) ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 and 15) BRILLIANT CLASSICS 6324 (11 CDs) (2003) Rudolf Barshai/Vancouver Symphony Orchestra ( + Symphony No. -
Culture and the Arts Bring Meaning to Our Lives
Culture and the Arts bring meaning to our lives. Culture and the Arts make us the human beings we are and give structure and sense to the society we create; they provide us with real values and fulfil our mental and emotional existence. In the most difficult days of the history of humanity, alongside the most dramatic events, the most devastating wars and epidemics, the Arts, and perhaps especially music, enhanced the spirit. Music became a symbol of resilience, heroism and ultimately our belief in ourselves, from Josef Haydn’s ‘Mass in Time of War’ to Shostakovich’s Seventh Symphony. We are at war now and we musicians are desperate to join in in the battle to help society, help people to improve their mental health, fire their spirit and give comfort during this most isolated, most lonely time in our modern history. But we can’t. We are prevented from performing in live spaces, prevented from reaching the eyes and ears and hearts of our public, prevented from sharing with them our love, our passion, our belief. It is becoming more and more apparent that orchestras, opera companies and other musical institutions in the UK, a truly world-leading country in all forms of culture, are in grave danger of being lost forever, if urgent action is not taken. Many of us have had great support through the Job Retention Scheme, and we are really grateful to the Government for that. But we need also to look to the coming months, and even years, and discuss what the impact of this closure, and of contained social distancing remaining, means for the performing arts. -
Mother Goose
2017 2018 SEASON Stéphane Denève, conductor Friday, February 2, 2018 at 10:30AM Christina and Michelle Naughton, pianos Saturday, February 3, 2018 at 8:00PM RAVEL Ma mère l’oye (Mother Goose) Suite (1911) (1875–1937) Pavane de la Belle au bois dormant (Pavane of the Sleeping Beauty) Petit Poucet (Tom Thumb) Laideronnette, Impératrice des pagodes (Laideronnette, Empress of the Pagodas) Les Entretiens de la Belle et de la Bête (Conversations of Beauty and the Beast) Le Jardin féerique (The Enchanted Garden) POULENC Concerto in D minor for Two Pianos and Orchestra (1932) (1899–1963) Allegro ma non troppo Larghetto Finale: Allegro molto Christina and Michelle Naughton, pianos INTERMISSION GUILLAUME CONNESSON Flammenschrift (2012) (b. 1970) RAVEL Valses nobles et sentimentales (1911) Modéré – Assez lent – Modéré – Assez animé – Presque len – Assez vif – Moins vif – Épilogue: lent NO PAUSE RAVEL La Valse (1920) 23 ACKNOWLEDGMENTS The 2017/2018 Classical Series is presented by World Wide Technology, The Steward Family Foundation, and Centene Charitable Foundation. These concerts are presented by FleishmanHillard. These concerts are sponsored by Steinway Piano Gallery. Stéphane Denève is the Felix and Eleanor Slatkin Guest Conductor. Christina and Michelle Naughton are the Bruce Anderson Memorial Fund Guest Artists. The concert of Friday, February 2 is underwritten in part by a generous gift from Cynthia and Bill Durham. The concert of Saturday, February 3 is underwritten in part by a generous gift from Dr. Cora E. Musial. Pre-Concert Conversations are sponsored by Washington University Physicians. 24 GALLIC LIGHTNESS BY RENÉ SPENCER SALLER TIMELINKS “You will find sobriety and sadness in French music just as in German or Russian,” Francis Poulenc observed in 1950. -
Vasily PETRENKO Conductor
Vasily PETRENKO Conductor Vasily Petrenko was born in 1976 and started his music education at the St Petersburg Capella Boys Music School – the oldest music school in Russia. He then studied at the St Petersburg Conservatoire and has also participated in masterclasses with such major figures as Ilya Musin, Mariss Jansons, and Yuri Temirkanov. Following considerable success in a number of international conducting competitions including the Fourth Prokofiev Conducting Competition in St Petersburg (2003), First Prize in the Shostakovich Choral Conducting Competition in St Petersburg (1997) and First Prize in the Sixth Cadaques International Conducting Competition in Spain, he was appointed Chief Conductor of the St Petersburg State Academic Symphony Orchestra from 2004 to 2007. Petrenko is Chief Conductor of the Oslo Philharmonic Orchestra (appointed in 2013/14), Chief Conductor of the Royal Liverpool Philharmonic Orchestra (a position he adopted in 2009 as a continuation of his period as Principal Conductor which commenced in 2006), Chief Conductor of the European Union Youth Orchestra (since 2015) and Principal Guest Conductor of the State Academic Symphony Orchestra of Russia (since 2016). Petrenko has also served as Principal Conductor of the National Youth Orchestra of Great Britain from 2009-2013, and Principal Guest Conductor of the Mikhailovsky Theatre (formerly the Mussorgsky Memorial Theatre of the St Petersburg State Opera and Ballet) where he began his career as Resident Conductor from 1994 to 1997. Petrenko has worked with many of the world’s most prestigious orchestras including the London Symphony Orchestra, London Philharmonic Orchestra, Philharmonia, Russian National Orchestra, Orchestre National de France, Czech Philharmonic, Finnish Radio Symphony, NHK Symphony Tokyo and Sydney Symphony. -
Solzh 19-20 Short
IGNAT SOLZHENITSYN 2019-20 SHORT BIO {206 WORDS} IGNAT SOLZHENITSYN Recognized as one of today's most gifted artists, and enjoying an active career as both conductor and pianist, Ignat Solzhenitsyn's lyrical and poignant interpretations have won him critical acclaim throughout the world. Principal Guest Conductor of the Moscow Symphony Orchestra and Conductor Laureate of the Chamber Orchestra of Philadelphia, Ignat Solzhenitsyn has recently led the symphonies of Baltimore, Cincinnati, Dallas, Indianapolis, Milwaukee, Seattle, and Toronto, the Nordwestdeutsche Philharmonie, the Czech National Symphony, as well as the Mariinsky Orchestra and the St. Petersburg Philharmonic. He has partnered with such world-renowned soloists as Richard Goode, Gary Graffman, Gidon Kremer, Anne-Sophie Mutter, Garrick Ohlsson, Mstislav Rostropovich, and Mitsuko Uchida. His extensive touring schedule in the United States and Europe has included concerto performances with numerous major orchestras, including those of Boston, Chicago, Philadelphia, Los Angeles, Seattle, Baltimore, Montreal, Toronto, London, Paris, Israel, and Sydney, and collaborations with such distinguished conductors as Herbert Blomstedt, James Conlon, Charles Dutoit, Valery Gergiev, André Previn, Gerard Schwarz, Wolfgang Sawallisch, Yuri Temirkanov and David Zinman. A winner of the Avery Fisher Career Grant, Ignat Solzhenitsyn serves on the faculty of the Curtis Institute of Music. He has been featured on many radio and television specials, including CBS Sunday Morning and ABC’s Nightline. CURRENT AS OF: 18 NOVEMBER 2019 PLEASE DESTROY ANY PREVIOUS BIOGRAPHICAL MATERIALS. PLEASE MAKE NO CHANGES, EDITS, OR CUTS OF ANY KIND WITHOUT SPECIFIC PERMISSION.. -
Download Booklet
557757 bk Bloch US 20/8/07 8:50 pm Page 5 Royal Scottish National Orchestra the Sydney Opera, has been shown over fifty times on U.S. television, and has been released on DVD. Serebrier regularly champions contemporary music, having commissioned the String Quartet No. 4 by Elliot Carter (for his Formed in 1891 as the Scottish Orchestra, and subsequently known as the Scottish National Orchestra before being Festival Miami), and conducted world première performances of music by Rorem, Schuman, Ives, Knudsen, Biser, granted the title Royal at its centenary celebrations in 1991, the Royal Scottish National Orchestra is one of Europe’s and many others. As a composer, Serebrier has won most important awards in the United States, including two leading ensembles. Distinguished conductors who have contributed to the success of the orchestra include Sir John Guggenheims (as the youngest in that Foundation’s history, at the age of nineteen), Rockefeller Foundation grants, Barbirolli, Karl Rankl, Hans Swarowsky, Walter Susskind, Sir Alexander Gibson, Bryden Thomson, Neeme Järvi, commissions from the National Endowment for the Arts, the Harvard Musical Association, the B.M.I. Award, now Conductor Laureate, and Walter Weller who is now Conductor Emeritus. Alexander Lazarev, who served as Koussevitzky Foundation Award, among others. Born in Uruguay of Russian and Polish parents, Serebrier has Ernest Principal Conductor from 1997 to 2005, was recently appointed Conductor Emeritus. Stéphane Denève was composed more than a hundred works. His First Symphony had its première under Leopold Stokowski (who gave appointed Music Director in 2005 and his first recording with the RSNO of Albert Roussel’s Symphony No. -
Boston Symphony Orchestra Concert Programs, Summer
SEMI OIAWA MUSIC DIRECTOR BERNARD HAITINK PRINCIPAL GUEST CONDUCTOR • i DALE CHIHULY INSTALLATIONS AND SCULPTURE / "^ik \ *t HOLSTEN GALLERIES CONTEMPORARY GLASS SCULPTURE ELM STREET, STOCKBRIDGE, MA 01262 . ( 41 3.298.3044 www. holstenga I leries * Save up to 70% off retail everyday! Allen-Edmoi. Nick Hilton C Baccarat Brooks Brothers msSPiSNEff3svS^:-A Coach ' 1 'Jv Cole-Haan v2^o im&. Crabtree & Evelyn OB^ Dansk Dockers Outlet by Designs Escada Garnet Hill Giorgio Armani .*, . >; General Store Godiva Chocolatier Hickey-Freeman/ "' ft & */ Bobby Jones '.-[ J. Crew At Historic Manch Johnston & Murphy Jones New York Levi's Outlet by Designs Manchester Lion's Share Bakery Maidenform Designer Outlets Mikasa Movado Visit us online at stervermo OshKosh B'Gosh Overland iMrt Peruvian Connection Polo/Ralph Lauren Seiko The Company Store Timberland Tumi/Kipling Versace Company Store Yves Delorme JUh** ! for Palais Royal Phone (800) 955 SHOP WS »'" A *Wtev : s-:s. 54 <M 5 "J* "^^SShfcjiy ORIGINS GAUCftV formerly TRIBAL ARTS GALLERY, NYC Ceremonial and modern sculpture for new and advanced collectors Open 7 Days 36 Main St. POB 905 413-298-0002 Stockbridge, MA 01262 Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship Bernard Haitink, Principal Guest Conductor One Hundred and Twentieth Season, 2000-2001 SYMPHONY HALL CENTENNIAL SEASON Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Dr. Nicholas T. Zervas, President Julian Cohen, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Deborah B. Davis, Vice-Chairman Vincent M. O'Reilly, Treasurer Nina L. Doggett, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson John F. Cogan, Jr. Edna S.