Gianluca Marcianò Conductor

Total Page：16

File Type：pdf, Size：1020Kb

Gianluca Marcianò Conductor Italian conductor Gianluca Marcianò has Moscow City Russian Philharmonic, the been increasingly in demand since his Sarajevo Philharmonic Orchestra, the operatic debut with Croatian National Opera Orchestra di Padova e del Veneto, the in 2007. Praised in the Sunday Times for his Lebanese Philharmonic Orchestra, the “unfailingly theatrical and idiomatic Orchestra Classica de Madeira, the State conducting”, Marcianò is the Artistic Director Youth Orchestra of Armenia, the BBC of the Al Bustan Festival in Beirut, the Concert Orchestra, The World Orchestra, the founder and Artistic Director of the Festival Voivodina Symphony Orchestra, the Macau Suoni dal Golfo in Lerici, and the Principal Orchestra, the Beijing Symphony Orchestra Guest Conductor of the National Academic and many others. Bolshoi Theatre of Belarus. From 2017-19 he was Principal Conductor of the Serbian He has worked with many great singers and National Theatre in Novi Sad, Serbia, and instrumentalists such as Elina Garanča, from 2011-14 he held the position of Musical Sumi Jo, Simon Keenlyside, Sondra Director/Principal Conductor of the Tbilisi Radvanovsky, Olga Peretyatko, Danielle De State Opera, Georgia. Niese, Renaud Capuçon, Gautier Capuçon, Steven Isserlis, Boris Andrianov, David In the 2020-21 season he conducts Falstaff Geringas, Sergej Krylov, Nina Kotova, Maria (Grange Park Opera), La traviata (Aalto- João Pires, Khatia Buniatishvili, and Denis Theater Essen), and Tosca and I Capuleti e i Kozhukin. Montecchi (SNG Opera Ljubljana). Recent engagements include Die Fledermaus and In 2018, Marcianò recorded the CD “Behind the boyish charm, Tosca (Bolshoi Theatre of Belarus, Minsk); “Momento Immobile” for Rubicon Un ballo in maschera (Ópera de Oviedo); and Classics with soprano Venera Gimadieva and he is clearly a little wild at Nabucco (SNG Opera Ljubljana). the Hallé Orchestra. heart. His career has been Operatic engagements in the UK include entirely and delightfully Jonathan Miller’s production of La bohème Valid for use until 1 August 2021 and Anthony Minghella’s production of For updated versions please contact unconventional to date, Madama Butterfly (English National Opera); [email protected] Un ballo in maschera, Don Carlo, Eugene and his music-making is Onegin, Samson et Dalila, Madama Butterfly, Tosca, I Puritani, The Queen of infused with a wide-eyed Spades and La traviata (Grange Park Opera); Puccini’s Edgar (Scottish Opera); Die sense of discovery.” Zauberflöte, Le nozze di Figaro, Don Giovanni, Così fan tutte and La traviata Opera Now (Longborough Festival Opera); and Nabucco, Manon Lescaut, La traviata, La Favorite and Alzira (Chelsea Opera Group). Elsewhere he has conducted La traviata, Madama Butterfly and La Bohème (Lithuanian National Opera); Pagliacci in Moscow; Tosca (Festival Pucciniano, Torre del Lago) Olimpiade (Teatro di San Carlo); Andrea Chénier, Turandot and Nabucco (Ópera de Oviedo); La Forza del Destino, Cavalleria Rusticana, Nabucco, Attila, Il trovatore, Mitridate, re di Ponto, and Aida (Tbilisi State Opera); Nabucco, La traviata, Turandot, Carmen, La Cenerentola and Il barbiere di Siviglia (Croatian National Theatre Zagreb); and La traviata (Prague State Opera). As an orchestral conductor, Marcianò has conducted the Royal Philharmonic Orchestra, the English Chamber Orchestra, the National Chamber Orchestra of Armenia, Polish Baltic Philharmonic, Wroclaw Philharmonic, the Georgian Philharmonic, the Tokyo New City Orchestra, the Bournemouth Symphony Orchestra, the Hallé Orchestra, the Oviedo Filarmonia, the Rayfield Allied Member of the International Artist 9-12 The Stableyard Managers’ Association Broomgrove Road London SW9 9TL, UK Rayfield Allied acts as agent only and can www.rayfieldallied.com accept no responsibility as principal E-mail [email protected] Telephone +44 (0) 20 3 176 5500 Facsimile +44 (0) 700 602 4143 .

Copy Link

Recommended publications

C M Y M Y Y My K
HKAF2015-HP22_Tsar Bride_cover09 OP.pdf 1 13/3/15 下午5:16 C M Y CM MY CY CMY K 香港藝術節於1973年首次舉辦，自此成 Since 1973, the Hong Kong Arts Festival has been a 為本港一年一度的文化盛事，整個亞太 highlight of the city’s annual cultural calendar and a highly 地區的藝術愛好者都翹首以待。 anticipated event throughout the region. 香港藝術節每年都邀請到國際頂尖藝術 Each year, leading international artists and outstanding 家蒞臨香港，與本地藝壇精英共同獻 local talent come together over the course of a full month, 藝。整整一個月的精彩節目，為本地居 enhancing the vitality and the quality of life of residents 民和遊客提供精神養分，令他們的生活 and visitors alike. 更豐富多姿。 This year, some 50 ensembles and solo artists from Hong 今年藝術節約有50個本地及來自世界各 Kong and from all over the world will showcase nearly 地的表演團體和獨立藝術家參與，為觀 140 performances in Chinese and Western opera, music, 眾呈獻近140場表演，包羅中國戲曲、 theatre and dance. And, thanks to Festival PLUS, there is 西洋歌劇、音樂、戲劇和舞蹈；此外， more, including film screenings, workshops and backstage 還特備「加料節目」，包括電影放映、 tours. As always, I can’t wait for the shows to begin. 工作坊及後台參觀。一如以往，我熱切期待各項節目上演，希望一睹為快。 My congratulations to the Festival team for putting together yet another outstanding line-up. 藝術節團隊再次順利籌辦一連串陣容鼎盛的節目，謹此衷心致賀。 I know you will find this year’s Hong Kong Arts Festival 我相信今年香港藝術節定會令大家賞心 entertaining, stimulating and entirely unforgettable. 悅目，興奮難忘。 C Y Leung 梁振英 Chief Executive, 香港特別行政區行政長官 Hong Kong Special Administrative Region 歡迎蒞臨第43 屆香港藝術節。 It gives me great pleasure to welcome you to this 歡迎閣下蒞臨第43屆香港藝術節。 It is a pleasure and privilege to welcome you to the 43rd performance in the 43rd Hong Kong Arts Festival. Hong Kong Arts Festival. 康樂及文化事務署每年提供的撥款，國際婦女年40週年之際，為頌揚撐起是藝術節財政收入的一大支柱，在此 I wish to thank the Government of Hong Kong SAR, acting 半邊天的女性，本屆香港藝術節為您呈 This Festival is resplendent with brilliant Divas, marking 我衷心感謝香港特區政府；同時亦感 through the Leisure and Cultural Services Department, for 獻多位熠熠生輝的演藝天后；同時在歌 the 40th anniversary of International Women’s Year and 謝香港賽馬會慈善信託基金一直以來 the annual subvention which is a mainstay of the Festival’s 劇、音樂、戲劇和舞蹈作品中，亦涵蓋 celebrating the half of humanity that holds up half the sky.
[Show full text]
The-Music-Of-Andrew-Lloyd-Webber Programme.Pdf
Photograph: Yash Rao We’re thrilled to welcome you safely back to Curve for production, in particular Team Curve and Associate this very special Made at Curve concert production of Director Lee Proud, who has been instrumental in The Music of Andrew Lloyd Webber. bringing this show to life. Over the course of his astonishing career, Andrew It’s a joy to welcome Curve Youth and Community has brought to life countless incredible characters Company (CYCC) members back to our stage. Young and stories with his thrilling music, bringing the joy of people are the beating heart of Curve and after such MUSIC BY theatre to millions of people across the world. In the a long time away from the building, it’s wonderful to ANDREW LLOYD WEBBER last 15 months, Andrew has been at the forefront of have them back and part of this production. Guiding conversations surrounding the importance of theatre, our young ensemble with movement direction is our fighting for the survival of our industry and we are Curve Associate Mel Knott and we’re also thrilled CYCC LYRICS BY indebted to him for his tireless advocacy and also for alumna Alyshia Dhakk joins us to perform Pie Jesu, in TIM RICE, DON BLACK, CHARLES HART, CHRISTOPHER HAMPTON, this gift of a show, celebrating musical theatre, artists memory of all those we have lost to the pandemic. GLENN SLATER, DAVID ZIPPEL, RICHARD STILGOE AND JIM STEINMAN and our brilliant, resilient city. Known for its longstanding Through reopening our theatre we are not only able to appreciation of musicals, Leicester plays a key role make live work once more and employ 100s of freelance in this production through Andrew’s pre-recorded DIRECTED BY theatre workers, but we are also able to play an active scenes, filmed on-location in and around Curve by our role in helping our city begin to recover from the impact NIKOLAI FOSTER colleagues at Crosscut Media.
[Show full text]
Shining the Spotlight on New Talent Independent Opera
Independent Opera Shining the spotlight on new talent INDEPENDENT OPERA AT SADLER’S WELLS 2005–2020 Introduction Message from Wigmore Hall Thursday 15 October 2020, 7.30pm In this period of uncertainty, Independent Opera at Sadler’s It gives me great pleasure to welcome Independent Opera Wells is grateful to be able to present its annual Scholars’ to Wigmore Hall for its fourth showcase event. Now, more Independent Opera Recital at Wigmore Hall. For this final concert in Independent than ever, such opportunities are vital for young singers. Opera’s 15-year history, we are thrilled to bring together We are immensely grateful to Independent Opera for its four talented singers: tenor Glen Cunningham, soprano pioneering work and for its extraordinary commitment Scholars’ Recital Samantha Quillish, bass William Thomas, mezzo-soprano to young artists when they need it most. Tonight’s concert Lauren Young and renowned pianist Christopher Glynn. is a great example of the spirit of Independent Opera and all that it has represented over so many years. I hope Antonín Dvorˇák The four emerging artists you will hear tonight were Glen Cunningham tenor that you all enjoy this concert. Cigánské melodie, Op. 55 selected from Independent Opera’s partner conservatoires: Royal College of Music No. 1 Má písenˇ zas mi láskou zní Royal College of Music, Royal Academy of Music, Guildhall John Gilhooly Director No. 4 Když mne stará matka zpívat School of Music & Drama and Royal Conservatoire of Samantha Quillish soprano Moravian Duets, Op. 38 Scotland. The Independent Opera Voice Scholarships were Royal Academy of Music No.
[Show full text]
Phillip Rhodes Baritone
Phillip Rhodes Baritone UK-based New Zealand baritone Phillip of the Cannibal Dog (Wellington Opera Rhodes was the winner of the 2005 New House). He has also covered Enrico Zealand Aria Competition and was Lucia di Lammermoor (Royal Opera awarded second place at the House); title role Sweeney Todd (New International Montserrat Caballe Zealand Opera); and Gérard Andrea Competition in 2008. He is a former Chénier, Iago Otello and Balstrode Peter Emerging Artist with New Zealand Grimes (all for Opera North). Opera and has since appeared regularly with the company in principal roles. Rhodes was born in Hawke’s Bay, New Zealand, where he graduated in 2004 In the 2020-21 season he sings Father with a Diploma in Arts and Voice. In Hansel and Gretel (Scottish Opera’s 2008, he was awarded a scholarship to filmed production), and Don Pizarro attend the Cardiff International Fidelio in a concert performance with Academy of Voice under the tutelage of Auckland Philharmonia. Dennis O'Neill, where he remained for three seasons. In 2005 he won the Lexus Recent highlights include his Royal Song Quest, bringing him to the Opera House debut as Escamillo attention of Dame Kiri Te Kanawa, who “Phillip Rhodes did a very Carmen; his role debut in the title role still maintains her interest in his career. of The Marriage of Figaro (Opera Phillip acknowledges the support of the good job of Baron Scarpia, North); his house debut at Nederlandse Kiri Te Kanawa Foundation. every inch a villain. Rhodes Reisopera as Scarpia Tosca; Escamillo Carmen, Speaker The Magic Flute and has a beautiful, dark voice cover Renato Un ballo in maschera Valid for use until 1 August 2021 For updated versions please contact with which he painted a (Welsh National Opera); Jud Fry [email protected] perfect picture of the evil Oklahoma! (Grange Park Opera); King Le Cid (Dorset Opera); and Escamillo swindler with the character of Carmen (Grange Festival).
[Show full text]
Charles Rice Baritone
Charles Rice Baritone Charles Rice makes his debut at English National Opera as MARCELLO La Boheme in the 21/22 season followed DEMETRIUS A Midsummer Night’s Dream in a new Laurent Pelly production at the Opera de Lille. Engagements in the 20/21 season have included ORESTE Iphigenie en Tauride for the Opéra de Nantes, Rennes and Angers where he appeared last year in the title role of Thomas’ Hamlet, as well as his role debut as DON GIOVANNI for the Opéra de Avignon. Other recent appearances included ROBERT CECIL Gloriana Teatro Real, ORONTE Médée Grand Théâtre de Genève, SIMONSON IVANOVICH Risurrezione Wexford Festival Opera, GABEY On the Town, DEMETRIUS A Midsummer Night’s Dream Hyogo Performing Arts Center in Japan, Eugene Onegin Angers Nantes Opéra, FIGARO The Barber of Seville and MAXIMILIAN Candide The Grange Festival, NED KEENE Peter Grimes Palau de Les Arts Reina Sofia Valencia, ARTHUR KOESTLER Benjamin, dernière nuit (world premiere) and PROCOLO Viva la Mamma Opéra de Lyon, as well as HERMANN Les Contes d’Hoffmann which marked his debut at the Royal Opera House Covent Garden. Current and future concerts of Charles Rice include Carmina Burana Liepaja Symphony Latvia, LANCELOT Camelot London Palladium and BARNEY The Silver Tassie BBC Symphony Orchestra at the Barbican. Past engagements have included ESCAMILLO Carmen Stadttheater Klagenfurt and Vorarlberger Landestheater, HARLEKIN Ariadne auf Naxos and SILVIO Pagliacci Opéra de Toulon, SID Albert Herring English Touring Opera, HK Gruber’s Gloria – A Pigtale Mahogany Opera Group tour (Linbury Studio, Bregenz Festival, Norfolk and Norwich Festival), roles in Candide Opéra National de Lorraine, NED KEENE Peter Grimes Aldeburgh Festival, BELLO La Fanciulla del West English National Opera, CONTE ROBINSON Il Matrimonio Segreto Festival de Sédières, MORALES Carmen Royal Albert Hall, ANGELOTTI Tosca Grange Park Opera, GUGLIELMO Cosi fan tutte with Jane Glover and John Cox, and the VICAR in John Copley’s first Albert Herring, both for RAO.
[Show full text]
LA TRAVIATA OPERA in THREE ACTS Tweet Your Thoughts About Tonight’S Performance Before It Starts, During the Interval Or Afterwards with #Rohtraviata
Approximate timings THE ROYAL OPERA Live cinema relay begins at 6.45pm MUSIC DIRECTOR SIR ANTONIO PAPPANO DIRECTOR OF OPERA KASPER HOLTEN Act I 35 minutes Interval Act II scene 1 44 minutes Pause Act II scene 2 22 minutes Interval Act III 35 minutes The live relay will end at approximately 10.30pm LA TRAVIATA OPERA IN THREE ACTS Tweet your thoughts about tonight’s performance before it starts, during the interval or afterwards with #ROHtraviata MUSIC GIUSEPPE VERDI 2015/16 Live Cinema Season LIBRETTO FRANCESCO MARIA PIAVE AFTER ALEXANDRE DUMAS FILS’S PLAY LA DAME AUX CAMÉLIAS BORIS GODUNOV MONDAY 21 MARCH 2016 GISELLE WEDNESDAY 6 APRIL 2016 CONDUCTOR YVES ABEL LUCIA DI LAMMERMOOR MONDAY 25 APRIL 2016 DIRECTOR RICHARD EYRE FRANKENSTEIN WEDNESDAY 18 MAY 2016 REVIVAL DIRECTOR DANIEL DOONER MONDAY 27 JUNE 2016 WERTHER DESIGNER BOB CROWLEY LIGHTING DESIGNER JEAN KALMAN DIRECTOR OF MOVEMENT JANE GIBSON Saimir Pirgu’s Il Mio Canto is released to coincide ROYAL OPERA CHORUS with his appearance at the Royal Opera House. This CD CHORUS DIRECTOR RENATO BALSADONNA features a selection of arias from operas including La traviata, Werther, Rigoletto and La bohème. ORCHESTRA OF THE ROYAL OPERA HOUSE CONCERT MASTER VASKO VASSILEV Digital Programme DIRECTED FOR THE SCREEN BY MATT WOODWARD Royal Opera House Digital Programmes bring together a range of specially LIVE FROM THE selected films, articles, pictures and features to bring you closer to the ROYAL OPERA HOUSE production. Use promo code ‘FREETRAV’ to claim yours for free. THURSDAY 4 FEBRUARY 2016, 6.45PM Visit www.roh.org.uk/publications For more information about the Royal Opera House, to watch the extra features from this performance again and to explore our work further, visit www.roh.org.uk/cinema Synopsis Cast Act I A salon in Violetta’s house; August Violetta is a well-known Parisian courtesan.
[Show full text]
Mdch Programme Notes
The Tait Memorial Trust presents High Commissioner Series Australian High Commission, London Series Sponsor: Voyage Control ‘Stars of Covent Garden in Recital’ ARTISTS: Kiandra Howarth (soprano) Lauren Fagan (soprano) Filipe Manu (tenor) Samuel Sakker (tenor) Sergey Rybin (pianist) PROGRAMME: CLAUDE DEBUSSY Apparition PYOTR ILYICH TCHAIKOVSKY None but the lonely heart Why? EDVARD GRIEG Zur Rosenzeit Ein Traum VINCENZO BELLINI La Ricordanza FRANZ LISZT Die Lorelei SERGEI RACHMANINOFF She’s as fair as a noon day Pied Piper Sleep DOUGLAS LILBURN Holiday Piece RICHARD STRAUSS Ich trage meine Minne Mein Auge RALPH VAUGHAN WILLIAMS Silent noon FRANCIS POULENC C Fêtes Galantes OTTORINO RESPIGHI Crepuscolo EARNEST CHARLES When I have sung my songs Claude Debussy (1862-1918) Apparition (Apparition) Text: Stéphane Mallarmé La lune s’attristait. Des séraphins en pleurs The moon was saddened. Seraphim in tears rêvant, l’archet aux doigts, dans le calme des fleurs dreaming, bows at their fingers, in the calm of filmy Vaporeuses, tiraient de mourantes violes flowers, threw dying violas of white sobs De blanc sanglots glissant sur l’azur des corolles. sliding over the blue of corollas. C’était le jour béni de ton premier baiser. It was the blessed day of your first kiss. Ma songerie aimant à me martyriser My reverie, loving to torture me, S’enivrait savamment du parfum de tristesse wisely imbibed its perfume of sadness Que même sans regret et sans déboire laisse that even without regret and without setbacks leaves La cueillaison d’un rêve au coeur qui l’a cueilli. A dream’s gathering within the heart that gathered it.
[Show full text]
Verdi (1813-1901) La Voix Humaine
BIOGRAPHIES SIMON CALLAGHAN CONWAY Steinway Artist Simon Callaghan has performed throughout the UK, Japan, Malaysia, Thailand, South Korea, Austria, France and Belgium and has broadcast on BBC TV and radio. Engagements have included Wigmore Hall, Fairfield HALL Hall, Birmingham Symphony Hall, St David’s Hall Cardiff and Liverpool Philharmonic Hall. In chamber music he has SUNDAY performed with the Maggini, Sacconi and Carducci Quartets, Tim Hugh, Raphael Wallfisch, Jack Liebeck and the actors Samuel and Timothy West and Prunella Scales. Other highlights include a gala concert with ENO principals, CONCERTS a residency at the Banff Centre (Canada) a highly acclaimed recording of English piano music and the first UK performance since 1946 of Medtner’s Third Piano Concerto. Recent recordings include a two-disc recording of Delius orchestral works in arrangements for two pianos, a two-volume set of Brahms and a highly-acclaimed world premiere recording of music by Roger Sacheverell Coke (on SOMM). Simon is Head of Piano at the Ingenium Summer Academy (Winchester) and Artistic Director of the renowned Conway Hall Sunday Concerts, the longest-running Patrons - Stephen Hough, Laura Ponsonby AGSM, Prunella Scales chamber music series in Europe. CBE, Roderick Swanston, Hiro Takenouchi and Timothy West CBE Artistic Director - Simon Callaghan Sunday February 14th 2016, 6:30pm VALENTINE’S OPERA GALA NEXT AT CONWAY HALL Sunday February 21st 2016, 6.30pm FABIEN THOUAND (OBOE) with members of the London Symphony Orchestra SOPRANO ILONA DOMNICH MARIO SOFRONIOU Laurent Quenelle - Violin TENOR Malcolm Johnston - Viola BARITONE SIMON WALLFISCH Eve-Maria Caravassilis - Cello PIANO SIMON CALLAGHAN Mozart Oboe Quartet in F K370 Fiala Oboe Quartet in F Britten Phantasy in F minor Moeran Fantasy Quartet Françaix Quartet (for Cor Anglais and String Trio) Please follow us on Facebook and Twitter to stay updated about concerts and news.
[Show full text]
Margaret Catchpole: Two Worlds Apart
Stephen DODGSON Margaret Catchpole: Two Worlds Apart (Chamber opera in four acts) Howden • Wallace • Morris • Ollerenshaw Edgar-Wilson • Brook • Moore • Willcock • Sporsén Perpetuo • Julian Perkins Stephen Act I: By the Banks of the Orwell Act II: The Cobbold Household 1 [Introduction] 2:27 Scene 1: The drawing room at Mrs Cobbold’s house DO(1D924G–20S13O) N ^ 2Scene 1: Harvest time at Priory Farm & You are young (Dr Stebbing) 4:25 3 What an almighty fuss (Luff, Laud) 1:35 Ah! Dr Stebbing and Mr Barry Margaret Catchpole: Two Worlds Apart 4 For so many years (Laud, Luff) 2:09 (Mrs Cobbold, Barry, Margaret) 6:54 Chamber opera in four acts (1979) 5 Oh harvest moon (Margaret, Laud) 5:26 * Under that far and shining sky Interlude to Scene 2 1:28 Libretto by Ronald Fletcher (1921–1992), 6 (Laud, Margaret) 1:35 based on the novel by Richard Cobbold (1797–1877) The harvest is ended Scene 2: Porch – Kitchen/parlour – First performance: 8–10 June 1979 at The Old School, Hadleigh, Suffolk, UK 7 (Denton, Margaret, Laud, Labourers) 2:19 (Drawing room Oh, my goodness gracious – look! I don’t care what you think Margaret Catchpole . Kate Howden, Mezzo-soprano 8 (Mrs Denton, Lucy, Margaret, Denton) 2:23 ) (Alice, Margaret) 2:26 Will Laud . William Wallace, Tenor 9 Margaret? (Barry, Margaret) 3:39 Come in, Margaret John Luff . Nicholas Morris, Bass The ripen’d corn in sheaves is born ¡ (Mrs Cobbold, Margaret) 6:30 (Second Labourer, Denton, First Labourer, John Barry . Alistair Ollerenshaw, Baritone Come then, Alice (Margaret, Alice, Laud) 8:46 0 Mrs Denton, Lucy, Barry) 5:10 ™ Crusoe .
[Show full text]
Stephen Medcalf Stage Director
Stephen Medcalf Stage Director Stephen Medcalf’s current and future engagements include UN BALLO IN MASCHERA and DIE WALKÜRE Grange Park Opera, LEONORE and IDOMENEO Buxton Festival, HERCULANUM Wexford Festival Opera, MANON LESCAUT Palau de les Arts Reina Sofía in Valencia and Asociación Bilbaina de amigos de la Ópera in Bilbao, FALSTAFF Accademia della Scala on tour to Royal Opera House Muscat in Oman and AIDA and ARIODANTE Landestheater Niederbayern. Recent new productions include NORMA Teatro Lirico Cagliari, AIDA The Royal Albert Hall, A VILLAGE ROMEO AND JULIET and Foroni’s CRISTINA REGINA DI SVEZIA Wexford Festival, FALSTAFF Teatro Farnese, Parma, ALBERT HERRING, ARIADNE AUF NAXOS and DEATH IN VENICE Salzburger Landestheater, LA FINTA GIARDINIERA Landestheater Niederbayern, EUGENE ONEGIN, LA BOHEME FANCIULLA DEL WEST and CAPRICCIO Grange Park Opera, Bellini’s IL PIRATA and Menotti’s THE SAINT OF BLEECKER STREET Opéra Municipal Marseille, LUCREZIA BORGIA, LUISA MILLER, MARIA DI ROHAN, Gluck’s ORFEO ED EURYDICE and Mascagni’s IRIS Buxton Festival, CARMEN and AIDA Teatro Lirico di Cagliari, CARMEN Teatro Nacional de São Carlos, Cesti’s LE DISGRAZIE D’AMORE Teatro di Pisa and a revival of his DIE ZAUBERFLÖTE Palau de les Arts Reina Sofía in Valencia. Career highlights include PIKOVAYA DAMA Teatro alla Scala, LE NOZZE DI FIGARO Glyndebourne Opera House (televised and released on video/DVD), MANON LESCAUT and DIE ZAUBERFLÖTE (released on DVD) Teatro Regio di Parma, and DIE ENTFUHRUNG AUS DEM SERAIL for Teatro delle Muse, Ancona, which was subsequently seen at the Teatro Massimo, Palermo, Teatro Lirico di Cagliari and the Theatre Festival of Thessaloniki.
[Show full text]
2017 Season Updates
FOR IMMEDIATE RELEASE 19 JUNE 2017 CONTACT: DANIEL ZILLMANN | DAISY GEOFFREY |[email protected] | 505.986.5908 SANTA FE OPERA ANNOUNCES 2017 SEASON UPDATES DIE FLEDERMAUS JOHANN STRAUSS II NEW PRODUCTION. LAST PERFORMED BY THE COMPANY IN 1992. LUCIA DI LAMMERMOOR GAETANO DONIZETTI NEW PRODUCTION. LAST PERFORMED BY THE COMPANY IN 2001. THE GOLDEN COCKEREL NIKOLAI RIMSKY-KORSAKOV NEW PRODUCTION. CO-PRODUCTION WITH THE DALLAS OPERA. A COMPANY PREMIERE. THE (R)EVOLUTION OF STEVE JOBS MASON BATES, COMPOSER | MARK CAMPBELL, LIBRETTIST A WORLD PREMIERE. COMMISSIONED BY SANTA FE OPERA, SEATTLE OPERA, AND SAN FRANCISCO OPERA WITH SUPPORT FROM CAL PERFORMANCES. CO-PRODUCTION WITH SEATTLE OPERA, SAN FRANCISCO OPERA, AND THE INDIANA UNIVERSITY JACOBS SCHOOL OF MUSIC. ALCINA GEORGE FRIDERIC HANDEL NEW PRODUCTION. A COMPANY PREMIERE. SANTA FE, NM—Santa Fe Opera announces updates to the company’s 61st season. The world premiere production of The (R)evolution of Steve Jobs is now a co-commission with SEATTLE OPERA and SAN FRANCISCO OPERA, with support from CAL PERFORMANCES. It is a co-production with Seattle Opera, San Francisco Opera, and THE INDIANA UNIVERSITY JACOBS SCHOOL OF MUSIC. San Francisco Opera General Director MATTHEW SHILVOCK said, “This is a profoundly moving new opera that I am excited to bring to Northern California audiences. Steve Jobs was an iconic figure in contemporary life whose genius has impacted the very way in which we engage with the world. But he was also a real person and a member of our community. Mason Bates’ new opera is a deeply layered, moving portrayal of a man grappling with the complex priorities of life, family, and work.
[Show full text]
Biographies (352.3
ALAIN ALTINOGLU Directeur musical de la Monnaie • Formation Conservatoire national Supérieur de Musique de Paris • Orchestres Wiener Philharmoniker, Chicago Symphony Orchestra, The Philadelphia Orchestra, Orchestre National de France, Orchestre de Paris, Rundfunk- Sinfonieorchester Berlin, Bamberger Symphoniker, Tonhalle Orchester Zürich, Orchestre de la Suisse Romande, Stockholm Philharmonic, Sinfonieorchester des Bayerischen Rundfunk, Philharmonia Orchestra London… • Salles lyriques et symphoniques Metropolitan Opera (New York), Chicago Lyric Opera, Wiener Staatsoper & Musikverein, Opernhaus de Zurich, Staatsoper Unter den Linden (Berlin), Bayerische Staatsoper (Munich), Opéra national de Paris, La Monnaie, Teatro Colón (Buenos Aires)… Festivals : Salzbourg, Orange, Aix-en-Provence, Bayreuth… • Répertoire Opéras, concerts symphoniques ; comme pianiste, musique de chambre et récitals avec Nora Gubisch • Pour la Monnaie Cendrillon (Massenet) en 2011 ; concerts Bolero (Ravel) & Pelléas et Mélisande (Fauré) en 2013 ; Harold en Italie & Symphonie fantastique (Berlioz) en 2014 ; Grande messe des morts (Berlioz) en 2015 ; Musique française avec Nora Gubisch en 2016 ; Moussorgski / Prokofiev / Stravinsky en 2016 • Opéras récents et futurs Lohengrin (Wagner) à Bayreuth, Salome (Strauss) au Deutsche Oper de Berlin ; Pelléas et Mélisande (Debussy) à l’Opernhaus de Zurich ; Iolanta et Casse-Noisette (Tchaïkovski) à l’Opéra de Paris ; Don Giovanni (Mozart) au Salzburger Festspiele ; Pelléas et Mélisande et Salome au Wiener Staatsoper ; Werther (Massenet)
[Show full text]