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The Changing Depiction of Prussia in the GDR
The Changing Depiction of Prussia in the GDR: From Rejection to Selective Commemoration Corinna Munn Department of History Columbia University April 9, 2014 Acknowledgments I would like to thank my advisor, Volker Berghahn, for his support and guidance in this project. I also thank my second reader, Hana Worthen, for her careful reading and constructive advice. This paper has also benefited from the work I did under Wolfgang Neugebauer at the Humboldt University of Berlin in the summer semester of 2013, and from the advice of Bärbel Holtz, also of Humboldt University. Table of Contents 1. Introduction……………………………………………………………………….1 2. Chronology and Context………………………………………………………….4 3. The Geschichtsbild in the GDR…………………………………………………..8 3.1 What is a Geschichtsbild?..............................................................................8 3.2 The Function of the Geschichtsbild in the GDR……………………………9 4. Prussia’s Changing Role in the Geschichtsbild of the GDR…………………….11 4.1 1945-1951: The Post-War Period………………………………………….11 4.1.1 Historiography and Publications……………………………………11 4.1.2 Public Symbols and Events: The fate of the Berliner Stadtschloss…14 4.1.3 Film: Die blauen Schwerter………………………………………...19 4.2 1951-1973: Building a Socialist Society…………………………………...22 4.2.1 Historiography and Publications……………………………………22 4.2.2 Public Symbols and Events: The Neue Wache and the demolition of Potsdam’s Garnisonkirche…………………………………………..30 4.2.3 Film: Die gestohlene Schlacht………………………………………34 4.3 1973-1989: The Rediscovery of Prussia…………………………………...39 4.3.1 Historiography and Publications……………………………………39 4.3.2 Public Symbols and Events: The restoration of the Lindenforum and the exhibit at Sans Souci……………………………………………42 4.3.3 Film: Sachsens Glanz und Preußens Gloria………………………..45 5. -
Jahrbuch Stiftung Preußische Schlösser Und Gärten Berlin-Brandenburg Band 2 1997/1998 Copyright Das Digitalisat Wird Ihnen Vo
Jahrbuch Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg Band 2 1997/1998 Copyright Das Digitalisat wird Ihnen von perspectivia.net, der Online- Publikationsplattform der Stiftung Deutsche Geisteswissenschaftliche Institute im Ausland (DGIA), zur Verfügung gestellt. Bitte beachten Sie, dass das Digitalisat urheberrechtlich geschützt ist. Erlaubt ist aber das Lesen, das Ausdrucken des Textes, das Herunterladen, das Speichern der Daten auf einem eigenen Datenträger soweit die vorgenannten Handlungen ausschließlich zu privaten und nicht-kommerziellen Zwecken erfolgen. Eine darüber hinausgehende unerlaubte Verwendung, Reproduktion oder Weitergabe einzelner Inhalte oder Bilder können sowohl zivil- als auch strafrechtlich verfolgt werden. GUIDO HINTERKEUSER Buchbesprechung: Studien zur barocken Baukultur in Berlin-Brandenburg hrsg. v. Peter-Michael Hahn und Hellmut Lorenz, mit Beiträgen von Melanie Mertens, Monika Kleiner, Nicola Riedel, Monika Loddenkemper und Christiane Salge (Quellen und Studien zur Geschichte und Kultur Brandenburg-Preußens und des Alten Reiches, Bd. 3) Potsdam, Verlag für Berlin-Brandenburg, 1996, 110 Seiten, DM 58,– »Facile est addere inventis!« (Leonhard Christoph Sturm)1 Der hier besprochene Band enthält fünf Aufsätze, die sich der Parochialkir- che in Berlin sowie den Herrenhäusern in Roskow und Reckahn, in Kossenblatt und Prötzel widmen. Der Austausch zwischen Zentrum und Peripherie, wie er Kunstlandschaften zu allen Zeiten geformt und belebt hat, wird in den Beiträgen, direkt oder unbewußt, stets aufs neue thematisiert. Die in der Barockzeit mithin beachtlichen baukünstlerischen Leistungen auf dem Land sind undenkbar ohne das Baugeschehen in Berlin, das unter Friedrich (III.) I. erstmals in seiner Geschichte zu einer Metropole aufstrebte, die sich an internationalen Ansprüchen maß. Umgekehrt erweitern und verfeinern die Bauten in der sogenannten Pro- vinz unser Bild von der barocken Residenzstadt und ihrer Architektur, die bereits seit dem 19. -
German History Reflected
The Detlev Rohwedder Building German history reflected GFE = 1/2 Formathöhe The Detlev Rohwedder Building German history reflected Contents 3 Introduction 44 Reunification and Change 46 The euphoria of unity 4 The Reich Aviation Ministry 48 A tainted place 50 The Treuhandanstalt 6 Inception 53 The architecture of reunification 10 The nerve centre of power 56 In conversation with 14 Courage to resist: the Rote Kapelle Hans-Michael Meyer-Sebastian 18 Architecture under the Nazis 58 The Federal Ministry of Finance 22 The House of Ministries 60 A living place today 24 The changing face of a colossus 64 Experiencing and creating history 28 The government clashes with the people 66 How do you feel about working in this building? 32 Socialist aspirations meet social reality 69 A stroll along Wilhelmstrasse 34 Isolation and separation 36 Escape from the state 38 New paths and a dead-end 72 Chronicle of the Detlev Rohwedder Building 40 Architecture after the war – 77 Further reading a building is transformed 79 Imprint 42 In conversation with Jürgen Dröse 2 Contents Introduction The Detlev Rohwedder Building, home to Germany’s the House of Ministries, foreshadowing the country- Federal Ministry of Finance since 1999, bears wide uprising on 17 June. Eight years later, the Berlin witness to the upheavals of recent German history Wall began to cast its shadow just a few steps away. like almost no other structure. After reunification, the Treuhandanstalt, the body Constructed as the Reich Aviation Ministry, the charged with the GDR’s financial liquidation, moved vast site was the nerve centre of power under into the building. -
Travel with the Metropolitan Museum of Art
BBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBB Travel with Met Classics The Met BBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBB May 9–15, 2022 Berlin with Christopher Noey Lecturer BBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBBB Berlin Dear Members and Friends of The Metropolitan Museum of Art, Berlin pulses with creativity and imagination, standing at the forefront of Europe’s art world. Since the fall of the Wall, the German capital’s evolution has been remarkable. Industrial spaces now host an abundance of striking private art galleries, and the city’s landscapes have been redefined by cutting-edge architecture and thought-provoking monuments. I invite you to join me in May 2022 for a five-day, behind-the-scenes immersion into the best Berlin has to offer, from its historic museum collections and lavish Prussian palaces to its elegant opera houses and electrifying contemporary art scene. We will begin with an exploration of the city’s Cold War past, and lunch atop the famous Reichstag. On Museum Island, we -
1.3. Neuer Garten, Potsdam
1. Bauten und Gärten der UNESCO-Welterbestätte „Schlösser und Parks von Potsdam und Berlin“ 1.3. Neuer Garten, Potsdam Potsdam, Neuer Garten Park und Marmorpalais Ab 1787 unter König Friedrich Wilhelm II. schrittweiser Erwerb des Territoriums bis zu seiner heu- tigen Ausdehnung einschließlich des Heiligen Sees. Hauptbau 1787–1791 von Carl von Gontard für Friedrich Wilhelm II., Innenausstattung 1790–1792 von Carl Gotthard Langhans ausgeführt. Seiten- flügel 1797 von Michael Philipp Boumann, Innenausstattung 1843–1849 von Ludwig Ferdinand Hesse. Gestaltung des Gartens durch den Hofgärtner Johann August Eyserbeck im frühen sentimen- talen Landschaftsstil nach Wörlitzer Vorbild. Ab 1816 unter König Friedrich Wilhelm III. durch Peter Joseph Lenné Beginn der Überarbeitung des Gartens mit dem Ziel der Schaffung größerer Landschaftsräume statt intimer Separatbereiche und der optischen Einbeziehung der umgebenden Gärten und Landschaft. 1882 und 1904 Einrichtung des Marmorpalais für die kronprinzliche Nut- zung und nach 1918 Wiederherstellung des ursprünglichen Zustandes. Im Garten zur Kaiserzeit Veränderung kleineren Umfangs in der Umgebung des Marmorpalais und Einordnung des Schlos- ses Cecilienhof. 1927 Übernahme durch die Verwaltung der Staatlichen Schlösser und Gärten. 1945 Kriegsschäden und danach Offizierskasino der Roten Armee. Bis 1954 Nutzung des Gartens als Erholungspark der sowjetischen Garnison. Von 1961–1989 Armeemuseum der DDR im Marmorpa- lais. 1954 Rückgabe des Gartens an die Verwaltung der Staatlichen Schlösser und Gärten Potsdam- -
Berlin's New Cultural Heart
I Research Text Berlin’s new cultural heart Cultural stronghold and historical centre Berlin, September 2017 – Today, Berlin belongs to one of Europe’s leading centres of culture – and its heart beats strongest directly in the old historical city. For centuries, Berlin’s city centre has been home to a unique concentration of outstanding cultural institutions constructed on the ground where the medieval city of Berlin was founded. The modern Mitte district does not just boast the UNESCO World Heritage Site of the Museum Island, but also two opera houses and six major theatres, as well as museums, innumerable galleries and arts venues. Now, this cultural ensemble is gaining a new dimension with many new major cultural projects located here, just a few minutes’ walk apart. You can find an overview of the main on-going and planned landmark projects below. Pierre Boulez Saal Opened in March 2017, the new Pierre Boulez Saal is a major international concert hall. Initiated by Daniel Barenboim, General Music Director of the Staatsoper Unter den Linden, the hall was developed by American architect Frank Gehry and with globally acclaimed acoustician Yasuhisa Toyota creating the impeccable acoustics. Lined with light Canadian cedarwood, the Pierre-Boulez-Saal offers a flexible design allowing the auditorium’s seating as well as the stage to be arranged in various constellations for a wide spectrum of events. The concert hall is also the public face of the Barenboim-Said Akademie, not only serving as its home venue but also a space where young musicians from conflict zones in the Middle East can practice under the guidance of their mentors. -
Circling Opera in Berlin by Paul Martin Chaikin B.A., Grinnell College
Circling Opera in Berlin By Paul Martin Chaikin B.A., Grinnell College, 2001 A.M., Brown University, 2004 Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Program in the Department of Music at Brown University Providence, Rhode Island May 2010 This dissertation by Paul Martin Chaikin is accepted in its present form by the Department of Music as satisfying the dissertation requirement for the degree of Doctor of Philosophy. Date_______________ _________________________________ Rose Rosengard Subotnik, Advisor Recommended to the Graduate Council Date_______________ _________________________________ Jeff Todd Titon, Reader Date_______________ __________________________________ Philip Rosen, Reader Date_______________ __________________________________ Dana Gooley, Reader Approved by the Graduate Council Date_______________ _________________________________ Sheila Bonde, Dean of the Graduate School ii Acknowledgements I would like to thank the Deutsche Akademische Austauch Dienst (DAAD) for funding my fieldwork in Berlin. I am also grateful to the Institut für Musikwissenschaft und Medienwissenschaft at Humboldt-Universität zu Berlin for providing me with an academic affiliation in Germany, and to Prof. Dr. Christian Kaden for sponsoring my research proposal. I am deeply indebted to the Deutsche Staatsoper Unter den Linden for welcoming me into the administrative thicket that sustains operatic culture in Berlin. I am especially grateful to Francis Hüsers, the company’s director of artistic affairs and chief dramaturg, and to Ilse Ungeheuer, the former coordinator of the dramaturgy department. I would also like to thank Ronny Unganz and Sabine Turner for leading me to secret caches of quantitative data. Throughout this entire ordeal, Rose Rosengard Subotnik has been a superlative academic advisor and a thoughtful mentor; my gratitude to her is beyond measure. -
Behind the Scenes
©Lonely Planet Publications Pty Ltd 305 Behind the Scenes SEND US YOUR FEEDBACK We love to hear from travellers – your comments keep us on our toes and help make our books better. Our well-travelled team reads every word on what you loved or loathed about this book. Although we cannot reply individually to postal submissions, we always guarantee that your feedback goes straight to the appropriate authors, in time for the next edition. Each person who sends us information is thanked in the next edition – and the most useful submissions are rewarded with a selection of digital PDF chapters. Visit lonelyplanet.com/contact to submit your updates and suggestions or to ask for help. Our award-winning website also features inspirational travel stories, news and discussions. Note: We may edit, reproduce and incorporate your comments in Lonely Planet products such as guidebooks, websites and digital products, so let us know if you don’t want your comments reproduced or your name acknowledged. For a copy of our privacy policy visit lonelyplanet.com/privacy. Paterson, Miriam Bers, Claudia Scheffler, OUR READERS Regine Schneider, Ubin Eoh, Frank Engster, Many thanks to the travellers who used Heiner and Claudia Schuster, Renate Freiling, the last edition and wrote to us with Silke Neumann, Kirsten Schmidt, Christian helpful hints, useful advice and inter- Tänzler, Julia Ana Herchenbach, Johann esting anecdotes: Annette Castro, Tom Drinkwater, Patrick Frew, Moran Gur, John Scharfe, Shachar and Doreen Elkanati, Ariela Ingman, Anders Jeppsson, Olli Löfberg, Abramovici-Dähne, Craig Robinson, Mike Torben Retboll, Lis Robinson, Sylvia Suvaal, Meinke, Virginia Shmuel, Jan Czyszke and, of Ann Wallace course, David Peevers. -
Potsdam Entdecken Mit Den Touristischen Linien 697 Schloss Sacrow Neukladower Allee Campus Jungfernsee 96 Volkspark-Linie 603 Höhenstr
Potsdam entdecken mit den touristischen Linien 697 Schloss Sacrow Neukladower Allee Campus Jungfernsee 96 Volkspark-Linie 603 Höhenstr. Viereckremise Volkspark Campus Schloss Cecilienhof Fachhoch- Neuer Garten schule Krongut-Linie Am Schragen 697 Puschkin- Johan- allee 603 Glienicker Brücke Kirschallee 92 Bouman-Platz 93 Alt- Wissenschafts- 603 Cecilienhof-Linie Golm park Golm Sanssouci-Linie X15 695 Schloss Babelsberg 606 605 Sternwarte Schloss Schiffbauergasse/ Drachenhaus Orangerie Sanssouci Berliner Str. Park Babelsberg 603 Villenkolonie 616 Neubabelsberg 603 694 Park Sanssouci Nauener Tor Spindelstr. Goetheplatz 92 Rathaus Luisenplatz-Süd/ Kultur-Linie Filmstadt-Linie 96 Babelsberg Park-Sanssouci Extavium 694 Neues Palais Platz der = 616 696 694 616 Stahnsdorfer Str./ 606 695 Einheit/West Potsdam S Babelsberg/ August-Bebel-Str. = S Griebnitzsee 605 603 Museum Bhf Park Schloss Schulstr. 616 Bhf/Süd Naturkunde- Alter Markt/Landtag 690 Sanssouci Charlottenhof museum 603 92 96 694 695 93 Potsdam Schloßstr. X15 603 605 Hauptbahnhof Charlottenhof-Linie 606 695 Medienstadt und Lange Brücke Filmpark-Linie Auf dem Kiewitt Filmpark Babelsberg Bhf Pirschheide S Hauptbahnhof F1 X15 603 605 Filmpark 606 690 695 Bhf Medienstadt Hermannswerder Babelsberg Küsselstr. 694 92 96 696 690 694 93 Marie- Robert- Johannes- Stern-Center/ Juchacz-Str. Baberske-Str. Kepler-Platz Gerlachstr. Bhf Rehbrücke Tourist-Information ViP-Kundenzentren Das Heft „Potsdam entdecken – die ganz andere Stadtrundfahrt mit S-Bahn, Tram und Bus” mit Besucher-Information ViP-Infotelefon: -
Schlüteriana III
Schlüteriana III Kevin E. Kandt Schlüteriana III Studies in the Art, Life, and Milieu of Andreas Schlüter (c. 1659 – 1714) Lukas Verlag Cover: Andreas Schlüter and Johann Jacobi. Sarcophagus for King Friedrich I of Prussia – Detail of the Emblematic Figural Group (1713). Berlin Cathedral. I would like to thank my father, Glenn J. Kandt, for his most generous financial assistance during the preparation of this book. Without his steadfast support, it might have never come to fruition. © by Lukas Verlag Erstausgabe, 1. Auflage 2015 Redaktionsschluss: 31. März 2014 Alle Rechte vorbehalten Lukas Verlag für Kunst- und Geistesgeschichte Kollwitzstraße 57 D–10405 Berlin www.lukasverlag.com Umschlag: Verlag Reprographie und Satz: Susanne Werner, Frank Böttcher Druck: Elbe Druckerei Wittenberg Printed in Germany ISBN 978-3-86732-183-9 Table of Contents Forward 7 Quis Evadet? Nemo 15 A Study of the Funerary Monuments by Andreas Schlüter in Poland and Germany Part Two: Germany (1694–1713) I The Berlin Years: A New Beginning in Brandenburg-Prussia 17 II Schlüter, Döbel, or Weyhenmeyer? The Derfflinger Epitaph 31 III A Questionable Schlüter Attribution: The Barfus Epitaph 73 IV Vera Philosophia Mortis est Meditatio: The Männlich Tomb Portal 79 V Excursus: A Commemorative Print for M. D. Marschall von Bieberstein 99 VI Schlüter’s Palace and its Influence 104 VII A Fitting Memorial to a Departed Husband: The Marwitz Epitaph (Groß Rietz) 109 VIII Cunctus Mors Una Manet: The Sarcophagus for Queen Sophie Charlotte 129 IX A Second Tribute to a Deceased Spouse: -
BERLIN Elite Guide to Berlin
DESTINATION GUIDE SERIES BERLIN ELITE GUIDE TO BERLIN HIGHLIGHTS OF BERLIN 3 ONLY ELITE 4 Elite Traveler has selected the most exclusive VIP experiences CONCIERGE RECOMMENDATIONS 5 We asked Berlin’s top concierges to share their personal recommendations SONY CENTER, POTSDAMER PLATZ for the perfect day in the city WHERE TO ➤ STAY 8 ➤ DINE 15 ➤ BE PAMPERED 18 BERLIN SKYLINE WHAT TO DO ➤ DURING THE DAY 19 ➤ DURING THE NIGHT 21 ➤ FEATURED EVENTS 25 ➤ SHOPPING 26 LOCAL ART: ‘LIMIT’, ANTON BURDAKOV NEED TO KNOW ➤ PRIVATE JET TERMINALS 30 ➤ USEFUL INFORMATION 31 ➤ EXCLUSIVE TRANSPORT 31 ‘VERSUS’ AT THE CHAMELEON THEATER TRAVELER DESTINATION GUIDE SERIES ELITE DESTINATION GUIDE | BERLIN www.elitetraveler.com 2 HIGHLIGHTS OF BERLIN Don’t miss out on Berlin’s wealth of attractions, adventures and experiences ith an eye toward the future, ‘remaking’ itself, and today you’ll find the Berlin has now bloomed into a modern ‘Wwith resolve in our hearts, let us city in better shape than ever. metropolis, and this new lease of life remember history, and answer our destiny, is infectious. The streets are alive with and remake the world once again.’ Brand new shops, bars, hotels and young, creative types lured here by the restaurants have transformed Berlin from freewheeling spirit, and for art and music Those were the words of Barack Obama battle ground to consumer haven, while there are few better cities to visit right now. as he addressed Berlin in 2008, and they the noblest relics of the past have been go some way to capturing the spirit of the restored to their former glory. -
Berlin and the East of Germany
Berlin and the East of Germany Monarchs, Poets and Reformers (Private Tour) For more than three centuries the rulers of Brandenburg commissioned the best artists of their time to enhance the Royal residences in and around Berlin with elaborate palaces and gardens. There was building activity under a long series of Prussian monarchs – from Joachim II to the Great Elector, and from Frederick the Great to the last of the German emperors, William II. Visit the resulting works of architecture and landscape gardening, which are overwhelming. Also visit the stunningly beautiful cities of Leipzig and Dresden in Saxony with their rich cultural heritage, follow Martin Luther’s footsteps in Wittenberg, Wartburg and Erfurt, visit Weimar, the town of poets and thinkers and enjoy its rich history from Luther to the iron curtain – and its opening! Map ⚫ Destinations ⚫ Hamburg Overnights ⚫ Other Cities NETHER- LANDS GERMANY POLAND Berlin Hanover ⚫ Potsdam ⚫ Lutherstadt Wittenberg ⚫ ⚫ Leipzig Erfurt Dresden ⚫ ⚫ Cologne Eisenach ⚫ Weimar CZECH REPUBLIC Itinerary Day 1 – DEPARTURE Board your flight from home to Berlin. This itinerary assumes this to be an overnight flight. Air fare independently arranged. Berlin and the East of Germany – Monarchs, Poets and Reformers 2 Day 2 – WELCOME TO BERLIN Arrival in Berlin, the German Capital. The transfers to the hotel depart at 10 a.m. and at 1 p.m. Rest in the afternoon and take advantage of the hotel facilities, or to go for a first stroll in the city. Tonight you'll meet your travelling companions and tour director and enjoy a great welcome dinner. > Your tour includes: Transfer from airport to hotel, dinner, hotel in Berlin Day 3 – BERLIN SIGHTSEEING, CHARLOTTENBURG PALACE Start your day with an orientation tour of the capital of Germany.