Gemma Morsley Mezzo-Soprano

Total Page:16

File Type:pdf, Size:1020Kb

Gemma Morsley Mezzo-Soprano Gemma Morsley Mezzo-Soprano Email: [email protected] Website www.gemmamorsley.com Teacher: David Barrell Current Highlights: Verdi Requiem soloist with Wooburn Singers, Witch in ‘Hansel & Gretel’ with Lambeth Orchestra, Mrs Bear in premiere of ‘Peace at Last’ for OperaUpClose Roles Flora La traviata King’s Head Theatre Helena Jackson/Panaretos Kyriatzidis 2018 Larina Eugene Onegin OperaUpClose Lucy Bradley/Elspeth Wilkes 2018 Marcellina The Marriage of Figaro The Merry Opera Company John Ramster/Harry Sever 2018 Grimgerde Die Walküre Grange Park Opera Stephen Medcalf/Stephen Barlow 2017 Dorabella Così fan tutte Opera Chez Cartier, France John Ramster/Orlando Jopling 2017 Soloist Staged Messiah The Merry Opera Company John Ramster/Mark Austin 2017 3rd Flowermaiden Parsifal Elemental Opera Mark Burns/Michael Thrift 2016 Mrs Sowerberry Oliver! Grange Park Opera Jean-Pierre van der Spuy/Adam Rowe 2016 La Ciesca Gianni Schicchi Fulham Opera Fiona Williams/Nick Fletcher 2015 Fruma-Sarah Fiddler on the Roof Grange Park Opera/BBC Proms Antony McDonald/David Charles Abell 2015 Carmen Carmen Opera South East Fraser Grant/Kenneth Roberts 2014 Maddalena Rigoletto Opera Loki France/UK Tour Rae Leaver/Nick Fletcher 2014 Third Lady The Magic Flute The Merry Opera Company Kit Hesketh-Harvey/Stephen Hose 2013 Flora/Annina La traviata The Merry Opera Company Kit Hesketh-Harvey/Stephen Hose 2012 Dorabella Così fan tutte Jacksons Lane, Highgate Fraser Grant/Ian Shaw 2011 Second Lady/Boy The Magic Flute St John’s Smith Square Clive Bebee/Richard Black 2011 Chorus Un ballo in maschera (cover Ulrica) West Green House Opera Richard Studer/Jonathan Lyness 2017 Don Carlo Grange Park Opera Jo Davies/Gianluca Marciano 2016 Eugene Onegin Grange Park Opera Stephen Medcalf/Gianluca Marciano 2015 Die Zauberflöte Festival d’Aix-en-Provence Simon McBurney/Pablo Heras-Casado 2014 I gioelli della Madonna Opera Holland Park Martin Lloyd-Evans/Peter Robinson 2013 L’elisir d’amore Opera Holland Park Pia Furtado/Stephen Higgins 2013 Cavalleria Rusticana/Pagliacci Opera Holland Park Stephen Barlow/Stuart Stratford 2013 H.M.S. Pinafore (cover Hebe) The G&S Opera Company Vivian Coates/Timothy Henty 2012 The Mikado The G&S Opera Company Simon Butteriss/Timothy Henty 2012 The Elixir of Love Oyster Opera Clive Bebee/Richard Black 2010 Concert Highlights Witch Hansel & Gretel Lambeth Orchestra Christopher Fifield 2019 Soloist Verdi Requiem Wooburn Singers Tom Hammond-Davies 2019 Marcellina Le nozze di Figaro Dartington International Fest. Timothy Redmond/Mark Austin 2018 Chorus Le villi Opera Rara Sir Mark Elder 2018 Soloist Serenade to Music Monckton Combe Hall George Bevan 2018 Chorus Semiramide Opera Rara / BBC Proms Sir Mark Elder 2016 Soloist Mozart Requiem Woodside Singers Catherine Gosney 2017 Fleta Iolanthe Tarantara Productions William Relton/Martin Handley 2016 Referees John Ramster Freelance Director Philip White Head of Music, Grange Park Opera .
Recommended publications
  • The-Music-Of-Andrew-Lloyd-Webber Programme.Pdf
    Photograph: Yash Rao We’re thrilled to welcome you safely back to Curve for production, in particular Team Curve and Associate this very special Made at Curve concert production of Director Lee Proud, who has been instrumental in The Music of Andrew Lloyd Webber. bringing this show to life. Over the course of his astonishing career, Andrew It’s a joy to welcome Curve Youth and Community has brought to life countless incredible characters Company (CYCC) members back to our stage. Young and stories with his thrilling music, bringing the joy of people are the beating heart of Curve and after such MUSIC BY theatre to millions of people across the world. In the a long time away from the building, it’s wonderful to ANDREW LLOYD WEBBER last 15 months, Andrew has been at the forefront of have them back and part of this production. Guiding conversations surrounding the importance of theatre, our young ensemble with movement direction is our fighting for the survival of our industry and we are Curve Associate Mel Knott and we’re also thrilled CYCC LYRICS BY indebted to him for his tireless advocacy and also for alumna Alyshia Dhakk joins us to perform Pie Jesu, in TIM RICE, DON BLACK, CHARLES HART, CHRISTOPHER HAMPTON, this gift of a show, celebrating musical theatre, artists memory of all those we have lost to the pandemic. GLENN SLATER, DAVID ZIPPEL, RICHARD STILGOE AND JIM STEINMAN and our brilliant, resilient city. Known for its longstanding Through reopening our theatre we are not only able to appreciation of musicals, Leicester plays a key role make live work once more and employ 100s of freelance in this production through Andrew’s pre-recorded DIRECTED BY theatre workers, but we are also able to play an active scenes, filmed on-location in and around Curve by our role in helping our city begin to recover from the impact NIKOLAI FOSTER colleagues at Crosscut Media.
    [Show full text]
  • Shining the Spotlight on New Talent Independent Opera
    Independent Opera Shining the spotlight on new talent INDEPENDENT OPERA AT SADLER’S WELLS 2005–2020 Introduction Message from Wigmore Hall Thursday 15 October 2020, 7.30pm In this period of uncertainty, Independent Opera at Sadler’s It gives me great pleasure to welcome Independent Opera Wells is grateful to be able to present its annual Scholars’ to Wigmore Hall for its fourth showcase event. Now, more Independent Opera Recital at Wigmore Hall. For this final concert in Independent than ever, such opportunities are vital for young singers. Opera’s 15-year history, we are thrilled to bring together We are immensely grateful to Independent Opera for its four talented singers: tenor Glen Cunningham, soprano pioneering work and for its extraordinary commitment Scholars’ Recital Samantha Quillish, bass William Thomas, mezzo-soprano to young artists when they need it most. Tonight’s concert Lauren Young and renowned pianist Christopher Glynn. is a great example of the spirit of Independent Opera and all that it has represented over so many years. I hope Antonín Dvorˇák The four emerging artists you will hear tonight were Glen Cunningham tenor that you all enjoy this concert. Cigánské melodie, Op. 55 selected from Independent Opera’s partner conservatoires: Royal College of Music No. 1 Má písenˇ zas mi láskou zní Royal College of Music, Royal Academy of Music, Guildhall John Gilhooly Director No. 4 Když mne stará matka zpívat School of Music & Drama and Royal Conservatoire of Samantha Quillish soprano Moravian Duets, Op. 38 Scotland. The Independent Opera Voice Scholarships were Royal Academy of Music No.
    [Show full text]
  • Phillip Rhodes Baritone
    Phillip Rhodes Baritone UK-based New Zealand baritone Phillip of the Cannibal Dog (Wellington Opera Rhodes was the winner of the 2005 New House). He has also covered Enrico Zealand Aria Competition and was Lucia di Lammermoor (Royal Opera awarded second place at the House); title role Sweeney Todd (New International Montserrat Caballe Zealand Opera); and Gérard Andrea Competition in 2008. He is a former Chénier, Iago Otello and Balstrode Peter Emerging Artist with New Zealand Grimes (all for Opera North). Opera and has since appeared regularly with the company in principal roles. Rhodes was born in Hawke’s Bay, New Zealand, where he graduated in 2004 In the 2020-21 season he sings Father with a Diploma in Arts and Voice. In Hansel and Gretel (Scottish Opera’s 2008, he was awarded a scholarship to filmed production), and Don Pizarro attend the Cardiff International Fidelio in a concert performance with Academy of Voice under the tutelage of Auckland Philharmonia. Dennis O'Neill, where he remained for three seasons. In 2005 he won the Lexus Recent highlights include his Royal Song Quest, bringing him to the Opera House debut as Escamillo attention of Dame Kiri Te Kanawa, who “Phillip Rhodes did a very Carmen; his role debut in the title role still maintains her interest in his career. of The Marriage of Figaro (Opera Phillip acknowledges the support of the good job of Baron Scarpia, North); his house debut at Nederlandse Kiri Te Kanawa Foundation. every inch a villain. Rhodes Reisopera as Scarpia Tosca; Escamillo Carmen, Speaker The Magic Flute and has a beautiful, dark voice cover Renato Un ballo in maschera Valid for use until 1 August 2021 For updated versions please contact with which he painted a (Welsh National Opera); Jud Fry [email protected] perfect picture of the evil Oklahoma! (Grange Park Opera); King Le Cid (Dorset Opera); and Escamillo swindler with the character of Carmen (Grange Festival).
    [Show full text]
  • Charles Rice Baritone
    Charles Rice Baritone Charles Rice makes his debut at English National Opera as MARCELLO La Boheme in the 21/22 season followed DEMETRIUS A Midsummer Night’s Dream in a new Laurent Pelly production at the Opera de Lille. Engagements in the 20/21 season have included ORESTE Iphigenie en Tauride for the Opéra de Nantes, Rennes and Angers where he appeared last year in the title role of Thomas’ Hamlet, as well as his role debut as DON GIOVANNI for the Opéra de Avignon. Other recent appearances included ROBERT CECIL Gloriana Teatro Real, ORONTE Médée Grand Théâtre de Genève, SIMONSON IVANOVICH Risurrezione Wexford Festival Opera, GABEY On the Town, DEMETRIUS A Midsummer Night’s Dream Hyogo Performing Arts Center in Japan, Eugene Onegin Angers Nantes Opéra, FIGARO The Barber of Seville and MAXIMILIAN Candide The Grange Festival, NED KEENE Peter Grimes Palau de Les Arts Reina Sofia Valencia, ARTHUR KOESTLER Benjamin, dernière nuit (world premiere) and PROCOLO Viva la Mamma Opéra de Lyon, as well as HERMANN Les Contes d’Hoffmann which marked his debut at the Royal Opera House Covent Garden. Current and future concerts of Charles Rice include Carmina Burana Liepaja Symphony Latvia, LANCELOT Camelot London Palladium and BARNEY The Silver Tassie BBC Symphony Orchestra at the Barbican. Past engagements have included ESCAMILLO Carmen Stadttheater Klagenfurt and Vorarlberger Landestheater, HARLEKIN Ariadne auf Naxos and SILVIO Pagliacci Opéra de Toulon, SID Albert Herring English Touring Opera, HK Gruber’s Gloria – A Pigtale Mahogany Opera Group tour (Linbury Studio, Bregenz Festival, Norfolk and Norwich Festival), roles in Candide Opéra National de Lorraine, NED KEENE Peter Grimes Aldeburgh Festival, BELLO La Fanciulla del West English National Opera, CONTE ROBINSON Il Matrimonio Segreto Festival de Sédières, MORALES Carmen Royal Albert Hall, ANGELOTTI Tosca Grange Park Opera, GUGLIELMO Cosi fan tutte with Jane Glover and John Cox, and the VICAR in John Copley’s first Albert Herring, both for RAO.
    [Show full text]
  • Mdch Programme Notes
    The Tait Memorial Trust presents High Commissioner Series Australian High Commission, London Series Sponsor: Voyage Control ‘Stars of Covent Garden in Recital’ ARTISTS: Kiandra Howarth (soprano) Lauren Fagan (soprano) Filipe Manu (tenor) Samuel Sakker (tenor) Sergey Rybin (pianist) PROGRAMME: CLAUDE DEBUSSY Apparition PYOTR ILYICH TCHAIKOVSKY None but the lonely heart Why? EDVARD GRIEG Zur Rosenzeit Ein Traum VINCENZO BELLINI La Ricordanza FRANZ LISZT Die Lorelei SERGEI RACHMANINOFF She’s as fair as a noon day Pied Piper Sleep DOUGLAS LILBURN Holiday Piece RICHARD STRAUSS Ich trage meine Minne Mein Auge RALPH VAUGHAN WILLIAMS Silent noon FRANCIS POULENC C Fêtes Galantes OTTORINO RESPIGHI Crepuscolo EARNEST CHARLES When I have sung my songs Claude Debussy (1862-1918) Apparition (Apparition) Text: Stéphane Mallarmé La lune s’attristait. Des séraphins en pleurs The moon was saddened. Seraphim in tears rêvant, l’archet aux doigts, dans le calme des fleurs dreaming, bows at their fingers, in the calm of filmy Vaporeuses, tiraient de mourantes violes flowers, threw dying violas of white sobs De blanc sanglots glissant sur l’azur des corolles. sliding over the blue of corollas. C’était le jour béni de ton premier baiser. It was the blessed day of your first kiss. Ma songerie aimant à me martyriser My reverie, loving to torture me, S’enivrait savamment du parfum de tristesse wisely imbibed its perfume of sadness Que même sans regret et sans déboire laisse that even without regret and without setbacks leaves La cueillaison d’un rêve au coeur qui l’a cueilli. A dream’s gathering within the heart that gathered it.
    [Show full text]
  • Verdi (1813-1901) La Voix Humaine
    BIOGRAPHIES SIMON CALLAGHAN CONWAY Steinway Artist Simon Callaghan has performed throughout the UK, Japan, Malaysia, Thailand, South Korea, Austria, France and Belgium and has broadcast on BBC TV and radio. Engagements have included Wigmore Hall, Fairfield HALL Hall, Birmingham Symphony Hall, St David’s Hall Cardiff and Liverpool Philharmonic Hall. In chamber music he has SUNDAY performed with the Maggini, Sacconi and Carducci Quartets, Tim Hugh, Raphael Wallfisch, Jack Liebeck and the actors Samuel and Timothy West and Prunella Scales. Other highlights include a gala concert with ENO principals, CONCERTS a residency at the Banff Centre (Canada) a highly acclaimed recording of English piano music and the first UK performance since 1946 of Medtner’s Third Piano Concerto. Recent recordings include a two-disc recording of Delius orchestral works in arrangements for two pianos, a two-volume set of Brahms and a highly-acclaimed world premiere recording of music by Roger Sacheverell Coke (on SOMM). Simon is Head of Piano at the Ingenium Summer Academy (Winchester) and Artistic Director of the renowned Conway Hall Sunday Concerts, the longest-running Patrons - Stephen Hough, Laura Ponsonby AGSM, Prunella Scales chamber music series in Europe. CBE, Roderick Swanston, Hiro Takenouchi and Timothy West CBE Artistic Director - Simon Callaghan Sunday February 14th 2016, 6:30pm VALENTINE’S OPERA GALA NEXT AT CONWAY HALL Sunday February 21st 2016, 6.30pm FABIEN THOUAND (OBOE) with members of the London Symphony Orchestra SOPRANO ILONA DOMNICH MARIO SOFRONIOU Laurent Quenelle - Violin TENOR Malcolm Johnston - Viola BARITONE SIMON WALLFISCH Eve-Maria Caravassilis - Cello PIANO SIMON CALLAGHAN Mozart Oboe Quartet in F K370 Fiala Oboe Quartet in F Britten Phantasy in F minor Moeran Fantasy Quartet Françaix Quartet (for Cor Anglais and String Trio) Please follow us on Facebook and Twitter to stay updated about concerts and news.
    [Show full text]
  • Margaret Catchpole: Two Worlds Apart
    Stephen DODGSON Margaret Catchpole: Two Worlds Apart (Chamber opera in four acts) Howden • Wallace • Morris • Ollerenshaw Edgar-Wilson • Brook • Moore • Willcock • Sporsén Perpetuo • Julian Perkins Stephen Act I: By the Banks of the Orwell Act II: The Cobbold Household 1 [Introduction] 2:27 Scene 1: The drawing room at Mrs Cobbold’s house DO(1D924G–20S13O) N ^ 2Scene 1: Harvest time at Priory Farm & You are young (Dr Stebbing) 4:25 3 What an almighty fuss (Luff, Laud) 1:35 Ah! Dr Stebbing and Mr Barry Margaret Catchpole: Two Worlds Apart 4 For so many years (Laud, Luff) 2:09 (Mrs Cobbold, Barry, Margaret) 6:54 Chamber opera in four acts (1979) 5 Oh harvest moon (Margaret, Laud) 5:26 * Under that far and shining sky Interlude to Scene 2 1:28 Libretto by Ronald Fletcher (1921–1992), 6 (Laud, Margaret) 1:35 based on the novel by Richard Cobbold (1797–1877) The harvest is ended Scene 2: Porch – Kitchen/parlour – First performance: 8–10 June 1979 at The Old School, Hadleigh, Suffolk, UK 7 (Denton, Margaret, Laud, Labourers) 2:19 (Drawing room Oh, my goodness gracious – look! I don’t care what you think Margaret Catchpole . Kate Howden, Mezzo-soprano 8 (Mrs Denton, Lucy, Margaret, Denton) 2:23 ) (Alice, Margaret) 2:26 Will Laud . William Wallace, Tenor 9 Margaret? (Barry, Margaret) 3:39 Come in, Margaret John Luff . Nicholas Morris, Bass The ripen’d corn in sheaves is born ¡ (Mrs Cobbold, Margaret) 6:30 (Second Labourer, Denton, First Labourer, John Barry . Alistair Ollerenshaw, Baritone Come then, Alice (Margaret, Alice, Laud) 8:46 0 Mrs Denton, Lucy, Barry) 5:10 ™ Crusoe .
    [Show full text]
  • Stephen Medcalf Stage Director
    Stephen Medcalf Stage Director Stephen Medcalf’s current and future engagements include UN BALLO IN MASCHERA and DIE WALKÜRE Grange Park Opera, LEONORE and IDOMENEO Buxton Festival, HERCULANUM Wexford Festival Opera, MANON LESCAUT Palau de les Arts Reina Sofía in Valencia and Asociación Bilbaina de amigos de la Ópera in Bilbao, FALSTAFF Accademia della Scala on tour to Royal Opera House Muscat in Oman and AIDA and ARIODANTE Landestheater Niederbayern. Recent new productions include NORMA Teatro Lirico Cagliari, AIDA The Royal Albert Hall, A VILLAGE ROMEO AND JULIET and Foroni’s CRISTINA REGINA DI SVEZIA Wexford Festival, FALSTAFF Teatro Farnese, Parma, ALBERT HERRING, ARIADNE AUF NAXOS and DEATH IN VENICE Salzburger Landestheater, LA FINTA GIARDINIERA Landestheater Niederbayern, EUGENE ONEGIN, LA BOHEME FANCIULLA DEL WEST and CAPRICCIO Grange Park Opera, Bellini’s IL PIRATA and Menotti’s THE SAINT OF BLEECKER STREET Opéra Municipal Marseille, LUCREZIA BORGIA, LUISA MILLER, MARIA DI ROHAN, Gluck’s ORFEO ED EURYDICE and Mascagni’s IRIS Buxton Festival, CARMEN and AIDA Teatro Lirico di Cagliari, CARMEN Teatro Nacional de São Carlos, Cesti’s LE DISGRAZIE D’AMORE Teatro di Pisa and a revival of his DIE ZAUBERFLÖTE Palau de les Arts Reina Sofía in Valencia. Career highlights include PIKOVAYA DAMA Teatro alla Scala, LE NOZZE DI FIGARO Glyndebourne Opera House (televised and released on video/DVD), MANON LESCAUT and DIE ZAUBERFLÖTE (released on DVD) Teatro Regio di Parma, and DIE ENTFUHRUNG AUS DEM SERAIL for Teatro delle Muse, Ancona, which was subsequently seen at the Teatro Massimo, Palermo, Teatro Lirico di Cagliari and the Theatre Festival of Thessaloniki.
    [Show full text]
  • A Little Night Music
    WELCOME It is a real pleasure to welcome you to the Quarry before last, and who share the role of Fredrika in Theatre for the first time in many months for our A Little Night Music. It’s a thrill to be able to perform co-production of Stephen Sondheim’s A Little Night Sondheim’s work in Jonathan Tunick’s original Music. This latest collaboration between Leeds orchestrations, with the brilliant Orchestra of Opera Playhouse and Opera North represents a significant North conducted by one of the world’s leading step for both organisations on the road back to a full interpreters of classic musical theatre, Jim Holmes. programme of performances for live audiences. Behind the scenes, our staff have been working The partnership between our two companies has incredibly hard to ensure a safe environment flourished since our work together five years ago for performers and audiences alike, and that on another Sondheim musical, Into the Woods, and will continue to be a top priority as we plan for has grown all the stronger during the pandemic. performances without restrictions in the coming Against the odds we made an all too brief return months. There is much to look forward to from to live performance together last October with both companies, with Pam Gems’ sensational play the Connecting Voices season, which included about the life of Edith Piaf at the Playhouse later Orpheus in the Record Shop, an extraordinary new this summer, and an autumn season that includes work by Leeds-based artist Testament, which was the magical Christmas show Wendy and Peter subsequently filmed for BBC4’s Lights Up festival.
    [Show full text]
  • Download Booklet
    MAG IC L A N T Sophie Daneman ~ soprano Beth Higham-Edwards ~ vibraphone E D Alisdair Hogarth ~ piano Anna Huntley ~ mezzo-soprano R A George Jackson ~ conductor Sholto Kynoch ~ piano O N Anna Menzies ~ cello Edward Nieland ~ treble H Sinéad O’Kelly ~ mezzo-soprano Natalie Raybould ~ soprano - T S E Collin Shay ~ countertenor Philip Smith ~ baritone Nicky Spence ~ tenor A Mark Stone ~ baritone Verity Wingate ~ soprano C L N A E R S F L Y R E H C Y B S G N O S FOREWORD Although the thought of singing and acting in front of an audience terrifies me, there is nothing I enjoy more than being alone at my piano and desk, the notes on an empty page yet to be fixed. Fortunately I am rarely overheard as I endlessly repeat words and phrases, trying to find the music in them: the exact pitches and rhythms needed to portray a particular emotion often take me an exasperatingly long time to find. One of the things that I love most about writing songs is that I feel I truly get to know and understand the poetry I am setting. The music, as I write it, allows me to feel as if I am inhabiting the character in the poem, and I often only discover what the poem really says to me when I reach the final bar. This disc features a number of texts either written especially for me (Kei Miller, Tamsin Collison, Andrew Motion, Stuart Murray), or already in existence (Kate Wakeling, Ian McMillan, 4th century Aristotle).
    [Show full text]
  • Elgan Llŷr Thomas Tenor
    Elgan Llŷr Thomas Tenor Welsh tenor Elgan Llŷr Thomas studied National Symphony Orchestra); Orbin in at the Royal Northern College of Music Elgar’s Caractacus (Opera North and the Guildhall School of Music and Orchestra, cond. Martyn Brabbins); Drama, and is a current English National Jenkins’s The Armed Man, Mass for Opera Harewood Artist and a former Peace (Royal Liverpool Philharmonic, Scottish Opera Emerging Artist. cond. Sir Karl Jenkins); Tippett’s A Child of Our Time (Dartington International In the 2020-21 season he sings Fenton Summer Festival, cond. Paul McCreesh); Falstaff for Scottish Opera and Gonzalve a concert with Sir Bryn Terfel at Bangor in Grange Park Opera’s film of L’heure University and a Gala concert with the Espagnole. Recent highlights include Xi’an Symphony Orchestra in China. Nanki-Poo The Mikado and Normanno Lucia di Lammermoor (ENO); Dr His discography includes Orbin in Elgar’s Richardson in the European premiere of Caractacus for Hyperion (Opera North Missy Mazzoli’s Breaking the Waves Orchesta, cond. Martyn Brabbins), an (Scottish Opera); Johnny Inkslinger Paul album of Welsh Songs called Llwybrau’n Bunyan (ENO at Wilton’s Music Hall); Cân and songs by Gareth Glyn on and Prologue/Peter Quint The Turn of Caneuon Gareth Glyn (both for SAIN). the Screw (ENO at Regent’s Park Open “With a voice that's Air Theatre). He is the winner of numerous awards, including the 2015 Stuart Burrows exquisitely modulated and Other operatic engagements include International Voice Award; the 2015 flexible in creating Almaviva Il barbiere di Siviglia (Opéra Kerry-Keane Prize and Audience Prize at national de Bordeaux, Théâtre des the Les Azuriales Opera Young Artists character, this young Champs-Elysées and Mananan Programme and has had considerable International Festival); Ernesto Don success at the National Eisteddfod of tenor confirmed his status Pasquale and Lindoro L’italiana in Algeri Wales.
    [Show full text]
  • Royal Opera House Website
    OPERA and MUSIC | SUMMER 2018 THE ROYAL OPERA REPERTORY PAGE JOYCE DIDONATO AND ANTONIO PAPPANO 2 RECITAL LOHENGRIN 3 MAMZER BASTARD 7 LA BOHÈME 10 CAVE 17 DON GIOVANNI 20 FALSTAFF 23 JETTE PARKER YOUNG ARTISTS SUMMER 27 PERFORMANCE 2018 L’ANGE DE NISIDA IN CONCERT 31 OTHER EVENTS 34 THE ROYAL OPERA PRESENTS: JOYCE DIDONATO AND ANTONIO PAPPANO RECITAL 4 June 2018 at 8pm American mezzo-soprano Joyce DiDonato appears in recital on the Royal Opera House main stage, accompanied on the piano by The Royal Opera’s Music Director Antonio Pappano. The duo previously performed together in a recital at the opening of Wigmore Hall’s 2014/15 Season, the recording of which – Joyce and Tony: Live at Wigmore Hall – was named Best Classical Solo Vocal Album at the 2016 Grammy Awards. Joyce DiDonato made her Royal Opera debut in 2003 as Fox (The Cunning Little Vixen). She has since returned to sing Rosina (Il barbiere di Siviglia), Donna Elvira (Don Giovanni, including on tour with The Royal Opera to Japan), Cendrillon, Elena (La donna del lago), Maria Stuarda, Charlotte (Werther) and in Plácido Domingo’s 2012 Operalia concert. This Season she has sung Semiramide for the Company. Antonio Pappano is Music Director of The Royal Opera, a position he has held since 2002. During his tenure he has conducted an extensive repertory, including works by Mozart, Verdi, Wagner, Puccini, Richard Strauss, Ravel, Berg, Shostakovich and Britten, as well as the world premieres of Birtwistle’s The Minotaur (2008) and Turnage’s Anna Nicole (2011), and works for The Royal Ballet.
    [Show full text]