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Hubert Bals Fund
HUBERT BALS FUND COMPLETE RESULTS 1988-2016 • Script and Project Development support SELECTION 2016 • Post-production support Almost in Love Brzezicki, Leonardo (Argentina) • The Bridge Lotfy, Hala (Egypt) • Death Will Come and Will Have Your Eyes Torres Leiva, José Luis (Chile) • A Land Imagined Yeo Siew Hua (Singapore)• The Load Glavonic, Ognjen (Serbia) • Men in the Sun Fleifel, Mahdi (Greece) • Narges Rasoulof, Mohammad (Iran) • Octopus Skin Barragán, Ana Cristina (Ecuador) • The Orphanage Sadat, Shahrbanoo (Afghanistan) • The Reports on Sarah and Saleem Alayan, Muayad (Palestine) • Trenque Lauquen Citarella, Laura (Argentina) • White Widow Hermanus, Oliver (South Africa) • The Load, Glavonic, Ognjen (Serbia) During the NATO bombing of Serbia in 1999, Vlada is driving a freezer truck across the country. He does not want to know what the load is, but his cargo slowly becomes his burden. • Script and Project Development support SELECTION 2015 • Post-production support Alba Barragan, Ana Cristina (Ecuador) 2016 • Antigone González-Rubio, Pedro (Mexico) • Arnold Is a Model Student Prapapan, Sorayos (Thailand) • Barzagh Ismailova, Saodat (Uzbekistan) • Beauty and the Dogs Ben Hania, Kaouther (Tunisia) • Brief Story from the Green Planet Loza, Santiago (Argentina) • Burning Birds Pushpakumara, Sanjeewa (Sri Lanka) 2016 • Era o Hotel Cambridge Caffé, Eliane (Brazil) 2016 • The Fever Da-Rin, Maya (Brazil) • La flor Llinás, Mariano (Argentina) 2016 • Hedi Ben Attia, Mohamed (Tunisia) 2016 • Kékszakállú Solnicki, Gastón (Argentina) 2016 • Killing -
Signposts of Self-Realization Ideas, History, and Modern China
Signposts of Self-Realization Ideas, History, and Modern China Edited by Ban Wang, Stanford University Wang Hui, Tsinghua University VOLUME 8 The titles published in this series are listed at brill.com/ihmc Signposts of Self-Realization Evolution, Ethics and Sociality in Modern Chinese Literature and Film By Xinmin Liu LEIDEN | BOSTON Brill has made all reasonable efforts to trace all rights holders to any copyrighted material used in this work. In cases where these efforts have not been successful the publisher welcomes communications from copyright holders, so that the appropriate acknowledgements can be made in future editions, and to settle other permission matters. Library of Congress Cataloging-in-Publication Data Xinmin, Liu. Signposts of Self-Realization : Evolution, Ethics and Sociality in Modern Chinese Literature and Film / by Xinmin Liu. pages cm. — (Ideas, History, and Modern China ; 8) Includes index. ISBN 978-90-04-19609-4 (hardback : acid-free paper) — ISBN 978-90-04-26535-6 (e-book) 1. Chinese literature—20th century—History and criticism. 2. Chinese literature—21st century—History and criticism. 3. Self (Philosophy) in literature. 4. Self-realization in literature. 5. Self-perception in motion pictures. 6. Ethics in motion pictures. 7. Ethics in literature. I. Title. PL2303.X5594 2014 895.109’353—dc23 2013046907 This publication has been typeset in the multilingual ‘Brill’ typeface. With over 5,100 characters covering Latin, ipa, Greek, and Cyrillic, this typeface is especially suitable for use in the humanities. For more information, please see brill.com/brill-typeface. issn 1875-9394 isbn 978 90 04 19609 4 (hardback) isbn 978 90 04 26535 6 (e-book) Copyright 2014 by Koninklijke Brill nv, Leiden, The Netherlands. -
Film & Event Calendar
1 SAT 17 MON 21 FRI 25 TUE 29 SAT Events & Programs Film & Event Calendar 12:00 Event 4:00 Film 1:30 Film 11:00 Event 10:20 Family Gallery Sessions Tours for Fours: Art-Making Warm Up. MoMA PS1 Sympathy for The Keys of the #ArtSpeaks. Tours for Fours. Daily, 11:30 a.m. & 1:30 p.m. Materials the Devil. T1 Kingdom. T2 Museum galleries Education & 4:00 Film Museum galleries Saturdays & Sundays, Sep 15–30, Research Building See How They Fall. 7:00 Film 7:00 Film 4:30 Film 10:20–11:15 a.m. Join us for conversations and T2 An Evening with Dragonfly Eyes. T2 Dragonfly Eyes. T2 10:20 Family Education & Research Building activities that offer insightful and Yvonne Rainer. T2 A Closer Look for 7:00 Film 7:30 Film 7:00 Film unusual ways to engage with art. Look, listen, and share ideas TUE FRI MON SAT Kids. Education & A Self-Made Hero. 7:00 Film The Wind Will Carry Pig. T2 while you explore art through Research Building Limited to 25 participants T2 4 7 10 15 A Moment of Us. T1 movement, drawing, and more. 7:00 Film 1:30 Film 4:00 Film 10:20 Family Innocence. T1 4:00 Film WED Art Lab: Nature For kids age four and adult companions. SUN Dheepan. T2 Brigham Young. T2 This Can’t Happen Tours for Fours. SAT The Pear Tree. T2 Free tickets are distributed on a 26 Daily. Education & Research first-come, first-served basis at Here/High Tension. -
AI, Robots, and Swarms: Issues, Questions, and Recommended Studies
AI, Robots, and Swarms Issues, Questions, and Recommended Studies Andrew Ilachinski January 2017 Approved for Public Release; Distribution Unlimited. This document contains the best opinion of CNA at the time of issue. It does not necessarily represent the opinion of the sponsor. Distribution Approved for Public Release; Distribution Unlimited. Specific authority: N00014-11-D-0323. Copies of this document can be obtained through the Defense Technical Information Center at www.dtic.mil or contact CNA Document Control and Distribution Section at 703-824-2123. Photography Credits: http://www.darpa.mil/DDM_Gallery/Small_Gremlins_Web.jpg; http://4810-presscdn-0-38.pagely.netdna-cdn.com/wp-content/uploads/2015/01/ Robotics.jpg; http://i.kinja-img.com/gawker-edia/image/upload/18kxb5jw3e01ujpg.jpg Approved by: January 2017 Dr. David A. Broyles Special Activities and Innovation Operations Evaluation Group Copyright © 2017 CNA Abstract The military is on the cusp of a major technological revolution, in which warfare is conducted by unmanned and increasingly autonomous weapon systems. However, unlike the last “sea change,” during the Cold War, when advanced technologies were developed primarily by the Department of Defense (DoD), the key technology enablers today are being developed mostly in the commercial world. This study looks at the state-of-the-art of AI, machine-learning, and robot technologies, and their potential future military implications for autonomous (and semi-autonomous) weapon systems. While no one can predict how AI will evolve or predict its impact on the development of military autonomous systems, it is possible to anticipate many of the conceptual, technical, and operational challenges that DoD will face as it increasingly turns to AI-based technologies. -
Literary Networks and the Making of Egypt's Nineties Generation By
Writing in Cairo: Literary Networks and the Making of Egypt’s Nineties Generation by Nancy Spleth Linthicum A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Near Eastern Studies) in the University of Michigan 2019 Doctoral Committee: Associate Professor Carol Bardenstein, Chair Associate Professor Samer Ali Professor Anton Shammas Associate Professor Megan Sweeney Nancy Spleth Linthicum [email protected] ORCID iD: 0000-0001-9782-0133 © Nancy Spleth Linthicum 2019 Dedication Writing in Cairo is dedicated to my parents, Dorothy and Tom Linthicum, with much love and gratitude for their unwavering encouragement and support. ii Acknowledgements First and foremost, I would like to thank my committee for their invaluable advice and insights and for sticking with me throughout the circuitous journey that resulted in this dissertation. It would not have been possible without my chair, Carol Bardenstein, who helped shape the project from its inception. I am particularly grateful for her guidance and encouragement to pursue ideas that others may have found too far afield for a “literature” dissertation, while making sure I did not lose sight of the texts themselves. Anton Shammas, throughout my graduate career, pushed me to new ways of thinking that I could not have reached on my own. Coming from outside the field of Arabic literature, Megan Sweeney provided incisive feedback that ensured I spoke to a broader audience and helped me better frame and articulate my arguments. Samer Ali’s ongoing support and feedback, even before coming to the University of Michigan (UM), likewise was instrumental in bringing this dissertation to fruition. -
Alia Mossallam 200810290
The London School of Economics and Political Science Hikāyāt Sha‛b – Stories of Peoplehood Nasserism, Popular Politics and Songs in Egypt 1956-1973 Alia Mossallam 200810290 A thesis submitted to the Department of Government of the London School of Economics for the degree of Doctor of Philosophy, London, November 2012 1 Declaration I certify that the thesis I have presented for examination for the PhD degree of the London School of Economics and Political Science is solely my own work. The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of 99,397 words (excluding abstract, table of contents, acknowledgments, bibliography and appendices). Statement of use of third party for editorial help I confirm that parts of my thesis were copy edited for conventions of language, spelling and grammar by Naira Antoun. 2 Abstract This study explores the popular politics behind the main milestones that shape Nasserist Egypt. The decade leading up to the 1952 revolution was one characterized with a heightened state of popular mobilisation, much of which the Free Officers’ movement capitalized upon. Thus, in focusing on three of the Revolution’s main milestones; the resistance to the tripartite aggression on Port Said (1956), the building of the Aswan High Dam (1960- 1971), and the popular warfare against Israel in Suez (1967-1973), I shed light on the popular struggles behind the events. -
Guru Bangsa Tjokroaminoto”
ANALISIS SEMIOTIK NILAI-NILAI NASIONALISME DALAM FILM “GURU BANGSA TJOKROAMINOTO” Skripsi Diajukan Kepada Fakultas Ilmu Dakwah Dan Ilmu Komunikasi Untuk Memenuhi Persyaratan Memperoleh Gelar Sarjana Sosial (S.Sos) Oleh : Egy Giana Setyaningsih NIM : 1111051000141 JURUSAN KOMUNIKASI PENYIARAN ISLAM FAKULTAS ILMU DAKWAH DAN ILMU KOMUNIKASI UNIVERSITAS ISLAM NEGERI SYARIF HIDAYATULLAH JAKARTA 1437 H / 2016 M LEMBAR PERNYATAAN Dengan ini saya menyatakan bahwa : 1. Skripsi ini merupakan hasil karya saya yang diajukan untuk memenuhi salah satu persyaratan memperoleh gelar strata satu (S1) di Universitas Islam Negeri (UIN) Syarif Hidayatullah Jakarta. 2. Semua sumber yang saya gunakan dalam penulisan ini telah saya cantumkan sesuai dengan ketentuan yang berlaku di universitas Islam Negeri (UIN) Syarif Hidayatullah Jakarta. 3. Jika di kemudian hari terbukti karya ini hasil jiplakan dari hasil karya orang lain, maka saya bersedia menerima sanksi yang berlaku di Universitas Islam Negeri (UIN) Syarif Hidayatullah Jakarta. Jakarta, 29 Juli 2016 EGY GIANA SETYANINGSIH ii ABSTRAK Egy Giana Setyaningsih 1111051000141 Analisis Semiotik Nilai-Nilai NasionAalisme Dalam Film “Guru Bangsa Tjokroaminoto” Film “Guru Bangsa Tjokroaminoto” adalah salah satu film tokoh pahlawan nasional yang jejaknya hampir hilang di mata anak-anak bangsa. Ia adalah salah seorang tokoh pencetus generasi muda bangsa berbakat, dan juga berperan penting dalam sejarah kemerdekaan Indonesia seperti Soekarno, Semaoen, Kartosoewiryo dan Musso. Berbagai konflik yang muncul dari film -
Catalogue 2011
Equipo Cines del Sur Director José Sánchez-Montes I Relaciones institucionales Enrique Moratalla I Director de programación Casimiro Torreiro I Asesores de programación Esteve Riambau, Gloria Fernández I Programador cinesdelsur. ext y Extraño Tanto Mar José Luis Chacón I Gerencia Elisabet Rus I Coordinadora de programación, comunicación, difusión Índice y prensa María Vázquez Medina I Departamento de Comunicación Ramón Antequera Rodríguez-Rabadán I Coordinadora de invitados Marichu Sanz de Galdeano I Coordinador Producción Enrique Novi I Departamento Producción Christian Morales, Juan Manuel Ríos I Jefa de prensa Nuria Díaz I Prensa Nuria García Frutos, Neus Molina I Publicaciones Carlos Martín I Catálogo y revista Laura Montero Plata I Gestión de tráfico de copias Reyes Revilla I Protocolo María José Gómez, Manuel 6 Presentación_Welcome Dominguez I Documentación Audiovisual Festival Jorge Rodríguez Puche, Rafael Moya Cuadros I Coordinador de traducción e interpretación Pedro Jesús Castillo I Traducción Pedro Jesús Castillo, Alexia Weninger, Hiroko Inose, Jesús de Manuel Jerez 11 Jurado_Jury I Secretario Jurado Oficial Toni Anguiano I Imagen del cartel Ángel Lozano I Diseño del premio Luis Jarillo I Cabecera LZ Producciones I +Factor Humano Antonio José Millán I Voluntarios José Ángel Martínez I Jefe técnico de proyecciones José Antonio Caballero Soler I Equipo técnico de proyecciones José Antonio Caballero Martín, José Domingo Raya, 19 Programación_Programming José Antonio Caballero Solier I Diseño Catálogo: Ángel Lozano, Juan Gómez, -
The AGA Song Book up to Date
3rd Edition Songs, Poems, Stories and More! Edited by Bob Felice Published by The American Go Association P.O. Box 397, Old Chelsea Station New York, N.Y., 10113-0397 Copyright 1998, 2002, 2006 in the U.S.A. by the American Go Association, except where noted. Cover illustration by Jim Rodgers. No part of this book may be used or reproduced in any form or by any means, or stored in a database or retrieval system, without prior written permission of the copyright holder, except for brief quotations used as part of a critical review. Introductions Introduction to the 1st Edition When I attended my first Go Congress three years ago I was astounded by the sheer number of silly Go songs everyone knew. At the next Congress, I wondered if all these musical treasures had ever been printed. Some research revealed that the late Bob High had put together three collections of Go songs, but the last of these appeared in 1990. Very few people had these song books, and some, like me, weren’t even aware that they existed. While new songs had been printed in the American Go Journal, there was clearly a need for a new collection of Go songs. Last year I decided to do whatever I could to bring the AGA Song Book up to date. I wanted to collect as many of the old songs as I could find, as well as the new songs that had been written since Bob High’s last song book. You are holding in your hands the book I was looking for two years ago. -
Habib Majidi, SMPSP © Design : Laurent Pons / Troïka CREDITS
© photos : Habib Majidi, SMPSP © Design : Laurent Pons / TROÏKA DESIGN LAURENT PONS/ TROÏKA DESIGN LAURENT PONS/ PSP M S ABIB MAJIDI, ABIB MAJIDI, H CREDITS NON CONTRACTUAL - PHOTO MEMENTO FILMS PResents official selection cannes festival SHAHAB TARANEH HOssEINI THE ALIDOOSTI SALESMAN A FILM BY ASGHAR FARHADI 125 min - 1.85 - 5.1 - Iran / France download presskit and stills on www.memento-films.com World Sales & Festivals press Vanessa Jerrom t : 06 14 83 88 82 t : +33 1 53 34 90 20 Claire Vorger [email protected] t : 06 20 10 40 56 [email protected] [email protected] http://international.memento-films.com/ t : + 33 1 42 97 42 47 SYNOPSIS Their old flat being damaged, Emad and Rana, a young couple living in Tehran, is forced to move into a new apartment. An incident linked to the previous tenant will dramatically change the couple's life. INTERVIEW WITH ASGHAR FARHADI After making THE PAST in France and in Everything depends on the viewer’s own French, why did you go back to Tehran particular preoccupations and mindset. If for THE SALESMAN? you see it as social commentary, you’ll re- When I finished THE PAST in France, I member those elements. Somebody else started to work on a story that takes place might see it as a moral tale, or from a totally in Spain. We picked the locations and different angle. What I can say is that once I wrote a complete script, without the again, this film deals with the complexity of dialogue. We discussed about the project human relations, especially within a family. -
Al-Ahram Weekly, 12-18 August 1999, Issue No. 442 Points of Reference, Ahmed Abdel-Moeti Hegazi I Knew Abdel-Wahab Al-Bayyati for More Than 40 Years
Al-Ahram Weekly, 12-18 August 1999, Issue No. 442 Points of reference, Ahmed Abdel-Moeti Hegazi I knew Abdel-Wahab Al-Bayyati for more than 40 years. And strangely, given the peripatetic nature of his life, we met for the first and last time in Cairo. I was 22 years old and he 31 when, in the winter of 1957, we met for the first time. The last time was earlier this year, when we both participated in a symposium held at the Cairo International Book Fair to celebrate 50 years since the emergence of free verse in Arabic. The last time I spoke to Al-Bayyati, though, was a few weeks ago, when I was in Paris, invited by the Institut du Monde Arabe to coordinate a festival of Arabic poetry scheduled for March next year. I suggested that a committee be formed bringing together people who might contribute to the success of such an event, and took it upon myself to contact Mahmoud Darwish, André Michael (the Arabic literature professor and head of the College de France), Gamaleddin Ben Sheikh and, of course, Al-Bayyati. We spoke over the telephone -- I in Paris, he in Damascus -- and he was full of energy as usual, and was as quick as ever to comment on the symposium in which we had both participated, and on the controversy that had ensued. Between our first and last meeting a great many miles have, of course, been covered. And for many of them we were fellow travellers, for I accompanied Al-Bayyati on many journeys, and visited him in many of the different places he would occupy -- the hotels and institutions, cafés and airports where he set up his temporary residence. -
Post-Cold War Experimental Theatre of China: Staging Globalisation and Its Resistance
Post-Cold War Experimental Theatre of China: Staging Globalisation and Its Resistance Zheyu Wei A thesis submitted for the degree of Doctor of Philosophy The School of Creative Arts The University of Dublin, Trinity College 2017 Declaration I declare that this thesis has not been submitted as an exercise for a degree at this or any other university and it is my own work. I agree to deposit this thesis in the University’s open access institutional repository or allow the library to do so on my behalf, subject to Irish Copyright Legislation and Trinity College Library Conditions of use and acknowledgement. ___________________ Zheyu Wei ii Summary This thesis is a study of Chinese experimental theatre from the year 1990 to the year 2014, to examine the involvement of Chinese theatre in the process of globalisation – the increasingly intensified relationship between places that are far away from one another but that are connected by the movement of flows on a global scale and the consciousness of the world as a whole. The central argument of this thesis is that Chinese post-Cold War experimental theatre has been greatly influenced by the trend of globalisation. This dissertation discusses the work of a number of representative figures in the “Little Theatre Movement” in mainland China since the 1980s, e.g. Lin Zhaohua, Meng Jinghui, Zhang Xian, etc., whose theatrical experiments have had a strong impact on the development of contemporary Chinese theatre, and inspired a younger generation of theatre practitioners. Through both close reading of literary and visual texts, and the inspection of secondary texts such as interviews and commentaries, an overview of performances mirroring the age-old Chinese culture’s struggle under the unprecedented modernising and globalising pressure in the post-Cold War period will be provided.