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2019 Round Top Music Festival
James Dick, Founder & Artistic Director 2019 Round Top Music Festival ROUND TOP FESTIVAL INSTITUTE Bravo! We salute those who have provided generous gifts of $10,000 or more during the past year. These gifts reflect donations received as of May 19, 2019. ROUND TOP FESTIVAL INSTITUTE 49th SEASON PArtNER THE BURDINE JOHNSON FOUNDATION HERITAGE CIrcLE H-E-B, L .P. FOUNDERS The Brown Foundation Inc. The Clayton Fund The Estate of Norma Mary Webb BENEFACTORS The Mr. and Mrs. Joe W. Bratcher, Jr. Foundation James C. Dick Mark and Lee Ann Elvig Robert J. Kleberg, Jr. and Helen C. Kleberg Foundation Richard R. Royall V Rose P. VanArsdel SUSTAINERS Blue Bell Creameries, L.P. William, Helen and Georgina Hudspeth Nancy Dewell Braus Luther King Capital Management The Faith P. and Charles L. Bybee Foundation Paula and Kenneth Moerbe Malinda Croan Anna and Gene Oeding Mandy Dealey and Michael Kentor The Gilbert and Thyra Plass Arts Foundation Dickson-Allen Foundation Myra Stafford Pryor Charitable Trust June R. Dossat Dr. and Mrs. Rolland C. Reynolds and Yvonne Reynolds Dede Duson Jim Roy and Rex Watson Marilyn T. Gaddis Ph.D. and George C. Carruthers Tod and Paul Schenck Ann and Gordon Getty Foundation Texas Commission on the Arts Alice Taylor Gray Foundation Larry A. Uhlig George F. Henry Betty and Lloyd Van Horn Felicia and Craig Hester Lola Wright Foundation Joan and David Hilgers Industry State Bank • Fayetteville Bank • First National Bank of Bellville • Bank of Brenham • First National Bank of Shiner ® Bravo! Welcome to the 49th Round Top Music Festival ROUND TOP FESTIVAL INSTITUTE The sole endeavor of The James Dick Foundation for the Performing Arts To everything There is a season And a time to every purpose, under heaven A time to be born, a time to die A time to plant, a time to reap A time to laugh, a time to weep This season at Festival Hill has been an especially sad one with the loss of three of our beloved friends and family. -
Herbst / Fall 2020 Dr. Cantz'sche
DR. CANTZ’SCHE VERLAGSGESELLSCHAFT HERBST/ FALL 2020 EDITORIAL 3 EIN NICHT GANZ NEUER START UNTER GANZ STARTING NOT ENTIRELY FROM SCRATCH WITH NEUEM NAMEN ... A BRAND-NEW NAME ... DCV setzt die Tradition des renommierten Kunstbuchverlags DCV builds on the proud tradition of edition cantz, the renowned edition cantz fort, bei dem unter anderem Publikationen für den art book publisher that released standout publications including deutschen Pavillon auf der 35. und 36. Biennale di Venezia, die the companion volumes for the German pavilions at the 35th and Kataloge zur documenta IX und documenta X sowie Monografien 36th Biennales di Venezia, the documenta IX and documenta X über Gerhard Richter, Sol LeWitt, Andy Warhol und andere bedeu- catalogues, and monographs on Gerhard Richter, Sol LeWitt, tende Künstlerinnen und Künstler erschienen sind. Heute umfasst Andy Warhol, and other major artists. In addition to contemporary das Programm außer Katalogen und Monografien über zeitge- art catalogues and monographs, the program now also encom- nössische Kunst auch Bücher über Fotografie, Architektur, Design passes books on photography, architecture, design, and fashion. und Mode. Die über 85-jährige Verlagsgeschichte, die mit DCV In its history of over eighty-five years, which DCV (Dr. Cantz’sche (Dr. Cantz’sche Verlagsgesellschaft) nun ins dritte Jahrzehnt des Verlagsgesellschaft) now carries into the twenty-first century’s 21. Jahrhunderts geht, ist mit der Dr. Cantz’schen Druckerei ver- third decade, the publishing venture has been closely associated bunden, die bis heute Kunstpublikationen höchster Qualität with Dr. Cantz’sche Druckerei, a printing house that continues to produziert. produce art books of the highest quality. -
16 ART COLOGNE 2013 Schlussbericht En
Press Release No. 16 Cologne, 22 April 2013 ART COLOGNE 2013: Closing Report Strong showing across the board · Over 55,000 visitors · Top international gallery line-up – Broad range of high-calibre artworks ART COLOGNE · Gallerists report solid sales April 19 – 22, 2013 ART COLOGNE has underscored the Fair’s position in the world’s premier www.artcologne.de league of fine art fairs. The Fair – also known as the Internationaler Kunstmarkt – is now in its 47th year. It closed its gates on 22 April. Contact Benjamin Agert Organizers and dealers pronounced themselves upbeat and well satisfied. Phone ART COLOGNE Director Daniel Hug said: ‘The strategic route we’ve taken + 49 221 821-2076 Fax – quality enhancement and more quality enhancement – has paid off + 49 221 821-2181 E- Mail decisively. The 2013 edition has put us back in the premier league of [email protected] international art fairs.’ The Fair hosted an impressive line-up of first-time exhibitors and a high-calibre contingent of returnees. First-timers Koelnmesse GmbH Messeplatz 1 numbered: Helga de Alvear (Madrid); Paul Andriesse (Amsterdam); Bugada 50679 Köln & Cargnel (Paris); Habana (Havana); Klosterfelde (Berlin); Christine König Postfach 21 07 60 50532 Köln (Vienna); Krinzinger (Vienna); Giò Marconi (Milan); Marlborough Germany Phone +49 221 821-0 Contemporary (London); Moeller Fine Art (New York/Berlin); Mark Müller Telefax +49 221 821-2574 (Zurich); David Nolan (New York); Oriol (Barcelona); Peres Projects [email protected] www.koelnmesse.de (Berlin); Tanit (Munich/Beirut); Axel Vervoordt (Antwerp); and Fons Welters (Amsterdam). High-profile returnees included Karsten Greve Executive Board: Gerald Böse (Chief Executive Officer) (Cologne/St. -
D:Art 05-08/19
Kunsttermine in Düsseldorf, Neuss und Mettmann d:Art 05-08/19 Düsseldorf Nähe trifft Freiheit Kunsttermine in Düsseldorf, Mahn- und Gedenkstätte Neuss und Mettmann Goldsteins Traum: Von Düsseldorf ins gelobte Land Eine fotografische Annäherung bis 13.10.19 / S. 26 d:Art Akademie-Galerie – Die Neue Sammlung Polke und die Folgen Neuerwerbungen I. Absolventinnen und Absolventen der Kunstakademie 1965 – 2018 bis 30.6.19 / S. 27 05-08/19 Zero foundation structura. Kunstpalast holweck mack megert piene salentin uecker 17.5.bis 10.9.19 / S. 28 „Zu schön, um wahr zu sein“ – Das Junge Rheinland bis 2.6.19 / S. 4 Fotografinnen an der Front. Von Lee Miller bis Anja Niedringhaus bis 10.6.19 / S. 5 Gerhart-Hauptmann-Haus FABELFAKT. Pia Fries bis 16.6.19 / S. 6 Rose Ausländer und Marianne Moore 16.5. bis 14.7.19 / S. 29 Jutta-Cuny-Franz-Erinnerungspreis 2019 12.5. bis 1.9.19 / S. 7 Aurel Dahlgrün – Irgendwo im Tiefenrausch BBK Kunstforum Ehrenhof Preis 2019 27.6. bis 15.9.19 / S. 7 Commedia dell’arte 10. bis 26.5.19 / S. 30 DIE GROSSE Kunstausstellung NRW 30.6. bis 4.8.19 / S. 8 Fünf sokratische Körper 7. bis 23.6.19 / S. 31 Otto Piene. Werke aus der Sammlung Kemp 22.8.19 bis 5.1.20 / S. 8 Norbert Tadeusz 29.8.19 bis 2.2.20 / S. 9 Kai 10 | Arthena Foundation Body in Pieces bis 12.5.19 / S. 32 Kunstsammlung Nordrhein-Westfalen Listen to the Image, Look at the Sound 7.6. bis 9.9.19 / S. -
Zeitungen Und Magazi- Photographs Goes Far Beyond What Is Depicted
Duesseldorf Photo Weekend 2019 08. – 10.03. Inhalt VORWORT 05 Haus der Universität 06 Fotobus Society 10 Kunstpalast 12 NRW-Forum 16 Kunsthalle 22 Museum Ratingen 24 Kunstarchiv Kaiserswerth 25 Stadtmuseum Düsseldorf 26 D‘Haus 27 KAI10 | Arthena Foundation 28 Sammlung Philara 29 Julia Stoschek Collection 30 Konfuzius-Institut 31 DCKD 32 Stiftung imai 33 Atelier am Eck 34 Beck & Eggeling International Fine Art 35 Galerie Shia Bender 37 Direct Art Gallery | Outsider & More 38 The Box 39 Conzen am Carlsplatz 40 Galerie Breckner 41 Burkhard Eikelmann Galerie 42 Engelage & Lieder 43 Art Edition-Fils – Galerie im Stilwerk 46 Fiftyfifty-Galerie 47 Gericke + Paffrath Gallery 48 Meno Parkas – Gleixner Art 49 HSD / Alte Kämmerei 50 Grisebach 51 Institut Français 52 Internationale Musikakademie Anton Rubinstein 53 Galerie Lausberg 54 Galerie Lausberg / Wirtschaftsclub 55 Christian Marx Galerie 56 Onomato Künstlerverein 57 Plan.D. Produzentengalerie 58 Polnisches Institut Düsseldorf 59 Galerie Clara Maria Sels 60 Setareh Gallery 61 Showroom / HSL 62 sipgate shows 63 Galerie Voss 64 Galerie Franz Swetec 65 SITTart-Galerie 66 Walzwerk Null 67 NEIGHBOURHOOD / WORRINGER PLATZ 68 WP5 – Raum Rudolph 70 HSD / Gasthof Worringer Platz 72 WP8 73 Cudnik 74 Antichambre Hotel Friends 75 Studio for Artistic Research 76 HSD / SUBSOL 77 Flingern15 78 Keyeffect Studio.Gallery 79 Projektraum RFK 80 Veranstaltungen der Teilnehmenden 82 Adressverzeichnis 84 Lageplan 86 Vorwort Wir freuen uns sehr, dass zur achten Edition mehr als 50 Institutionen, Ga- We are delighted that more than 50 institutions, galleries and off-spaces are lerien und Off-Räume amDuesseldorf Photo Weekend teilnehmen und ein taking part in the eighth edition of the Duesseldorf Photo Weekend, presenting breites Spektrum historischer und zeitgenössischer Positionen der Fotogra- a broad spectrum of historical and contemporary positions in photography. -
GALERIE BERND KUGLER Tobias Hantmann
GALERIE BERND KUGLER BIOGRAPHY Tobias Hantmann 1976 born in Kempten lives and works in Dusseldorf and Berlin Solo exhibitions 2019 Life under your seat, artothek, Köln Lady Helen, London (with Mathis Gasser) 2018 Staying with the pictures, Kunsthalle Gießen Geschichte, Galerie Bernd Kugler, Innsbruck 2017 Le monde pictorial, Galerie Bernd Kugler, Innsbruck (with Eugène Leroy) @ office Galerie Bernd Kugler, Innsbruck (with Christine Moldrickx) Tradition des Zeigens, Der Marktplatz von Freudenstadt, Graz, Ljubljana, Zagreb, Hall in Tirol, Imberg, Kempten, München, Reutlingen, Frankfurt am Main, Aachen, Düsseldorf 2016 Vor dem Hintergrund, Galerie Bernd Kugler, Innsbruck 2014 Licht an, Körper, Galerie Bernd Kugler, Innsbruck Die Methoden, die Gestalt, Kunstverein Oldenburg Store, Dresden New Positions, Art Cologne 2013 Systhemisch, Bruch & Dallas, Köln 2012 Gift, Center Berlin (with Martin Gostner) PdI, Cussler, Berlin Furniture with one door, Galerie Bernd Kugler, Innsbruck Ehem. Reichsabtei Kornelimünster, Aachen (with Agata Madejska) 2011 Hantmann/Staack (with Jürgen Staack), Kunstraum Düsseldorf Lună plină spartă (with Christine Moldrickx), Mogosoaia Palast, Bukarest Pistill der Iris, Galerie Bernd Kugler, Innsbruck 2010 96/97, CapitalGold, Düsseldorf dok25a (with Wilhelm Mundt), Düsseldorf 2009 One opaque layer each, Konrad Fischer Galerie, Berlin Galerie Bernd Kugler (with Florian Baudrexel), Innsbruck 2008 Reiz (with Christine Moldrickx), Lindenstraße, Düsseldorf 2007 Leafs and carpet, Villa de Bank, Enschede Bestiensäule, Modul, -
Spezial-Heft Gute Aussichten 2008/2009, 2,7 MB
GUTE AUSSICHTEN HAMBURG H aus der P hotographie D eichtorha LL en STUTTGART V hs - photoga L erie FRANKFURT/MAIN A rt F O Y er D Z B ank WASHINGTON DC/USA G oethe -I nstitut FREISING S chafhof BURGHAUSEN H aus der F otografie JUNGE DEUTSCHE FOTOGRAFIE 2008/2009 Aufregende BILder StimuLating images Text: Gabriele Fischer Photo: Heji Shin Ich werde nie vergessen, wie Mike Meiré vor nunmehr gut zehn Jahren I shall never forget how Mike Meiré unpacked his dummy for the seinen Dummy für das neue Wirtschaftsmagazin Econy ausgepackt hat. new business magazine Econy, more than ten years ago. It really was Das war schon ganz anders als alles, was bisher Wirtschaftspresse war. entirely different from anything that the business press had ever been Und das lag nicht nur am ungewohnten Textverlauf und unterschiedlich before. The difference lay not only in the unusual way the text ran and breiten Spalten: Das lag vor allem an der Fotografie. the columns of varying width. It was mainly due to the photography. Seltsam kühl erschien sie mir damals, und doch auch anziehend. Und In those days, the photography seemed to me to be strangely cold, bis heute klingen mir die Kommentare nach der ersten Ausgabe in den but at the same time attractive. The comments made after the first Ohren. Ältere Leser sagten: »Das ist schön – aber nichts für junge Leute.« edition are still ringing in my ears. Older readers said: »It’s good – Junge Leute sagten: »Super! Aber ältere Leute werden das nicht mögen.« but nothing for young people«. -
Onderstaande Brief Werd Op 18 Juni 2011 Via De Internationale E‐Agenda Voor Beeldende Kunst, E‐Flux, Verzonden
Onderstaande brief werd op 18 juni 2011 via de internationale e‐agenda voor beeldende kunst, e‐flux, verzonden. De brief werd ondertekend door Ann Demeester, Guus Beumer, Maria Hlavajova en Arno van Roosmalen, namens (de leden van) De Zaak Nu, diverse instellingen en individuen in de hedendaags beeldende kunst, “all of whom are concerned about the future of the whole cultural field in the Netherlands”. June 18, 2011 Dutch coup d'état in art and culture Appeal for response! www.dezaaknu.nl www.schadekaart.nl Last week in a memorandum titled "More than Quality," the State Secretary for Culture, acting on behalf of the Dutch government (a minority government of liberals and Christian Democrats, whose hold on power relies on the support of Geert Wilders's anti-Islam Freedom Party (PVV)) announced his new "vision" for the field of culture, which represents nothing less than a violent and sweeping political manoeuvre aimed at the very notion of culture and art, its role in society, and its place within the democratic sphere. With the exception of but a handful of "top international institutions" that will be spared, the entire field of internationally focused and future-oriented artistic experimentation, innovation, education, and development, which has distinguished the Netherlands and given it a leading international position in the field for many decades, is to be demolished practically overnight. Instead of preserving the values of experimentation, risk, and vision, the memorandum leaves us with rhetoric about "strengthening the responsibility and resilience of citizens" and letting "the market" take its "natural" course. To be clear: Dutch professionals in the field of art and culture are aware of the fact that some cuts in funding are necessary given today's economic situation and that a recalibration of support may be called for. -
Catalogue-Biennale5-1
23/6 - 30/9/2015 ΠΑΛΙΕΣ ΔΙΑΣΤΑΥΡΩΣΕΙΣ / OLD INTERSECTIONS MAKE IT NEW III 5η ΜΠΙΕΝΑΛΕ Οργάνωση Δανεισμού- Ασφάλιση Έργων Τέχνης ΔΙΕΘΝΗΣ ΣΥΜΒΟΥΛΕΥΤΙΚΗ ΑΡΧΑΙΟΛΟΓΙΚΟ ΜΟΥΣΕΙΟ Μεταφοράς Έργων Τέχνης Gras Savoye Willis Hellas S.A. ΕΠΙΤΡΟΠΗ ΘΕΣΣΑΛΟΝΙΚΗΣ ΣΥΓΧΡΟΝΗΣ Αγγελική Χαριστού Διευθύντρια Marieke Van Hal ΤΕΧΝΗΣ Εποπτεία Εκθέσεων & Πολυξένη Αδάμ-Βελένη Registrar-Παραλαβή-Έλεγχος Εκδηλώσεων Ιστορικός τέχνης, Manifesta ΘΕΣΣΑΛΟΝΙΚΗΣ Έργων Τέχνης ΑΡωΓΗ ΑΜΚΕ Foundation ΜΟΥΣΕΙΟ ΒΥΖΑΝΤΙΝΟΥ Όλγα Φώτα Συνεργάτες Beral Madra ΠΟΛΙΤΙΣΜΟΥ ΟργάνωΣΗ-ΠαραγωΓΗ Κυριάκος Αγκούτογλου Ιστορικός τέχνης, επιμελήτρια Διευθύντρια Ηλεκτρολόγος-Επιμέλεια Κρατικό Μουσείο Σύγχρονης Δήμητρα Αλμαλιώτη εκθέσεων Αγαθονίκη Τσιλιπάκου Φωτισμού Τέχνης Ανδρέας Βουδούρης Jan-Erik Lundström Κώστας Κοσμίδης Στέργιος Γούσιος Ιστορικός τέχνης, συνεπιμελητής ΤΕΛΛΟΓΛΕΙΟ ΙΔΡΥΜΑ ΤΕΧΝωΝ Α.Π.Θ. ΦΟΡΕΙΣ ΧΡΗΜΑΤΟΔΟΤΗΣΗΣ Βοηθός Διαχείρισης Έργου & Φωτεινή Μπαξεβάνου της 1ης Μπιενάλε Σύγχρονης Μαρία Ράπτη Τέχνης Θεσσαλονίκης Πρόεδρος ΠΕΡΙΦΕΡΕΙΑ ΚΕΝΤΡΙΚΗΣ Επιμελητών Περικλής Μήτκας Γεωργία Λίλη Γιώργος Τσαγιόπουλος Gabriela Salgado ΜΑΚΕΔΟΝΙΑΣ Γιάννης Φουρκιώτης Ιστορικός τέχνης, συνεπιμελήτρια Γενική Γραμματέας Περιφερειάρχης Γραμματεία-Πρόγραμμα της 2ης Μπιενάλε Σύγχρονης Αλεξάνδρα Γουλάκη-Βουτυρά Απόστολος Τζιτζικώστας Διερμηνεία Εθελοντισμού & Πρακτικής Τέχνης Θεσσαλονίκης ΕΦΟΡΕΙΑ ΑΡΧΑΙΟΤΗΤωΝ Άσκησης Γλώσσημα & Βέρχαιμ ΕΝΔΙΑΜΕΣΗ Thierry Raspail ΠΟΛΗΣ ΘΕΣΣΑΛΟΝΙΚΗΣ Χριστίνα Πλευρίτου ΔΙΑΧΕΙΡΙΣΤΙΚΗ ΑΡΧΗ Μεταφράσεις Καλλιτεχνικός διευθυντής του Προϊστάμενος Μουσείου Σύγχρονης Τέχνης της Προϊσταμένη -
FLYING LETTERS /Maebashi Birgit Jensen フライヤー
Moussa Séne Absa SN Bill Allen USA FLUGBLÄTTER - FLYING LETTERS /Maebashi Markus Ambach DE Ulrike Arnold DE Liz Bachhuber USA Vanya Balogh HR Birgit Jensen Gudrun Barenbrock DE Rainer Barzen DE Heinz Baumüller AT This exhibition by the Düsseldorf-based artist Birgit Jensen is the result of a network project for which Birgit Jensen invited Christine Bernhard DE 130 artists from all over the world. Benjamin Bohnsack DE Frank Bölter DE She involved a large range of different artistic personalities in an artistic-communicative dialogue. She asked them how Hans Brändli CH they, as visual artists, respond to the latest developments in a globalized world. Christoph Bucher CH Julia Bünnagel DE What position do they take and how do the changes and attendant social tensions and conflicts influence their work? How Luca Buvoli IT do they position themselves in relation to the transformations of our society and its various different local impacts? Christian Deckert DE Nikola Dicke DE Every participant was invited to send an image and a text file by e-mail, which Birgit Jensen could print out and install as Arpad Dobriban HU an exhibition. Susanne Fasbender DE Frank Fenstermacher DE The response to her inquiry was unexpectedly enormous and very exciting. A vast spectrum of answers were sent back. Hercules Fisherman IR/UK Each expression of the 131 artists reflects another aspect of our time, be it philosophical, social, political, economical or Pia Fries CH Harald Fuchs DE ecological. Shrutti Garg IN Every answer relates to a different point of view. It shows that artistic thinking is rooted in a specific social experience. -
Kansas City, Missouri Program
GERMAN STUDIES ASSOCIATION Thirty-Eighth Annual Conference September 18–21, 2014 Kansas City, Missouri Program of the Thirty-Eighth Annual Conference German Studies Association September 18–21, 2014 Kansas City, Missouri Westin Kansas City at Crown Center German Studies Association Main Office: 1200 Academy Street Kalamazoo, MI 49006-3295 USA Tel.: (269) 267-7585 Fax: (269) 337-7251 www.thegsa.org e-mail: [email protected] Technical Support: [email protected] President Suzanne Marchand (2013–2014) Louisiana State University Vice President Irene Kacandes (2013–2014) Dartmouth College Secretary-Treasurer Gerald A. Fetz University of Montana Executive Director David E. Barclay Kalamazoo College GSA Board: Elizabeth Ametsbichler, University of Montana (2015) Joy H. Calico, Vanderbilt University (2016) Alice H. Cooper, University of Mississippi (2015) Geoff Eley, University of Michigan, Ann Arbor (2014) Randall Halle, University of Pittsburgh (2016) Leslie Morris, University of Minnesota, Twin Cities (2014) Janet A. Ward, University of Oklahoma (2015) Dorothee Wierling, Forschungsstelle für Zeitgeschichte, Universität Hamburg (2014) S. Jonathan Wiesen, Southern Illinois University, Carbondale (2016) Stephen Brockmann, Carnegie Mellon University, ex officio non-voting (2014) Sabine Hake, University of Texas at Austin, ex officio non-voting © Copyright 2014 by German Studies Association Institutional Members American Friends of the Alexander Leo Baeck Institute, New York von Humboldt Foundation McGill University American Friends of the Max -
Announcement
Announcement 37 articles, 2016-07-21 18:00 1 On Lynn Hershman Leeson’s Lorna — Untitled (Blog) — Walker Art Center As evidenced by the wonderful interview between Lynn Hershman (1.03/2) Leeson (b. 1941) and Juliana Huxtable (b. 1987) in Art Forum this summer, Hershman Leeson's pioneering media legacy continues to provo... 2016-07-21 14:55 905Bytes blogs.walkerart.org 2 360 Degrees of “Race for the Prize” — The Green Room — Walker Art Center Smoke guns and confetti cannons were out in full force during the (1.03/2) final set of Rock the Garden 2016—and videographer Chuck Olsen of Visual was there to capture the experience in immersive, 360- deg... 2016-07-21 14:53 897Bytes blogs.walkerart.org 3 Art Berlin Contemporary Reduces Exhibitor Numbers for Its 2016 Edition The Berlin-based art fair is back for its ninth edition with only 60 (1.02/2) exhibitors, and some exciting changes in store. 2016-07-21 04:05 5KB news.artnet.com 4 DAY 2 AT ARTEXPO: SPECIAL KEYNOTE, LIVE ART DEMOS & MORE Friday at Artexpo brought throngs of visitors through the gates of Pier 94 to see artwork from over 400 exhibitors from around the world, comprising more than 1,000 artists in total. The doors opened early for the event's Keynote Presentation by Pam Danziger, "Marketing Art... 2016-07-21 18:00 1KB artexponewyork.com 5 Hold your breath, dance slowly—The making of a visual identity — The Gradient — Walker Art Center Exhibition view On the exhibition Curated by Misa Jeffereis, the exhibition Lee Kit: Hold your breath, dance slowly marks visual artist Lee Kit’s first U.