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Discografia Del Don Giovanni

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DISCOGRAFIA a cura di Luigi Bellingardi Personaggi basa sulla versione di Praga e aggiunge Don Giovanni; Donna Anna; Don Ottavio; il K. 540/a e K. 540/c. Commendatore; Donna Elvira; Leporello; Ma - setto; Zerlina. 1937 Ezio Pinza; Elisabeth Rethberg; Dino Borgioli; 1934 Herbert Alsen; Louise Helletsgruber; Virgilio Laz - Ezio Pinza; Rosa Ponselle; Tito Schipa; Ema - zari; Karl Ettl; Margit Bokor. Coro dell’Opera di nuel List; Maria Müller; Virgilio Lazzari; Louis Vienna, Wiener Philharmoniker, dir. Bruno Walter. D’Angelo; Editha Fleischer. Coro e Orchestra Radio Years RY 83 (3 compact) – Arkadia GA del Teatro Metropolitan di New York, dir. Tullio 2028 (2 compact) – Melodram CDM 37506 (3 Serafin. compact) – Urania URN 22231 (2 compact) – Omega Opera Archive 482 (2 compact) Omega Opera Archive 481 (3 compact) – Ope - ralovers DONG 193701 (3 compact) Ripresa dal vivo della recita del 20 gennaio 1934 al Metropolitan. Serafin adotta la versione di Si ascolta dal vivo la recita del 27 luglio o del 4 Praga e aggiunge K. 540/a. Vi sono alcuni tagli. agosto 1937 dal Festspielhaus del Festival di Sa - lisburgo. Walter adotta la versione di Praga e ag - 1936 giunge K. 540/a e K. 540/c. John Brownlee; Ina Souez; Koloman Von Pa - taky; David Franklin; Louise Helletsgruber; Sal - 1942 vatore Baccaloni; Soy Henderson; Audrey Mild - Ezio Pinza; Rose Bampton; Charles Kullman; may. Coro e Orchestra del Festival di Glynde - Norman Cordon; Jarmila Novotna; Alexander bourne, dir. Fritz Busch. Kipnis; Mark Harrell; Bidú Sayão. Coro e Or - EMI CHS 7 61 030-2 (3 compact) – Pearl chestra del Teatro Metropolitan di New York, GEMM CDS 59369 (3 compact) – As Disc dir. Bruno Walter. ASD 1004 (3 compact) – Naxos 8.110 357 (3 The Fourties FRTI 301 (3 compact) – Arkadia compact) 50001 (2 compact) – Nuova Era 22757 (3 com - pact) – Naxos 8.110013 (2 compact) – Memo - Emissione registrata in studio a Glyndebourne. ries HR 4225 (3 compact) – Enterprise ENT Busch segue la versione di Praga e aggiunge K. 301 (3 compact) – Omega Opera Archive 124 540/a e K. 540/c. (3 compact) 1936 Si ascolta dal vivo la recita del 7 marzo 1942 al Karl Hammes; Maria Reining; Julius Patzak; Metropolitan. Walter adotta la versione di Pra - Ludwig Weber; Hedwig Jungkurth; Georg ga e aggiunge K. 540/a. Hann; Hans Ducrue; Gertrude Callam. Chor und Orchester des Reichssenders Stuttgart, dir. 1943 Joseph Keilberth. Ezio Pinza; Zinka Milanov; James Melton; Nor - Preiser PR 90 263 (2 compact) – Omega Opera man Cordon; Jarmila Novotna; Salvatore Bac - Archive 893 (3 compact) caloni; Mark Harrell; Bidú Sayão. Coro e Or - chestra del Teatro Metropolitan di New York, L’opera è cantata in lingua tedesca. Keilberth si dir. Paul Breisach. 156 Walhall Records WHL 28 (2 compact) – Omega Gebhardt Walhall WLCD 0120 (2 compact) – Opera Archive 9 (3 compact) Omega Opera Archive 775 (3 compact) Si ascolta la recita dal vivo del 3 aprile 1943 a Si ascolta l’esecuzione radiofonica da Fran - Chicago a cura dei complessi artistici del Metro - coforte: l’opera è cantata in tedesco; Schröder politan in tournée. Breisach adotta la versione segue la versione di Praga. di Praga. 1948 1943 György Losonczy; Julia Osvath; Endre Rösler; Mathieu Ahlersmeyer; Marianne Schech; Hans Lajos Toth; Julia Orosz; Mihaly Szekely; Sandor Hopf; Heinrich Pflanzl; Margarete Teschema - Remeny; Maria Gyurkovics. Coro e Orchestra del - cher; Kurt Böhme; Gottlob Frick; Elfriede l’Opera di Stato Ungherese, dir. Otto Klemperer. Weidlich. Coro dell’Opera di Dresda, Sächsi - Omega Opera Archive 1504 (3 compact) sche Staatskapelle, dir. Karl Elmendorff. Berlin Classics BC 2048 2 (3 compact) Si ascolta dal vivo la rappresentazione del 22 ot - tobre 1948, cantata in lingua ungherese: Klem - L’opera è cantata in lingua tedesca, nella stagio - perer adotta la versione di Praga. ne 1943 a Dresda. Elmendorff segue la versione di Praga e aggiunge K. 540/a. 1950 Renato Capecchi; Carla Castellani; Léopold Si - 1944 moneau; Raphael Arié; Suzanne Danco; Mar - Ezio Pinza; Florence Kirk; Charles Kullman; Ni - cello Cortis; Eraldo Coda; Emmy Loose. Coro e cola Moscona; Eleanor Steber; Salvatore Bacca - Orchestra del Festival di Aix-en-Provence, dir. loni; Mack Harrell; Bidú Sayão. Coro e Orche - Hans Rosbaud. stra del Teatro Metropolitan di New York, dir. Omega Opera Archive 1500 (3 compact) Georg Szell. Golden Melodram GM 5.0043 (2 compact) – Si ascolta dal vivo la recita del 18 luglio 1950 ad Archipel ARPCD 0116 (2 compact) – Divina Aix-en-Provence: Rosbaud segue la versione di DVN 555 (3 compact) – Gebhardt Walhall Praga. WLCD 0106 (2 compact) – Omega Opera Ar - chive 479 o 672 (3 compact) 1950 Tito Gobbi; Ljuba Welitsch; Anton Dermota; Si ascolta dal vivo la recita del 9 dicembre Josef Greindl; Elisabeth Schwarzkopf; Erich 1944 al Metropolitan. Szell segue la versione Kunz; Alfred Poell; Irmgard Seefried. Coro della di Praga. Staatsoper di Vienna, Wiener Philharmoniker, dir. Wilhelm Furtwängler. 1947 JVC R 30C 1014 (3 compact) – Laudis LCD Ezio Pinza; Regina Resnik; Charles Kulmann; 3.4001 (3 compact) – Price-Less D 16 581 (3 Jerome Hines; Polyna Stoska; Salvatore Bacca - compact) – EMI CHS 5 66 567 2 (3 compact) – loni; Lorenzo Alvary; Nadine Conner. Coro e Omega Opera Archive 1264 (3 compact) Orchestra del Teatro Metropolitan di New York, dir. Max Rudolf. Si ascolta dal vivo la rappresentazione del 18 Omega Opera Archive 480 (3 compact) agosto 1950 dal Festspielhaus del Festival di Sa - lisburgo: Furtwängler adotta la versione di Pra - Si ascolta la recita del 6 dicembre 1947, dal vivo ga e aggiunge K. 540/a e K. 540/c. dal Metropolitan: Rudolf adotta la versione di Praga. 1950 Mariano Stabile; Gertrude Grob-Prandl; Her - 1948 bert Handt; Oskar Czerwenka; Hilde Konetzni; Karl Schmitt-Walter; Clara Ebers; Franz Fehrin - Alois Pernerstorfer; Alfred Poell; Hedda Heus - ger; Helmut Fehn; Felicie Huni-Mihacsek; Otto ser. Coro dell’Opera di Vienna, Wiener Von Rohr; Xaver Waibel; Maria Madlen Mad - Symphoniker, dir. Hans Swarowsky. sen. Coro e Orchestra Sinfonica della Radio di Preiser PR 90 166 (2 compact) – Omega Opera Francoforte sul Meno, dir. Kurt Schröder. Archive 894 (3 compact) 157 Si ascolta l’esecuzione in forma oratoriale al Fonit Cetra CDE 1050 (3 compact) – Rodolphe Konzerthaus di Vienna, Mozart Saal, d’un con - RPC 32 527 (3 compact) – Arkadia HP 509.3 (3 certo del novembre 1950: Swarowsky segue la compact) – Gala GL 100 602 (3 compact) – Vir - versione di Praga in questa registrazione effet - tuoso 269 9052 (3 compact) – Orfeo C 624 043 D tuata in studio e aggiunge, in Appendice, K. (3 compact) – Music & Arts CD 1129 (3 compact) 540/a e K. 540/c. 1954 1951 George London; Margaret Harshaw; Eugene Paolo Silveri; Ljuba Welitsch; Eugene Conley; Conley; Ljubomir Vichegonov; Eleanor Steber; Nicola Moscona; Regina Resnik; Salvatore Bac - Fernando Corena; Lorenzo Alvary; Nadine caloni; Lorenzo Alvary; Nadine Conner. Coro e Conner. Coro e Orchestra del Teatro Metropo - Orchestra del Teatro Metropolitan di New litan di New York, dir. Max Rudolf. York, dir. Fritz Reiner. Omega Opera Archive 1092 (3 compact) Arlecchino ARLA 75 (2 compact) – Gebhardt Walhall WLCD 0005 (2 compact) – Omega Si ascolta la ripresa dal vivo della recita del 13 Opera Archive 149 (2 compact) marzo 1954 al Metropolitan: Rudolf adotta la versione di Praga. Si ascolta dal vivo la recita del 6 gennaio 1951 al Metropolitan: Reiner segue la versione di Praga 1954 ma omette l’ouverture. Cesare Siepi; Elisabeth Grümmer; Anton Der - mota; Dezsö Ernster; Elisabeth Schwarzkopf; 1951 Otto Edelmann; Walter Berry; Erna Berger. Co - Paul Schöffler; Dragica Martinis; Anton Der - ro della Staatsoper di Vienna, Wiener Philhar - mota; Ludwig Hofmann; Suzanne Danco; Erich moniker, dir. Wilhelm Furtwängler. Kunz; Gustav Neidlinger; Lore Hoffmann. Coro Nippon Columbia 90 C 37-7313 (3 compact) – e Orchestra del NDR di Amburgo, dir. Leopold Toshiba TOCE 8515 (3 compact) – Operalovers Ludwig. DONG 19 54 01 (3 compact) – EMI CMS 7 63 Urania URN 22166 (2 compact) – Omega Ope - 860 2 (3 compact) ra Archive 1438 (2 compact) – Omega Opera Archive 1519 (3 compact) Si ascolta dal vivo la ripresa della rappresenta - zione del 3 agosto 1954 alla Felsenreitschule del Nella stagione radiofonica pubblica del Nord- Festival di Salisburgo: Furtwängler adotta la West-Deutscher Rundfunk di Amburgo si versione di Praga e aggiunge K. 540/a e K. 540/c. ascolta l’esecuzione del 29 ottobre 1951: Ludwig segue la versione di Praga e aggiunge K. 540/a e 1954 K. 540/c. Cesare Siepi; Elisabeth Grümmer; Anton Der - mota; Dezsö Ernster; Lisa Della Casa; Otto 1951 Edelmann; Walter Berry; Erna Berger. Coro Cesare Siepi; Hilde Zadek; Jan Peerce; Dezsö della Staatsoper di Vienna, Wiener Philharmo - Ernster; Delia Rigal; Erich Kunz; Lorenzo Al - niker, dir. Wilhelm Furtwängler. Regia di Her - vary; Patrice Munsel. Coro e Orchestra del Tea - bert Graf, scene e costumi di Clemens Hoolz - tro Metropolitan di New York, dir. Fritz Reiner. meister. Ripresa cinematografica di Paul Czin - Omega Opera Archive 397 (3 compact) ner. Univideo “Un palco all’Opera” n. 23 (1 Vhs) – Reiner segue la versione di Praga ma omette Deutsche Grammophon 073 019 (1 Dvd) l’ouverture nella ripresa dal vivo della recita del 6 dicembre 1951 al Metropolitan. Il video riproduce lo spettacolo del 3 agosto 1954 con la regia di Czinner e la direzione musi - 1953 cale di Furtwängler. Cesare Siepi; Elisabeth Grümmer; Anton Der - mota; Raphael Ariè; Elisabeth Schwarzkopf; 1954 Otto Edelmann; Walter Berry; Erna Berger. George London; Hilde Zadek; Léopold Simo - Coro della Staatsoper di Vienna, Wiener Phil- neau; Ludwig Weber; Sena Jurinac; Walter harmoniker, dir. Wilhelm Furtwängler. Berry; Eberhard Wächter; Graziella Sciutti. Co - 158 ro da camera di Vienna, Wiener Symphoniker, Frequenz 11.025 (3 compact) – Testament 58 T dir. Rudolf Moralt. 2149 (2 compact) – Testament STB 2149 (2 Philips 438 674-2 (3 compact) compact) Si ascolta l’esecuzione in forma di concerto del - Si ascolta la ripresa dell’esecuzione del 17 mag - l’opera nel corso della stagione sinfonica pub - gio 1955 dalla Radio di Colonia.
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  • © Chris Hardy © Nadir Bonazzi © Chang-Chih Chen © Agathe Poupeney

    © Chris Hardy © Nadir Bonazzi © Chang-Chih Chen © Agathe Poupeney

    SEASON 20 Agence artistique production danse 21 www.ltddanse.com Chen Poupeney Bonazzi Hardy Chris Nadir Chang-Chih Agathe © © © © Alonzo King LINES Ballet Aterballetto (IT) B.DANCE (TW) Ballet de l’Opéra (US) national du Rhin (FR) Pieces on tour: Pieces on tour: Pieces on tour: Pieces on tour: • Sutra • Don Giovanni • Floating Flowers • Swan Lake • Common Ground • Shechter / Kratz / Inger • Rage • Maria de Buenos Aires • Arctic piece • Dreamers • Chaplin • Creation 2019 with Jason • Sleeping Beauties Moran and Charles Lloyd Goff Bois Batardon Le du Hansen Gregory Thierry Helge Pauline © © © © Ballet du Grand Théâtre BJM - Les Ballets Jazz Carte Blanche (NO) Compagnie Jean- de Genève (CH) de Montréal (CA) Claude Gallotta (FR) Pieces on tour: Piece on tour: Pieces on tour: Pieces on tour: • Wahada • Dance me - Léonard Cohen • Soufflette • My Ladies Rock • Fallen • Echo Flux • L’Homme à tête de chou • Minimal Maximal • Nororoca • Le Jour se rêve • Carmina Burana • Comme un trio • Une autre passion • The Nutcracker Thibault Houeix Samaya Logvinov Pippa Franck Olivier M. © © © © Dancenorth IT Dansa (ES) Malandain Ballet Biarritz Yacobson Ballet (RU) Kyle Page (AU) (FR) Pieces on tour: Pieces on tour: Pieces on tour: Pieces on tour: • Dust • The Prom • Marie-Antoinette • Don Quixote • Attractor • Kaash • Cinderella • The Queen of Spades • Songs of a Wayfarer • Rêverie Romantique / • Sleeping Beauty • Whim Sirènes • Tchaikovsky Gala • Pastoral Chaillot – Théâtre national de la Danse (FR) Associated artists Pupeney • Jann Gallois on tour with the piece Samsara Agathe © • Damien Jalet on tour with the piece Planet ALONZO KING LINES BALLET Director / Choreographer Alonzo King 12 dancers Combining a classical technique with personal intervention, Alonzo King lifts his performers to a nonstop dance becoming into a staggering articulation of bodies.
  • Bellini's Norma

    Bellini's Norma

    Bellini’s Norma - A discographical survey by Ralph Moore There are around 130 recordings of Norma in the catalogue of which only ten were made in the studio. The penultimate version of those was made as long as thirty-five years ago, then, after a long gap, Cecilia Bartoli made a new recording between 2011 and 2013 which is really hors concours for reasons which I elaborate in my review below. The comparative scarcity of studio accounts is partially explained by the difficulty of casting the eponymous role, which epitomises bel canto style yet also lends itself to verismo interpretation, requiring a vocalist of supreme ability and versatility. Its challenges have thus been essayed by the greatest sopranos in history, beginning with Giuditta Pasta, who created the role of Norma in 1831. Subsequent famous exponents include Maria Malibran, Jenny Lind and Lilli Lehmann in the nineteenth century, through to Claudia Muzio, Rosa Ponselle and Gina Cigna in the first part of the twentieth. Maria Callas, then Joan Sutherland, dominated the role post-war; both performed it frequently and each made two bench-mark studio recordings. Callas in particular is to this day identified with Norma alongside Tosca; she performed it on stage over eighty times and her interpretation casts a long shadow over. Artists since, such as Gencer, Caballé, Scotto, Sills, and, more recently, Sondra Radvanovsky have had success with it, but none has really challenged the supremacy of Callas and Sutherland. Now that the age of expensive studio opera recordings is largely over in favour of recording live or concert performances, and given that there seemed to be little commercial or artistic rationale for producing another recording to challenge those already in the catalogue, the appearance of the new Bartoli recording was a surprise, but it sought to justify its existence via the claim that it authentically reinstates the integrity of Bellini’s original concept in matters such as voice categories, ornamentation and instrumentation.
  • 01 Programma-Di-Sala.Pdf

    01 Programma-Di-Sala.Pdf

    Progetto5_v 18/12/15 18:51 Pagina 1 the quintessence of the precious gems THEMERCHANTOFVENICE.COMTHEMERCHANTOFVENICE.COM VENEZIAMUSICA sommario e dintorni La locandina 7 Lirica e Balletto Rinaldo in breve 9 StagioneLirica e Balletto2020-2021 di Emilio Sala Stagione 2018-2019 Argomento 12 Opera inaugurale Il libretto 15 Rinaldo, ovvero la contesa dell'arte e dell'ideologia 35 di Reinhard Strohm MacbethRinaldo Pier Luigi Pizzi: «Una macchina teatrale umanizzata» 50 a cura di Leonardo Mello Federico Maria Sardelli: «Una festa dei colori strumentali» 53 Teatro La Fenice Dall’Archivio storico del Teatro La Fenice 56 a cura di Franco Rossi venerdì 23 novembre 2018 ore 19.00 turno A inTeatro diretta Lasu Fenice Biografie 67 domenicamartedì 25 novembre 31 agosto 2018 2021 ore ore 15.30 19.00 turno B martedìgiovedì 27 novembre 2 settembre 2018 2021 ore ore19.00 19.00 turno D giovedìsabato 29 novembre 4 settembre 2018 2021 ore ore 19.00 19.00 turno E sabato 1 dicembre 2018 ore 15.30 turno C Fondazione Teatro La Fenice Rinaldo opera seria in tre atti HVW 7 libretto di Giacomo Rossi su una sceneggiatura di Aaron Hill dalla Gerusalemme liberata di Torquato Tasso musica di Georg Friedrich Händel prima rappresentazione assoluta: Londra, Queen’s Theatre, 24 febbraio 1711 edizione a cura dell’Archivio Musicale del Maggio Musicale Fiorentino personaggi e interpreti Goffredo, generale dell’esercito cristiano Leonardo Cortellazzi Almirena, sua figlia, promessa sposa di Rinaldo Francesca Aspromonte Rinaldo, eroe Teresa Iervolino Argante, re di Gerusalemme,
  • Michael Schade at a Special Release of His New Hyperion Recording “Of Ladies and Love...”

    Michael Schade at a Special Release of His New Hyperion Recording “Of Ladies and Love...”

    th La Scena Musicale cene English Canada Special Edition September - October 2002 Issue 01 Classical Music & Jazz Season Previews & Calendar Southern Ontario & Western Canada MichaelPerpetual Schade Motion Canada Post Publications Mail Sales Agreement n˚. 40025257 FREE TMS 1-01/colorpages 9/3/02 4:16 PM Page 2 Meet Michael Schade At a Special Release of his new Hyperion recording “Of ladies and love...” Thursday Sept.26 At L’Atelier Grigorian Toronto 70 Yorkville Ave. 5:30 - 7:30 pm Saturday Sept. 28 At L’Atelier Grigorian Oakville 210 Lakeshore Rd.E. 1:00 - 3:00 pm The World’s Finest Classical & Jazz Music Emporium L’Atelier Grigorian g Yorkville Avenue, U of T Bookstore, & Oakville GLENN GOULD A State of Wonder- The Complete Goldberg Variations (S3K 87703) The Goldberg Variations are Glenn Gould’s signature work. He recorded two versions of Bach’s great composition—once in 1955 and again in 1981. It is a testament to Gould’s genius that he could record the same piece of music twice—so differently, yet each version brilliant in its own way. Glenn Gould— A State Of Wonder brings together both of Gould’s legendary performances of The Goldberg Variations for the first time in a deluxe, digitally remastered, 3-CD set. Sony Classical celebrates the 70th anniversary of Glenn Gould's birth with a collection of limited edition CDs. This beautifully packaged collection contains the cornerstones of Gould’s career that marked him as a genius of our time. A supreme intrepreter of Bach, these recordings are an essential addition to every music collection.