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Xamsecly942339z3 CD BRIL 94233 Ç|Xamsecly923987z3 CD
Catalogo 2015 Durata: 72:56 Durata: 46:30 Confezione: Jewel Box 1 CD BRIL 94304 Confezione: Jewel Box 1 CD BRIL 9294 Economico Economico Distribuzione Italiana 13/03/2012 Distribuzione Italiana 27/11/2012 Genere: Classica Orchestrale Genere: Classica da camera Ç|xAMSECLy943046z Ç|xAMTDGPy929424z KARL FRIEDRICH ABEL GIOVANNI ALBINI Musica per flauto e archi (integrale) Musica ciclica Corale n.4, Una teoria della prossimità, Corali n.27 e n.41, Estatica, Quartetto GEORGIA BROWNE fl per archi n.5, Quartetto per archi n.6 'Solo per grado congiunto'; Quartetto per Nordic Affect archi n.7 'Corale' Durata: 66:45 FABIO MUREDDU vc Confezione: Jewel Box 1 CD BRIL 94354 Economico Davide Alogna, violino; Giorgio Mirto, chitarra; Duo Bonfanti; Quartetto Indaco; Distribuzione Italiana 23/08/2012 Le Cameriste Ambrosiane, Dario Garegnani Genere: Classica Balletto Durata: 36:52 Confezione: Jewel Box 1 CD BRIL 95072 Economico Ç|xAMSECLy943541z Distribuzione Italiana 09/10/2014 ADOLPHE ADAM Genere: Musica Sacra Giselle (estratti) Ç|xAMSECLy950723z GIOVANNI ALBINI Registrazioni: Londra, 21-23 novembre 1994 Musica Sacra NEVILLE MARRINER Dir. Academy of St. Martin in the Fields Durata: 222:21 Pange lingua per coro (2014); Missa Prima per coro (2012); Testamento Confezione: Jewel Box 3 CD BRIL 94233 Economico Spirituale per quartetto di fiati (2013); Preghiera per trio di flauti dolci (2014) Distribuzione Italiana 01/01/2005 INGRID PUSTIJANAC Dir. Genere: Classica Orchestrale Coro della Facoltà di Musicologia di Cremona, 15.19 ensemble; Il Giardino delle Muse Ç|xAMSECLy942339z Durata: 165:23 Confezione: Jewel Box 3 CD BRIL 92791 JEHAN ALAIN Economico Integrale delle opere per organo Distribuzione Italiana 01/01/2005 Genere: Classica da camera Ç|xAMSECLy927916z JEAN-BAPTISTE ROBIN org TOMASO GIOVANNI ALBINONI Jehan Alain, organo; Choeur et Orchestre de la Synagogue rue Integrale dei Concerti per oboe Notre-Dame-de-Nazareth Durata: 219:56 Confezione: Jewel Box 3 CD BRIL 92398 Economico Registrazioni: 2005 Distribuzione Italiana 01/01/2005 NICOL MATT Dir. -
LA TRAVIATA OPERA in THREE ACTS Tweet Your Thoughts About Tonight’S Performance Before It Starts, During the Interval Or Afterwards with #Rohtraviata
Approximate timings THE ROYAL OPERA Live cinema relay begins at 6.45pm MUSIC DIRECTOR SIR ANTONIO PAPPANO DIRECTOR OF OPERA KASPER HOLTEN Act I 35 minutes Interval Act II scene 1 44 minutes Pause Act II scene 2 22 minutes Interval Act III 35 minutes The live relay will end at approximately 10.30pm LA TRAVIATA OPERA IN THREE ACTS Tweet your thoughts about tonight’s performance before it starts, during the interval or afterwards with #ROHtraviata MUSIC GIUSEPPE VERDI 2015/16 Live Cinema Season LIBRETTO FRANCESCO MARIA PIAVE AFTER ALEXANDRE DUMAS FILS’S PLAY LA DAME AUX CAMÉLIAS BORIS GODUNOV MONDAY 21 MARCH 2016 GISELLE WEDNESDAY 6 APRIL 2016 CONDUCTOR YVES ABEL LUCIA DI LAMMERMOOR MONDAY 25 APRIL 2016 DIRECTOR RICHARD EYRE FRANKENSTEIN WEDNESDAY 18 MAY 2016 REVIVAL DIRECTOR DANIEL DOONER MONDAY 27 JUNE 2016 WERTHER DESIGNER BOB CROWLEY LIGHTING DESIGNER JEAN KALMAN DIRECTOR OF MOVEMENT JANE GIBSON Saimir Pirgu’s Il Mio Canto is released to coincide ROYAL OPERA CHORUS with his appearance at the Royal Opera House. This CD CHORUS DIRECTOR RENATO BALSADONNA features a selection of arias from operas including La traviata, Werther, Rigoletto and La bohème. ORCHESTRA OF THE ROYAL OPERA HOUSE CONCERT MASTER VASKO VASSILEV Digital Programme DIRECTED FOR THE SCREEN BY MATT WOODWARD Royal Opera House Digital Programmes bring together a range of specially LIVE FROM THE selected films, articles, pictures and features to bring you closer to the ROYAL OPERA HOUSE production. Use promo code ‘FREETRAV’ to claim yours for free. THURSDAY 4 FEBRUARY 2016, 6.45PM Visit www.roh.org.uk/publications For more information about the Royal Opera House, to watch the extra features from this performance again and to explore our work further, visit www.roh.org.uk/cinema Synopsis Cast Act I A salon in Violetta’s house; August Violetta is a well-known Parisian courtesan. -
2017 Season Updates
FOR IMMEDIATE RELEASE 19 JUNE 2017 CONTACT: DANIEL ZILLMANN | DAISY GEOFFREY |[email protected] | 505.986.5908 SANTA FE OPERA ANNOUNCES 2017 SEASON UPDATES DIE FLEDERMAUS JOHANN STRAUSS II NEW PRODUCTION. LAST PERFORMED BY THE COMPANY IN 1992. LUCIA DI LAMMERMOOR GAETANO DONIZETTI NEW PRODUCTION. LAST PERFORMED BY THE COMPANY IN 2001. THE GOLDEN COCKEREL NIKOLAI RIMSKY-KORSAKOV NEW PRODUCTION. CO-PRODUCTION WITH THE DALLAS OPERA. A COMPANY PREMIERE. THE (R)EVOLUTION OF STEVE JOBS MASON BATES, COMPOSER | MARK CAMPBELL, LIBRETTIST A WORLD PREMIERE. COMMISSIONED BY SANTA FE OPERA, SEATTLE OPERA, AND SAN FRANCISCO OPERA WITH SUPPORT FROM CAL PERFORMANCES. CO-PRODUCTION WITH SEATTLE OPERA, SAN FRANCISCO OPERA, AND THE INDIANA UNIVERSITY JACOBS SCHOOL OF MUSIC. ALCINA GEORGE FRIDERIC HANDEL NEW PRODUCTION. A COMPANY PREMIERE. SANTA FE, NM—Santa Fe Opera announces updates to the company’s 61st season. The world premiere production of The (R)evolution of Steve Jobs is now a co-commission with SEATTLE OPERA and SAN FRANCISCO OPERA, with support from CAL PERFORMANCES. It is a co-production with Seattle Opera, San Francisco Opera, and THE INDIANA UNIVERSITY JACOBS SCHOOL OF MUSIC. San Francisco Opera General Director MATTHEW SHILVOCK said, “This is a profoundly moving new opera that I am excited to bring to Northern California audiences. Steve Jobs was an iconic figure in contemporary life whose genius has impacted the very way in which we engage with the world. But he was also a real person and a member of our community. Mason Bates’ new opera is a deeply layered, moving portrayal of a man grappling with the complex priorities of life, family, and work. -
Biographies (352.3
ALAIN ALTINOGLU Directeur musical de la Monnaie • Formation Conservatoire national Supérieur de Musique de Paris • Orchestres Wiener Philharmoniker, Chicago Symphony Orchestra, The Philadelphia Orchestra, Orchestre National de France, Orchestre de Paris, Rundfunk- Sinfonieorchester Berlin, Bamberger Symphoniker, Tonhalle Orchester Zürich, Orchestre de la Suisse Romande, Stockholm Philharmonic, Sinfonieorchester des Bayerischen Rundfunk, Philharmonia Orchestra London… • Salles lyriques et symphoniques Metropolitan Opera (New York), Chicago Lyric Opera, Wiener Staatsoper & Musikverein, Opernhaus de Zurich, Staatsoper Unter den Linden (Berlin), Bayerische Staatsoper (Munich), Opéra national de Paris, La Monnaie, Teatro Colón (Buenos Aires)… Festivals : Salzbourg, Orange, Aix-en-Provence, Bayreuth… • Répertoire Opéras, concerts symphoniques ; comme pianiste, musique de chambre et récitals avec Nora Gubisch • Pour la Monnaie Cendrillon (Massenet) en 2011 ; concerts Bolero (Ravel) & Pelléas et Mélisande (Fauré) en 2013 ; Harold en Italie & Symphonie fantastique (Berlioz) en 2014 ; Grande messe des morts (Berlioz) en 2015 ; Musique française avec Nora Gubisch en 2016 ; Moussorgski / Prokofiev / Stravinsky en 2016 • Opéras récents et futurs Lohengrin (Wagner) à Bayreuth, Salome (Strauss) au Deutsche Oper de Berlin ; Pelléas et Mélisande (Debussy) à l’Opernhaus de Zurich ; Iolanta et Casse-Noisette (Tchaïkovski) à l’Opéra de Paris ; Don Giovanni (Mozart) au Salzburger Festspiele ; Pelléas et Mélisande et Salome au Wiener Staatsoper ; Werther (Massenet) -
Xamsecly943541z Ç
Catalogo 2018 Confezione: special 2 LP BRIL 90008 Confezione: Jewel Box 1 CD BRIL 95388 Medio Prezzo Medio Prezzo Distribuzione Italiana 07/03/2017 Distribuzione Italiana 01/12/2017 Genere: Classica da camera Genere: Classica da camera Ç|xAMSECLy900087z Ç|xAMSECLy953885z JOHANN SEBASTIAN BACH JOHN ADAMS Variazioni Goldberg BWV 988 Piano Music - Opere per pianoforte China Gates, Phrygian Gates, American Berserk, Hallelujah Junction PIETER-JAN BELDER cv JEROEN VAN VEEN pf "Il minimalismo, ma non come lo conoscete”, così il Guardian ha descritto la musica di John Adams. Attivo in quasi tutti i generi musicali, dall’opera alle colonne sonore, dal jazz Confezione: long box 2 LP BRIL 90007 Medio Prezzo alla musica da camera, la sua apertura e il suo stile originale ha catturato il pubblico in Distribuzione Italiana 15/12/2015 tutto il mondo, superando i confini della musica classica rigorosa. Anche nelle sue opere Genere: Classica da camera per pianoforte, il compositore statunitense utilizza un 'ampia varietà di tecniche e stili, come disponibile anche ci mostra il pioniere della musica minimalista Jeroen van Veen assecondato dalla moglie 2 CD BRIL 95129 Ç|xAMSECLy900070z Sandra van Veen al secondo pianoforte. Durata: 57:48 Confezione: Jewel Box 1 CD BRIL 94047 YANN TIERSEN Medio Prezzo Pour Amélie, Goodbye Lenin (musica per Distribuzione Italiana 01/01/2005 pianoforte) Genere: Classica Strum.Solistica Ç|xAMSECLy940472z Parte A: Pour Amélie, Parte B: Goodbye Lenin JEROEN VAN VEEN pf ISAAC ALBENIZ Opere per chitarra Confezione: long box 1 LP BRIL 90006 Alto Prezzo Distribuzione Italiana 15/12/2015 Genere: Classica Orchestrale GIUSEPPE FEOLA ch disponibile anche 1 CD BRIL 94637 Ç|xAMSECLy900063z Isaac Albeniz, assieme a de Falla e Granados, è considerato non solo uno dei più grandi compositori spagnoli, ma uno dei padri fondatori della musica moderna spagnola. -
Destacados De Programación – Abril 2020
Allegro HD – Destacados de programación – abril 2020 Destacados de programación – abril 2020 www.allegrohd.com 1 Allegro HD – Destacados de programación – abril 2020 Destacados de programación Abril 2020 DOCUMENTAL | Mirella Freni: Una vida dedicada a la ópera [In Memoriam], un documental de Marita Stocker – 3 de abril – Pág. 3 CONCIERTO | Serendipia Ensemble – Pequeña tempestad; Concierto en la Catedral de Alcalá de Henares – Estreno 10 de abril – Pág. 5 CONCIERTO | Claudio Abbado dirige la Filarmónica de Berlín - Tributo a Gustav Mahler – Estreno 11 de abril – Pág. 7 CONCIERTO | Maria Callas - Una vida de ópera – Estreno 17 de abril – Pág. 9 CONCIERTO | Semyon Bychkov dirige la Filarmónica de la República Checa – Sinfonía n.º 9, de Gustav Mahler – Estreno 18 de abril – Pág. 11 CONCIERTO | Denis Matsuev desde el Real Concertgebouw de Ámsterdam – Obras de Tchaikovsky, Schumann & Stravinsky – Estreno 19 de abril – Pág. 13 JAZZ | Chucho Valdés en Ucrania – Alfa Jazz Festival – Estreno 24 de abril – Pág. 15 CONCIERTO | Gala desde Berlín 2019 – Filarmónica de Berlín, Diana Damrau & Kirill Petrenko – Estreno 25 de abril – Pág. 17 ÓPERA | Falstaff, ópera en tres actos de Giuseppe Verdi [Ópera Estatal de Hamburgo] – Estreno 26 de abril – Pág. 19 CONCIERTO | Waldbühne 2016: Una noche checa – Filarmónica de Berlín, Lisa Batiashvili & Yannick Nézet-Séguin – Estreno 30 de abril – Pág. 21 www.allegrohd.com 2 Allegro HD – Destacados de programación – abril 2020 Documental | Mirella Freni: Una vida dedicada a la ópera [In Memoriam] Un documental de Marita Stocker 3 de abril 21:00 Argentina/Uruguay | 20:00 Bolivia/Paraguay | 19:00 Colombia/Ecuador Un magnífico documental para descubrir en profundidad a una de las grandes divas de la ópera en el siglo XX, y a la mujer que la contempla. -
Dossier Pedago Gique
Service Jeune Public DOSSIER PEDAGOGIQUE TRAVIATA Opéra de Verdi Quand l’Histoire tousse, c’est la liberté qui générations grâce à un amour irrépressible CO-PRODUCTION : OPERA DE LIMOGES, s’enrhume. Le jeune metteur en scène de la liberté. OPERA DE RENNES, OPERA DE REIMS Jean-Romain Vesperini transpose cet opéra majeur de Verdi, inspiré de La Dame aux Direction musicale : GIACOMO Vendredi 11 mai 20h30 Camélias, dans une époque dont la portée SAGRIPANTI Dimanche 13 mai 14h30 universelle sublime le drame : la naissance Mise en scène : JEAN-ROMAIN VESPERINI Mardi 15 mai 20h00 du fascisme dans l’Italie des années 20. Scénographie : EMMANUELLE ROY Traviata s’y confronte à un ordre social en Lumières : CHRISTOPHE CHAUPIN Générale scolaire proie à la montée du fanatisme. Costumes :SONIA BOSC Mercredi 9 mai 20h00 La période illustre au mieux les désastres Créateur vidéo : SERGE MEYER des expériences autoritaires et l’oppression Durée : 2h45 avec entracte de toute liberté que Verdi lui-même Violetta : Venera Gimadieva - Alfredo : Chanté en italien, surtitré en français cherchait à dénoncer. Le compositeur, Edgaras Montvidas - Germont : Marzio SOMMAIRE soucieux de faire de son opéra un miroir de Giossi - Flora : Marie Gautrot - Marquis L'INTERVIEW DU METTEUR EN SCENE : 2 la société, voyait dans son héroïne le grain d’Obigny : ND - Baron Douphol : David de sable qui pouvait enrayer le système Woloszko - Docteur Granvil : Julien ZOOM SUR LES DECORS : 3 FICHE DE PRESENTATION POUR LES social régi par un puissant carcan moral. Veronese - Gastone : Julien -
Lucia Di Lammermoor
3 2020 | 21 März, April DAS MAGAZIN DER HAMBURGISCHEN STAATSOPER Premiere „Lucia di Lammermoor“ inszeniert von Amélie Niermeyer Video-on-Demand „Manon“ mit Elsa Dreisig in der Titelpartie Ballett im Lockdown Ein Blick hinter die Kulissen *Venera Gimadieva (Lucia), Amélie Niermeyer (Regisseurin) Inhalt OPER 04 Premiere Lucia di Lammermoor – die Geschichte einer unglücklichen Braut zwischen Emanzipation und Zwangsverheiratung, inszeniert von Amélie Niermeyer. In der Titelpartie: Venera Gimadieva. 08 Video-on-Demand Aktuell ist Jules Massenets Manon mit Elsa Dreisig in der Titelpartie online auf OperaVision zu sehen, bevor die Vorstellungen vor Publikum starten. Produktionsdramaturg Detlef Giese und Dirigent Sébastien Rouland geben Einblicke in das französische Meisterwerk. 20 Hintergrund Von den ersten Gedanken bis zum Premierenabend: So entstand die Neuproduktion Manon. Liebes 34 Ensemble Mezzosopranistin Kristina Stanek, seit dieser Spielzeit fest im Ensemble der Staatsoper Hamburg, über befreiende Hosenrollen, Gesang statt Medizin und Zukunftstraumpartien. Publikum, BALLETT der aktuelle Stand der Dinge bedeutet für uns ebenso 12 Hamburg Ballett John Neumeier teilt seine Gedanken in der Corona- wie für Sie vor allem Fragezeichen. Die Monate der Krise. Wie geht man als Ballettdirektor mit der Pandemie um? An welchen Ungewissheit und der fehlenden Planungssicherheit Projekten arbeitet die Compagnie? Was lernen wir aus der Krise? ziehen sich und so wagen wir immer wieder aufs Neue 14 Repertoire Proben trotz Aufführungsverbot. Die Fotostrecke zeigt, unter ganz optimistisch und voller Tatendrang Prognosen welchen Voraussetzungen dies möglich ist. Neben Beethoven-Projekt II, zur Wiedereröffnung. Wann es tatsächlich so weit das auf seine Uraufführung wartet, probt das Hamburg Ballett ist – wir werden sehen. Jedenfalls sind wir bereit! John Neumeiers Ballette Ein Sommernachtstraum und Tod in Venedig, Über unsere Neuproduktionen und das aktive Proben die nach dem Lockdown auf die Bühne kommen sollen. -
Newsletter Telmondis Octobre 2012
www.telmondis.fr NEWSLETTER 2012 > 13 Opera Dance Documentary Concert Circus Cabaret & magic Theater EDITO Telmondis Distribution on Line Telmondis is launching a directed by Valery Gergiev with two new website dedicated to the new productions, Boris Godunov international distribution of and Khovanshchina as well as the performing arts programmes. Théâtre du Châtelet Paris with a This highly optimised site is new production of John Adam’s designed to allow accredited Opera Nixon in China, which has professionals access to all received overwhelming acclaim the programmes offered by from international critics. Telmondis distribution for Bel Air Media also presents totally secure viewing. two new productions from the The website also provides Festival d’Art Lyrique d’Aix-en- purchasers with immediate access Provence, David and Jonathas to all the information required, and the Marriage of Figaro. promotional photographs, Also worthy of note is Sasha trailers and marketing tools Waltz’s creation of the Ballet SUMMARY for quick and optimum Romeo and Juliet at the Opéra exploitation of the films. national de Paris, and two > O PERA_02 Mariinsky Theatre, St Petersburg > Boris In this year’s catalogue, Telmondis documentaries, one, a portrait Distribution has listed new, of the countertenor Philippe Godunov_02 | Khovanshchina_02 | Théâtre royal de la prestigious operas produced Jaroussky, and the other, an Monnaie, Brussel > Il Trovatore_04 | Orlando_04 Festival immersion in the heart of the 20th by Opéra national de Paris, the international d'art lyrique d’Aix-en-Provence > David and Festival international d’Art Lyrique anniversary of the White Nights d’Aix-en-Provence, the Opéra de Festival in Saint Petersburg. -
THE SANTA FE OPERA Monday, July 31St Through Saturday, August 5Th
THE SANTA FE OPERA Monday, July 31st through Saturday, August 5th Charles McKay General Director Santa Fe Opera House “Each summer, the superbly inventive Santa Fe Opera , playing in Elza van den Heever: “As Elisabetta di Valois, the South African a brilliant new theater by James Stewart Polshek on a hilltop north soprano contributed regal presence and a voice that encompassed all of town, draws visitors from all around the globe. The annual Cham - the demands of the composer.” Opera News, review of ‘Don Carlo’ ber Music Festival and extensive dance and theater programs also help to make Santa Fe feel a bit like Salzburg with margaritas. There anta Fe Opera ’’s 2017 season will be the company’s 61st , is sorcery in the air here.” NY Times with a characteristic variety of proven and unfamiliar works. We will include all five major opera productions , with a Eric Owens: “In one of his finest MET roles, performance – or a concert – every evening. The open-air S opera house offers an experience that no opera enthusiast … Mr. Owens sings with poignancy and tender - ness.” NY Times, Dec. 16, should miss. Now aesthetically covered and protected from occa - review of ‘L’Amour de Loin’. sional evening showers, the Crosby Theatre is dramatically situ - ated with a spectacular view of the Southwest valley. Susan Graham: “A voice without regrets, This year, all five are new productions – one a world premiere – a healthy, rounded, ineffably musical, and eager remarkable accomplishment when many other houses are forced for a challenge…” New Yorker to curtail their plans for reasons of austerity. -
The Royal Opera
THE ROYAL OPERA 4.48 PSYCHOSIS OPERA IN ONE ACT BASED ON THE PLAY BY SARAH KANE MUSIC PHILIP VENABLES CONDUCTOR RICHARD BAKER DIRECTOR TED HUFFMAN DESIGNER HANNAH CLARK LIGHTING DESIGNER D.M. WOOD VIDEO DESIGNER PIERRE MARTIN SOUND DESIGN SOUND INTERMEDIA MOVEMENT DIRECTOR SARAH FAHIE CHROMA LYRIC HAMMERSMITH 24 | 26 | 27 | 28 MAY 2016 A CO-COMMISSION WITH THE GUILDHALL SCHOOL OF MUSIC & DRAMA GENEROUS PHILANTHROPIC SUPPORT FROM THE RVW TRUST Welcome We’re delighted to be working together to mount this new opera. These performances of 4.48 Psychosis mark the culmination of a three- year residency for composer Philip Venables at the Royal Opera House and Guildhall School of Music & Drama. The residency is an attempt both to make the most of the extraordinary artists working at the Royal Opera House around the year and to pull on the structured and supportive learning and creative environment available at the GSMD, and is part of a wider set of training initiatives between the two organizations. It feels completely right for this piece to be presented at the Lyric Hammersmith, a theatre with a long history of staging musical work and also the work of Sarah Kane. Adaptation is often at the heart of opera-making. Throughout history, the opera canon has been made up of familiar stories re-told in new forms. Art has always been derived from other art. The addition of music to a text opens up a new psychological space; music expresses something that lies in the empty spaces between and within words. Philip explores the eternal question of whether music or text takes the lead, showing us that there are still new ways to enliven opera’s old forms and enabling us to hear Sarah Kane’s extraordinary text with fresh ears. -
Santa Fe Opera a World Premiere, a Rarity, & Lucia Brenda Rae in the Role of Lucia
1711_MIC.qxd 9/29/2017 1:26 PM Page 11 Santa Fe Opera A World Premiere, a Rarity, & Lucia Brenda Rae in the role of Lucia. James A Van Sant has been ARG’s Santa Fe Correspondent for decades and has been an opera afi- cionado for even longer. Gil French, on the other hand, is an orchestra aficionado who has come to opera gradually and believes that the most important musician at any performance is the conduc- tor. Each offers his own response to the same three 2017 Santa Fe Opera productions. Note that they attended different performances and sat in different places. —Ed. James A Van Sant did in the pungent high soprano of Kasia Borowiec, it was suddenly fluttering about or anta Fe Opera has always been known as posing in vivid golden images across the one of the most ‘visual’ opera companies screen. Not much other furnishing was needed Sin the business. Last summer’s season except for a huge throne for the central figure, abundantly demonstrated that; several of the King Dodon. The able baritone Tom Mix shows by general consent were much played his foolish tsar role with skill, making enhanced, even saved, by visual appeal. theatrical shtick of his difficulties climbing on and around his giant throne—a small tsar with a huge throne, get it? He’s not a big enough Rimsky-Korsakoff: man for his job. The story of the Golden Cockerel is dated The Golden Cockerel and uninteresting: the rise and fall of a Russian king portrayed as a slap-stick comic character The Golden Cockerel (Le Coq d’Or) is based who can make an audience laugh but probably on a poem of Alexander Pushkin and is proba- not care much about his life or eventual bly the most famous opera you have never demise (he is pecked to death by the cockerel).