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Movie Aquisitions in 2010 - Hindi Cinema
Movie Aquisitions in 2010 - Hindi Cinema CISCA thanks Professor Nirmal Kumar of Sri Venkateshwara Collega and Meghnath Bhattacharya of AKHRA Ranchi for great assistance in bringing the films to Aarhus. For questions regarding these acquisitions please contact CISCA at [email protected] (Listed by title) Aamir Aandhi Directed by Rajkumar Gupta Directed by Gulzar Produced by Ronnie Screwvala Produced by J. Om Prakash, Gulzar 2008 1975 UTV Spotboy Motion Pictures Filmyug PVT Ltd. Aar Paar Chak De India Directed and produced by Guru Dutt Directed by Shimit Amin 1954 Produced by Aditya Chopra/Yash Chopra Guru Dutt Production 2007 Yash Raj Films Amar Akbar Anthony Anwar Directed and produced by Manmohan Desai Directed by Manish Jha 1977 Produced by Rajesh Singh Hirawat Jain and Company 2007 Dayal Creations Pvt. Ltd. Aparajito (The Unvanquished) Awara Directed and produced by Satyajit Raj Produced and directed by Raj Kapoor 1956 1951 Epic Productions R.K. Films Ltd. Black Bobby Directed and produced by Sanjay Leela Bhansali Directed and produced by Raj Kapoor 2005 1973 Yash Raj Films R.K. Films Ltd. Border Charulata (The Lonely Wife) Directed and produced by J.P. Dutta Directed by Satyajit Raj 1997 1964 J.P. Films RDB Productions Chaudhvin ka Chand Dev D Directed by Mohammed Sadiq Directed by Anurag Kashyap Produced by Guru Dutt Produced by UTV Spotboy, Bindass 1960 2009 Guru Dutt Production UTV Motion Pictures, UTV Spot Boy Devdas Devdas Directed and Produced by Bimal Roy Directed and produced by Sanjay Leela Bhansali 1955 2002 Bimal Roy Productions -
THE ISSUE of NATIONAL INTEGRATION in BOLLYWOOD with SPECIAL REFERENCE to LAGAAN and CHAK DE! INDIA By: Shashi Prajapati
Episteme: an online interdisciplinary, multidisciplinary & multi-cultural journal Bharat College of Arts and Commerce, Badlapur, MMR, India Volume 8, Issue 2 September 2019 THE ISSUE OF NATIONAL INTEGRATION IN BOLLYWOOD WITH SPECIAL REFERENCE TO LAGAAN AND CHAK DE! INDIA By: Shashi Prajapati Abstract: India is a country of diverse identity where each individual identifies himself/herself with regard to his/ her class, caste, religion, gender, language, region etc. Sometimes these identities lead to the conflicting situations especially when one is obsessed with any particular identity. This may sometimes lead to the threat to our national integrity. In such a case, maintaining the togetherness becomes a tough task. The contribution of Bollywood in this regard is not encouraging especially in the last few decades. The obsession of Bollywood with hero worship has done the huge damage to our society. Most of the films in the name of national integration create a narrow vision of Hindu-Muslim harmony. Films based on public participation are rare to find. Keeping these facts into consideration, the present paper picks up two classic Bollywood movies of 21st century - Lagaan and Chak De! India which relate the story of public participation. Keywords: National Integration, Nation building process, Patriarchy, Bollywood. 60 BCAC-ISSN-2278-879 Episteme: an online interdisciplinary, multidisciplinary & multi-cultural journal Bharat College of Arts and Commerce, Badlapur, MMR, India Volume 8, Issue 2 September 2019 Introduction The date, 14th August 1947, doesn't mark the independence of India and Pakistan alone. There were 565 princely states formerly under the British control, became independent too. These princely states had two options; either to form an independent country of its own or to merge with India or Pakistan. -
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SATURDAY, FEBRUARY 28, 2015 (PAGE 4) DAILY EXCELSIOR, JAMMU f}rh; iq.; frfFk@ J)k¡tfy India placed orders worth iwtuh; ekrk Jh th “kr~ “kr ~ ueu! ek¡ nks o’kZ iwoZ vki çHkqpj.kksa esa lek xbZ FkhA thoudky ds 75 o’kZ ns”k lsok] lkekftd /kkfeZd ,oa jktuhfrd dk;ksZa easa vkius vxz.kh gksdj fo”ks’kdj efgykoxZ dk ekxZn”kZu fd;kA fofHkUu vkUnksyuksa esa Rs 83,858 cr for military hardware 27 ckj tsy ;k=k Hkh dhA vki lnSo vej gks] ek¡ vkius tks ifjokj dk ekxZn”kZu fd;k gS] leLr ifjokj vkidk _f.k gSA ge vkids NEW DELHI, Feb 27: FDI proposals have been Parrikar said. the CBI. fn[kk, ekxZ ij pyus dk ç;kl djrs gSaA approved while noting that the He said Indian defence sec- Replying to another ques- ifjokj ds J)klqeu Lohdkjrs gq, loZnk vk”khokZn nsrs jguk vkSj Indian Air Force, Army and procedure for ‘Buy and Make tor earned Rs 46.08 crore by tion, he said a proposal to pro- d`ikn`f’V cuk, j[kukA ek¡ dksfV&dksfV ç.kkeA! Navy have placed orders worth (Indian) and Make’ categories of exporting military goods in cure Medium Multi Role com- Jherh n;k xqIrk ,o a fot; xqIrk Hkkjrh ¼,MksoksdsV½ Lo- Jherh çdk’kks nsoh Rs 83,858 crore from 2011 to acquisition over ‘Buy (global)’ 2011-12, Rs 5.62 crore in 2012- bat aircraft from French firm ,o a leLr ifjokj HkwriwoZ v/;{k efgyk ekspkZ the last fiscal while domestic category to encourage Indian 13 and Rs 17.74 crore in 2013- Dassault Aviation was under 11 çrki x<+ tEewA eks- 94191-440191] 94191-888735 Hkktik] tEew&d’ehj defence industries have earned defence industry. -
Corporate Hierarchies, Genres of Management, and Shifting Control in South Korea’S Corporate World
Ranks & Files: Corporate Hierarchies, Genres of Management, and Shifting Control in South Korea’s Corporate World by Michael Morgan Prentice A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Anthropology) in The University of Michigan 2017 Doctoral Committee: Associate Professor Matthew Hull, Chair Associate Professor Juhn Young Ahn Professor Gerald F. Davis Associate Professor Michael Paul Lempert Professor Barbra A. Meek Professor Erik A. Mueggler Michael Morgan Prentice [email protected] ORCID: 0000-0003-2981-7850 © Michael Morgan Prentice 2017 Acknowledgments A doctoral program is inexorably linked to the document – this one – that summarizes the education, research, and development of a student and their ideas over the course of many years. The single authorship of such documents is often an aftereffect only once a text is completed. Indeed, while I have written all the words on these pages and am responsible for them, the influences behind the words extend to many people and places over the course of many years whose myriad contributions must be mentioned. This dissertation project has been generously funded at various stages. Prefield work research and coursework were funded through summer and academic year FLAS Grants from the University of Michigan, a Korea Foundation pre-doctoral fellowship, and a SeAH-Haiam Arts & Sciences summer fellowship. Research in South Korea was aided by a Korea Foundation Language Grant, a Fulbright-IIE Research grant, a Wenner-Gren Dissertation Fieldwork Grant, and a Rackham Centennial Award. The dissertation writing stage was supported by the Rackham Humanities fellowship, a Social Sciences Research Council Korean Studies Dissertation Workshop, and the Core University Program for Korean Studies through the Ministry of Education of the Republic of Korea and Korean Studies Promotion Service of the Academy of Korean Studies (AKS-2016-OLU-2240001). -
Pop Compact Disc Releases - Updated 08/29/21
2011 UNIVERSITY AVENUE BERKELEY, CA 94704, USA TEL: 510.548.6220 www.shrimatis.com FAX: 510.548.1838 PRICES & TERMS SUBJECT TO CHANGE WITHOUT NOTICE INTERNATIONAL ORDERS ARE NOW ACCEPTED INTERNATIONAL ORDERS ARE GENERALLY SHIPPED THRU THE U.S. POSTAL SERVICE. CHARGES VARY BY COUNTRY. WE WILL ALWAYS COMPARE VARIOUS METHODS OF SHIPMENT TO KEEP THE SHIPPING COST AS LOW AS POSSIBLE PAYMENT FOR ORDERS MUST BE MADE BY CREDIT CARD PLEASE NOTE - ALL ITEMS ARE LIMITED TO STOCK ON HAND POP COMPACT DISC RELEASES - UPDATED 08/29/21 Pop LABEL: AAROHI PRODUCTIONS $7.66 APCD 001 Rawals (Hitesh, Paras & Rupesh) "Pehli Nazar" / Pehli Nazar, Meri Nigahon Me, Aaja Aaja, Me Dil Hu, Tujhko Banaya, Tujhko Banaya (Sad), Humne Tumko, Oh Hasina, Me Tera Hu Diwana (ADD) LABEL: AUDIOREC $6.99 ARCD 2017 Shreeti "Mere Sapano Mein" (Music: Rajesh Tailor) Mere Sapano Mein, Jatey Jatey, Ek Khat, Teri Dosti, Jaan E Jaan, Tumhara Dil - 2 Versions, Shehenayi Ke Soor, Chalte Chalte, Instrumental (ADD) $6.99 ARCD 2082 Bali Brahmbhatt "Sparks of Love" / Karle Tu Reggae Reggae, O Sanam, Just Between You N Me, Mere Humdum, Jaana O Meri Jaana, Disco Ho Ya Reggae, Jhoom Jhoom Chak Chak, Pyar Ke Rang, Aag Ke Bina Dhuan Nahin, Ja Rahe Ho / Introducing Jayshree Gohil (ADD) LABEL: AVS MUSIC $3.99 AVS 001 Anamika "Kamaal Ho Gaya" / Kamaal Ho Gaya, Nach Lain De, Dhola Dhol, Badhai Ho Badhai, Beetiyan Kahaniyan, Aa Bhi Ja, Kahaan Le Gayee, You & Me LABEL: BMG CRESCENDO (BUDGET) $6.99 CD 40139 Keh Diya Pyar Se / Lucky Ali - O Sanam / Vikas Bhalla - Dhuan, Keh Diya Pyar Se / Anaida - -
Top 10 Male Indian Singers
Top 10 Male Indian Singers 001asd Don't agree with the list? Vote for an existing item you think should be ranked higher or if you are a logged in,add a new item for others to vote on or create your own version of this list. Share on facebookShare on twitterShare on emailShare on printShare on gmailShare on stumbleupon4 The Top Ten TheTopTens List Your List 1Sonu Nigam +40Son should be at number 1 +30I feels that I have goten all types of happiness when I listen the songs of sonu nigam. He is my idol and sometimes I think that he is second rafi thumbs upthumbs down +13Die-heart fan... He's the best! Love you Sonu, your an idol. thumbs upthumbs down More comments about Sonu Nigam 2Mohamed Rafi +30Rafi the greatest singer in the whole wide world without doubt. People in the west have seen many T.V. adverts with M. Rafi songs and that is incediable and mind blowing. +21He is the greatest singer ever born in the world. He had a unique voice quality, If God once again tries to create voice like Rafi he wont be able to recreate it because God creates unique things only once and that is Rafi sahab's voice. thumbs upthumbs down +17Rafi is the best, legend of legends can sing any type of song with east, he can surf from high to low with ease. Equally melodious voice, well balanced with right base and high range. His diction is fantastic, you may feel every word. Incomparable. More comments about Mohamed Rafi 3Kumar Sanu +14He holds a Guinness World Record for recording 28 songs in a single day Awards *. -
Enemies of the Lineage: Widows and Customary Rights in Colonial Korea, 1910-1945
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bstract Enemies of the Lineage: Widows and Customary Rights in Colonial Korea, 1910-1945 by Sungyun Lim Doctor of Philosophy in History University of California, Berkeley Professor Andrew E. Barshay, Chair My dissertation examines Korean widows and their legal rights during the Japanese colonial rule (1910-1945), focusing on widows and their lawsuits over property rights, inheritance and adoption. Utilizing civil case records from the Superior Court of Colonial Korea (Ch!sen K!t! H!in), I argue that women’s rights were diminished by the Korean customs adopted by the judicial system under the Japanese colonial state. By examining the production process of Korean customs in the colonial civil courts, I emphasize Korean agency in the transformation of family customs during the Japanese colonial period. Women’s property and inheritance rights developed in close relationship with the Japanese family policy, which aimed to disintegrate the lineages in Korea into nuclear households. The Japanese colonial state strengthened the household system by protecting customary rights that allowed widows to become house-heads. -
Gangs of Wasseypur As an Active Archive of Popular Cinema
M A D H U J A M U K H E R J E E Of Recollection, Retelling, and Cinephilia: Reading Gangs of Wasseypur as an Active Archive of Popular Cinema This paper studies Gangs of Wasseypur (Parts 1 and 2, 2012) as a definitive text via which Anurag Kashyap’s style became particularly provocative and pointed. While a range of films (both directed and produced by Kashyap) seemingly bear a certain ‘Kashyap mark’ in the manner in which they tackle subjects of violence and belligerent speech with an unpredictable comic sense, I argue that, more importantly, these films work within a particular visual framework with regard to its mise-en- scène (including the play of light, camera movement, modes of performance), as well as produce recognisable plot structures (involving capricious and realistic events), settings and locations (like the city’s underbelly, police stations, etc.), and so on. Indeed, Kashyap has made a set of films—including Paanch (unreleased), No Smoking (2007) and Ugly (2014)—which deal with similar issues, and explore contemporary cityscapes, especially Mumbai, with fervidness, thereby commenting on urban dystopia.1 Furthermore, these films speak to what has been analysed as the ‘Bombay noir’ mode by Lalitha Gopalan, by means of thoughtful art and set design, engaging (and often hand-held) camera movements and swish-pans, uses of blue or yellow filters, character prototypes, and reflective performances, which generate a world that is engulfed by a deep sense of disquiet and distress. This paper draws attention to such stylistic explorations, especially JOURNAL OF THE MOVING IMAGE 91 to the ways in which it has developed through Kashyap’s recent films. -
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DLD‰‰†‰KDLD‰‰†‰DLD‰‰†‰MDLD‰‰†‰C Murphy’s law: Madhuri Dixit by Ashton Kutcher another name THE TIMES OF INDIA Couple fakes daughter’s cancer Saturday, October 4, 2003 spells hot male! reads Antara Mali! Crime most foul. US coup- months by a court in Ohio. le Robert and Teresa Milb- Police say the Milbrand- Page 8 Page 10 randt have been jailed for ts fooled 65 people and bu- faking their seven-year- sinesses into giving donat- old daughter Hannah’s le- ions. While Hannah’s illn- ukaemia to gain ess was discover- around $ 31,000 ed to be a hoax in donations. in December 20- Teresa was se- 02, her parents ntenced to six now have to pay and a half years the price for do- and Robert, to fo- nations received ur years and 11 illegally. OF INDIA MANOJ KESHARWANI OCTOBER IS HIGH ON DRY DAYS ARUN KUMAR DAS beneficial to the exchequer, such a move will go a sales on the day preceding ‘dry’ days register a 40-50 Times News Network long way in curbing smuggling. As of now,there are per cent rise over normal business. Worse still, dry 21 dry days in all, but Delhi could do without dry da- days allow smugglers and bootleggers to enter the iquor shops, liquor shops everywhere but not ys associated with religious holidays. At the same ti- picture. ‘‘The smuggling of liquor is assuming huge a drop to drink. For those who have been left me, the number of dry days four years ago was 45.’’ proportions in Delhi, more so because the city has Lshaken and stirred by this line and are so many dry days. -
Türkġye Cumhurġyetġ Ankara Ünġversġtesġ Sosyal Bġlġmler Enstġtüsü Doğu Dġllerġ Ve Edebġyatlari Anabġlġmdali
TÜRKĠYE CUMHURĠYETĠ ANKARA ÜNĠVERSĠTESĠ SOSYAL BĠLĠMLER ENSTĠTÜSÜ DOĞU DĠLLERĠ VE EDEBĠYATLARI ANABĠLĠMDALI HĠNDOLOJĠ BĠLĠM DALI HĠNT SĠNEMASININ EDEBĠ KAYNAKLARI: KATHĀSARĠTSĀGARA ÖRNEĞĠ Yüksek Lisans Tezi Hatice Ġlay Karaoğlu ANKARA-2019 TÜRKĠYE CUMHURĠYETĠ ANKARA ÜNĠVERSĠTESĠ SOSYAL BĠLĠMLER ENSTĠTÜSÜ DOĞU DĠLLERĠ VE EDEBĠYATLARI ANABĠLĠMDALI HĠNDOLOJĠ BĠLĠM DALI HĠNT SĠNEMASININ EDEBĠ KAYNAKLARI: KATHĀSARĠTSĀGARA ÖRNEĞĠ Yüksek Lisans Tezi Hazırlayan Hatice Ġlay Karaoğlu Tez DanıĢmanı Prof. Dr. Korhan Kaya ANKARA-2019 TÜRKĠYE CUMHURĠYETĠ ANKARA ÜNĠVERSĠTESĠ SOSYAL BĠLĠMLER ENSTĠTÜSÜ DOĞU DĠLLERĠ VE EDEBĠYATLARI ANABĠLĠMDALI HĠNDOLOJĠ BĠLĠM DALI HĠNT SĠNEMASININ EDEBĠ KAYNAKLARI: KATHĀSARĠTSĀGARA ÖRNEĞĠ Yüksek Lisans Tezi Tez DanıĢmanı: Prof. Dr. Korhan Kaya Tez Jüri Üyerileri: Adı Soyadı Ġmzası ………………………… ..…………………………. …………………………. …………………………… …………………………. …………………………… …………………………. ……………………………. …………………………. ……………………………. Tez Sınav Tarihi………………… TÜRKĠYE CUMHURĠYETĠ ANKARA ÜNĠVERSĠTESĠ SOSYAL BĠLĠMLER ENSTĠTÜSÜ MÜDÜRLÜĞÜNE Bu belge ile bu tezdeki bütün bilgilerin akademik kurallara ve etik davranıĢ ilkelerine uygun olarak toplanıp sunulduğunu beyan ederim. Bu kural ve ilkelerin gereği olarak, çalıĢmada bana ait olmayan tüm veri, düĢünce ve sonuçları andığımı ve kaynağını gösterdiğimi ayrıca beyan ederim. (24/06/2019) Tezi Hazırlayan Öğrencinin Adı ve Soyadı Hatice Ġlay Karaoğlu Ġmzası ÖNSÖZ Bir sinema filmi, yazılı bir eserin konusundan yararlanabildiği gibi konunun eserdeki sunumundan da yararlanabilmektedir. Burada bahsi geçen sunum, hikâyenin -
51 International Film Festival of India, 2020
51st Hkkjr dk 51ok¡ vUrjkZ"Vªh; fQ+Ye lekjksg] 2020 51st International Film Festival of India, 2020 vkf/kdkfjd foojf.kdk: Hkkjrh; flusek Official Catalogue: Indian Cinema Hkkjr dk 51ok¡ vUrjkZ"Vªh; fQ+Ye lekjksg] xksok 51st International Film Festival of India, Goa TkUkOkjh 16-24, 2021 January 16-24, 2021 vk;kstd & fQYe lekjksg funs'kky; lwpuk vkSj izlkj.k ea=ky;] Hkkjr ljdkj Organized by the Directorate of Film Festivals Ministry of Information and Broadcasting, Government of India 001 OFFICIAL CATALOGUE INDIAN CINEMA IFFI 2020 Festival Director: Chaitanya Prasad, Additional Director General Indian Panorama, Indian Sections & Administration: Tanu Rai, Deputy Director Editors: Shambhu Sahu (English), Pankaj Ramendu (Hindi) Assisted by: Kaushalya Mehra, Arvind Kumar, Kamlesh Kumar Rawat Festival Coordinator: Sarwat Jabin, Rudra Pratap Singh, Shyam R Raghavendran, Design & Creative Director: Mukesh Chandra Photograph (Jury): Photo Division Acknowledgements: NFAI/NFDC/Film Producers/Production Houses for providing the films and other related materials. We are also grateful to various film and festival publications/websites, the extracts from which have helped enrich this book. All views expressed in this publication are not necessarily that of the editor or of the IFFI Secretariat. Published by the Directorate of Film Festivals Ministry of Information & Broadcasting Government of India You can visit us at www.iffigoa.org. www.dif.gov.in Hkkjr dk 51ok¡ vUrjkZ"Vªh; fQ+Ye lekjksg] xksok 51st International Film Festival of India, Goa TkUkOkjh 16-24, 2021 January 16-24, 2021 003 UNION MINISTER INFORMATION & BROADCASTING AND ENVIRONMENT, FOREST & CLIMATE CHANGE GOVERNMENT OF INDIA MESSAGE I welcome you all to the 51st edition of the International Film Festival of India. -
Shringar Cinemas Limited
DRAFT RED HERRING PROSPECTUS Dated [l] Please read Section 60B of the Companies Act, 1956 (Draft Red Herring Prospectus will be updated upon RoC filing) 100% Book Building Issue Shringar Cinemas Limited Registered Office: B/103, Kailash, Juhu Church Road, Juhu, Mumbai – 400 049, India Tel: +91 22 2625 5900; Fax: +91 22 2625 5272; Website: www.shringar.co.in Email: [email protected] Corporate Office: Fame Adlabs, 2nd Floor, Andheri Link Road, Oshiwara, Andheri (W), Mumbai 400 053 (India) Tel: +91-22-5640 3640 (Our Company was incorporated on October 26, 1999 as “Shringar Cinemas Private Limited” and converted into a public company “Shringar Cinemas Limited” on December 19, 2004 under the Companies Act 1956.) PUBLIC ISSUE OF EQUITY SHARES COMPRISING OF 81,50,000 EQUITY SHARES OF FACE VALUE RS.10/- EACH AT A PRICE OF RS. [l] FOR CASH AT A PREMIUM AGGREGATING RS. [l] LACS (HERE IN AFTER REFERRED TO AS THE “ISSUE”), INCLUDING EMPLOYEE RESERVATION OF 250,000 EQUITY SHARES OF FACE VALUE RS.10/- EACH AT A PRICE OF RS. [l] FOR CASH AGGREGATING RS. [l] LACS AND NET ISSUE TO THE PUBLIC OF 79,00,000 EQUITY SHARES OF FACE VALUE RS.10/- EACH AT A PRICE OF RS. [l] FOR CASH AGGREGATING RS. [l] LACS (HERE IN AFTER REFERRED TO AS THE “NET ISSUE TO THE PUBLIC”) AND THE ISSUE WOULD CONSTITUTE 25.82% OF THE POST ISSUE PAID-UP CAPITAL OF SHRINGAR CINEMAS LIMITED. PRICE BAND: Rs. [l] TO Rs. [l] PER EQUITY SHARE OF FACE VALUE Rs.10 ISSUE PRICE [l] IS TIMES OF THE FACE VALUE AT THE LOWER END OF THE PRICE BAND AND [l] TIMES OF THE FACE VALUE AT THE HIGHER END OF THE PRICE BAND The Issue is being made through the 100% book building process where 50% atleast of the Net Issue to the Public shall be issued on a discretionary basis to qualified institutional buyers.