Herbst / Fall 2020 Dr. Cantz'sche
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Open Etoth Dissertation Corrected.Pdf
The Pennsylvania State University The Graduate School The College of Arts and Architecture FROM ACTIVISM TO KIETISM: MODERIST SPACES I HUGARIA ART, 1918-1930 BUDAPEST – VIEA – BERLI A Dissertation in Art History by Edit Tóth © 2010 Edit Tóth Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2010 The dissertation of Edit Tóth was reviewed and approved* by the following: Nancy Locke Associate Professor of Art History Dissertation Adviser Chair of Committee Sarah K. Rich Associate Professor of Art History Craig Zabel Head of the Department of Art History Michael Bernhard Associate Professor of Political Science *Signatures are on file in the Graduate School ii ABSTRACT From Activism to Kinetism: Modernist Spaces in Hungarian Art, 1918-1930. Budapest – Vienna – Berlin investigates modernist art created in Central Europe of that period, as it responded to the shock effects of modernity. In this endeavor it takes artists directly or indirectly associated with the MA (“Today,” 1916-1925) Hungarian artistic and literary circle and periodical as paradigmatic of this response. From the loose association of artists and literary men, connected more by their ideas than by a distinct style, I single out works by Lajos Kassák – writer, poet, artist, editor, and the main mover and guiding star of MA , – the painter Sándor Bortnyik, the polymath László Moholy- Nagy, and the designer Marcel Breuer. This exclusive selection is based on a particular agenda. First, it considers how the failure of a revolutionary reorganization of society during the Hungarian Soviet Republic (April 23 – August 1, 1919) at the end of World War I prompted the Hungarian Activists to reassess their lofty political ideals in exile and make compromises if they wanted to remain in the vanguard of modernity. -
2019 Round Top Music Festival
James Dick, Founder & Artistic Director 2019 Round Top Music Festival ROUND TOP FESTIVAL INSTITUTE Bravo! We salute those who have provided generous gifts of $10,000 or more during the past year. These gifts reflect donations received as of May 19, 2019. ROUND TOP FESTIVAL INSTITUTE 49th SEASON PArtNER THE BURDINE JOHNSON FOUNDATION HERITAGE CIrcLE H-E-B, L .P. FOUNDERS The Brown Foundation Inc. The Clayton Fund The Estate of Norma Mary Webb BENEFACTORS The Mr. and Mrs. Joe W. Bratcher, Jr. Foundation James C. Dick Mark and Lee Ann Elvig Robert J. Kleberg, Jr. and Helen C. Kleberg Foundation Richard R. Royall V Rose P. VanArsdel SUSTAINERS Blue Bell Creameries, L.P. William, Helen and Georgina Hudspeth Nancy Dewell Braus Luther King Capital Management The Faith P. and Charles L. Bybee Foundation Paula and Kenneth Moerbe Malinda Croan Anna and Gene Oeding Mandy Dealey and Michael Kentor The Gilbert and Thyra Plass Arts Foundation Dickson-Allen Foundation Myra Stafford Pryor Charitable Trust June R. Dossat Dr. and Mrs. Rolland C. Reynolds and Yvonne Reynolds Dede Duson Jim Roy and Rex Watson Marilyn T. Gaddis Ph.D. and George C. Carruthers Tod and Paul Schenck Ann and Gordon Getty Foundation Texas Commission on the Arts Alice Taylor Gray Foundation Larry A. Uhlig George F. Henry Betty and Lloyd Van Horn Felicia and Craig Hester Lola Wright Foundation Joan and David Hilgers Industry State Bank • Fayetteville Bank • First National Bank of Bellville • Bank of Brenham • First National Bank of Shiner ® Bravo! Welcome to the 49th Round Top Music Festival ROUND TOP FESTIVAL INSTITUTE The sole endeavor of The James Dick Foundation for the Performing Arts To everything There is a season And a time to every purpose, under heaven A time to be born, a time to die A time to plant, a time to reap A time to laugh, a time to weep This season at Festival Hill has been an especially sad one with the loss of three of our beloved friends and family. -
Tesi Da CARICARE.Indd
Doctoral School in Environmental Engineering Fragments of spaces along the roads. Recycling deleted areas Chiara Azzali 2012 Doctoral thesis in Environmental Engineering, XXIII cycle Faculty of Engineering, University of Trento Academic year 2011/2012 Supervisors: prof. Claudio Lamanna, University of Trento prof. Renato Bocchi, University IUAV of Venezia University of Trento Trento, Italy 2012 5 6 Acknowledgements I would like to thank my supervisor, Prof. Claudio Lamanna, who has supported me throughout the research. I am thankful to my assistant supervisor, Prof. Renato Bocchi and to external supervisor Prof. Franco Zagari for their critical contributions. I would also like to mention Prof. Giorgio Cacciaguerra, Prof.ssa Claudia Battaino, Prof. Pino Scaglione and Prof. Raffaele Mauro and my colleagues Luigi Siviero and Emanuela Schir. I’m fi nally particularly grateful to Prof. Pierre Donadieu, his assistant Dott.ssa Chiara Santini and Prof. Gilles Vexlard for the time they granted to me during the interviews and for the useful discussions. 7 Abstract: “[…]Landscape” means an area, as perceived by people, whose character is the result of the action and interaction of natural and/or human factors; […]Acknowledging that the landscape is an important part of the quality of life for people everywhere: in urban areas and in the countryside, in degraded areas as well as in areas of high quality, in areas recognised as being of outstanding beauty as well as everyday areas[…]”. 1 The starting point of this research is the innovative defi nition of landscape, given by the “European Landscape Convention”, that draws the attention to the need of: - examining the territory as a spatial and temporal continuity; - considering the territory transformations as a value; - giving equal dignity to ruined territory, refusing the idea that only beautiful landscape deserve to be protected. -
Furniture E List
FURNITURE MODERNISM101.COM All items are offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days of receipt unless specific arrangements are made prior to shipment. Returns must be made conscien- tiously and expediently. The usual courtesy discount is extended to bonafide booksellers who offer reciprocal opportunities from their catalogs or stock. There are no library or institutional discounts. We accept payment via all major credit cards through Paypal. Institutional billing requirements may be accommodated upon request. Foreign accounts may remit via wire transfer to our bank account in US Dollars. Wire transfer details available on request. Terms are net 30 days. Titles link directly to our website for pur- chase. E-mail orders or inquiries to [email protected] Items in this E-List are available for inspection via appointment at our office in Shreveport. We are secretly open to the public and wel- come visitors with prior notification. We are always interested in purchasing single items, collections and libraries and welcome all inquiries. randall ross + mary mccombs modernism101 rare design books 4830 Line Avenue, No. 203 Shreveport, LA 71106 USA The Design Capitol of the Ark -La-Tex [ALVAR AALTO] Finsven Inc. 1 AALTO DESIGN COLLECTION FOR MODERN LIVING $350 New York: Finsven Inc., May 1955 Printed stapled wrappers. 24 pp. Black and white halftones and furniture specifications. Price list laid in. Housed in original mailing envelope with Erich Dieckmann a 1955 postage cancellation. A fine set. -
Onderstaande Brief Werd Op 18 Juni 2011 Via De Internationale E‐Agenda Voor Beeldende Kunst, E‐Flux, Verzonden
Onderstaande brief werd op 18 juni 2011 via de internationale e‐agenda voor beeldende kunst, e‐flux, verzonden. De brief werd ondertekend door Ann Demeester, Guus Beumer, Maria Hlavajova en Arno van Roosmalen, namens (de leden van) De Zaak Nu, diverse instellingen en individuen in de hedendaags beeldende kunst, “all of whom are concerned about the future of the whole cultural field in the Netherlands”. June 18, 2011 Dutch coup d'état in art and culture Appeal for response! www.dezaaknu.nl www.schadekaart.nl Last week in a memorandum titled "More than Quality," the State Secretary for Culture, acting on behalf of the Dutch government (a minority government of liberals and Christian Democrats, whose hold on power relies on the support of Geert Wilders's anti-Islam Freedom Party (PVV)) announced his new "vision" for the field of culture, which represents nothing less than a violent and sweeping political manoeuvre aimed at the very notion of culture and art, its role in society, and its place within the democratic sphere. With the exception of but a handful of "top international institutions" that will be spared, the entire field of internationally focused and future-oriented artistic experimentation, innovation, education, and development, which has distinguished the Netherlands and given it a leading international position in the field for many decades, is to be demolished practically overnight. Instead of preserving the values of experimentation, risk, and vision, the memorandum leaves us with rhetoric about "strengthening the responsibility and resilience of citizens" and letting "the market" take its "natural" course. To be clear: Dutch professionals in the field of art and culture are aware of the fact that some cuts in funding are necessary given today's economic situation and that a recalibration of support may be called for. -
Catalogue-Biennale5-1
23/6 - 30/9/2015 ΠΑΛΙΕΣ ΔΙΑΣΤΑΥΡΩΣΕΙΣ / OLD INTERSECTIONS MAKE IT NEW III 5η ΜΠΙΕΝΑΛΕ Οργάνωση Δανεισμού- Ασφάλιση Έργων Τέχνης ΔΙΕΘΝΗΣ ΣΥΜΒΟΥΛΕΥΤΙΚΗ ΑΡΧΑΙΟΛΟΓΙΚΟ ΜΟΥΣΕΙΟ Μεταφοράς Έργων Τέχνης Gras Savoye Willis Hellas S.A. ΕΠΙΤΡΟΠΗ ΘΕΣΣΑΛΟΝΙΚΗΣ ΣΥΓΧΡΟΝΗΣ Αγγελική Χαριστού Διευθύντρια Marieke Van Hal ΤΕΧΝΗΣ Εποπτεία Εκθέσεων & Πολυξένη Αδάμ-Βελένη Registrar-Παραλαβή-Έλεγχος Εκδηλώσεων Ιστορικός τέχνης, Manifesta ΘΕΣΣΑΛΟΝΙΚΗΣ Έργων Τέχνης ΑΡωΓΗ ΑΜΚΕ Foundation ΜΟΥΣΕΙΟ ΒΥΖΑΝΤΙΝΟΥ Όλγα Φώτα Συνεργάτες Beral Madra ΠΟΛΙΤΙΣΜΟΥ ΟργάνωΣΗ-ΠαραγωΓΗ Κυριάκος Αγκούτογλου Ιστορικός τέχνης, επιμελήτρια Διευθύντρια Ηλεκτρολόγος-Επιμέλεια Κρατικό Μουσείο Σύγχρονης Δήμητρα Αλμαλιώτη εκθέσεων Αγαθονίκη Τσιλιπάκου Φωτισμού Τέχνης Ανδρέας Βουδούρης Jan-Erik Lundström Κώστας Κοσμίδης Στέργιος Γούσιος Ιστορικός τέχνης, συνεπιμελητής ΤΕΛΛΟΓΛΕΙΟ ΙΔΡΥΜΑ ΤΕΧΝωΝ Α.Π.Θ. ΦΟΡΕΙΣ ΧΡΗΜΑΤΟΔΟΤΗΣΗΣ Βοηθός Διαχείρισης Έργου & Φωτεινή Μπαξεβάνου της 1ης Μπιενάλε Σύγχρονης Μαρία Ράπτη Τέχνης Θεσσαλονίκης Πρόεδρος ΠΕΡΙΦΕΡΕΙΑ ΚΕΝΤΡΙΚΗΣ Επιμελητών Περικλής Μήτκας Γεωργία Λίλη Γιώργος Τσαγιόπουλος Gabriela Salgado ΜΑΚΕΔΟΝΙΑΣ Γιάννης Φουρκιώτης Ιστορικός τέχνης, συνεπιμελήτρια Γενική Γραμματέας Περιφερειάρχης Γραμματεία-Πρόγραμμα της 2ης Μπιενάλε Σύγχρονης Αλεξάνδρα Γουλάκη-Βουτυρά Απόστολος Τζιτζικώστας Διερμηνεία Εθελοντισμού & Πρακτικής Τέχνης Θεσσαλονίκης ΕΦΟΡΕΙΑ ΑΡΧΑΙΟΤΗΤωΝ Άσκησης Γλώσσημα & Βέρχαιμ ΕΝΔΙΑΜΕΣΗ Thierry Raspail ΠΟΛΗΣ ΘΕΣΣΑΛΟΝΙΚΗΣ Χριστίνα Πλευρίτου ΔΙΑΧΕΙΡΙΣΤΙΚΗ ΑΡΧΗ Μεταφράσεις Καλλιτεχνικός διευθυντής του Προϊστάμενος Μουσείου Σύγχρονης Τέχνης της Προϊσταμένη -
FLYING LETTERS /Maebashi Birgit Jensen フライヤー
Moussa Séne Absa SN Bill Allen USA FLUGBLÄTTER - FLYING LETTERS /Maebashi Markus Ambach DE Ulrike Arnold DE Liz Bachhuber USA Vanya Balogh HR Birgit Jensen Gudrun Barenbrock DE Rainer Barzen DE Heinz Baumüller AT This exhibition by the Düsseldorf-based artist Birgit Jensen is the result of a network project for which Birgit Jensen invited Christine Bernhard DE 130 artists from all over the world. Benjamin Bohnsack DE Frank Bölter DE She involved a large range of different artistic personalities in an artistic-communicative dialogue. She asked them how Hans Brändli CH they, as visual artists, respond to the latest developments in a globalized world. Christoph Bucher CH Julia Bünnagel DE What position do they take and how do the changes and attendant social tensions and conflicts influence their work? How Luca Buvoli IT do they position themselves in relation to the transformations of our society and its various different local impacts? Christian Deckert DE Nikola Dicke DE Every participant was invited to send an image and a text file by e-mail, which Birgit Jensen could print out and install as Arpad Dobriban HU an exhibition. Susanne Fasbender DE Frank Fenstermacher DE The response to her inquiry was unexpectedly enormous and very exciting. A vast spectrum of answers were sent back. Hercules Fisherman IR/UK Each expression of the 131 artists reflects another aspect of our time, be it philosophical, social, political, economical or Pia Fries CH Harald Fuchs DE ecological. Shrutti Garg IN Every answer relates to a different point of view. It shows that artistic thinking is rooted in a specific social experience. -
Kansas City, Missouri Program
GERMAN STUDIES ASSOCIATION Thirty-Eighth Annual Conference September 18–21, 2014 Kansas City, Missouri Program of the Thirty-Eighth Annual Conference German Studies Association September 18–21, 2014 Kansas City, Missouri Westin Kansas City at Crown Center German Studies Association Main Office: 1200 Academy Street Kalamazoo, MI 49006-3295 USA Tel.: (269) 267-7585 Fax: (269) 337-7251 www.thegsa.org e-mail: [email protected] Technical Support: [email protected] President Suzanne Marchand (2013–2014) Louisiana State University Vice President Irene Kacandes (2013–2014) Dartmouth College Secretary-Treasurer Gerald A. Fetz University of Montana Executive Director David E. Barclay Kalamazoo College GSA Board: Elizabeth Ametsbichler, University of Montana (2015) Joy H. Calico, Vanderbilt University (2016) Alice H. Cooper, University of Mississippi (2015) Geoff Eley, University of Michigan, Ann Arbor (2014) Randall Halle, University of Pittsburgh (2016) Leslie Morris, University of Minnesota, Twin Cities (2014) Janet A. Ward, University of Oklahoma (2015) Dorothee Wierling, Forschungsstelle für Zeitgeschichte, Universität Hamburg (2014) S. Jonathan Wiesen, Southern Illinois University, Carbondale (2016) Stephen Brockmann, Carnegie Mellon University, ex officio non-voting (2014) Sabine Hake, University of Texas at Austin, ex officio non-voting © Copyright 2014 by German Studies Association Institutional Members American Friends of the Alexander Leo Baeck Institute, New York von Humboldt Foundation McGill University American Friends of the Max -
Frühling/Spring 2021 Dr. Cantz'sche Verlagsgesellschaft
DR. CANTZ’SCHE VERLAGSGESELLSCHAFT FRÜHLING/SPRING 2021 EDITORIAL KÜNSTLERINNEN UND KÜNSTLER / ARTISTS 3 ABOUCAYA, CYRIL 62 BUETTI, DANIELE 17 FAROCKI, HARUN 23, 50 HOEPFFNER, MARTA 63 LEGAULT, DONNA 50 ABU HAMDAN, LAWRENCE 21 BUGGENHOUT, PETER 26 FAULHABER, JULIAN 62 HOETGER, BERNHARD 60 LÉGER, FERNAND 7 ADÉAGBO, GEORGES 32 BUHS, BUSSI 17 FEI, CAO 23 HÖFER, CANDIDA 39, 42, 64 LEHMBRUCK, WILHELM 7 AITKEN, DOUG 22 BURCHARTZ, MAX 60 FEININGER, LYONEL 7, 60 EDITION LEHNERER, THOMAS 64 AL MARIA, SOPHIA 23 BÜYÜKBERBER, CAN & FELDMANN, HANS-PETER 17 HOFER, KARL 7 LEK, LAWRENCE 50 ALBEROLA, JEAN-MICHEL 50 UYANIK, YAGMUR 50 FELIXMÜLLER, CONRAD 7 HOFMANN, HANS 63 LEMPERT, JOCHEN 65 ALBERS, JOSEF 12, 60 FETTING, RAINER 64 HOFMANN, JULIUS 17 LEMPICKA, TAMARA DE 7 ALLAHYARI, MOREHSHIN 50 CAGE, JOHN 13 FINI, LEONOR 7 HOFMANN, YANNICK 50 LEMSALU, KRIS 17 ALLOUCHE, DOVE 65 CALABRESE, MANUEL 17 FISCHER, OSKAR 60 HOLZER, JENNY 13, 60 LENKKERI, VILLE 62 ALMENDRA, WILFRID 62 CAMPENDONK, HEINRICH 60 FISCHINGER, OSKAR 7 HÖRL, OTTMAR 59 LEONARD, ZOE 65 AMARAL, TARSILA DO 7 CANELL, NINA 13, 32 FISCHL, ERIC 60 HORN, ANAÏS 36 LEWITT, SOL 13 ANASTASI, WILLIAM 32 CARNEIN, ANNE 66 FLATZ 62 HORN, RICHARD 7 LEX-NERLINGER, ALICE 7 ANCARANI, YURI 23 CARRÀ, CARLO 60 FLAVIN, DAN 64 HUGHES, SHARA 47, 49 LI, MING 23 ANDALUZ, CÉSAR CECCHI, MONICA 17 FLEGEL, GEORG 61 LIALINA, OLIA 23 ESCUDERO & NADAL, CHAGALL, MARC 60, 61 FÖDINGER, KARSTEN 19 ITTEN, JOHANNES 60 LICHTENSTEIN, ROY 13, 60, 64 MARTÍN 50 CHAMBERLAIN, JOHN 60 FOECKING, MAREIKE 62 LINDNER, RICHARD 13 ARAKI, NOBUYOSHI -
Full Curriculum Vitae
Eleni Kamma 1973, Athens. Lives and works in Brussels and Maastricht. From Rag to Ritch, curated by Poka-Yio, American College, Athens www.elenikamma.com Stopping Point, curated by Kostis Velonis, Daily Lazy, Athens SPACE Collection, Elisabeth Strouven Fonds, Maastricht 2017 New Acquisitions of the EMST Collection, National Museum of Contemporary Studies Art, Athens (EMST) Dwell, Act, Transform, curated by Anke Coumans and Andrea Stultiens, 2016– PhDArts candidate, Leiden University Academy of Creative Minerva Academie, Groningen and Performing Arts and the Royal Academy of Art (KABK) Woodstone Kugelblitz Take Over, Sign, Groningen in The Hague Terra Medditerenea in Action, co-curated by Michael Arzt and Yiannis 2008–2009 Jan van Eyck Akademie, Maastricht, Post-Graduate Fine Art Researcher Toumazis, NIMAC, in the framework of Cultural Capital of Europe Pafos 2017, 2001 – 2002 MA Fine Art, Chelsea College of Art & Design, London Nicosia and Pafos 1995 – 2000 Degree in Painting, Athens School of Fine Art, Athens Planites, opening exhibition of Cultural Capital of Europe Pafos2017, curated 1992 – 1995 Faculty of Mathematics, University of Patras, Patras by Elena Parpa, Pafos, Cyprus So close yet so far away, curated by Yiannis Toumazis, Petach Tikva Museum of Art,Petach Tikva, Israel Solo Exhibitions 2016 We, people in transition, Minerva Academy, Groningen Parrhesia Reprise, SIGN, Groningen 2018 The Selfie-Junkie, The Fool, The Animal, The Glossary, The Angry, The Terra Medditerenea in Action, co-curated by Michael Arzt and Yiannis Collector -
Building in France, Building in Iron, Building in Ferroconcrete
TEXTS & DOCUMENTS A Series of the Getty Center Publication Programs The TEXTS & DOCUMENTS series offers to the student of art, architecture, and aesthetics neglected, forgotten, or unavailable writings in English translation. Edited according to modern standards of scholarship and framed by critical introduc tions and commentaries, these volumes gradually mine the past centuries for studies that retain their significance in our understanding of art and of the issues surrounding its pro duction, reception, and interpretation. Eminent scholars guide the Getty Center for the History of Art and the Humanities in the selection and publication of TEXTS & DOCUMENTS. Each volume acquaints readers with the broader cultural conditions at the genesis of the text and equips them with the needed apparatus for its study. Over time the series will greatly expand our horizon and deepen our understanding of critical thinking on art. Julia Bloomfield, Thomas F. Reese, Salvatore Settis, Editors Kurt W. Forster, Consultative Editor, TEXTS & DOCUMENTS The Getty Center Publication Programs This page intentionally left blank BUILDING IN FRANCE BUILDING IN IRON BUILDING IN FERRO- CONCRETE This page intentionally left blank Published by the Getty Center for the History of Art and the humanities BUILDING IN BUILDING IN BUILDING IN IRON BUILDING IN FERRO- CONCRETE SIGFRIED GIEDION TEXTS & DOCUMENTS INTRODUCTION BY SOKRATIS GEORGIADIS TRANSLATION BY J. DUNCAN BERRY THE GETTY CENTER PUBLICATION PROGRAMS Julia Bloomfield, Thomas F. Reese, Salvatore Settis, Editors Kurt W. Forster, Consultative Editor, TEXTS & DOCUMENTS TEXTS & DOCUMENTS Architecture Harry F. Mallgrave, Editor Building in France, Building in Iron, Building in Ferroconcrete Stanislaus von Moos, Editorial Consultant Verena Clay, Translation Consultant Lynne Kostman, Managing Editor Benedicte Gilman, Manuscript Editor Published by The Getty Center for the History of Art and the Humanities, Santa Monica, CA 90401-1455 © 1995 by The Getty Center for the History of Art and the Humanities All rights reserved. -
Jean Arp Retrospectiva 1915 • 1966
JEAN ARP (Estrasburgo, 1887–Basilea, 1966), escultor, pin- tor y poeta, es una figura central de las corrientes vanguardis- tas que transformaron la comprensión del arte durante la primera mitad del siglo pasado. El camino de Arp se cruzó a menudo con el de Klee, Kandinsky, Picasso, Jacob, Modigliani o Delaunay. Pero, sobre todo, Arp fue uno de los 1915 • 1966 fundadores del movimiento Dada, junto con Tzara, Janco y Hülsenbeck. Tras su matrimonio con Sophie Taeuber se apro- A ximó al surrealismo y llegó a participar en algunas de las pri- meras exposiciones de este movimiento. Sin embargo, Arp no se limitó a una corriente artística o a una manera de trabajar, siempre buscó la experimentación en toda clase de soportes, a menudo utilizando la casualidad como herramienta plástica. Jean Arp. Retrospectiva (1915-1966) realiza un recorrido panorámico por las distintas vertientes de la obra de Arp: esculturas, pinturas, dibujos, collages, relieves y litografías, RETROSPECTIV pero también poemas, escritos sobre arte y una gran varie- dad de documentos gráficos. El volumen se completa con cuatro ensayos sobre Arp a cargo de Serge Feauchereau, Nilo Palenzuela, Michel Deguy y Javier Arnaldo. JEAN ARP catalogo arp 01-58 30/10/06 12:29 Página 1 JEAN ARP RETROSPECTIVA 1915•1966 catalogo arp 01-58 30/10/06 12:29 Página 2 CÍRCULO DE BELLAS ARTES PRESIDENTE Juan Miguel Hernández León DIRECTOR Juan Barja SUBDIRECTOR Javier López-Roberts COORDINADORA CULTURAL Lidija Sˇ ircelj CATÁLOGO ÁREA DE EDICIÓN Y PRODUCCIONES EXPOSICIÓN AUDIOVISUALES DEL CBA César Rendueles COMISARIO Carolina del Olmo Serge Fauchereau Elena Iglesias Serna Carlos Prieto ÁREA DE ARTES PLÁSTICAS DEL CBA Eva Sala Laura Manzano Eduardo Navarro DISEÑO Camille Jutant Estudio Joaquín Gallego MONTAJE TRADUCCIÓN Departamento Técnico del CBA Inés Bértolo SEGURO FOTOMECÁNICA Cabinet Morel (Loyd’s Assurance) Da Vinci TRANSPORTE IMPRESIÓN Entreprise Chenue Brizzolis LP Art Imagen de cubierta: Jean Arp con el monóculo-ombligo, El Círculo de Bellas Artes agradece su generosa ayuda a la Fondation c.